Murphy Brown Season 6 by Danger Force

Danger Force

4/24/2025

Murphy Brown Season 6 Episode 25 The More Things Stay The Same

Murphy Brown Season 6

24:44

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Murphy Brown Season 6 Episode 25 The More Things Stay The Same

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Murphy Brown Season 6 Episode 24 My Movie With Louis

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Murphy Brown Season 6 Episode 23 It's Just Like Riding A Bike

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Murphy Brown Season 6 Episode 21 Anything But Cured

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Murphy Brown Season 6 Episode 22 The Tip Of The Silverburg

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Murphy Brown Season 6 Episode 11 It's Not Easy Being Brown

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Murphy Brown Season 6 Episode 14 A Piece Of The Auction

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Murphy Brown Season 6 Episode 16 The Deal Of The Art

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Murphy Brown Season 6 Episode 19 Crime Story

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Murphy Brown Season 6 Episode 18 Fjord Eyes Only

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Murphy Brown Season 6 Episode 20 The Fifth Anchor

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Murphy Brown Season 6 Episode 17 The Anchorman

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Murphy Brown Season 6 Episode 12 To Have And Have Not

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Murphy Brown Season 6 Episode 15 The Thrill Of The Hunt

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Murphy Brown Season 6 Episode 13 Sox And The Single Girl

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Murphy Brown Season 6 Episode 3 Black And White And Read All Over

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Murphy Brown Season 6 Episode 2 Angst For The Memories

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Murphy Brown Season 6 Episode 5 The Young & The Rest Of Us

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Murphy Brown Season 6 Episode 4 Political Correctness

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Murphy Brown Season 6 Episode 8 All The Life That's Fit To Print

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Murphy Brown Season 6 Episode 9 Bah Humboldt

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Murphy Brown Season 6 Episode 10 Reaper Madness

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Murphy Brown Season 6 Episode 7 I Don't Know You From Madam

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Murphy Brown Season 6 Episode 6 Ticket To Writhe

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Murphy Brown Season 6 Episode 1 The More Things Change

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4/22/2025

Transcript

00:00Oh, so keep it up, which hot desire, and I'll be at your side, oh yeah.

00:11I think we'd all have to admit that reaching 500 broadcasts is an amazing achievement.

00:17One thing, it means we must have started when we were eight years old.

00:21Seriously, a show like this is only as good as the people on it, and I feel fortunate to have worked with the best.

00:27Oh, Murph, you're the best.

00:30Okay, if that's all there is, it's all with the celebration, let's cut some cake.

00:38Don't let Murph hold a knife, he'll stick it in your bag.

00:42Fine, you cut it, that way you can give yourself the biggest piece.

00:45Oh, shut up.

00:47Why don't you both shut up?

00:48You can all shut up.

00:50Okay, five more minutes, you'll never have to see each other again.

00:54Five minutes of hell.

00:55I'd rather be in hell.

00:56Yeah, why don't you go to hell?

01:01Oh, God, this is one of the worst days of my life.

01:04How the hell did we get here, here, here, here, here?

01:07There's been another edition of FYI.

01:09Good night.

01:11And we're clear.

01:12All right, that is so long.

01:14Albeda Sane and Aloha Lloyd, episode 499.

01:19One more week to the end of the season in the big 500, and party time!

01:24Followed by vacation time!

01:28Followed by back-to-work time!

01:32As you are sure, laughs.

01:34Make jokes.

01:35Has the network settled your contract yet?

01:37How about yours?

01:38Yeah.

01:38We might not even be back here next year.

01:40Uh-oh, here we go again.

01:43Right on schedule.

01:44Every three years, your anxiety comes bubbling up like some sort of geyser.

01:48There should be a park ranger standing next to you, warning tourists not to get too close.

01:52I'm sorry, but I break my back doing the best job I can, and what's the response?

01:57Well, you're costing us too much money.

01:59We're gonna have to cut back on expenses.

02:01You might not be worth it.

02:03I got enough of that for my parents.

02:04I don't need it at work.

02:06There you go.

02:07Have a little faith.

02:09Everything's gonna work out fine.

02:11Mine tried great.

02:12Have you seen some of the money being tossed around?

02:14I hear Diane Sawyer's deal is so big, she has to use a hefty bag as a purse.

02:18It's so big, Mike Nichols is thinking of changing his name to Mike Dollars.

02:22It's so big.

02:24No, no, no, no, no, no, now, hold on a second.

02:27You can't measure the rewards of this job solely in terms of money.

02:31And, Corky, next year when your contract's up, I want you to remember the same thing.

02:35Oh, I know that, Miles.

02:36I get to work with the most wonderful people in the world and do something I can really be proud of.

02:41That's what's important.

02:42And besides, with you all doing the dirty work now, I'll be able to cash in without even lifting a finger.

02:48I'm like big guys.

02:50I need contract time.

02:53Those pencil-pushing, beam-counting, fair-and-face commercials.

02:58Your offer was bad.

02:59Mine was an insult.

03:01Why not just toss me fish out of a bucket?

03:04You should have seen the offer they made me.

03:05It was humiliating.

03:08Do you think I should take that?

03:10I think I should take that.

03:11I can't even move my hands up when it comes to me.

03:13This is how big...

03:15Guys, guys, it was their opening offer.

03:18It was a bucket of fish.

03:19And engaging, money-grubbing, slime-covering...

03:23Did she do Ferret-Faced Measel yet?

03:28Okay, I think we can move on then.

03:30We do still have one more show to do this season.

03:32First up, Corky has hit a little snag in her story.

03:36Well, here's my problem.

03:39If I do the story, I'm supposed to...

03:40Don't call, Murphy.

03:41It's your agent.

03:42What?

03:43In the middle of a meeting, tell him I'll call him back.

03:46Or, you know, I could just take the call and be done with it.

03:50Maybe that's the best idea.

03:51I think it is.

03:52I'll be back before you know it.

03:53Sorry, guys.

03:56Agents.

03:57Yeah, agents.

04:01What did he say?

04:03Oh, you know, it is typical agent stuff.

04:06I'm God's gift to journalism.

04:08Every network wants me.

04:09But we were talking about Corky's story problems.

04:12Corky, thank you.

04:14Jim, your agent's on the phone.

04:16Oh, I should probably take this call.

04:19Pardon me.

04:20Sorry, y'all.

04:24Like Murphy said, you know, typical agent talk.

04:27God's gift to journalism.

04:29Every network wants me.

04:30I don't know why they feel we need this constant reassurance.

04:35Please, Corky, continue.

04:36Excuse me, I have to make a phone call.

04:44Sorry, sorry.

04:46Agent stuff.

04:47God's gift.

04:48I'm wanted.

04:50It's okay if we can get back to work.

04:53Actually, you know, there was one interesting thing.

04:57My agent mentioned that apparently someone has been talking to NBC.

05:05You're talking to NBC?

05:07Oh, well, you know, it's just a negotiating ploy to throw a scare into the network.

05:11I mean, you guys know how that works.

05:13Of course we do.

05:13And why would you say, of course we do so quickly?

05:20Because I do.

05:23What do you mean, because you do?

05:25What do you mean, what do I mean?

05:28And why do you sound so suspicious?

05:31Well, why would you say she sounds so suspicious?

05:34Why would you ask if he thinks I sound so suspicious?

05:38So what's that to you?

05:40What?

05:42Absolutely the last time.

05:43It won't happen again.

05:47I don't remember back that far.

05:51I believe my story was on the National Zoo.

05:54Now, visual centerpiece was going to be me feeding the chimpanzee.

05:59The mating season started a little early this year, and they're afraid a blonde woman standing

06:04in the middle of Monkey Island might be an enticement to the dominant male.

06:09And nobody wants a repeat of the Sarah Priscilla incident.

06:23Excuse me.

06:24So, I've already put two weeks of research into the story, but if it means fighting off

06:32a horny monkey, I'm just not sure if it's worth it.

06:36What do you think?

06:39Sorry.

06:40Sorry, all.

06:41That's the longest time for me.

06:42Okay.

06:43That's it.

06:45No more agents.

06:47No more phone calls.

06:48Anyone wants to negotiate their contract, they can do it tomorrow.

06:51Oh, no.

06:51I wasn't negotiating my contract.

06:53No.

06:53Oh, I was hearing about Frank and the wonderful deal he's about to close with Fox.

06:59You heard that?

07:01Oh, right.

07:02You've got a deal at Fox in one day.

07:05What are you doing?

07:05Playing some thrill-seeking handyman on Melrose Place?

07:14Well, excuse me, but there is some interest.

07:18It's nothing definite.

07:19It's just a news magazine show built around me, one story per week, and I get to help write

07:23the theme song.

07:24I have to make a phone call.

07:28So you're taking it.

07:32I didn't say that.

07:33Are you taking NBC?

07:34Did I say that?

07:36Are you taking something?

07:37Maybe I am.

07:38So you're not taking NBC.

07:40Maybe.

07:40Maybe not.

07:41Then you are taking something.

07:42I didn't say that.

07:43So you're not taking Fox?

07:44I didn't say that.

07:47Or did I?

07:54I just married the monkey.

07:56Just wanted to say, have a good 500th show, Mert.

08:05What are you doing?

08:06Adding my legs way.

08:10Okay, I understand.

08:11If you feel the need to go through with this negotiating ploy.

08:13Ah, you see through him, I'll say this is a ploy.

08:18You know, if I were to switch my opening...

08:20You took it.

08:25You took NBC.

08:26You said it was a negotiating ploy, and you took it.

08:29She didn't take it.

08:30It is a ploy.

08:30Talking's a ploy.

08:31Packing's a ploy.

08:33You're not packing.

08:35You're going to look a great deal in Fox.

08:37That's a great deal.

08:37And you're ready to go to NBC.

08:39She's not so ready.

08:40Maybe I am, Frank.

08:41Maybe after 17 years, it's time for me to strike out on my own.

08:45Maybe I'm ready for a new challenge.

08:46And why do I have to clear this with you anyway?

08:49It's not like we're joined at the hip, you know.

08:55Okay, Frank.

08:56You go ahead and pack if it makes you feel better.

08:59I'll help you as soon as we finish up in here.

09:05Oh, look.

09:07The Emmy you won for the Senate show.

09:09Remember how much fun we had doing that one?

09:12Oh, well.

09:12Might as well put it in this box and close the lid.

09:15Never to gaze upon it with our mutual eyes in this office again.

09:18I'm trying to make you leave.

09:21Good God, not you two.

09:23They're not leaving.

09:23It's just boys.

09:25See, I'm supposed to stand here waving goodbye like the village idiot

09:29while Charlie Corral's Winnebago, which could have been mine for the asking,

09:33flies off down the road with someone else in the driver's seat.

09:37Why is Frank taking Xerox paper from them?

09:41What's going on?

09:42I'll tell you what's going on.

09:43The ship is going down.

09:44Apparently, it's every man for himself.

09:47You guys are leaving?

09:48Cloyes, Cloyes.

09:49Friendly.

09:56Chairman, I'll be just fine.

09:58I'm ready to move up anyway.

10:00I can handle your interviews.

10:02Garth Brooks.

10:03Moe Mark Adabi.

10:04What's the difference?

10:06You're all these people.

10:07They all want the same thing.

10:08They just want to be loved.

10:10Give me a damn box.

10:12Leave your guns.

10:13We're in my office.

10:14I believe they're yours.

10:15Squirt gun.

10:17Shattering teeth.

10:19X-ray glasses.

10:21Where's the key to the teeth?

10:22I don't have it.

10:23You can't wind them up without the key.

10:25They don't shatter without the key.

10:26I said I don't have it.

10:28Well, I think that stinks.

10:30What kind of person would lose the key?

10:32They're just worthless now.

10:33They're just garbage.

10:34Might as well throw them away.

10:36Okay.

10:37Okay.

10:38I think all of our nerves are just a little bit on edge.

10:43Contract time will do that to you.

10:45The important thing to remember is how much we care about each other.

10:49Your family.

10:49Oh, this again.

10:52Family.

10:53Just five people who happen to work together.

10:55The truth is, outside of this job, we don't have anything in common.

10:59So what are you saying?

11:00That we all wouldn't have been friends?

11:01Well, I'll say it first.

11:02We all wouldn't have been friends?

11:04Huh.

11:10Yeah, Jim.

11:12Like, I am going to really miss those dinner parties at your house with the Brinkley's

11:16while we have to stand around the piano while you play your favorite show tunes.

11:19Hey, no.

11:20My parties are on work.

11:21He's a music man.

11:22He's a music man with a big, big drum.

11:24Yeah.

11:25Fine.

11:26Here's nothing in common.

11:28You're too self-absorbed.

11:30You're too self-obsessed.

11:31And you're too peppy.

11:33Good.

11:34I wouldn't want to have anything in common with any of you.

11:36Oh, not right here.

11:37Stop it.

11:40I am so tired of this.

11:42You're like the Beatles.

11:45And I'm Brian Epstein trying to hold it all together.

11:49The man wore scars all through his life and growth when he was 32.

11:52Well, that's not going to happen to me.

11:54I am a group trying.

11:58One more thing.

12:00Someday, when you're old, you're going to look back on this and say,

12:04I was part of one of the great shows in television history.

12:06Only I was too stupid to realize it.

12:12Well, nobody said this would last forever.

12:16Oh, God, this is the worst day of my life.

12:24How the hell did we get here?

12:25Who cares how we got here?

12:26I just want to get out of here.

12:27Let's just cut the stupid cake and get on with our lives.

12:30Talk about making up for lost time.

12:33I've wasted 17 years of my life on this show.

12:36Tell me about it.

12:37My life would have been much better if I hadn't gotten stuck here.

12:39Yeah, you said it.

12:40For once, we agreed.

12:54Excuse me, bartender.

12:56Hey, welcome to Phil's.

12:59Wait a minute.

13:01I know you do that morning show.

13:04That's right.

13:06Regis and Murphy Lee.

13:07Would you like an autographed photo?

13:12No.

13:12Oh, you're a shy one.

13:16Here you are.

13:18Gee, thanks.

13:20I know exactly where to put it.

13:24So, what would it take for me to get a table in here?

13:27A grease fire in the kitchen.

13:30Oh.

13:32Oh.

13:34Cut it out.

13:35Look, maybe that guy on that table would be willing to share.

13:39You're both in the same business.

13:40You might enjoy each other's company.

13:42Oh.

13:43What the heck.

13:46Excuse me.

13:47Hi.

13:48I was told this seat might be free.

13:51Why, certainly.

13:53I, uh...

13:54Aren't you...

13:55That's right.

13:57Murphy Lee of Regis and Murphy Lee.

13:59And you're Jim Dial.

14:01I never miss your show.

14:03Oh, you watch The Naked Truth?

14:05Every night.

14:09And, you know, I don't care what TV guide says.

14:12I don't think you're the carnival freak show of journalism.

14:16And as a viewer, I'm curious about Jeffrey Dahmer and The Last Hours of Marilyn Monroe,

14:21and whether a jar containing Hitler's brain was actually found at the garage sale in Topeka, Kansas.

14:27Yeah, that's right.

14:28That was a good show for us.

14:30Uh, excuse me, the...

14:33Guy over at the bar said I might be able to find a seat here.

14:39Hey.

14:40Hey, you're, um...

14:41Um, that's right.

14:43Murphy Lee Brown of Regis and Murphy Lee.

14:45And Jim Dial host of The Naked Truth.

14:47Would you like an autographed photo?

14:49Oh, no, no.

14:50That's okay, Ruth.

14:51Thanks.

14:54I'm, uh...

14:55Frank Fontana, managing editor of the Asbury Park Daily Record.

15:00You ever heard that?

15:01Can't say that I have.

15:02Uh...

15:03Do you, uh, mind if I smoke?

15:08Oh, thank God.

15:09Hallelujah.

15:17Golly, I've got to quit.

15:19Oh, me too.

15:20Here you are.

15:29Oh, my God.

15:31That's Courtney Sherwood.

15:35What a tragic career.

15:37One day, you're Miss America.

15:39The next, you're being fired from Baywatch

15:41because of artistic differences with David Hasselhoff.

15:48Wow.

15:50Are those real?

15:51No.

15:52We did a story on them.

15:54After Baywatch,

16:00he said she never wanted to lose another role.

16:02Sadly, they didn't seem to help him.

16:04Now he travels the country,

16:06judging beauty pageants

16:07and opening bowling alleys.

16:09Dear Lord, they're coming our way.

16:13Hey.

16:14Now, I'm on the smoke.

16:15Hey.

16:15Hey, Matt.

16:19I know you.

16:20You're, um,

16:21Bailey Brown of Regis and Murphy Lee.

16:24And Jim Dial

16:24of The Naked Truth.

16:28You anybody?

16:29Frank Fontana.

16:31Asbury Park, Daily Record.

16:33Could have just said no.

16:34What did you do to our nation's capital?

16:46I'm judging other damn beauty pageants.

16:49I swear to God,

16:50if I had to listen to one more 19-year-old idiot

16:52talk about how our finest wish is for world peace,

16:55I'm gonna blow my brains out.

16:57Oh, no.

16:58Sure you don't mean that.

17:00But if you do,

17:01please call me first.

17:04You know,

17:05I would love to have you on the show.

17:08Why?

17:08Do another one of those

17:09whatever happened to that loser segment?

17:11Oh, gosh.

17:12No, I just,

17:13you know, I meant, uh...

17:14Oh, it's okay.

17:16I'm used to it.

17:18Start off with big dreams.

17:20Wind up with big knockers.

17:23What are you staring at?

17:26Well, you don't always get what you want.

17:28I mean, look at you.

17:29Spending your life on that morning show

17:31doing tummy-toning exercises

17:32with John Ratzenberger.

17:34I'm trying to convince the world

17:37that a jar full of cow innards

17:39is the brains of Adolf Hitler.

17:42I don't even know you,

17:43but you look miserable.

17:44All right, now.

17:52Remember,

17:53gray skies are gonna clear up

17:56foot on a happy face.

17:58Let's put a sock in it, will ya?

18:01Excuse me, I'm not miserable.

18:04What?

18:05Frank Fontana is not miserable.

18:06My life has value and meaning.

18:07Okay, so my four marriages didn't work out.

18:11I'm not some hot-shot investigative reporter.

18:15So what?

18:16People need to know about those new parking meters

18:18over on Main Street.

18:20The pew renovation at the First Methodist.

18:23The new frozen yogurt flavor at Frosty Fries.

18:25Oh, I am miserable.

18:29At least you don't publicly humiliate yourself every week.

18:32I was going to be the next Walter Cronkite.

18:35The voice, the height, the hair.

18:38I never landed that show

18:40that can push you to the top.

18:41Now I spend my life

18:43standing on a cherry picker

18:44outside Neverland

18:45shouting questions

18:46to Michael Jackson's llama keeper.

18:57I have a perkiness clause.

18:59What?

19:01A perkiness clause.

19:02I have a perkiness clause

19:04in my contract.

19:05I have to be bouncy and perky all the time

19:07or they could boot my ass off the show.

19:11I've blown every opportunity I've had

19:13in this business.

19:14This is it for me.

19:16So I just sit there

19:18smiling at old Reage

19:20and whenever he's not looking

19:22I just pour another shot of scotch

19:23into my coffee mug.

19:26My whole life is a lie.

19:28You're not going to sing again, are you?

19:33Bill, my man,

19:35a bottle of champagne

19:36and five glasses

19:38to celebrate the 500th episode

19:40of FYI.

19:45And we couldn't do it without you, Miles.

19:47Hey, buddy.

19:48You're the man.

19:49The best producer ever.

19:52You've taught me so much.

19:55For you kids, knock it off.

19:57Oh, my God.

20:02Uh, excuse me.

20:04This is our regular table.

20:08Oh, sure, of course.

20:09All right, thank you.

20:10Come on.

20:19Okay.

20:21I was going to save this,

20:22but what the heck?

20:24Guess what I have lined up

20:26for next season's opening episode?

20:28What?

20:28An entire hour

20:30with President Quayle.

20:32Oh.

20:32Oh, my God.

20:37I don't mind waiting.

20:40I have a table opening up in fact.

20:43Oh, no.

20:44I should be kidding.

20:45And it laid

20:45to FYI

20:48and another 500.

20:50Five hundred.

20:51That's dangerous team.

20:53Oh.

20:56Cut it already.

20:58They're running out of film.

21:01You can't leave

21:02until you cut it.

21:04I don't want to leave.

21:07What?

21:09I don't want to leave.

21:11If Frank and Jim cut it,

21:12they want to leave.

21:13I don't want to leave.

21:17I was only leaving

21:18because you were going to leave.

21:19I don't want to leave either.

21:21I don't want any of you to leave.

21:25I don't want anybody to say something.

21:26What were we going to say?

21:28Give up that great deal

21:29and stay here?

21:30Yes.

21:32I'm sorry.

21:34I'm sorry.

21:36No, I'm sorry.

21:37Oh, you're all the best.

21:39You're all the best.

21:40No, you're all the best.

21:42You're the best.

21:44You know something?

21:45We are a family.

21:47Only a family could be this messed up.

21:51I knew it.

21:53I knew you wouldn't leave.

21:55I wasn't really worried.

21:56That was my ploy.

21:59I play you like a violin.

22:01Yeah, right.

22:02You're Yasha Heifetz.

22:04Miles, you're right.

22:05We do belong together.

22:07All of us.

22:08As a matter of fact,

22:09you belong on this gig, too.

22:10Right, guys?

22:11Yes, you do.

22:12Oh, no, no, no, no, no.

22:13I know what's coming.

22:14Miles belongs on that cake, too.

22:16Well, I'm not going to give you the satisfaction.

22:17Ah!

22:18Oh, God, it's an ice cream cake.

22:32Hello, Mother.

22:40Ah, you are home.

22:43Oh, there's some, uh, lasagna in the fridge.

22:45Don't try to close the kitchen drawers,

22:47because they still might be wet.

22:48And, by the way,

22:51I don't know what kind of bedtime stories

22:52you've been telling A.V.,

22:53because he woke up crying

22:55because he thought Oliver North

22:56was going to be elected to the Senate.

23:06I guess I better go back to Goodnight Moon.

23:10See you tomorrow.

23:11What the heck was that?

23:25A hug.

23:27Sometimes you have people in your life,

23:29and they're important to you,

23:30and you don't get around to telling them,

23:32so that's what that was.

23:34Oh, you're not dying, are you?

23:37No.

23:39You're moving away?

23:41No.

23:42I knew it.

23:42You're going to ask me to take a cut in salary.

23:44It's a thank you hug.

23:46Now, when you get out of here...

23:48All right, I'm going.

24:02Hey, you're okay, too.

24:04I'll see you tomorrow.

24:07I'll see you tomorrow.

24:34All right, I'll see you tomorrow.

24:38All right, guys.

Murphy Brown Season 6 Episode 25 The More Things Stay The Same

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Murphy Brown Season 6

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