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00:06:28Ah, rot, rot!
00:06:31This fellow, George Bernard Shaw, should be shipped back to Ireland post-haste.
00:06:35What did you say, dear?
00:06:36I was talking to the dog.
00:06:37About what, dear?
00:06:39I said George Bernard Shaw should be sent back to Ireland.
00:06:42Why, what did he say that you don't like?
00:06:44He said if a duchess went down to Whitechapel and got slaughtered by Jack the Ripper, something
00:06:48would be done to protect the lives of the poor women who live there.
00:06:51Well, it's true, isn't it?
00:06:53In the first place, it's not true.
00:06:55In the second, I was talking to my dog.
00:06:58Very well, but I think at least you should tell him both sides.
00:07:01That's ridiculous.
00:07:02Now, who could that be this time of night?
00:07:09I'm sure if you think carefully, you will discover a way of finding out.
00:07:11William, I feel something.
00:07:21Helen!
00:07:22Well, I do.
00:07:23Good evening.
00:07:34Do you have rooms to let?
00:07:38I saw your advertisement and the estate agents gave me this order to view.
00:07:44You must forgive me for coming so late.
00:07:46I was working.
00:07:48Oh, yes, of course.
00:07:49We do have rooms.
00:07:50Please come in.
00:07:54I'm Mrs. Harley.
00:07:56My name is Slade.
00:07:58Well, Helen, who is it?
00:08:00My husband, Mr. Harley.
00:08:01This is Mr. Slade, dear.
00:08:03He's come to see the rooms.
00:08:08Yes, how do you do?
00:08:13That's odd, you know.
00:08:15He never does that with strangers.
00:08:21May I see the rooms, Mrs. Harley?
00:08:22Oh, yes, of course, Mr. Slade.
00:08:24You just come upstairs.
00:08:26Come on.
00:08:39Here we are.
00:08:40I'm awfully glad I dusted in here today.
00:08:44I had a feeling someone might come.
00:08:47I'm sure you'd be very comfortable here.
00:08:50This is the bedroom.
00:08:52These are the only rooms you have, Mrs. Harley?
00:08:54I could let you have them quite reasonably.
00:08:58There isn't anything else except the attic, of course.
00:09:01The attic?
00:09:03Please let me see it.
00:09:04It's really very small, you know.
00:09:06I would like very much to see it.
00:09:13Do you like those?
00:09:15They're old-time actresses.
00:09:17Quaint, aren't they?
00:09:18As you see, it isn't very nice.
00:09:36Excellent.
00:09:38This is excellent.
00:09:40Exactly what I need, madam.
00:09:41You see, I am a pathologist.
00:09:43I need a place to study and do a little experimental work where I won't be interrupted.
00:09:47Oh, I'd take the other rooms as well, of course.
00:09:50I would live downstairs and work up here.
00:09:53Would that be all right with you?
00:09:54Yes, of course.
00:09:57This will be most useful.
00:10:00I suppose a scientist's experiments always seem mysterious to other people.
00:10:05I assure you, I won't be doing anything dangerous.
00:10:08That's good.
00:10:09May I take the rooms tonight?
00:10:12Yes, but the term...
00:10:14Would five pounds a month be acceptable?
00:10:16Five pounds, that's more than adequate.
00:10:18Done.
00:10:21You're our first paying guest, Mr. Slay.
00:10:24You see, we've come upon a period of hard times.
00:10:28So you must now let rooms.
00:10:30Yes.
00:10:31Mr. Hawley suffered business reverses.
00:10:33And with nothing to do, he's become so nervous and restless.
00:10:38If at times he seems a little eccentric or rude, you will understand, won't you?
00:10:44Of course I will.
00:10:46I believe I should pay you now, Mrs. Hawley.
00:10:51My habits are irregular, I'm afraid.
00:10:53I often need to be out late at night.
00:10:56But I will be very quiet.
00:10:58If you just regard me as a lodger, not as a guest, you'll...
00:11:01You'll hardly know I'm in the house.
00:11:04A month in advance.
00:11:05Oh, you are thoughtful, Mr. Slay.
00:11:07I'm so pleased it was you who came.
00:11:09Are you?
00:11:10Well, that's very kind.
00:11:13The maid will get your meals whenever you want them.
00:11:16You have a maid?
00:11:17Yes.
00:11:18This happens to be her night out.
00:11:21But I can get you some dinner if you'd like.
00:11:24Yes.
00:11:24This is a beautiful old Bible.
00:11:28Yes, it belonged to my grandmother.
00:11:30I hope you'll not take it away.
00:11:31I should like to have it here.
00:11:33It comforts me.
00:11:35The Ripper again!
00:11:37Murder in Whitechapel!
00:11:39Murder!
00:11:40Another Ripper murder!
00:11:41Another one!
00:11:42Another murder!
00:11:43Another one of those horrible Jack the Ripper murders!
00:11:46Why can't the police stop them?
00:11:48Jack the Ripper.
00:11:50What a revolting, stupid name.
00:11:57I'm sorry, Mrs. Harley.
00:11:59The whole thing is repugnant to me.
00:12:02Well, if you'll excuse me, I'll get you dinner now.
00:12:07Murder!
00:12:08Evening standard!
00:12:09Echo!
00:12:11The Ripper again!
00:12:12Murder in Whitechapel!
00:12:14Murder!
00:12:15Another Ripper murder!
00:12:17Another murder!
00:12:19Evening standard!
00:12:20Echo!
00:12:21Oh, it's you.
00:12:24Have you heard?
00:12:25Yes.
00:12:26Another murder.
00:12:27The fourth.
00:12:28All the same.
00:12:29He cuts their throats and then uses his knife like a doctor who's gone mad.
00:12:32The papers daren't print all the details.
00:12:34Too gruesome.
00:12:35Want to read it?
00:12:36Uh, no, thank you.
00:12:39William.
00:12:40Mr. Slade took the room.
00:12:43Mm-hmm.
00:12:43And the attic, too.
00:12:45He's taken them as of now.
00:12:47I say, that's a bit quick, isn't it?
00:12:49He won't be any trouble to us at all.
00:12:51Don't like renting out bits and pieces of my own home.
00:12:54Can't have any privacy.
00:12:56Besides, we need the money.
00:12:58I suppose you want me to go up and make a show of hospitality?
00:13:01No, tomorrow will do, dear.
00:13:02But if you're finished with the paper, let me take it up to Mr. Slade with his dinner.
00:13:06Finished with it?
00:13:07I just got it.
00:13:12There, you see?
00:13:13It's beginning.
00:13:15Well, now, where's that dog?
00:13:17I think I saw him go upstairs.
00:13:18Look, that fellow's not going to have my dog, too, is he?
00:13:22These pictures, their eyes follow you wherever you move.
00:13:48They watch.
00:13:50They get on my nerves.
00:13:51I don't like being watched.
00:13:53I understand.
00:13:54I'll have them taken down tomorrow.
00:13:56Hertha, they are pictures of actresses.
00:13:58Yes.
00:13:59I hope you don't really object to actresses.
00:14:02My niece, Lily, is on the stage.
00:14:05Your niece?
00:14:06Yes.
00:14:07We're very proud of her.
00:14:08She opens next week at the Piccadilly Theatre Royal.
00:14:11She's bringing over some special dances from Paris.
00:14:14They're quite shocking, but they're most delightful.
00:14:16Well, she is very beautiful, too, I suppose.
00:14:20Oh, yes.
00:14:21Wait till you meet her.
00:14:23Meet her?
00:14:24Yes.
00:14:25She'll live here in this house.
00:14:27Oh, you'll soon change your mind about actresses, Mr. Slade.
00:14:31Come on, Prince.
00:14:36Helen, it's seven o'clock.
00:14:38Be quiet, dear.
00:14:39Read your paper.
00:14:40We're just coming.
00:14:42Oh, I'm as good as my word.
00:14:44Daisy, I've got your pass from Miss Liz's performance tonight.
00:14:48Oh, Mr. Arlie, sir, you're awfully nice.
00:14:53What's the matter?
00:14:54Don't you want to go now?
00:14:56Oh, I do, sir, I do.
00:14:59But I'm afraid.
00:15:00Afraid?
00:15:01Well, there ain't a girl in all London who fancies walking home alone at night.
00:15:05What with a ripper up to his devilish tricks.
00:15:07Well, I suppose I don't blame you.
00:15:11Tell you what.
00:15:13See the show and come home in the cab.
00:15:16Oh, bless you, Mr. Arlie, sir.
00:15:19Now, run along and fetch us the carriage, will you?
00:15:21Yes, Mr. Arlie, sir.
00:15:23Come along, Lily, darling, or you'll be late.
00:15:39I'm coming, auntie.
00:15:44Uncle William.
00:15:45You look very handsome and elegant.
00:15:47You look pretty ravishing yourself.
00:15:49Oh, I'm so excited.
00:15:50I'm afraid I'm going to burst.
00:15:52You must contain yourself at all costs.
00:15:54Especially in the theatre, where people are helplessly packed together.
00:15:58Oh, do be quiet.
00:15:59Be sure you've got everything.
00:16:03Hello there, Mr. Slade.
00:16:08Are you coming to the theatre, Mr. Slade?
00:16:10I'm afraid not.
00:16:12Oh, Lily, I don't believe you've met Mr. Slade, have you?
00:16:15My niece, Lily Bonner.
00:16:17Good evening, Mr. Slade.
00:16:19I'm sorry you can't come to the opening.
00:16:21I have work I must do.
00:16:23You work at night?
00:16:25Yes, quite often, sometimes all night.
00:16:28It's quieter at night.
00:16:29I like the night, too.
00:16:31It's the only time I feel really alive.
00:16:33It's at night that the interesting things happen.
00:16:35What kind of work do you do at night, Mr. Slade?
00:16:39I doubt if you'd be interested.
00:16:43Do you just work?
00:16:46Sometimes I walk close by the river.
00:16:49The river is like liquid night flowing peacefully out to infinity.
00:16:53I must not delay you.
00:16:58I wish you success tonight.
00:16:59I thank you.
00:17:02Good night.
00:17:04Good night.
00:17:04He's so odd, isn't he?
00:17:10I believe he's shy and lonely and all wrapped up in his Chinese puzzles.
00:17:14What Chinese puzzles?
00:17:15Oh, science and pathology, whatever you said he did.
00:17:18Can't help feeling there's something odd about him.
00:17:21He skulks, he prowls, that's there's something about him.
00:17:23And if he's lonely, he's only to pop out of his shell and speak to someone.
00:17:25I think he's interesting.
00:17:36Evening standard!
00:17:38Echo!
00:17:40Evening standard!
00:17:41Echo!
00:17:424,000 police on duty in Whitechapel!
00:17:45Evening standard!
00:17:46Echo!
00:17:474,000 police on duty in Whitechapel!
00:17:51Oh, thank you, Governor.
00:17:53Evening standard!
00:17:54Echo!
00:17:55Dressing room one!
00:18:03Hello, Annie.
00:18:09Flowers for Miss Bonner.
00:18:11Please.
00:18:13Merci, Miss Bonner.
00:18:14Miss Bonner's dressing!
00:18:15Who is it, Leela?
00:18:17It's Annie Rowley.
00:18:18La Belle Anne, remember?
00:18:20It's all right, Leela.
00:18:21I know who Annie Rowley is.
00:18:22Come in!
00:18:22Oh, it looks very nice.
00:18:28Thank you for letting me come in.
00:18:30I always like to come and say hello to my old dressing room.
00:18:33Perfectly, you're all right, Annie.
00:18:34Help yourself to champagne.
00:18:36Courtesy of the management.
00:18:37I've got to hurry.
00:18:38Yes, I remember.
00:18:40Did you know royalty was coming tonight?
00:18:42Yes, the Prince of Wales.
00:18:43Oh, I had it all once.
00:18:46Royalty, champagne, flowers.
00:18:51I remember my opening night and how excited I was.
00:18:54I looked in this very mirror.
00:18:58I wish I knew then what I know now.
00:19:02I came up overnight.
00:19:04Overnight, I was forgotten.
00:19:06Won't be that way with you.
00:19:08Who knows?
00:19:10No, it won't.
00:19:11I went on looks alone.
00:19:15You have talent and all the rest.
00:19:19Thanks, Annie.
00:19:20You coming tonight?
00:19:22No, I have what I call my work.
00:19:26I still sing and dance, you know.
00:19:28Oh, where?
00:19:29La Belle-Anne now performs at Madame Tuss's school of the dance.
00:19:37Gentlemen come in the evening to learn the latest Fandango.
00:19:41That's in the parlor in front of the house.
00:19:45Is there anything I can do, Annie?
00:19:48Too late.
00:19:53You know, Annie, perhaps it isn't all up with you.
00:19:56Perhaps I could help you.
00:19:57I don't think there's a place with my girls, but I'm sure I could do something.
00:20:04She's gone, Miss Lily.
00:20:08Yes.
00:20:27Every girl should have a dictionary in a foreign land.
00:20:43But you don't need to read a dictionary.
00:20:59No, no, no, never when you're in Paris.
00:21:03When he holds your hand, you will understand.
00:21:11Oh, oui.
00:21:13Cause it's easy in Paris.
00:21:18And you know the way to show, the way to love.
00:21:32You don't have to be a language connoisseur.
00:21:51Just wink your eye, and sigh, sigh, and whisper, vive l'amour.
00:22:02Say, je t'aime, c'est la même.
00:22:06Say, je vous adore.
00:22:08And then, gay palie, will very plainly see
00:22:14That you're in love.
00:22:18Did you see that?
00:22:40The little minx floated with the prince of Wales.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:43Shh.
00:22:44Ihrer nears.
00:22:47natuurlijkо
00:22:48You are all the guy.
00:22:53Oh, хороший.
00:22:54Hi.
00:23:06You are all the guy.
00:23:08Oh, honestly.
00:23:08Oh, boy.
00:23:10La rara, la rara, la rara, vive l'amour
00:23:30Si je t'aime, si la m'aime, si je vous adore
00:23:39And then gay Paris will very plainly see
00:23:49That you're in love
00:24:09Commissioner, there's been another murder by the Ripper
00:24:18Are you sure it was the Ripper again?
00:24:21The report said it was a murder just like the others, sir
00:24:23Where was it? Whitechapel?
00:24:25Yes, sir
00:24:27Right
00:24:28To Lily Bonner and her beautiful, talented truth
00:24:37Long life
00:24:38London is yours, Lily
00:24:42And if I were Lord Mayor, I'd give you the keys to the city
00:24:45You know, champagne has a special significance to me
00:24:50As I was growing up in the old Limehouse district
00:24:53Champagne was only a remote word
00:24:56She is very beautiful, if I may say so, sir
00:24:58Mm-hmm
00:24:59Wait here, Bates
00:25:00Champagne for everything
00:25:01It's like very much interrupting your party, Miss Bonner
00:25:03It's a matter of utmost importance to Scotland Yard
00:25:06Sounds fascinating, Inspector Warwick
00:25:08And how can I help Scotland Yard?
00:25:11I want to ask you about a woman who came to see you before your performance this evening
00:25:15A certain Annie Rowley
00:25:16Yes, she was here
00:25:18I felt terribly sorry for her
00:25:21How much do you know about her?
00:25:23Not much, I'm afraid
00:25:24Why, Inspector?
00:25:26She has become another victim of Jack the Ripper
00:25:27Can you tell me if she was with anyone?
00:25:32No
00:25:33She was alone
00:25:34Someone said a man was seen near the place where Annie Rowley was found
00:25:37A man carrying a small black bag and wearing an ulster
00:25:41Of course, that description fits thousands of people
00:25:44But you saw no such man?
00:25:46No
00:25:47No
00:25:47No, I saw no one like that
00:25:51Find me
00:26:21She got Lily settled for the night
00:26:22Poor thing, she thought she was so excited she couldn't sleep
00:26:26But she dropped off while I was talking to her
00:26:28That's possible
00:26:29I just opened it
00:26:33I'm thinking
00:26:34Thinking
00:26:35You know that man from Scotland Yard said the Ripper was carrying a little black bag
00:26:41All he said was there was a report that a man carrying a black bag was seen in the vicinity of the murder
00:26:47And Mr. Slade came to us the night of the other murder and all he had with him was a little black bag
00:26:53And tonight he took his black bag with him when he went out
00:26:58He did not
00:26:58He did not
00:26:58Yes, he did
00:27:00His bag is not black and he didn't take it with him tonight
00:27:03William, he did
00:27:04Would you stake your oath on that?
00:27:06Your solemn oath in the court of law?
00:27:09So
00:27:09You're not sure of the color of his bag
00:27:12Nor that he had it with him when he went out
00:27:14You're always leaping to illogical conclusions
00:27:16Which you call thinking
00:27:18And the window
00:27:21Oh, I'm sorry, dear, I forgot
00:27:24Women can sense things, William
00:27:26Now, you know that's true
00:27:27Remember when I said something had happened to my sister Sophie
00:27:30And we found out that she'd fallen and broken her hip
00:27:32And remember
00:27:34What are you looking at?
00:27:39It's Mr. Slade
00:27:40He's just coming in
00:27:42Why not?
00:27:43He lives here
00:27:44He creeps
00:28:09You can hardly hear him move
00:28:12Naturally, he creeps
00:28:13It's three o'clock in the morning
00:28:15Do you think he should come in dancing and singing and waking up the whole house?
00:28:19He stopped at Lily's door
00:28:20He did?
00:28:21Thank you very much to me
00:28:26Thank you
00:28:26Thank you
00:28:59Oh.
00:29:03More tea, dear?
00:29:05Paper says that the murderer used his knife in ways quite unprintable.
00:29:10Ridiculous.
00:29:11How can a knife be used unprintably?
00:29:13Tea, dear?
00:29:15Queen Victoria's issued a statement.
00:29:17She has told Commissioner Warren that no married man could possibly be to blame for these murders,
00:29:22and therefore every bachelor in London should be rounded up immediately.
00:29:26Tea?
00:29:26What a wise queen.
00:29:29Now all Scotland Yard has to do is to round up a million men and ask them if they are Jack the Ripper.
00:29:33Well, she's right. No married man would do such a thing.
00:29:41Oh, she's so gay.
00:29:42Even in the morning.
00:29:45Good morning.
00:29:46Isn't it a beautiful world?
00:29:48All the reviews are raised.
00:29:49Why, of course.
00:29:50Don't say it.
00:29:52Don't say what, dear?
00:29:53I wonder who that can be.
00:29:55Oh, I'll go, Daisy.
00:29:56Hello, I'm Paul Wartick of Scotland Yard again.
00:30:01Oh, oh, yes.
00:30:04Do come in.
00:30:06Good morning, Mr. Wartick.
00:30:07Hello, Miss Barna.
00:30:09I'm sorry to bother you so early in the morning, but it was important that I talk to you again.
00:30:15Hello.
00:30:15Oh, hello.
00:30:17Oh, do come in and have a cup of tea.
00:30:19I'll get it, dear.
00:30:20Did you know I found out last night after you left that any Rowley sent me some flowers?
00:30:24Oh, yes.
00:30:25As a matter of fact, that was my excuse.
00:30:27I mean reason for calling.
00:30:29The stage doorman told me I'd like to find out what florist the flowers came from.
00:30:34Oh, I'm sorry.
00:30:36I didn't keep the box.
00:30:37Well, it was a possible lead.
00:30:38Though it did no help to Scotland Yard, it did give me the opportunity.
00:30:41Good morning.
00:30:42I beg your pardon.
00:30:44I didn't mean to interrupt.
00:30:45Mr. Slade, this is Mr. Wartick.
00:30:47How do you do?
00:30:50Mr. Wartick's from Scotland Yard.
00:30:52He's engaged on the Ripper case.
00:30:54Now, tell me, Inspector, is it really true that this time the Ripper was seen?
00:30:58Yes, I was about to ask that, too.
00:31:00He may have been.
00:31:01I don't think you'll ever catch him.
00:31:03Why not?
00:31:04Well, five murders.
00:31:06This time Whitechapel was swarming with police.
00:31:08And yet you didn't even come near to finding him.
00:31:11You don't know any more now than you did in the beginning.
00:31:14Yes, we do.
00:31:15Oh, what?
00:31:16He's of average height.
00:31:18He's very quick and strong.
00:31:20And he's left-handed.
00:31:22Perhaps he carries a black bag which would contain his knives.
00:31:26What I want to know is, why does he do it?
00:31:29Well, there are many theories.
00:31:30The favorite one is that he's a maniac who kills at random.
00:31:34Do you believe that?
00:31:34No.
00:31:35No.
00:31:37Well, he may not kill at random, but he's not sane.
00:31:39You're a medical man, Mr. Slade.
00:31:41Would you say he was sane?
00:31:44I tend to agree with Miss Lily.
00:31:46The police will not find him.
00:31:47Why not?
00:31:48The police are searching for a criminal.
00:31:51In reality, there are no criminals.
00:31:53There are only people doing what they must do because they are who they are.
00:31:56So perhaps the police are searching for someone who doesn't exist.
00:32:01Well, if my theories are correct, I shall make Jack the Ripper's own hands tie the noose that will hang him.
00:32:06I still don't see how you worked it out that he was left-handed.
00:32:11Do you, Mr. Slade?
00:32:13I've intruded too long.
00:32:14I really only came down for the morning paper.
00:32:29Have you all finished with it?
00:32:31Oh, yes.
00:32:32Sorry.
00:32:32Should have sent one up to you.
00:32:35Excuse me.
00:32:36Odd how that dog acts.
00:32:41Seems to have fallen in love with him.
00:32:55Mr. Slade?
00:32:58Mr. Slade?
00:33:00Is something burning?
00:33:01Don't come up here.
00:33:04I'm sorry there's an odor, Mrs. Harley.
00:33:06There was something I had to burn in my work.
00:33:09I'll open a window.
00:33:12Just leave the tray in my sitting room, please.
00:33:14Please.
00:33:14No.
00:33:15No.
00:33:15Mark.
00:33:16I'll open a window.
00:33:16No.
00:33:17No.
00:33:17No.
00:33:17No.
00:33:18No.
00:33:18No.
00:33:18No.
00:33:22No.
00:33:27No.
00:33:27No.
00:33:28No.
00:33:30No.
00:33:31Yeah.
00:33:31No.
00:33:32No.
00:33:33No.
00:33:33No.
00:33:33No.
00:33:34What?
00:33:34No.
00:33:34No.
00:33:36No.
00:33:36No.
00:33:36No, no.
00:33:38No.
00:33:39I can't wait.
00:33:40No.
00:33:42No.
00:33:42No.
00:33:42Oh, I was thinking I would have to clean the room today.
00:34:08Whenever you wish, Mrs. Harley.
00:34:14It would be a darling if you could have that dress mender by tonight.
00:34:30I'll try, Miss Millie.
00:34:32You were so good in the show, you know.
00:34:34I don't think it half matters what you wear on the stage.
00:34:37It does, Daisy.
00:34:38And so does what I don't wear.
00:34:41I shall be at the hairdressers most of the time.
00:34:44Yes, Miss Millie.
00:34:47Good afternoon.
00:34:49You going out early?
00:34:50Yes.
00:34:51I have just completed an experiment.
00:34:54I must test it.
00:34:56And when you've tested it and proved it, what would you know, Mr. Slave?
00:35:00A little more about life and death.
00:35:03I wonder what else you need to know about life except that it's wonderfully worth living.
00:35:07And of death?
00:35:08What is there to find out except that it's the end of life?
00:35:12That is a philosophy for a young and beautiful woman who is the toast of London.
00:35:24Which way are you going?
00:35:26Your way, Miss Bonner.
00:35:29Isn't that what your enraptured young men would say?
00:35:32I think they might.
00:35:34What do you say, Mr. Slave?
00:35:36I am going to work.
00:35:38Oh?
00:35:39Where's that?
00:35:40Everyone is so curious about me.
00:35:43Very well.
00:35:45I am going to the university hospital where there are laboratory facilities that I use.
00:35:50I may not come home until late and then your charming aunt will become suspicious.
00:35:54Soon, because I am not like everyone else, you will ask me to leave.
00:35:58I've had it all before.
00:36:00Poor Mr. Slave.
00:36:02Walk with me to the cab across the square.
00:36:08She won't ask you to leave, Mr. Slave.
00:36:10If she did, we'd all object.
00:36:11Would you?
00:36:12Of course.
00:36:14I'm afraid you've been alone too much.
00:36:16That makes one quite broody, you know.
00:36:18I am broody?
00:36:20A little.
00:36:21And when you're like that, you miss things.
00:36:23There's so much delight in the world.
00:36:25The whole sky with the sure sun on it.
00:36:27The sound of laughter and of music.
00:36:29The sweet enjoyment of a man's kiss.
00:36:32Do I shock you, Mr. Slave?
00:36:35You are an astonishing woman, Miss Bonner.
00:36:38Oh dear.
00:36:39I don't know what to do.
00:36:40Where is William?
00:36:41Why doesn't he come home?
00:36:42But what is it, Mrs. Harley?
00:36:43What is it?
00:36:44Never mind, Daisy.
00:36:45I can't tell you now.
00:36:46I must see Mr. Harley first.
00:36:47Oh.
00:36:48Lily is walking with him.
00:36:49Lily is walking with that man.
00:36:51What man?
00:36:52Why?
00:36:53It's only Mr. Slave she's with.
00:36:54Daisy.
00:36:55Mr. Slave is the ripper.
00:36:56Oh.
00:36:57Oh.
00:36:58Oh.
00:36:59Oh.
00:37:00Oh.
00:37:01Oh.
00:37:02Oh.
00:37:03Oh.
00:37:04Oh.
00:37:05Oh.
00:37:06Oh.
00:37:07Oh.
00:37:08Oh.
00:37:09Oh.
00:37:10Oh.
00:37:11Oh.
00:37:12Oh.
00:37:13Oh.
00:37:14Oh.
00:37:15Oh.
00:37:16Oh.
00:37:17Oh.
00:37:18Oh.
00:37:19Oh.
00:37:20Oh.
00:37:21Oh.
00:37:22Oh.
00:37:23William, thank heavens.
00:37:24You're home.
00:37:25You must stop them.
00:37:26What are you getting at?
00:37:27Don't let her go off with that man.
00:37:29Helen, you've been nipping at the sherry again.
00:37:32Oh, please.
00:37:38William, Mr. Slave is the ripper.
00:37:40Mr. Slave is the ripper.
00:37:42her. Look at that. What is it? The other morning when I took him his breakfast, I smelled something
00:37:54burning. He said it was his experiment. It was his black bag. He burned his bag, William, right
00:38:00after he found out the police were looking for a man with a bag. I see. Well, is that all you can
00:38:06say? Very sensible of him. What? I said very sensible of him. Nobody can afford to own a bag
00:38:12like that now. Come here. A man was mobbed this morning in Trafalgar Square. They nearly tore
00:38:23him to pieces. Why? Because he was carrying a little black bag. This is my black bag. I
00:38:28didn't burn it because I didn't think of it. I just hid it in here. Anyone who owns such
00:38:32a bag is under suspicion. The whole city has become hysterical. People are flocking to the
00:38:37police to inform of their neighbors. Do we have to have this nonsense in our own home?
00:38:42If Slade wanted to be rid of his bag, he wouldn't leave that around for you to find. The man
00:38:48isn't a fool. Oh. You're just a little overwrought. That's all, old girl. How about a spot of
00:38:56sherry? I think you better have one too, Daisy. Oh, I don't mind if I do, sir.
00:39:12I rather wish we could talk again sometime. You've done something good for me.
00:39:18And perhaps you will have tea with me. Tomorrow?
00:39:24And be delighted. Thank you, Miss Bonner.
00:39:27Hello, Chief.
00:39:51We're in trouble. A meeting is being called. The High Commissioner resigned this morning and Her
00:39:58Majesty accepted. Resigned? Too much pressure on the Ripper case.
00:40:03We could find a fingerprint. Fingerprints? That won't help. I know that theory. No two prints
00:40:09alike. It's nonsense. Oh, we'll have to do better than that, Paul, or we'll have no jobs.
00:40:14Perhaps you could put aside your social life and help us do something about the Ripper, eh?
00:40:20Yes, sir.
00:40:21Must you stop?
00:40:47If I must choose between music and you, I will choose you.
00:40:52More tea.
00:40:53Yes, thank you.
00:41:01Do you enjoy Robert Browning's poetry?
00:41:04Sometimes. Depends on my mood. I read this author or that one as I feel like it.
00:41:10I like to pretend that it was all written for me.
00:41:13Perhaps it was.
00:41:13Every so often, a woman lives for whom men do all things.
00:41:19I'm only a woman like any other.
00:41:22Not like any other.
00:41:25You don't know, Miss Bonner, about the others.
00:41:29Are you saying that you like me?
00:41:30Miss Bonner, it has done me great good to know you.
00:41:34It has? How?
00:41:35Oh, I'm afraid it's a long and very personal story, and I should dislike troubling you with it.
00:41:41I already know.
00:41:44You are a man very much alone, and you need to find those who will love you.
00:41:49And when you do, you won't be lonely anymore.
00:41:54Those who will love me?
00:41:55Is it really true that you dislike actresses?
00:42:14Seem to have touched on an old wound.
00:42:16I'm sorry.
00:42:17No.
00:42:17No.
00:42:17Yes.
00:42:25I will tell you.
00:42:27My mother was an actress.
00:42:29She was one of the most angelically beautiful women who ever lived.
00:42:33Exquisitely graceful, talented, and captivating.
00:42:36I loved her deeply.
00:42:43Deeply.
00:42:44She had the face of heaven.
00:42:47And the wretched heart of Jezebel.
00:42:51For every aspect of beauty she possessed, she contained a double portion of evil.
00:42:55I hated her.
00:42:57But I thought you said you loved her.
00:42:59One can love the beauty and hate the evil.
00:43:03Didn't you know that, Miss Bonner?
00:43:07Come on.
00:43:09I will show you.
00:43:15I didn't mean to do this, but now I've begun.
00:43:17I will finish.
00:43:18I will show you this face, and you will see for yourself that there was no way for my poor father to know that she was cunning and faithless and rotten.
00:43:35It's not difficult to understand that my father fell in love with her.
00:43:41Perhaps she never met a man she didn't entice.
00:43:44She knew no love, only lust.
00:43:46She betrayed my father a hundred times, and when she finally left him for a young, rich Frenchman, my father killed himself.
00:43:54Not with a gun, with absinthe.
00:43:57With a thousand green glasses of absinthe.
00:44:01All of my growing up was spent with a drunken man who searched the face of every passing girl in Paris.
00:44:09Spent ten years dying of a broken heart.
00:44:12And your mother?
00:44:13Did you never see her again?
00:44:14Yes.
00:44:16Yes, I saw her.
00:44:20She had become a woman of the streets.
00:44:23And it was in the streets that she died.
00:44:24And there must be in Mr. Slade's room.
00:44:29Lily!
00:44:30Excuse me, Mr. Slade.
00:44:32Inspector Warwick is here to see Lily.
00:44:34I forgot.
00:44:35I, on the other hand, did not forget, and here I am.
00:44:38Mr. Slade?
00:44:38We're going to the Black Museum at Scotland Yard.
00:44:42Would you like to come along?
00:44:43Is it all right if Mr. Slade comes with us?
00:44:45Oh, I don't believe Mr. Slade would really enjoy himself.
00:44:48Do come.
00:44:49Do come.
00:44:49Yes.
00:44:50Yes, I believe I'd like to come.
00:44:53I'll be just a moment.
00:44:55I'll be just a moment.
00:44:55I'll be just a moment.
00:44:55And these are the death mosques of various murderers.
00:45:06That one was publicly hanged outside Newgate Prison six months ago.
00:45:10You can see the rope marks on the neck.
00:45:13You treat them like trophies.
00:45:15Like a stuffed elk head mounted over the fireplace.
00:45:17Yes, a little.
00:45:19But these were more dangerous than an elk.
00:45:21Man, unfortunately, is the most dangerous of all beasts.
00:45:24Man is not beast.
00:45:25Murderers are beasts.
00:45:28There are the ropes that are actually used to hang these men.
00:45:31To me, it's the noose that's the wickedest looking.
00:45:33It hangs so calmly, making a graceful loop neatly tied.
00:45:38A simple design by which a man's breath is caught and forfeited for his crime.
00:45:44I'm afraid I'm making Mr. Slade a little queasy if you'd prefer to wait for us outside.
00:45:48It's not the rope.
00:45:49It's your policeman's philosophy, Inspector Warwick.
00:45:55Perhaps I'm too used to murder.
00:45:56I must seem callous.
00:45:59Miss Bonner, I have a question to ask you.
00:46:01Just one?
00:46:02I have dozens to ask you.
00:46:04You too?
00:46:05Yes.
00:46:06For instance, what was that used for?
00:46:10Oh, that was used in the Tufnel Park murder.
00:46:13And would you come Friday for tea at my home?
00:46:14I'd like some friends to meet you.
00:46:16Hmm, I see.
00:46:18What was that used for, Inspector Warwick?
00:46:19That is a poker with which some poor chap beat his sweetheart to death.
00:46:25Why did he do it?
00:46:27We never found out exactly.
00:46:29But my belief at this moment is that she failed to answer some perfectly simple question like,
00:46:34will you come to tea?
00:46:37Very well, Inspector.
00:46:38I'll come.
00:46:39That table is expressly reserved for one murderer.
00:46:43The Ripper?
00:46:44Those are pictures of the five victims.
00:46:47Ah, there you are, Paul.
00:46:50I wanted to pay my compliments to our distinguished and beautiful visitor.
00:46:53May I present, Chief Inspector Melville, Miss Bonner.
00:46:56How do you do?
00:46:56How do you do, Miss Bonner?
00:46:57And Mr. Slade.
00:46:58Mr. Slade?
00:46:59I've been to the palace, Miss Bonner,
00:47:01where I heard Prince Edward say the most complimentary things about you.
00:47:04Why, thank you.
00:47:05Also, I was told that Her Majesty has decided
00:47:07that the Ripper can't possibly be an Englishman.
00:47:10Now, I suppose we shall have to investigate all foreigners.
00:47:13Not long ago, we were to investigate all bachelors
00:47:15because it couldn't possibly be a married man.
00:47:18Has Paul told you that he's our expert on Jack the Ripper?
00:47:20He even claims to be able to predict the time of each murder.
00:47:24There is a strange periodicity to the Ripper's crimes.
00:47:26It's as if the need to kill surges inside of him up to a peak,
00:47:30is satisfied,
00:47:31and then is quiet until the compulsion slowly builds up again to another climax.
00:47:36When do you expect another?
00:47:37Two days ago.
00:47:38He's broken the pattern now.
00:47:40Usually it's every five or six days.
00:47:42It could come any time.
00:47:43Perhaps he's sated.
00:47:45Sated?
00:47:46If you're ready to go, Miss Bonner,
00:47:48I would be delighted to take you home.
00:47:49Oh, not yet.
00:47:51Then I hope you will forgive me if I go on.
00:47:52I have seen all I care to see of Inspector Warwick's little museum.
00:48:00Inspector Melville.
00:48:03Inspector Warwick.
00:48:07Your police methods will never trap the one you call Jack the Ripper.
00:48:11You may be right about the periodicity,
00:48:13but I doubt if the beast you described can be sated.
00:48:16He must do his work again.
00:48:18Good afternoon.
00:48:19Good afternoon.
00:48:22Good afternoon.
00:48:39Them fellas and horses have a real cushy job of it, all right, huh?
00:48:42Aye.
00:48:44Five thousand of us.
00:48:46We ought to lay our hands on that fella pretty soon.
00:48:49Aye, soon.
00:48:50And I hope it's me what does it to make up for, you know.
00:48:54Oh, wish, man.
00:48:55Wish her, it wasn't your fault that poor Katie got murdered.
00:48:58How could you know that she didn't live where she said she did?
00:49:01Aye, that's all very well.
00:49:03Oh, for the love of Mike, will you cheer up?
00:49:05You're depressing the life out of me.
00:49:10That's an Irish voice, I tell you.
00:49:12It staked me soul on it.
00:49:14I suppose you wouldn't consider it'll drop us something to help guard ourselves against the cool of the night.
00:49:21Come along, man.
00:49:24Come again, Mary.
00:49:26Oh, good evening, sirs.
00:49:27Evening.
00:49:28Good evening.
00:49:28It's like a breath of home to hear you, miss.
00:49:30Oh, you're an Irishman.
00:49:32There's no denying that.
00:49:33Well, no.
00:49:34Would you be averse to walking a girl to her home?
00:49:36Oh, I'd like nothing better, miss.
00:49:38Oh, you're very kind.
00:49:39I've only just come to London to seek me fortune on the stage.
00:49:44Mayhap I'll get there if I don't have to be walking home alone at night.
00:49:47Will you not be walking home alone on my beat, Mr...
00:49:50Lenehan.
00:49:51Mary Lenehan.
00:49:52Ah, it is the breath of home to hear you, miss Lenehan.
00:49:55Would it be asking too much to hear you sing again?
00:49:58I heard very little of that song in the pub back.
00:50:00Why, sure I will.
00:50:01There's a dear little plant that grows in our isle.
00:50:11T'was St. Patrick himself sure that's sad it.
00:50:18Then the sun on his labor with pleasure did smile.
00:50:24And with dew from his eyes, often wetted, it shines through the bud, through the break, through the mile-land.
00:50:40And he called it the dear little shamrock of Ireland.
00:50:49The dear little shamrock, the sweet little shamrock, the dear little, sweet little shamrock of Ireland.
00:51:06Me thanks, dear gentlemen.
00:51:10Good night, sir.
00:51:11Good night.
00:51:12It was our pleasure, Miss Lenehan.
00:51:13And good luck to you.
00:51:15Thanks.
00:51:16Thanks, Miss Lenehan.
00:51:46Thanks, Miss Lenehan.
00:52:16You are not very, boys, but we have our duty.
00:52:19Come on, lad.
00:52:36No.
00:52:38No.
00:52:39No.
00:52:41Please.
00:52:42Please.
00:52:43Oh, my God.
00:53:13Oh, my God.
00:53:43How long ago?
00:53:46We just left her. Only a few moments.
00:53:48Did anyone come out of here?
00:53:49We saw no one, sir.
00:53:51Then he might still be in the building.
00:53:56Put a cordon around this block.
00:53:59Search all these buildings.
00:54:00First of all, you go.
00:54:01First of all, you sure you Чер totes.
00:54:05Here's your house.
00:54:07Here's your house.
00:54:08Hold on.
00:54:09Here's your house.
00:54:10Oh, my God.
00:54:12Mm-hmm.
00:54:13Come home.
00:54:13Hold on.
00:54:19Get off.
00:54:51No one on the roof, sir.
00:54:57Can't get out of this if he's human.
00:54:59I'm afraid he isn't human, sir.
00:55:02Not and do what he did to that girl.
00:55:21No!
00:55:22No!
00:55:23No!
00:55:24No!
00:55:25No!
00:55:26No!
00:55:27Oh, my God.
00:55:57Oh, my God.
00:56:27What are you doing?
00:56:39I'm burning my ulster.
00:56:41Don't come too close.
00:56:46Those.
00:56:47What are those stains?
00:56:49They look like blood.
00:56:50I was carrying a solution in a glass container.
00:56:53Part of my experiment, I fell and it broke.
00:56:55My ulster became contaminated.
00:56:57I must be quick, drastic.
00:57:01The contamination could easily spread.
00:57:04Contamination?
00:57:05You mean it may carry a disease?
00:57:07Yes.
00:57:10What happened to the dog?
00:57:13I'm afraid I hurt him.
00:57:15He jumped up to greet me.
00:57:17I didn't want him to touch the ulster.
00:57:19Dogs can carry human disease.
00:57:21There, it's done.
00:57:28You were right about the Ripper.
00:57:30You were probably busy and didn't hear.
00:57:33Hear what?
00:57:34There was another Ripper murdered tonight.
00:57:37You said he would do it.
00:57:39How did you know?
00:57:40I didn't know.
00:57:43Hear Inspector Warwick made me angry.
00:57:50I don't know why I said it.
00:57:54What is it?
00:57:55Everyone distrusts me.
00:57:57I feel it.
00:57:57Even you.
00:57:58I work very hard.
00:58:00I do what I must do.
00:58:01I am myself.
00:58:02I don't distrust you.
00:58:17Forgive me.
00:58:18I'm very tired.
00:58:21Is there anything I can do for you?
00:58:24We must each live with ourselves.
00:58:29Yes.
00:58:31What's happened?
00:58:32What's that smell?
00:58:33Anything wrong?
00:58:34No, Uncle.
00:58:35I'm sorry.
00:58:37I had to use the stove.
00:58:50All this writing about investigations and not a single clue yet.
00:58:54William, we must go to the police.
00:58:57What for?
00:58:58I don't believe Mr. Slade burned his ulster because it was contaminated.
00:59:03He wanted to get rid of those blood spots.
00:59:06Well, Lily said she believed him.
00:59:09I'm sorry.
00:59:10What's the matter?
00:59:11Here's his breakfast tray.
00:59:13But I don't want to take it.
00:59:15I don't know what to think of him.
00:59:17I'll take the tray and settle this business once and for all.
00:59:24William.
00:59:26William.
00:59:27Don't do anything silly.
00:59:28I never do anything silly.
00:59:30I never do anything silly.
00:59:43Great heavens, man.
00:59:44Don't you ever sleep?
00:59:46This experiment is very difficult.
00:59:49Any more danger of that contamination?
00:59:51I think not.
00:59:55You are suspicious, too.
00:59:58Well, I am a pathologist, Mr. Harley, and I am working on blood diseases.
01:00:02You can check on my work at the university hospital.
01:00:04Hmm.
01:00:05Of course.
01:00:06Of course.
01:00:07Did you come to ask me to move away?
01:00:08It has happened before.
01:00:10Move away?
01:00:11No, sir.
01:00:12Certainly not.
01:00:12You're perfectly welcome here.
01:00:14And I'll see to it that you stay welcome.
01:00:16Now, then, you'd better eat some breakfast, what?
01:00:22Eat hearty.
01:00:46Come in.
01:00:54Oh, do come in, Mr. Slade.
01:00:57I came to thank you for your reminder.
01:01:01The theater.
01:01:02Oh, yes.
01:01:02I will come.
01:01:04Tonight.
01:01:04Splendid.
01:01:05I'm so happy.
01:01:06I think it will do you a lot of good to forget work for a while and really enjoy yourself.
01:01:10I believe there's some tea.
01:01:12I suppose you take off your ulcer and stay a minute.
01:01:15I'm not disturbing you.
01:01:17No, of course not.
01:01:18I was merely writing a few thank you notes for flowers.
01:01:22Most particularly to Inspector Warwick?
01:01:24I should be able to thank him in person.
01:01:26He's coming tonight, too.
01:01:29You don't like Inspector Warwick, do you?
01:01:31He thinks you are a most interesting man.
01:01:33He asked me all sorts of questions about you.
01:01:42Wait here, Bates.
01:01:44Yes, may I help you?
01:01:55I wish to inquire if you have a Dr. Slade in your hospital.
01:01:59Dr. Slade?
01:02:00No, we do not.
01:02:03We have a Mr. Slade, who works in research.
01:02:06He's a pathologist.
01:02:08Do you wish to see him?
01:02:10No, not immediately, thank you.
01:02:12Just as well.
01:02:12He isn't here.
01:02:14Have you seen him recently?
01:02:16As recently as last night.
01:02:18Is he here very much?
01:02:19Almost every day and night.
01:02:21He works late quite often.
01:02:23He's a most respected member of our staff.
01:02:25Good evening, Daisy.
01:02:52Oh, good evening, Inspector Warwick.
01:02:55Am I too early?
01:02:57Oh, I think Miss Lily will be down in a minute.
01:03:01Will you sit in there, sir?
01:03:02What's the trouble, Daisy?
01:03:09Oh, I don't know.
01:03:12I'm as jumpy as a cat.
01:03:14What's the matter?
01:03:15Well, it's the back and forth and back and forth.
01:03:22Back and forth?
01:03:23Well, first Mrs. Arley says he's the ripper himself, and then Mr. Harley proves it's all nonsense.
01:03:31What do you mean?
01:03:33Well, first he burns his black bag, and then Mr. Arley poo-poos that and shows us his own
01:03:39hidden in the chest, and then he burns his ulster, which had all the blood on it.
01:03:44Daisy, wait a moment.
01:03:45What are you talking about?
01:03:46Well, Mr. Slade.
01:03:48Oh, it's all mixed up, and I'm not supposed to say.
01:03:52Mr. Arley says it's just woman's hysteria.
01:03:55Wait a minute.
01:03:59Good evening, Inspector Warwick.
01:04:01Good evening, sir.
01:04:02You've come for Lily?
01:04:03Yes.
01:04:05Perhaps a nip of sherry will help us pass the time.
01:04:07Mr. Arley, what is this about Slade?
01:04:14Helen's been at you, has she?
01:04:16Well, no, as a matter of fact, Daisy mentioned it.
01:04:18Look here, old man.
01:04:19Everything about Slade can be logically explained, except one thing.
01:04:23The dog's suddenly gone sour to him.
01:04:26Still, that doesn't prove anything, does it?
01:04:29You'd better tell me about it, Mr. Arley.
01:04:30I tell you this, Lily, no matter what you say, I don't believe you ought to spend too much time alone with him.
01:04:38Aunt Helen, dear sweet Aunt Helen, what if I were to tell you that it was Mr. Slade who was in danger?
01:04:45Not I.
01:04:48Why, Lily!
01:04:48I think this thing can be settled tonight.
01:04:54This is a copy of a thumbprint the ripper left in the room of Mary Lenahan, the last victim.
01:04:59Thumbprint?
01:05:00There's a theory that there are no two fingerprints in the world that are exactly alike.
01:05:04I happen to subscribe to it.
01:05:05Hmm.
01:05:07Could you get me something that Slade has held in his right hand?
01:05:10A glass or something?
01:05:12Well, frankly, I don't know.
01:05:14Mr. Arley, wouldn't you feel more secure if we cleared it up?
01:05:17Yes, I suppose so.
01:05:18Well, the fact is, the fellow's gone out.
01:05:21We might try looking about his room.
01:05:23That'll be fine.
01:05:24I'd rather hate to, you know, prying into a man's belongings.
01:05:30Mr. Arley.
01:05:32Yes.
01:05:33Yes.
01:05:48Helen tells me, Mr. Slade frequently reads the Bible.
01:05:56Murderers don't read Bibles, do they?
01:05:58There might be some prints here.
01:06:01I'd like to take something smaller, something you wouldn't immediately miss.
01:06:04Oh, this will do.
01:06:05Oh.
01:06:08Now, something more.
01:06:19Locked in.
01:06:19I say, should you do that, old man?
01:06:26The policeman never knows what he should do until it's proved to be the right thing.
01:06:31Well, this probably has both prints.
01:06:40Handkerchief?
01:06:41I say, I'll bring it back.
01:06:44And your handkerchief.
01:06:47Don't pass on that.
01:06:49Gentlemen don't mind waiting for ladies.
01:06:51They're quite used to it.
01:06:52What do we do?
01:06:53Shh.
01:06:53Do you have everything, dear?
01:06:55Yes, I'm here.
01:06:56Stop worrying.
01:06:57Well, I can't help it.
01:06:58There's something in the air tonight.
01:07:00She's feeling things again.
01:07:02I thought Mr. Slade had gone out.
01:07:04There's a light in here.
01:07:08What is this?
01:07:10I'm sorry, Vespana.
01:07:11You've been snooping through Mr. Slade's things.
01:07:14Very well.
01:07:14There's been a mystery about this gentleman, and I wish to clear it up once and for all.
01:07:18I'm quite tired of this.
01:07:19Why don't you leave that poor man alone?
01:07:21He went out early to avoid meeting you.
01:07:23Oh?
01:07:24Where did he go?
01:07:25He'll be at the theater later to see me.
01:07:28Perhaps you can hang him there.
01:07:30I merely want to ask him questions.
01:07:33What did you find of his?
01:07:35I found this.
01:07:37That's his mother.
01:07:39His mother?
01:07:40Of course, he told me about her.
01:07:43A woman, she died an alcoholic in the slums of Whitechapel.
01:07:46What else did he tell you?
01:07:48He seemed quite confused about his feelings for love and resentment,
01:07:52all mixed up together.
01:07:54Please, Paul, leave the poor man alone.
01:07:57You defend him with quite a lot of spirit, Miss Barna.
01:08:00I know him better than any of you.
01:08:01I like him.
01:08:02I feel sorry for him.
01:08:04As a friend, I should like to respect your fondness for Mr. Slade.
01:08:08But I am also a policeman.
01:08:09You most certainly are.
01:08:13You needn't bother to take me to the theater tonight.
01:08:15Good night.
01:08:15Good night, Inspector.
01:08:31If I may say so, sir, I think...
01:08:33And if I said you may not say it?
01:08:35Then I wouldn't, sir.
01:08:36If I may ask, sir...
01:08:43Bates, if it seems to you I'm in a nasty mood tonight,
01:08:47you're right, and I have cause.
01:08:48No, you may not ask.
01:08:49You may not say so.
01:08:51You may do absolutely nothing except breathe quietly.
01:08:55Yes, sir.
01:08:56Are you tired of life?
01:09:12Are you bored with your wife?
01:09:15Is he laugh really out of the question?
01:09:18Oui.
01:09:20Then I take you with me.
01:09:23And we go to Paris.
01:09:26And I think I make just one suggestion.
01:09:33Come and do the new Parisian trot.
01:09:37In Paris, they do the top of the lot.
01:09:41You'll be shocked by such an oppy step.
01:09:45Much too gay and frisky,
01:09:47and it's risky for your rep mutation.
01:09:53It's exciting, ooh, la-la-la-la-la.
01:09:58I'm inviting you, la-la-la-la,
01:10:02to let me show you everything you want to know.
01:10:06You zappers and you zis,
01:10:08then you steal a little kiss.
01:10:12Come on, who dares?
01:10:14Your cares will be forgotten
01:10:15if you learn to do the new Parisian trot.
01:10:27Nothing matches.
01:10:29And every print of his right hand is here.
01:10:31It's not Slade, that's all.
01:10:36Sir, this print couldn't have been made
01:10:39by the ripper's left hand.
01:10:40Not unless every detective at the yard is wrong.
01:10:43That's most unlikely, isn't it, sir?
01:10:45The victim's cut showed that the ripper
01:10:46used his knife from right to left
01:10:47across the throat while attacking from behind.
01:10:50That means he used his left hand.
01:10:52He took his victims like this.
01:10:55The cut of the knife was like this.
01:10:57Sir, have you observed Mr. Slade to be left-handed?
01:11:00No, I haven't.
01:11:02But he could still use his left hand
01:11:03if he attacked from behind.
01:11:08You know, for the first time it occurs to me
01:11:10that the ripper need not have attacked from behind.
01:11:13In which case he could make the same cut
01:11:15from the front with his right hand.
01:11:17Yes, sir.
01:11:18If that's so, we must find a left thumbprint
01:11:20to match the print of the ripper's.
01:11:22About that portrait, sir.
01:11:23I have a peculiar memory for faces.
01:11:26You do?
01:11:27Yes, sir.
01:11:28I believe that to be the face of Anne Lawrence.
01:11:31Even in the mole on the left cheek,
01:11:56if they'd sure right, Slade's mother
01:11:58was the first ripper victim.
01:11:59The End
01:13:04I'm inviting you, la-la-la-la, to let me show you everything you ought to know, you zappers and you zis and you steal a little kiss.
01:13:20Come on.
01:13:21Where's Slate? Have you seen him?
01:13:22Yes, he's right down there.
01:13:25He's gone.
01:13:25He's gone.
01:13:26He's gone.
01:13:47Lovely, lovely.
01:13:49You were lovely.
01:13:50They liked us, didn't they?
01:13:50They worshipped you.
01:13:52Excuse me.
01:13:54Am I under arrest, Mr. Policeman?
01:13:55Where is Slate?
01:13:57Inspector Warwick, I'm very sick of all this.
01:13:58He's the Ripper.
01:14:00Don't go away.
01:14:00You're out of your mind.
01:14:03Lila, I don't want you to let anyone in.
01:14:05There's a gentleman in here, Miss Lily.
01:14:13Hello.
01:14:15May I talk to you alone?
01:14:18I have to make a change.
01:14:22There isn't much time.
01:14:29All right, Lila.
01:14:31Please.
01:14:31Well, how did you like the show?
01:14:42You are exquisite, Lily.
01:14:43Good.
01:14:44For a moment, I thought you disliked the whole thing.
01:14:46You look so glum.
01:14:47I hated it.
01:14:48I hated your beauty being exposed for everyone to ogle.
01:14:52I hated the looks on men's faces.
01:14:56Well, without those looks on their faces, I'd be finished.
01:14:59You're more wonderful, more sweetly beautiful than anyone I've ever known.
01:15:07Everything in my life has changed because of you.
01:15:11Help me.
01:15:15Help me.
01:15:20You pick the stranger's moments.
01:15:23I need you, Lily.
01:15:25Only you can save me.
01:15:28Save you?
01:15:29Come away with me right now.
01:15:31Come away with me.
01:15:32Anywhere in the world you say, I want to live close to you without sharing you.
01:15:37Close.
01:15:38Close.
01:15:42I think there's something you should understand.
01:15:45I'm fond of you, but I'm not ready to be taken over.
01:15:49I like a man with passion.
01:15:51But I don't want a slave and I don't want to be one.
01:15:54Besides, I wouldn't dream of giving up the theater.
01:15:56All I've said makes no difference to you.
01:16:00I didn't say that.
01:16:02You want to go on exciting men to want to kill.
01:16:22You want to go on using your beauty to corrupt, to degrade.
01:16:26Please.
01:16:26You're mocking me.
01:16:29Miss Lily?
01:16:30Same as my mother.
01:16:32Miss Lily?
01:16:32Same as all of them.
01:16:33Miss Lily?
01:16:33Miss Lily, are you all right?
01:16:34Mocking love, living for lust.
01:16:36You are evil.
01:16:38Your beauty is evil.
01:16:39It must be cut away.
01:16:40Miss Lily?
01:16:41Miss Lily?
01:16:41Miss Lily, are you all right?
01:16:52Lily!
01:16:53Miss Lily, are you all right?
01:16:56Lily!
01:16:57Are you all right?
01:17:19Get a doctor.
01:17:23Doctor.
01:17:27Go!
01:17:29Hey!
01:17:35Hey!
01:17:39Hey!
01:17:51Hey!
01:17:54Hey!
01:17:54Hey!
01:18:25Can't you go faster, man?
01:18:55Are you hurt, sir?
01:19:11I'm the doctor.
01:19:16Take care of my horses.
01:19:17I must hurry.
01:19:26Where is he?
01:19:27You mean the doctor?
01:19:28He turned the corner too fast and crashed the wheel.
01:19:30Quickly, man.
01:19:30That was the Ripper.
01:19:31Come on.
01:20:01Let's go around that way.
01:20:08Yeah, over this way.
01:20:09Let's go.
01:20:15Let's go.
01:20:17Let's go.
01:20:26Let's go.
01:20:28Let's go.
01:20:36Let's go.
01:20:38What is it?
01:20:46The reactor.
01:20:50Shine your lights over here.
01:20:52It's the Ripper.
01:20:53It's in the river.
01:20:55There's something.
01:20:56Over there.
01:20:57Where?
01:20:58Where?
01:20:58Where?
01:20:58Look.
01:20:58On the bridge.
01:20:59It's too dark and it's too deep.
01:21:26We'll never get him now.
01:21:29Not so dark and not so deep is where he's going.
01:21:31Not so dark and not so dark and not so dark.
01:21:36Not so dark and not so dark and not so dark.
01:21:41Not so dark and not so dark and not so dark and not so dark.
01:21:46Not so dark and not so dark and not so dark and not so dark.
01:21:51Not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark and not so dark
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