- 5/19/2025
EL HOMBRE DE LA TORRE EIFFEL (The Man On The Eiffel Tower, 1950, Full Movie, Spanish, Cinetel) HD
Category
🎥
Short filmTranscript
00:00:00The man of the Eiffel Tower.
00:00:30The man of the Eiffel Tower.
00:01:00The man of the Eiffel Tower.
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00:10:41Oh, Edna!
00:10:56Why did you want us to meet here?
00:10:58I don't want you to get involved in this.
00:11:01Oh, did you hire the killer?
00:11:04The police may think so.
00:11:07It could complicate our lives.
00:11:08Bill, don't get so serious.
00:11:10I know it wasn't just luck.
00:11:12And now that you're rich, you can get rid of Ellen and be with me.
00:11:16What will you do first?
00:11:18That's not so easy, darling.
00:11:20You see, now we'll have to keep a prudential mourning time.
00:11:24And Ellen also has her ideas, of course.
00:11:27We'll have to be careful for a season.
00:11:29How long?
00:11:30Be patient, darling.
00:11:32I'm sorry, I have to go see Ellen.
00:11:34Ellen, always Ellen, I wish...
00:11:35It won't be for long.
00:11:39Inspector McGreggor is investigating the case.
00:11:42He still doesn't know the killer of Mrs. Henderson.
00:11:49Wow.
00:12:09You just had to leave your name and address.
00:12:11Yes.
00:12:12Who's there?
00:12:13It's the Kirby's.
00:12:15You can go.
00:12:26Come in.
00:12:29Hello.
00:12:30Mr. and Mrs. Kirby?
00:12:31Yes.
00:12:33Inspector McGreggor of the Judicial Police.
00:12:36Mr. Kirby, are you the heiress of your aunt?
00:12:39I think so, yes.
00:12:40Do you know, by any chance, of someone who wished for the death of his beloved aunt?
00:12:44No, of course not.
00:12:46From what I've heard, it's the action of a thief.
00:12:50The action of a thief, Mrs. Kirby, who took nothing,
00:12:53except two lives.
00:12:55Good morning.
00:13:03Watch out!
00:13:04Why don't you look where you're going?
00:13:06Is something wrong?
00:13:07Nothing, just you.
00:13:09Let me take him.
00:13:14You were going to do a lot of things, and you can't even buy yourself new glasses.
00:13:18Don't worry, I'll buy them.
00:13:19With what money?
00:13:20I'm losing my...
00:13:22Why do you look back all the time if you don't see anything?
00:13:25I was thinking.
00:13:27I still don't know how you lost your glasses.
00:13:29I've already told you, I fell.
00:13:31You fell, huh?
00:13:32Where did you fall?
00:13:34In the street.
00:13:34What street?
00:13:35I don't know.
00:13:35Oh, you never know anything.
00:13:42I'll keep it, wait for me at home.
00:13:57Hey, you.
00:13:58Come here right now.
00:14:01Who are you?
00:14:02From the police.
00:14:03Police?
00:14:04Your name is Jose Bertin?
00:14:06You are under arrest for the murders of Juliet Henderson and the Sicard.
00:14:10I didn't do it.
00:14:11You'll have to come with me.
00:14:12Now?
00:14:13Right now.
00:14:14And what do I tell her?
00:14:15She'll find out.
00:14:16Slower, I can barely see.
00:14:17Yes, I know, I found your glasses.
00:14:19And now where are you going?
00:14:20I'm going with this man.
00:14:21With him?
00:14:22Why?
00:14:23I found your glasses.
00:14:24He found my glasses.
00:14:26Be very careful.
00:14:27Take him to the station.
00:14:51How could you come back home from Saint-Claus?
00:14:55How could you come back home from Saint-Claus without your glasses?
00:14:58Hey, I didn't kill anyone.
00:15:00Who gave you Mrs. Henderson's address?
00:15:02I didn't kill anyone.
00:15:03Come on, man, why don't you confess?
00:15:05I've already told her everything I know.
00:15:07You told me you went to Mrs. Henderson's house to steal from her,
00:15:10that you found her lying in a pool of blood,
00:15:12and that someone trampled your glasses.
00:15:14I couldn't see who it was, I swear.
00:15:15How could you come back home from Saint-Claus without your glasses?
00:15:20Huh.
00:15:23You know what's going to happen to you, don't you?
00:15:29Guard.
00:15:31Who's your accomplice? Confess!
00:15:33I don't have any!
00:15:34I'm sorry you got into this mess because of my complaints.
00:15:37That has nothing to do with it.
00:15:39Wasn't that why you stole?
00:15:41Maybe, but that was the only thing I did.
00:15:43You didn't kill her, did you?
00:15:45No.
00:15:46Then who did it?
00:15:47I don't know. I couldn't see who it was.
00:15:49But there had to be someone with you.
00:15:51Someone brought you home.
00:15:53Who was it?
00:15:55I don't know how to say it.
00:15:58If you don't say it, it's because you did it.
00:16:01You alone.
00:16:05Guard.
00:16:06No one else but you.
00:16:18The suspect in Mrs. Henderson's murder...
00:16:20...is expected to be tried in the Santé prison.
00:16:43At 5 a.m. on October 3...
00:16:45...the door to your cell is not locked.
00:16:47Follow the corridor to the courtyard.
00:16:49Climb the rope and save the wall.
00:16:53Save the wall.
00:16:55The wall.
00:17:15The wall.
00:17:46And just as the knife fell...
00:17:48...the very idiot began to moan for his mother.
00:18:46INDEPENDENCE AND DEMOCRACY
00:19:07I'm starting to regret having heard you.
00:19:09What if they escape from me?
00:19:11I'll see you tomorrow, Mr. Compagno.
00:19:13And remember, I'm not responsible for this.
00:19:17Your career is at stake, you know?
00:19:19And also the neck of a man.
00:19:21The Foo and Jean Biel are following him.
00:19:45Good.
00:19:46See you tomorrow.
00:19:47Don't lose sight of him, guys.
00:19:50Inform me of the news.
00:20:20Yes, sir.
00:20:21Good-bye.
00:20:22Good-bye.
00:20:23Good-bye.
00:20:24Good-bye.
00:20:25Good-bye.
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00:22:07Extra, extra, lead you to last newssssss!
00:22:10Give me one!
00:22:11Extra! Extra! Read the latest news!
00:22:15Last edition!
00:22:18Is she still sleeping?
00:22:22Yes.
00:22:28Where are the newspapers?
00:22:30Here.
00:22:38What does the press say about the escape?
00:22:40Nothing. He just got it.
00:22:47Janvier, are you sure he didn't leave a message anywhere?
00:22:51Totally. I haven't lost sight of him.
00:22:53And he didn't seem to be looking for his accomplice?
00:22:55If he did, he didn't find him.
00:22:57What do you mean?
00:22:58What?
00:23:02Yes.
00:23:03What's going on?
00:23:05Look at this letter published in the Sifflet.
00:23:08This morning, a semi-official statement was made...
00:23:11...announcing that Jose D'Arten, accused of murder...
00:23:14...and to be tried by the Senate Court...
00:23:16...has escaped from prison.
00:23:18We are in a situation where we can say that...
00:23:22...Jose D'Arten didn't escape. He was forced to do it.
00:23:25We can't give any more details about this comedy...
00:23:27...that was played last night.
00:23:29But we know that it was the police...
00:23:31...that intervened in this pseudo-escape.
00:23:34How did they find out?
00:23:36Not here.
00:23:37Not here either.
00:23:38Not here either.
00:23:39Lucas, go to the Sifflet office.
00:23:42I want the original of this letter.
00:23:44Right.
00:23:49We've caught something.
00:23:55I wonder what kind of animal we've caught.
00:23:58He's woken up.
00:24:01He's coming out.
00:24:03Good. Let's go outside. And don't make any noise.
00:24:06Let's go outside. And don't make any noise.
00:24:29If you read this, we're lost.
00:24:31Do something, Jean-Pierre.
00:24:36Excuse me. That newspaper is mine.
00:25:06Let's go.
00:25:22We'll catch him at the bridge.
00:25:36We'll catch him at the bridge.
00:26:06We'll catch him at the bridge.
00:26:28Police.
00:26:37The suspect in the murder of Mrs. Henderson...
00:26:39...is released.
00:26:47This is what I feared.
00:26:49What I thought was going to happen...
00:26:50...is what happened.
00:26:51How is Jean-Pierre?
00:26:52He's fine.
00:26:53Did he bring you flowers? Do you think he'll die?
00:26:54My wife sent them.
00:26:55I could have killed him.
00:26:56I'm sorry it had to happen.
00:26:58And I'm sorry it happened.
00:26:59All newspapers ask for an investigation.
00:27:02I've had 30 calls since I arrived.
00:27:05I have superiors, too.
00:27:06And what do they do?
00:27:07They call me.
00:27:08If I don't stop the murderer before 10 days...
00:27:10...I promise I'll resign.
00:27:13And I'll have to accept it.
00:27:14Of course.
00:27:15In short, if you can't stop Joseph...
00:27:17Stop the murderer.
00:27:19All right, let's leave it at that.
00:27:21If it hadn't been for that leak...
00:27:22...I'd tell him to take his time.
00:27:24But this situation is out of my hands.
00:27:26As soon as I know something, let me know.
00:27:28Maybe it's before you think.
00:27:30Do you have any leads?
00:27:31Well, I have this letter.
00:27:33Where did you get it?
00:27:34It was given to me by the director of the Sifflet.
00:27:38It's a shame so many people have touched it.
00:27:41It's useless to try to find traces.
00:27:43What do you know about it?
00:27:44Nothing. And what do you know?
00:27:46I've been studying it almost all night.
00:27:48The paper comes from the Demagod in Saint-Germain-des-Prés.
00:27:51Do you know it?
00:27:52Yes, I know where it is.
00:27:54It was written with the left hand...
00:27:55...but not by a left-handed person...
00:27:57...but by someone who knows how to write left-handed.
00:28:00It's an intellectual.
00:28:02How do you say?
00:28:03An intellectual.
00:28:04One of those who speak and write seven languages, you know.
00:28:07But if you want me to make a profile of him...
00:28:10...it won't be too scientific.
00:28:12Go ahead.
00:28:13Well, I think we're dealing with an extraordinary individual.
00:28:18It's curious.
00:28:19I've found a strange mixture of willpower...
00:28:22...and weakness, coldness and emotional capacity.
00:28:27Is it a man's handwriting?
00:28:29Of course, but...
00:28:31...I've found unequivocally feminine strokes.
00:28:34I know this wouldn't be very useful to a judge...
00:28:37...but something is something.
00:28:40I could tell you more if I had written it with my right hand.
00:28:43There are stains on the paper...
00:28:45...although they may come from the linotype.
00:28:48But that stain there...
00:28:50...is from coffee.
00:28:52In short, it was written yesterday morning...
00:28:55...at the Demagod bar...
00:28:57...by a polyglot client who probably drank coffee...
00:29:00...and just committed a savage act.
00:29:02That's right, but it's not what I expected.
00:29:04Do you think it's Ayrton's accomplice?
00:29:06Tell me...
00:29:08...what would you do if a woman wrote you a love letter?
00:29:13Oh, I'd never read it.
00:29:15It's not good to know too much about her.
00:29:20And besides, I've never been sent one of those letters.
00:30:00And the shadows fell upon the dark night.
00:30:31What will you have?
00:30:33Beer.
00:30:35I'm glad to see that you've stopped mourning.
00:30:38Oh, I'm still sad.
00:30:40I'm going to lose my man as soon as the will has been read.
00:30:43I cry for you, I say lovingly.
00:30:45I feel very moved...
00:30:47...by the tears, and then my eyes tear up.
00:30:51Have a good time.
00:30:53Inspector...
00:30:56Do you come here often?
00:30:58No, thanks. I only smoke pipe.
00:31:00Have a drink.
00:31:02I already have one.
00:31:04Hey, I haven't seen you around here before.
00:31:14There are some...
00:31:16...those rumors.
00:31:18What rumors?
00:31:20You know, about the murderer.
00:31:22That woman with your wife is very beautiful.
00:31:26Yes.
00:31:28Very beautiful.
00:31:32She's not French, is she?
00:31:34No, no, she's American. Her name is Edna Warren.
00:31:36Lovely.
00:31:38Yes.
00:31:39Well, if you'll excuse me, Inspector.
00:31:46Let's go.
00:31:52Taxi!
00:32:22Taxi!
00:32:52Taxi!
00:33:22Coffee and yoghurt, 55 francs.
00:33:24Excuse me, bring me some caviar emparedados.
00:33:26Caviar emparedados, one.
00:33:28Three.
00:33:30Quesadillas, two.
00:33:32Quesadillas, three.
00:33:34Quesadillas, four.
00:33:36Quesadillas, five.
00:33:38Quesadillas, six.
00:33:40Quesadillas, seven.
00:33:42Quesadillas, eight.
00:33:44Quesadillas, nine.
00:33:46Quesadillas, ten.
00:33:48Quesadillas, eleven.
00:33:51Three caviar emparedados.
00:33:54And a glass of vodka.
00:33:56Yes, bring me vodka too.
00:33:58And American cigars.
00:34:36Sir, your bill.
00:34:38It'll be 300 for the caviar emparedados,
00:34:4040 for the vodka,
00:34:42200 for the cigars, and with what you drank before...
00:34:44I'll pay you tomorrow.
00:34:45You'll have to talk to the manager about it.
00:34:47Hey, Bob!
00:34:49This man wants to pay his bill tomorrow.
00:34:51He asked for caviar emparedados, vodka, cigars...
00:34:53That's right.
00:34:55He doesn't have any money?
00:34:56Just to pay for the coffee and yogurt.
00:34:58If he lives in this neighborhood, I can go with him.
00:35:00I don't have any money at home.
00:35:01And he asks for caviar emparedados.
00:35:03Hey, George, go get a cop.
00:35:08Are you sure he doesn't have any money?
00:35:10I've made it very clear to him.
00:35:13Hurry up! Hurry up!
00:35:26Is this the man?
00:35:28Yes, he asked for caviar, vodka and cigars,
00:35:30and now he refuses to pay.
00:35:32I'm sorry, I don't have any money.
00:35:34Come with us.
00:35:42Let's go.
00:36:12Let's go.
00:36:14Let's go.
00:36:40Oh, you work for this neighborhood?
00:36:42What's up?
00:36:43They just brought a man in.
00:36:45I want to hear what he has to say.
00:36:46What did he do?
00:36:47Eat caviar and not pay the bill.
00:36:49Just that?
00:36:50The circumstances were strange.
00:36:52Where did you go?
00:36:53In Los Témagos.
00:36:54Bring Radek.
00:36:56What do you think of the case, Ertan?
00:36:58You're in charge, right?
00:37:00I wish the press would let us work in peace.
00:37:03I agree with that.
00:37:09Do you know what he's accused of?
00:37:12What does he have to say?
00:37:14Nothing.
00:37:15Tell me, where does he live, what does he do?
00:37:18Do you know that he could be sentenced to 15 days?
00:37:20The sentence could be revoked.
00:37:22It's my first crime, Inspector.
00:37:24Johan Radek, 38 years old, born in Brum.
00:37:26Unknown father.
00:37:27He has lived in Berlin, Mainz, Bonn and Hamburg.
00:37:29Medicine student, is that true?
00:37:32Professor Gorolea, whom you may know,
00:37:34may tell you that I was his best disciple.
00:37:36Mother Elisabeth Radek.
00:37:37She died two years ago.
00:37:38She worked as a housekeeper.
00:37:41Where does she live?
00:37:42I knew she was a cop.
00:37:44What does she do?
00:37:45My mother used to send me enough money to study medicine.
00:37:49With a salary of a maid?
00:37:51I was her only son.
00:37:52She would have done anything for me.
00:37:54Are you surprised?
00:37:56That was two years ago.
00:37:57And since then?
00:37:59I have relatives who send me money from time to time.
00:38:02And sometimes I also do some translation.
00:38:06What do you think of the director of the Sifflet?
00:38:10I'm afraid I don't understand him.
00:38:13All right.
00:38:17Let him come here at night and let him go in the morning.
00:38:20And check this passport.
00:38:21There's something I don't like.
00:38:23Tell me, what does it have to do with the Sifflet?
00:38:25I don't know yet.
00:38:36The inspector asks for Radek.
00:38:38What?
00:38:39Oh, yes.
00:38:40Come in, inspector.
00:38:41What can I do for you this beautiful morning?
00:38:43It's something very simple, Professor Grolet.
00:38:45I need information about an old student of yours called Johann Radek.
00:38:49Strange, inspector.
00:38:50That's how I would describe him.
00:38:52Very strange.
00:38:53Radek.
00:38:54He was very intelligent.
00:38:55Too much, in my opinion.
00:38:57He was a good student.
00:38:59He was a good student.
00:39:02Too much, in my opinion.
00:39:04He was a good student.
00:39:06He had a very peculiar gift.
00:39:08He knew how to detect the weaknesses of others.
00:39:11His classmates feared him.
00:39:13Now that I think about it, I do too.
00:39:15You know, he could look at you for a minute or two and guess what afflicted you.
00:39:18He knew a man or a woman.
00:39:20And in a short time he said with satisfaction,
00:39:23You will die in a year.
00:39:25And even if it seems a lie, that person died in a year.
00:39:28A very macabre gift.
00:39:30In fact, he was a great doctor, but he was unbalanced.
00:39:33You know what I mean?
00:39:34He was radiant with excitement and soon after he went out.
00:39:39I do not understand.
00:39:40Let's say, gone.
00:39:43Yes, like a wax.
00:39:45A sick inspector.
00:39:46We call him a depressive maniac.
00:39:49Oh, a maniac.
00:39:51His gift to diagnose was not only medical, but also moral.
00:39:54Not only here, but also here.
00:39:56I would not like to be like him, at all.
00:39:59Thank you very much, Professor.
00:42:29Abra.
00:42:30Abra.
00:42:32Abra.
00:42:57Abra.
00:42:58Abra.
00:43:01Abra.
00:43:03Abra.
00:43:05Abra.
00:43:09Abra.
00:43:11Abra.
00:43:30Portaria.
00:43:32He told me to come here Oh my son, follow me
00:44:16Did you manage to escape, right?
00:44:24Yes, as you said
00:44:26I saved your life
00:44:28I know
00:44:29Well, why didn't you come here directly?
00:44:31They were following me
00:44:33Why did you let yourself be seen in that café?
00:44:35I don't know
00:44:36I'm tired of helping you
00:44:38Maybe you'd be better off dead
00:44:39I'll do whatever you ask
00:44:41Now stay here until I come looking for you
00:44:43And don't you dare leave
00:44:45If the police catch you, you'll end up with your hands tied and your head cut off
00:44:49Is that what you want?
00:44:50No
00:44:51You can help someone to a certain extent
00:44:53But in the end, you have to leave them alone
00:44:56No, no
00:44:59Don't leave this place
00:45:10Thank you, Mother
00:45:40Do you know if the money I asked for has arrived?
00:45:49Here it is
00:45:51I'll be right back
00:46:01Hello, darling
00:46:02You look beautiful
00:46:05I'm tired
00:46:07This will be the last night
00:46:08You're not going anywhere without me
00:46:11You won't be able to stand his sarcasm
00:46:13His insolence
00:46:14Please, stay until I go with you
00:46:16When will that be?
00:46:17First the money, now this
00:46:19Darling, everything will be fine
00:46:20It's a matter of time, believe me
00:46:22Shh, be careful
00:46:31Do you know why I like you, Edna?
00:46:33Because you're the least subtle creature I know
00:46:36I don't have to be subtle
00:46:38Here you are, sir
00:46:39Thank you
00:46:43Did you want to see me?
00:46:45No, unless you know someone named Radek
00:46:47Radek?
00:46:48Radek?
00:46:49Yes, that's him
00:46:50I've never heard of him, why?
00:46:51I thought you might know him
00:46:53No, but I could ask
00:46:54Hello
00:46:55Hello
00:46:56Do you know a man named... what was his name, Inspector?
00:47:00Johan Radek
00:47:02Does he stay here at the hotel?
00:47:04If he stays here, he'll be very handsome
00:47:06Maybe you know him
00:47:08I know very few people
00:47:09Excuse me, we're going to a charity dance
00:47:12Goodbye
00:47:15Yes, sir
00:47:16I've seen that man give you money
00:47:18I want the bill number
00:47:20I'm sorry, sir, but I can't
00:47:23All right, sir
00:47:25I just want the bill number
00:47:30K423
00:47:3371181
00:47:3571191
00:47:3871181
00:47:4171181
00:47:4471181
00:47:4771181
00:47:5071181
00:47:5371181
00:47:5671181
00:47:59Radek is inside
00:48:01Has he been there long?
00:48:02Not long, but he's had seven yogurts
00:48:05And? Has he been hungry?
00:48:07No, quite the opposite
00:48:14Oh, Inspector
00:48:17It's about time we talked
00:48:20Lately, I've been thinking a lot about you
00:48:22I'm all ears
00:48:23I don't doubt it, Inspector, but not here
00:48:26Why not?
00:48:27I'm going to stop being a customer of this place
00:48:30This morning I was told I had to pay in advance
00:48:32You did?
00:48:34Yes
00:48:35But I don't like that kind of stuff
00:48:39Do you know the Eiffel Tower restaurant?
00:48:41No
00:48:42I go to the tower to eat every day, alone
00:48:45Maybe we could both go
00:48:47Would you like to have lunch with me?
00:48:49With caviar and vodka
00:48:51All right
00:48:53You first, Inspector
00:48:56Taxi! Taxi!
00:49:11Keep the change
00:49:13Thank you
00:49:15You're welcome
00:49:53Keep the change
00:49:55Thank you
00:50:23Keep the change
00:50:25Thank you
00:50:54Keep the change
00:50:56Thank you
00:50:58Keep the change
00:51:00Thank you
00:51:02Keep the change
00:51:04Thank you
00:51:06This gives me a feeling of power
00:51:08It's like watching an anthill
00:51:11Has anyone ever wondered what it would feel like to fall from here?
00:51:15With a little courage, you could find out
00:51:18What a brilliant gesture of contempt towards human weaknesses
00:51:22If life becomes unbearable
00:51:24I would recommend taking a big leap from the top
00:51:27So you can go to a possibly better world
00:51:30But I would never do that before lunch
00:51:37Well, to your health, Inspector
00:51:47Don't think I'm questioning your professional ability
00:51:51But in this case, if you don't understand anything
00:51:54It's because from the beginning it was based on incorrect data
00:51:58And having taken the wrong path, everything has gone irreparably wrong
00:52:02So everything you find out will be wrong
00:52:05Until the very end
00:52:07You don't know what I'm talking about, do you?
00:52:10Anyone would say I'm trying to end my days in front of the guillotine
00:52:13Here I am, dealing with a matter with which you want to relate me
00:52:17But the question is, how will you do it?
00:52:19It has nothing to do with those people
00:52:21You can only accuse me that yesterday Joseph Ayrton was at the Demagot
00:52:25And seemed to be looking for me
00:52:27Maybe he did, maybe he didn't
00:52:29But the only thing that's true is that I left the place accompanied by two policemen
00:52:34And what does that prove?
00:52:37He shouldn't have let Ayrton run away before he was convicted
00:52:41He may never find someone to take his place
00:52:43And there's a chance he'll disappear completely
00:52:46Then he'd be lost, wouldn't he?
00:52:52Do you want me to help you, Inspector?
00:52:57Do you want an excuse so you can arrest me?
00:53:00Here, 100,000 francs, easy money to locate
00:53:06Try to have fun, locate them
00:53:08Or maybe you'd rather arrest me
00:53:10Wouldn't you rather start from the beginning at Mrs. Henderson's house?
00:53:15That's what I'd do, if it were you and you had just heard what you heard
00:53:19This afternoon I'd get to work and study those false leads again
00:53:23Who knows what I might find
00:53:27Listen, son
00:53:29I'll start from the beginning
00:53:31And maybe you'll find out when you got on stage
00:53:46Hello?
00:53:47Hey, Mr. Kirby, I'm your friend
00:53:52What do you want?
00:53:53The police have reopened the investigation on your aunt's death
00:53:57Yes, they'll start tomorrow
00:53:59They'll search the house again, but much more thoroughly
00:54:02And this time they'll find the truth
00:54:04I don't know what you're talking about
00:54:06I don't know what you're talking about
00:54:08I don't know what you're talking about
00:54:10I don't know what you're talking about
00:54:12I don't know what you're talking about
00:54:14But this time they'll find the knife
00:54:16I left it hidden
00:54:18Where?
00:54:19Where?
00:54:20Who is it?
00:54:22I'm sorry, I don't remember where I hid it
00:54:24But it has my fingerprints
00:54:26And when they find it, it'll take them straight to me
00:54:29And from me to you
00:54:30So get it back
00:54:31Me?
00:54:32I can't
00:54:33Yes, you can
00:54:34Go over there this afternoon
00:54:36It'll be your last chance
00:54:38You're playing with fire, Mr. Kirby
00:54:44Who was it?
00:54:45It was him, wasn't it?
00:54:49Bill
00:54:52What did he tell you?
00:54:53What is he trying to do now?
00:54:55Nothing, it wasn't her
00:54:56Bill, it doesn't matter what he says
00:54:58Don't let him take you, don't listen to him
00:55:00I'll take care of her
00:55:01Bill!
00:55:02Bill
00:55:11K-4-23-7-1-1-8-1
00:55:14K-4-2-3-7-1-1-8-1
00:55:16A souvenir, sir
00:55:18I don't want anything, thank you
00:55:24K-4-2-3-7-1-1-8-1
00:55:28K-4-2-3-7-1-1-8-1
00:55:40Bill!
00:55:42To St. Cloud
00:55:43I'll tell you where when we get there
00:55:57K-4-2-3-7-1-1-8-1
00:56:27K-4-2-3-7-1-1-8-1
00:56:57K-4-2-3-7-1-1-8-1
00:57:28Open the door!
00:57:47Why did you come here so late?
00:57:51Are you afraid of someone?
00:57:54Yes
00:57:57Who was it?
00:57:59He phoned me
00:58:00He phoned you? Who phoned you?
00:58:02The man who paid you to kill your aunt?
00:58:07Yes, a man named Raleigh
00:58:11No?
00:58:12Who was it?
00:58:13Who was it?
00:58:28Who was it?
00:58:31It was me
00:58:58Oh
00:59:02Are you feeling better?
00:59:03No
00:59:04It's the gags of the trade
00:59:06I don't remember anything that happened
00:59:08Did I say something I shouldn't?
00:59:10Probably
00:59:11What time is it?
00:59:12It's eight o'clock, time to go back to work
00:59:14What?
00:59:18We haven't found anything that defies the death of Elisabeth Radek
00:59:22There is unquestionable evidence that she is alive and lives somewhere in Paris
00:59:27Listen, we must act quickly
00:59:30I need you to go and see Radek's mother
00:59:33I don't understand, Radek's mother is dead
00:59:35They have already investigated it and it is not true
00:59:37She is somewhere in Paris, I want you to find her
00:59:40And what do I tell her when I see her?
00:59:42Pay attention to what she tells you
00:59:44Okay
00:59:45And what are you going to do?
00:59:47I have to call my wife
00:59:49Whenever I spend the night away from home, I get a little curious
00:59:53And what are you going to do later?
00:59:54I have a couple of things to do
00:59:55Hello
01:00:16Yes
01:00:19Police
01:00:21Erten, Erten!
01:00:22The police, the police!
01:00:28Excuse me, ma'am
01:00:32Open the door
01:00:49Let me die
01:00:50I want to die
01:01:11Megret
01:01:13I was at Radek's mother's house
01:01:15I found Erten
01:01:16I found Erten
01:01:17He had hanged himself
01:01:21It will be better if you come as soon as possible
01:01:24Okay
01:01:25Thank you
01:01:27Well
01:01:29What did he tell me about the two women?
01:01:34Life is complicated, don't you think, inspector?
01:01:36He had the bad luck that an idea got into his head
01:01:40And he wants to get to the bottom of it
01:01:42A fire of ingenuity
01:01:43But ingenuity is like everything
01:01:45You have to have it since you were a child
01:01:47And now his career is in danger
01:01:49An impeccable historian
01:01:50They would have promoted him
01:01:52How do you explain the suicide of that rich young man?
01:01:54I would try to throw a smoke screen instead of him
01:01:57I would stop anyone
01:01:59Someone like me, whose mother was a simple maid
01:02:02That wouldn't do any good, would it?
01:02:04I would still have Erten's fingerprints
01:02:06Besides, there is also Kirby
01:02:08Who shot himself when you reopened the investigation
01:02:11To get to me, he has to catch those two
01:02:13And now he doesn't have any
01:02:15So he can't touch me
01:02:31He listens, but he doesn't know anything, inspector
01:02:34That's his problem
01:02:43From now on, I will follow you
01:03:13To be continued
01:03:30Dear Mrs. Kirby
01:03:33Your husband hired Mrs. Henderson's killer
01:03:44If this comes to light
01:03:47He will inherit nothing
01:03:53Miss Edna Warren
01:03:55Kirby killed your aunt
01:03:57Your wife is trying to hide it
01:04:02I don't know
01:04:04I don't know
01:04:05I don't know
01:04:06I don't know
01:04:07I don't know
01:04:08I don't know
01:04:09I don't know
01:04:10I don't know
01:04:11She's trying to hide it
01:04:42It's a pleasure to see you, inspector
01:04:44I was afraid you had given up
01:04:46There is so much that could interest you
01:04:48The two women, for example
01:04:50But you shouldn't lose sight of me
01:04:52Do you think they are safe, inspector?
01:05:11I don't know
01:05:12I don't know
01:05:13I don't know
01:05:14I don't know
01:05:15I don't know
01:05:16I don't know
01:05:17I don't know
01:05:18I don't know
01:05:19I don't know
01:05:20I don't know
01:05:21I don't know
01:05:22I don't know
01:05:23I don't know
01:05:24I don't know
01:05:25I don't know
01:05:26I don't know
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01:08:49I don't know
01:08:50I don't know
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01:08:52I don't know
01:08:53I don't know
01:08:54I don't know
01:08:55I don't know
01:08:56I don't know
01:08:57I don't know
01:08:58I don't know
01:08:59I don't know
01:09:00I don't know
01:09:01I don't know
01:09:02I don't know
01:09:03I don't know
01:09:04I don't know
01:09:06I don't know
01:09:09I don't know
01:09:10I don't know
01:09:15It's getting more and more difficult
01:09:17Doesn't it seem so?
01:09:22Go into cloak, please
01:09:31Do you want me to follow her?
01:09:33Maybe he'll take us to the scene of the crime.
01:09:59Wait for me.
01:10:00There she is, Mrs. Kirby.
01:10:25I've told you a million times, you won't understand a word of this.
01:10:41I'll tell you again.
01:10:47Maybe I'm making a mistake, Inspector.
01:10:49Just imagine.
01:10:50Maybe they'll find another body in the morning.
01:11:13...
01:11:17Maybe I'm being delusional.
01:11:22I'm being delusional.
01:11:25That's a lie.
01:11:28I'm being delusional.
01:11:30I'm being delusional.
01:11:32William Kirby is dead.
01:11:34Mrs. Kirby has just left.
01:11:36She's alive.
01:11:37I don't know where she is,
01:11:39but it's a possibility.
01:11:41Ah!
01:11:42Edna Warren came into the house and hasn't left yet.
01:11:45I'll go with you.
01:11:46Oh, good.
01:11:51And now we can go in and feel at home.
01:12:03Let's go upstairs.
01:12:05You see, the man who killed Mrs. Henderson
01:12:09had it very easy.
01:12:11Two women sleeping in a house without a janitor,
01:12:14or dogs.
01:12:16No, he had nothing to worry about.
01:12:19Let's go.
01:12:21But he was right about the corpse.
01:12:24It would be an unpleasant surprise.
01:12:26He has heard about the corpse.
01:12:29It would be an unpleasant surprise.
01:12:31He has heard about Mr. Comelliu, the judge-instructor.
01:12:34It can also be very unpleasant when he wants.
01:12:37But I have not yet fallen into misfortune for Kirby's death.
01:12:40You see, I was with him when he died.
01:12:43I was already tired of all this.
01:12:46Another dead man would be terrible.
01:12:49And I know I'm in a good mess for letting Mrs. Kirby leave
01:12:52without checking what she was carrying.
01:12:56As for you, how could you be involved?
01:12:59You have not been away from me all night.
01:13:02A week ago we spent a lot of time together, right?
01:13:07By the way, there is something I would like to know.
01:13:11Do I follow you or do you follow me?
01:13:19Come in, Radek, come in.
01:13:21Do not be scrupulous.
01:13:24I guess you do not care much.
01:13:30I guess you do not care much
01:13:32that two women were killed stabbed in this place.
01:13:37Maybe we'll never find the knife.
01:13:39It is believed that Ecten threw it at Senna when he fled.
01:13:42But, you know, I'm not so sure.
01:13:46In fact, I have come to the conclusion
01:13:48that maybe it is hidden here.
01:13:51It was what Mrs. Kirby was carrying.
01:13:53Look where I want to get.
01:13:55That could measure about 15 centimeters.
01:13:57Do not you think that is the normal length of a dagger?
01:14:00You are right, Radek, very right.
01:14:03This mysterious case is becoming more and more complicated and confusing.
01:14:09Wow, what is this?
01:14:11Footsteps?
01:14:13We'd better follow her.
01:14:15Maybe we'll find out why Mrs. Kirby came.
01:14:19Who rang the bell?
01:14:23It's five o'clock, it will soon dawn.
01:14:27Here it is.
01:14:29The footsteps seem to reach that closet.
01:14:32Wait a minute.
01:14:33What about the supposed corpse?
01:14:36Maybe it's in there.
01:14:38We'll have to be careful.
01:14:40Well, sooner or later we would have to face the facts.
01:14:43It will be better to open it.
01:14:46Go ahead, open it.
01:15:07Is this the man?
01:15:08Yes, he was with me.
01:15:10He planned the robbery?
01:15:11Yes.
01:15:12He said he would help me get money for Gisela and me.
01:15:15Would you swear that to a court?
01:15:17Yes.
01:15:18He killed them and was going to blame me for it.
01:15:22I'll kill him.
01:15:23Hey, dead does not serve us anything.
01:15:26We have to take him to a healthy and safe court.
01:15:28I do not want to lose my job and I'm going to save your neck.
01:15:33Lucas, accompany this young man to his house.
01:15:37Thank you for your collaboration, Miss Warren.
01:15:40Do you know who this man is?
01:15:42He's the one who wrote me to come.
01:15:44He killed them.
01:15:45Yes.
01:15:46He wrote you and Mr. Kirby.
01:15:48You told him to go to Bellevue first.
01:15:50Then they both came here.
01:15:52He thought they would end up attacking each other.
01:15:55He forgot that the police could intercept your mail.
01:15:59With Mr. Camellia.
01:16:02Can I go now?
01:16:04Yes, thank you, Miss Warren.
01:16:06You have done very well.
01:16:08Camellia, this is McGregor.
01:16:10I have the TEN.
01:16:12No.
01:16:13We can prove your innocence.
01:16:16I have the killer here.
01:16:18His name is Radek.
01:16:19R-A-D-E-K.
01:16:21He's Czech.
01:16:22We're on our way.
01:16:24No.
01:16:25We can prove everything when the trial arrives.
01:16:29What?
01:16:32He got away.
01:16:33I'll call you later.
01:16:35Put that gun away.
01:17:02Taxi.
01:17:03Taxi.
01:17:04Let's go.
01:17:31Taxi.
01:17:32Taxi.
01:17:33Taxi.
01:17:34Taxi.
01:17:35Taxi.
01:17:36Taxi.
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01:18:00Taxi.
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01:18:28Taxi.
01:18:30taxi.
01:18:31Taxi.
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01:18:33Taxi.
01:18:34Taxi.
01:18:35Taxi.
01:18:36Taxi.
01:18:37Taxi.
01:18:54Let's go, don't let the police arrest us.
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