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00:00New York is in New York without you, love
00:08Too few of our old crew left on Astor
00:15So if I trade out for some Hollywood
00:23We're the only other sucker in the city
00:27Your grace, will your natural mother be making an appearance?
00:38I want them to leave the room for you, darling
00:41I want them to leave the room for you
00:44Mrs. Patricia St. George, would you state for the court
00:57The grounds on which you are petitioning for divorce?
01:01Adultery
01:02The court may well wonder why
01:06After 22 years of seemingly happy and profitable marriage
01:12You're bringing this petition now
01:14May I ask what's changed?
01:17In my marriage, nothing
01:18My husband has been a philanderer since the day we met
01:21And his infidelity continued before the wedding
01:24After it
01:25And I can only imagine to this very day
01:28Objection, Your Honor
01:30Surely not to this very day
01:34So why now, Mrs. St. George?
01:39Because I've had enough
01:40Finally
01:41Of being disregarded and lied to
01:44I also have two daughters
01:47And I believe standing up to their father
01:50Sends a message to my girls
01:52That they should never allow any man
01:55To undervalue them the way their father has me
01:58And Mr. Summers, I'm loathe to sound grand
02:03But I am also here today
02:05For every woman in America
02:07Who questions whether she has the strength to break free
02:10The court will be aware
02:14That the respondent
02:16Uh, Colonel?
02:19Colonel Tracy St. George
02:22Has been the subject of press attention this last year
02:25That his infidelity has
02:27That his infidelity has been widely reported
02:38By newspapers on both sides of the Atlantic
02:41A reminder, Mr. Summers
02:43That in the state of New York
02:44The only way a claimant can be granted a divorce
02:47Is by providing proof of adultery
02:50In the court of law
02:52Journalism is no substitute for hard evidence
02:57We will now take a short recess
03:00All rise
03:05We will now take a short break
03:07From proceedings
03:08Please be advised
03:09You must be back
03:10To do this
03:22Shake, shake, shake, shake
03:31Oh, I don't know, I don't know
03:33Oh, where to begin?
03:35We are North Americans
03:37And those of you who still think we're from England
03:41We're not, no
03:43You see, I love this place that I have grown to know
03:49All right, North America
03:51And yeah, I know you wouldn't touch us with a ten-foot pole
03:55Cause we're North Americans
04:03We are North Americans
04:05We are North Americans
04:12Peek-a-boo
04:22Peek-a-boo
04:24There I am
04:26Should we look for some days of these and make a chair?
04:35What's that?
04:37What is that?
04:39Good, Mrs. Alvin
04:40We're home now, darling
04:54Yes, it's funny, isn't it?
05:00I know
05:01Let's get you properly dressed for the bootleg, yes?
05:06You're back
05:07How are you?
05:10How are you doing?
05:11Can I get either of you anything?
05:13Here are your mittens
05:15Here they are
05:16Oh, honey
05:18You're getting so big
05:19Six weeks since the funeral
05:26She hasn't cried
05:27She can't even look at me
05:29We all love you
05:31Including her
05:33Conchita
05:36Lord and Lady Bembert are here to pay their respects
05:38Minnie and I are busy
05:40What is it today?
05:41Dancing?
05:43Hopscotch?
05:44No
05:44But those are both good thoughts for tomorrow
05:47Tell me she doesn't realize tomorrow's the memorial
05:51Yes, she does
05:52Well, both she and the child must be in black
05:56Hi
06:13Hi, my girl.
06:28I'm so, so sorry I'm late.
06:30But why are you here?
06:31I told you.
06:32I begged you not to come.
06:34I could not have missed this.
06:36Darling, how's Janine?
06:38Safe.
06:39And Freddie's settled.
06:41Now that Seaton's buying bars, she can breathe, everyone can.
06:45And my poor Conchita?
06:48She's doing astonishing.
06:50On the outside, she's living for Minnie.
06:54What the lawyer said in there seems hopeful.
06:56They hardly ever get women to testify.
06:58But the amount of girls who have reached out to me since they started covering the case,
07:01there's any number of women who have stories about your father.
07:06And two of them have agreed to take the stand, so...
07:09We have a real shot.
07:11Patty.
07:13They're asking for you.
07:17Well.
07:19What a surprise.
07:21I see congratulations are in order.
07:23Mrs. St. George.
07:38Do you consider yourself to be a good wife?
07:43I have done my best to create a happy household.
07:45And your greatest achievement?
07:50Raising two wonderful daughters.
07:52Oh.
07:53You raised them.
07:54Alone?
07:57Tracy came home for dinner occasionally.
07:59So, tell me, Mrs. St. George, which of the lessons that you alone drilled into your children
08:11recently inspired your eldest daughter to flee her home,
08:17deprive her husband of his son, lose all track of that son for over a week,
08:24publicly assault her husband to such a degree that she was committed to a mental facility,
08:31and now sees her raising a baby alone in London with no income and her husband incarcerated for murder.
08:42Virginia's husband hurt her.
08:44He beat her.
08:44Lord Seaton, Your Honor, a man of previously impeccable public standing who, following his wedding to the St. George girl,
08:53was driven in anger to shoot dead his brother.
08:58How fortunate Colonel St. George has no brother of his own.
09:06And what about your husband, Mrs. St. George?
09:11A wife has a duty to honor the man she married.
09:16Your husband provided an extraordinary home in a very nice neighborhood.
09:19Did you ensure his needs were met?
09:27Your intimate life together.
09:30Was it satisfying?
09:32That is none of your concern.
09:34Mr. St. George,
09:36the detail of your husband's intimacies is exactly what you have brought us here to ascertain.
09:48We were intimate.
09:50And your husband, you claim, was so insatiable,
09:56he also had to seek comfort elsewhere.
10:00So, I imagine the intimacy between the two of you was always initiated by him.
10:13Mrs. St. George,
10:15a reminder you're under oath.
10:17While you believed your husband to be sleeping with numerous other women,
10:24who generally initiated the regular marital relations?
10:35Who was it?
10:37Me, I did.
10:47Not always, but often.
10:51In order to keep my husband coming home, I initiated it.
10:54And what might have been
10:59a typical first move?
11:05Just as an example,
11:08Mrs. St. George,
11:09what was in your arsenal?
11:10A tender hand,
11:15perhaps?
11:17A whispered word?
11:27I would sit on his lap.
11:28No further questions, Your Honor.
11:37No further questions, Your Honor.
11:45The petitioner calls the first witness.
11:47The petitioner calls the second witness.
12:00Mr. Summers,
12:27is there a problem?
12:28Um,
12:32Your Honor,
12:34it appears our two witnesses
12:35who had agreed to give testimony
12:37no longer wish to testify.
12:40They're reluctant to subject themselves
12:41to the base questioning
12:42of Colonel St. George's representatives.
12:45So,
12:46not one of the women
12:47who Mrs. St. George claims
12:49was intimate with her husband
12:50is prepared to give evidence?
12:53No, Your Honor.
12:55No.
12:56Drinks.
13:11Nan.
13:15Patty.
13:15Patty.
13:21Now, in my family,
13:23when someone's had an awful day,
13:25that calls for pie.
13:26And I'd like to announce
13:27that the pie
13:28is the size of a small field.
13:30I'm hoping 20 other people
13:32might drop by to help eat it.
13:33Arthur walked six blocks
13:36to buy his dessert.
13:37It's the only way I can help.
13:40Nan,
13:41this is Nell's new husband, Arthur.
13:43I've tied myself in knots
13:45trying to decide
13:46if I ought to bow,
13:48curtsy.
13:49I could pretend
13:50to know nothing about you,
13:51but I confess
13:52to having heard
13:53every detail.
13:58And I promise
13:59I won't tell Ginny
14:00that you're Nell's
14:01favorite niece.
14:05Nell and I
14:05spent the entire crossing
14:07talking and laughing
14:09with each other,
14:10paying no mind
14:11to any other passengers.
14:12And then,
14:13when we got off the boat,
14:14Arthur helped her
14:15with her bag,
14:16and they laughed
14:17about his hat,
14:18and, well,
14:18that was it.
14:19It was a very
14:20unflattering hat.
14:22You know,
14:22I never
14:23knew who
14:25my natural mother was.
14:28I heard she passed.
14:30I'm so sorry.
14:31I haven't really felt
14:32her loss up until now.
14:35But surely,
14:36if she was
14:36here,
14:39she'd give some
14:40evidence.
14:41Right?
14:44I believe
14:45we should go up
14:47in another bottle.
14:57It's going to be
14:58a big room
14:59with lots
15:00of pretty flowers
15:01in it.
15:02And a lot of people
15:04are going to be saying
15:05really nice things
15:06about Daddy.
15:07Would that be fun?
15:08So just this once,
15:10we're going to wear
15:10dark colors.
15:11But in our minds,
15:12we'll be
15:13thinking about
15:15wearing pink
15:16or red
15:17and just
15:17feeding the ducks
15:20or watching the horses
15:21in the street.
15:23You know,
15:24a lot of people
15:25might be feeling
15:26or looking very sad
15:27tomorrow.
15:29But what makes us
15:29feel happy,
15:30huh?
15:31We like to dance.
15:34We like to wave,
15:35huh?
15:36We like to wiggle.
15:39So we'll just pretend
15:40that we're somewhere else
15:42and we'll wave our fingers
15:44at each other
15:44and pretend
15:45that we're far away.
15:46and that's how
15:48we know
15:49that we're happy
15:49inside.
16:04Has Nan
16:05said anything else?
16:07Not yet.
16:09Do you think
16:09she will?
16:10Let's just get
16:11this trial over with.
16:13Let's get it done.
16:13You know,
16:18if it helps,
16:20I will take the stand.
16:21You know I will.
16:21And have Arthur
16:22hear all of it.
16:24Absolutely not.
16:25No.
16:26But no, Patty.
16:27Eleanor,
16:28you have a baby
16:30on the way
16:30and that must
16:31come first.
16:37Good night.
16:38Good night.
16:43Is Inoria
17:03with her mother?
17:04Always.
17:05Of course,
17:06her mother is the only
17:07person in their family
17:08to have suffered a tragedy.
17:10I wish Inoria
17:11could get away.
17:11How are you?
17:38We're managing.
17:40Ginny,
17:40Conchita.
17:42But how are you?
17:45Same as I was.
17:50You?
17:53I'm the same, too.
18:22There's no chance of that now,
18:24but thank you.
18:25Excuse me.
18:25Oh, Grace, you came.
18:34Of course.
18:36May you never know the pain of losing a son.
18:41Two sons.
18:45One lost, one misplaced.
18:50Unimaginable.
18:55You're up early.
19:22I couldn't sleep.
19:24Nor could I.
19:25Mother, I know we haven't spoken about the day that you and Nell left after my wedding,
19:36and I've been thinking it.
19:38This is a conversation we will have.
19:41We will, I promise.
19:44After this wretched trial is over.
19:46Wouldn't it change things?
19:48They need evidence, and if my natural mother were here, if she weren't dead...
19:55Don't, please.
19:58But she might help.
20:01You saw what happened yesterday.
20:05No one should have to be put through that.
20:09And I've made a million mistakes.
20:13And I am so sorry.
20:16And those mistakes will end, they will.
20:18But until then, your natural mother is unavailable.
20:37Then I'll testify.
20:40Oh, Annabelle.
20:41They don't need another reason to write about you.
20:45I begged you to not even come.
20:46But aren't I living proof?
20:49And being the most famous illegitimate in New York has to have some benefits.
20:53I have nothing to hide.
20:55I will do it happily.
20:58There's nobody else.
20:59There he is.
21:22Hello.
21:22Now, Romeo, after today, might we start making plans for happier events?
21:34I'm afraid I ought to be honest with you.
21:37It's unlikely that the wedding will be rescheduled.
21:40Oh, Hector.
21:41I know.
21:43And like me, lose a fight.
21:46I'd so hoped it was a temporary impediment.
21:49No, no, impediments I can overcome.
21:52But the simple fact of the matter is,
21:55bizarre as it may seem,
21:58is Lizzie just changed her mind.
22:02No other impediment.
22:19I'll just be in here, okay?
22:38Hello.
22:39Let me show you.
22:40My lords, ladies and gentlemen,
22:44welcome to Barton House School.
22:46Today we gather to celebrate and honor the life of an alumni of the school,
22:52Lord Richard Marable.
23:01Ah, little nan.
23:03Well, I guess not so little anymore.
23:10Oh, I couldn't move in the bar last night for folks telling me how grand you looked.
23:14And how English.
23:19How's your duke treating you?
23:24Oh, that well, huh?
23:29And your sister?
23:30She wanted to come.
23:33For mother.
23:35Of course.
23:37Nan, I...
23:38I want you to understand that
23:41all this, this circus,
23:44I never wanted any of it.
23:47I just want things to go back to normal.
23:49For your mother to love me,
23:50for my girls to be able to
23:51look me in the eye.
23:56That's all I ever wanted.
23:57I wanted.
24:00Anyway.
24:05Look, I...
24:06I understand.
24:08Nan.
24:10I understand why you have to do this for your mother.
24:26I am truly sorry, Nan.
24:28I never wanted any of this, kid.
24:45It will surely be of comfort to Lord Brittlesea's family
24:49that he is honored in this his alma mater.
24:53Deus animum ad calum revocavit.
25:03God called him home to heaven.
25:06And now,
25:07a moment for silent prayer.
25:09Father.
25:23Stay away, you...
25:25I'm sorry.
25:26Conchita.
25:28It's no surprise you,
25:29as a child who expects constant attention.
25:32But I'd expect one of you,
25:33at least,
25:34to understand how to mourn.
25:35How dare you tell me or my daughter or anyone how to grieve?
25:39How dare you?
25:41You know, Richard would have hated this.
25:47And don't tell me what a comfort it is.
25:49There is no comfort.
25:52Dickie's life was not some ugly plaque in a building he loathed.
25:58Our daughter is his memorial.
26:00And I will make sure to tell Minnie every day that her father was a breathtaking, big-hearted titan of a man
26:09who one summer in New York spent all night till dawn dancing, semi-naked, on a bandstand.
26:24And also, God did not call Richard back home to heaven.
26:30No kind of God did this.
26:42Chida.
26:46Chida?
26:47Okay, Minnie.
26:49Minnie, you're right, of course.
26:51It wasn't God that did this to Dick.
26:54So, who was it?
26:56Who do you blame?
26:58You want to have this conversation?
26:59Yes.
27:00Yes, yes, I do, because I can't stand it anymore.
27:03You can't stand it.
27:05Well, I'm very sorry to hear that.
27:07Do you want to know why I can't look at you?
27:10Because I blame you.
27:11How could I not?
27:13No, I don't blame you like the papers do.
27:16I don't think that you running to Italy made your husband pick up a gun.
27:19I blame you, because every time I look at you, I'm reminded of what was stolen from me.
27:24And I blame you for tiptoeing around me and smiling sadly at me and assuming that I must
27:30want to cry at me.
27:31God, why?
27:32Why does the world want you to cry?
27:35I blame you.
27:36I blame you for treating me like a widow, and that's the last thing in the world that I want to be.
27:46All right.
27:47I love you.
27:51I love you so much, Chida.
27:53Stop.
27:54I will be here waiting every day until you're ready.
28:11The petitioner calls the Duchess of Tintagel.
28:24Your Grace, how's your relationship with your father?
28:32Well, growing up, he was my hero.
28:35He made us laugh.
28:37He bought us gifts.
28:38And now, what do you feel about him now?
28:45Shame.
28:47You don't understand your parents or their relationship until you're an adult yourself,
28:51and I can now clearly see how he treats my mother.
28:54He says he adores her, but if you were to ask what he loves about her, it's the way she looks.
28:59It's how people talk about her.
29:01He loves to show her off.
29:03My mother is the one who raised me and my blameless, fearless sister.
29:08And in the face of his regular infidelities, she responded with nothing but love and kindness,
29:14shielding us from the numerous encounters he had with other women,
29:17which went on my whole life, including with the woman who gave birth to me.
29:24Uh, Your Grace, just to be clear, we've all heard the rumors, but...
29:30Well, let me confirm them.
29:32I know for a fact my father has been unfaithful because I am a product of one of his affairs.
29:40No further questions, Your Honor.
29:41Your Highness, Your Grace, Your Duchessness, is that it?
29:54So I read that over in England, you're a pretty big deal.
29:57I am a Duchess, if that's what you mean.
30:00Ought we to have found you a throne?
30:03A crown, perhaps?
30:06A little plate of cucumber sandwiches?
30:08That was a stirring speech you gave in praise of a woman who isn't actually your mother.
30:18But in this courthouse, we deal in the business of facts, actual evidence.
30:24So do you have anything factual to prove you're not the daughter of Patricia St. George?
30:32I mean, you two look a lot alike, don't you think?
30:38You have any proof she didn't give birth to you?
30:40She told me.
30:42As did my father.
30:43Pardon me, Duchess, uh, uh, which one's your father?
30:48Colonel Tracy St. George is my father.
30:54You got any proof of that?
30:55I mean, we're only taking your word for all of this.
31:03Do you know who your natural mother is?
31:06You got a name.
31:16I wasn't given a name, no.
31:19Colonel St. George, do you know for a fact who this young woman's natural mother is?
31:24Were you there at her birth?
31:27I know.
31:28No, I was not.
31:30In point of fact, can you say for certain who her natural father is?
31:40I cannot.
31:44No proof of paternity?
31:46No birth certificate?
31:48I know.
31:50No, they were destroyed.
31:51Then I'm not sure what relevance the Duchess has in this divorce case
32:01or why we're wasting the court's time.
32:05No court.
32:06Yes, sir, yes.
32:07Yes.
32:07No court.
32:09No court.
32:10Yes.
32:11Yes.
32:12No court.
32:13Yes.
32:14Yes.
32:16Yes?
32:18Mm-hmm.
32:20Yes.
32:20Yes.
32:21Let us.
32:22Yes.
32:22Yes.
32:23Yes.
32:23Yes.
32:24Yes.
32:26Yes.
32:29005-0.
32:31Yes.
32:32I couldn't stand the thought of you doing this alone.
32:49So I just wanted to be nearby as a friend.
33:02Have I known you 20 seconds, 20 years?
33:09Can I go where you go?
33:17Can we always be this close forever and ever?
33:25Take me out and take me home.
33:30You're my, my, my, my lover.
33:37Can we always be this close forever and ever?
33:41Take me out and take me home.
33:45Can we always be this close forever and ever?
33:52Take me out and take me home.
33:58Ever and ever you're my, my, my, my.
34:04Oh, you're my, my, my, my.
34:14Don't leave you my, my, my, my.
34:21Lover.
34:22Okay.
34:23Well, I am just going to go in there and...
34:27Ask a question.
34:28Ask a question.
34:29Okay.
34:30Okay.
34:31Okay.
34:32Okay.
34:36Oh.
34:37Your mother will be so relieved we've looked everywhere for you.
35:01Am I right?
35:02Is it you?
35:03What my mother was trying to say before you left England.
35:08Your mother is resting on...
35:09This isn't about her.
35:12Arthur will be back from...
35:13Are you my mother?
35:21Well?
35:23Yes.
35:26I guess it's me.
35:28I'm your mother.
35:31It should be no surprise that you are a coward.
35:36You've stayed awake my whole life, not daring to come hear me.
35:38Well, I wanted to.
35:39I tried.
35:40I'm not interested in what you wanted.
35:41Why aren't you testifying?
35:42After everything my mother did for you...
35:44Taking me in, protecting you, allowing you to live your life unencumbered,
35:48and now you're just going to let her face all of this on her own.
35:50You're the only person, the one person in this whole world who can make a difference.
35:54How come you get off scot-free in all of this?
35:59How dare you?
36:01You don't know the first thing about me.
36:03I don't.
36:04You made sure of that.
36:05Where do you get off throwing about words like that?
36:07As if you know the first thing about the world.
36:10Growing up in your mansion, married to your Duke, never feeling cold or hungry or unloved.
36:15You do not understand why.
36:16Why?
36:17Because you're so complicated?
36:19I have lived a hell of a lot longer and a lot harder than you, Annabelle.
36:24I promise you.
36:26My parents were a dead loss.
36:28My sister abandoned me.
36:30I was treated like a whore by my sister's husband, and after that by plenty of other people's husbands.
36:36And the only thing that I had any chance of getting unconditional love from, my baby, was taken from me and taught to hate me.
36:43Then, just as I got to an age where I thought it was completely impossible, I met a good man.
36:49Arthur loves me, and he is giving me a chance at what everybody else took for granted decades ago.
36:55A family.
36:57A life.
36:59For your information, Patty has forbidden me from testifying.
37:04If I testify.
37:05Nan, if my name is out there, not only will Arthur leave me, but before it has even been born, my baby will be the child of a slut.
37:16And I cannot let that happen.
37:18Now that would be a new feeling for you, putting your baby first.
37:24What did you ever do for me?
37:31I kept you from being the child of a slut.
37:35What is that?
38:01What is that?
38:02What is that?
38:03Hi.
38:04Hi.
38:05Hi, Freddie.
38:06I brought some cakes to say sorry to your mommy.
38:07Hi.
38:08Hi.
38:09Hi, Freddie.
38:10I brought some cakes to say sorry to your mommy.
38:13Hi.
38:14I'm glad you did.
38:15Hi.
38:16Hi.
38:17Hi.
38:18Hi.
38:19Hi.
38:20Hi.
38:21Hi.
38:22Hi.
38:23What is that?
38:24Hi.
38:25Hi.
38:26Hi.
38:27Hi.
38:28Hi.
38:30Hi.
38:31I'm sorry.
38:37Hi.
38:38Hi.
38:39I just had my first ever argument with my mother.
39:09Quite the achievement to have lost a father and gained a mother in the same day.
39:15I have always said you can do anything, and I'm proud of you.
39:19How do you feel?
39:23Different.
39:24The same.
39:26At least I'm getting some answers.
39:28Well, answers are good.
39:29They're always good.
39:30They're useful.
39:32Yes.
39:33They are useful.
39:39Useful like plates.
39:44Plates?
39:45Plates.
39:46Is that the only useful thing you can think of?
39:48Plates are useful, they are.
39:50Otherwise, food would be all over your lap.
39:53Yes, that is right.
39:54I suppose plates are useful.
39:56All right, then.
39:56Useful like, uh, hands.
40:01Hands are useful.
40:03Hands are useful.
40:07Did you just say that so you can hold my hand?
40:09Excuse me.
40:10Are you the Duchess?
40:13No.
40:14No, she gets that a lot.
40:16No, no.
40:16I'm also...
40:17She's far more miserable than I am.
40:19I am a much better dresser.
40:22Just to be a son of these walls and here
40:27It's the age it wants to come
40:30And maybe it all
40:33All well?
40:48I think there's something you should know.
41:10Come in.
41:14Ginny said you might be awake
41:15and Millie's downstairs putting toast on Freddie's head.
41:18Very adorable together.
41:20We're all family now?
41:24I just wanted to show you this.
41:28God, Anoria, that's hideous.
41:30It was Dick's.
41:31Oh!
41:32Oh!
41:33He was a little boy.
41:35Oh!
41:35And I thought Minnie might like to have it.
41:40I love him.
41:41I love him.
41:41I meant it.
41:46We're family now.
41:47You are Minnie's favorite aunt.
41:49Don't tell any of the other girls that.
41:51Oh, yeah, what?
41:52And you will always have this place as your home.
41:57But you have sisters now.
41:59And having sisters means that you don't have to manage mothers on your own.
42:02I don't promise to agree with her, ever.
42:06But I will take care of her so you can live a little.
42:12Dick always wanted you to be free of this place.
42:15If he believed in anyone, he believed in you.
42:20Thank you, Conchita.
42:32I also found this.
42:43It's from Dick.
42:44The summer that he was in New York.
42:47I think you should read it.
42:59My dear Honoria,
43:01I have met the most extraordinary woman.
43:07Conchita Clausen is as different from anyone in our family
43:09as a circus is from a library.
43:12And I can only imagine you'd find her both mystifying
43:14and, to be honest, a little horrifying.
43:17I first met her at the Madison Square ballrooms.
43:22Her head was thrown back, laughing as if nothing in the world had ever been so funny.
43:27So unselfconscious.
43:30So fearless.
43:32Honoria, she makes me feel like the sun has risen.
43:36Conchita is luminous.
43:37When she dances, when she dances, the world watches.
43:39And when she looks at me, it's as though I've run down a mountain.
43:44I'm quite certain I will love Conchita my entire life.
43:47And if that life were to end tomorrow, well, I'd die delirious and uplifted.
43:57To have basked in her glorious and gentle light.
44:03To have held her hand.
44:04Do send my regards to the dogs.
44:12Love.
44:14Dick.
44:28Oh.
44:29I'd forget my head if it wasn't attached.
44:31Can you imagine if I'd have brought you up?
44:38Would we have had fights like that every night?
44:40Oh.
44:42Worse.
44:43It would have been a disaster.
44:45I don't know if I'd have ruined you or kicked you into shape.
44:50I wasn't ready to be the mother you deserved.
44:56I was just a girl.
45:04I can't explain why it hurts so much.
45:07And so unexpectedly that you're having a baby.
45:12Is it because you have a human heart and soul?
45:16Finally ready.
45:23Oh.
45:24Is Arthur coming?
45:26He wasn't sure.
45:56I should have come before.
46:02But you were too busy.
46:04With Reed Robinson?
46:06No.
46:07I was scared.
46:08I have a great many things to apologise for.
46:14And I know you'll never fully forgive me.
46:17You think just saying sorry is enough?
46:19Without your interference Nan would have just disappeared with Guy before the wedding.
46:22And yes my heart would have been broken but I'd have been free for it to mend and love again.
46:27And now I love Lizzie Unsworth.
46:29Did you know that?
46:30And she loves me.
46:32Elizabeth.
46:33Hector's Elizabeth.
46:34No.
46:36My Elizabeth.
46:37My Lizzie.
46:39The woman I could have devoted my life to making happy if you hadn't stepped in the way.
46:42Why didn't you find him?
46:52Why didn't you go straight to Reed after the father died?
46:56Because by then I had another man.
47:03You.
47:04And you were all that mattered.
47:23I missed you.
47:31I missed you too.
47:32I missed you too.
47:51I missed you too.
47:57I missed you too.
48:00You know, I can make this whole thing go away, Patty.
48:24We could both walk out of here and have this whole thing forgotten.
48:30You won't win.
48:35I may not be granted this divorce, but every time a woman rejects your advances, or a wife stands up for herself, or a mistress walks away, I will have won.
48:46Please be seated.
48:49As there is no further evidence to present, I will begin my...
48:53Your Honor.
48:55The petitioner would like to call a final witness.
49:00The petitioner would like to call a final witness.
49:02The petitioner would like to call a final witness.
49:03The petitioner would like to call a final witness.
49:04The petitioner would like to call a final witness.
49:05The petitioner would like to call a final witness.
49:06The petitioner would like to call a final witness.
49:07The petitioner would like to call a final witness.
49:08The petitioner would like to call a final witness.
49:09The petitioner would like to call a final witness.
49:10The petitioner would like to call a final witness.
49:11The petitioner would like to call a final witness.
49:12The petitioner would like to call a final witness.
49:13The petitioner would like to call a final witness.
49:14The petitioner would like to call a final witness.
49:15The petitioner would like to call a final witness.
49:16The petitioner would like to call a final witness.
49:17The petitioner would like to call a final witness.
49:18I am Mrs. Eleanor Brooks, younger sister of Patty St. George.
49:41And I know her husband had affairs.
49:45Because I am Nan's natural mother.
49:51Order. Order in the court. I will have silence in this courtroom.
49:57Not only letters written and signed by Tracy outlining what we did.
50:06Also receipts, hotel checks. What else do you need?
50:15I'll see you next time.
50:26Go!
50:28Go!
50:29Go!
50:31Go!
50:32Go!
50:35Go!
50:36Go!
50:38Go!
50:38Go!
50:39Go!
50:39Go!
50:40Go!
50:41Go!
50:41Go!
50:42Go!
50:42Well played, Patty.
50:50Well played.
50:51Joined forces, huh?
50:53Well, good for you.
50:54We don't any of you expect to get another dime for me, let alone seeing me.
50:58Well, we will endeavor to work through the pain.
51:13You are incredible.
51:17So what do you want to do now?
51:18Talk with you?
51:20All night, perhaps.
51:21And then please, I want to see Jenny.
51:23Of course.
51:24Oh, Skye!
51:28There you are.
51:30Take care of both my girls.
51:32Oh.
51:42You know, I miss you to death.
51:46But we know it.
51:47The chemical imbalance, baby, ever since you love us.
51:52I, I, I, you know it.
51:54You know, I miss you to death.
51:57The chemical imbalance, baby, ever since you love us.
52:02I, I, you know it.
52:04You know, I miss you to death.
52:12There you are.
52:33Do you see about some tea?
52:36No.
52:38No, I can't.
52:39I'm sorry.
52:40Actually, no, I'm not sorry.
52:43I can't get to tea for you, mother, because I'm going to France.
52:47Oh, don't be silly, Ignoria.
52:49I'm not being silly.
52:50I'm hardly ever silly.
52:51In fact, I think that might be the problem.
52:52Or at least one of them.
52:55I'd like to be silly and impetuous and brave.
52:58And more than anything in the world, I'd like for Richard to still be here.
53:02And I know that you want that too.
53:03And I am sorry about that.
53:04But what I'm not sorry for is wanting to live my life.
53:08I can't live my life saying sorry, mother.
53:11I'd like to try being silly and impetuous and brave for a little while.
53:14Well, good luck with that.
53:16I expect I'll see you in a few hours when you've got scared and changed your mind.
53:22I'm not going to change my mind.
53:24I'm not the same person that I used to be.
53:26And in the future, who knows, I might be an entirely different person.
53:30I might surprise you, mother.
53:31Ignoria, I don't believe you've ever surprised me in your life.
53:35Can I borrow you for a second?
53:53What's going on?
53:54I think I might get your friends now.
54:09I'm so proud of you.
54:13I think I might get your friends now.
54:16It's always been under your noses.
54:35Ah, that boat seemed to take an age.
54:37Do you think Freddy will be awake when we arrive?
54:40Oh, if he's asleep, I'm sure Jenny won't mind if I wake him.
54:42Well, if you don't, I will.
54:45Freddy will have grown.
54:47Grows so fast.
54:49You know, Jenny was the same.
54:51Okay.
55:00Oh, my God!
55:01They're here!
55:03Mom!
55:06Thank you!
55:08Did you do our trick?
55:21I whipped it!
55:22I did it.
55:23I'm afraid.
55:24Oh, no.
55:25Oh, no.
55:37Mabel.
55:38Whose is this?
55:39Oh.
55:40Lizzie's.
55:41She's been tearing the place out for the other one.
55:43And it is so nice to have you back home.
55:49Oh.
55:52Oh.
55:53Oh.
55:54Oh.
55:55Oh.
55:56Oh.
55:57Oh.
55:58Oh.
56:15Uh, Nan.
56:17Oh.
56:18Oh.
56:19Oh.
56:20Oh.
56:21Oh.
56:22Oh.
56:23Oh.
56:24Oh.
56:25Oh.
56:26Oh.
56:27Oh.
56:28Oh.
56:29Oh.
56:30Oh.
56:31Oh.
56:32Oh.
56:33Oh.
56:34Oh.
56:35Oh.
56:36Oh.
56:37Oh.
56:38Oh.
56:39Oh.
56:40Oh.
56:41Oh.
56:42Oh.
56:43Oh.
56:44Oh.
56:45Oh.
56:46Oh.
56:47Oh.
56:48Oh.
56:49Oh.
56:50For me
56:53So I keep myself safe
57:00For me
57:02For me
57:11For me
57:15For me
57:20For me
57:21For me
57:22For me
57:28For me
57:29For me
57:30For me
Recommended
57:29
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