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00:00Ah, look at this!
00:02You're going to break all the time, wait!
00:04Let me go!
00:06Be quiet, for five years you'll get more!
00:08Really nice!
00:09What did you say?
00:11Bačić!
00:14Who is Bačića?
00:15Sava Bačića!
00:20You're Sava Bačića!
00:22The gift that I bring you to you!
00:24You'll remember for your whole life!
00:26Let me get out of here!
00:28Who do you know?
00:30The last time I tell you to go to the rightful decision!
00:34It's a shame!
00:36You'll have to stay without a job,
00:38just like a brother who has left you!
00:40Skote, one Bahati!
00:42I've been with a boy!
00:44You're not!
00:45Mother!
00:46You're just thinking about it!
00:51The old man is playing with the war!
00:53This dynamite has brought up to work with the brother Tito Granikšić!
00:56It's a shame!
00:57It's a shame!
00:58It's a shame!
00:59It's a shame!
01:00It's a shame!
01:01What did you do?
01:02What did you do?
01:03I didn't do anything!
01:05Unfortunately!
01:06Mirko!
01:07Oooo!
01:08Oooo!
01:11Jesse!
01:12You are not the father of me!
01:13You, old man!
01:14You, old man!
01:15You'll be in the door for a long time,
01:17you'll come from him right to the grave!
01:19What?
01:20When you have to die like you,
01:22you're in the grave!
01:23You're not like me,
01:24but I!
01:25I bought that little man!
01:27I'm in the middle of my head!
01:28You, old man!
01:29You, old man!
01:30I'm in the middle of my head!
01:31I'm in the middle of my head!
01:32I'm in the middle of my head!
01:33I'm in the middle of my head!
01:34I'm in the middle of my head!
01:35You know what?
01:36Because if something happens to me,
01:38what happens to me,
01:39there will always be someone
01:40who will take your safari photographs
01:42to send the water!
01:44Where are our photographs?
01:46Don't forget!
01:47This time is not a joke,
01:49but a joke!
02:08I'm in the middle of my head!
02:09I'm in the middle of my head!
02:11And…
02:13You know where they will be ANY security.
02:15You're in the middle of my head!
02:17IAN!
02:20IAN!
02:22IAN!
02:24IAN!
02:25IAN!
02:27IAN!
02:29IAN!
02:31IAN!
02:32IAN!
02:37IAN!
11:51Now, or Luka?
11:54I've been my own, so I can go.
11:56And now, sonom?
11:58I've been my own, I've been my own.
12:00Are you doing it?
12:02What do you do to do to be my own?
12:05Do you work?
12:06Will you be my own?
12:07Will you be my own?
12:08Will you be my own?
12:09Will you see that?
12:10What's your heart?
12:12Don't push, Luka.
12:14Don't push.
12:16My father won't go back to the job.
12:18The jet is in the door.
12:19My salary can't cover all the obligations.
12:22It has to be done.
12:24I've been to you all.
12:26What did you do to me?
12:28Work.
12:29Until you don't go back to the faculty.
12:31Order, obligations.
12:33And not, when I want to go out,
12:36and when I don't want to go out,
12:38I'm going out with that.
12:39I'm going out with that.
12:41Listen to what you're talking about, tata.
12:43Oh, we started to get out.
12:47Okay.
12:48Today, you'll be on the Slovenian beach.
12:51You'll drive the car.
12:53For the car and the guests.
12:56I'm going to drive the car with the car.
12:59What?
13:00No, I'm going to get out of the car.
13:02You'll have a few hundred euros in charge.
13:04You'll have a bag of money.
13:05You'll have a lot of money.
13:06You'll have a lot of money.
13:07You'll have a lot of money.
13:08You'll have a lot of money.
13:09You'll have a lot of money.
13:10You'll have a lot of money.
13:11I'm so proud of that.
13:12I love you.
13:13I'm so proud of that.
13:14I love you too.
13:15I'm so proud of that.
13:16I'll give you a chance of being a father-in-law.
13:17All right.
13:18I'm so proud of this.
13:19Your daughter is my family.
13:20You are everything.
13:21I feel an improvement.
13:22I'm all about you.
13:23I'm so proud of that.
13:24You will have enough money to live.
13:25I'll give you some money.
13:26All right.
13:27What?
13:28I'm so proud of that.
13:30You are my life without you. You are my life. You are my life, Luka.
13:37Let's go, son, don't let us go to the Slovenian party.
13:42Let's love you. Let's go.
14:00Let's go.
14:18I should go, son? Go, son?
14:21Where is it? Where is it?
14:23Where is it?
14:24You are my life. You are my life.
14:26You are my life.
14:27That's why you're not I'm afraid of.
14:29You are my life.
14:30You are my life, my my life.
14:33Nobody will be afraid of me.
14:35This is nothing.
14:37And you can be more wife.
14:40You will be embarrassed.
14:42What do you mean!
14:44Let's see what you're doing.
14:46I was still with Luke and I'm more than I was before.
14:51Who should I am not?
14:54I mean, I'm not the same!
14:55Let us both do it!
14:57You'll be in isolation.
14:59You'll be in a weekend,
15:01and then you'll be in Italy.
15:03If you'll be in Italy,
15:05you won't be in any one day in the book.
15:07I won't go to isolation!
15:10I won't be there to be a place like that you've been in the past ten years!
15:14Bojana!
15:15Shut up!
15:17My father is a little nervous.
15:19They came to us home in the night when you're standing there.
15:22Let's go!
15:24Let's go!
15:25Who's lost?
15:26What's lost?
15:27Why are you lost?
15:28What are you lost?
15:29Who's lost?
15:30Who's lost for this house?
15:31Someone who's your, who's not even on!
15:33He wasn't Luke.
15:35He was with me until tomorrow!
15:37What did you do before?
15:39Tell me what you did before!
15:41What did you do before?
15:42What did you do before?
15:43What did you do before?
15:44Let's go and get back!
15:46He'll be there!
15:47I won't do it!
15:49Get it!
15:50Get alien!
15:51Sh intéress yourself!
15:53Hell, I have a pride!
15:55With a way of something évasionally
15:59I can't give the pride of a체 of sand if you did.
16:44Let's go.
16:54Excuse me, where is the body?
16:56Cretino.
16:58What did you play here?
17:00What did you play here?
17:04I'll never have peace again.
17:06Listen,
17:08you're playing with your big head.
17:10You're on the phone and you're listening to me.
17:12You're playing with me.
17:14You're playing with me.
17:16Yes, it's a whole life.
17:18Listen, listen.
17:20Call me and try to get him out of the way.
17:24I'm calling me and I'm telling you to come to the hotel.
17:28I don't have money to pay for my rent.
17:30Do you have something to give me?
17:32I'm paying for my rent.
17:34I'm paying for my rent.
17:36I'm paying for my rent.
17:38You're paying for my rent.
17:40I'm paying the rent here.
17:42I'm paying for my rent here and I'll pay for nothing
17:44withoutllovering their behalf.
17:46Try to leave the hands and hands.
17:48Charlie, can take a mistake.
17:50Sorry!
17:52Let's go!
18:06I don't care about your friends and your fake jackpot.
18:09The only thing you always knew, you knew you were able to find yourself.
18:12Go and find yourself.
18:13I have a great replica.
18:15Great. Two times better than original.
18:17But I can't sell everything now.
18:19I can't have 40 dollars.
18:20Try to go to the hotel.
18:22You can't get the skills.
18:23I'll go to the hotel and call this.
18:26Call it, you hear it?
18:28Let's understand it, let's pay.
18:31What a man who doesn't pay for his family,
18:34to the honor and the love of the family.
18:37To the honor and the love of the people.
18:40You can't know who you are.
18:42We are together.
18:44Let's go to the hotel.
18:46Let's go to the hotel.
18:48Let's go and tell you something.
18:50You don't know what you are.
18:53You won't think about it.
18:57I'll pay you to the hotel.
18:59Just get it!
19:05Theymt!
19:06I'm not alone now!
19:07I don't know how to do this!
19:12I'm together, iflo we will together,
19:13for you to together.
19:14I'm together.
19:16We're good!
19:17We'll keep you together!
19:18What did I expect to drink sedatives like Klimak Terača?
19:43It's better Klimak Terača in sedatives than a shlogirated businessman.
19:50I didn't even have an amphora or twelve thousand dollars.
19:58But I won't be able to increase.
20:04I would have been a man when I would have allowed me to go through the house.
20:12I would have been a man when I would have allowed me to go through the house with some klošar,
20:19with some gulj.
20:22And my father, his nephew,
20:27I would have had to go through the house.
20:31I don't want to do anything.
20:34But I don't want to go through the house with me.
20:37I don't want to.
20:39I don't want to go through the house.
20:43I don't want to.
20:46I don't want to go through the house.
20:47I don't want to go through the house.
20:49I don't want to go through the house.
20:51I don't want to go through the house.
20:58Even though you're not alone, you're weak.
21:04You know what they could do with these friends and friends?
21:09I didn't care for you both of them.
21:14Don't do it.
21:16Maybe there will be some pressure, and then it will be worse.
21:20I pray. You don't want to do it with psychology.
21:24Let me try to do it with him.
21:27If I don't do it, then you're in isolation.
21:31Where did you go?
21:34I don't know anything about that.
21:39I don't know anything about that.
21:42I don't know anything about that.
21:44He bought it, and he won't go to Savo.
21:48I don't know.
21:51You've always known him.
21:54All of them.
21:56I don't know.
22:00You've never been able to save him.
22:03He's not saving him.
22:05Not saving him.
22:07But I don't know if you save him.
22:09You're throwing him down the sea and you're killing him.
22:13I'm losing him.
22:15I'm losing him.
22:16I'm losing him.
22:17But they don't care.
22:19What do you do?
22:21Dušajko has some problems.
22:23In Hapsina, brother, you don't want me to kill.
22:27What are you doing here?
22:29You're an engineer.
22:31I've been.
22:33What's wrong with you again?
22:37Mirko,
22:39if I know who is in the blood of Amphora,
22:41who is in the blood of Amphora,
22:43I'll show you.
22:45Oh!
22:47Is it possible?
22:51Good morning.
22:53Alec?
22:55How did you get out of the blood?
22:57And if you don't know
22:59about Amphora and Amphora
23:03who left Savo Bačić from his house?
23:07I don't know who is Savo Bačić.
23:11You only understand the blood of Amphora.
23:13Is that right?
23:15Let's leave him alone.
23:17He's just enjoying his life.
23:21Martine, you're not your attorney.
23:23I just wanted to tell him
23:25that Alec can't be an attorney.
23:27That's what I thought.
23:29No more.
23:31Is Alec going to be the son of the night?
23:33We'll continue.
23:41What?
23:42He left a feeling.
23:44He was in the city.
23:45I was in the city.
23:46With whom?
23:47Is there anyone to say?
23:48He was in the city.
23:49With whom?
23:50Who was to say?
23:51He was with me.
23:56He was with me in the casino.
24:01Do you have any evidence
24:02to be in the casino?
24:03The whole casino.
24:05Listen to me.
24:09Listen to me.
24:17He went to the casino.
24:20Let's go.
24:21Let's go.
24:22What do you do?
24:23What do you do?
24:24What do you do?
24:25What do you do?
24:26I'm a devil.
24:27I know how it goes.
24:28I'll be back again.
24:30You're wrong.
24:31You're wrong.
24:32Let's go.
24:33Let's go.
24:35Let's go.
24:36Let's go.
24:37Let's go.
24:48Bojena.
24:52Let's go.
24:54I can't go.
24:55I don't want to go.
24:57I have nothing to say to myself.
24:58I just said all I have to say.
25:00That does.
25:01So.
25:02It happened. Everything.
25:09Mother, you're smiling.
25:13Bojana, this is a very serious moment in your life and I want to see him together.
25:26Is it your mother?
25:30I just want to help you so that it won't be your traumatic experience.
25:42Mother, it was the best experience I had in my life.
25:50I'm sure.
25:56Did you use the protection?
26:02Do you want everything to tell?
26:08Do you think it's normal?
26:11I think it's normal that the mother-in-law says everything and that she hears the advice.
26:22Mother.
26:26I wanted to do it and I did it.
26:32Did you get it?
26:34Did you get it?
26:36Did you get it?
26:37Did you get it?
26:38Did you get it?
26:39Did you get it?
26:40Did you get it?
26:41Did you get it?
26:44Did you get it?
26:45Did you get it?
26:46Did you get it?
26:47Did you get it?
26:49Did you get it?
26:50Did you get it?
26:51Did you get it?
26:52Did you get it?
26:53Did you get it?
26:54Did you get it?
26:55Did you get it?
26:56Did you get it?
26:57Did you get it?
26:59Did you get it?
27:00Did you get it?
27:01Did you get it?
27:02Did you get it?
27:04Did you get it?
27:05Did you get it?
27:06Did you get it?
27:07Did you get it?
27:09Did you get it?
27:10Did I see you?
27:12Did you get it?
27:13Did you get it?
27:14And you go first and you are into Getting it?
27:16I am thinking about you first time.
27:18Let me allow you to talk like that.
27:23I try to help you,
27:27that father doesn't leave you in isolation,
27:31that after this time we live like a normal family.
27:36We were like a normal family.
27:40Do you have any things you have done with me?
27:46You are the most important thing.
27:51The mom is not for us.
28:01What was it?
28:03Now it's done.
28:08You will solve it,
28:09and I will try to talk with the father
28:11that he doesn't leave you in isolation.
28:13Is it an ultimatum?
28:16Call me as much as you want.
28:26I am.
28:28I just wanted to hear how you feel.
28:30Is that okay?
28:32I'm talking to the mother.
28:34She tries to listen to her.
28:36Just so you know.
28:37You know.
28:38It's all very important.
28:44You care for our parents.
28:46Let's work with each other.
28:48Let's leave us.
28:50And I care for my family.
28:51Children.
28:53On Sunday.
28:55On the coasts.
28:57On the cruise.
28:59On the Slovenian beach.
29:01Did you drive?
29:03I love to drive into the resources of the house.
29:05Let's go!
29:08Look, you see?
29:10Nothing is coming from you.
29:11I told you that you will get him off.
29:13I don't want to.
29:15For your good?
29:16I don't know what to do with them!
29:23Watch my phone!
29:28Watch my phone!
29:46I don't know what to do with them!
29:52What are you doing?
29:55Excuse me, I'm a little bit worried.
29:58The whole orchestra needs to be taken away from you.
30:01I thought something.
30:03Music does not think.
30:05She feels like listening, listening and playing.
30:08Let's go!
30:16Music
30:32Radnilović! Junior, go back to you!
30:36You don't have to go back.
30:38I'm not going to go back.
30:46I'm not going to go back to you.
30:47What?
30:48I'd rather have to go back and say,
30:50Go back and say!
30:52I'm not going to go back.
30:54I'm walking to you.
30:55You don't have to go back to me.
30:57I'm walking to you.
30:59Just like this one.
31:04I'm walking to you.
31:06Not a good place.
31:08Music playing.
31:11Music playing.
31:14Do you want me to help you, brother?
31:35He will.
31:37He will.
31:39He will.
31:41It's going to come back and open the door, yes?
31:44It's going to make me sick what my son tells me.
31:48That's what Emilia is under the ground.
31:50Okay, father. She's nothing wrong.
31:54What do I tell you if I'm with her?
31:57No, you don't tell me.
31:59It's easy to tell me without anything.
32:04And what would I tell you?
32:07You have the right, son.
32:10You have the right.
32:12You have the right, son.
32:14You have the right, son.
32:16I'm not like that.
32:18Look at us, people.
32:20Who are they? Who are they?
32:22Who are they?
32:24There's nothing to see.
32:26Okay, father, come home.
32:28Come on, come on.
32:30Come on, come on.
32:32Come on.
32:34Come on.
32:40Come on, come on.
32:42We have a partnership with experts, historians, skills, and customs
32:46when there's a picture in the question.
32:48With these mangupes?
32:49It doesn't matter if you want to know them.
32:51What do you really want?
32:52That's what you want.
32:53I've heard a lot of good about you.
32:55That you're a great manager.
32:56That you're known even outside of Crna and Gora.
32:58I want to share your environment in the top of your spiritual skills.
33:02For those who have a certificate.
33:04How do you not?
33:13Vojo Stanić, a stone brod.
33:15Great format.
33:18Not less than Stanić.
33:20The 70th.
33:22Top phase.
33:23The brod looks like he'll reach.
33:25But from the stone, he won't go anywhere.
33:28People are walking.
33:29Meta-fizika.
33:30Meta-fizika.
33:31Where are you from?
33:32Where are you from?
33:33I've had the opportunity to buy from the master.
33:35The photo is located in Vladi Crna and Gora.
33:38I saw it on a seminar.
33:40I'm falling asleep.
33:41We're falling asleep.
33:42We're falling asleep.
33:43I'll give you an extra amount of value.
33:45Because you're the best manager that I've seen you in the life.
33:49I didn't know that Vladi is selling this photo.
33:53I can't wait for you.
33:54I can't wait for you.
33:55I don't like it.
33:56I don't like it.
33:57I like it all transparent.
33:58Right.
33:59I'll be transparent.
34:00The photo is in Vladi Crna and Gora.
34:02The photo is a false document.
34:04Everybody knows it, but nobody will talk about it.
34:06It's not the case.
34:07You know what?
34:08Your original.
34:09That's what I see.
34:10God, I pray.
34:12Don't ask me to ask my credibility.
34:14I'm one of the most famous gallery's gallery's eyes in the room.
34:17I'll give you a false document.
34:20I'll give you a very high price.
34:23This photo would be a few thousand euros.
34:26You're welcome.
34:27What?
34:2815 thousand.
34:29You have a sale price?
34:30No.
34:31How not?
34:32It's the name of the picture.
34:33It's the name of the picture.
34:34Yes.
34:35Here it says Stanić is showing you the picture.
34:52Yes.
34:54Did you say that you bought it?
34:56Yes.
34:58I'm curious.
35:01How many years have you?
35:0334. You?
35:06You had four years ago when the master gave you a picture.
35:10Here I am.
35:12What?
35:14Lord, he gave it to me and gave it to me.
35:19I don't see why the problem is.
35:21Let's forget about this little unexpected attempt.
35:23In other words, I'll call the police.
35:25This is original, believe me.
35:26This is even better than original.
35:28The original is too much in the dark baller.
35:30I'll call the police and scandal in the hotel.
35:32If you're resistant, I'll call it.
35:33You're wrong.
35:34It was an absolute surprise.
35:35You're wrong.
35:36You're wrong.
35:39I'm going to come back to the evening in a sign of excuse me.
35:42Sorry.
35:43Okay, okay, okay.
35:45You're fine.
35:46Okay.
35:47I'm sorry.
35:48I'm sorry.
35:50I'm sorry.
35:51I'll call it.
35:52I'm sorry.
35:54I'm sorry.
35:55I'm sorry.
35:56He's wrong.
35:57I'm sorry.
35:58But of course, we've been trying to get it.
36:00They're trying to go a bit.
36:01But they're not making any sense of that.
36:03They're going to be right back.
36:04They're trying to go a bit.
36:05And then?
36:06and brancine and orade.
36:08Well, where is everything else?
36:09Oh, really, Zoro.
36:12And then?
36:13We drank a drink and drank the coffee.
36:16And then?
36:18We were going to take the soup to the soup.
36:21And then?
36:22What do you mean?
36:23No, I'm asking.
36:24I'm asking Zoro to pay the money for the evening
36:27with Diklanovic and the soup to the soup.
36:29And then, Zoro?
36:30He sells agricultural products
36:32and the food and the refuse.
36:34And then he stole my amphora?
36:36Who stole my amphora?
36:37Miljana, I hear what I'm asking.
36:39You're asking me.
36:41I'm asking for Zoro.
36:43Zoro is my son.
36:45When you ask for me.
36:46I'm asking.
36:47I'm going to kill him.
36:49I'm going to kill him.
36:51I'm going to kill him.
36:52Okay, okay.
36:53I'm going to kill him.
36:54I'm going to kill him.
36:55What are you doing now?
36:56I know that I'm here because of your promise
36:58to my father.
36:59But I don't have to suffer.
37:01I don't have to take care of them.
37:02I don't know how to kill him.
37:03I don't know how to suffer from my life.
37:05I don't know how to do that!
37:07I'm going to ask you, tell him.
37:08I'm going to ask for Diklanovic!
37:09Where's he?
37:10I'm going to ask him.
37:11What the hell?
37:12I'm asking him.
37:13And I'm going to ask him to ask him,
37:14and I'll be like,
37:15and let him go over.
37:16And I'm going to ask him to help him.
37:17And I'm going to ask him.
37:18Now tell him I'll ask him.
37:20But I'll ask him.
37:21I'll get you back.
37:51Good morning.
38:15Good morning, gentlemen.
38:16Please, let me.
38:18You are Luka.
38:20Yes.
38:21I'm the mother of Bojane Bačić.
38:29What are you going to do, Bojan?
38:31I know everything and understand everything.
38:33I know everything that happened.
38:35Everything is life.
38:37Don't let me go, Mr. Džabaj.
38:39I know that your father was only left with my husband.
38:43It's not related to me and Bojan.
38:46You are not for Bojan, neither for you.
38:49It's so natural, every bird is in your house,
38:51and you are not from our house.
38:53I'm not from which house.
38:55I'm alone.
38:57I know that the situation in the house is difficult.
39:01It's not easy to stay out of work in this time.
39:04I'll come back to the job.
39:06It's not bad.
39:07You'll leave it, Bojan.
39:09For a moment, you won't move on to my phone.
39:13You'll tell me that everything was wrong,
39:16so you won't be able to hold on to Italy
39:20while you're here.
39:22You'll leave it on time.
39:29This will be covered with you and your father.
39:32For a long time.
39:34Z restaurant.
39:35I'm not sure you're here.
39:36Then, let's go.
39:39I have to go on to the house,
39:40and I have to go on to the house.
39:43I have to go on to the house.
39:44Mrs. Džabaj,
39:47I have to go on to the house.
39:54I need to go on to the house.
39:57Who will you attend to the house?
39:58Sons of the house.
40:00I love you.
40:30Maria, I don't care for you anymore.
41:00I don't care for you anymore.
41:30I don't care for you anymore.
42:00I don't care for you anymore.
42:30I don't care for you anymore.
43:00I don't care for you anymore.
43:02I don't care for you anymore.
43:04I don't care for you anymore.
43:06I don't care for you anymore.
43:08I don't care for you anymore.
43:10I don't care for you anymore.
43:12I don't care for you anymore.
43:14I don't care for you anymore.
43:16I don't care for you anymore.
43:18I don't care for you anymore.
43:20I don't care for you anymore.
43:22I don't care for you anymore.
43:26I don't care for you anymore.
43:28I don't care for you anymore.
43:30I don't care for you anymore.
43:32I don't care for you anymore.
43:34I don't care for you anymore.
43:36I don't care for you anymore.
43:40I don't care for you anymore.
43:50It was a lot of pain and pain.
43:56Let's get back.
44:02For the family.
44:17For you.
44:20For the family.
44:22For the family.
44:24For the family.
44:26For the family.
44:28We talked about everything.
44:30We talked about everything.
44:32It's hard times.
44:34Everyone is a little nervous than it should be.
44:38And this affair with Radmilović.
44:40He could be different.
44:42Everything that is forgiven, can be done.
44:46You know, Radmilović is very, very...
44:48And this affair with Radmilović is very, very difficult.
44:52Lukin data is left without work.
44:54I think it's not just a question of seriousness.
44:56It's not just a question of seriousness.
44:58And what do you say to me?
45:00Like I don't know.
45:02It would have happened to you.
45:04Yes, it would have happened to me.
45:06Well, I will do it because of you.
45:10What will you do because of me?
45:12I will intervene so that Lukin's father will return to the job.
45:16I will return to the job.
45:18I will return to the job.
45:20I will turn on the phone and...
45:22You are in trouble.
45:24When you are not looking at the job, you are standing.
45:26Is that right?
45:28No.
45:29We cannot be the result of a failure.
45:32She is above all.
45:34You have to tell me something else.
45:36You have to tell me something else, is it?
45:46Everything will be as it was before.
45:48Listen.
45:52I will return to Lukin's father to the job.
45:56I will take him from the door.
45:58I will take him from the door.
46:00And you will take his hands and say that it is all between you.