- 5/13/2025
#ladychatterleyslover #romeoandjuliet #bethfreed25
The story of Jean Valjean, a Frenchman convicted of minor crimes, who is hounded for years by an unforgiving and unrelenting police inspector, Javert. Starring: Lino Ventura, Jean Carmet, Michel Bouquet.
The story of Jean Valjean, a Frenchman convicted of minor crimes, who is hounded for years by an unforgiving and unrelenting police inspector, Javert. Starring: Lino Ventura, Jean Carmet, Michel Bouquet.
Category
🎥
Short filmTranscript
00:00:00To be continued...
00:00:30To be continued...
00:01:00To be continued...
00:01:30Back in 1815...
00:01:32You were part of the group who assassinated Marshal Brune.
00:01:35Executed.
00:01:37Very well.
00:01:39Executed, if you prefer.
00:01:41After which you arrived in Paris...
00:01:44Where you made the acquaintance of Claquesous, of Abbey...
00:01:48And of Montparnasse.
00:01:51Correct?
00:01:51Golemaire, don't underestimate me.
00:01:58I know more than you think.
00:02:00Just because I was transferred to Paris six months ago...
00:02:03Doesn't mean that I'm not familiar with the Patron Minette gang.
00:02:06It happens to be my business to be informed.
00:02:08And I am.
00:02:09I know, for example, that your accomplice, Babbey...
00:02:14Has been a chemist, a bartender at Bobèche...
00:02:18A clown in the circus, and occasionally a tooth-puller.
00:02:23And that he knows how to read.
00:02:24I know that your other accomplice, Claquesous, sleeps all day long and only goes out at night.
00:02:31And that he's a ventriloquist.
00:02:33I know that Montparnasse is only 20.
00:02:39That he's good-looking, amiable, effeminate, elegant, and vicious.
00:02:47I know that the four of you rule over the underworld of Paris.
00:02:51And though you are four, you work as one.
00:02:54That's where your strength lies.
00:02:56When we pursue one of you, it is always another we find in his place.
00:02:59There's always one of you to provide an alibi for the others.
00:03:03I know that between you four, you control each and every ambush that takes place in the Department of the Seine.
00:03:12I know you've got a scheme you're working on.
00:03:15That when anyone in Paris is looking for a hired killer, one of you is always available.
00:03:19And everyone knows you under the name of Patron Minette.
00:03:23Because Patron Minette, in the underworld, always means mourning.
00:03:30Appropriate.
00:03:33Because when your night's work is finished and done, it's morning.
00:03:39Am I correct?
00:03:40I know that it was you...
00:03:44...who killed the concierge at 18 Rue Ferroux.
00:03:52You may carry on.
00:03:54Come on, answer.
00:03:55Where were you on the 12th at 2 in the morning?
00:03:56With Pougeot at the Bastille, huh?
00:03:58As was with Planchet, Elias Pantanier, Boutellier, Fontelois, Glorieux, Bacos and the rest of them, huh?
00:04:06Are you going to talk or not?
00:04:08The farmer appeared on the horizon.
00:04:14I repeat, the farmer appeared on the horizon.
00:04:20The shepherd gathered his sheep in the meadow.
00:04:31The shepherd gathered.
00:04:35Cosette.
00:04:37Horizon.
00:04:38H-O-R-I-Z-O-N.
00:04:48Ah, ah, yes.
00:04:53The shepherd gathered his sheep in the meadow.
00:04:57The shepherd's dog was at his side, as always, and was a marvel.
00:05:09What does it mean, marvel?
00:05:13A marvel is what is best, and to be a marvel is to do wonders.
00:05:22The shepherd's dog was at his side, as always.
00:05:26My mother, my mother, was she a marvel?
00:05:32Yes, Cosette, a marvel.
00:05:39His dog was at his side, as always, and was a marvel.
00:05:48Go on.
00:05:56Oh, he's be the new home.
00:05:57He's trouved
00:06:18Oh não, não, não, não.
00:06:19Let's go.
00:06:49Open in the name of the king.
00:07:12Go on, break down the door.
00:07:14Come on, help me.
00:07:19They won't get far.
00:07:48The girls with him, he won't be able to go fast.
00:07:52Three directions are possible.
00:07:54The boulevard which leads to Salpêtrière, the street behind the bank, the chemin Bissetre.
00:08:00I owe you one month, I leave you three.
00:08:13Mira, Druche, you know what you've got to do?
00:08:17Bring four of our men with you.
00:08:18Search the quarter.
00:08:19I owe you one month, I leave you three.
00:08:32Here are your 30 deniers.
00:08:34And you'd better watch out for your neck.
00:08:36Go on, go on.
00:08:38Go, go, go!
00:08:40Go, go, go!
00:08:42Go, go, go!
00:08:49Don't be afraid because it I'm not afraid
00:09:19Don't be afraid
00:09:47What in the world, Mr. Madeleine, but how did you ever get in?
00:10:05Who's this?
00:10:07I'll explain later. I need your help for sure, but please let's go inside.
00:10:12Of course.
00:10:17Nothing, Inspector. You blundering fools. You're just making me lose time.
00:10:27They crossed the Austerlitz Bridge ten minutes ago. They're bound to be here somewhere.
00:10:31At least twenty people saw them.
00:10:32Very well. Then find them, since you're so sure. I have to get back to make my report.
00:10:39Yes, Inspector.
00:10:57The nuns are very strict. No men are allowed in Petit Picpus.
00:11:02On account of the founder of the convent, he was called Martin Varga.
00:11:07No men, except for a gardener. And only unconditioned I put this on to warn them off.
00:11:14He'd have to be deaf not to hear it. Because a man for these women, he's worse than the devil.
00:11:22Tell me, they don't ever come around? Never.
00:11:29Well then, it's safe here.
00:11:32The only trouble is the little girls.
00:11:34The girls?
00:11:35It's a boarding school. During recreation, you see, they play on the grounds.
00:11:39Which means that if you stay here, I'd have to talk to the sisters about you.
00:11:42Otherwise, I'd be dismissed. And that'd be a pretty kettle of fish.
00:11:49Yes, of course.
00:11:51Don't you worry. I'm sure I'll find a way.
00:11:54After all you've done for me, Monsieur Madeleine, I owe everything to you.
00:11:59We'll see tomorrow.
00:12:01Let's get her to bed. She's worn out, poor thing.
00:12:03Come on. She'll be better off in my bed for tonight.
00:12:12This way. It's over here.
00:12:26You too. You must be exhausted with all your problems, Monsieur Madeleine.
00:12:31You can sleep in my armchair.
00:12:35What about you?
00:12:36Don't worry. I never go to sleep this early.
00:12:38I've still got to make my rounds.
00:12:40Get some sleep now, all right?
00:12:42Good night. Tomorrow's another day.
00:12:45You'll find a blanket in the chest.
00:13:05Would you like some coffee?
00:13:07Would it be possible for us to stay?
00:13:21I hope so. The problem is, I'll explain how you're here.
00:13:30What is that?
00:13:31Oh, that's... that's Sister Crucifixion. God bless her poor soul.
00:13:35She died last night at 87.
00:13:37She'd been sick for over a month now.
00:13:39Suppose...
00:13:41Yes, suppose that the Mother Superior agrees.
00:13:43Then you'd have to guard and come back in the convent
00:13:45the way anybody else would, by the main door, of course.
00:13:47Don't you see?
00:13:48The Sister at the Gate would have to see you, and she'd have to let you in.
00:13:51You'd have to...
00:13:52Oh, there. That bell is for me.
00:13:56It must be the Mother Superior.
00:13:58I bet she needs me to nail the coffin.
00:14:00I'd do everything around here.
00:14:03Poche Levant.
00:14:05I'm counting on you.
00:14:09Don't you worry.
00:14:10I have an idea.
00:14:13Oh, one thing. Make sure no one sees you.
00:14:40Before nightfall, would you be able to find a metal bar?
00:14:47It depends what it's for.
00:14:49To be used as a lever?
00:14:51Why, yes, Reverend Mother.
00:14:53I'd like you to lift up a stone.
00:14:55A heavy stone? I hope it's not too big.
00:14:59The flagstone, which is next to the altar in the chapel.
00:15:02The one covering the vault?
00:15:04Well, no man could do it alone.
00:15:05I've already told you I'm not very strong, and I'm getting on in yours.
00:15:08Mother Ascension, who's as strong as a man, will assist you.
00:15:12A woman's not the same as a man.
00:15:16Mother Crucifixion was a saint.
00:15:19She devoted her life to conversions.
00:15:22After her death, she'll perform miracles.
00:15:25Ah.
00:15:26Through her, our community has been greatly blessed.
00:15:29And we must respect her last wish.
00:15:31We shall bury her in the chapel.
00:15:33But it's strictly forbidden. Everyone has to be buried in the cemetery.
00:15:36Forbidden by the laws of men, but sanctioned by God.
00:15:39What if the inspector of the prefecture finds out?
00:15:41We have confidence in you, Fauchelevent.
00:15:43With me, it's no problem, but it's...
00:15:45Fauchelevent, agreed?
00:15:48Yes, but agreed.
00:15:51Between 11 and midnight, Mother Ascension will call you.
00:15:55You will interr sister crucifixion in the coffin in which she slept for 20 years.
00:15:59As you wish.
00:16:02That will be all.
00:16:03Reverend Mother, you see, like I said before, I'm not a young man anymore, and I don't forget I'm a cripple.
00:16:10Oh, of course, with my brother to help me, lifting the flagstone tonight would be very simple.
00:16:15You've got Mother Ascension to help you, Fauchelevent.
00:16:16You've got Mother Ascension to help you, Fauchelevent.
00:16:17There's so much to do. There's the vegetable garden, the upkeep of the lanes, the trees have to be pruned.
00:16:22And my brother's not a young man either, but of course, he's much stronger than me.
00:16:25And for his daughter it would be, he's got a little girl, you see.
00:16:30She would be brought up in the convent.
00:16:31And one day, you know, she's going to stay back.
00:16:32You know, I don't know.
00:16:33And I know she'll be back.
00:16:34Amen, and I know she'll be back in the city.
00:16:35But I know she'll be back in the city.
00:16:36And, you know, like I said before, I'm not a young man anymore, and I don't forget I'm a cripple.
00:16:39Of course, with my brother to help me, lifting the flagstone tonight would be very simple.
00:16:44You've got Mother Ascension to help you, Fauchelevent.
00:16:46There's so much to do.
00:16:48you see she would be brought up in the convent and one day you know she might very well want to take
00:16:53her vows he lives in paris your brother yes reverend mother you may bring him tomorrow
00:16:59after the burial and tell him to come with the child are you the brother yes reverend mother
00:17:19and what is your name monsieur what is your trade gardener are you a good christian
00:17:32we're all good christians in the family
00:17:35the child belongs to you yes reverend mother you are her father yes reverend mother
00:17:43the answer is well
00:17:52come closer
00:18:05we shall see
00:18:10you will have to get another bell strap
00:18:20your brother will need one
00:18:24and as for the child we will take charge of our education
00:18:27may god be with you
00:18:46so
00:18:52so
00:19:03so
00:19:07so
00:19:15Let's do it.
00:19:16Here we go.
00:19:17Okay.
00:19:18Let's put the oil on it.
00:19:21Let's go.
00:19:23I'll tell you if I can use the oil on the stove.
00:19:27Let's go.
00:19:29Let's go.
00:19:31If I'm ready to go on the stove.
00:19:33Let's go.
00:19:35Let's go.
00:19:37Let's go.
00:19:39Let's go.
00:19:41Let's do it.
00:19:43a legacy you said oh a modest legacy i would never force you to stay of course monsieur
00:19:51you know very well that if cosette had wanted to remain and take her vows
00:19:57i'd have been very happy to stay of course but it doesn't seem to be a vocation i know
00:20:03to our regret but we respect cosette's decision goodbye and good luck monsieur fauchelevent
00:20:13goodbye cosette
00:20:16reverend mother
00:20:19this is just one last thing would you kindly accept this sum of 5 000 francs for the ages
00:20:28that cosette spent in your community i hope the sum won't deprive you and cosette no
00:20:34goodbye reverend mother thank you very much monsieur fauchelevent
00:20:40goodbye mother superior i'm so grateful to you let me kiss you cosette
00:20:52go now and god be with you
00:21:02i hope you will be happy in your new life
00:21:13some baron you are a baron made by bonaparte a baron named by that usurper doesn't exist
00:21:40and now you've had calling cards made engraved ones that lie around in your room my domestics
00:21:49laugh at me on account of them you're supposed to be a gentleman may i say something grandfather
00:21:53you always thought that the only truth in politics was that of the bourbons and i listened
00:21:57to you you hid my father from me i found out about him the day he was buried and i discovered
00:22:02that my father was a hero keep what bourbons are senile babblers they're half alive despised
00:22:06and superfluous after all they were chased out of paris weren't they and nobody tried to stop them
00:22:11from going and i suppose you prefer louis philippe here and you're a shameless individual louis
00:22:16philippe isn't any better now listen to me carefully grandfather because we're not about to give
00:22:22up napoleon the second will mount the throne as emperor and then i mario son of the baron
00:22:27i'll proclaim long live the emperor get out of here you'll see me no more if i leave
00:22:33i never want to see you again never let's get out you understand get out
00:22:37now he is i did it he told me you sure you met what he said i'm quite sure i won't ever go back
00:22:55well i'm not surprised now i've got to find a room somewhere possible a room near the university
00:23:05and of course cheap is that all
00:23:08near notre dame de laurette 10 francs a month all right do you know the owner she's an old friend
00:23:17hand out of the building up there and he's been a bonus or everyone and that is such a good
00:23:34good man but yes he is adam and she is an old friend but yes he is an old friend he is an old friend
00:23:38well i'm not sure that he is an old friend but yes he is an old friend so that he is an old friend
00:23:44My friends, meet Marius Pomersi.
00:24:13How do you do?
00:24:13This is Enjolras.
00:24:15I hear you want to join us.
00:24:17Comfaire.
00:24:18Happy to know you.
00:24:19If you're a friend of liberty, someday we'll be in history books.
00:24:22L'Aigre.
00:24:23We call him our boss.
00:24:24Ah, that's because I write essays in the same vein.
00:24:26But unlike my namesake, I believe in freedom.
00:24:28Valreth.
00:24:29Very glad to meet you.
00:24:30My motto, never a barrister.
00:24:32That's why you'll never run into me in a classroom.
00:24:34You registered?
00:24:35In theory, not in practice.
00:24:37And this is Conte.
00:24:38My friends are idealists.
00:24:40I'm the only true nihilist.
00:24:41Don't listen to him.
00:24:42In reality, he's just a romantic.
00:24:44Aristocrat?
00:24:44No, no, no.
00:24:45I'm not an aristocrat.
00:24:46The day I renounced my title was the same day I lost my illusions.
00:24:49Because political parties in this regime accept without hesitation the principle that only
00:24:59the secret societies are uncompromisable.
00:25:01The ABC, the ABC is a secret society.
00:25:03Poor society.
00:25:04He's right.
00:25:05He's right.
00:25:06Because the police don't believe we're very serious.
00:25:08But they will.
00:25:08Hold on.
00:25:11The French were among the first and the other rights of man.
00:25:13We caught Europe the idea of liberty.
00:25:16In Berlin, in Naples, in Madrid, men cried while singing L'Ambassayez.
00:25:21Bravo.
00:25:22The pursuit of happiness is a new idea in Europe.
00:25:24Liberty, equality, fraternity.
00:25:26Our fathers ascribed to one principle, liberty or death.
00:25:30Liberty forever, bondage nevermore.
00:25:32The moment approaches.
00:25:34We'll overthrow Louis-Philippe.
00:25:36We'll proclaim a new republic.
00:25:37Yes, the republic alone can banish hunger and suffering, distress and affliction.
00:25:42And the poor, the homeless, the humble will have the power to be happy.
00:26:07We'll proclaim a new republic.
00:28:25You can go and talk to them.
00:28:27If the workers act, others will follow their example.
00:28:29It happened in 1830.
00:28:31And we've got to convince the medical students.
00:28:33That's very important.
00:28:34As for the barricades, I think that in Les Halles, that'd be the best place.
00:28:39Here.
00:28:41And here.
00:28:43I don't know.
00:28:44It's right here.
00:28:45Of course.
00:28:46Why do you think I chose the Café Courant as our headquarters?
00:28:48Good afternoon, my friends.
00:28:51Bravo.
00:28:52You're an hour late.
00:28:54Sorry, it's not really my fault.
00:28:55It's Marius's.
00:28:56What's wrong with you, Marius?
00:28:58My very dear friends, Marius is in love.
00:29:02In love?
00:29:03In love.
00:29:04Who says in love he adores Juliet?
00:29:07Ah, because her name is Juliet.
00:29:09No.
00:29:10This Juliet, my friends, is nameless and unknown.
00:29:28When were you?
00:29:29Oh, yeah.
00:29:30I'm talking to the charity.
00:29:31Oh!
00:29:32Oh, oh.
00:29:34Oh!
00:29:35Oh.
00:29:39Come here.
00:29:40Come here.
00:29:44Oh, she used to get me.
00:29:46Yes, she used to get me.
00:29:51Here, Rich.
00:29:52Come here.
00:29:53Come here.
00:29:56Come here.
00:29:57I'll help you if you want.
00:30:27Do you want to know what I think?
00:30:45Life is unjust.
00:30:48Life and death both are.
00:30:50Go to any cemetery in Paris, for example, the Pays-Lachaise.
00:30:54Very important, the swells, the rich.
00:30:58They get buried on the heights, where the alleys are bordered with trees and paved.
00:31:05Coffins are covered in silk.
00:31:10While the humble, unimportant folks, the poverty-stricken, intellectuals and artists, like me, they get buried on the bottom land, where the muds need deep and the bodies are quick to putify.
00:31:31If you want to pray at their graves, your feet sink in the ground.
00:31:38Who would you have to visit at the cemetery?
00:31:41I've got nobody for the moment, but it won't be long until I do.
00:31:44Look at the way we're living.
00:31:47You work too much.
00:31:50You're going to kill yourself writing all those letters.
00:31:53All those important people, they don't know what a nunner it is to get a letter written by you.
00:31:58That's life for you.
00:32:00You are what you're born.
00:32:11Here.
00:32:19Is that all?
00:32:21Oh.
00:32:22What misery.
00:32:32Give this to the neighbor.
00:32:33It's not yet worn out.
00:32:34He might.
00:32:41I found one.
00:32:45What did you find?
00:32:46The old man who was at the church.
00:32:48You think he'd come to visit?
00:32:51In a cab.
00:32:52He's rich.
00:32:54He's rich.
00:32:55Very rich.
00:33:00It must be a Rothschild.
00:33:03Oh, the Lord is good.
00:33:06What are you going to do?
00:33:08Deliver the letter.
00:33:09Go on.
00:33:10Go break the window.
00:33:11To bed with you.
00:33:13Oh, God.
00:33:15What we need is men who are ready to do battling.
00:33:17For that we've got to be convincing.
00:33:19If they can believe in our cause, they'll be ready to fight.
00:33:22Mr. Myers?
00:33:23It's me.
00:33:25My neighbor.
00:33:26We'll be going now.
00:33:29Three o'clock at the Coat.
00:33:32I'll see you there.
00:33:35Mademoiselle.
00:33:37Till tomorrow.
00:33:38Goodbye.
00:33:39What do you want?
00:33:42Answer me.
00:33:43To give you a letter.
00:33:46Then give it to me.
00:34:00You didn't have to thank me for anything.
00:34:02It was...
00:34:03It was nothing.
00:34:04Five francs for us is a lot of money.
00:34:08When you can't even buy bread.
00:34:13It's nice in your room.
00:34:16It's clean.
00:34:20You do read a lot, don't you?
00:34:23One book's all we've got.
00:34:24It's even got engravings.
00:34:27I think I've read it 20 times.
00:34:30If I read it once.
00:34:33You know that I know how to read.
00:34:36I'm the only one who had any education.
00:34:39My father taught me.
00:34:41Where we used to live, the nuns had a school.
00:34:43Listen.
00:34:47General Baudouin received the order to take out of action all the battalions in his army.
00:34:55The castle of Houguermont lay in the middle of the plain of Waterloo.
00:35:02Waterloo?
00:35:04My father was there.
00:35:06My father was a sergeant.
00:35:08I even know how to write.
00:35:10Watch.
00:35:11Can I use your pen?
00:35:13Mm-hmm.
00:35:15The...
00:35:17John...
00:35:19Laws...
00:35:21are...
00:35:25there.
00:35:27You know who they are, the John Laws?
00:35:29No.
00:35:31Policemen.
00:35:34You'd be surprised how many things I know.
00:35:39You know what?
00:35:41A chalky is?
00:35:42No.
00:35:43An executioner.
00:35:45This scarf.
00:35:47It could be called a tucker.
00:35:51And you, Mr. Malius,
00:35:53a Romeo.
00:35:55What do you mean?
00:35:58A fella who's handsome.
00:36:00I'm hungry.
00:36:01I'm hungry, Papa, but have no food.
00:36:06I'm cold, Mama, but have no wood.
00:36:11Go hungry, Lord, Lord, shiver and cut.
00:36:14Go hungry, Lord.
00:36:15Go hungry, Lord, shiver and cut.
00:36:17Go hungry, Lord, shiver and cut.
00:36:20Thank God.
00:36:30Mr. Malius, I've got to leave.
00:36:33Heppelin.
00:36:35Come in whenever you want.
00:36:36Oh, it's you.
00:36:37We've been expecting you.
00:36:38We had some errands to do.
00:36:39I live in here.
00:36:40Good day, Monsieur.
00:36:41Here are some warm clothes.
00:36:42Very kind of you, Monsieur.
00:36:43And also a few provisions.
00:36:44Mademoiselle.
00:36:45For you.
00:36:47My heartfelt thanks.
00:36:48I'll always be grateful to you for your generosity.
00:36:51You saved us from the worst.
00:36:52We're all grateful.
00:36:53My thanks.
00:36:55We have no money.
00:36:56We have no money.
00:36:58We have no money.
00:37:00No money.
00:37:02We have no money.
00:37:04We have no money.
00:37:06No money.
00:37:08That's not a pena.
00:37:09We have all people.
00:37:11It's a knife.
00:37:13Let's .
00:37:14We have no money.
00:37:19Broken window.
00:37:21My wife's sick in bed.
00:37:22A bit of a fever.
00:37:24It's nothing.
00:37:24I'm used to it.
00:37:26My poor little girl over there, wounded.
00:37:30Broken window.
00:37:31Cuss it!
00:37:32Oh, the poor little thing.
00:37:34Let me see that wound.
00:37:35No, no, no.
00:37:36It's quite a fearful sight.
00:37:37It's starting to fester.
00:37:39Although, I must say, the worst part is, well, she can't go to work.
00:37:43Six sous per day isn't much, I know.
00:37:44But it's better than nothing.
00:37:47We haven't got a cent to our name.
00:37:51And I was warned by the landlady that I've got to pay all the money I owe by tomorrow.
00:38:00If I don't pay, she'll have the four of us out like we were animals.
00:38:05I can see it now.
00:38:07No roof in our head.
00:38:08My wife's sick.
00:38:11My little girl's in rags.
00:38:13Four quarters due.
00:38:18That's 12 months.
00:38:21A year's rent.
00:38:25A year's rent due, that makes...
00:38:27A year's rent, that's more than 60 francs.
00:38:30Where am I going to find that much money?
00:38:32Monsieur Jean Drette, I only have a five franc going in my pocket.
00:38:35Take it.
00:38:36I have to accompany my daughter, but I'll come back in the evening with the money you need, or tomorrow.
00:38:40No, no, no.
00:38:41Come along.
00:38:42Come along.
00:38:56Monsieur.
00:38:56Monsieur, please, my letter.
00:38:59What are you doing here, Epic?
00:39:29I'm minding my own business.
00:39:38Do you know the address of the people who just visited you?
00:39:42No.
00:39:44What for?
00:39:45Can you help me find it?
00:39:46Maybe.
00:39:51Have you known them for long?
00:39:54No.
00:39:54I saw them once walking in the park.
00:39:57What were you doing in the park?
00:39:59I often walk there.
00:40:04Well.
00:40:04All right.
00:40:08If I learn their address, I'll let you know.
00:40:13Eponine.
00:40:16I'm depending on you.
00:40:19Find them for me.
00:40:21And you.
00:40:22What do you do for me?
00:40:25Whatever you want.
00:40:26I've never seen him before in my life.
00:40:33Never.
00:40:36But I told you, I recognized him.
00:40:38I know him anywhere.
00:40:41Who?
00:40:41Oh, it's about time you showed up.
00:40:43Take her with you.
00:40:44Where to?
00:40:45With this weather, they won't find anyone.
00:40:47The hotel's too pale.
00:40:48She needs fresh air.
00:40:50Get rid of that rag, too.
00:40:51You don't need it.
00:40:52Take it off.
00:41:03Go on.
00:41:11It was eight years ago, but I recognize him.
00:41:15Just by the sound of his voice.
00:41:18Well, maybe.
00:41:18Well, I'm not sure.
00:41:23No.
00:41:24Not at all sure.
00:41:27He does look like someone who's got a lot of money.
00:41:29The other one wasn't poor.
00:41:31He smelled rich.
00:41:33He was a rich man dressed like a poor one.
00:41:39Something else I'll tell you.
00:41:42That blonde girl.
00:41:43Well, what about her?
00:41:46I'm sure it's Cosette.
00:41:48Cosette?
00:41:50Yes, Cosette.
00:41:51You remember her, don't you?
00:41:52Cosette.
00:41:55You're out of your mind.
00:41:57No, I would have recognized her.
00:41:59After all this time, she's changed.
00:42:04A little wretch.
00:42:07And dressed up just like a real princess.
00:42:11Listen.
00:42:12I'm going to tear her eyes out.
00:42:14I'm going to scratch her face for life.
00:42:17No, no, no, no, no, no, no, no, no.
00:42:18No.
00:42:20Easy, my sweet, easy.
00:42:23I have a better idea.
00:42:25If we manage it well,
00:42:28in a little while we too can become millionaires.
00:42:31Oh, you've got a scheme in mind.
00:42:35This evening, when he comes back,
00:42:37nobody will be here.
00:42:41Oh, Madame Bourgeon goes to work someplace else in the evening.
00:42:43And Mr. Malius, won't he hear everything?
00:42:50I saw him go out a while ago.
00:42:51He won't be back till late.
00:42:53Anyway, he doesn't care about us.
00:42:55He minds his own business.
00:42:58The girls can keep watch.
00:42:59I want you to stay with me and help me.
00:43:04We can empty his pockets together, the two of us.
00:43:11He won't be the first.
00:43:14And if he refuses to pay?
00:43:21Well.
00:43:26He'll just have to die.
00:43:27It's the same old Patron Minette gang.
00:43:35You are perhaps afraid of these men?
00:43:38No more than of you.
00:43:40A very good answer.
00:43:43What have you got in mind, Inspector?
00:43:45At night, the front door should be locked.
00:43:49Have you got the key to that front door?
00:43:51Yes.
00:43:53Give it to me.
00:43:57These are loaded.
00:44:05These are loaded.
00:44:07This evening, you will go home a little earlier than usual.
00:44:19Go stand on your table,
00:44:21and through the hole, you will watch
00:44:22what is happening at the Gendrettes.
00:44:25But don't interfere.
00:44:29When you see that things are becoming too agitated
00:44:32and the moment is ripe,
00:44:33then you must fire your pistols.
00:44:39But not too soon.
00:44:42The rest is up to me.
00:44:44But you must wait until the criminals are in the very act.
00:44:49You told me you were a student of law,
00:44:52so you know what I mean.
00:44:53And now,
00:44:58we have no more time to lose.
00:45:02It is 6.30, I believe.
00:45:06The rendezvous is at 8.
00:45:08At 9.
00:45:08I can do it.
00:45:13Just enough time.
00:45:20If you should feel the need to speak to me again,
00:45:22ask for me or have me asked for.
00:45:25Inspector Jabert.
00:45:29That is my name.
00:45:30I'm hungry, Papa,
00:45:38but have no food.
00:45:41I'm cold, Mama,
00:45:44but have no war.
00:45:47Go hungry, Laura.
00:45:50Mr. Jabert.
00:45:52Mr. Jabert.
00:45:54I'm giving you this for your rent.
00:45:56I'll see what I can do for the rest.
00:45:58I'm very grateful for this.
00:46:02God bless you.
00:46:04How is your daughter with the wounded hand?
00:46:07Her sister took her to the hospital
00:46:08to have it looked at.
00:46:09It was getting infected.
00:46:11Go over to the door.
00:46:16Madame Jandert appears to be feeling better.
00:46:20She's very courageous.
00:46:22But she's dying.
00:46:25Please don't think we've always lived in misery.
00:46:28We did have a moment of prosperity once,
00:46:31but now we have nothing left.
00:46:33Nothing at all.
00:46:35Misfortune.
00:46:37I made a few bad investments.
00:46:39Well, you know how it is.
00:46:41Let me show you something.
00:46:46Here.
00:46:47Look at this.
00:46:50Look at this painting.
00:46:51It's a souvenir.
00:46:53It's a souvenir.
00:46:54And I treasure it.
00:46:57I'm going to have to get rid of it for a small amount.
00:47:00I don't want my children to go hungry.
00:47:01Oh, nothing to worry about.
00:47:21They live in the house.
00:47:22They're their friendly neighbors.
00:47:24Would you like to look at this now?
00:47:26It's a masterpiece.
00:47:30It's worth a lot of money.
00:47:32It's as precious to me as my daughter's.
00:47:36You do appreciate works of art?
00:47:38No, not really.
00:47:42How much would you pay for it?
00:47:46I'd be willing to settle for a thousand francs.
00:47:48I don't understand what you mean.
00:48:07Look at me well.
00:48:09Don't you remember me?
00:48:11It wasn't very long ago.
00:48:14Don't you recognize me?
00:48:16Isn't my face familiar?
00:48:19You don't remember the inn at Montfermei either?
00:48:21And Cossette.
00:48:22Doesn't that mean anything to you?
00:48:25And Ténardier.
00:48:27Ténardier.
00:48:28The sergeant at Waterloo.
00:48:30Well, I'm Ténardier.
00:48:31At Waterloo, a sergeant saved my life.
00:48:34His name is Ténardier.
00:48:36If my son ever meets him,
00:48:38he should help him as much as he possibly can.
00:48:41Colonel Bonmercy.
00:48:42Eight years ago, north of Paris.
00:48:44Well, I still haven't forgotten.
00:48:45I'm sure you haven't forgotten either.
00:48:46And now I think it's time for you to pay.
00:48:50Don't try to pretend.
00:48:52It's no use pretending.
00:48:54You want me to think that you don't know me?
00:48:56The only thing I know is that you're a bandit, Ténardier.
00:49:02Well, you've got a nerve calling me names.
00:49:04I've always been respectable.
00:49:06Who do you think you are?
00:49:07I was an electorate and you, you treat me as a bandit.
00:49:11You with all your ears.
00:49:13You think you're better than us, huh?
00:49:15Well, you know better.
00:49:16The fact is, I need money.
00:49:19A great deal of money.
00:49:20You want me to cross you, huh?
00:49:23There's nothing more to say.
00:49:25It's finished.
00:49:28Tie him down.
00:49:29Go on.
00:49:30Stay where you are, you dirty swines.
00:49:46Do you really think that I was some kind of easy prey?
00:49:53Ténardier, do you really want to know what I am?
00:50:02Watch carefully, Ténardier.
00:50:05Look.
00:50:17Go on.
00:50:19Get on with it.
00:50:21Go on.
00:50:22Get him.
00:50:23Put them both in the cab.
00:50:50They're my client.
00:50:51Who's going to pay me now, Inspector?
00:50:52You've just been repositioned.
00:50:55All right.
00:50:55Take him to prison.
00:50:56Oh, that does it.
00:50:57My cab's in the cab.
00:50:58It's all in you now.
00:50:59Oh, I was wrong to become angry a while ago.
00:51:11I said stupid things, didn't I?
00:51:13I said that I needed a lot of money.
00:51:14I said that I needed a lot of money.
00:51:15I guess I shouldn't have.
00:51:16Money doesn't grow on trees, does it?
00:51:18You have to earn it.
00:51:19Sell things.
00:51:20We pay for them, too.
00:51:21It takes time to make money.
00:51:23So I've decided.
00:51:24I think I think I can be a little reasonable.
00:51:27I'll set up for 3,000 francs.
00:51:30Oh, yes, I know what you're going to say to me.
00:51:323,000 francs.
00:51:33I don't walk around with that much money.
00:51:36We'll get a little cassette.
00:51:38When she's here, we'll let you go.
00:51:40And when you return with the 3,000 francs, you can both go.
00:51:43There's a better way than that.
00:51:45The stove, it's faster.
00:51:46Just a little more of it, and he'll give us the address, the girl, and the money.
00:51:49The address.
00:51:58You're all under arrest.
00:52:00The house is surrounded.
00:52:19Don't fire that pistol, Tenardier.
00:52:39I know you.
00:52:40You'll miss as usual.
00:52:49The 12th of May, 1832, at 10 o'clock in the evening.
00:53:07We, officers of the police, have proceeded to the arrest of several criminals who laid
00:53:17an ambush to attack and rob a certain monsieur.
00:53:26Hmm, he may have been the one.
00:53:39All right, take them away.
00:53:41They belong in irons, these people.
00:53:44Come on, all of you.
00:53:48Move along.
00:53:49Move along.
00:53:49You think they waited till I wasn't there to do their dirty work?
00:54:02I don't think.
00:54:03I know.
00:54:08And this monsieur Marius, what time did he leave this morning?
00:54:12About 8 o'clock, inspector.
00:54:14He even paid up his rent.
00:54:15If by any chance he comes back here, please let me know at once.
00:54:21Oh, you can count on me, inspector.
00:54:22I'm on good terms with the police.
00:54:23Anybody there?
00:54:33What are you waiting around here for?
00:54:34Still an ugly old true, huh?
00:54:37What do you want?
00:54:38If you came to see Tenardier, you might as well go away.
00:54:41Why?
00:54:41Where is Papa?
00:54:42He's found a new lunch in the prison.
00:54:45And my mother?
00:54:46Saint-Lazare's prison.
00:54:48And my sisters?
00:54:49In Madelinettes.
00:54:51Oh, the poor things.
00:54:54Listen, old lady, while we're waiting, I've got a great idea.
00:54:58You and me could get married.
00:54:59You rascal, you.
00:55:00Be careful what you say if you don't want my foot on your behind.
00:55:03I dare you.
00:55:03Shame the devil, you would.
00:55:05Gallows bird, if I ever saw one, you'll finish at the end of a rope.
00:55:09Guillotine, it's bloodier.
00:55:10I shouldn't expect her.
00:55:11I should have a picture.
00:55:11I suppose you've got a name, haven't you?
00:55:18Gavroche, I'm at your service.
00:55:20And you?
00:55:21And where do you live?
00:55:22What's it to you?
00:55:24A great deal.
00:55:24I'm a member of the police.
00:55:26Let me give you a warning.
00:55:28It is possible that you'll have a roof over your head soon.
00:55:31You have heard that children's prisons exist.
00:55:33Sure, I know.
00:55:35But maybe it's me who's going to send you there.
00:55:37I'm trapped by the earth.
00:55:39It's the fault of Voltaire.
00:55:40The denouler huisseau, it's the fault of Voltaire.
00:55:43I'm not a father.
00:55:45It's the fault of Voltaire.
00:55:47I'm a little bird.
00:55:48It's the fault of Voltaire.
00:55:49It's the fault of Voltaire.
00:55:50The denouler huisseau, it's the fault of Voltaire.
00:56:02Satsang with Mooji
00:56:32Satsang with Mooji
00:57:02Satsang with Mooji
00:57:32Satsang with Mooji
00:58:02Satsang with Mooji
00:58:32Satsang with Mooji
00:59:02Satsang with Mooji
00:59:32Satsang with Mooji
01:00:02Satsang with Mooji
01:00:32Satsang with Mooji
01:01:02Satsang with Mooji
01:01:32Satsang with Mooji
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