- 2 days ago
💥 Watch "The Bodyguard" - A High-Octane Hollywood Action Thriller!
Starring Sylvester Stallone and Madeleine Stowe, this gripping full-length English movie follows an elite bodyguard tasked with protecting a high-profile woman while uncovering a dangerous conspiracy.
🔥 Packed with action, suspense, and stellar performances, this film is a must-watch for fans of thrillers, bodyguard dramas, and 90s Hollywood classics.
🎬 Genre: Action | Thriller | Drama
🌐 Language: English
📺 Now Streaming Free on Dailymotion
🎥 Presented by: Action Movies Channel
#TheBodyguard #HollywoodFullMovie #ActionMovies #SylvesterStallone #MadeleineStowe #ThrillerMovies #FreeEnglishMovies #DailymotionMovies
Starring Sylvester Stallone and Madeleine Stowe, this gripping full-length English movie follows an elite bodyguard tasked with protecting a high-profile woman while uncovering a dangerous conspiracy.
🔥 Packed with action, suspense, and stellar performances, this film is a must-watch for fans of thrillers, bodyguard dramas, and 90s Hollywood classics.
🎬 Genre: Action | Thriller | Drama
🌐 Language: English
📺 Now Streaming Free on Dailymotion
🎥 Presented by: Action Movies Channel
#TheBodyguard #HollywoodFullMovie #ActionMovies #SylvesterStallone #MadeleineStowe #ThrillerMovies #FreeEnglishMovies #DailymotionMovies
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Short filmTranscript
00:00:00See, that's what Angelo always said, that she was all he had left.
00:00:04But that wasn't exactly true, because even though I never made a big deal out of it, he also had me.
00:00:10See, I pretty much loved Angelo like you would your own father.
00:00:14What?
00:00:15I have to lose you.
00:00:18So it was hard for me, too, having to stay invisible as her world fell apart
00:00:22after she'd given in to that husband and sent her little son off to some distant boarding school.
00:00:30I see you in the fire.
00:00:33Robert!
00:00:34Robert!
00:00:35It wasn't my idea!
00:00:37I didn't mean to send you away, man.
00:00:38I'm with you!
00:00:39Jennifer, Jesus, go!
00:00:40What are you doing?
00:00:41Get back in the car!
00:00:43Look here.
00:00:44He's driving her crazy.
00:00:47A willow in the wind.
00:00:50Get back in the car!
00:00:51I just want to see his face!
00:00:52Jennifer, for God's sake, I've sent the son of a...
00:00:56Get back, just get back in!
00:00:58Bloody hell!
00:01:01I feel her sadness.
00:01:03I mean, sending away her only child.
00:01:10I...
00:01:10I don't understand.
00:01:15Then, I do.
00:01:19Jennifer, for God's sake, what exactly is the trauma here?
00:01:22Our little soldier is going off to military school.
00:01:24It'll make him a man.
00:01:25He's seven!
00:01:26And you're acting about the same age.
00:01:31Have you ever considered, um, lightening your hair?
00:01:33What?
00:01:34Lightening your hair.
00:01:36Well, I thought maybe to, you know, brighten your mood.
00:01:41You know, this could be corrected, Angela.
00:01:43Seriously, it'd be my pleasure.
00:01:45It can't.
00:01:46You know that.
00:01:47I understand.
00:01:48That's right.
00:01:50Keep the distance.
00:01:52The distance.
00:01:54The distance.
00:02:09This is perfect.
00:02:10You know, we send our son off to military school, where he'd be surrounded by nothing before
00:02:13he was.
00:02:13You fired the gardener, the place is a mess, half the furniture is a storage, and we can't
00:02:16even afford to get it out, all because you invested in some other mining stock or something
00:02:20or other.
00:02:21We don't even have a home.
00:02:23Brilliant.
00:02:24Um, where's my FedEx package?
00:02:25What did you misplace it?
00:02:26It's there.
00:02:27Ah.
00:02:27How can you be so blasé?
00:02:30Don't you miss Raleigh?
00:02:31You know, you really have to get a grip on this.
00:02:35A grip on what?
00:02:36Seriously.
00:02:37What more could you want?
00:02:39You keep asking me that.
00:02:41Okay, okay, fine.
00:02:42So go out and get a job.
00:02:43Well, I had a job, remember?
00:02:44But you said a mother's place was in the home.
00:02:47Besides, who would hire me now?
00:02:49Everything we funnel, the root that family lays, he manages to lose, or squander.
00:03:12Look at her now.
00:03:14She's skinny.
00:03:15Probably, uh, nerves.
00:03:21You know, when I'm gone, you're gonna have to take over.
00:03:27Be sure and fatten her up.
00:03:33I'm afraid you're not going anywhere, okay?
00:03:38Everybody's going somewhere.
00:03:45There's no need for the cannon.
00:03:5622 should be all we need.
00:03:59Let the old man finish his meal.
00:04:01The male wind is blowing this way, ladies.
00:04:20I'm so messed up.
00:04:22I just sent my baby boy off the military academy.
00:04:24Hi, sweetie.
00:04:26Oh, God.
00:04:27Kidding.
00:04:27I'm so wired.
00:04:28Am I having a heart attack?
00:04:29Is that what's going on?
00:04:30No, no, no.
00:04:31Men get heart attacks, but we don't.
00:04:32We don't.
00:04:33Men, we don't.
00:04:34Can you breathe?
00:04:35Okay, low out.
00:04:36That's it.
00:04:37Oh, God.
00:04:38All right, you know what?
00:04:39What?
00:04:40I'm this little helper to the rescue.
00:04:42I want you to take one of these.
00:04:43No, you know what, sweetie?
00:04:44Take two.
00:04:44And leave all your troubles behind.
00:04:46Trust me.
00:04:46What are these?
00:04:47Your husband gives them to his patients.
00:04:49Well, for me, he triples the dosage.
00:04:50Jennifer, I said take two pills.
00:04:53How many did you take?
00:04:55I don't know.
00:04:55Just what you told me.
00:04:58Well, bon voyage, darling.
00:04:59All right, girl.
00:05:01All right, just take it.
00:05:11Scusi.
00:05:17Officer, is there a problem here?
00:05:20There ain't no parking zone now.
00:05:22We're talking minutiae.
00:05:23What is Angelo seeing a guy like that?
00:05:25I could run circles around that pain in the ass.
00:05:28Yeah, does, uh, Malatesta know about...
00:05:30Does Malatesta what?
00:05:32Know about this?
00:05:33There's a lot the old man don't know.
00:05:35And as for you, don't sweat the small shit.
00:05:37You hear what I'm saying?
00:05:39This freaking song.
00:05:42It makes my heart weep every time I hear it.
00:05:45Yeah.
00:05:46I got a twinge, too.
00:05:48A twinge?
00:05:49What kind of person just gets a friggin' twinge
00:05:52when you hear a song like this?
00:05:55So, what do you get?
00:06:00Let me get this straight.
00:06:01Are you saying that this little distance here
00:06:03is not negotiable?
00:06:04The law's the law.
00:06:06Okay, well, how about if I just pull it forward?
00:06:08And how about I just call for some backup?
00:06:10How about you not?
00:06:11You weren't so cute.
00:06:14You watch it.
00:06:15When I shine...
00:06:24When I shine...
00:06:25Cheap...
00:06:28Aftershave...
00:06:30Must be...
00:06:38Bruno.
00:06:43Any last words?
00:06:46Try the clamps.
00:06:50Fabulous.
00:06:52これで a skillet.
00:06:52All right.
00:06:53Andрей.
00:06:56Yes.
00:07:02Oh my God.
00:07:07And you'veкольку...
00:07:08You're a noble ex...
00:07:12I want to push it.
00:07:20Hey! It's a good thing I didn't see you earlier, otherwise I would have had to give you a ticket.
00:07:41Sorry for the inconvenience.
00:07:48Hello?
00:07:50What?
00:07:53I'm on my way. I'll be right there.
00:07:57My son has a temperature of 103.
00:08:00Oh, you know, he'll be all right. You want some company?
00:08:04I gotta go. Later, lucky ones.
00:08:08Good afternoon, ladies, and welcome.
00:08:11We have a very special treat for you this afternoon, all due to the very hard work of our own Jennifer Barrett.
00:08:18Please join me in welcoming a celebrated author, Marcello Della Rosa.
00:08:25It seems there are no men.
00:08:37Piri, if you will indulge me, I would prefer to let my work speak for itself.
00:08:44I've taken the liberty of bringing Our Way, the book I published last year.
00:08:52Then, if you must, ask your questions.
00:08:55Please be gentle.
00:08:57He stood on the cliffs of Apollonia di Mare, the cliffs of East Sicilia.
00:09:07All about him's word sounds as holy as God's silence.
00:09:14The cry of the sailor.
00:09:16He was home, with ghosts of ships that came before.
00:09:23Come, you Romans and you Greeks, you dark-eyed Spanish moors.
00:09:28I've waited too long to come home, I thought, for time is a thief, and he never gets caught.
00:09:42Never, Jennifer.
00:09:48Yes, no.
00:09:49I'm okay.
00:10:19Oh, my God.
00:10:49Oh, my God.
00:11:19No, Jennifer, this is not the time for another one of your scenes.
00:11:23My scenes?
00:11:24It's not what it looks like.
00:11:26You have no clue what it looks like.
00:11:29You're doing her in the pool and I get Mr. Missionary?
00:11:32Jen, don't you, Jen, Jen, me?
00:11:36You were supposed to be my friend.
00:11:38And now you're nothing but a porn star.
00:11:41Now I know why you wanted me to lighten my hair.
00:11:43That's all.
00:11:44Get out of here.
00:11:47Jennifer, you have to take your share of responsibility for this.
00:11:51My share?
00:11:53Oh, man.
00:11:56So bring back my heart
00:12:14Send back my soul
00:12:23And if you do
00:12:27I'll go on without you
00:12:31Please, you're a good number of people
00:12:33I'm taking you to my house.
00:12:37This is my house.
00:12:39You've never been a porn star to kill.
00:12:41And you are not gonna disrespect me.
00:12:43Jesus.
00:12:57Ma'am, please.
00:13:01If you don't mind.
00:13:07Hello.
00:13:09You're hurt.
00:13:11Yes, ma'am, I am.
00:13:11You're bleeding rather profusely.
00:13:14Well, that's what happens when you get shot.
00:13:15Shot?
00:13:16Yes, ma'am.
00:13:17You've been shot?
00:13:18Definitely, but it's not as bad as it looks, really.
00:13:21Well, you're at the ring house.
00:13:23It's the wrong neighborhood.
00:13:24You want Queens.
00:13:24Maybe Brooklyn.
00:13:26No way.
00:13:28I'm at the right house.
00:13:31Jennifer.
00:13:32Ma'am.
00:13:36I know you, don't I?
00:13:38Yes, ma'am, you do.
00:13:39Uh, I'm sorry, I can't remember your name.
00:13:43Frankie.
00:13:44Frankie Delano.
00:13:45Oh, right, Frankie.
00:13:47You used to deliver groceries for Angela when I was a girl.
00:13:50Yes, ma'am.
00:13:50I knew you were a kid, ma'am.
00:13:53The news I heard you presumed.
00:13:56Come again?
00:13:58I presume you heard the news.
00:14:01What news?
00:14:02Get a television.
00:14:03Sources close to the investigation tell MobileAid's news team that it had the trademark signs of a mob hit.
00:14:10That nice old man.
00:14:13We've got to get you to a hospital.
00:14:15It's, uh, not necessary.
00:14:20Uh, the police?
00:14:22Oh, definitely not necessary.
00:14:23Well, so what do we do?
00:14:25Well, you were shot.
00:14:27That's what you said, right?
00:14:29Um, ma'am, do you happen to have a DVD player?
00:14:33DVD?
00:14:34Yes, ma'am, a DVD player.
00:14:39It's been shot.
00:14:40Shot?
00:14:41Yeah.
00:14:42DVD's been shot.
00:14:45There's a lot of that going around tonight.
00:14:48There's another one in the master bedroom, I think.
00:14:50Oh.
00:14:51I'm a little drunk and goofy from the loss of blood, so if I happen to say something out of line, I'd like to apologize ahead of time.
00:15:07You could put towels over there.
00:15:10Yes.
00:15:12Great breasts, absolutely great.
00:15:14They're like champagne glasses.
00:15:16Apology accepted.
00:15:17Oh, sorry.
00:15:18All right.
00:15:19Could you...
00:15:20Please play this.
00:15:23Uh, you're not going to do what I think you're going to do, are you?
00:15:27It's okay.
00:15:28It's no big deal.
00:15:29I've done it before.
00:15:31Okay.
00:15:35Ow, ow!
00:15:38Shh.
00:15:41Oh, smarts.
00:15:43Ow.
00:15:43It's okay.
00:15:47There's two more pieces.
00:15:52My dear Jennifer.
00:16:01Did he just say, dear Jennifer?
00:16:04Could you pass me the whiskey, please?
00:16:09If you're watching this, I am dead.
00:16:20How does he know who I am?
00:16:22Why is he telling me this?
00:16:23I'm telling you this because you are not who you think you are.
00:16:28Oh, well, right now that's a relief.
00:16:30There was a war in New York.
00:16:33He had a lot of enemies at the time.
00:16:34They were trying to take him out.
00:16:37There was Sammy Carbone who wanted to kill him.
00:16:40And the same with Lucho Malatester.
00:16:42But as much as they both wanted to get Angelo, they wanted to kill each other even more.
00:16:46So Malatester gave Sammy a new set of golf clubs.
00:16:54It was his way of making sure the hitman would know just where to find Sammy.
00:17:01And since this hitman was a traitor who worked for us, it looked like Angelo was behind Sammy's death.
00:17:07And when the hitman got taken out by Bruno Sr., who was there left to tell what really happened?
00:17:16With our guy laying dead there with a smoking gun in his hand.
00:17:20Wow, what a hit.
00:17:23But what kind of hitman of any substance has his kid, Bruno Jr., waiting in the car when he does the thing?
00:17:31In the hospital, Sammy Carbone's first visitor was, of course, Lucho.
00:17:40Lucho Malatester, who's blaming him all on me.
00:17:45I come to tell you that the guy who shot you was one of Angelo's men.
00:17:51Lucho.
00:17:53My son.
00:17:55Little Johnny.
00:17:56I ain't gonna be around to watch him grow into men.
00:18:03If Angelo ever has a child, find it.
00:18:10Kill it.
00:18:12My wife Maria was pregnant, so we fled to Sicily, the village of Castellamare.
00:18:23What more could I want?
00:18:26My beloved wife, a child on the way.
00:18:34The opera house that I was renovating to hear the music that my wife Maria loved.
00:18:40My wife died in childbirth.
00:18:52My wife died in childbirth.
00:18:52I do not have the words for my grief to this very day.
00:19:10This is just the saddest.
00:19:15His young wife dies giving childbirth.
00:19:18It's just the saddest.
00:19:19It's just the saddest.
00:19:20It's just the saddest.
00:19:21Oh, God.
00:19:22They had a daughter.
00:19:23A daughter?
00:19:24And when he came to America, he brought himself and his daughter, but he had enemies over here.
00:19:29And if they'd ever found him, they would've killed the baby.
00:19:32Oh, that's awful.
00:19:33So he found this childless couple that didn't have much money, and he gave the husband a job, and he bought them a big estate in Glen Cove.
00:19:45And even though she had dark hair, and they had blonde hair, he still let them adopt her.
00:20:00He gave her away.
00:20:02Oh.
00:20:03Is it getting warm in here?
00:20:05So, he took care of all their expenses under one condition.
00:20:11Well, let the girl never know who her father was, because if she were to know...
00:20:22She'd go looking for him and...
00:20:24His enemies would get to her.
00:20:27So her parents never told her.
00:20:29But now, it's time she knows.
00:20:34Oh, Jesus.
00:20:35Now it's time for you to know.
00:20:38Don't go there.
00:20:41I...
00:20:42Don't go there.
00:20:43Oh.
00:20:45I'm your brother, Jennifer.
00:20:48You are an ugly kid, and we do not bow down.
00:20:59Good night, Jennifer.
00:21:00Good night.
00:21:01Good night.
00:21:02Good night.
00:21:03Good night, Jennifer.
00:21:04Good night.
00:21:06Good day.
00:21:07Good night.
00:21:08Good night, dry evening.
00:21:12Good night.
00:21:13Good night.
00:21:14Good night.
00:21:17Good night.
00:21:19My friends are...
00:21:21Good night.
00:21:22Good night, now.
00:21:23Good night.
00:21:24Good night.
00:21:25I've been I saw but I've really Beer Paul's eye
00:21:34Who is it?
00:21:36I've got a gun.
00:21:38It's only me, ma'am.
00:21:42Only you?
00:21:45Good morning.
00:21:47Let me get this.
00:21:48Please don't close the door.
00:21:49I never have any door closed.
00:21:52Claustrophobic.
00:21:53My phobia is none of your business.
00:21:58I'm calling the police.
00:22:00Please, please, please, please.
00:22:01Please, you don't need to do that.
00:22:03Are you going to hurt me?
00:22:04Are you going to hurt me?
00:22:07No.
00:22:10Look, we got it.
00:22:12Italian eggs, alimento linaise, a little poletta, a little biscotti, a little ricotta, and a lot of espresso.
00:22:18I don't eat that stuff.
00:22:19I know.
00:22:20You have a black coffee, dry toast, no butter, jam once a week.
00:22:25How do you know that?
00:22:26At least it's going to get cold.
00:22:29Are you all right?
00:22:32Yes, thank you for asking.
00:22:33Very good.
00:22:33Please.
00:22:45Big house.
00:22:46Is that your way of asking me why there's no one here?
00:22:52No.
00:22:53Well, my son's off at military school, if you can believe it.
00:22:57At seven?
00:22:58My husband's idea.
00:23:00Well, my husband's away.
00:23:03It's my idea.
00:23:08You really like cooking?
00:23:09No, I love cooking.
00:23:11You ought to try the poletta.
00:23:13It's great for gaining weight.
00:23:15Your father always wants you to eat more.
00:23:17My father?
00:23:18You know, Angelo.
00:23:19That's it.
00:23:20That's it.
00:23:22Enough already, Frankie, with a father, or whatever your name is.
00:23:25He is not my father.
00:23:26Do you understand?
00:23:27I have a real life.
00:23:28I have a real life father.
00:23:30I believe it's five miles from here.
00:23:32Matt, please.
00:23:33Wait.
00:23:35Stop.
00:23:36Could you just wait a minute?
00:23:38Stop.
00:23:38I'm going to stop it.
00:23:40I'll slow down for a minute.
00:23:41I just want to talk to you for a second.
00:23:43Matt.
00:23:48Look, if you need someone to drive you.
00:23:50Last night did not happen.
00:23:51All right?
00:23:52So when I come back, you will be long gone.
00:23:55Thank you for breakfast.
00:23:56It was lovely meeting you.
00:24:02Where are you going?
00:24:04Where are you going?
00:24:05Therapy!
00:24:09Come on.
00:24:09You don't need therapy.
00:24:11Oh, yeah.
00:24:14Shopping.
00:24:22Are you okay?
00:24:35May I help you?
00:24:44And your name would be?
00:24:46Allison.
00:24:46Enchant.
00:24:47Allison, I see everything you have in a sod in a size 7.
00:24:51Everything?
00:24:52I want to melt this mother to the ground.
00:24:59Cassidy, we have a no limit on our hands.
00:25:01I'm going to need backup.
00:25:02Oh, thank you.
00:25:15I'll take them all.
00:25:16I'll take them all.
00:25:16Let's go.
00:25:46Oh, God! Oh, my God! Oh, my God!
00:25:50It's all over. It's all over.
00:25:53It's all over. It's all over.
00:25:58Oh, God! Oh, God!
00:26:00I hit! That's what that was, right?
00:26:02I hit?
00:26:03Yes, ma'am, it was.
00:26:04God, who wouldn't want to kill me?
00:26:05Well, I'd say Luton Mount Testo would be at the top of my list.
00:26:08List?
00:26:09What list?
00:26:10What? People who I am wanting to kill me?
00:26:12What am I? A Thanksgiving turkey?
00:26:14People placing orders?
00:26:15Let me drive this car.
00:26:16No, I will drive my own car.
00:26:17I will drive my own car.
00:26:18I know it's her car, but I'd like to take control of it right now.
00:26:20I think I'm in a little better mood than you are.
00:26:22Perfectly, Keaton.
00:26:22I understand. I know you are.
00:26:24You're probably a very good driver, but I think right now,
00:26:26I'm the one who should be driving the car.
00:26:29All right.
00:26:29Maybe it's my fault, ma'am.
00:26:41Maybe they followed me and I led them to you.
00:26:43Oh, great.
00:26:44Just great.
00:26:45Until I met you, I was perfectly capable of shopping for shoes without someone trying to kill me.
00:26:51Oh!
00:26:51Oh, what is that cologne you're wearing?
00:26:56Is it Brute?
00:26:57Oh, don't tell me it's Brute.
00:26:59You know, ma'am, can we be just quiet for a couple of seconds, please?
00:27:03Well, I am on edge, you know.
00:27:04Yeah, well, I understand, but I'm really getting a terrible headache, really.
00:27:07Oh, pardon me.
00:27:08All over the place.
00:27:09Five seconds ago, I almost didn't even have a head.
00:27:11Look, ma'am, what you're doing is you're having this panic attack syndrome,
00:27:20and that often happens after a hit, really.
00:27:23You know all about those things, don't you?
00:27:25You're a hitman, right?
00:27:26Is that what you are?
00:27:27No, ma'am.
00:27:28Actually, see, a hitman takes a life.
00:27:29I'm a bodyguard, and a bodyguard protects it.
00:27:32So you were my father's bodyguard, and he got waxed.
00:27:35And so now you're my bodyguard?
00:27:37Oh, well, that just fills me with confidence.
00:27:39I'm like in a majorly freaking microus.
00:27:42Do you have any idea how powerful my father is?
00:27:45He is a very successful New York businessman
00:27:47who will make your life a living hell.
00:27:50It's getting there.
00:27:52Look, ma'am, please, I'm sorry.
00:27:53You don't have to do that.
00:27:55I want to see my father now.
00:27:57Your father was Angela.
00:27:58Take me to my father's house now!
00:28:08Mother?
00:28:10In here, dear.
00:28:11My God, did you hear what happened to them all?
00:28:15It was a shootout.
00:28:16Just think of it.
00:28:17I have, really.
00:28:19I need to talk to you and Daddy immediately.
00:28:21I think I just heard your father return from his racquetball lesson.
00:28:27When did Daddy start playing racquetball?
00:28:28Your father's having an affair at the club with the racquetball instructor.
00:28:42How old is she?
00:28:44Well, the she is a he.
00:28:46Jen-Jen?
00:28:47Jen-Jen?
00:28:48Is that you?
00:28:49Is that you?
00:28:53Daddy?
00:28:55Jen-Jen!
00:28:56Hello, loved one.
00:28:59My, my, my, someone is looking fabulous.
00:29:06Daddy, don't take this in a bad way, but have you switched affiliations?
00:29:13Oh, this doesn't change anything between us.
00:29:18After all, I'm still your father.
00:29:21I'm feeling better than ever, thank you.
00:29:23He's got me into great shape, don't you think?
00:29:27There's something completely irrational about all men.
00:29:43No kidding.
00:29:48So what'd they say?
00:29:51Exactly what I expected, thank you.
00:29:53They said that they are indeed my parents and that you, Mr. Mafia Pants, are full of it.
00:29:57So there, the emotional extortion doesn't go past here.
00:30:00And for the moment, my turn is...
00:30:01Excuse me, tell me something, ma'am.
00:30:06Is there a place where people go to learn how to behave like this, talking all the time in a manner designed to, like, induce a migraine in Iraq?
00:30:14I will not be talked to like this.
00:30:16Don't you understand this is not the real you?
00:30:18This is to me!
00:30:19Really?
00:30:21Do you know what is you?
00:30:24Don't kill my parents!
00:30:27They're not your parents!
00:30:29Please, promise me you won't wax them!
00:30:34For the record, it's not wax.
00:30:36It's...
00:30:37...whack.
00:30:39How you doing, Whitney?
00:30:48Pretty well, Frankie.
00:30:49And you?
00:30:50Been better.
00:30:51Yeah.
00:30:52I hear.
00:30:53You look good, Whitney.
00:30:54You taking care of yourself?
00:30:55I always didn't notice the details, Frankie.
00:30:58You two weren't lovers.
00:30:59Whitney.
00:31:00It's time.
00:31:01Come on.
00:31:02Come on.
00:31:06Come on.
00:31:08Come on.
00:31:23Come on.
00:31:24Simply put, when Angelo brought you to us, you were the most beautiful baby girl.
00:31:45You took my finger and sat right on my lap.
00:31:49And you kept saying the only word you knew.
00:31:52Pretty.
00:31:54Pretty over and over.
00:31:57And of course we took you.
00:32:00We would have taken you without the money.
00:32:02Although the money has been endlessly spectacular.
00:32:07I've really given you nothing, Ginger.
00:32:11Nothing except my old, ridiculous heart.
00:32:15Mom, the food's better than what we have at home.
00:32:32Well, I guess it's better than my cooking, right?
00:32:35I never really was too much of a cook.
00:32:39No, no.
00:32:41That's good.
00:32:43It's great, really.
00:32:45It is, yeah.
00:32:45But, you know, sweetheart, what I really need to talk to you about is genetics.
00:32:50You know, the way things get passed down through families.
00:32:53Like, um, it seems your grandfather.
00:32:58Well, at least I still think he's your grandfather.
00:33:00I know.
00:33:02I guess what I'm trying to say, darling, is how are things in the showers?
00:33:10Okay, the Frankie Cookie Show brought to you by Barretta.
00:33:16Are you free?
00:33:19Hello.
00:33:22Nothing.
00:33:23Nothing, darling.
00:33:24It's just some thunder.
00:33:25Mom, I gotta go, okay?
00:33:27Bye, darling.
00:33:30Love you.
00:33:34How's your boy?
00:33:37He couldn't be happier.
00:33:39I couldn't be lonelier.
00:33:40You wrecked my kitchen.
00:33:42I'm sorry about the bullet, really.
00:33:43No, I mean this.
00:33:45Oh, this.
00:33:46This is what happens when you cook a lot.
00:33:48Really?
00:33:50You know, I'm sure your kid would rather miss you.
00:33:52No.
00:33:53He really doesn't.
00:33:55I mean, why should he?
00:33:56He's got a father who cheats like a dog and, uh, a mother who's never had a clue what to do with her life, so.
00:34:05So tell me the truth.
00:34:07Somebody else did all this, right?
00:34:08You're just faking it.
00:34:11No.
00:34:12No, no, no.
00:34:13I love cooking, and I'll tell you what.
00:34:15Just promise me you'll eat it before it gets cold, okay?
00:34:19Sure.
00:34:20So, Frankie, what's your nickname?
00:34:22You know, your nickname, all you mob guys have one, right?
00:34:29Like, Louie the Lump, Charlie Fat Lips, Frankie the Food Freak.
00:34:34It's just Frankie, man.
00:34:37What's Frankie short for?
00:34:38I don't know.
00:34:39What's that got to do with anything?
00:34:40I just want to know.
00:34:42Is it Francis?
00:34:44You know, you've got much more important things to think about than that, man.
00:34:47It is Francis, isn't it?
00:34:48You've got a girl's name.
00:34:50Well, that just explains everything.
00:34:52See, so you've probably been overcompensating your whole life.
00:34:54You know, some anxiety transference syndrome to, well, you know, the macho, nonverbal Cecilia
00:35:01mixed in with the Brute to cover the Francis that lives inside some inner self or something
00:35:05or other.
00:35:07That'll be your new nickname, St. Francis the Brute.
00:35:10Don't take this the wrong way, ma'am, but I think you're starting to give me a small hole
00:35:13inside of my brain.
00:35:14I will make you a deal.
00:35:15If you promise to stop calling me man, I'll stop calling you Francis.
00:35:19And you swear to God that you made all this?
00:35:21Yes.
00:35:23Yes.
00:35:24I didn't even know I had any of this stuff.
00:35:27You've got a lot more than you think you have.
00:35:39Now what?
00:35:40Look, your father's dead because I didn't do my job and it's not going to happen again.
00:35:44No way.
00:35:46And I see you've got a guest house out there.
00:35:48If you don't mind, I'd like to move in.
00:35:50Because I don't trust anybody.
00:35:52There is danger everywhere.
00:35:54Everywhere I look.
00:35:57The night has a thousand eyes.
00:36:00Excuse me.
00:36:03You stole that line.
00:36:04I know from Bobby V.
00:36:06Remember when you tell those little white lies?
00:36:08The night has a thousand eyes.
00:36:09Yes, I do.
00:36:10That was playing when Peter Hackbert was trying to get under my blouse.
00:36:19I'm sorry.
00:36:19I shouldn't have said that.
00:36:22No.
00:36:24What?
00:36:26Actually, it wasn't your blouse.
00:36:27It was a bulky knit green sweater.
00:36:29And what was playing was Bon Jovi's biggest hit to date.
00:36:32You give love a bad knee.
00:36:36Jesus!
00:36:39I'm going to bed.
00:36:40Well, you can stay in the guest house, I guess.
00:36:51It's been a ridiculous day.
00:36:53Okay.
00:36:53I'm going to bed.
00:37:23I'm going to bed.
00:37:53I'm going to bed for all.
00:37:53Seriously?
00:37:54No, seriously.
00:37:55Why don't you go back to bed and let me do my job.
00:37:58Do you have a shovel downstairs?
00:37:59A shovel?
00:37:59Yeah, so I can dig a hole with it.
00:38:01I'm going to bed for a hole.
00:38:03What the hell is going on?
00:38:07Who the hell are you?
00:38:08Who the hell is this?
00:38:09Do you have a boyfriend already?
00:38:11Is this Frankie?
00:38:12He's my bodyguard.
00:38:14Look, look, look.
00:38:14Who are you?
00:38:15What is that smell?
00:38:16It's fruit.
00:38:17Well, it's overwhelming.
00:38:19Ma'am, you don't have to tell him anything.
00:38:20Hey, you cannot talk to me in my house like that.
00:38:24It's her house.
00:38:30Reconsider.
00:38:32Darling, darling, I have to talk to you.
00:38:36Does he have to be here?
00:38:38He's just doing his job.
00:38:39What job?
00:38:40I am your husband.
00:38:42Do you mind, please?
00:38:44Sorry, Kipster.
00:38:46Look, um, about yesterday, that was simply an aberration fermented by the consumption of too much single malt scotch on an empty stomach.
00:38:57An aberration of marital ethics for which I am truly, truly grievous.
00:39:04Was it the only time?
00:39:05Oh, absolutely.
00:39:10August 14th, the airport hotel.
00:39:12Oh, okay.
00:39:13Okay, yeah, the, um, the Swedish flight attendant.
00:39:16But that was the only other time.
00:39:18Oh!
00:39:18December 5th, Four Seasons.
00:39:21Oh, right.
00:39:22Yeah, um, um, the real estate lady.
00:39:25But she was a nooner, my only nooner, I swear to God.
00:39:28Oh, Jesus Christ, the sky is falling.
00:39:33All right, all right, it's been going on for years.
00:39:37Get out.
00:39:42You should go.
00:39:45Then fine.
00:39:46Great.
00:39:48Terrific.
00:39:48Terrific.
00:39:48I'll see you in court.
00:40:02Well, there he goes.
00:40:05The past.
00:40:06The future.
00:40:08Manless.
00:40:09No, there'll be other men.
00:40:12I don't want other men.
00:40:17I believe in two things.
00:40:19The kindness of the saints and there's somebody for everybody.
00:40:25Do you have a someone, Frankie?
00:40:30Sort of.
00:40:30That's nice.
00:40:34Everyone should have someone.
00:40:36Mm-hmm.
00:40:57Why is everybody looking like they hate me?
00:40:59I think you're Angela's mistress.
00:41:01Oh, Jesus!
00:41:02I feel like a lord of the Catholic Church.
00:41:05We all do.
00:41:11What's he saying?
00:41:14We'll see that we're not worthy.
00:41:16Now he's talking about Christ and his blood and the wounds.
00:41:20More blood.
00:41:21No, the guilt.
00:41:24It's more blood.
00:41:26More wounds.
00:41:28More blood.
00:41:29Now he's back through the wounds.
00:41:36That guy over there is Bruno Manzella.
00:41:38Where?
00:41:38The guy over there with his head like an aircraft carrier.
00:41:42Is Malatesta fellow?
00:41:43Where is he?
00:41:44Right in front of him.
00:41:45The guy that looks like he should be in a box.
00:41:48Jesus.
00:41:48And whoever's in that age, well...
00:41:50Angelo Alighieri was a man of great passion.
00:42:02How Verdi, Rossini would fill his heart.
00:42:08He was a man of great sadness.
00:42:10He lost his wife, his Maria, too soon.
00:42:17He never had children or grandchildren whose laughter would lighten the burden of old age.
00:42:24This was his sadness, his emptiness, to die alone.
00:42:30And so, and the Lord, we remember you again.
00:42:36I'll remember you, Angelo.
00:42:49Remembering an Italian means vendetta.
00:42:51You keep the distance.
00:43:09Always the distance.
00:43:12When you raised your heart, you know what WIN?
00:43:14No problem do you have?
00:43:15Sometimes we do not 영 speak about your years.
00:43:17We were going back in early car.
00:43:18Hovito Manzella
00:43:20Everyone else.
00:43:21His master is a man's master.
00:43:22With the interest of the other cosmes,
00:43:25whatever heynouette was made.
00:43:29To breathe the distance to conformity.
00:43:32To stretch of theICO plan.
00:43:34And while her sister sees theahu lens.
00:43:37They also read,
00:43:38Op Duoyahisrudny
00:43:39You goombas never quit, do you?
00:44:09Frankie? Frankie, what's that noise?
00:44:19Just take it out the trash, ma'am.
00:44:23Frankie, did you say something?
00:44:26Nothing, ma'am. I didn't say anything.
00:44:29Now I'm tested. You're using amateurs.
00:44:34Frankie?
00:44:39Frankie?
00:44:47Frankie?
00:44:48Yeah?
00:44:49May I come in?
00:44:52All right.
00:44:55Frankie, it's not exactly warm out here, you know?
00:45:03You okay?
00:45:04Peachy.
00:45:06Oh, God.
00:45:07Oh, I feel like I'm in the brute center of the universe.
00:45:13I'm sorry, but...
00:45:14You know, Frankie, I am so frightened.
00:45:16I'm here, ma'am.
00:45:17Yeah, of course.
00:45:21You know what's kind of terrific about being frightened like this?
00:45:24No.
00:45:25Well, at least now I'm frightened about something specific, like being whacked,
00:45:27as opposed to the non-specific variety, which is what I usually feel, like that kind of dread, that free-floating whatnot and all.
00:45:34Oh, I remember this little girl being afraid, very afraid, little boogeymen under the bed and devils in the closet.
00:45:45Isn't it amazing how her innermost fears turned into this Freudian...
00:45:50Did you say something?
00:45:56No.
00:45:57No.
00:45:59Amazing Freudian nuances of memory and consciousness.
00:46:03When I was growing up, they sent me to an analyst.
00:46:05Everybody was going to an analyst at the time.
00:46:08He said...
00:46:08Dr. Gilmore was his name.
00:46:11He said it's not so much that...
00:46:12Well, never mind what he said.
00:46:14I lied to him all the time because, you know, I didn't want him telling my parents what was going on.
00:46:29Ma'am.
00:46:30Frankie?
00:46:32We got squirrels.
00:46:34Squirrels, Frankie?
00:46:35Yes, ma'am.
00:46:36Big squirrels.
00:46:37They tend to overeat, preparing for a difficult winter, and sometimes they bloat, and often they get it caught in the walls.
00:46:45And to get out of the walls, they have to deflate, and thus this is causing the passage of windage.
00:46:55Oh.
00:46:56Oh.
00:46:58Poor things.
00:47:00Yeah.
00:47:01Tough luck.
00:47:02Tough luck.
00:47:07Frankie, tell me the part again.
00:47:12The part of dreaming about the saints.
00:47:18Well, there's a dream that Sicilians that have never been to Sicily have.
00:47:25That's on the coast, on a cliff, above the water.
00:47:32And they hear this music, the sound of the opera coming from somewhere, but they don't know her.
00:47:39And they believe it's the saints who are singing arias of longing for what they've never known.
00:47:46And your father, he always told your mother the greatest love stories were in the opera.
00:47:54He loved her very much.
00:49:13Do you know what you're saying?
00:49:14Not really.
00:49:15No, I know he's dead.
00:49:16He's dead, yes.
00:49:17Completely dead.
00:49:19What does he say?
00:49:20Well, he wants his order to avenge him.
00:49:22He's saying, avenge me, my little one.
00:49:25My little one?
00:49:26Oh, God, I can't stand it.
00:49:27Oh, God, I can't stand it.
00:49:29What else?
00:49:30Give the man who gave him life, peace and death.
00:49:34La vendetta et tutto.
00:49:37La vendetta et...
00:49:39Tutto.
00:49:40Tutto.
00:49:41Interesting.
00:49:42Oh, God.
00:49:43Interesting.
00:49:45Interesting.
00:49:45Arturo.
00:50:01Can you believe it?
00:50:10He threw me a rose.
00:50:11A white rose.
00:50:12Yeah, it's nice, but I always thought the red ones were the special ones.
00:50:16Oh, no, you don't understand why it is special.
00:50:18It's pure.
00:50:19Not like red ones.
00:50:20Everybody gets red roses.
00:50:34So how'd you like the opera?
00:50:36Oh, more than I can imagine.
00:50:37Yeah, well, Angel will love it.
00:50:38My father, was he handsome when he was young?
00:50:46Yeah, very.
00:50:47And your mother, she'd be able to walk across the room and everything would just stop.
00:50:51And I remember the one time at this wedding, she made me dance with her.
00:50:55Were you embarrassed?
00:50:56Of course I was embarrassed.
00:50:57I was just a kid, but, you know, she was pregnant with you.
00:51:01Well, actually, that means you were the first person I ever danced with.
00:51:05I guess.
00:51:07I like that thought.
00:51:11Frank, you tell me something.
00:51:12Why haven't you ever been married?
00:51:14I'm just waiting.
00:51:16Are you saying you've never been in love?
00:51:17Love's like this temporary form of insanity, isn't it?
00:51:20And you've never been insane.
00:51:37You're reading that?
00:51:38Mm.
00:51:39He's Marcello.
00:51:39He turns everything into such a passion.
00:51:42I can't put it down.
00:51:44Have you ever read him?
00:51:45I don't think I'd like to go.
00:51:46Why not?
00:51:46Yeah, he looks a little too smooth.
00:51:50What's wrong with smooth?
00:51:52I don't know what's wrong with it.
00:51:53It's just I know guys like that, and they're strutting around like roosters, taking credit for the sunrise.
00:51:57Sometimes I just think smooth is not too appealing.
00:52:00So you don't think it's possible for man to be called beautiful?
00:52:03No, no.
00:52:04I believe there's a possible exception for every rule in the book.
00:52:06But personally, I've never stood on a chair in a loud voice, yelled,
00:52:10Hey, guy, you're really kind of gorgeous.
00:52:13Want to go to Palm Springs this weekend or whatever?
00:52:17No, but see, women, women are totally different about this.
00:52:19Women have been known on occasion to go absolutely crazy over a guy.
00:52:24I know, believe me.
00:52:26You know?
00:52:26Mm-hmm.
00:52:27You know, the first time I saw it is when Sammy Carboni's kid came back to Queens.
00:52:31He was living over in Italy.
00:52:33And Angela wanted to know what he was like, so he had me follow him.
00:52:36And one day, I see all these little girls going absolutely cuckoo nuts over some kid.
00:52:42It's like this kid who's a golden boy that the sun was shining on all the time.
00:52:46He's the kind of kid that, like every 13-year-old kid, wanted to be like.
00:52:50I know, so I was just watching this.
00:52:52Why were you watching?
00:53:03Well, it was, uh, Carboni.
00:53:05Johnny Carboni.
00:53:07The son of Sammy Carboni.
00:53:08Yeah, right, right.
00:53:09The guy that Lucha Malatesta murdered and...
00:53:11Frankie.
00:53:13Tried to blame Angela.
00:53:14I think he's coming over here.
00:53:15What should I say?
00:53:16How do I look?
00:53:21I mean, if you were walking over here looking at me, what would you think?
00:53:24You wouldn't want to know.
00:53:25I do.
00:53:25You wouldn't?
00:53:26I would.
00:53:27Frankie, I'm serious.
00:53:29He's getting closer.
00:53:30What would you want me to look like?
00:53:41What are you doing?
00:53:42Just trust me on this one.
00:53:43What do I think?
00:54:10What do I think?
00:54:13Are you together?
00:54:17Yes.
00:54:19I, I, I, I, no, I mean, I mean, no, he's the...
00:54:22Security consultant.
00:54:23You mean the bodyguard?
00:54:27I'm not good at pretending.
00:54:29We've been watching each other.
00:54:30So forgive me if I cause offense, burying my heart and telling the truth.
00:54:34You see, my soul, I stand naked before you.
00:54:38Maybe you ought to go back to his table and get dressed so he doesn't catch a cold.
00:54:41No.
00:54:41He's just joking.
00:54:45You are Jennifer Barrett, yes?
00:54:47Yes, I am.
00:54:48I wanted to thank you for arranging my reading at your club.
00:54:52But you seem, how shall I say, distracted.
00:54:54I, I, I'm such a great admirer of yours.
00:54:57I've read all of your books over and over and, and...
00:55:01Miss Barrett.
00:55:02Over what?
00:55:04Jennifer.
00:55:05Jennifer.
00:55:06May I call you?
00:55:11I apologize if I disturb you.
00:55:21Oh, my God.
00:55:24Can you believe it?
00:55:25Frankie, did Angelo...
00:55:39Did my father really want to protect me?
00:55:44Protect you?
00:55:45Your father used to drive by here on summer nights and watch you go swimming in the moonlight.
00:55:52And he'd see you up in the balcony.
00:55:54You know, combing your hair, talking on the phone to this guy and that.
00:55:58And coming home from school and kicking up those leaves in the dying light of fall.
00:56:02Well, I saw these singers too and I'm definitely talking too much.
00:56:07And I was just living my life.
00:56:10And you were there.
00:56:12The whole time.
00:56:14Yes, ma'am.
00:56:16Spying on me.
00:56:19Spying?
00:56:20No, I wouldn't say that at all.
00:56:22I was watching and...
00:56:24For your information, I knew when to turn away.
00:56:27Did you have anything to do with Bobby Jordan?
00:56:30Excuse me?
00:56:31Bobby Jordan.
00:56:34Bobby Jordan.
00:56:35Bobby Jordan.
00:56:38No.
00:56:39I can't recall the name.
00:56:41Bobby Jordan.
00:56:42No.
00:56:43I went with him in high school.
00:56:45He was cheating on me the whole time.
00:56:47I was so crazy about him, I swear I would have married him.
00:56:51And then he just got strange one day.
00:56:53No!
00:56:54No!
00:56:54No, Frankie!
00:56:55No, Frankie!
00:56:57He stopped talking to me.
00:56:59Young guys can go through this neurotic phase.
00:57:02Well, it's not just guys.
00:57:03Could I have some around a set?
00:57:04Sure.
00:57:07What about Polly Peters?
00:57:10Do you remember her?
00:57:12No, I never heard of her.
00:57:16Polly Peters, huh?
00:57:17No, she was this mean, nasty witch who started spreading all these awful stories about me sleeping around.
00:57:22She was destroying my reputation.
00:57:24Yeah, we know the most fragile thing in the world is a woman's reputation.
00:57:27Well, it all stopped.
00:57:29Right after this terrible thing happened to her car.
00:57:32It's like she just sort of upped and moved to another school.
00:57:43Well, you know something, Francis?
00:57:50We're becoming friends.
00:57:51Did you realize that?
00:57:53No, I didn't know that.
00:57:55Well, like it or not, we are.
00:57:57Do you realize that you never call me Jennifer?
00:58:03You may, you know.
00:58:05That being my name and all.
00:58:11Good night, Francis.
00:58:17Good night, Jennifer.
00:58:19Oh, my God, the door's closed.
00:58:36Okay, okay, okay, okay.
00:58:38What are you going to do?
00:58:39Just stay here.
00:58:40Go somewhere.
00:58:41Go, go, go.
00:58:42God damn it.
00:58:42No, I'm serious.
00:58:43Go somewhere.
00:58:43I'll be all right.
00:58:44Stay back.
00:58:45Stay back.
00:58:46No, no, no.
00:58:47Yes.
00:58:48No.
00:58:49Yes.
00:58:49No.
00:58:49Yes.
00:58:52No.
00:59:13I know this guy.
00:59:14He used to work for Mallet Tester before the Strunes moved to Chicago.
00:59:17We'd better move the Strunes because I've got neighbors all over the place.
00:59:20God, I'm so aggravated.
00:59:22Aggravated?
00:59:23Aggravated, yes.
00:59:26Answer it.
00:59:27No.
00:59:28Yes.
00:59:28No.
00:59:29Don't hit me.
00:59:31Hold this.
00:59:35Oh, Raleigh, honey, I miss you so.
00:59:37Mom.
00:59:38Yes, baby?
00:59:39Make sure you call me tomorrow.
00:59:40Well, you know I will.
00:59:42I love you, too.
00:59:44All right.
00:59:46Bye, baby.
00:59:53I can't effing believe it.
00:59:56My son actually calls me five minutes after one of Mallet Tester's goons tries to wax me.
01:00:01Where do they succeed next time?
01:00:03Where does that leave Raleigh?
01:00:04I'll tell you where that leaves Raleigh.
01:00:06It leaves him without a mother.
01:00:08Oh, God.
01:00:09My son is not going to be an orphan.
01:00:25I made a decision, Frankie.
01:00:27Yeah, what's that?
01:00:28I have to whack Mallet Tester.
01:00:32You're going to whack Mallet Tester?
01:00:35Frankie, my will-in-the-win days are over.
01:00:37You know, you're getting in your way over your head on this one, really.
01:00:42And now, look, yet he does not bow down.
01:00:50I'm sorry I ever told you that.
01:01:01Great.
01:01:03It's so good that I can't deny you
01:01:08It's so good just sitting beside you
01:01:14It's so good that it's so good whenever I'm with you
01:01:25So you think you get this vengeance thing all figured out?
01:01:47You know how it's done?
01:01:49Done?
01:01:51Oh, you want to say?
01:01:52Yeah.
01:01:52Uh, no.
01:01:54Well, it's not as easy as it looks.
01:01:58There's all kinds of courage, you know?
01:02:02I know.
01:02:04A woman's courage should never be underestimated.
01:02:07Ever be underestimated.
01:02:09Ever.
01:02:11Let's go over it again.
01:02:13Go over what?
01:02:15Plan.
01:02:17We go to the Valhalla Inn.
01:02:20You wait in the parking lot.
01:02:22I walk in, Mallet Tester takes a good look at me.
01:02:24He thinks he could have any woman
01:02:26because he's a little tweaked, you know, even at his age.
01:02:30I bat my eyes
01:02:32and then I whack him.
01:02:35And you think you can do this?
01:02:37Do I think I can do this?
01:02:40Okay.
01:02:42Show me.
01:02:43What?
01:02:43Your walk.
01:02:44Why?
01:02:45Because you go in that place
01:02:46and your walk doesn't match your attitude
01:02:47and your attitude doesn't match your walk.
01:02:50You're going to be in a bag
01:02:50and the bag's going to be in the river.
01:02:53Really?
01:02:55Watch this.
01:03:00That is nothing short of terrible.
01:03:02Are you telling me how to walk now?
01:03:04Well, somebody's got it.
01:03:05You think you can do it?
01:03:07Maybe.
01:03:09You ain't going to put me on the spot.
01:03:11Okay.
01:03:14What am I doing?
01:03:15Forget about it.
01:03:16Come on, Jennifer.
01:03:17This is your job.
01:03:18Come on.
01:03:18You said you could do it and like me a little bit.
01:03:20Come on.
01:03:21You can do it.
01:03:22One, two.
01:03:23One.
01:03:24That's it.
01:03:26What do you have?
01:03:27Ankle damage?
01:03:28You're really starting to irritate me right now.
01:03:30Just follow me.
01:03:31Just follow me.
01:03:31I can figure this out.
01:03:32Ready?
01:03:33Let's go.
01:03:34One, two.
01:03:35Cross up like an animal.
01:03:37Back.
01:03:37I think this is great.
01:03:55But I'm going in there alone.
01:03:57I'll be fine.
01:03:58I don't know about that because I think it's better if I go in there and maybe hang out
01:04:02in the back in case there's any trouble.
01:04:03Frankie, no.
01:04:04If this is my life now, I've got to learn to handle something on my own.
01:04:08You can't keep bailing me out.
01:04:09All right.
01:04:14He'll be at the corner table, probably on the phone, whacking somebody long distance.
01:04:19Let's go.
01:04:20Oh, Jennifer.
01:04:35The ring.
01:04:37The ring.
01:04:45The boss says you need a rope.
01:04:47Oh, yeah.
01:05:17There's someone at my table that would really like to meet you.
01:05:26Maybe that someone should have had the manners to come over here and introduce himself.
01:05:30Don't be a fucking idiot.
01:05:31Simple.
01:05:33Direct.
01:05:33I like that in a man.
01:05:34You're a fucking idiot.
01:05:36Simple.
01:05:39Trust me.
01:05:45I know you.
01:05:46She's Angela's.
01:05:48Was.
01:05:49So now you've come over to the A-team.
01:05:52You don't exactly look bereft with grief and whatnot.
01:05:56He was old.
01:05:58What am I? Springtime.
01:06:01Maybe you're different.
01:06:11Where the hell do you think you're going?
01:06:13You're fantastic.
01:06:21What's the matter with him? What's going on?
01:06:23Goddamn ticker.
01:06:25Billy, call the ambulance. Get some help. Call the doctor.
01:06:28Don't help so much.
01:06:42Good angel. My good luck piece.
01:06:44Maybe you shouldn't talk. Rest.
01:06:46Bruno, shut up. She comes with me.
01:06:55He's fine.
01:06:57You'll see.
01:06:58I'll see.
01:06:59Give me a priest.
01:07:01I'll see.
01:07:02I'll see.
01:07:03Give me a priest.
01:07:04I thought you gotta stop so we can get ourselves a priest.
01:07:06What do you need a priest for?
01:07:07You. Sit there and fix your hair. All right?
01:07:09Relax. You'll be fine. Your big night's coming.
01:07:11Hail Mary for the grace.
01:07:12Oh.
01:07:13Is anyone there? Anyone?
01:07:14Could you please get these goons on my back? Please, please.
01:07:15Amen.
01:07:16Amen.
01:07:17Amen.
01:07:18Oh.
01:07:19Oh.
01:07:20Oh.
01:07:21Oh.
01:07:22Oh.
01:07:23Oh.
01:07:24Oh.
01:07:25Oh.
01:07:26Oh.
01:07:27Oh.
01:07:28Oh.
01:07:29Oh.
01:07:30Oh.
01:07:31Oh.
01:07:33Oh.
01:07:39this is for less the rights I presume.
01:07:44Hey Father, relax.
01:07:46It's Lucio's little fantasy.
01:07:47He likes pretending that he's married to dollars bombos.
01:07:51Jennifer.
01:07:53Jennifer.
01:07:54my heart ain't no fight doing wise but what the hell i want to go out special
01:08:02like married to you but i am married don't go getting technical but i'm married
01:08:10oh no no no question all the church cannot allow so father you're gonna pull some strings right
01:08:15the church cannot allow her such a love so pure to go i'm an old man with a couple of months to
01:08:21live here's a young broad and a magza what the hell love like all the things are fine and true
01:08:27that takes time to blossom and bloom blow me with blossoming and blooming do it your man and wife
01:08:34kiss the bride you heard everything's all right i got the doctor in one room and a broadener
01:08:51out there all right be careful what the hell is this your wedding trousseau put it on
01:09:07move thank you
01:09:18dog all he does is bark
01:09:23dog can bark and all they bark
01:09:25dog all right
01:09:27dog all right
01:09:39dog you're useless no no no no no no no no no no no no no yeah too bad huh give me a favor
01:09:39Shut up! All you do is sit down and park. You're useless!
01:09:48Damn. Too bad, huh?
01:09:50Do me a favor. Why does retard reshuffle?
01:09:52Can you go check on the old man for me?
01:09:54Why do you call me a retard for?
01:09:56What do I do to you? I explain cards, that's all.
01:09:59Spell ecclesiastical.
01:10:01Exclesi... I'm retarded.
01:10:04Exclesiastical? What is that?
01:10:07Exclesiastical?
01:10:09Exclesiastical?
01:10:10It's not popular.
01:10:11Spell ecclesiastical.
01:10:13Where are you, my beloved?
01:10:17There's only me out here now.
01:10:25Oh.
01:10:27Look at you.
01:10:29Like an angel you are.
01:10:32Look at me like some dried up pruned creature.
01:10:37Oh.
01:10:39Mi amore.
01:10:45Oh.
01:10:48But tonight I'm coming back from the dead like some mighty oak rising out of some dead jungle.
01:10:55But angel face.
01:10:58We must go slow.
01:11:00Very slow.
01:11:02You know?
01:11:03Like...
01:11:05Molten lava.
01:11:08Oh.
01:11:10There's a few more tunes to be played on this flute.
01:11:14But you must be careful of the ticker.
01:11:17That's right, but you might just become more.
01:11:20There's a few more tunes...
01:11:21Like the other one.
01:11:23I'm coming back from the dead.
01:11:24Ah.
01:11:25Oh.
01:11:26Oh.
01:11:27Oh.
01:11:28Ah.
01:11:29Oh.
01:11:31Oh.
01:11:32Oh.
01:11:34Oh.
01:11:36Oh.
01:11:37Oh, oh.
01:11:38Oh, oh.
01:11:39Oh.
01:11:40Oh.
01:11:41Oh, oh, oh.
01:11:42No, we're playing a different game.
01:11:44I know how to play Chase the Biss.
01:11:46Is your mother in the game?
01:11:48Yeah, I got 400.
01:11:49What are you gonna do, huh?
01:11:52Hey! The floor! Get off your ass!
01:11:56Let's go! Let's go!
01:12:07Oh, shit!
01:12:12Stupid mud!
01:12:18It's payback time.
01:12:23Jennifer!
01:12:24Franky?
01:12:25Come on!
01:12:36I did it.
01:12:37Did what?
01:12:38I did it.
01:12:39What'd you do?
01:12:40I whacked Malatesta.
01:12:41No, you didn't.
01:12:42I did, too.
01:12:43Oh, come on. You didn't.
01:12:44I did, too. He looked pretty dead.
01:12:45Really? How?
01:12:46You wanna know how?
01:12:47Look, I wasn't there. I'm asking how.
01:12:49I'm married of the death.
01:12:54That'll do it.
01:12:56Yeah.
01:12:59Cheers.
01:13:00Well, if I don't have any more enemies, does that, does that mean that you won't be around?
01:13:17Surely I must still be in...
01:13:19Great danger.
01:13:20Yeah, there's still a few bad guys hanging around.
01:13:29I think it's Raleigh.
01:13:30I'll get it.
01:13:31He misses me.
01:13:32Hello?
01:13:33Oh.
01:13:34Oh.
01:13:35Oh, Martella, I forgot.
01:13:36Um, no, it's not too late.
01:13:37It's not.
01:13:38Uh...
01:13:39Um...
01:13:40Yes, tomorrow we'll be alright.
01:13:41Mm-hmm.
01:13:42Mm-hmm.
01:13:44Uh...
01:13:45Uh...
01:13:46Mm-hmm.
01:13:47Mm-hmm.
01:13:48Mm-hmm.
01:13:49Mm-hmm.
01:13:50No.
01:13:51Oh, Martella, I forgot.
01:13:52Um, no, it's not too late.
01:13:53It's not.
01:13:54Um...
01:13:55It's not...
01:13:56Um...
01:13:57Yes, tomorrow we'll be alright.
01:13:58Mm-hmm.
01:14:01Mm-hmm.
01:14:03Mm-hmm.
01:14:05Mm-hmm.
01:14:06Mm-hmm.
01:14:07What are you doing, Bruno?
01:14:20Want to know what the old man's last words were?
01:14:23Try to cleanse the fabulous.
01:14:28You got any last words?
01:14:31You ever read this book?
01:14:32If I read that book, not only does that insult my intelligence, it insults my ignorance.
01:14:39Why would a man like me, who happens to like himself, be caught dead reading a bit of boy toy fluff like that?
01:14:46Because it's a killer.
01:14:51You have a lot of anger in you, Bruno.
01:15:02You've been working.
01:15:22Yeah, a little home improvement.
01:15:25You got stuff here.
01:15:29You got to you, didn't you?
01:15:30You okay?
01:15:54It's just drinks.
01:15:57It's none of my business.
01:15:59I wasn't asking that.
01:15:59No.
01:16:01But I know you.
01:16:04You know me.
01:16:07Marcello asked me to go to Sicily with him.
01:16:11So I guess you're...
01:16:14Going?
01:16:16Of course.
01:16:18It's no big deal or anything.
01:16:22What are you afraid of?
01:16:24Telling me something I want to hear, telling me something that I'm more than just some obligation.
01:16:32Maybe I mean something to you.
01:16:33I mean something to you.
01:16:33I mean something to you.
01:16:43I've got you.
01:16:50It's fine.
01:16:52It's fine.
01:16:53I
01:17:19Run away and never returned
01:17:21turned. From then on I became a kind of legend, surrounded by a mystery, fed on itself. Some
01:17:28people thought I ran drugs, and others suspected I became a killer. None of that came close
01:17:35to explaining what happened. See, I'm talking about a kind of pain that hits away and never
01:17:41leaves. I want you to know it. I want you to feel it. Watch out for me.
01:17:51One who feels pain, and wants you to know it.
01:18:00Check.
01:18:21I want you to know it.
01:18:30I want you to know it.
01:18:33I want you to know it.
01:18:42I want you to know it.
01:19:01This is my mother. We're in the opera house.
01:19:13Happy?
01:19:14Archana. I have to tell you something. I'm not who I say I am.
01:19:28My name is not really Jennifer Barrett. I'm an Alighieri. My father was a man named
01:19:35Angelo Alighieri, and he...
01:19:37I know. You know?
01:19:46And do you want to know who I am?
01:19:48I know who you are, Marcello.
01:19:50You have no fucking idea who I am.
01:19:55What?
01:19:56Your father. He killed my father.
01:19:59Marcello, what are you...
01:20:00Call me Gianni.
01:20:02Sammy's son.
01:20:03Sammy who?
01:20:04Sammy Carbone.
01:20:06Angelo murdered him standing there and armed with only a golf club in his hands.
01:20:11Such a cow.
01:20:12No.
01:20:13You're making a mistake.
01:20:14Enough.
01:20:16What your father did, it lives in me like it was yesterday.
01:20:20That pain, eating away.
01:20:22Gianni or Marcello or whatever.
01:20:24Marcello, what a freaking stupid name.
01:20:26I like that name.
01:20:27Those stupid books.
01:20:29I couldn't believe my luck.
01:20:31But then Bruno said, you needed your little fantasies.
01:20:35Bruno?
01:20:37You killed my father and not Malatesta?
01:20:40Jennifer, please understand.
01:20:43La vendetta è tutto.
01:20:45Vendetta?
01:20:46Oh, enough with all that.
01:20:54Hey, Jennifer.
01:20:55Figlio di puttana.
01:20:56Ah, parli italiano.
01:20:58I had a great teacher and right now I miss him.
01:21:00Oh, of course, Frankie.
01:21:02Such a pain he was.
01:21:04It hurt me to see you so happy with him.
01:21:06Jennifer, please understand.
01:21:09I must do this.
01:21:11My ancestors demand of me.
01:21:17Brute?
01:21:28Frankie!
01:21:29Oh, my God.
01:21:46Oh, my God.
01:21:50How bad is it?
01:21:51How bad is it?
01:21:52It's all right.
01:21:55This is the theater.
01:21:57Angelo was right.
01:21:58He said I'd be back someday.
01:22:04You know, when I was a boy with Angelo, I'd watch you.
01:22:09I would.
01:22:10On seven nights, I'd watch you, and I'd memorize your face in the moonlight.
01:22:16I fell in love with you then.
01:22:19And I guess I'm falling still.
01:22:21Frankie, I love you, so don't you do anything dumb like die on me right after you made an omission like that.
01:22:28Because you should have made it a long time ago.
01:22:37Fair enough.
01:22:51You know, Angelo used to say there's never perfect people.
01:23:08You know, Angelo used to say there's never perfect people, only perfect moments.
01:23:22And of course he was right, because I'm living one of them.
01:23:24Doing something I love in a place that I love.
01:23:27With a new family that I love.
01:23:29Go and get Frankie for me, will you?
01:23:32Thank you, Raleigh.
01:23:37Frankie!
01:23:37Mom says you gotta get pink.
01:23:39You gotta go!
01:23:40Or else!
01:23:41Ooh!
01:23:42Needless to say, Jennifer has found her roots, and is becoming more like an authentic Italian mother every day.
01:23:51And I'm enjoying being around it all.
01:23:53And why not?
01:23:55Isn't living better than watching?
01:24:00So, Angelo, if you're listening, I have to apologize.
01:24:03I just couldn't keep the distance anymore.
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