- 5/29/2025
Category
🎥
Short filmTranscript
00:00:00Morning, Mr. Warkoff.
00:00:16Oh, my.
00:00:18Hey, thanks.
00:00:19Mr. Warkoff is coming.
00:00:30Mr. Warkoff is coming.
00:00:34Mr. Warkoff's coming.
00:00:37Mr. Warkoff.
00:00:45Mr. Warkoff is coming.
00:00:48Mr. Warkoff's coming.
00:00:50Hey, excuse me.
00:00:51Mr. Warkoff is coming.
00:00:54Mr. Warkoff's coming.
00:00:55hey dad i thought you'd want to know grandpa's on his way in well of course i want to know
00:01:01does lamely know he's here yeah i told him i told you never to tell him anything whose son
00:01:07are you anyway is that multiple choice
00:01:10ah there you are theresa oh good morning mr lamely where's the guest list for the testimony
00:01:26oh i'll bring it right in please right away
00:01:29i can hear him coming
00:01:40here he comes
00:01:46morning mr borkov you're looking great wb
00:01:57uh good to see you grandpa
00:02:00so what's the story
00:02:19uh we're all ready to shoot the uh motorcycle vampire show just as soon as you say the word
00:02:25mr borkov if you don't mind sir i'd like you to take a look at the guest list for your testimonial
00:02:29banquet is that it this isn't what i came to hear you dummies i'm in the movie business i'm not a
00:02:36caterer cigar you talk to me about the quarterly reports i'll tell you if you don't know they stink
00:02:43i want to hear about blockbuster grosses everybody's making money but me will you hurry up with that cigar
00:02:49calms me down here i'd
00:02:52mmm castro what i want is a buffo sucko kiss my grosses movie
00:02:58give them the book
00:03:00do you know this book the happy hooker sounds right up your alley rodman this is a great book millions of people love this book i want this book to be a blockbuster movie you hear me i want it to be bigger than the sound of music oh it's gonna be a musical oh shut up you dummy if you want to keep on being my son-in-law you get me this book you get me this girl this uh
00:03:05writer hooker what's the name xavier hollander hey smart boy takes half of his mother he's gone places you get me this book you get me this girl this uh right a hooker what's her name xavier hollander hey smart boy takes the sorcerer he's gone places such as famous as a
00:03:34places you two what are you big shop producers i'm sure that even you are aware that i can't
00:03:39live forever i want you to prove to me that one of you has enough balls to run this place
00:03:44and how do you do that your whiner your diner i don't care if you have to kiss or tuckers
00:03:48but give me the rights to this book
00:03:50so what are you waiting for a bus get the examiner hollander
00:04:20uh
00:04:37uh
00:04:50The boys downtown were right, Sauviera.
00:05:05You are the best.
00:05:07Do they really say that?
00:05:09Oh, yeah. And more.
00:05:12But of course, they're very respectful.
00:05:15Of course.
00:05:17It's always a pleasure to serve New York's finest.
00:05:21I really wish there was some way I could let you keep that.
00:05:25But you see, it's from the evidence locker, and it's got to go back.
00:05:28You sweet little boy in blue.
00:05:30Just consider this my contribution to the policeman's board.
00:05:35Now, you better run along and catch some bad men.
00:05:41Right.
00:05:42I'll probably never see you again.
00:05:52My name doesn't get to the top of the list again until sometime in 1993.
00:05:56So thanks.
00:05:56Yes, Sauviera.
00:06:06Maxine, darling, please tell Lori and Susie I'd like to see them.
00:06:09Will do.
00:06:10Also, lawyer George is here.
00:06:12He says it's urgent.
00:06:13Ask him to wait in my office.
00:06:14Yes, I'll be right down.
00:06:26Sauviera says you're very good.
00:06:29Oh, does she really?
00:06:30I suppose it must be very hard.
00:06:34I am?
00:06:35Oh, yes.
00:06:38Yeah.
00:06:39Yeah, I suppose it is.
00:06:43Oh, don't bother getting up, George.
00:06:45Max, would you ask Sylvia if she would model that new outfit for George?
00:06:49We'll let a man decide.
00:06:51Sauviera, you look wonderful.
00:06:55Thank you, darling.
00:06:57Lori, you've been working on that piece forever.
00:07:00I know.
00:07:02There never seems to be enough time.
00:07:04What is it?
00:07:06Position 23 from the Kama Citra.
00:07:09It's my favorite book.
00:07:11After yours, Sauviera.
00:07:14That's what I came to tell you.
00:07:17Your book.
00:07:19They want your book.
00:07:20They want to make it into a movie.
00:07:21Hollywood wants your book.
00:07:23Hollywood?
00:07:25I got a call from a, um, Joseph E. Rotman.
00:07:29Now, I did some research,
00:07:30and this Rotman is a producer for Warkoff Brothers Studio.
00:07:34W.B. Warkoff?
00:07:34The same.
00:07:35And Rotman wants to know if you're available to go to L.A. and talk it over.
00:07:39What did you tell him?
00:07:40Nothing.
00:07:41I told him I'd discuss it with you first, and then we'd let him know.
00:07:43Oh, good.
00:07:45Sylvia, darling, you look absolutely divine.
00:07:48Come, show George.
00:07:50She's been trying her hand at fashion design.
00:07:52Would you believe she's entirely self-taught?
00:07:56She made this unbelievable dress for me, George.
00:08:00You'll have to come upstairs sometime and see it off me.
00:08:04Oh, yes.
00:08:06Max, guess who's going to Hollywood?
00:08:09Yes, they're going to make Salveira's book into a movie.
00:08:12I haven't said yes yet, Susie.
00:08:14Yeah, but you will when you hear about the money.
00:08:17How much are they going to pay?
00:08:19Film rights to bestseller could go for as much as three million.
00:08:23And it's legal.
00:08:24Holy shit!
00:08:25Be careful, Salveira.
00:08:27Those Hollywood characters can be awfully slick.
00:08:31Oh, Max, why are you so negative?
00:08:34Warkoff Brothers Studio wants to make her book into a movie,
00:08:37and I think it's absolutely wonderful.
00:08:40Really, I do.
00:08:40So do I.
00:08:42But Max has a point.
00:08:43That's why I've decided to take their offer and go to Los Angeles.
00:08:47All right!
00:08:48If they're going to make a film about me,
00:08:50I want to make sure they do it right.
00:08:52Yeah, you tell them, honey.
00:08:53Passengers from TWA Flight No. 7 from New York
00:09:13have now arrived at Gate 35.
00:09:19Pardon me.
00:09:20Excuse me.
00:09:22I'm sorry.
00:09:23Pardon me.
00:09:23Pardon me.
00:09:24Oh, God.
00:09:30Uh, uh, uh, uh, uh, Miss, uh, uh, excuse me.
00:09:34I'm sorry.
00:09:35Miss, uh, Miss, uh, I'm sorry.
00:09:36Excuse me.
00:09:37Miss Hollander, um, excuse me.
00:09:38Miss, Miss Hollander, uh, I.
00:09:42What's your name?
00:09:43Chuck.
00:09:47Thank you, Miss Hollander.
00:09:49My pleasure.
00:09:51Pardon me.
00:09:52Uh, excuse me.
00:09:53Excuse me.
00:09:53Excuse me.
00:09:54Miss Hollander.
00:09:54Yes?
00:09:55Of course.
00:09:56I'm sorry.
00:09:57Do you have a pen?
00:09:58Oh.
00:10:00What's your name?
00:10:01Robbie.
00:10:02Uh, Robert Rotman.
00:10:04Rot.
00:10:05You're not?
00:10:07No, no, please.
00:10:08Sign it.
00:10:09Aren't you rather young to be a producer?
00:10:12I expected someone with a potbelly.
00:10:14Oh, that's my father, Joseph Fee.
00:10:16He's very sorry he couldn't make it, and I hope you're not insulted or anything.
00:10:19Oh, not at all.
00:10:20His stand-in is charming.
00:10:22Why don't we go and have a drink and let the chauffeur come and get the luggage?
00:10:27If your father is half as persuasive as you are, I may be in a lot of trouble.
00:10:35Lead on.
00:10:36Passengers from T.W.A. flight number seven from New York.
00:10:46One more.
00:10:47Yes, yes, I like it very much.
00:10:49No, that's beautiful.
00:10:50Oh, you're marvelous.
00:10:51Oh, yeah.
00:10:52Mr. Rotman, please.
00:10:53Over here, please.
00:10:54Thank you, Mr. Rotman.
00:10:56Da-da-da-da.
00:10:57One more, Miss Hollander.
00:10:57Must fly, boys.
00:10:59One more.
00:11:00Ow!
00:11:02Well, you're certainly a nice piece of work.
00:11:04Well, thank you, Miss Hollander.
00:11:06Mr. Rotman asked me to make sure that all your needs were taken care of.
00:11:09My name is...
00:11:10Oh, no.
00:11:10Please don't tell me.
00:11:12Might be more fun that way.
00:11:35Thank you, Miss Tillent.
00:11:50Thank you, Miss Hollander.
00:11:54Let's go.
00:12:13Very nice, very nice.
00:12:16Sticky.
00:12:18Very nice, very nice.
00:12:24And now, from Hollywood,
00:12:28it's the Rita Peter Show.
00:12:30Is she on yet? Sit down!
00:12:32Be quiet, it's just getting started.
00:12:34Hey, hey, get out of the way, kid.
00:12:36I can't see.
00:12:37The bestseller, The Happy Hooker.
00:12:39And now, here's Rita.
00:12:41So, uh, tell me, Cinderella.
00:12:44It's not Cinderella, it's Xavier.
00:12:46If you prefer, I wasn't aware
00:12:48that you could pronounce it both ways.
00:12:50You can't.
00:12:51In any case, I'm sure our viewers would like to know
00:12:54what vitamins you took to recover so quickly
00:12:57from that massive plastic surgery.
00:13:00I'm sorry.
00:13:01I really don't know what you're talking about.
00:13:03Oh, this is The Rita Peter Show.
00:13:05We let it all hang out.
00:13:07So, please, Saranarola, don't be inhibited.
00:13:10I never do, and it's Zaviera.
00:13:12Would you like to ask me about my book?
00:13:14Oh, you write, too?
00:13:16Yes, it's called The Happy Hooker,
00:13:18and I'm proud to say it's doing very well.
00:13:21Oh, wonderful.
00:13:22Well, I'm sure that'll help to pay
00:13:24for having your eyes, thighs, and breasts done.
00:13:27Oh, but tell me, darling, the question
00:13:28that must be on everyone's mind.
00:13:30Have you slept with anyone interesting
00:13:33since coming to Hollywood?
00:13:35You mean, besides you?
00:13:38This title, The Happy Hooker,
00:13:43is it really about you-know-what?
00:13:45To tell the truth,
00:13:47I thought it was about making rugs.
00:13:50This is not gonna be easy.
00:13:53I like her style.
00:13:54What do you think, W?
00:13:55I think women should be felt and not heard.
00:14:08Yes, Miss Hollander.
00:14:17Tell me, is this Rita Bita always so charming?
00:14:21Always.
00:14:22The studio put you on her show
00:14:24to see how tough you are under pressure.
00:14:26Did I pass their little test?
00:14:28Oh, with flying colors, ma'am.
00:14:30What would your employers think about
00:14:32your giving away their secrets?
00:14:34I don't care.
00:14:35A lady like you should be treated with respect.
00:14:39Charming.
00:14:40Disloyalty like yours should be rewarded.
00:14:43Would you like some champagne?
00:14:45Well, thanks.
00:14:47But not while I'm driving, ma'am.
00:14:50Then you'd better pull over.
00:14:52A lady like me should never drink alone.
00:15:05You see, this movie could be big.
00:15:29I don't think you realize how big this movie could be.
00:15:32Oh, but I think I do.
00:15:33My publisher says that the book will be on the bestseller list forever.
00:15:36Book schmooks.
00:15:37Do you know anybody who reads books?
00:15:39Books are made for coffee tables
00:15:41or for something to look at while you're sitting on the toilet.
00:15:44But movies, movies aren't made for the world.
00:15:47And that takes vision.
00:15:49And I have that vision.
00:15:51Mr. Warkoff has that vision.
00:15:53Great man, Mr. Warkoff.
00:15:56I'm sure he is.
00:15:58Believe me, W.B. has his finger on the pulse of the world.
00:16:02Did you hear that?
00:16:03Not the nation.
00:16:04The world.
00:16:05Must be very stimulating for a man of his age.
00:16:09Saviara.
00:16:19Joseph.
00:16:24Look at that wall.
00:16:28What do you see?
00:16:29Nothing.
00:16:30A wall.
00:16:31Of course you see a wall.
00:16:34But I see movies.
00:16:40That's why I'm a producer and you're a pros...
00:16:42Uh, uh, what you are.
00:16:44Don't be embarrassed, Joseph.
00:16:46As it says in the book, I'm a hooker.
00:16:48And a very good one.
00:16:50Proud.
00:16:51I like that.
00:16:52Very proud.
00:16:54I do my best.
00:16:57Where was I?
00:16:58You were talking to the wall.
00:17:01I look at the wall and I see you as a little child in your native Sweden.
00:17:06Holland.
00:17:07Whatever.
00:17:20I see you in your teenage years.
00:17:23Orphaned and poor.
00:17:25Unable to pay your boarding school tuition.
00:17:28Alone in a world too cruel for you and your innocence to understand.
00:17:33Your teachers take advantage of you, forcing you into a life of sin and depravity.
00:17:41Whatever makes you say that?
00:17:44What?
00:17:45I saw it on the wall.
00:17:47But it's not in my book.
00:17:48No such thing ever happened.
00:17:50But it could have happened.
00:17:51That's what I mean by vision.
00:17:53Imagination.
00:17:55We have to build up the audience's sympathy.
00:17:57After you, Denise.
00:17:58Thank you, Mr. Lamely.
00:18:00Bon giorno.
00:18:01Oh, Dennis.
00:18:02Uh, set up right over there.
00:18:03It'll be fine.
00:18:08Oh, Lamely, I want you to see this stuff.
00:18:12Here, let me give you a hand.
00:18:13Thank you, Joseph.
00:18:18This is very important, really, to sell.
00:18:20Yes.
00:18:21Yes, I will.
00:18:22You are fantastic.
00:18:27Uh, Dennis here did, uh, all the sets for my last film, The Leather Boys of Venus.
00:18:32Went to art school and everything.
00:18:33Uh, show us what you got, Dennis.
00:18:35Yeah, Dennis, show us what you got.
00:18:37Well, so far, I've been concentrating on the layouts.
00:18:42Tacky phrase, I know, for Miss Hollander's New York brothel as it will be seen in the film.
00:18:47I see it as an east side brownstone.
00:18:50Mm-hmm.
00:18:51These large windows here at street level will serve as showcases for the girls to display their wares and lure the Trixin off the street.
00:19:00They do that a lot in New York City.
00:19:02They do that a lot in New York City.
00:19:03Inside, we'll have many rooms, all designed to satisfy the varied tastes of Xavier's clientele.
00:19:11And now, the private torture chamber for the S&M sequence.
00:19:21The walls are all done in black vinyl.
00:19:24The manacles and leg irons are chromium.
00:19:27It's all very butch.
00:19:29Brilliant, Dennis.
00:19:31Well, you can almost feel the whips.
00:19:33What do you think, Lamely?
00:19:35Unbelievable.
00:19:36I took the liberty of having the prop department work up this little baby.
00:19:42I thought the color would zing out against the black vinyl and add sort of a feminine touch.
00:19:50May I, uh, hold that?
00:19:59All of this creativity makes me rather hungry. Would you care to join me? We could start with lunch.
00:20:04And after lunch?
00:20:05Let your appetite be your guide.
00:20:07I'd love to.
00:20:09Oh, but, you know, no real, no real marbles.
00:20:13Where are you going with her, Lamely? We haven't finished taking our meeting.
00:20:16Joseph, darling, it's all too much for me to deal with on an empty stomach. Ciao.
00:20:21You really should do something about that wall, Joseph. Very dull.
00:20:26Mr. Rotman.
00:20:28Oh, shut up, you faggot.
00:20:30Oh, Mary.
00:20:32Mary.
00:20:46Thank you, Lamely.
00:20:47Thank you, Mr. Linley.
00:20:49I think we've exhausted the subject of Joseph Rotman.
00:20:54In a town filled with stupid people.
00:20:58Let's just say that he's the most boorish and most tasteless.
00:21:02You dismiss people easily.
00:21:04Rotman's easy to dismiss.
00:21:06What do you want?
00:21:08I want to make the film of your book.
00:21:10I want to make love to you.
00:21:12In that order.
00:21:14Let's get out of here.
00:21:16This is California.
00:21:17Let's do something wonderful in the sun.
00:21:31You know, I'm glad I could get you guys together tonight.
00:21:34Mary and Miles are probably the most talented screenwriting team in this town.
00:21:37Let me say this right up front, Xavier.
00:21:40Marion and I both read your book, and we were very excited about the possibilities for film.
00:21:45What amazed me was that your Johns are so young.
00:21:49Excuse me, Marion, but in the book, Xavier calls them customers.
00:21:53Sorry.
00:21:54Can I freshen your drinks, Marion?
00:21:56Miles?
00:21:57No, we're fine.
00:21:58Xavier?
00:21:59Hurry back.
00:22:07Let's get out.
00:22:09Come on.
00:22:10Yes, you.
00:22:11Rec Ef daten
00:22:25Here we go.
00:22:26I don't understand you, darling.
00:22:46Why don't you just sign the bitch, give her her money, and send her back to New York?
00:22:51It's not that easy, Chris.
00:22:53Maybe you're beginning to like your little dutch tart.
00:22:55Yeah, don't do a jealous number on me.
00:22:58If you want that part, you'll just let me handle it my way.
00:23:01Why don't you let me handle you my way?
00:23:07Chris, please.
00:23:10Baby, not now. Not now. Not now.
00:23:13What? You think you're such a big man taking freebies from a whore?
00:23:19That's really ugly, Chris.
00:23:23Well, you're not so cute yourself.
00:23:25I must confess, Saviara, that I've always bought that myth about madams being old, run-down prostitutes.
00:23:33But here you are, and you're very beautiful.
00:23:37Why, thank you, Miles.
00:23:39Oh, I think so, too.
00:23:41You know, you should both come to New York and see the operation for yourselves.
00:23:45Sounds delightful.
00:23:46I'll bet it does.
00:23:48Oh, don't worry, Marion.
00:23:50I think we can take care of both of you.
00:23:56Hollywood Lazy
00:23:56Hello there. Where have you been?
00:24:03Oh, Jack McMartin trapped me into talking about some crazy deal.
00:24:07What could I do?
00:24:07Why do you waste your time with that jerk?
00:24:09Oh, there's no percentage in being rude, Miles.
00:24:13How are you getting along?
00:24:14Very well, I think.
00:24:16Yes.
00:24:18Well, if Marion and Miles will write the screenplay, you've just bought yourself a book.
00:24:23That's wonderful.
00:24:25Uh, we haven't talked money yet.
00:24:27Oh, let's not haggle, darling. I'm sure you can afford me.
00:24:30Let's dance.
00:24:34Yowza!
00:24:34Oh, yeah.
00:25:04Can we get the blue scene, sliding on a white screen?
00:25:11If you hold me tight there, I could stay all night, dear
00:25:16Squeezing till I holler, parking for a dollar
00:25:22Hollywood crazy, Hollywood lazy
00:25:27Paradise is open, can we take your coat, man?
00:25:32Life is contagious, money is outrageous
00:25:37Catch a star, maybe, maybe she could save me
00:25:42Hollywood can buy you, it'll hypnotize you
00:25:47Waiting for the car, girl, man, it's such a small world
00:25:53Hollywood's a pet scheme, Hollywood's a wet dream
00:25:58Hollywood is fire, you can live and die there
00:26:03Fantastic
00:26:06Fantastic
00:26:08Oh, Zaviera
00:26:13Is this your idea of a joke?
00:26:18I think it's rather amusing
00:26:20Zaviera, you're fantastic
00:26:23Yes, yes, you're so fantastic
00:26:26Now you have a record of your conquest
00:26:30Why the hell did you do this?
00:26:33Call it actor's research
00:26:35If I'm going to play that pig
00:26:37I ought to know what kinds of grunts she makes when she's in heat
00:26:40You're gonna blow the whole deal
00:26:42You know that?
00:26:43I still don't have her name on a contract
00:26:46Lionel Langley, the great seducer
00:26:50Well, you didn't have to go to sleep with that whore for any deal
00:26:53Would you keep your voice down if she hears you?
00:26:55You just want to put another notch right on your mouth
00:26:56Would you keep your voice down?
00:26:57Well, let her hear me
00:26:58If she does, it's alright
00:26:59She knows what she is
00:27:00Don't be stupid
00:27:01Look, I'm doing this for you
00:27:06You haven't worked in a year and a half, hmm?
00:27:10So if you're smart, you'll just get out of here before she wakes up
00:27:15Don't start believing your own bullshit
00:27:18You're doing this for you
00:27:20Sure I am
00:27:23Old man Warkoff wants that property so bad he'd sell his soul
00:27:26And until he gets it, I'm gonna do whatever I have to
00:27:29To be his good little boy
00:27:33I'm gonna make this film
00:27:36And I'm gonna run that studio
00:27:41Okay
00:27:50Good morning darling, you sleep well?
00:28:00I just woke up
00:28:02Good, we have company
00:28:04Do we?
00:28:05Mm-hmm
00:28:06Chris is a neighbor, an actress
00:28:08And I've known her for a long time
00:28:10How nice
00:28:11She's been dying to meet you
00:28:13But I told her I couldn't wake you
00:28:18Well, now that you've met me, you won't die, will you?
00:28:20No
00:28:21Of course not
00:28:22But she's gonna have to leave
00:28:24Oh, but she doesn't
00:28:26You can stay and have breakfast, won't you?
00:28:28Thank you
00:28:29Thank you
00:28:30I think I will
00:28:37Darling
00:28:38And now that we have only two grapefruit
00:28:42I think you should have mine
00:28:46Yay!
00:28:48Remember that movie, Lamely?
00:28:53Here's a new twist
00:28:55For you
00:29:09And you can take your deal and shove it
00:29:11Hello, Miss Howard
00:29:12Goodbye, Miss Howard
00:29:14Sophia!
00:29:16What do you want?
00:29:17Uh, from you, Mr. Lamely, nothing
00:29:37Can I give you a lift?
00:29:40Excuse me, Miss Hollander
00:29:41But I have something here I'd like very much for you to read
00:29:44Beat it!
00:29:46Oh, maybe some other time
00:29:57Uh, you may remember at our last meeting 20 feet ago
00:29:59I told you I had something I'd like to show you
00:30:01I still have it
00:30:04What is it? What do you want?
00:30:06I've written a film treatment of your book
00:30:08I'd like you to read it
00:30:09I have tolerated your father's kinky fantasies
00:30:12I have listened while he painted his little pictures on the wall
00:30:16I have been lied to, wined, dined, and seduced by a bastard
00:30:23Me, imagine, conned right out of my pants
00:30:27I have had it, understand? Had it!
00:30:30I understand, you've had it
00:30:32I understand, you've had it
00:30:39Well, what about the film?
00:30:40What about it? I don't care, I'm going back to New York
00:30:45Oh, really? On foot?
00:30:48It's an awful long way
00:30:49It's an awful long way
00:30:54Come on
00:30:55Come on
00:31:10This is good, Robbie, this is very good
00:31:12I'm glad you like it
00:31:13I really believe in the things you were saying in your book
00:31:16I can see that
00:31:17You know your father, or lamely, never bothered to read my book?
00:31:20You're probably right
00:31:22So what do you say?
00:31:24Well, what can I say?
00:31:25Robbie, you're a nice guy
00:31:26And I like your ideas for the film
00:31:28But I wouldn't go near Wokoff Brothers Studios for love or money
00:31:32What am I saying?
00:31:35Forget Wokoff, forget all of them
00:31:38I will, but who's going to make the movie?
00:31:41We will
00:31:48I told you to buy a book, a simple thing
00:31:51All you did was spend a lot of money and make me look like a jerk
00:31:54But Mr. Wokoff...
00:31:55Shut up, dummy!
00:31:56Your son, he's a traitor
00:31:59He's helping that hooker, I tell you
00:32:01If I don't make this movie, nobody does
00:32:03Find out where the money's coming from and stop it
00:32:06Did you hear me good?
00:32:07Stop that movie!
00:32:09No!
00:32:10No!
00:32:11No!
00:32:12Come on, Shakespeare
00:32:13Rise and shine
00:32:14Your typewriter awaits
00:32:16The music swells her delicate fingers
00:32:20Massage oil into his chest
00:32:23I made some nudes
00:32:31Some nudes
00:32:36I think she made some nudes
00:32:38Uh-huh
00:32:53Yeah!
00:32:55Ei-ea-ea-ea-ya-e!
00:32:56Aaaa-a- owns
00:33:07Yeah, yeah, yep.
00:33:30All right.
00:33:31Well?
00:33:32It's the last bank on the list.
00:33:33They never heard of her.
00:33:34Well, if she isn't getting money from the banks...
00:33:35If she isn't dealing with any other studio...
00:33:37Where's she getting the money?
00:34:07No, I'm not.
00:34:08Hey!
00:34:09Hey!
00:34:10Wait for me!
00:34:12Hey, hey, wait for me!
00:34:40Hello, Pleasure Productions.
00:34:42Let me switch you to the production department.
00:34:47Hello, Pleasure Productions.
00:34:50Yes, sir.
00:34:52Oh, I'm sorry, Laurie's busy at that time.
00:34:54But I can make an appointment for you.
00:34:58Xavier wants to say.
00:35:00Xavier.
00:35:01Hallelujah.
00:35:03Hallelujah.
00:35:06I beg your pardon.
00:35:08May I help you, sir?
00:35:09Uh, a friend of mine gave me this address, but, uh, I'm not really sure if I'm in the right place.
00:35:16What exactly did you want?
00:35:19I, uh, made a reservation by phone.
00:35:23Yes, sir?
00:35:24I wanted to, uh, could you tell me where I could find, uh, little Bo Peep?
00:35:33Oh, she's right at the top of the stairs.
00:35:38She's expecting you.
00:35:39Come in.
00:35:58Processing.
00:36:08It, uh, comes to this.
00:36:13That's quite a bit, isn't it?
00:36:15Oh, well, I'm sure we can arrange credit.
00:36:17I don't believe in credit.
00:36:19With me, it's cash or barter.
00:36:22Well, I've always liked cash myself.
00:36:26Barter.
00:36:29What have you got to trade that's worth this?
00:36:32Oh, oh, oh, oh, oh, uh, um, I, I see.
00:36:52Not yet you haven't.
00:36:55Hey, have you seen our, uh, darkroom facilities?
00:36:59I thought you'd never ask.
00:37:01Best in Hollywood.
00:37:04Watch your step here.
00:37:06Be very careful.
00:37:07You just go right on in and I'll be right there.
00:37:12We need a house we can shoot at the East Hampton Mansion.
00:37:16Amber and Susie for that.
00:37:17They're upstairs.
00:37:23Poor baby.
00:37:25There'll be time for that later.
00:37:27I don't know if I can make it.
00:37:29Stick with me, kid.
00:37:30I'll make you a director.
00:37:32You promise?
00:37:34Yes, this is wonderful.
00:37:35The basement?
00:37:36No, no, no.
00:37:37Um, upstairs is perfect.
00:37:39How many bedrooms did you say?
00:37:40Seven.
00:37:41Uh-huh.
00:37:42But, of course, you know, we have two complete bedrooms on the ground floor.
00:37:45Good, good.
00:37:45What happened to your two friends?
00:37:47I've seen two...
00:37:48Oh, Amber and Susie.
00:37:49Yeah.
00:37:49Oh, I'm sure they're all right.
00:37:51It's a big house.
00:37:52Yes, it is.
00:37:52It comes even complete with a game room, including a billiard table.
00:37:57We only need the house for two days.
00:38:15Oh, no, no, no.
00:38:19We usually don't rent by the day.
00:38:23But I think I could manage both of them.
00:38:25I mean, two days, two days, two days.
00:38:27Fine, fine.
00:38:27About the rent.
00:38:30I was hoping you were going to say that I was looking at it.
00:38:37Amber Rental placed 20 minutes ago.
00:38:41Hi.
00:38:42I'm here for an audition.
00:38:44Uh, casting is to the right of the stairs.
00:38:46Okay, thanks.
00:38:48Robbie!
00:38:49You're needed in casting.
00:38:51Be right there.
00:38:53Okay.
00:38:55We're averaging just over $600 an hour.
00:38:57It's not good enough.
00:38:58Well, maybe I better go upstairs and see if I can't just...
00:39:01Oh, no.
00:39:02Finish the count.
00:39:04Go into casting.
00:39:05I'll take care of upstairs.
00:39:09We'll never have any fun around here.
00:39:12Did I get this in?
00:39:13Uh, upstairs, second door on the right.
00:39:17Amber, I need to talk with you.
00:39:19Delegatessen!
00:39:36Come in!
00:39:37Woo!
00:39:37Ho, ho, ho, man.
00:39:40Ho, ho, ho, ho.
00:39:41Ho, ho, ho, ho, ho.
00:39:43Joy, Pecker?
00:39:45Joy Pecker.
00:39:51Oh, I'm Joy Pecker.
00:39:53Mr. Rotman will see you now.
00:39:55Right this way.
00:40:02Mr. Rotman, this is Joy Pecker.
00:40:07Hi, I'm Joy Pecker.
00:40:11And I'm Robbie Rotman.
00:40:12Won't you have a seat?
00:40:14Thanks.
00:40:15Let's see here.
00:40:21Oh, no, no, no.
00:40:22I have to get to work.
00:40:23Please, please, I have to get back to work.
00:40:25Don't you want your sandwich?
00:40:26You want to roll it?
00:40:27You're a young one.
00:40:29Most of the time they're so old.
00:40:32Well, I'm almost brand new.
00:40:37I'd like to do my piece for you.
00:40:39It's a classic.
00:40:42Yeah.
00:40:42Well, I'm sure it is.
00:40:45But wouldn't you rather just read?
00:40:48That's all right.
00:40:49I've done it so many times that I know it by heart.
00:40:55Oh.
00:40:56Oh.
00:40:59It's by William Shakespeare.
00:41:03Good old Bill.
00:41:13I would not.
00:41:19Though tis my familiar way with men
00:41:22to play the lap wing
00:41:25and to jest
00:41:26tongue
00:41:28far from heart
00:41:37play with all virgins so
00:41:40I hold you
00:41:46I hold you as a thing
00:41:49enskied and sainted
00:41:51thank you
00:41:58Mrs. Pinker
00:41:59thank you Mr. Rothman
00:42:04don't mention it
00:42:06I think the interview
00:42:10is over now
00:42:11plus a hundred
00:42:12five twenty
00:42:15four two six
00:42:16hundred and fifty nine
00:42:18oh look at that
00:42:19eight hundred
00:42:20thank you
00:42:22plus eight
00:42:25hundred
00:42:26let's see
00:42:27this one
00:42:28Xavier
00:42:37where's the Xavier
00:42:38Xavier
00:42:39Xavier
00:42:40today's total
00:42:43come on tell us
00:42:45what is it
00:42:46come on
00:42:47nice I want you
00:42:48and George to help
00:42:49me with the press
00:42:49release
00:42:50okay
00:42:51Robbie I want you
00:42:52to go and tell
00:42:52the other girls
00:42:53the other girls
00:42:53right
00:42:53stairs
00:42:54now
00:42:57have fun
00:42:59walk
00:43:04someone get some champagne
00:43:15we're all gonna make a movie
00:43:17and we're all gonna make a movie
00:43:17all the way we see it
00:43:31Mr. Workoff
00:43:32there's no way
00:43:33that a bunch of prostitutes
00:43:34are gonna make a film
00:43:35that can hurt us
00:43:35that's not what I want to hear
00:43:37namely
00:43:37I'm very disappointed
00:43:39on both you guys
00:43:40I ask you
00:43:41is it so difficult
00:43:42for you two big shots
00:43:43to buy the rights
00:43:44for some little book
00:43:44I ask you to close down
00:43:46a fly-by-night production
00:43:47and what do I get
00:43:49headlines and variety
00:43:50I guess this time
00:43:51I showed you boys
00:43:52what it really means
00:43:54to get tough
00:43:54give me a minute
00:43:55you know when I say tough
00:43:57you know I don't mean like
00:43:59tough
00:43:59I hate jobs
00:44:02move it
00:44:02and don't be late
00:44:07Amber
00:44:08Amber get the costumes
00:44:09out of the truck
00:44:10Noi my dear
00:44:11you have five minutes
00:44:12are you going to be ready
00:44:12go over the lines
00:44:14a couple more times
00:44:15wait right here for me
00:44:16okay
00:44:16to be
00:44:17or not to be
00:44:18Amber please help
00:44:19get the costumes
00:44:20is there a question
00:44:20hi
00:44:24hi yourself
00:44:26you wouldn't be
00:44:28Xaviara Hollander
00:44:28no
00:44:30I could never be
00:44:31Xaviara
00:44:32but she's on the set
00:44:33we're making a movie
00:44:35I know
00:44:35I know
00:44:36I'm from the camera rental
00:44:37you know we haven't
00:44:38received payment
00:44:39you know what I mean
00:44:40it's been two days
00:44:41Xaviara can't be
00:44:42disturbed now
00:44:43she's emoting
00:44:45are you sure
00:44:47there isn't
00:44:48some mistake
00:44:50there's no mistake
00:44:52we really need
00:44:53that payment
00:44:53these are hard times
00:44:55I know it is
00:44:59you know
00:45:01this movie making
00:45:02goes very
00:45:04very slowly
00:45:07I guess I'll just
00:45:10have to wait
00:45:10oh I wouldn't want
00:45:12you to have to do that
00:45:13uh
00:45:14why don't you come
00:45:16along with me
00:45:16and I'm sure I can
00:45:17arrange for you
00:45:18to get everything
00:45:20you deserve
00:45:20have you seen Lori
00:45:40yeah she's making a payment
00:45:42on the camera rental
00:45:43what do you mean
00:45:44that's all been taken care of
00:45:46well I don't know
00:45:47that guy just drove up
00:45:48in that van
00:45:49uh oh
00:45:52we don't use
00:45:53ACDC
00:45:54alright come on
00:45:56let's go
00:45:56hands against the trail
00:45:57and spread them
00:45:58I wouldn't let you do that
00:46:03anyway
00:46:03you creep
00:46:04yeah come on
00:46:05this ain't no social call
00:46:06come on
00:46:08come on
00:46:08let's get to the wall
00:46:10come on
00:46:11come on
00:46:13come on
00:46:13come on
00:46:13let's go
00:46:14don't wish me so much
00:46:15oh go
00:46:16that's it
00:46:18that's it
00:46:19go
00:46:19come on
00:46:22go go
00:46:22girls
00:46:23there it is
00:46:26simple and clean
00:46:27very efficient
00:46:28well which one of you
00:46:29wants to buy me lunch
00:46:30all right
00:46:37all right
00:46:38we're pushing around
00:46:40do be careful
00:46:43with the nails
00:46:44I'd hate to lose one
00:47:00everybody take lunch
00:47:18we'll meet back in the office
00:47:19in two hours
00:47:20four o'clock okay
00:47:21two thousand apiece George
00:47:25why didn't you argue about the bail
00:47:27hey there was nothing I could do about it
00:47:28you know you got some very powerful enemies
00:47:30don't I know it
00:47:31they just cost us a big chunk of the budget
00:47:34and we haven't got a foot of film to show for it
00:47:36you're really serious about this film thing aren't you
00:47:38I never take anything too seriously or for too long George
00:47:41but I do not like to be pushed around
00:47:43yeah but you're on their turf
00:47:44what are you gonna do about it
00:47:45fight back
00:47:46dirty for dirty
00:47:48hello CJ good to see you
00:48:05thank you
00:48:06good evening
00:48:07good evening
00:48:08hello
00:48:10yes sir
00:48:21Joseph E. Rotman
00:48:23yes sir
00:48:25I was told you had a message for me
00:48:28oh well let me check
00:48:30here it is
00:48:38thank you
00:48:39thank you
00:48:39dearest Joseph
00:48:57I'm too tired to fight my true emotions
00:49:00you've made me love you darling
00:49:02I'm ready to deal
00:49:04I am your slave
00:49:06so please be kind
00:49:07room 583 10 o'clock
00:49:10love Xavier
00:49:12great evening Lionel
00:49:20you did a wonderful job
00:49:21thank you Joseph
00:49:22nice of you to see
00:49:23yeah I better get inside
00:49:25can't miss the old man's speech
00:49:26of course not
00:49:27dusk
00:49:36oh yes sir
00:49:38Lionel Lane
00:49:39yes
00:49:41you have a message for me
00:49:43oh
00:49:44I'll check
00:49:45is there anything else I can do for you
00:49:54Mr. Lamely
00:49:56my darling
00:50:04I now know better than to try to make it without you
00:50:08I pray it's not too late for us to start again
00:50:11isn't it time we negotiated
00:50:13room 581 10 o'clock tonight
00:50:17waiting for your love
00:50:19Xavier
00:50:20yes darling
00:50:32Saviara
00:50:34hello
00:50:37yes darling
00:50:45how handsome you look in your tuxedo
00:50:51let me see from the back
00:50:54oh what cute buns you have
00:50:58to be honest
00:51:00I really wasn't sure whether or not you'd want to come
00:51:04well I couldn't believe it was for me
00:51:06I mean I had never dreamed
00:51:08oh this is not a dream Joseph
00:51:10don't underestimate yourself
00:51:13men like you have a strange and powerful attraction on a woman
00:51:18we do
00:51:19I think it's your
00:51:22total lack of
00:51:23vanity that I find so
00:51:26disarming
00:51:27what the hell are you doing
00:51:40I've been riding all night night on this elevator
00:51:52some guy said it was a party on seven
00:51:55this damn thing
00:51:57only goes to six
00:51:59what do you think
00:52:01huh
00:52:02damn kids
00:52:08they rush around
00:52:09they try to push all the boltons
00:52:11buttons
00:52:14buttons
00:52:16please darling
00:52:21this means too much for us to rush
00:52:24we have all night Joseph love
00:52:29where are you going
00:52:32make yourself comfortable
00:52:34it's going to be a long and bumpy night
00:52:39I think I'll slip into something
00:52:46a little less
00:52:48confining
00:52:49less confining
00:52:57if you find a party
00:53:07you don't know where to find me
00:53:10ah
00:53:17Zafiera
00:53:18it's almost five after
00:53:19okay
00:53:19don't forget the phone
00:53:37can you ever forgive me
00:53:49it's just that I get so jealous
00:53:52oh that's the past
00:53:53it's the now
00:53:55that interests me
00:53:57I've made some special arrangements for you tonight
00:54:08promise me darling
00:54:12you'll stay right where you are
00:54:15Zafiera
00:54:15they'd have to drag me out of here
00:54:17they just might have to
00:54:19what do you think
00:54:25perfect
00:54:26no stop
00:54:40oh Joseph
00:54:48I have this hunger
00:54:50I have this need to be held
00:54:52loved
00:54:53possessed
00:54:55no please
00:54:56stay right where you are
00:54:59promise me you'll do exactly as I say
00:55:02tell me
00:55:03tell me
00:55:04I'm going into the bedroom
00:55:07yes
00:55:07yes
00:55:08I'll turn off all the lights
00:55:10and then I'll lie down on the bed
00:55:13wonderful
00:55:14wonderful
00:55:15and when the moment is perfect
00:55:20I'll call for you
00:55:23and you'll come to me
00:55:25in all your naked splendor
00:55:28splendor
00:55:29so you're in
00:55:46you've kept me waiting
00:55:48but things are worth waiting for darling
00:55:51I promise you
00:56:00tonight will be the most memorable night of your life
00:56:04so why don't you get out of your stuffy clothes
00:56:09and I'll call you into the bedroom when we're ready
00:56:13this is getting interesting
00:56:15so you're
00:56:18who's in here
00:56:19you're ruining the surprise
00:56:22the lights will be out lover
00:56:25so you'll just have to feel things out for yourself
00:56:28Xavier
00:56:29don't disappoint
00:56:32I won't
00:56:34I won't
00:56:35I won't
00:56:35I won't
00:56:36I won't
00:56:37I won't
00:56:38I won't
00:56:39I won't
00:56:40Okay, okay, okay, go, go
00:56:46Okay, stud buns
00:56:55come and get your bouncy bouncy
00:56:58bouncy bouncy
00:57:00don't say a word, my love
00:57:12just come to me
00:57:15oh
00:57:16oh
00:57:30Don't!
00:57:48Just don't say anything, Rotten.
00:57:53I don't understand.
00:57:57It's very simple.
00:57:59We found these in the elevator, and we're turning them into lost and found.
00:58:04You do have one, don't you?
00:58:08Why, yes. Thank you.
00:58:10Ladies.
00:58:11You think you never met an honest woman?
00:58:13Oh, like your tongue.
00:58:17It's locked from the other side.
00:58:20Oh, it's locked too.
00:58:22Damn!
00:58:22It's dead.
00:58:25Lossy connections, Rotten.
00:58:31Oh, is that your solution to throw things?
00:58:33Well, what's your answer, smartass?
00:58:36She's taken the towels, the curtains, and the sheets, and all she left us with is that.
00:58:45Oh, no.
00:58:47You've got a better solution.
00:58:48I'd rather be caught dead.
00:58:51You want to stay here all night?
00:58:52There are some things I won't do, and this is one of the things I won't do.
00:58:55I can't, I couldn't, and I won't.
00:59:08All clear.
00:59:09Are you sure?
00:59:10Yeah, come on, come on.
00:59:13Come on.
00:59:28Shh.
00:59:28Shh.
00:59:40Good evening, ladies.
01:00:06Good evening, ladies.
01:00:10Cancel Pittsburgh.
01:00:23I'm in love.
01:00:26You and your smart ideas.
01:00:28You've never looked lovelier, Joseph.
01:00:30Hey, hey, don't be angry.
01:00:33I just want to know how much it was for the two of you.
01:00:37Oh, hello, Mr. Lamely.
01:00:40Mr. Rodman.
01:00:54Hello.
01:00:55Hello, Lamely.
01:00:56It's the clinic.
01:00:58Yes, sir.
01:01:01Mrs. Lamely.
01:01:02Hey, so listen, honey.
01:01:06If your friend over there doesn't want to go party, let you and I go out and have a little
01:01:11fun by ourselves, huh?
01:01:12Get your slimy hands off of me!
01:01:15Whoa, whoa, what?
01:01:15What?
01:01:16What are you talking to him for?
01:01:20I wasn't talking to him.
01:01:21He was talking to me.
01:01:23That's all right, girls.
01:01:24You're just talking it over.
01:01:26Did you get lost?
01:01:27Get lost?
01:01:28Catch this.
01:01:31Another Saturday night in Tinseltown.
01:01:33Everybody's trying to be Peter Pan.
01:01:35You want me to go?
01:01:38I'll go.
01:01:39But I just think you're gorgeous.
01:01:43All I want is one kiss.
01:01:45Just give me one big one right here.
01:01:50You want a big one?
01:01:51Well, kiss this.
01:01:54Freeze!
01:01:55It's fine, it's fine, it's fine.
01:02:07Where's number one?
01:02:08You've got number two out there.
01:02:09Where's number one?
01:02:10Excuse me.
01:02:12Ten seconds, Rita.
01:02:15Hurry up, come on.
01:02:16Five seconds, Rita.
01:02:17Four, three, two.
01:02:19It's the Rita Beter Show.
01:02:21Hello from Hollywood.
01:02:22I'm Rita Beter, and by now the world is familiar with the events known as Studio Gate.
01:02:28Charges of moral bankruptcy among movie land's most powerful have sent stock in Warkoff Brothers
01:02:34Studios rocketing downward.
01:02:36The question now is, what can W.P.
01:02:39Warkoff do to restore the public's faith in his dying empire?
01:02:42The talk here in Tinseltown is that only a reunification with Xaviera Hollander's Happy Hooker, now in production, can save Warkoff Brothers Studios from its sagging state.
01:02:54It wouldn't surprise this reporter if talks between the two were in the offing.
01:02:59So, Xaviera.
01:03:01So, W.B.
01:03:03All this craziness, where will it stop?
01:03:08Where?
01:03:08I hurt you.
01:03:09You hurt me.
01:03:11Nobody profits, true?
01:03:13Now, look.
01:03:14Let's not fool around the bush.
01:03:16You read the papers, you know I have troubles, but what you read is only the tip of the icebreak.
01:03:21I've got a new theater.
01:03:22Big theater.
01:03:24Opening in 30 days.
01:03:25Would you believe I got no picture to open it with?
01:03:27I was depending on it being the Happy Hooker, but now, oh, come on, darling, I'm sorry about that.
01:03:34I'm willing to let my guns be like spilled milk, so why don't you let sleeping dogs do that and let me make it up to you.
01:03:40I'll pay whatever it costs for you to finish your film.
01:03:43All you have to do is deliver by 6 o'clock on 25th of February, and I pay you $5 million.
01:03:48Did you hear that good?
01:03:49If you can deliver on time for the opening of my new theater, I'll pay you $5 million big ones.
01:03:54If you don't, no $5 million, and I own the picture.
01:03:58Stop, really, but the others, what the hell is this, a Jewish luau?
01:04:01Stop, I'm talking.
01:04:04Well, what do you say?
01:04:06Do we sign the contracts?
01:04:10I'll have to discuss it with my partners.
01:04:13Well, of course.
01:04:16Thanks for the lunch.
01:04:17Don't mention it.
01:04:18Tell Grino and Dominic I want to see them.
01:04:25Now!
01:04:26Looks good.
01:04:27It's almost too good.
01:04:29He obviously believes we can't deliver on time.
01:04:32He's willing to gamble $5 million on it.
01:04:34What do you think?
01:04:36Is there anything Grandpa can do that'll slow production?
01:04:39Not according to this.
01:04:42We'd have to work around the clock, huh?
01:04:44Honey, for a split of $5 million, I'll sleep later.
01:04:47Really?
01:04:48All right, all right, all right.
01:04:50Okay, hold it, hold it.
01:04:52We can do it.
01:04:54We can do it.
01:04:55All right!
01:04:58No, Robbie.
01:05:01If you pull this one off, you're going to be a very rich young man.
01:05:05What, are you kidding?
01:05:06If I pull this one off, Grandpa's going to have to make me chairman of the board.
01:05:09Ooh!
01:05:1010, 20, take four.
01:05:12Move, move in.
01:05:13Is that good?
01:05:14Move in.
01:05:14Okay, ready?
01:05:15Go, go, go, go, go.
01:05:17Beautiful.
01:05:18Move, move it around, move it around.
01:05:19Good?
01:05:20That's good.
01:05:20Good.
01:05:21Now, come on down.
01:05:22Come down.
01:05:23Come up, come down.
01:05:24Okay, that's good.
01:05:25Now, bring it around to me.
01:05:26Come around to me.
01:05:27Come around to me.
01:05:29That's good.
01:05:29That's good.
01:05:30Stroke the tiger.
01:05:31Stroke the tiger.
01:05:32Back up.
01:05:33Back up the line, man.
01:05:34Back up the vine.
01:05:35That's beautiful.
01:05:36Vine between the things.
01:05:37Stroke that vine.
01:05:39Oh, I'm loving this.
01:05:40I'm loving this.
01:05:41This is good.
01:05:41This is good.
01:05:42Good, good, good.
01:05:43Is that good?
01:05:43That's good.
01:05:44That's good.
01:05:45That's good.
01:06:16Have they cut the phones yet?
01:06:24I'll check.
01:06:28Not yet.
01:06:30Call Jake at the lab and make sure that we'll have the film by six.
01:06:36Jake, hello. This is Maxine from Pleasure Productions.
01:06:40Oh, that's great. Hold on.
01:06:44They can deliver the film to the theater.
01:06:46No. We'll pick up the film.
01:06:49I don't want to take any chances.
01:06:50Right.
01:06:52Uh, thank you anyway, but we'll pick it up.
01:06:55Six o'clock.
01:06:57Hmm.
01:06:58Oh, well, you too.
01:07:00Bye.
01:07:02Ah, our film will be ready at six o'clock.
01:07:06Good. That gives us plenty of time to get you to the theater by eight o'clock.
01:07:10Right.
01:07:14Ah.
01:07:18Do you realize in a few hours we're going to be rich?
01:07:22Fiddly-dee. I'll think about that tomorrow.
01:07:26Frankly, my dear, hot damn.
01:07:27Ah.
01:07:32Ah.
01:07:33What do you think they're doing in there?
01:07:35I don't know.
01:07:35Hey.
01:07:36Hey.
01:07:41Grab these two and let's get out of here.
01:07:42You don't move, okay?
01:07:44Oh, my dear.
01:07:45Tell him.
01:07:45I beg your pardon?
01:07:46Ah.
01:07:47Tell him.
01:07:48Oh, God.
01:07:49Hmm.
01:07:49Glad you feel that way.
01:07:50Come on.
01:07:51Let's get going.
01:07:52Come on.
01:07:54Come on.
01:08:03Ah.
01:08:07Now, that's a cut.
01:08:08Print that one.
01:08:09Easy there, CB.
01:08:11We're just at the lab.
01:08:13Oh.
01:08:14Oh, yeah.
01:08:15Well, in that case, ladies, let us go pick up our tickets to fame and fortune.
01:08:19Duh-huh.
01:08:19You two go.
01:08:20I'll wait here in the car.
01:08:22Okay.
01:08:25See you.
01:08:26Bye.
01:08:35Thanks, kids.
01:08:35Oh, hey.
01:08:36Always glad to help out a fellow filmmaker.
01:08:42Bobby?
01:08:43Yeah, love?
01:08:44I didn't know you could have two films with the same title.
01:08:48Well, I don't think you can.
01:08:49Why?
01:08:50Well, those two guys, they were carrying a film that had the same exact title as ours.
01:08:57Oh, my God.
01:09:00They must have taken our movie.
01:09:02Yeah, you're right about that one, honey.
01:09:03Come on.
01:09:04What the move?
01:09:05What the move?
01:09:05Come on.
01:09:06I'm coming.
01:09:07Wait for me.
01:09:07Come on.
01:09:11Let's get this stuff to walk apart.
01:09:12Hey!
01:09:17Stop!
01:09:18You're stealing our movie!
01:09:19Oh, no!
01:09:20Back, back!
01:09:21Back, back!
01:09:21Back, back!
01:09:22Go, go, go!
01:09:24All right!
01:09:24Good evening, ladies and gentlemen, and welcome to the world premiere of William B.
01:09:33Warkoff's new epic film, The Happy Hooker.
01:09:37And here come some of the beautiful participants in the William B. Warkoff film now.
01:09:42Yes, indeed, ladies and gentlemen.
01:09:44This is a gala evening in Hollywood, as you can tell.
01:09:47And it is, indeed, a very glamorous one, as well.
01:09:51This is a brand-new theater joining the chain of William B. Warkoff theaters here in beautiful Hollywood.
01:09:58And here are some of the glamorous people.
01:10:03And I think, ladies and gentlemen, yes, indeed, now arriving is the star of The Happy Hooker, ladies and gentlemen,
01:10:09Xavier O'Hollander, Miss Xavier O'Hollander herself.
01:10:14Good evening, Xavier O'Hollander.
01:10:15Hello, Army.
01:10:16You look so beautiful.
01:10:19Oh, well, I'm just so excited.
01:10:20I'm so nervous.
01:10:21Oh, my God, I really am.
01:10:23And we've worked so hard for this.
01:10:25I'm thrilled to be here.
01:10:27Can I talk to you afterwards?
01:10:28Because I'm just so nervous.
01:10:29Of course.
01:10:30We'll see you right after the show.
01:10:31Ladies and gentlemen, Xavier O'Hollander, the star of The Happy Hooker.
01:10:37They're getting close, a damn it!
01:10:39Whoever believes that the glamour days of Hollywood are gone, well, he should be here tonight.
01:10:49And, you know, there are so many new and beautiful faces here.
01:10:53And what fits it more than the opening of a new and a beautiful theater.
01:10:56And we also have some faces that we already know so very well.
01:11:00And, uh-oh, yes, it is.
01:11:02It is indeed.
01:11:03Ladies and gentlemen, one of the truly great men of our industry,
01:11:06Mr. William B. Warkoff.
01:11:10Hi.
01:11:11Hello, Army.
01:11:12How are you?
01:11:12Oh, it's always a pleasure to see you looking so well, WB.
01:11:15You must be very excited about the premiere tonight and also your lovely new theater.
01:11:20Thank you very much, Army.
01:11:22And I...
01:11:22Army, where's the camera?
01:11:24Is that a little bit?
01:11:24I'm very happy.
01:11:26I'm glad they're not saying anything right now.
01:11:28Let the public decide for themselves if you don't mind.
01:11:30You see, there's one thing I really know.
01:11:32After all these years in this business, you never know how the public will react.
01:11:36Sometimes you think, in fact, it's a real winner.
01:11:38What happens when it gets symptoms later?
01:11:41There's nothing up there.
01:11:42And I mean nothing.
01:11:43So if you don't mind, I'll wait till later.
01:11:45Right now, I won't say anything about it.
01:11:47However, I remember in the outstreet days the way Georgie Jessel used to speak.
01:11:51Yes, I'm sure you remember about Georgie Jessel.
01:11:53Ladies and gentlemen, WB.
01:11:55It's a new war call.
01:12:01All right, let's go.
01:12:03Faster, faster, faster.
01:12:04Shut up, will you?
01:12:05Stand for me.
01:12:14It's 20 of 8.
01:12:16What do you mean there's no film?
01:12:17I'm getting scared, George.
01:12:18I hope they're all right.
01:12:20Oh, ah, something wrong with some air, huh?
01:12:23You look like you've got opening night butterflies.
01:12:26That must be it.
01:12:28Well, for a man about to shell out $5 million, Mr. Warcock, you seem very common.
01:12:33All part of the game, son.
01:12:34Don't give it a second thought.
01:12:37All right, move it.
01:12:39Hey, hey, hey!
01:12:40Faster, faster!
01:12:50Hey, all right, I'm getting faster.
01:12:51You want to ride?
01:12:53Come on, come on.
01:12:54Ride the road.
01:12:55Come on.
01:12:56I'm going to ride the road.
01:13:00Get yourself some popcorn.
01:13:01I'll join you inside, okay?
01:13:07Well, Miss Producer, are you ready to start?
01:13:11Almost.
01:13:12Why don't you go in and get a seat?
01:13:14For what this is costing you, Mr. Warcock?
01:13:16You shouldn't miss a moment.
01:13:18Don't worry.
01:13:18I won't miss this for all the money in the world.
01:13:22Pata.
01:13:25Who's fooling who?
01:13:29I'm starting to get sick of this, you know.
01:13:31Where the hell are we running?
01:13:34Look out.
01:13:37They shouldn't have done that.
01:13:39They're behind us now.
01:13:43Well, what are they doing behind us?
01:13:44We're supposed to be chasing them.
01:13:47What are you chasing them for?
01:13:48Are you crazy?
01:13:49Look at what they did to my car.
01:13:52I'm going to kill them.
01:13:54I liked it more, but they weren't much of us.
01:13:57What time is it, Laurie?
01:13:59Oh, snap.
01:13:59It's almost eight.
01:14:06Matt, whoa.
01:14:07There's the deal.
01:14:09Come on, George.
01:14:10There they are.
01:14:10I don't want to die.
01:14:18Please.
01:14:18Please.
01:14:19I don't want to die.
01:14:19Please.
01:14:32Robbie, grab the cans.
01:14:34Hurry.
01:14:35I got them.
01:14:36Let's go.
01:14:36Hurry.
01:14:37Come on.
01:14:37Hurry.
01:14:38Hurry.
01:14:39Let's go.
01:14:39Don't miss The Apples, coming soon to a Warkoff Brothers Theatre near you.
01:14:48Boy, am I going to enjoy not seeing this.
01:14:51Now, Warkoff Brothers Theatre is proud to present its premiere attraction.
01:14:57Here goes nothing.
01:15:09Bill's candy.
01:15:13We'll miss the beginning.
01:15:16You sure should, when I ask for a bill.
01:15:18Candy, a bill.
01:15:19Bill.
01:15:20Bill.
01:15:20Take one of these and shut up.
01:15:22Shut up.
01:15:23This looks good.
01:15:23I'm having it.
01:15:24I can't see.
01:15:25Are you a little boy or a little girl?
01:15:30They do grow them big in Texas, don't they?
01:15:34All of you at once, Dad.
01:15:40Oh, Sally!
01:15:54Judging by the expressions on their faces,
01:15:56we can safely say The Happy Hooker is a smash hit.
01:16:01And here comes W.B.
01:16:02Warkoff.
01:16:03Looks like you've got a hit, W.B.
01:16:05Yeah, yeah.
01:16:06Big hit.
01:16:07Makes me very happy.
01:16:08What are you doing with the microphone?
01:16:09We still on camera?
01:16:10Oh!
01:16:11I've believed in this project for a long time.
01:16:14I'm grateful to the public for liking it so much.
01:16:16Is it true that the young man who wrote and directed this film
01:16:20is your grandson?
01:16:22Yes!
01:16:22His mother's my daughter.
01:16:23She's married to this fellow.
01:16:24I forget his name.
01:16:25I predict this young boy will be one of the great filmmakers
01:16:28of this or any generation.
01:16:30As in the awful words of Georgie Jessler once said,
01:16:33give me you, give me a halcyon boy who will make a...
01:16:36Thank you, W.B.
01:16:38Yes, W.B.
01:16:39Thank you very much.
01:16:40And here comes the star of The Happy Hooker,
01:16:43Xaviera Hollander.
01:16:45Congratulations!
01:16:45Thank you, Armie.
01:16:47This must be quite a night for you.
01:16:49Why, Armie, when you see our movie,
01:16:52you'll know that I'm basically a night person.
01:16:55Do you have plans for another movie?
01:16:57First, I have to write another book.
01:17:00Perhaps about my experiences in Hollywood.
01:17:02Right now, I'm on my way back to New York
01:17:04to take care of the business of pleasure.
01:17:08Goodbye, Armie.
01:17:09Goodbye, Xaviera.
01:17:10Goodbye, all you wonderful people.
01:17:13Goodbye, Xaviera.
01:17:15Goodbye, Xaviera.
01:17:16Goodbye, Xaviera.
01:17:21Goodbye, Xaviera.
01:17:24Goodbye, Xaviera.
01:17:31Sweet person, are you lonely?
01:17:36Sweet person, can't you see?
01:17:41How I need you near to me
01:17:50And baby please
01:17:54Need me
01:17:56I can change your life tonight
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