Skip to playerSkip to main contentSkip to footer
  • 7/26/2023
Oppenheimer Movie Review

Category

📺
TV
Transcript
00:00 Yes, that Oppenheimer review embargo has lifted, which means your feed is flooded with Oppenheimer reviews
00:05 So I do appreciate you clicking on this review in particular. Good news is it's gonna be a really easy review
00:11 It's my favorite kind of review. This movie is epic
00:14 So Oppenheimer is written and directed by Christopher Nolan as I understand it's based off of the book American Prometheus
00:24 Stars Cillian Murphy as J. Robert Oppenheimer who's known as the father of the atomic bomb
00:30 And this is a biopic chronicling his life leading up to the Manhattan Project him doing the Manhattan Project
00:34 And what came after the Manhattan Project the good the bad the heavy it's here now Cillian Murphy is
00:40 Absolutely brilliant in this film as J. Robert Oppenheimer. There's something about Cillian Murphy's eyes that pierce
00:46 absolutely that lends to those heavy moments of
00:50 regret and
00:52 Despair that he feels later on in the film absolutely whether it's with a stare or him delivering dialogue his performance in here is an
01:00 absolutely
01:02 Soulful and heavy one. I should backtrack cuz it didn't start out that way. You know he starts out. He's a pretty
01:07 Relatable guy I mean true neutral absolutely I like that about him in the D&D personality scale he was true neutral
01:15 I just appreciate people like that. He's a flawed human, but we're all flawed humans
01:19 Maybe in different ways, but I was surprised at how relatable he was which is why it makes it so much worse
01:25 when he becomes the guy who's like I just wanted to help the world and
01:30 It's worse because of me because it's easy to be like Oh father of the atomic bomb, but it's like yeah
01:35 But what does that do to somebody?
01:38 What does that do to the person who made the device that killed that many people someone who's not a military mind?
01:45 He's a scientist Gillian Murphy makes you feel all of it. He's always been an incredible actor
01:49 But this is the kind of performance that an actor gives that is
01:52 Truly special everyone in the movie actually did a great job. It's a packed cast. I cannot
01:57 Logistically list off the entire supporting cast here Emily Blunt Jason Clark Robert Downey jr. Matt Damon and more there
02:06 There are people in this movie. I didn't know we're in this movie
02:09 It's like you two kind of shows
02:11 How many people just want to work with Christopher Nolan at this point? I think that's great
02:16 But also Robert Downey jr. Another amazing performance is one of those performances. I don't logistically know the exact number
02:23 I don't know that how many minutes of screen time he had it's like ever since I learned
02:27 Anthony Hawkins had like 15 or 16 minutes of screen time inside them through the lambs
02:32 I always questioned that I don't know why it's just a me thing from then on
02:36 I don't think he had a lot of screen time, but when I think of the movie
02:40 I absolutely am going to think of him and his performance
02:43 I love the fact that Robert Downey jr. Doesn't have to work a day in his life
02:49 And at that point sometimes actors will be like, yeah, I can phone it in get a paycheck
02:53 It'll be fine Robert Downey jr. Must have more money from those fuck you Marvel paychecks then Heisenberg at this point
03:00 No, I'm not talking about the German scientist
03:02 I'm talking about the fictional drug kingpin and the dude's still like I'll clock on an amazing performance and knock it out of the park
03:08 I don't have to but I want to it was incredible to watch and what I loved
03:13 most about this what gripped me is this feels like a
03:17 Cinephiles film it feels like a film for film fans for the love of cinema and the art of cinema in that Francis Ford Coppola
03:26 Bram Stoker's Dracula kind of way, you know that movie grabs me
03:30 One of the reasons it does anyway is because the visual effects in that movie are all in-camera effects
03:36 They're all practical and I'd heard that flex for this movie for Oppenheimer. No CGI anywhere in this movie and I
03:43 Appreciate that it's kind of funny how the flex is flipped. It used to be like this movie has
03:48 3,000 CGI shots. That's the flex now the flex is the opposite
03:53 It's reversed now the flex is zero and that's as cool as it gets and it's not just for the nuke scene
03:58 Like I thought it was gonna be like, okay, the nuke scenes gonna be practical. That's cool
04:01 Not with a nuke other explosives, but okay, it's gonna be practical, but it's not just that
04:06 There are scenes when Oppenheimer's in his head showing how he views the world what he thinks about you see space supernova
04:12 He thinks about quantum theory you see Adams whizzing around
04:15 It's easy to not even think about it when you're so used to movies having CGI
04:20 But when you see moments like that with practical effects and it feels practical it feels tangible
04:25 It feels like it's something in the world. It's completely different. It's a magical experience
04:32 I appreciated and connected with the film on a level I wasn't expecting to
04:36 Because of the absence of CGI in scenes and shots that otherwise would have had CGI
04:43 Christopher Nolan's the type of director who inspires people to be directors
04:48 Things like that are why as for the nuke scene. I don't know about you. I love seeing nukes in movies
04:54 It's just a fun thing and any other movie. I'd be like, yeah the nuke it's coming. Let's do it
04:59 I didn't feel like that in here and I appreciated that
05:02 I love the fact that when it's leading up to the bomb the movie doesn't really logistically revolve around that
05:09 It is about Oppenheimer's properly titled
05:13 It's about him and the work he did and the aftermath of it not that one thing he did
05:19 But when it was leading up to the bomb you feel the fear in the room the anxiety the tension
05:24 I love the fact that Christopher Nolan was like, yeah, you're looking forward to the bomb. We're gonna make it look cool
05:29 But that's not what's important
05:31 The thing I remember from that scene is the look on Killian Murphy's face while he's watching it. It's the reaction of Oppenheimer
05:38 That's important Oppenheimer wasn't overshadowed in his own film and his own biopic by the bomb
05:44 I feel like it'd be easy for that to be the case
05:47 I will say the last hour or so of this film
05:49 Relies on a lot of exposition it deals with the government and Oppenheimer and you're hearing about things that happened
05:56 But you're not necessarily seeing those things. I would have liked to have seen those things
06:00 but if it showed those things this movie would be five hours long as opposed to three the last hour or so of this film
06:07 Could be its own film. It could be a
06:09 You know sneaky government paranoia courtroom drama, but technically not a courtroom drama
06:15 But still the vibe of a courtroom drama type film
06:18 I mean it's hard to condense a man's life who did all this did so much and dealt with so much
06:25 After the Manhattan project into a three-hour film
06:28 It's a great three-hour film that works well for its runtime and actually tells more than you would think
06:33 They could put into this three-hour runtime the musical score was
06:37 Amazingly haunting and swells what it needs to it. It's absolutely impactful. There are a couple moments of tension in here
06:44 musical score
06:46 Absolutely knocked it out of the park
06:48 but what I liked about the audio mixing with the musical score is some Christopher Nolan movies recently of
06:53 The audio has been a bit uneven and the musical score is kind of overridden the actors voices and the dialogue couldn't really hear
07:01 What was going on so clearly this movie does not have that problem. I
07:05 Appreciate that. I don't mind saying this is Christopher Nolan at his heaviest. We've had some good times
07:10 We've had some action adventures, but if someone said this is Nolan
07:14 Going for his Oscar. I wouldn't argue it, but I would add yeah
07:19 And the cool thing is it doesn't feel like he's trying for the sake of that. You know, how it is some Oscar bait
07:25 You're like, yeah, why not just beg for it?
07:27 This is just Christopher Nolan making good dramatic stuff the story performances filmmaking editing all top tier
07:34 It's a visually beautiful epic tragedy and it is
07:37 awesome tacky
07:40 I already want to see it again because the screening wasn't in 70 millimeter iMacs
07:49 The 70 millimeter film not iMacs. I really want to see this in iMacs
07:54 It's as simple as that or so Oppenheimer. Have you seen it? What did you think about it?
07:58 Whatever you thought comment below let me know and as always if you like what you've seen here
08:01 And you want to see more click right here to see more
08:03 [Outro Music]

Recommended