🔥 Watch Peaky Blinders Season 3 Episode 2 in Hindi Dubbed – The legendary journey begins here! Dive into the gritty streets of post-WWI Birmingham as Thomas Shelby rises through the ranks of power, danger, and crime. Loaded with suspense, action, and drama, this is where the epic saga of the Peaky Blinders starts! 🕵️♂️
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Peaky Blinders S03 E02 hindi dubbed language
Peaky blinders season 3 Episode 2 hindi dubbed
Peaky Blinders S03 E02 hindi dubbed language
Peaky blinders season 3 episode 2 hindi dubbed
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🔔 Like, Share & Follow for more episodes in Hindi and epic crime drama content!
#PeakyBlindersHindi #ThomasShelby #PeakyBlindersSeason3#HindiDubbedSeries #CrimeDrama #GangsterSeries #EpicStory #FullEpisodeHindi #WatchNow #TrendingOnDailymotion #MustWatchSeries #BingeWatch #ViralVideo #DailymotionIndia
Peaky Blinders S03 E02 hindi dubbed language
Peaky blinders season 3 Episode 2 hindi dubbed
Peaky Blinders S03 E02 hindi dubbed language
Peaky blinders season 3 episode 2 hindi dubbed
#peakyblindershindidubbed
#peakyblindersseason3hindi
#peakyblindersseason3 eposide2
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Short filmTranscript
00:01Thomas Michael Shelby.
00:03Today is my wedding day.
00:05Take the photograph!
00:07Russians have my contacts on your wedding night.
00:09Whoever it is up there, he gave the wrong name.
00:12Can you do it? Can you kill?
00:14You know why he didn't come, don't you?
00:16My bloody man.
00:17There was a fire at his restaurant.
00:19No threatening the foreigners.
00:21He's a cavalry officer.
00:23The march will be engaged.
00:25Did you want to try things first?
00:28I'm Reuben Oliver, portrait artist.
00:30You have my card.
00:31It was in your heart.
00:33It was beautiful.
00:36Just get this business done.
00:38Get away from things like that.
00:40Promise me.
00:41I promise.
00:43All I could say.
00:57My day begins today.
01:28Past the square, past the bridge, past the mills, past the stock.
01:35On a gathering storm comes a tall handsome man
01:39In a dusty black coat with a red bright hand.
01:43I'm Reuben Oliver, portrait artist.
01:45You have my card.
01:47It was in your heart.
01:55Your brothers came to my house.
01:58They said the Peaky Blinders wanted to talk to me.
02:03Aren't you afraid of me?
02:14So, what do you want from a simple man?
02:19Fear.
02:25Poor Mr. Nutley had too much to drink.
02:29He went to the railway track to lighten himself.
02:31Behind the factory, the train came.
02:37Then his body was cut into pieces.
02:39I know what you do.
02:41Tell me, what do you want?
02:48This.
02:50The entire warehouse.
02:52Bays 4, 5 and 6.
02:54Do you have the keys?
02:56Yes, I have the keys.
02:59What's in Bay 4?
03:01Type 40s and Type 21s are ready.
03:03A paint shop is coming there.
03:05Bay 5?
03:07Paint shop and parts.
03:10Then Bay 6.
03:12For whom?
03:16I want the keys to Bay 6.
03:19There's only old stuff there.
03:22I want the keys to Bay 6.
03:39I want the keys to Bay 6.
03:52For trouble.
03:54Give it to your charity.
04:05I'm only doing this to save my family.
04:09I'm only doing this to save my family.
04:39I'm only doing this to save my family.
05:09I'm only doing this to save my family.
05:11I'm only doing this to save my family.
05:34So, you only have boys at your charitable institute?
05:37Or girls as well?
05:39Both.
05:42Keep them separate.
05:44You know what the kids do.
05:48Where are your people? They said they'd be here by 5.
05:52They make their own rules.
05:54You'll never understand what they are.
05:57They're like wet soap.
06:02I did some research.
06:05Is that true?
06:07You must know them from the Economic League.
06:11I only got a letter from them once.
06:13It was in the name of the Vigilance Committee.
06:15Their intentions were very clear.
06:17No.
06:19The name I heard was Section D.
06:23Special Branches called them by this name.
06:26Businessmen, MPs, Army Officers.
06:29Yes, it's more fun to bring such people into a gypsy scrapyard.
06:35You said it was for privacy.
06:38Since the election, the government has treated us as enemies.
06:43But we're all trying to save this country from a revolution.
06:48You're a politician, Mr. Shelby.
06:52Because people believe that the revolution will happen soon.
06:57Because people believe that soon everyone will have to choose a side.
07:04Are your people coming or not?
07:07Mr. Shelby, you'll soon understand that they're not going to follow the clock.
07:13And then you'll learn to hold small meetings in the morning.
07:17They're like monks.
07:22So when is this Charitable Trust going to start?
07:25Whenever I want.
07:29Sometimes I'll come here to listen to their speeches.
07:36You should meet Mr. Patrick Jarvis.
07:39He wants to be a trustee. It's his habit.
07:42Come and meet him in the evening, when he's having a drink.
07:46We'll make a formal agreement with him on a big deal.
07:51Okay.
07:53I'll have my office there.
08:05You know, sometimes there's a devil in you.
08:10Mr. Shelby.
08:12If I want to be the owner of your fake charity, I might as well be.
08:17If you want to be respected, you don't have to be a saint.
08:21Am I wrong?
08:27That's the limit. It's 6 o'clock.
08:31Well, I hope you had a good day.
08:35Where are you going?
08:37I told you.
08:39If he doesn't show up by noon, the meeting will be cancelled.
08:44Maybe he got stuck in Mr. Jarvis' House of Commons meeting.
08:49Maybe the House of Lords stopped Admiral Hall.
08:53What do you think?
08:56Maybe he thinks he doesn't want to do business with gypsies in scrap metal yards.
09:01And that won't be good for you.
09:04Send him my message, Priest.
09:08Tell him I went to the factories.
09:10And the cars are in good condition.
09:15How many?
09:1927.
09:21And that man is ours.
09:25He's the man you're going to meet.
09:28Today. At Ritz.
09:30I have two meetings today.
09:33You have only one meeting today.
09:36In London.
09:37You're smart. What else can I say?
10:38It's cold.
10:40I'm sorry, sir.
10:42How many times do I have to tell you to send utensils for our servants?
10:46It doesn't matter what I say, sir.
10:49And these eggs from yesterday?
10:51And this fish from last year?
10:53And a 100-year-old tea leaf in a broken pot?
10:55Sir, I have a list of today's engagements.
10:58Can I read it to you?
11:00Do we have to go somewhere today?
11:02I have a duty at home today.
11:03There's a lunch at Ritz with Duke Mikhail Mikhailovich.
11:07Nude.
11:09Canceled.
11:11Why?
11:13He said he wasn't feeling well.
11:16You have a tea ceremony at 3 o'clock.
11:19With Prince Seward and Lady Mary Lewington.
11:25Good.
11:27I'm sure he'll like it.
11:29But Duke isn't coming.
11:30The Prince and Lady have canceled the ceremony, sir.
11:38That means you're free the whole day, sir.
11:42But you have an appointment, sir.
11:44To discuss automobiles, sir.
11:47With Mr. Thomas Shelby.
12:00What?
12:16You were supposed to meet at an open place.
12:19Fresh air and the sweet smell of cow dung.
12:24You said the middle ground.
12:26This isn't the middle ground.
12:28So?
12:30Is this all we get?
12:32Then, por favor.
12:35Sit down.
12:37Where's Thomas?
12:39He's been called.
12:41He's a little busy.
12:43And I just told you he's been called.
12:45What do you want?
12:50Peaky Blinders and...
12:53The Changretta family is doing well.
12:56It's been almost two years.
12:58Do you want tea or not?
13:00Listen, Finn.
13:02Get these Italians some tea.
13:04We don't want tea!
13:11We want an answer right now.
13:13But I'm going to drink this tea.
13:15What answer?
13:17The Little Venice Restaurant.
13:19The one on 4th Street that got burned.
13:22No, no. We can't do that.
13:24We were at the wedding that day.
13:25My son couldn't attend the wedding.
13:28Who didn't remind him?
13:34You're a grown man now.
13:37There was a time when you asked us for clothes.
13:40To look like humans.
13:42How's the tea, Arthur?
13:45It's cold.
13:49Please tell Tommy...
13:50Please tell Tommy...
13:52We pay him as much as he says.
13:55We stay away from the city and the tracks.
13:58But...
14:00Tell him on my behalf...
14:02That my son...
14:04Will hang out with any woman in the city.
14:07With whoever he wants.
14:09Even if that woman...
14:11Works for the great Thomas Shelby.
14:14My son is in love.
14:17Sorry.
14:18Sorry.
14:20Please forgive me.
14:22Go ahead.
14:27If he wants...
14:29He will hang out with the woman he loves.
14:32Okay.
14:35Okay.
14:37It will be difficult for your son to hang out anywhere.
14:40If I shoot him in both his knees.
14:49Too much.
14:52You've said too much.
14:55Sabini says that we have to bear a little.
14:59But no.
15:01It's too much now.
15:03Now I will tell you what I am.
15:09Oh, okay.
15:11It's quite powerful.
15:19By the way, what was that?
15:21Idea.
15:23Increase the number of men in all the pubs in Nechols.
15:26What are you talking about, Arthur?
15:28Now we are not afraid of these Italians.
15:30Don't tell Tommy about these chairs.
15:32And get all this cleaned up.
15:34But we are not afraid of these warps.
15:37Okay, John.
15:39Arthur!
15:46Hello, Aira.
15:49Tommy Shelby has come to the library.
15:52Actually, I need a book.
15:54About the Russian Revolution.
16:03Did you get a share of any port in Medavel?
16:06I have got all the shares of such ports.
16:08Sometimes I see our trucks going.
16:11Our trucks?
16:13Shelby Trucks.
16:15What do you have to do with it?
16:16Nothing.
16:18I am just trying to use my brain.
16:20Well, this is a list of those who ran away.
16:23And this shows the point of view of those who have struggled.
16:30A Russian came to your wedding.
16:33You didn't tell me who invited him.
16:39Actually, sometimes
16:41some rich Russians who have left the country
16:43are invited to social events
16:46to show their pride.
16:49Is that why he came there?
16:51Why do you want to know?
16:53I liked him.
16:55I would like to meet him again.
16:57Is it possible?
16:59No, it's not possible.
17:01What business do you have with the Russians, Tommy?
17:05Can I tear this page?
17:07No, you can't tear it.
17:09It's the property of the people.
17:10The Russian had a pistol in his jacket.
17:13After that, Johnny set the jungle on fire.
17:16You need details because you are getting bored here, Ada.
17:21You used to follow rats with a revolver, Ada.
17:25Shut up.
17:27I have a job for you.
17:40Let's go.
17:56Did we get him to race in the camp?
17:59Danny had a drink.
18:01And instead of giving cocaine to the horses,
18:03he distributed it to his cousins.
18:06This is too much.
18:08He is your brother-in-law.
18:10Tell him to talk to him about this.
18:12Look, before anything happens,
18:17I don't want you to do anything about this.
18:21About what?
18:24About Vincente Changreta's son.
18:26The one Lizzy was hanging out with.
18:28So what?
18:30He is not worth more than a penny.
18:32He said that you are threatening him to shoot him on the knees.
18:35Now he is telling everyone in Nichols that he will kill you.
18:38First of all, it's Lizzy's fault.
18:41And second, it's Tommy's fault for leaving it to you.
18:43What are you saying?
18:45We take care of London.
18:47We take care of the North.
18:49We take care of the whole country.
18:51So why should we care about those Italians?
18:53We don't need to get involved in all this.
18:55What does Arthur have to say?
18:57That's why I am here.
18:59And not him.
19:01If he had come, there would have been a fight.
19:03He has said that you should apologize.
19:08What?
19:10What did he say?
19:12This city is ours.
19:14We don't need to be ashamed in front of everyone.
19:17If Changreta raises his voice against him, he can go to Sabini.
19:20Sabini is finished.
19:25Everyone is finished.
19:28Everyone pays us.
19:31But we don't want rebels.
19:35We don't want them.
19:38So what does Tommy have to say about all this?
19:41Tommy is busy.
19:43He has made me in charge.
19:45So what do you have to say?
19:49I agree.
19:53I have told Lizzy to do this.
19:55She will go to meet him.
19:57She will break up with him.
19:59She will apologize to him.
20:01And she will say that it was her fault.
20:03Do you know what all this is?
20:05This is all Arthur's wife's doing.
20:07One slap and the other is gone.
20:09In a few days, we will be distributing Bibles in Bullring with his cousins.
20:13John, you don't have to do anything.
20:15Lizzy will do everything for you.
20:17And then everything will be quiet.
20:19And no one will be humiliated.
20:21Yes, I will get humiliated.
20:23John, don't do anything.
20:33Check if you have a reservation for a private room in Mr. Romanov's name.
20:41Do you work for Romanov?
20:43Yes.
20:45Where do you work? At his house or in his office?
20:47Is there a problem?
20:49Let me tell you that Duke Mikhailovich or Lady Livington are not here.
20:52And we will have to take this payment in advance from you.
20:57Can I ask why?
20:58Actually, we have four old bills of Mr. Romanov.
21:02One for his room and three for dining.
21:04And two for the rest of the banquets, which we have forgiven.
21:07His Majesty has asked us to take care of our Russian friends.
21:11But it's been a long time.
21:16Can I know your name, sir?
21:18Shelby.
21:20Thomas Shelby.
21:22I can come here a lot for dining in the future.
21:24Then I will write your name in the special guest list.
21:26Yes, keep it.
21:28Menu for everyone.
21:30The teal and poke here are very good.
21:33By the way, I know what your guests will order.
21:36I, my wife and my niece first passed by the train, then the coach,
21:40and then walked through the Kremia Kevila Ait Ador.
21:43During this time, the thumb of my foot disappeared.
21:46I don't know how, I woke up one morning and saw that it was not there.
21:50Then I saw a dog eating it.
21:53Everyone said that the British have mercy on us.
21:55They put us on the HMS Marlborough ship.
21:58I suddenly kissed its steel deck.
22:00My lips froze on it.
22:02I thanked God and your King for saving us.
22:05By the way, since then they have not left any effect to insult me.
22:10Who?
22:12God or King?
22:14Both Mr. Shelby.
22:17So, you have met my niece.
22:21Tatiana.
22:23Have you still loved her or not?
22:26You have become sensible if you have not fallen in love with a Russian woman.
22:30It is better not to talk about Russian women.
22:33And this is the worst thing here.
22:36Russian women know how to hold it.
22:39And it is also important that at what time it should be left.
22:43Your machine, understood?
22:46English women do not know all this.
22:49I do not know.
22:54So, did he die properly?
22:56That spy?
22:59I asked for a life.
23:03I heard that you got this done from your brother.
23:09So, you have faith in your family.
23:11Like me.
23:13Like us.
23:15Mr. Shelby.
23:17So, let's talk about trust.
23:19Shall we?
23:21You have no direct relationship with Romanovs.
23:25You are Georgian.
23:33The palace in which you live in Hampton Court,
23:36is a charity that you have received as help.
23:39The British Crown gave it to you without any rent.
23:42The manager here told me that you have a lot of debt.
23:46Maybe here and elsewhere.
23:49Look, I have received ten.
23:52But I was promised forty.
23:56I had to kill a man first.
23:59And this kind of work is not done cheaply.
24:02Do you understand?
24:17Come.
24:29Let me tell you something, Mr. Shelby.
24:34Before boarding the ship,
24:36my niece had stitched sixteen diamonds in her dress.
24:39And along with that,
24:41there are two blue ones at her private places.
24:44My wife had also kept two blue ones
24:47and five diamonds.
24:49All this is for the murder of a spy.
24:53And the rest of the work is for advance.
24:59Now tell me, where do you keep these things?
25:02In a bank?
25:04How can we pray for poverty in London society
25:07if we use a bank, Mr. Shelby?
25:10You should know that.
25:12That Hatton Gardens is not safe at all.
25:16That's why we have our own treasure.
25:22Very good.
25:24I will get my men to find out the truth.
25:31Before the revolution, we were soft and weak.
25:36We had to compromise.
25:38But let me tell you,
25:39we will not be soft and weak again.
25:43Do you understand?
25:48Good day, Mr. Shelby.
26:09Come, Mr. Changretta.
26:11Do your work. Come on, finish your work.
26:14It's there.
26:16Sir, it's there.
26:18Look, be careful.
26:20Come on, finish your work quickly.
26:23Come on, quickly.
26:39Finish your work.
26:57Are you going to kill me?
26:59Stand up, you scoundrel.
27:01Stay away from Lizzie.
27:10This is an order.
27:12One pickaxe for the scoundrel with the blinders.
27:31Won't you introduce me to Michael?
27:33This is Charlotte Murray.
27:35His dad makes cars.
27:36I had a lot of fun at your wedding, Mr. Shelby.
27:40Pauline asked me to call you.
27:42Is there a problem?
27:44What problem?
27:47I don't think she wants to tell me about it.
27:52It was nice meeting you.
28:06Come on.
28:14Okay, Finn, you can go.
28:16Get out of here.
28:18Finn, you can stay.
28:23Sit down, John.
28:25Sit down.
28:32John, you killed Angel Changretta.
28:36While Arthur asked you to apologize.
28:39And Pauline asked you to make a compromise.
28:42But you didn't listen to the apology or the compromise.
28:47And now there's an Italian around here who says he'll kill my brother.
28:54So tell me, what should we do, John?
28:56Should we apologize or make a compromise?
28:57What are you talking about?
29:05John was just kidding.
29:09But he's your brother too, Arthur.
29:11Yes.
29:13And I don't want a war to break out over nothing.
29:21So how will you apologize? In Italian?
29:24Or in English?
29:27Or should we ask them?
29:29You tell me, what language do you want?
29:31Because I don't understand.
29:35You said that as long as business is going on in London, you want peace in the house.
29:39And there's only one guarantee for peace.
29:41That there is no reason left for any kind of war.
29:44Apologizing once means that you will apologize again and again and every time.
29:48Like removing bricks from the wall of a house.
29:51Do you want this house to fall apart, Arthur?
29:53If you get soft on the rebels, they'll climb on your head.
29:55I won't get soft on the rebels.
29:57You're absolutely right, John.
29:59And now it's time to attack.
30:01We'll take over two pubs in Cengreta and we'll do it tonight.
30:04Oh, what's the need? Why?
30:06Why?
30:08Because we can do this.
30:10Because we can do this.
30:12And if we can do it, then we will.
30:14Because if we bow down to those scoundrels today, they'll think we're weak.
30:19Remember, these were the scoundrels who wanted the dead body of Danny Wissbein.
30:26You're getting soft, Arthur.
30:28Soft and weak.
30:30Keep the Bible for Sunday, okay?
30:36Finn.
30:38I have to go to Hockley and then home.
30:41I'm very tired today.
30:47You'll take over Wrexham and Five Bells.
30:51And you'll have them named after us by morning.
30:53And remember, the police should stay away from all this.
30:57And don't use your phone.
30:59Okay?
31:01Maybe someone's listening to us.
31:10Very good.
31:25Five Bells
31:46That's all.
31:47You need to print it, sign it, and send it by first mail tomorrow morning.
31:54Yes.
31:56This is for Grand Duke Mikhail Mikhailovich.
32:00To get him well and to offer a new date for lunch.
32:06This is for Lady Lewington.
32:10She's quite free.
32:12But I heard that she doesn't respond to free behavior.
32:18And this is for Mr. Shelby.
32:21He's got the nerve to check our sapphires.
32:25And we need proof that he has the materials we need.
32:30When it's convenient for us.
32:36How much did you drink?
32:38Fine.
32:40I didn't drink vodka.
32:41Hmm.
32:44At the end of this case,
32:49you might need to kill Mr. Shelby.
32:54Can you do it?
33:00Of course.
33:01Five Bells
33:09Aren't you hungry, Mrs. Shelby?
33:12I'm not hungry.
33:14Sorry, Mary.
33:16Your eyes will go bad.
33:21Tommy.
33:31Hello.
33:32Hi.
33:35Sit down.
33:41Guess.
33:43Guess what?
33:48He said yes.
33:50Who?
33:52The leader of Birmingham City Council.
33:55He's coming for dinner.
33:57Everyone's saying yes.
33:59Everyone.
34:01We need to change the catering.
34:04My hands are aching from writing.
34:07Why are you writing? I got a typewriter for you.
34:10You don't write on special occasions.
34:13I'm sorry.
34:17I've planned everything.
34:23There will be a playground for kids.
34:26The Birmingham Charity Commission has agreed to remove the old wood.
34:31You'll get a license in a month.
34:36You're not listening to me, are you?
34:39Yes, I am.
34:41You think I'm overreacting?
34:44Yes.
34:46Should I ask how your day was?
34:49No.
34:50What?
34:54That means your day wasn't as good as mine.
34:58It's up to you whether it's good or bad.
35:02Look, for me,
35:05there's nothing better than Sapphire.
35:09Sapphire.
35:14Close your eyes.
35:18Close your eyes.
35:20Close your eyes.
35:37Open your eyes.
35:41Where did you get this?
35:45It's beautiful.
35:47You can wear it for a foundation dinner.
35:51Don't you think it's a little too much for a charity event?
35:55Grace,
35:57this is Birmingham.
35:59And luxury is only for those who can afford it.
36:04Oh, Mr. Shelby.
36:16Oh, my God.
36:36Did you put the keys in the watch, Arthur?
36:41Come on, it's time to sleep.
36:47I have to go out.
36:53I have some work to finish.
37:02Work?
37:09But you just got here.
37:12I'll be back soon.
37:14It's 10 o'clock.
37:16It's raining cats and dogs.
37:19I'll be back.
37:21I'll be right back.
37:24Arthur.
37:28The devil works in the dark.
37:32They say
37:34start your work in the light.
37:38Your own light.
37:41The light that everyone has.
37:44It's just a little paperwork.
37:57May you declare your manhood.
38:08Get your men out of nature tonight.
38:14I thought, for your men,
38:17these things have become trivial.
38:20Boss.
38:22Don't mind me,
38:24but does Tom like this game?
38:29I think so.
38:32Good night, Arthur.
38:34Good night.
38:44Good night.
38:47Good night.
38:50Good night.
38:55Good night.
38:57Good night.
38:59Good night.
39:01Good night.
39:03Good night.
39:05Good night.
39:07Good night.
39:09Good night.
39:11Good night.
39:14Arthur.
39:16What are you doing?
39:21Arthur.
39:25We're going to Garrison.
39:27No.
39:29I'm going home, John.
39:32Okay.
39:34Go to hell, Arthur.
39:36Go to hell.
39:40Shit.
39:43Shit.
39:48Calm down.
39:50That's enough.
39:54He'll take the train from Naples to Paris.
39:57Then he'll go to Garrison.
40:04He could be here on Sunday.
40:07That's it.
40:13Charlie.
40:15Charlie, come here.
40:17Look.
40:19Look.
40:21It's so nice, isn't it?
40:23Charlie, come here.
40:26Come here, Charlie.
40:28He and his brother
40:30are going to make a lot of money for us.
40:32Or they can hurt us.
40:34What difference does it make
40:36when we have such a magnificent horse?
40:39Come here.
40:41Come here.
40:43Do you like it?
40:45Yes, Charlie.
40:47Hey.
40:52You do it.
40:54Do you want to touch it?
41:04Do you have a house, John?
41:06Yes, full of kids.
41:08Do you have maids for kids?
41:10Yes, she can hear voices.
41:13Did you prepare food for tomorrow?
41:15I had some important work.
41:17She gets worse in her pregnancy, Tom.
41:20John.
41:22Esme.
41:24Now you go from here.
41:26Go through the back door
41:28and lock it.
41:30Go, hurry up.
41:32Two truckloads of policemen have come outside, John.
41:34Where is Arthur?
41:36He goes home to Madonna of Mosley at exactly 5 o'clock.
41:39You talk to him, Tom.
41:41Esme, please.
41:43This has never happened before.
41:45Call Moss.
41:47He is not from this city.
41:49He looks like he is from London.
41:51But when did we start getting scared of policemen?
41:53Since things have changed.
41:55Put your hands up.
41:57Put your hands down.
41:59John.
42:01John, this is Scotland Yard.
42:03This is Scotland Yard.
42:05Put your hands down.
42:07Put your hands down.
42:10Let her go from here.
42:11She was pregnant.
42:13Leave her alone.
42:15What is happening, Tom?
42:18Put her down.
42:20Tell Polly that this is Russian business, John.
42:22Okay.
42:24Peaky Blinders, now I will show you.
42:28Are you scared?
42:30No.
42:36Come.
42:42Sit.
42:46I am talking to you, Mr. Shelby.
43:01Two odd fellows want to tell you that if you do anything
43:04other than following instructions,
43:06the consequences will be bad.
43:08What is his name?
43:11You met your sister, didn't you?
43:13Hey, what is your name, kid?
43:17Your sister can be a threat to security.
43:20London has connections with her Bolsheviks,
43:23who have connections with the Soviet Embassy.
43:26I just called your dog a kid.
43:29You love your kid.
43:31Am I right?
43:34Try to understand one thing.
43:37If you have local police in your pocket,
43:39we have a Scotland Yard.
43:42They will do what we tell them.
43:44Just like this dog.
43:46Untie him.
43:50You are listening to me, Mr. Shelby.
43:52I can control dogs.
43:55Gypsy magic.
43:58And those I can't control,
44:00I kill them with my own hands.
44:04I learned this when I was stuck on a boat with a dog.
44:06They go crazy in the tunnels.
44:09And I feel like I'm in a tunnel too.
44:13At that moment, you either die or get killed.
44:22Untie him.
44:24And order him to speak in English.
44:28I've heard you do this.
44:30When no one listens to you or reports you.
44:32Meet your sister once,
44:34or she'll die crossing the road one day.
44:39Maurai!
44:44Now you tell me.
44:51If you wanted, I would have died a long time ago.
44:57That's true.
44:59That's true.
45:01That's true, they want to see you alive.
45:05But when you get home today, Mr. Shelby,
45:08look under your child's pillow.
45:12You'll find the Tooth Fairy there.
45:17We can go anywhere.
45:19To anyone.
45:28To anyone.
45:58Tommy.
46:03Are you okay?
46:05Yes, I'm fine.
46:07I'm fine.
46:09You promised me, Tommy.
46:11Yes.
46:13I trusted you.
46:18I trusted you.
46:22I'm fine.
46:24I'm fine.
46:28I'm fine.
46:36Grace.
46:37Grace.
46:39Come here.
46:54You're one of those impressionist artists, right?
46:56That's all very political, isn't it?
46:59And you're not?
47:00Not at all.
47:01I want to paint what is real.
47:04For me, politics means
47:06making things easy for some people,
47:08making things difficult for others.
47:17I thought you should wear this.
47:23But I think this is too much.
47:24I'll wear something simple.
47:25No, this is fine.
47:28I don't think I can do this.
47:31I want to put this portrait in the office,
47:33so it should be formal.
47:35This is formal.
47:37It's beautiful.
47:40Made in Paris.
47:42And stolen in Birmingham.
47:44The house where my mother used to clean.
47:46In 1901.
47:48No, no.
47:49This is yours.
47:50It's yours.
47:52You have confidence and self-respect.
47:55I've painted women
47:57whose expensive clothes seem to be stolen.
48:01I'm not going to charge you for this.
48:04You'll have to pay the price.
48:07This is the first time.
48:10So when do we start?
48:12I've already started.
48:14Come to my studio this evening.
48:16I'm busy in the evening.
48:17Polly, invite him.
48:19Invite me for what?
48:21Ada, we're talking business here.
48:22For whom?
48:23Shelby Foundation Dinner.
48:24Polly is going alone.
48:25You should go with her.
48:26Ada.
48:30I'll come to your studio on Sunday.
48:33And then we'll start.
48:53You're my dirty little secret
48:55Wanna keep you so
48:57You're the only story
48:59That never been told
49:01You're my dirty little secret
49:03Wanna keep you so
49:05Come on out, come on over
49:07Help me forget
49:09Keep the walls from falling
49:11As they're tumbling in
49:13Come on out, come on over
49:15Help me forget
49:17Keep the walls from falling
49:19As they're tumbling in
49:21Keep the walls from falling
49:23As they're tumbling in
49:25This is love, this is love
49:28That I'm feeling
49:30This is love, this is love
49:32That I'm feeling
49:34This is love, this is love
49:36That has taken me
49:37I have confidence
49:39There is self-respect
49:42This is love, love, love
49:44That I'm feeling
49:46This is love, love, love
49:48That I'm feeling
49:50Hello Ma'am.
49:51Hello, ma'am.
50:00Oh, hello.
50:03You look beautiful.
50:12Hi.
50:13Do you know each other?
50:15I don't know anyone by name.
50:17I haven't heard this name before.
50:19Hi.
50:20Tommy.
50:23He's the leader of Birmingham City Council.
50:26Hello, Tommy.
50:27Hi, Danny.
50:28How's business, Tommy?
50:29It's going well.
50:30How are you?
50:31Do you know each other?
50:33I have a share in Cradley Heath's steel factory.
50:36Tommy helps me deliver my goods to the car makers.
50:40Congratulations, Mr. Shelby, on your wedding.
50:44That's strange.
50:45I didn't invite you.
50:46How will that look?
50:48Oh, now the real party has begun.
50:51Who's that?
50:52John Hughes's father, St. Mary Boys Reformatory.
50:57And with him is Patrick Jarvis MP.
51:00He's a member of an organization called Economic Lead.
51:05Did you invite him, Grace?
51:06I've heard the name before.
51:08I think Lord Mayor recommended him.
51:11Oh.
51:12The best people in the city are on your list.
51:14Do you know them?
51:15I'll introduce you to them, Tom.
51:17No, Danny.
51:18I'll go meet them myself.
51:34I think we gave you a surprise.
51:37I'm used to it now.
51:40Ever since the Socialists came to this town,
51:42they've been keeping an eye on us.
51:44We have to meet them face to face.
51:46You should come to Small Heath.
51:48I'll be able to welcome you better.
51:50They want to know about the weapons.
51:52And about the chains on the wheels.
51:54When the White Guards move towards Tbilisi,
51:56the road will be very bumpy.
51:58The chains are perfect for the snow.
52:00The ground here is wet.
52:02I've already got them parked in the cars.
52:04And one of the weapons farms is in the BSA.
52:06He's going for the Turkish army.
52:08How are you going to load all this on the train to London?
52:10There's going to be a strike that night.
52:12All over the city.
52:13You'll have to stop the train twice.
52:15How?
52:16Two drivers will be involved in the strike
52:18in two different locations.
52:21That's interesting.
52:23So the Communist Union will help the Whites
52:25get their hands on the weapons.
52:27That's interesting, isn't it?
52:29I'm thinking about the future.
52:31I'm thinking about all the possibilities.
52:33And I'm trying to remember what's going on.
52:36The Russians want to check the cars.
52:40I'll give you the photographs.
52:42Duke has sent his niece.
52:44She's right here.
52:46Take her to the factory tomorrow
52:48and show her everything.
52:50No.
52:51The Union conveners' factories are under surveillance.
52:55That won't be possible.
52:57Everything is possible, Mr. Shelby.
53:00You'll take her there.
53:03You'll take her to this hotel at 10 o'clock.
53:07Like this.
53:08An empty glass priest.
53:11Let's go back to the party.
53:15For your information, there's a hell.
53:18And there's another place under that hell.
53:22I'll remember everything.
53:25I won't say anything.
53:33Tommy.
53:35This is Duchess Tatiana Petrovna.
53:39Didn't you like meeting the real Duchess?
53:41Yeah, I know.
53:42She has a frieze too.
53:43Mr. Shelby.
53:44You didn't say it straight.
53:46Too much.
53:47But it's true.
53:49I come to places like this for champagne.
53:51And where I get the attention of the Duchess again,
53:54you should have kissed my hand, Mr. Shelby.
53:57Excuse me.
54:01She was asking about my husband.
54:03I thought I recognized him.
54:04She says he's Russian.
54:06My husband has a business with the Russians.
54:08Do you know that?
54:09There's no business tonight.
54:11Then why did you go to the concert hall?
54:13I think people are ready for dinner.
54:15But I haven't finished getting my money.
54:17What's that?
54:18That's what I do every day.
54:21You don't know each other?
54:23No.
54:24That's what I do every day.
54:26Do you know each other?
54:29I've made a list of guests.
54:31But I think my husband knows everyone.
54:33I heard you know him well.
54:35And where did a Duchess hear all this?
54:37There are some circles.
54:38Okay, enough.
54:39Ada.
54:40Grace.
54:41A lady dogger wants to talk to you about coffee mornings.
54:43She also mentioned a donation of 2,000 pounds.
54:46Tatiana, we'll talk later.
54:48I'll like it.
54:50It's not right to go to the factory tomorrow.
54:54It's okay. We'll go anyway.
54:57My uncle told me to seduce you so that we could benefit.
55:00But it would be difficult with such a beautiful wife.
55:03It's not right to go tomorrow.
55:05Didn't you hear?
55:06We don't have any rules. We're Russians.
55:08And we don't have brains.
55:09And we don't have a way.
55:11That's why I'll even come to your bed.
55:13What will you say about this?
55:15I don't think you should drink vodka with champagne.
55:19Does your wife know that the sapphire she's wearing is cursed by the gypsy?
55:28What did you say?
55:29No power in the world can make me wear that.
55:47Grace, look at me.
55:48I need to talk to you.
55:49Grace, listen to me.
55:50Leave me.
55:51Look, don't try to make me understand.
55:54In the name of the Majesty.
55:55In the name of the King.
55:56In the name of the King.
55:59You can eat now.
56:00Grace, you look beautiful.
56:01But you have to take this off.
56:02Why?
56:03Because it looks better?
56:04Grace, look at me.
56:05Let's go to hell.
56:06Okay?
56:07Let's go to hell.
56:08I only care about you.
56:10You're my life, Grace.
56:13You're my life.
56:19You're too much, Tommy Shelby.
56:35Shall we go inside?
56:36Yes.
56:37Come.
56:39This is for the angels.
56:49Let's go.
56:55Call the ambulance!
56:57Hurry!
57:19Grace!
57:21Grace!
57:48On a gathering storm comes a tall, handsome man
58:02In a dusty black coat with a red right hand