Fast Talk with Boy Abunda: Hilda Koronel at Lino Brocka, may chemistry sa pelikula! (Episode 493)

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Aired (December 19, 2024): Paano nga ba ang chemistry nina Hilda Koronel at National Artist Lino Brocka sa tuwing sila ay gumagawa ng pelikula?   For more Fast Talk With Boy Abunda videos, click the link below:   https://www.youtube.com/playlist?list=PLGRhcC_vtOrYkYNWgPJ9ntTVJ7BHCXumB   Watch the latest episodes of 'Fast Talk with Boy Abunda’ weekdays at 4:00 PM on GMA Afternoon prime, starring Boy Abunda. #FastTalkwithBoyAbunda   To our Global Pinoys in the U.S., catch your favorite Pinoy shows from GMA Pinoy TV, GMA Life TV, and GMA News TV, now available on YouTube TV!   Subscribe now for only $14.99 per month. Visit tv.youtube.com for more details.

Transcript

00:00When Hilda Coronel says it, the name of the great Lino Broca follows.

00:09Yes.

00:10You're aware of that, right?

00:11Of course.

00:12And when Lino Broca and Hilda Coronel say it,

00:14what they're talking about here are the great films like Insiang.

00:18Yes.

00:19Like Maynila.

00:20Maynila.

00:21Sa Kuku ng Liyuanag.

00:22Let's go back to when you were doing Insiang.

00:25How did you write and how did you get inspired by a director?

00:29Because I know Lino didn't believe in workshops.

00:31No, we didn't have.

00:33But we had the Hilda show, if you remember, for almost six years.

00:36Right.

00:37And we did Insiang as one of the episodes for the Hilda show.

00:41You made a film.

00:42Yes, because I was only 16 then.

00:44And Lino said, I promise you, by the time you reach 18,

00:47before you reach 18, I'm going to make you go to the top as the dramatic actress that you will be.

00:54And he did.

00:55And he did.

00:56Yes.

00:57So how was Lino as a director?

00:59Was Lino a different kind of director?

01:02I will show you how to do it.

01:04I will show you how I envision the role.

01:06Some directors, this is your space.

01:08You know?

01:09Tell your story.

01:10I mean, it's up to you.

01:12How do you work?

01:14We talk about the scene and what he wants and what, you know,

01:18if he wants, my tears are on the left or on the right.

01:21You can do that, Susanne?

01:22Yes, in my youth.

01:23Okay, don't ask me.

01:25No, no, no.

01:26You can do that.

01:27You can do that.

01:28It's not a mission, okay?

01:29The tears are on the left.

01:32Yeah, because the lighting is very important to Lino.

01:34So when he says, I want your tears to fall here, okay, like that.

01:38So I do my best.

01:40But he talks to me on the side and Lino knows me in and out.

01:43He knows all my stories, my heartaches, everything, my personal stuff.

01:48I trust him with that.

01:49So he would tell me, I want you to use your experience here.

01:54Use it here in this scene.

01:56Oh.

01:57Okay?

01:58He knows everything.

01:59Parts of, actually parts of Inchang are parts of my life

02:03and so are some of the movies that I have done.

02:06Like Hello Soldier is part of my life.

02:09So he picks a little bit of that and expands it to become a film.

02:13He really knows my story.

02:15Yes.

02:16What is the hardest thing as an artist?

02:21In the context of, is it easy getting into the character?

02:24Is it easier to get out, snap out of the character?

02:27Is it difficult to maintain, sustain a character while shooting?

02:32What is the hardest thing in this process?

02:37To sustain?

02:38Of course, when I leave the set, you have a bit of adrenaline, right?

02:42It's still high, so it's hard to sleep.

02:44When you go home, you remove your makeup.

02:46You always think, like I'm thinking, did I do it right?

02:49Did I, you know, did I do it right?

02:52Even though people say it was excellent already,

02:54I'm always nitpicking.

02:56That's why I don't watch my movies.

02:59Ah, you don't?

03:00I don't.

03:01Susan, what do you do when your partner, for example,

03:04doesn't give you back anything?

03:07It's hard.

03:08But I don't get mad.

03:10It's just, of course, like I have a partner in a scene one time

03:15and it's a drama and sometimes they're like,

03:18oh, you're being watched while you're doing it.

03:21I like my crying scenes to be take one.

03:23Because for me, it becomes a stale.

03:25If I repeat it, it's like I'm rehearsing.

03:28So I want, if I really gave my all,

03:31boom, it's just one explosion.

03:33So sometimes they get confused with what I'm doing

03:36and they go, they forget their lines.

03:38I'm sorry, I'm sorry, I'm sorry, I forgot my lines.

03:41I don't get mad, I just laugh.

03:43But it's like, okay, it's 4am, let's do it, okay?

03:46Okay.

03:47But you also realize that a lot of actors,

03:49especially now with the changes,

03:5112 years ago, you did a movie,

03:53that you can be intimidating.

03:54I mean, this is you, La Coronel.

03:55I don't know why.

03:56If I were an actor, Susan,

03:58maybe I wouldn't know what to do.

04:02Okay.

04:03You know what I'm saying?

04:04Yes, I understand.

04:05Your piece of advice to young actors.

04:07Just work hard.

04:08Just work hard and love your craft and then treat,

04:11you know, it takes a village, I always say,

04:14to finish, to make a movie.

04:16So treat everybody with respect and just be on time.

04:19It takes a village, that's true.

04:21It takes a village.

04:22All of them, you know, the crew, all of them.

04:24So I respect everybody from top to bottom.

04:27It's important to me.

04:28It's like I can't wait anymore.

04:29I want to watch you in the mirror.

04:31Okay, and it takes fast talk to do fast talk.

04:44Okay.

05:14Okay.

05:45Hey!

05:48Hey!

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