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King Tut’s booker on his third favourite Glasgow album, the self-titled album by Ocean Beat Club
National World - LocalTV
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31/10/2023
John Paul Mason first saw Ocean Beat Club at the T Break stage at T in the Park then became friends with them. He has listed their debut album as one of his favourites from a Glasgow act, putting it down to memories and music.
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Music
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00:00
This is one that you're not gonna know.
00:02
You're not gonna know it.
00:03
- Talk away, tell us a bit about what you did.
00:05
- Right, well, I was at T in the Park in 2002.
00:09
I was with my girlfriend at the time, Louise,
00:13
and we were walking through, you know,
00:15
just between stages, and a girl ran up to us
00:20
and fliered us and said, and it had that logo on it,
00:25
and it said, she was like, "Oh, my friend's band's
00:27
"playing at the T-Break stage.
00:29
"You should come and see them."
00:31
And I just sort of went, "All right, well, what are they like?"
00:33
And she just sort of went, "Well, if you like
00:35
"Scottish indie like Snow Patrol, Idlewild."
00:40
I can't even remember if that was the touchstones she used,
00:43
but whatever she did use, it made me turn to Louise
00:45
and go, "Do you wanna go and see them?
00:47
"I think they might be, I've never been
00:49
"to the T-Break stage before."
00:51
And that in itself was like, we were going off
00:55
the beaten track here, because we were used to going
00:57
to Main Stage, Tuts Tent, maybe like,
01:01
there's another new band's tent, and you had like,
01:04
the NME stage or the Radio One stage.
01:05
So we were always focused around those stages,
01:08
and the T-Break stage was somewhere that we'd never had,
01:11
or I'd never had reason, I'd been going to Teaney Park
01:13
since '98 at that point, and in none of those years
01:16
had I gone to the T-Break stage.
01:18
And they were clashing with The Hives,
01:21
which was a difficult clash for me at the time,
01:24
'cause I loved them, but I knew we had tickets
01:26
to see them at the Corn Exchange, and I was like,
01:28
"No, no, let's go and see this band."
01:29
So we walked into the T-Break stage
01:31
as they were starting their set, and it was quite busy,
01:35
and people were all into it, and I remember looking
01:39
at them on stage and hearing the sound,
01:41
and being like, "This is really good."
01:43
I didn't know any of their songs, but I was like,
01:45
"There's something about this that's really good."
01:47
And we stayed for the full set, and it got busier,
01:50
and they got a really, really good reception,
01:52
and I just was like, "Right, I want to see this band again."
01:57
And pre-MySpace, pre-obviously well before Facebook,
02:02
Bebo and all that nonsense, but the thing that bands used
02:06
to get word out about stuff was their message boards.
02:09
So I went on the Bodie and Beat Club website,
02:13
and I went on their message board, and then I saw a post
02:17
for a gig in Edinburgh at a bar called The Maltings,
02:21
I can remember it, and it was coming up in a couple
02:24
of weeks' time, it was a Sunday night.
02:26
So I got Louise, I got our friends, Graham,
02:29
and a few others as well, and there was maybe about five
02:33
or six of us, and I was like, "Go and see this band,
02:35
they're really good."
02:36
So we went to The Maltings that Sunday night,
02:38
and there was nobody there, right?
02:39
There was no sign of a band, and there was literally nobody
02:42
in the pub, and I went up to the lassie behind the bar,
02:46
and I was like, "A Rodian Beat Club playing here tonight."
02:48
And she went, "Oh, is that the band from Glasgow?"
02:52
And I said, "Yeah."
02:53
And she said, "Oh, they double booked themselves
02:56
with a gig in Motherwell."
02:57
And I was like, "All right, okay."
02:59
And I just turned around, I was like,
03:00
"The gig's happening, guys."
03:02
And then they were like, "All right, okay."
03:03
So we just stayed and had a few drinks, and that was that.
03:06
But I went on the message board and replied,
03:08
and I was probably the only person in Edinburgh
03:11
that had actually tried to go to that gig, potentially.
03:14
And Paul replied back to me, and then he messaged me
03:17
through whatever private way you could do it,
03:19
and he just said, "Oh, I'm really sorry you went.
03:21
Thanks so much for going."
03:23
Paul was a singer, by the way.
03:24
And he says, "Oh, we're playing at Liquid Room,
03:28
Best of Tea Break."
03:28
There's like a four-band bill.
03:30
He was like, "If you want to come with that,
03:31
I'll sort you out with tickets."
03:33
And no one had ever sorted me out.
03:36
Well, actually, bar one, that's another story.
03:38
But nobody that I knew personally had ever sorted me out
03:42
with tickets, i.e. someone in a band.
03:43
He was the first person in a band
03:45
that actually was like, "Here's tickets."
03:47
So we went, and then I met him at the bar that night,
03:50
and we hit it off.
03:51
And basically from that point onwards,
03:54
from 2002 to 2006, '07,
03:58
I went to every single Odeon Beat Club gig.
04:00
And they were supporting Snow Patrol in here,
04:04
and he got me on the guest list for that.
04:06
And I remember Gary Lightbody just saying,
04:07
"I want to thank the best band in Glasgow this year,
04:10
Odeon Beat Club, for opening up for us."
04:12
And they supported Half Man, Half Biscuit
04:14
at the Liquid Room.
04:15
I'd never heard of Half Man, Half Biscuit.
04:17
Went to see them, fell in love with them.
04:19
And then there was other bands.
04:22
They supported Camera Obscura, Arab Strap.
04:26
There was a lot of bands that they were all,
04:28
they were seen as like that next big thing.
04:32
And it was such a shame that it didn't work out for them
04:35
because these songs are phenomenal.
04:38
Like, I absolutely love all of these songs.
04:41
And I was from a very, very natural place in my life
04:46
where I just discovered them,
04:47
not because somebody told me to go and see them,
04:49
or that I knew anyway.
04:51
I obviously got fliered for the gig,
04:53
but it was just like, didn't know any of the songs,
04:56
walked in, saw them live, and then went,
04:58
"Right, I want to go and see this band again."
05:00
And yeah, got to know them.
05:02
And when they released this record,
05:04
a lot of things went wrong.
05:06
It's probably a whole podcast in itself with Paul
05:09
to tell you the things that went wrong.
05:12
There was issues with band members and all the rest of it.
05:16
But the thing that remains is that they released,
05:19
they finally got this album out.
05:21
And the most amazing thing for me
05:24
was when they did release it,
05:25
they've got, "We would like to thank the following
05:28
for their help and support."
05:30
And I remember, they didn't even tell me that they put it in,
05:33
but I'm looking through the list of people now
05:36
that are thanked on this, and it's like baby shambles,
05:38
'cause they supported baby shambles, I remember that now.
05:41
Snow Patrol, Arab Strap, Sneak Attack Tigers, Pop Up,
05:44
Vic Galloway, Jim Gellatly, Dave McGeehan,
05:48
DF Concerts, who I knew of, but didn't know at the time.
05:52
And then me, I'm on this list,
05:57
which when I saw it, I was like, "Oh my God,
06:01
I've been thanked on a band's album for support."
06:05
And by that point, I'd put on my first gig,
06:09
and they played my first gig,
06:10
which was a John Peel tribute night.
06:12
So in 2005, Radio One asked people up and down the country
06:17
to put on gigs in memory of John Peel.
06:21
So it was on the, not the day that he died,
06:23
but it was the 13th of October,
06:26
which was the day of his last broadcast
06:29
before he went on holiday to Peru,
06:30
and then he obviously died there.
06:33
And I loved John Peel, like absolutely loved him.
06:37
And I just thought, "I could do that.
06:40
I could put on a gig."
06:41
Never done it before, but I just,
06:43
by that point, I was close with a band in Edinburgh
06:47
called St. Jude's Infirmary.
06:48
I knew these guys, and I knew another couple of bands
06:51
through St. Jude's in Edinburgh.
06:52
So I just got the wee red bar in Edinburgh,
06:55
which is the Edinburgh College of Art venue,
06:58
got in touch with the guy there, hired it for the night,
07:01
put the bill together, made a poster up myself,
07:03
and then on the night, it was rammed.
07:05
Like, I didn't have any idea how it was gonna go.
07:08
I think it maybe sold like 20 or 30 tickets in advance,
07:11
but the walk-up was insane.
07:13
And it was amazing, and Odeon Beat Club came through,
07:16
and I made enough money to pay all the bands
07:20
and everything else, cover my costs,
07:22
and pay the venue and everything else.
07:23
And it was such an amazing night.
07:25
So they played the first gig that I ever put on,
07:29
which, if they weren't already special enough to me,
07:33
then that kind of sealed it.
07:35
But then this record, I would encourage anybody
07:40
to listen to it.
07:40
It's online, you can listen to it online.
07:43
And just some really, really classic Scottish indie songs
07:49
that were very much of the time,
07:52
but I think listening back to them now,
07:55
I think they're kind of timeless,
07:56
because they were in and around all those bands
08:01
that went on to do something.
08:02
And I'm sure, like, Sagari Lightbody
08:05
would have taken inspiration from them on certain things
08:09
and then maybe used it to make a bigger,
08:12
a more popular song.
08:13
But, and Paul to this day is still a good friend.
08:17
He releases music as Lonely Tourist.
08:19
Steve Lamac on 6 Music loves him.
08:22
Played them, I think, yesterday
08:23
in between Johnny Cash and Orbital.
08:26
He posted online saying what a night out that would be.
08:30
And so, I mean, whilst it may seem like I'm biased
08:35
or whatever, because I got into them
08:39
on a personal level and became friends with them,
08:42
clearly, like, Steve Lamac, I trust his judgment
08:45
and he's a big fan.
08:46
So Lonely Tourist, he still lives in Bristol
08:50
and still records under Lonely Tourist.
08:52
So that's...
08:56
- I'm gonna go and check that out.
Recommended
3:04
|
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