Fast Talk with Boy Abunda: Hilda Koronel, paano ang atake bilang ‘Sisa?’ (Episode 493)

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Aired (December 19, 2024): Bilang isang beteranong aktres, anong klaseng atake ang ginagawa ni Hilda Koronel upang isabuhay ang mga karakter na kanyang ginaganapan? Alamin sa video.   For more Fast Talk With Boy Abunda videos, click the link below:   https://www.youtube.com/playlist?list=PLGRhcC_vtOrYkYNWgPJ9ntTVJ7BHCXumB   Watch the latest episodes of 'Fast Talk with Boy Abunda’ weekdays at 4:00 PM on GMA Afternoon prime, starring Boy Abunda. #FastTalkwithBoyAbunda   To our Global Pinoys in the U.S., catch your favorite Pinoy shows from GMA Pinoy TV, GMA Life TV, and GMA News TV, now available on YouTube TV!   Subscribe now for only $14.99 per month. Visit tv.youtube.com for more details.

Transcript

00:00Okay, and that's really interesting.

00:07Yes.

00:08Where the story will go and how Hilda will attack her.

00:11Jun Lana, the director of the movie, is something that we can look forward to.

00:19What attracted you to the material?

00:22It's totally different from what I'm used to.

00:24Have you done something like this?

00:26Nothing like this.

00:27I did Lupang Hilirang, which is a period piece in the old days.

00:30But it's totally different.

00:32Totally different.

00:33This really is concentrating on her and her revenge.

00:38What she wants to happen.

00:40Because, okay, you killed all my family.

00:44So it's very interesting.

00:46I love the story and the presentation of Jun and Percy and Elmer and SK in the Zoom meeting.

00:53It was so interesting.

00:54It was so professionally done.

00:56And I thoroughly loved them.

00:58I loved the script.

00:59I loved the synopsis first.

01:01Then I said, okay, I love it.

01:03Now give me a good script.

01:05Actually, I said, give me a great script.

01:07And they did.

01:08Yes.

01:09And you're going to get a great movie.

01:11With Ms. Hilda Conel in this movie, I have the permission of your producers.

01:17Okay, good.

01:18Eugene Dominguez there, Jenica Garcia, and many more.

01:21Many more.

01:22So this movie is really something to look forward to.

01:24It's good.

01:25Many issues will be tackled.

01:27Yes.

01:28And it's a very interesting story.

01:29It's really, really, very interesting story.

01:31It's still relevant.

01:32It's still relevant, yes.

01:34And you have a little bit of history.

01:36But at the same time, what happened to the lives of the people there, it's so interesting.

01:41I don't want to tell the story.

01:42But our twists and turns are very interesting.

01:46You know, Susana, it's always interesting.

01:48I told you off-cam that I'm very interested in listening to the stories of great artists.

01:54How they portray the characters.

01:57How they do their roles.

02:01How they go to other people's lives.

02:03I love listening to Meryl Streep, Viola Davis, Tom Hanks, and all the great ones.

02:09There's that Ms. Jolie's, Angelina Jolie's.

02:14Angelina, yes.

02:15For cause, yes.

02:16I had an interview with Cynthia Erivo.

02:18It's very interesting.

02:21Now in your life, after having done movies with the greatest of directors,

02:27you have a process.

02:29How do you attack a role?

02:30How do you go to the character of Sisya?

02:32You have a process.

02:36Yeah.

02:37In a way, when I read my scripts, I'm like,

02:39I'm dreaming of the scenes.

02:41My mind is trying to see.

02:43It's like a movie in my brain.

02:45I'm trying to see how I'm going to attack that scene.

02:48Then I discuss it with him.

02:50I say, tune.

02:51This is just the beginning.

02:52It should be like this.

02:54They're nice.

02:55They listen.

02:56We collaborate.

02:57Here, the dialogue here shouldn't be like that.

02:59This is a confrontation.

03:01It's okay.

03:03I really internalize that.

03:05I get into my role as anybody.

03:10So, I really get into it.

03:11When I go out, I knock on my door.

03:13I get into my car.

03:14I'm Sisya.

03:16You know?

03:17You get to the set.

03:18Oh, yeah.

03:19I'm Sisya.

03:20I get quiet.

03:21Of course, I say hello to everybody.

03:22They'll say I'm crazy.

03:23But, you know, I have to concentrate really hard in one corner.

03:28I have to do my lines.

03:30And then I have to make sure that what the director wants and what I want,

03:35it's the same.

03:38He has his own interpretation.

03:40He's my director.

03:41So, I respect that.

03:42I have my own interpretation.

03:43So, we talk about it.

03:45Which I love about Jun.

03:46Okay.

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Transcript

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