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  • 5/19/2025
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Harry Wild - S04E04 HD (TvShows) 19th May Episode
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Transcript
00:30CCoSp4 3.50 (-1.00)(Bonus 1.00)(Consolation 1.00)(StSq2 2.60)(Fall 1.00)(StSq2 2.60)(Bonus 1.00)(Consolation 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60
01:00...(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Donut 1.00)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)(StSq2 2.60)(Bonus 1.00)"I give up.
01:07I cannot assure the restaurants and servers until they are fully went.
01:08I cannot show any more
01:59Oh, Lola! Come on! You like it when you get in there.
02:10If I don't, can we leave?
02:12No.
02:13Isn't this exciting?
02:18No. Plus, we don't know how to dance.
02:21Nonsense. We've been watching Strictly for years.
02:24Well, let's introduce ourselves.
02:26Do we have to?
02:27Hi.
02:28Shh! We're listening.
02:31You drove her away, so?
02:33If I was going out with a lump like you, I'd run away, too.
02:37You're pushing too hard. You're desperate. It's pathetic.
02:40You're the pathetic one.
02:42She's a beautiful, vibrant, talented woman.
02:44Why would she want to be stuck with a loser like you?
02:47Class, gather.
03:04What kind of person fakes his own death?
03:07I mean, I'm sure there's some sort of ridiculous reason.
03:09My cello's brains.
03:11Hold on a sec. Lola and all are here.
03:14What? Where?
03:15They're coming up the steps.
03:17Listen, I've got to go. I've got to pick up Liberty.
03:22I thought Liberty was with your mum.
03:24Can't stop. Got to go.
03:26Hi, Granny. Where's Ferg rushing off to?
03:29Liberty.
03:30What are the two of you doing here?
03:32Wait till we tell you.
03:33So, Mum's making me go to this stupid dance class.
03:37It's not stupid.
03:39Anyway, it's run by this ex-ballroom dancer, Genevieve LeCoeur.
03:42Stage name.
03:43Guest.
03:44And she's got these two ballroom dancers who work for her.
03:46Natasha Radu and Anthony Soriano.
03:49And they've vanished.
03:50No note. No nothing. Just poof.
03:54Poof.
03:55Really?
03:56I think it was a jealous boyfriend.
03:59Well, why aren't you telling Charlie all this?
04:01I mean, is there a reason?
04:03He's been in a foul mood ever since Grandad rose from the dead.
04:07It's worth checking out, right?
04:08Their taster class is all week.
04:10There's one this evening.
04:11We could go undercover.
04:14But you've already both been there.
04:16Well, yeah.
04:17You could go undercover.
04:19There's no evidence there even was a crime.
04:21Has anyone even reported them?
04:23Anyway, you know what? I'm busy.
04:25I'm going to see Harry.
04:26So, why don't the two of you go there,
04:28and if you find out anything, you can let me know.
04:32Advanced guard, so to speak.
04:34Mm-hmm.
04:41I've got itchy feet.
04:43Well, I have a cream for that.
04:47It happens every now and again.
04:50I get a yearning to go travelling.
04:52I see. How long?
04:54I don't know. Maybe a year or so.
04:57But I want you to come with me.
04:59First class, the whole way.
05:01I think if God wanted us to camp...
05:03I've invented five-star hotels.
05:06I'll pay for everything.
05:08No, you won't.
05:09Not my style.
05:13There's a lot to think about.
05:16Could you give me some time?
05:20Take all the time you need.
05:33You leave the radio on?
05:34No.
05:39Wait there.
05:52What the bloody hell are you doing here?
05:54And how did you get in?
05:56I still have my key.
05:59I never gave you a key.
06:01Key lock, peek.
06:04Oh, it's you.
06:05Why is the undertaker here?
06:07I'm not an undertaker.
06:09You're going out in memorials picking up women?
06:11That is kind of creepy.
06:13What are you doing in my house?
06:14Pick up, creepy undertaker.
06:16Not him, you.
06:18I'm making dinner.
06:20Unfortunately, it's just enough for two.
06:23You can't just break into my house
06:25and use all my things and just start cooking and...
06:28It's good.
06:30It's good, it's good.
06:57Okay, you creepy undertaker.
06:59Libya, more Libya.
07:01I told you.
07:05Fergus, I may have something.
07:08I'll pick you up in ten.
07:13Harry, I can't dance.
07:14Don't be silly.
07:15Everyone knows how to dance.
07:16That's not even remotely true.
07:18You came.
07:20We've been gathering clues.
07:21Well, mostly names so far.
07:23That's Genevieve in the locker room
07:24with the two young pros,
07:26Annie Casey and Rory O'Hare.
07:28Right, class, gather.
07:30We're going to learn the basic Foxtrot.
07:33I'm going to put you into couples.
07:34I want you with you.
07:37You and you, you and you,
07:39you with you,
07:41you and you and you.
07:43Okay, go.
07:45Chop, chop, up.
07:52I'm Roger.
07:53Roger by name, Roger by nature,
07:55as they say.
07:57Walk forward two steps.
07:59One to the side.
08:00Bring your feet together.
08:02Slow, slow, quick, quick.
08:04Do you come here often?
08:06Steady on.
08:07Bit forward.
08:08Buy a fellow a drink first,
08:09why don't you?
08:10Oh, no, no, no.
08:11God, no, I just...
08:12I'm only teasing.
08:13Just so you know,
08:14I'm a sure thing.
08:18Sorry, sorry.
08:20Woeful.
08:22Kelly.
08:24Woeful.
08:25New girl.
08:28We're going to try with me, okay?
08:30Okay.
08:41You, you have a lovely frame.
08:43I want you to dance with Ronan.
08:45No offence, Brian,
08:47I know how good you are.
08:48One, two, three, four.
08:50One, two, three, four.
08:53What are you teaching here?
08:54You should be on the circuit, surely.
08:56Well, I was planning on it,
08:57but I picked a little injury.
09:01Maybe next season, but until then,
09:03well, working here, it does
09:06pay the way.
09:15So...
09:18And then arms up, chest, lift, lift, chest.
09:22Yeah, you're getting it.
09:23Yeah.
09:24Can I ask you a question
09:25about the dancers who disappeared?
09:27The others were talking about them.
09:29Do you think the boyfriend did something?
09:32I mean, he did keep that on a tight leash,
09:35but I don't know,
09:36I mean, it could be many things.
09:38It's not easy having Genevieve's
09:39all-seeing eye on you all the time.
09:41Oh, she can't be that much of a dragon, can she?
09:44Try being brought up by her.
09:46Genevieve's your mother?
09:47Yeah.
09:48Thought about running away a few times, believe me.
09:51Try to focus on this, okay?
09:52Yeah, sorry.
09:55What is it?
09:57Can we have a word?
09:59Can I not wait? It's been a long day.
10:02Well, we haven't been entirely honest with you, Genevieve.
10:05We're, um, we're not new students.
10:07We're private detectives.
10:10Well, if you don't mind my saying,
10:13you should quit and take up dance full-time.
10:16Oh, I'm too old for that.
10:17Oh, not at all.
10:18We've got categories from 8 to 80.
10:20We just need to find you the right partner.
10:26Tempted, are you, there, Harry?
10:30We just wanted to get your thoughts on Antony and Natasha.
10:34What do you think happened to them?
10:36Lazy, the pair of them.
10:39You think they pull the sticky?
10:41A little bit extreme, is it?
10:44These young ones today just, they don't have the work ethic.
10:47You know, back in my day,
10:49we'd dance until we couldn't dance anymore,
10:51till our feet bled.
10:52And then do you know what we'd do?
10:54We'd dance some more.
10:58I thought those two were different.
11:00I thought they had the fire in their belly like I did.
11:04We've a big competition coming up next month, you know?
11:07I thought they were excited for it.
11:09They weren't ready, but I could have got them there
11:12if only they'd put in the time,
11:14and they gave me their word they would.
11:16They're lazy little liars, what's the point?
11:19What if something actually happened to them?
11:22Like what? They've been kidnapped.
11:26I mean, who's going to kidnap them?
11:28They'll turn up.
11:29You mark my words.
11:31Full of empty apologies, no doubt.
11:33Not the first time, and won't be the last.
11:36Will you train Kelly and Ronan now?
11:39Oh, no.
11:41They're not a patch on Antony and Natasha.
11:44Those two were my last chance.
11:46We could have won.
11:48Isn't Kelly your daughter, though?
11:51My natural ability, that one.
11:53I swear, if she hadn't have come out of me,
11:55I'd be convinced she wasn't mine.
11:57She was a very fat baby,
12:00and it absolutely wrecked my pelvis.
12:03And Ronan?
12:05Oh, he's never been anywhere near my pelvis, unfortunately.
12:09But, no, his problem isn't physical.
12:12It's psychological.
12:14He hasn't got what it takes to win, and he knows it.
12:16So he makes up these fake injuries
12:18so he can stay within the safety of the school.
12:20To be honest, I've had enough of this whole thing.
12:23Might be time for me to pack it all in.
12:29Now, if you'll excuse me...
12:39Isn't she a bond of happiness and joy?
12:41Jess, what do you think?
12:43Do you think that they ran away because they were workshopped?
12:45I don't know. You remember what she said about the competition coming up.
12:48Your aunt Kelly said they were determined to win.
12:50And Brian said that Anthony's mother had a birthday coming up, a big one.
12:53I mean, they wouldn't run away from that.
12:55But who'd want to harm a couple of dancers?
12:57Yeah, the other dancers.
12:59If they were the best, get rid of the competition.
13:01Maybe. But to what end? I mean, this is a dance school in Bray.
13:04It's hardly the Bolshoi.
13:12Welcome, fellow travellers.
13:15Uh, are we going somewhere?
13:18We are all travellers on the highway we call life.
13:22How can I help?
13:24We have a special offer on Chakra balls, and it's two for one on rice cheese.
13:28We're looking into the disappearance of Anthony Soriano...
13:32and your girlfriend.
13:35Who's asked you to do that?
13:37Oh, we can't tell you.
13:39Oh, we can't tell you. Client confidentiality.
13:42Okay, well, I'll tell you exactly where you need to look.
13:45That bitch who runs the dance school.
13:47That can't stand her.
13:49Thanks, Jim.
13:51Actioi.
13:53Wagon.
13:55Total slave driver.
13:56Right, so you think she might have gone off to get away from Genevieve?
14:00Only thing that makes sense.
14:02Oh.
14:03You talked to the guards.
14:06Is this because you think she might be having an affair?
14:09No. Who told you that?
14:12She'd never do that to me.
14:14Never.
14:15Okay.
14:16When was the last time you saw her?
14:18I was in London that night.
14:20At a conference.
14:21That wasn't the question we asked.
14:23Seems like you really want us to know that you have an alibi, Mr Carney.
14:28No. Look.
14:30She sent me a text.
14:33Athens?
14:35What does that mean? What, she's gone to Greece?
14:37I don't know.
14:44Mr Soriano?
14:46Can we ask you a few questions about Anthony?
14:48What is this? Who are you? What do you want with my Anthony?
14:53We want to find him. I'm Natasha.
14:56I want to talk with you, but I have to get to work.
15:00You come with me, yes?
15:02Yes.
15:03Yeah, sure.
15:08My Anthony is a good boy. I've been sick with worry.
15:12You don't think he's gone somewhere for a break?
15:14Without telling me, he never would.
15:17He loved to dance. It's everything to him.
15:21When he was a boy, I worked three jobs to pay for his lessons.
15:25He would never give up.
15:27Have you called the guards?
15:29Can't call the guards, can she? Not legal.
15:33Well, you don't have to worry about us.
15:36You haven't heard from him?
15:39He calls me every day.
15:41But not for three days now.
15:43Here, hold.
15:48Oh, she's very thorough.
15:51Gets in all the nooks and crannies.
15:54Gets in all the nooks and crannies.
16:00I worry so about my Anthony.
16:02What if he's gone like the others?
16:06Others?
16:08The dancers before?
16:10Are you saying that other dancers from the school have disappeared?
16:13Uh-uh.
16:24Right there, Glenn?
16:26My sister-in-law can septus you here any moment.
16:29Petra says she's a real stunner and smart as anything.
16:32What if I fall in love with her?
16:34I mean, I wouldn't mean to, of course, but what if I can't help myself?
16:39Well, hopefully she won't fall in love with you.
16:41I can't control my pheromones, Harry.
16:44Who knows what kind of chemicals are squirting out of my glands
16:47and what they do to women.
16:49No, just no.
16:55All right, Ma?
16:56Hey, son.
16:57Did you know he was such a mover?
16:59What's this?
17:00We went to a dance class last night.
17:02Been working a case?
17:04Is everyone a detective now?
17:05I mean, I start to feel a little bit left out.
17:07They're sort of the clients.
17:09And we found out something very interesting.
17:11Natasha and Anthony aren't the first dancers to go missing
17:14from the Lequeur dance school.
17:16Genevieve Lequeur?
17:18Well, you know her.
17:19Of course. I'm a huge fan.
17:21I mean, who isn't?
17:23Oh, you should have seen her in her heyday.
17:25I mean, her and her partner,
17:26they were the king and queen of the Paso.
17:28What's her real name?
17:30I mean, it's not Genevieve Lequeur, is it?
17:33It's Gene. Gene Casey.
17:36What was her partner's name?
17:38Stephen Clancy, he goes by.
17:40What? Stephen Clancy?
17:42Not Stefan de Cappuccino or something?
17:47What happened?
17:48How come she's teaching a dance class in break?
17:50Gave it all up for love.
17:52Got married, had kids.
17:54Oh, how romantic.
17:55Yeah, except hubby ran off with her best friend.
17:57I mean, by all accounts, I think she's very bitter.
18:01What happened to that Stephen thingamajig?
18:04Clancy?
18:06Oh, he found religion.
18:08Opened a church in Tala.
18:10Oh.
18:12You're a font of knowledge.
18:14How useful you are.
18:16Do you happen to know what happened to the other dancers that went missing?
18:19Do you know, I do remember hearing about that.
18:22I think it was sometime when she was teaching last year.
18:26At the other place, I don't know, rumour was,
18:28they all just packed it in,
18:30because Genevieve was being too hard on them,
18:32getting ready for some big competition.
18:34I mean, they might have just gone home. I think they were rushing.
18:36Yeah. Ilya Andreeva and Nadia Gakov.
18:40So nobody knows for sure what happened to them.
18:44To lose one pair of dancers may be regarded as misfortune.
18:48To lose two pairs looks like carelessness.
18:52Yeah.
18:54Here, what do you mean, the other place?
18:56Oh, she used to teach at the Athena Ballroom before it was closed down.
19:01The message, on your ma's phone.
19:03Not Athens, Athena.
19:05Right, it auto-corrected and maybe she didn't notice if she was typing quickly.
19:09Oh, she was in a panic.
19:11Thanks, ma.
19:12Yeah.
19:13Oh, thank you.
19:18Glen?
19:20Conceptor?
19:22Actually, it's Glen, not Glyn.
19:25Pet said you were Welsh, so it's more likely it's Glyn.
19:28Yeah, but it's not.
19:30You'll get used to it. I'll have a drink.
19:32I'm parched.
19:34A tequila sunrise now would hit the spot. Lovely.
19:37Elton John got me on to them.
19:39The Elton John?
19:41Yeah. Used to be one of his dancers.
19:44Lovely man.
19:46A little bit handsy.
19:48Isn't he gay?
19:49Please.
19:51Doesn't matter when they want to dip their fingers in this sugar bowl.
19:54Now, don't you go getting any ideas.
19:56You try dipping out, then I'll snap it off.
19:59Right you are.
20:08Looks like it's seen better days.
20:16Charlie, maybe this isn't the best idea.
20:20Do you not think we should go, Charlie?
20:25Don't know if there's anything in there yet.
20:41What's that smell?
20:42Something rotten.
20:44Smells stronger that way.
21:15It wouldn't hurt for us to be wrong.
21:18I guess you're right.
21:21Let me get this straight.
21:23My wife and my daughter suspected a crime,
21:25and they came to you two and not the Chief Superintendent of Avant Garda Xiacana,
21:29who lives in the same house.
21:31Charlie, do stop being so petulant.
21:33I don't know what you're talking about.
21:35I don't know what you're talking about.
21:37I don't know what you're talking about.
21:39I don't know what you're talking about.
21:41I don't know what you're talking about.
21:43Do stop being so petulant.
21:45If they had come to you,
21:47what could you have said?
21:48What could you have done?
21:49And to be fair, in our defense,
21:51we didn't know whether or not a crime had actually been committed.
21:54Well, a crime has most definitely been committed.
21:57Have you found a cause of death yet?
21:59Not until we get the PM back.
22:00We noticed extensive burn marks around their necks.
22:03Looked like they'd been tortured.
22:05I know there's no point saying this,
22:07but this is Garda Xiacana business now.
22:09And I also know you're not going to take a blind bit of notice,
22:12so just let me know if you discover anything.
22:14Okay?
22:15Will do.
22:20Ferg.
22:22Did you think any more about our conversation?
22:26I've thought of little else.
22:28It's not easy.
22:40Yeah.
22:42Oh.
22:44What's that?
22:46That's odd. No note.
22:48Weird, isn't it?
22:50Who sent you those?
22:51Harry B? Marcello?
22:53Oh, definitely not the latter.
22:55Marcello's as subtle as a brick.
22:56He would vote all of the flowers and the bill, too.
23:00Yeah, I'll get it.
23:03Did you notice when we were at the dance school
23:05that there was a changing room for the pros?
23:08They had individual lockers.
23:09I mean, Charlie's going to get there sooner or later,
23:11but I'd really like to see Anthony and Tasha's first.
23:15Is the class tonight?
23:16Uh, not tonight. I need to go to Liberty.
23:18Okay.
23:19Uh...
23:21What did you hang back and talk to Charlie about?
23:24Hang back?
23:26Oh, is it what's been on your mind lately?
23:29Yeah, yeah.
23:30And I promise I'll tell you,
23:32but it's just something I need to work out on my own first.
23:36You've become very wise with old age.
23:39I, uh, just want you to know that I'm here.
23:44Whenever you need me.
23:49Ah! How's that for timing?
23:51There you are, Harry.
23:52Someone you can take to the dance class with you.
23:55Oh, thank you.
23:56Harry?
23:57Someone you can take to the dance class with you.
23:59Dance classes?
24:02Count me in. I'm a superb dancer.
24:10Tonight?
24:11Come on, then.
24:12What do you think of those moves?
24:15How are you?
24:16Good. Can't wait to dance.
24:27You did what?
24:29You invited Harry Wilde to our wedding.
24:31Why would you do that?
24:32Oh, you're in so much trouble.
24:33Bye now.
24:35I like Harry and Ferg. I thought you did.
24:38What gave you that idea?
24:39Harry is the bane of my life.
24:41Really?
24:42Bane?
24:43Seems a bit much. Fine.
24:45I'll uninvite them.
24:46What are you doing?
24:47What are you doing?
24:48What are you doing?
24:49What are you doing?
24:50What are you doing?
24:51What are you doing?
24:52What are you doing?
24:53What are you doing?
24:54What are you doing?
24:55I'll uninvite them.
24:56What are you...
24:57You can't uninvite them.
24:58She's our boss's mother.
24:59Do you have any idea what level of career suicide it would be to uninvite them?
25:04Remember you said I should tell you if you start bridezilling.
25:09Am I bridezilling?
25:11A little bit.
25:13Deep breath.
25:21There's a private dressing room just for the dancers.
25:24We need to find a way to check out the lockers belonging to Anthony and Natasha.
25:27Sounds easy enough.
25:28I have a friendly burglar who can open them up for us.
25:31Oh, don't you worry. You can leave that to me.
25:34Harry! It's time.
25:36To bugger off.
25:38I have to tell you the truth. Why I fake my death.
25:41Well, don't bother, because you'll only tell me a lie or something idiotic.
25:45Wow.
25:47You're going to feel awful when you find out the truth.
25:50I'm sure I will, but I'm sure I'll get over it quickly.
25:53Have you seen our son since you've risen from the dead?
25:57Yes, well, probably.
26:00I fear not.
26:02Well, if you'll excuse us, we have somewhere to be.
26:11Right, right, right, right.
26:22It's over there.
26:28Oh!
26:29Oh, I'm so sorry.
26:30I didn't time the superb dancer.
26:32Well, I may have exaggerated that a little bit.
26:34Yeah.
26:35I'm sorry.
26:37May I cut in?
26:38Yes.
26:39It's fine.
26:40No, please do. You can't be any worse.
26:46Ciao, undertaker.
26:52I was back in Italy.
26:54In a little village on the coast.
26:57Beautiful.
26:58And the local was lovely with me.
27:01They took me in, they made me feel at home.
27:03I feel free to stop talking.
27:06Then, I found out that the local capo was extorting protection money from the villagers.
27:23I could stand by and do nothing.
27:26Yeah.
27:27You know I can't abide a bully.
27:30So, I stood up to him.
27:33I faced him down on the town square.
27:37Just me and him.
27:38I made him feel weak and look very weak.
27:43He couldn't forgive that.
27:45And then, he said,
27:46I made him feel weak and look very weak.
27:50He couldn't forgive that.
28:12He sent men to kill me.
28:15I had no other choice but to fake my death.
28:21What bollocks.
28:22What?
28:23It's the plot of a film that folks have been banging on about.
28:26I mean, at least you put the thought in to come up with something I'm unlikely to know other than, say, Casablanca or something like that.
28:31Oh!
28:32Why did you become such a hard and untrusting woman?
28:35Remind me.
28:36Oh.
28:37When did I meet you?
28:38Amore.
28:40I need to go to the toilet.
28:42Don't hold me up.
28:44Are you coming back?
28:45Yep.
28:46Definitely.
28:54Come.
28:55Dance with me.
28:57Let's show them how it's done.
29:00Uh-uh.
29:02We should get out of here before he realizes I'm not coming back.
29:09So, I found a letter in Natasha's locker.
29:11Addressed to her sister in Bucharest, but never sent.
29:13Did you take it?
29:14No, it's evidence.
29:15I took a photo, though.
29:17It's Romanian.
29:18Weirdly enough, I don't speak Romanian.
29:19Oh.
29:20That's OK.
29:21I do.
29:22Why do you speak Romanian?
29:23Well, look, that's a long story, which would require some wine and you've not been judgy.
29:28Well, I'm never judgy, but we are getting back to that.
29:30What does it say?
29:31It says a bunch of things that are, like, irrelevant.
29:33But it talks about the boyfriend.
29:35She says he's suspicious of her and Anthony.
29:39And is going off to London for a conference, but Natasha suspected it was a ruse.
29:42Ruse?
29:43Yeah, she thought Jim was setting her up to catch her out with Anthony.
29:48Now, that's interesting.
29:49Yeah.
29:54Where do you think you're going, Glenn?
29:58It's still Glenn.
29:59I'm just popping out to El Parry in Fergus.
30:01Won't be long.
30:02I don't think so.
30:04You don't what?
30:05My sister asked me to keep an eye on you.
30:07I can't very well do that if you're wandering off with your friends now.
30:10I told her I might help.
30:12Fine.
30:13I'll help too.
30:14What are we doing?
30:15Whatever it is, it'll be better if we do it my way.
30:17I'm terrific at planning things.
30:19Now, jacket off.
30:36Looking for anything in particular?
30:38Talking to you is like talking to a doctor, right?
30:41It's confidential.
30:42No, I just run a shop.
30:44What do you have for libido?
30:46Do you have any, like, pills that could be crushed up?
30:48Crushed up?
30:49So he doesn't know he's taken him, silly.
30:51Oh, I'm not sure that's...
30:53Or better still, do you have, like, a juice, like a sex juice?
30:57Preferably tasteless.
31:00Is this him?
31:01Is this him?
31:02This the one you were having it away with in London last week?
31:05What if it was?
31:06Don't be ridiculous. I've never met you.
31:09Well, that store is full of holes in it, boyo.
31:11She's standing right there.
31:13You could have failed to have met her.
31:15I told you what I'd do if I ever got my hands on this gigolo, didn't I?
31:19Yeah.
31:20Break his fingers like all the others, beat him to a pulp.
31:23To your worst.
31:24See if I care.
31:26Yes, of course I met her, but only when I was in London.
31:29Yes, of course I met her, but only five minutes ago.
31:31I wasn't in London with her last week.
31:34Oh, yeah? Can you prove it?
31:36Check the security camera.
31:38I was here every day.
31:39I've never even been to London.
31:41You hear that, Harry?
31:42Harry Wood.
31:43Well done, guy.
31:45Right, come on, sips.
31:46Our work here is done.
31:49What was the point of all that?
31:50Well, the easiest way to check out your alibi.
31:53And you should know that Natasha didn't believe your whole conference story.
31:57I'm in mourning.
32:00Bad acting.
32:02Fine. Yes.
32:04There was one, but I never went.
32:06I told her I was going, then I followed her instead.
32:08And what happened?
32:10Nothing. Anthony picked her up, they went to the studio.
32:13You followed them?
32:14I watched them go inside and I waited, but they never came back out again.
32:18And after a while I went in and I checked.
32:19There was no sign of them.
32:21I assumed they'd gone home another way, so I went back to Nat's and waited.
32:25She never showed.
32:26And you didn't see anybody else coming in or going out?
32:28No.
32:29Except...
32:31There was a van parked outside and it was gone when I got back out.
32:36I noticed it because it had Bible quotes on the side.
32:39Bible quotes?
32:40Yeah, like...
32:42Something about Jesus dying for our sins, all that kind of thing.
32:45Bible quotes?
32:53What's your mother said?
32:54Genevieve's ex-dance partner, Stephen Clancy, found religion and started his own church.
32:59Why would he be killing Genevieve's dancers?
33:02Genevieve gave up dancing, he would have had to quit, and as Paula said, it wasn't necessarily his decision.
33:07Maybe he held a grudge.
33:12Charlie?
33:14Charlie, we think we have a lead.
33:15Can you look something up for us?
33:17Of course, Mother.
33:18I wait by the phone all day just to be of service.
33:21Yes, that's the spirit.
33:23We need you to look up someone called Stephen Clancy.
33:27He might run a church in town.
33:32Got him.
33:34He's not your killer, if that's what you were thinking.
33:36He's dead.
33:38Took his own life six years ago.
33:39Survived by a wife, Jennifer Clancy Neohair, and a son.
33:44Ronan.
33:45Ronan O'Hair.
33:46Took his father's maiden name.
33:47And his father's van.
33:48Charlie, we think that Genevieve LaCour is in danger.
33:50You need to send someone immediately to pick her up.
33:53I'm on it.
33:54Vicky!
33:55Jordan!
33:57Frame, guys.
33:58Remember your frame.
33:59Kelly!
34:01Is Genevieve here?
34:03No, she's bloody not.
34:04She went off her own and left me here on my own.
34:06Any idea where they went?
34:07It's urgent.
34:08Search me.
34:09Not as much as a buyer leave, just out the door.
34:12How long ago?
34:13An hour ago?
34:15It's Charlie.
34:17It's Charlie.
34:19Any news?
34:20No one at her house.
34:21Neighbours say she should be at work.
34:23We're here now.
34:24She left.
34:25With Ronan.
34:26An hour ago?
34:27Willingly.
34:29I think so.
34:30I mean, he might have tricked her.
34:31Okay.
34:33I'll send a patrol now, looking for the Bible van.
34:36Vicky and Jordan are heading to Ronan O'Hair's place in Tallaght.
34:38We'll let you know if we hear anything.
34:40What is it?
34:41The first answers, the Russian ones.
34:43They vanished at the Athena Ballroom.
34:45You know, where we found the other bodies.
34:47Maybe it's significant.
34:49We can't leave anywhere else to look.
34:56It smells like petrol.
34:59We should call Charlie.
35:02I agree.
35:16Ronan.
35:30It's over.
35:32God's run their way.
35:36Let Genevieve go.
35:39You've got it all wrong.
35:41No, we know who you really are.
35:43Your real name is Ronan Clancy.
35:45Your father is Stephen Clancy.
35:47When Genevieve quit dancing, he was forced to give up as well.
35:51Those around him thought he was a man of God.
35:54But behind closed doors?
35:57He was a bitter and angry man.
36:01He took his anger out on his wife and his son.
36:04Twelve police reports on file.
36:08Then he walked into the sea.
36:09And you blame Genevieve for that life?
36:11Any time she came close to any sort of professional glory,
36:16you'd scupper it.
36:18Genevieve thought that you would leave the dance studio
36:20because you didn't have the guts to compete.
36:22But it wasn't that, was it?
36:24You aren't interested in competing at all.
36:27You just want to punish her.
36:30You've got it wrong.
36:32He doesn't want to punish me.
36:36I smell the petrol.
36:38He wants to burn this whole place down.
36:40I know.
36:42Isn't it romantic?
36:44What?
36:45What?
36:47I never blamed Genevieve.
36:50My father was an angry man.
36:52That's for sure.
36:54My childhood was not an easy one.
36:56But that's only because he was so passionate about dancing.
37:01I never meant to kill Natasha or Anthony or Ilya and Nadia.
37:05I was trying to help them.
37:07That's all.
37:08There's a signed confession.
37:10It's in my flat.
37:12And so the guards were to find Ilya and Nadia.
37:15What part of that is romantic?
37:17Oh.
37:21Who wouldn't want to go out in a blaze of glory?
37:24This way I'll be remembered forever.
37:31Oh.
37:33You should probably go.
37:39Harry!
37:54No, Fox, we don't even know if it works.
37:56We can't just let them burn to death.
38:03I don't like it.
38:04I don't like it.
38:06I don't like it.
38:07I don't like it.
38:08I'll change my clothes.
38:09No, I won't.
38:11I'll change my clothes.
38:12No, you can't.
38:13No, please.
38:14No.
38:19Let her go, Max.
38:22Let her go.
38:23No.
38:26Genevieve!
38:28No.
38:32No!
39:03It is tradition to hold the wake for seven days
39:07to honour my Anthony.
39:10And then for nine days after,
39:12I will pray for him with my rosary
39:15to help shepherd him to the afterlife.
39:19We're sorry for your loss.
39:22In my country,
39:24we don't believe that death is an end.
39:27It is the beginning of the next step.
39:32It is a wonderful thing.
39:36And I know my Anthony will be dancing.
39:51Hi.
39:53Hey.
40:01What's wrong?
40:04I know about Georgetown.
40:06What?
40:09How?
40:11It doesn't matter.
40:13I know you're not taking the place because of me.
40:17I know you're going to regret that decision.
40:21I won't.
40:22I want to go to Trinity.
40:23Trinity's a great college.
40:25It is, but it's not Georgetown, is it?
40:29Come on, don't you have to take it?
40:32No, I don't want to.
40:34I want to stay here with you.
40:43I can't let you do that.
40:48You can't let me.
40:51What are you going to do, break up with me?
40:56Oh, my God.
40:59You are.
41:01It's for the best.
41:03It should be my choice.
41:05This isn't easy for me, okay?
41:07For you.
41:08No, it's for the best.
41:09Get lost.
41:20Get lost.
41:50Get lost.
42:20Get lost.
42:21Get lost.
42:22Get lost.
42:23Get lost.
42:24Get lost.
42:25Get lost.
42:26Get lost.
42:27Get lost.
42:28Get lost.
42:29Get lost.
42:30Get lost.
42:31Get lost.
42:32Get lost.
42:33Get lost.
42:34Get lost.
42:35Get lost.
42:36Get lost.
42:37Get lost.
42:38Get lost.
42:39Get lost.
42:40Get lost.
42:41Get lost.
42:42Get lost.
42:43Get lost.
42:44Get lost.
42:45Get lost.
42:46Get lost.
42:47Get lost.
42:48Get lost.