- 4/22/2025
Murphy Brown Season 6 Episode 1 The More Things Change
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TVTranscript
00:00American television news has become addicted to sensationalism in a desperate scramble for ratings.
00:07That's a very good question.
00:09I know that I speak for the majority of my colleagues in saying that I find that style of journalism to be totally repugnant.
00:18How then do you justify your own use of what has come to be called the ambush shot?
00:25The ambush shot?
00:27In a piece last week, you burst into a union official's office.
00:30Even though he locked himself in his bathroom without speaking to you, you kept that footage in your report.
00:35Why?
00:37Well, I, I, I, I...
00:39Wasn't it because a man running from a camera looks guilty, thereby giving you something hot to pull in an audience?
00:46No, no, no, no.
00:48No, you see, the actual purpose of that footage, the reason I used it was...
00:54Jim, what? Did you just say something?
00:57Hmm?
00:59No.
01:00Yes, yes, yes, yes, you did.
01:02You said something very astute.
01:04I, I think you should repeat that.
01:05Go ahead.
01:06Go ahead.
01:09Thank you, Frank.
01:11Well, I, I suppose what Frank heard me muttering, softly,
01:16was that audiences have become accustomed to a faster pace, and you have to grab their attention.
01:21But so what you're saying is Americans have a short attention span.
01:25No, no, no, no, not at all.
01:27It's just that with cable, we have so many more choices than you have in England.
01:31I believe you have about four channels.
01:33Well, we have, uh, what is it now?
01:35Uh, 6,000?
01:37Well, this makes us superior, or, or you inferior, for that matter.
01:43Journalism has always struggled between the obligation to inform and the desire to make a profit.
01:50But wasn't it William Randolph Hearst, born 1863, died 1951, who once told Frederick Remington,
01:57you furnish the pictures, I'll furnish the war?
02:03You should have studied.
02:06Where's Murphy?
02:08You don't just drop a bombshell without making changes at work and then hang on the phone.
02:11I called her 16 times last night.
02:14What kind of woman lets her machine pick up at 4 in the morning?
02:17It's about time someone realized, listen, the BBC is here.
02:21Miles, Roger Kerouac, BBC, you said something about a bombshell and changes.
02:27Would you care to elaborate on that?
02:29That!
02:32That was a total exaggeration.
02:35Now, I do that sometimes just for the effect.
02:38It creates an air of excitement in the newsroom that increases productivity.
02:43The Japanese are doing it.
02:44I think it started at Sony.
02:45Would anyone like some coffee?
02:47Miles, what the hell was that last message?
02:51Why, Kim here's that machine.
02:52I'm holding you responsible if his first words are,
02:55today's the day of the BBC is here.
02:57Hey, Roger Kenilworth, BBC.
02:59About these changes at work, you wanted to discuss with Miles.
03:03Changes?
03:03Did you say changes?
03:05Miles, have you been exaggerating again?
03:09You know me.
03:12Murphy, can I see you in your office?
03:13Of course.
03:16We'll be out in a minute.
03:17Why don't you have some tea?
03:18You have seven kinds.
03:19I think we'd rather stay with you, and I'm sure you remember you agreed to give us total access.
03:25Of course.
03:25We gave them total access.
03:27Why should we?
03:28We have nothing to hide.
03:29Very well, let's proceed then.
03:31And so we shall.
03:33Now, uh, Murphy, about these things that are not really changes, but...
03:39Adjustments.
03:41Minor adjustments.
03:42Uh-huh, uh-huh, I see.
03:44And what form might these minor adjustments take?
03:47I might come into the office a little later, occasionally.
03:51I might leave, but I leave it earlier, once in a while.
03:55And I won't take assignments out of the country quite so often, maybe take a day off now and then.
03:59But that's it all done.
04:00Minor adjustments.
04:01Minor?
04:02Tiny.
04:05Is there something wrong with the battery?
04:07Oh, bloody hell.
04:08Oh, it's all right, Rods.
04:10We'll just wait until you're ready.
04:11You're trying to kill me on camera, aren't you?
04:14You're almost off to my system.
04:15It'll be the first snuff film in the history of the BBC.
04:18Can you relax, Miles?
04:20I meant what I said.
04:21I just want to spend more time with my kid, not get invited to Phyllis Schlafly's for butt cake.
04:25We're not done talking about this.
04:27Well, when are we gonna be able to?
04:28The BBC's gonna be here for a week.
04:30I hate this.
04:31You hate it.
04:31I'm the one who just insulted the entire population of Great Britain.
04:34First, my unfortunate, girly-haired comment about Ringo Starr in 1964, and now this.
04:40We stick microphones in people's faces every day searching for the truth.
04:43Now they want the truth from us.
04:45What does it say about us as journalists if we're not smart enough to hide it from them?
04:50I'd like to get back to these adjustments, if I could.
04:53And I'd love to talk to you about them, Roger.
04:55But right now, this reporter has to call Al Gore to get an analysis of the latest Clinton opinion poll.
05:01They say he can dance but watch this.
05:04How should I know?
05:07I just got here.
05:08Can I help you?
05:12I'm gonna have to call you back.
05:13I think I just got busted on national TV for using an office phone for a personal call.
05:19Hi, Murphy.
05:20Peter Hunt.
05:20I know.
05:21I saw your report on Bosnia two nights ago.
05:24Absolutely spectacular piece of reporting.
05:27Roger Kenilworth, BBC.
05:28I'm a big fan.
05:29Thanks a lot.
05:30Look, I'm sorry about the phone.
05:31I had a meeting upstairs and didn't make some calls without the suits hanging all over me.
05:35So I wandered down here, saw a quiet place.
05:38We both work for the same network, don't we?
05:40It's not a problem.
05:42Peter, I must ask you about that riveting footage at the Serbian checkpoint.
05:46How did you manage to stay so totally in control when that guard held his gun to your head?
05:51That's an interesting story, Roger.
05:53And we'd love to hear it.
05:54But right now, Roger's going to be shooting some riveting footage of me calling Vice President Gore.
06:01Private number.
06:03Very hard to come by.
06:04But then, that's why I get the stories I do.
06:10Hi, this is Murphy Brown for Vice President Gore.
06:15I'd like to speak to the Vice President.
06:19Is your daddy home?
06:22Is there someone there who knows where he is?
06:27I'll call back.
06:28Well, I think it's about time for one of our story meetings.
06:33Those are very exciting.
06:35Do you mind if I use the phone again?
06:36I promise I'll be done by the time the big hand's on the 6th.
06:40I can see why those Serbian border guards were so charmed by you.
06:45Okay, people, let's get that story meeting started.
06:47What story meeting?
06:49What story meeting?
06:51Every week, it's the same joke.
06:54Come on, we don't want to look unprofessional in front of our BBC colleagues, do we?
06:59Now, who wants to go first?
07:02Okay, I will.
07:06Violence on television.
07:08After years of criticism, the networks have finally agreed to a warning label.
07:13You okay if I stole a cup of coffee?
07:14Just waiting for a call back.
07:16Uh, sure, be our guest.
07:17Guys, you all know Peter Hunt.
07:19Yeah, nice job on that bunk.
07:20There's a top duck report, the same thing.
07:22When that Serbian guard held his gun to your head, I...
07:25You know Peter, you can't really hear my phone from out here,
07:27so you might want to just grab that coffee and scoot right back in there.
07:31Very thoughtful.
07:32My pleasure.
07:33Now, as I was saying,
07:35will these new warning labels do anything to stop the epidemic of violence in our society?
07:40No.
07:42I'm sorry, but I feel pretty strongly about this.
07:44So do I.
07:46Obviously, these warning labels are...
07:48Totally useless.
07:49Excuse me?
07:50All this bull about television violence creating violence.
07:54I've been in places that rarely have electricity, let alone TV sets,
07:57and that people are managing to kill each other very successfully anyway.
08:00If I could just finish my thought,
08:03the trouble with the labeling system is that it borders on censorship
08:06while offering little more than a band-aid to the problem.
08:08What problem?
08:09People are inherently violent, and they're going to be violent
08:12even if TV is nothing but reruns of the Waltons.
08:14That's one point of view, but there's a sizable contingent
08:17that argues that television exacerbates the violence.
08:20I don't believe it does.
08:21I don't care.
08:24Just an example of the cross-pollination of ideas
08:26that occurs among journalists in our business.
08:29The give-and-take, the ebb-and-flow, the cease and desist.
08:31You cannot ignore the body of research
08:37that says the amount of gratuitous violence on television
08:40is desensitizing us to...
08:41Oh, wake up, Murphy.
08:41Violence is everywhere.
08:43Television is just reflecting it.
08:44That should be your angle.
08:45Well, thanks for your suggestion, Peter,
08:47but since this really isn't your story...
08:48Maybe it should be.
08:50Yeah, well, we'll talk about that
08:51when you're a member of FYI.
08:53Great.
08:53Let's start talking.
08:55What?
08:57Check with the network.
08:58As of today, I'm part of the team.
09:11What is going on around here?
09:13How could they bring in somebody new without telling us?
09:15Did you hear him?
09:16He was giving me story notes.
09:18He was touching my stuff.
09:20I want him killed.
09:21Why do we need a new guy on the show?
09:23I'm the guy on the show.
09:25Jim's the man.
09:26I'm the guy.
09:28We don't need two guys on the show
09:30unless one of them is on his way out.
09:32Oh, man.
09:33Hello?
09:34Murphy?
09:34What are you two doing together?
09:36My notes have to space yourself out.
09:39Didn't you read my note?
09:40Well, we tried, Murphy.
09:41Neither of us knows Sanskrit.
09:44Look, it won't be long before that BBC crew gets suspicious,
09:47so can we just stick to the point?
09:48Oh, Murphy's right.
09:50The stupidest thing I've ever heard of
09:52is dumping a tumble stranger
09:53into the middle of a show
09:54that's been a success for 15 years.
09:57You just don't do something like that.
10:00Well, okay.
10:00Maybe you add a female around the 11th year.
10:03Someone who can add youth and vitality
10:07and attract a southern audience.
10:09That's it.
10:10It's true.
10:12You keep adding people to a show
10:14and you end up, like, 60 minutes.
10:16Takes them 20 minutes just to introduce everyone.
10:20When you throw in 12 minutes of commercials
10:22and 5 minutes of Andy Rooney
10:23whining about how much air there is in potato chip bag,
10:26they should really call the show 23 minutes.
10:29I'd like to see how many Emmys they can win
10:31with a title like that.
10:32I'm just getting a bottle of wine now, Roger.
10:36I'll catch up with you in a minute.
10:37Go ahead.
10:40This is the worst day of my life.
10:42Where'd you disappear to, Miles?
10:43Mitchell Baldwin's office
10:44to find out why the network hadn't told me
10:46we were getting a new reporter.
10:47But the only way I could talk to him
10:48without the film crew
10:49was to ask him to go to the bathroom with me.
10:51Oh, that's gonna look just great on film.
10:53Me trying to coax a 6-foot, 7-inch black man
10:55into the men's room without anyone noticing.
10:56Oh, this is just wonderful.
11:00We're having conversations in closets
11:01and you're doing scenes from The Crying Game.
11:04Oh, yeah.
11:05The BBC isn't gonna suspect a thing.
11:07Oh, what did Baldwin say?
11:09Peter's contract was up for renewal
11:10and everybody in town was bidding on him.
11:12They had to move fast.
11:13So fast, they couldn't take two minutes
11:15to tell the executive producer,
11:16Miles, could we stop talking about
11:17your petty insecurities?
11:19There is something much bigger at stake here.
11:21Relax, Frank, you're not out.
11:22Oh, thank God!
11:23I am not real with the way this was handled either,
11:25but Hunt's a good reporter
11:26and he's strong on international.
11:28And you just said you wanted to cut back
11:29on overseas assignments, Murphy.
11:31Oh, no, you don't, Miles.
11:32Don't you dare pin this on me.
11:33I had a hard enough time making this decision.
11:35Frank can pick up the slide.
11:37Mr. Hunt in a bunker.
11:38You know, I have torn T-shirts
11:39in hot spots all over the world,
11:41but I changed my clothes before I go on the air
11:43because I'm a pro.
11:46It is just so easy
11:50for all of you to complain.
11:52Who's the one
11:53who has to carefully mix
11:55all the anchors together,
11:56blend and stir their talents,
11:58make sure no one's ego boils over
12:00so we can all enjoy
12:01a nice big bowl of FYI soup?
12:03That's right.
12:03Chef Miles.
12:10Well,
12:11I am not going to tolerate
12:13an instant replay
12:14of the grief you put me through
12:15when I brought Corky onto the show.
12:17Understood?
12:18You put him through grief?
12:27Corky,
12:28it was such a long time ago,
12:29who even remembers?
12:31Listen here, Murphy.
12:33I'm not the same hayseed
12:35we walked in here five years ago.
12:37This dog can hunt.
12:39So I want to know who said what,
12:41and I want to know now.
12:43Oh, look, red pin.
12:45Oh, let's go red pin.
12:46Can I get the menu over here?
12:54There you go.
12:56Okay.
12:56And for FYI's newest correspondent,
12:59lunch is on the house.
13:01Let's see.
13:02The announcement hasn't been made.
13:04Nobody in town is supposed to know.
13:05I'm guessing you're Phil.
13:07All one for the new guy.
13:09Wasn't that tough?
13:10Wolf Blitzer told me
13:11he had a voice like
13:12Snoop Chains on Asphalt.
13:13He's a fine one to talk.
13:18With a name like Blitzer,
13:19he should be flying over my house
13:20at Christmas
13:21with Rudolph's tail in his face.
13:24You know,
13:25I'm kind of surprised
13:26you wound up here in Washington.
13:29I always figured you were
13:30for a guy like to be
13:31in the middle of the action.
13:32Last six months in Bosnia,
13:34before that,
13:34Somalia,
13:35Baghdad in 91.
13:36Come on,
13:37you could have gotten that
13:37from my travel agent.
13:39I expect a little more
13:40from a man who's close
13:41to no deep-throats home number.
13:43Okay?
13:44You were born in St. Louis
13:46in 53.
13:47You were born in New Jersey,
13:48and I'll spare you the year.
13:49Your first assignment
13:50was City Beat and Buffalo.
13:51You were stationed in France
13:53during World War II.
13:54Three weeks ago,
13:55last Tuesday,
13:56you walked into
13:57a makeshift hospital
13:58in Bosnia
13:59with a wounded kid
14:00in your arms
14:01and started wondering
14:02if maybe it wasn't time
14:04to get out.
14:07You're good.
14:10Just a moment of weakness,
14:11though, that's all.
14:13I've always lived life
14:14on the edge,
14:14and I'm always going to.
14:16Prove it to you.
14:17Give me a double order
14:18of your infamous chile.
14:20Extra.
14:23Son,
14:24you're great sure
14:25that I heard.
14:27It must have been
14:28quite a shock
14:29to hear that FYI
14:30was undergoing
14:31such a radical
14:32personnel change.
14:34Actually, Roger,
14:35the network makes
14:36those kind of changes
14:37all the time,
14:38and I'm going to explain
14:39to you exactly
14:40how that works
14:40right after I introduce
14:42you to this man.
14:43Bill, this is
14:44Roger Kenilworth
14:45of the BBC.
14:46No story on FYI
14:47would be complete
14:48without him.
14:49How about one of your
14:50more colorful,
14:51longer stories, Bill?
14:52Oh, yes.
14:53And maybe I...
14:53So you're with the BBC.
14:55Let me tell you
14:56a little story
14:57that involves
14:57Margaret Thatcher,
14:58the Joint Chiefs
14:59of Staff,
15:00and why we don't
15:01serve pretzels
15:01in here anymore.
15:07Hello, colleagues.
15:08Oh, Peter.
15:09Hi, Peter.
15:10How you doing?
15:10I hate that guy.
15:14It doesn't take
15:15to say this,
15:16but Miles could be right.
15:18Perhaps we're resisting
15:19Peter solely
15:19on the basis
15:20of our own egos.
15:22I think it's time
15:22we invite him
15:23to join us
15:24and make him feel
15:25like part of the group.
15:26Why?
15:27Say, Peter,
15:28we can't let
15:29the newest member
15:30of FYI eat lunch
15:31by himself.
15:32Come join us,
15:33will you?
15:34Oh, thanks,
15:34but I'm taking
15:35something back
15:35to the office.
15:37You know,
15:37I've always found
15:38there's too much work
15:38to do to waste
15:39an hour socializing,
15:40but you can spare
15:41the time.
15:42Bon appetit.
15:46I need to make
15:47a phone call.
15:49I'm getting gum.
15:50I have to go
15:51out of the rest
15:51row.
15:52I'm out of condoms.
15:57Oh.
15:59Have I shocked you?
16:00Well, then,
16:01I've done my job
16:02because it's the 90s
16:05and it's time
16:06that we all woke up
16:07and took responsibility
16:08for our own actions.
16:10And to all you
16:11young people in England,
16:13abstain if you can,
16:14but if you can't,
16:15be smart,
16:16be safe.
16:16Good luck.
16:16Good luck.
16:22I'm out of condoms?
16:23What in Sam Hill
16:24was that?
16:24Look, it wasn't my fault.
16:25You guys took
16:26all the easy ones.
16:28Wash your hands,
16:28buy life savers,
16:29check your weight
16:29and get a free horoscope.
16:30There, right off
16:31the top of my head.
16:32Jim, if you
16:33and the love glover
16:34finished,
16:35our new teammate
16:35just humiliated us
16:36on camera.
16:37You know,
16:38if you'd invited me
16:39to lunch for my first day,
16:40I'd have been thrilled.
16:41Oh, man.
16:42Well, I've tried noble.
16:44I've tried dignified.
16:46Now it's up to Murphy.
16:47What's your suggestion,
16:48Slugger?
16:48All right, then.
16:49Once those nosy Brits
16:51are gone,
16:51I say we explain
16:52to that hotshot
16:53just how things
16:54work around here.
16:55Just a few more days
16:56and it's the opening
16:57of hunt season.
16:58Agreed?
16:59Agreed.
17:01I thought you might
17:02like the menus in here.
17:04And, uh,
17:05the soup of the day
17:05is clam chowder.
17:09TV left.
17:10Yeah, it was a year, Eldon.
17:11Okay.
17:13Sweet dreams,
17:13little camper.
17:14Sleep tight.
17:15And tomorrow,
17:16maybe you can play
17:17on the big boy swing.
17:18I see you finally
17:19got Al Gore on the phone.
17:24Fifteen years
17:25I sat in that chair.
17:27Fifteen successful years.
17:29Now look at me.
17:31Dangling over the edge
17:32like a flying whale.
17:34What are you complaining about?
17:35Not even in the same time zone
17:37as the rest of you.
17:38At least you're not
17:39wedged in the middle.
17:40I can barely breathe here.
17:43You know what happens
17:43to mice
17:44when you pack them
17:44in too tightly?
17:45They go insane,
17:46that's what.
17:49Over.
17:52You know,
17:53I'm never gonna be able
17:53to do anything
17:54for this show
17:55until you people
17:55get past this thing
17:56of being threatened by me.
17:58Now, see here,
17:59none of us at this desk
18:00are threatened by you.
18:01So I guess it was
18:02Luca Brazzi
18:02who left the dead fish
18:04on the hood of my car.
18:06We've been doing
18:06just fine
18:07for the past
18:08fifteen years
18:09without you, bub.
18:10Well, I'm not interested
18:11in doing just fine.
18:13I'm interested
18:14in doing the best
18:15news program
18:15on television.
18:16And if you people
18:17are willing to settle
18:18for less,
18:18then maybe should all
18:19just follow Murphy's example.
18:20All right,
18:21thirty seconds, people.
18:22And what exactly
18:23might that be?
18:24Obviously,
18:25having a baby
18:25slowed you down.
18:27But at least
18:27you were smart enough
18:28to cut back
18:28on your schedule
18:29when you realized
18:29you couldn't cut it anymore.
18:32I'm spending time
18:33with my kid
18:34because I want to,
18:35not because I can't
18:36cut it anymore.
18:37Hey, call it
18:38whatever you want.
18:39The point is,
18:40you got a little soft.
18:41And while that is
18:42a lovely quality
18:43and a mommy,
18:43it's not worth
18:44squatting a journalist.
18:49I'm going to do you
18:49a big favor
18:50and forget
18:51I just heard that.
18:52Look,
18:53I'm just telling you
18:54the truth.
18:55But if you can't
18:55deal with it,
18:56maybe you should
18:57pull back
18:57a little bit farther.
18:58In fact,
18:59maybe you should
18:59go home to your kid
19:00and leave the reporting
19:01to those of us
19:02who can deal with it.
19:03good evening
19:15and welcome
19:16to FYI.
19:18For your information
19:19tonight,
19:20Frank Fontana
19:21explores the hidden world
19:22under New York City subway.
19:25Sophie Sherwood
19:25visits a Scottish
19:26wool factory
19:27and our new correspondent
19:28Peter Hunt
19:29reports on the
19:30continuing crisis
19:30in Bosnia.
19:32First,
19:33Murphy Brown
19:33confronts the issue
19:35of television violence
19:36head on.
19:37And thank you,
19:44Peter,
19:45for that compelling
19:45if initially sporadic
19:48report on Bosnia.
19:50This has been
19:51another edition
19:51of FYI.
19:53Good night.
19:54And we're clear.
19:56Be sure to catch
19:57highlights of tonight's
19:58show later on ESPN.
20:01Roger,
20:02Roger,
20:03Roger.
20:03I'm not giving you
20:04the tape,
20:05Miles.
20:06You can't put that
20:07on the air.
20:07It's sensationalistic.
20:09I mean,
20:09showing that
20:10would pander
20:10to the worst
20:11in your audience.
20:12The BBC
20:12doesn't do
20:13that kind of thing.
20:14Of course we do,
20:15Miles.
20:15We just do it
20:16with an accent
20:17so it sounds
20:17classier.
20:20You pasty-faced
20:21scone-sucking hack.
20:26Come on,
20:26Murphy.
20:27Let's go to Phil's
20:28and get some ice
20:29for that hand.
20:30In a minute,
20:31I think Peter and I
20:32have something
20:32to talk about first.
20:33Oh,
20:34well,
20:34then maybe we should
20:34just hang around
20:35in case something happens.
20:36Relax,
20:37Frank.
20:37She's in no danger.
20:38Actually,
20:38I was worried
20:39about you.
20:40Wait,
20:41guys,
20:41I'll catch up.
20:43Oh,
20:43save your seat,
20:43slicker.
20:44I almost forgot
20:45why I gave her
20:46that nickname.
20:46so?
20:56So?
20:59I'm waiting.
21:01For what?
21:03An apology.
21:06I'm the one
21:07standing here
21:07with $600
21:08worth of bridge work
21:09in my pocket.
21:10If anybody
21:10should apologize,
21:11it's you.
21:11All right.
21:14I'm sorry
21:15I hit you
21:16in the jaw,
21:17but I didn't
21:17have a clear shot
21:18at your stomach.
21:22Okay.
21:23That's better.
21:26By the way,
21:27you have convinced me
21:28there is too much
21:28violence on television.
21:31Although your story
21:32would have been better
21:32if you'd used
21:33some of my ideas.
21:34Oh,
21:34you just don't learn,
21:36do you?
21:36Sure I do.
21:37I'm standing
21:38farther away this time.
21:39You know,
21:41you may be good,
21:42but there are
21:43four other reporters
21:43on this show
21:44who are just as good
21:45or better.
21:46And if you don't
21:46learn to bend a little,
21:48your dentist is gonna
21:49be a very rich man.
21:51Am I supposed
21:51to be scared by that?
21:53I've been through
21:54Beirut, Mogadishu,
21:55and the baggage claim
21:56area at Kennedy Airport.
21:58I think I can survive
21:59this neighborhood.
22:02I just got it.
22:04How could I have been
22:05so stupid
22:06when it was staring
22:07me straight in the face?
22:09Well, good night.
22:12Oh, right.
22:14And this is where
22:14I'm supposed to ask
22:15what's staring you
22:16right in the face?
22:17Only since I don't care,
22:19I'm not gonna ask.
22:20Good night.
22:21Nice try, Petey.
22:22You think you don't
22:23have to ask
22:24what's staring me
22:25in the face
22:25because I won't be able
22:26to resist telling you.
22:27But I can resist.
22:28Easily.
22:29So long.
22:31Well, there could be
22:32a few things staring me
22:33right in the face
22:34about you, too, you know.
22:35You're bluffing.
22:36You asking?
22:36Are you?
22:37Are you?
22:40Okay, count to three.
22:42One, two, three.
22:44The Giants need a quarterback.
22:45This macho thing is just a cover.
22:46What'd you say?
22:47This macho thing
22:48is just a cover.
22:49What did you say?
22:50The Giants need a quarterback.
22:51I didn't think
22:52you had anything.
22:55What do you mean,
22:56this macho thing?
22:57You know,
22:58the bravado,
22:58the war stories,
23:00the black jacket
23:01with the subtle
23:01but prominent bullet hole.
23:03It's a great image.
23:04Even if the guy behind it
23:05is starting to feel
23:06a little shaky.
23:07That is such a load of crap.
23:09Yeah?
23:10Well, then why did you
23:11take a job where you're
23:11going to be spending
23:12more time behind an anchor desk
23:13and less time in the field?
23:15Sounds to me like
23:16you're the one
23:16who's pulling back around here
23:17because you can't cut it.
23:18I took this job
23:19because I wanted to,
23:20not because I...
23:21Nicely done.
23:27Makes you want
23:27to deck someone,
23:28doesn't it?
23:29All right,
23:32I had no business
23:33saying what I said to you.
23:35I probably would
23:36have decked me too.
23:39Maybe, uh,
23:40maybe you did
23:41strike a nerve.
23:43Not because it's the truth,
23:44but because I know
23:46some people are wondering,
23:48am I pulling back
23:49because I've lost my edge,
23:51because I'm not as hungry
23:52as I used to be?
23:53Tell me about it.
23:54Some people probably
23:55are thinking
23:56that I took this job
23:57because that last bullet
23:58was a little too close
23:59or that last border guard
24:01a little too crazy,
24:02but...
24:03It's ridiculous
24:05what some people
24:06lie awake worrying about
24:07till two in the morning.
24:09Two?
24:10Try four.
24:10You want four to come?
24:12Well, I wasn't talking
24:13about me.
24:14I wasn't talking
24:15about me either.
24:15I was talking
24:16about Jake Paulie.
24:17I was talking
24:18about Stone Phillips.
24:19Yeah.
24:19Yeah.
24:22The new season's here.
24:25Yeah, stars when I'm here.
24:26Laura.
24:27It's a good one.
24:28Along with the death of the beach.
24:31It's a good one.
24:33Time is here.
24:34It's not a big life.
24:36You know me.
24:37Me, you know me.
24:38I'm going back
24:39and a set of Tweety Bird
24:40Club covers.
24:41What did you put in there?
24:42Well, it's nothing
24:43that a gal...
Recommended
24:44
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