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  • 5/10/2025
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Transcript
00:00You
00:07Right, I am exhausted. It's good luck.
00:20Hi
00:30You coming over on Sunday? I will let you know I might be going out with Kevin. Don't make me do dinner so long
00:37My mom's doing my head in about dropping out of college. That is one of the many dropbacks of still living with the oldies. Yeah, but she makes me watch them
00:44So
00:45Here, do you want me to walk you to the door? I live two minutes away. I think I'll be safe. I love you. Yeah, I am
00:52See you Sunday. I'll see you
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15:48Must say, you've been very helpful, Mr. Norton.
15:50Of course, terrible business, Ad.
15:52Where is you?
16:00What do you think you're doing?
16:02Turns out, Harry, that Mr. Norton here is a peeping Tom.
16:06Naughty, naughty Mr. Norton.
16:10No, you can either talk to us or you can talk to the guards.
16:12Your choice.
16:14Did you video Sally Casey coming home that night?
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19:38We've got an alibi.
19:42My client ran because of a misunderstanding.
19:45He assumed you were there because his taxi license has expired.
19:49Less expired and more never existed.
19:52Mr. McGeaney drives a taxi illegally.
19:55On the other matter, my client has an alibi for all seven dates you've asked about.
20:02For all of them?
20:04You do realize that's very unusual.
20:06Well, that's who it may be, but nevertheless.
20:11And what are those alibis?
20:15His girlfriend has given him an alibi for all seven murders.
20:19She's lying.
20:20Perhaps, but we have no physical evidence.
20:23We've got nothing to hold him on.
20:24Have you questioned her?
20:26She's a proper hard shot, that one.
20:28I like McGeaney for this.
20:30I love Fitz, but if we can't prove it...
20:32Hmm.
20:36We'll stay on him.
20:39I'll let you know if we get anywhere.
20:40A woman is like a trifle.
20:46You've got your Spanish fingers, your custard, cream, cherries, flaked almonds.
20:51Think about it.
20:53I don't care.
20:53Take your sponge fingers.
20:56They're hard, right?
20:58Soak them in a drop of sherry.
21:00So I should get her drunk?
21:02No, no, no.
21:03The sherry's just a metaphor.
21:06A metaphor for what?
21:08I don't know.
21:09Lost my train of thought.
21:10Let me start again.
21:12Glenn, why?
21:13Right you are, honey.
21:14Malky.
21:16Don't listen to Glenn.
21:17I'm so sorry for my knees.
21:24Your father shouldn't be allowed to talk to Glenn.
21:27Very few people should be allowed to talk to Glenn.
21:30Come on, have a look at this.
21:32I think I've found something.
21:34Some kind of movement.
21:35What is it?
21:36I don't know.
21:38But there's something or someone there.
21:41I'm not seeing what you're seeing.
21:44Something's moving there, but...
21:46Hmm.
21:47Try it again.
21:57Get it.
21:58Yeah.
21:59Or nothing.
21:59Okay.
22:15Close.
22:16Close.
22:16Close.
22:17Close.
22:17Close.
22:18It's about a man, a psychiatrist.
22:48A man that starts living his life according to the role of a die.
22:52He doesn't decide anything for himself anymore.
22:54The dice does.
22:55Okay, so what's your point?
22:57Well, eventually it leads to murder.
23:00The video.
23:02The glint.
23:03Oh, my God, it was on the tip of my brain.
23:06But it's so obvious what it is.
23:08It's a coin.
23:09Someone is there watching Sally Casey's house,
23:12and they flip a coin.
23:14Heads, I kill her.
23:16Tails, I don't.
23:17Jesus.
23:18And the coin in the mouth is the one that decides their fate.
23:23Now, are killers more binary than Lionheart?
23:26Kill or don't kill?
23:28If kill, how?
23:30Stab, strangle, drown.
23:33There's no pardon to it, Fergus.
23:36The very lack of M.O. is their M.O.
23:40Wait, so hold on.
23:41That means Barry McGinney's not the killer?
23:43No.
23:44But he may have seen who he was.
23:47No, it was.
23:48Mr. McGinney.
24:00Here we go.
24:02No private detectives?
24:03Seems unlikely.
24:04We'd like to talk to you about Sally Casey.
24:05Yeah, I've got nothing to say.
24:06We don't think you did it.
24:07Tell that to the pigs.
24:08Happily.
24:09No, we think there's a possibility you saw who actually did do it.
24:10I didn't see anything.
24:11Look, we think the killer was across the road when you dropped her off.
24:12Didn't see anyone.
24:13Didn't see anyone.
24:14Leave me alone.
24:15The guard that's investigating is my son.
24:16I can do a good job.
24:17But please, the one, the one in the kitchen, is his boss.
24:18I can do a good job.
24:19I didn't see anything.
24:20No, we don't see him.
24:21No, he wasn't.
24:22We don't see him.
24:23I don't see him.
24:24Oh, you're a good job.
24:25And I don't see him.
24:26Whoa, yeah.
24:27Yeah.
24:28We'll see him.
24:29We'll see if you listen to him.
24:31I'm going to take a good job.
24:32Hey, I'm going to love you.
24:33I'm going to leave him now.
24:34I can leave him here.
24:37Well, I'll stay next to him.
24:38I'll meet me.
24:40The guard that's investigating is my son. I can talk to him. I can have him back off with you.
24:47Can you get him to give me back my taxi license?
24:49Heard you don't actually have a license.
24:52So, I just want to make an honest living.
24:55You help us, we'll help you.
24:59I've nothing to tell you.
25:01You'll piss off.
25:06Now what?
25:07I've no idea.
25:09I told Charlie our theory, but he was less than enamored with it.
25:13Do you think you have cameras in that neighborhood?
25:16I do residential.
25:18Oh, well, then I know one.
25:19Hey.
25:22He's been nagging at me.
25:24That poor girl getting murdered like that.
25:27I'm not talking to no guards, but...
25:29I didn't see anyone when I dropped her one off, but my girlfriend lied for me.
25:33Said I went straight home, but I didn't.
25:34I stayed out another couple of hours.
25:36Look, I don't know if it's any use, but my actual last fare was from the same neighborhood.
25:42I lied around the corner from where that woman died.
25:46Some fella flagged me down.
25:48I almost didn't stop him.
25:51There's something about him.
25:52How do you mean?
25:54I don't know.
25:56He gave me the creeps.
25:57Can you describe him?
25:59Not really.
26:00I didn't see his face.
26:02He's a bit of my eye, but, you know, skinny.
26:06He had dark clothes on.
26:07And a hat over his head.
26:10He kept that on the whole time, but pulled down, look.
26:12How did he pay?
26:13Did he use a credit card?
26:14Nah.
26:15Cash.
26:17But I can't tell you where to drop him.
26:19That all-night cafe with the Docklands.
26:21What time is that?
26:22Maybe 3.30 just after.
26:25There can't be that many customers at 3.30.
26:29Maybe the cafe on the path.
26:31There's one other thing.
26:34He's stuck to high health, my security.
26:36You're joking me.
27:033.30 in the morning is one of our busiest times.
27:06Busier than now.
27:07Can I remember who came in?
27:09As if.
27:11Do you have any security camera footage?
27:13Nah, never felt the need.
27:15The person we're looking for smells strongly of cigars.
27:19Does that ring any bells?
27:21Most of the fellas who come in here smell of something or other.
27:26Hemorrhoid cream, BO, and tobacco.
27:31Take your pick.
27:33Now what?
27:34It's not like we can go around smelling everyone.
27:36Hemorrhoid cream, BO, and tobacco.
27:39I don't fancy that.
27:41There is one thing all smokers have in common, yeah?
27:44Yeah, lung cancer?
27:45They all congregate in the same place.
27:58Hey, you're a bummer, this.
28:01Yeah.
28:03Thanks.
28:04I'm trying to cut down.
28:06You know what I should do?
28:09You know what I really fancy?
28:12Cigar.
28:13Any one of you smoke cigars?
28:15I did when the kid was born.
28:17It's nice to meet you at Christmas.
28:20It's not worth it.
28:21Bless me for the good ones.
28:23I like them for them and what I earn.
28:25So you don't know anyone who smokes cigars, then?
28:28Well, there is this one fella that comes here from time to time.
28:32Oh, he's puffing away.
28:35What's his name?
28:36Oh, I don't know.
28:37I've never been introduced.
28:38Seen him around recently?
28:40Nah, not for ages.
28:41It's the thing about being a trucker.
28:43Your pats cross, they don't.
28:46The trucker, then?
28:46Why are you so interested?
28:50No, there isn't.
28:51It's Roy.
28:53What?
28:53I know the fella you're talking about.
28:55I just always call him Roy.
28:57You have a last name?
28:58Mm-hmm.
28:59Mm.
29:00Orbison.
29:01Oh.
29:01I don't actually know his real name.
29:04I know he's crazy mad about Roy Orbison.
29:06Who's Roy Orbison?
29:08Youth.
29:09Singer.
29:10Pretty woman.
29:12Only the lonely crime.
29:14Yeah, yeah, you know, he always dresses in black, always wears dark glasses.
29:17Well, would you know where we could find him?
29:20I haven't a clue.
29:21He comes in here the odd time to see him.
29:29Five of detectives.
29:31Really?
29:32Call us if you see him.
29:38Okay, that's something.
29:40Where does he get us?
29:41I don't know.
29:43Trucker who loves Roy Orbison.
29:45Can't believe it.
29:47Uncle Charlie.
29:53Hello, Mick.
29:55Yeah, it's Tommy from the cafe.
29:58Yeah, that's right.
29:59Listen, I don't want to worry about it.
30:01I don't want to worry you, but there was a couple here asking about you.
30:03Morning, love.
30:04Morning, love.
30:06I'm getting ready to go to work if you want to lift.
30:10I'm getting ready to go to work if you want to lift.
30:21I'm getting ready to go to work if you want to lift.
30:25Just on my way in and I had a thought.
30:26Look, from everything your one at the cafe was saying, our cigar smoking cereal killer is a Roy Orbison superfan.
30:42So?
30:43So?
30:43So, I hope we needed some bait.
30:45Something no Roy Orbison superfan would ever be able to resist.
30:48Like what?
30:49I don't know.
30:49A pair of sunglasses.
30:50A recording, a first pressing of some record or something like that.
30:53I don't mean to be an alarmist, but I think a truck is following me.
30:59Scribe it.
31:01It's big, black, I can't see the driver, but the license plate is 231-WW-897-99.
31:06Okay, well, go somewhere busy and go into a shop.
31:10Boy, not until the store.
31:11Son, I'm liking it.
31:32Okay.
31:33I think I lost him.
31:35Good.
31:36Now go somewhere where there are people and I'll give Charlie a call.
32:02Lagos?
32:04Lagos?
32:05Those are just...
32:22Just stand.
32:39It's okay, it's very good.
32:42Well, did you check the plates?
32:44Yeah, um, it's a fake.
32:46We've got patrols out looking for a black break.
32:48Can't be that many of them.
32:50I just walked in on Vicky, Kiff and Gormick.
32:53Well, why not? They've been dating for over a year.
32:55What?
32:56How do you know when I don't?
32:58Oh, he can call himself a detective.
33:02Boss, you want to see this?
33:11Fergus?
33:13Not Fergus, no.
33:17Have you heard him?
33:19Nah.
33:20A little more than an ogle.
33:22He's fine.
33:23Or now.
33:25But I want to meet with the both of you.
33:28If you want to see your young friend alive again.
33:31I want you to come and meet us.
33:34Alone.
33:35No, Gar.
33:36Don't worry, to kill us.
33:37You don't even kill me, too.
33:39I'm not an idiot.
33:41That remains to be seen.
33:44You know, Calorie Bog,
33:45by the abandoned cottage?
33:4630 minutes.
33:48If I see anyone with you,
33:50the boy dies.
33:52Tell me how you found me.
34:03Don't like to me, boy.
34:06I know.
34:07Ah!
34:08It was a taxi driver, okay?
34:10A taxi driver who picked you up after you killed Sally Gacy.
34:13You remember dropping you at an all-night cafe
34:15and we asked around for a cigar smoke?
34:17You told the guards about that place.
34:21Guess I can't go back there anymore.
34:24Damn it.
34:25Damn it!
34:26They do.
34:26I mean, you can fill it all.
34:28Right.
34:29Let's get this over with, shall we?
34:36Heads.
34:38You live.
34:39Hands.
34:41Who die?
34:42Just hold on a second.
34:44Just hold on.
34:44Don't.
34:45Don't.
34:45Don't.
34:45Don't.
34:45Don't.
34:46Don't.
34:46Don't.
34:46Don't.
34:46Don't.
34:46Don't.
34:46Don't.
34:52Well, that's our father.
34:55Now, what am I going to do with you?
34:57You stay put.
35:00Maybe we'll toss again when I get back from eating your part.
35:08Bye.
35:08Bye.
35:18Bye.
35:19Bye.
35:19Bye.
35:27Bye.
35:27Bye.
35:28Bye.
35:29Bye.
35:30Bye.
35:30Bye.
35:30Bye.
35:30Bye.
35:30Bye.
35:30Bye.
35:30Bye.
35:31Bye.
35:31Bye.
35:32Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:33Bye.
35:34Bye.
35:34Bye.
35:34Bye.
35:35Bye.
35:35Bye.
35:35Bye.
35:35Bye.
35:36Bye.
35:37Bye.
35:37Bye.
35:37Bye.
35:38Bye.
35:38Bye.
35:39Bye.
35:39Bye.
35:39Bye.
35:40Bye.
35:41Bye.
35:41Bye.
35:41Bye.
35:42Bye.
35:43Bye.
35:43Bye.
35:44Bye.
35:45Bye.
35:46Bye.
35:47Bye.
35:48Bye.
35:49Bye.
35:50Bye.
35:51Bye.
35:52I don't know.
36:22Where's Fergus?
36:33Alive, for now.
36:35But somewhere where no one will ever find him without me.
36:52Tell me, why do you do it?
37:04How would I tell you that?
37:06It must be frustrating, no?
37:09Committing the perfect crime that no one knows.
37:11They are indeed the perfect murderers.
37:15And as such, the guards will never be able to stop them.
37:19And that's not an admission of guilt, by the way.
37:23Just in case you're wearing a wire.
37:26We found you.
37:27The guards will celebrate.
37:29Oh, please.
37:32The guards are a joke.
37:34They couldn't catch a cold.
37:41No, no, no, no.
37:43Shit.
37:45Shit, shit.
37:47Where am I?
37:50Oh, you got me shit.
37:51You always wear this mask.
38:05No.
38:07This is just for your benefit.
38:09I thought it was funny.
38:20Third the coin.
38:22In the mouth.
38:24What's the significance of that?
38:27Don't know your Greek mythology.
38:29So you are ferrying the dead to the afterlife.
38:35Let's just say it's a family tradition.
38:39If you're worried about me setting you up,
39:04shooting is quite an admission of guilt.
39:06The guards will never let it go on this long.
39:21I've read up about you.
39:23I think we're alone.
39:26Don't you?
39:27Don't you?
39:27Don't you?
39:36Let's see if you're as lucky as your young friend.
39:50Heads, you live.
39:54Tails, you die.
39:56I just want a bike to me.
40:16My GPS.
40:20I like!
40:21Let's go.
40:51Move him. Move him.
40:55You're not saying you know where to go.
41:01Get him up.
41:03I'm going to fight.
41:04Put him down.
41:05We're arresting you under suspicion of multiple counts of murder.
41:09That'll be the last time you point a gun at my mother or anyone else.
41:15Vicky, freedom is right to make the arrest.
41:17Get him out of here.
41:18You took your time, John.
41:21I think I've worked it out.
41:33Oh, yeah? Let's hear it.
41:35Okay, so you went from Ireland to England to Hungary to Korea.
41:41What do those countries have in common?
41:43No idea.
41:44Cabbage.
41:45You're on the trail of a counterfeit kimchi ring.
41:49Am I close?
41:50I'm afraid not.
41:52I could tell you.
41:54Oh, wait.
41:55Oh.
41:56Target on the move.
41:57I've got to go. I'll talk to you later.
41:58Miss you.
41:59Miss you. Bye.
42:01Ah, there she is.
42:03Can't stay long.
42:04Date night with the old ball and chain.
42:08Oh, you're doing something different with your hair, Orla.
42:10No. Why?
42:12Well, I don't know.
42:13It's just something different about you.
42:15I like it, though.
42:15Whatever it is.
42:16Thanks.
42:17I think.
42:19Um, what did you want to talk about?
42:22I don't think Mick Brady did this on his own.
42:25Based on what?
42:26He's confessed to everything.
42:27Has details only the killer could know.
42:29There's nothing that suggests a second killer.
42:31But there are inconsistencies.
42:34When he was following Fergus, Fergus ran.
42:37Have you seen him run?
42:38I mean, it's ridiculously fast.
42:40How far did you go?
42:42About a kilometer or so?
42:44Well, I mean, Mick Brady's a man in his late 60s, not particularly fit.
42:49But he would have had to park that massive truck, get out of it, and then run off to Fergus, which is unlikely.
42:56That's what he says happened.
42:58And then, when I asked him about the mask, he said, I thought it was funny.
43:05No, he accented the I.
43:09Like, as if he thought it was funny, but someone else didn't.
43:12Yes, that doesn't prove anything.
43:16Enjoy your wine.
43:17Um, get some rest, Ferg.
43:19Oh, maybe you're right.
43:22Yeah, maybe I'm rather thinking it.
43:42You're right.
43:53You're right.