Skip to playerSkip to main contentSkip to footer
  • yesterday
Carnival Row Season 1 Episode 2

#ShowMoviesTV
🎞 Please join
https://t.me/CinemaSeriesUSFilm
Transcript
00:00Transcription by CastingWords
00:30Transcription by CastingWords
01:00CastingWords
01:30CastingWords
01:59CastingWords
02:29CastingWords
02:59CastingWords
03:29What happened?
03:32Did she hurt you?
03:37Did you hurt her?
03:40Good morning.
03:43Mrs Fyfe, where is breakfast?
03:46It's half six. I should be late for work.
03:49Right away, Mr Bagstock.
03:59Taking the long way to work this morning, Varric.
04:04Sorry, Inspector. Wanted to catch you early.
04:07We got another one.
04:10Another one?
04:11Dead pigs. Found her this morning on the south bank.
04:14Just off the road.
04:18Oh, get back, you jackals! Get back!
04:20Get back! Come on, come on!
04:21Move! Away!
04:23What kind of ass?
04:24Come on, you don't want to be watching this.
04:26Get back!
04:30Put yourself together, mate!
04:31Get back! Move away!
04:38This kind of happened more than a couple of hours ago.
04:40What? After Jack threw himself off a roof?
04:43Did we get the wrong bloke?
04:45This isn't Jack. He targets the head and he doesn't gut it.
04:48Copycat, then. The sympathizer.
04:51The sympathizer.
04:54Whoever it was, he finished her off in there.
04:58How do you know?
04:59Spillway leads to the river. Blood trail goes this way.
05:01Into here.
05:05Send some men into the sewers.
05:07If he went that way, he could be anywhere by now.
05:10It's all your picks.
05:11You still need to put a name to her.
05:13The ladies who found her said she was Aisling Carell.
05:16They knew her.
05:17He's famous, apparently.
05:18Or was, back in the day.
05:20A singer.
05:21Have Mirange take a look at her
05:23and get her last known from records.
05:26Maybe there's something at her home for us to go on.
05:31Well, I've had enough fun!
05:33Come on!
05:34I've got to get to work!
05:40There you go, mate!
05:41Push! Push!
05:58Aisling Carell.
06:01Third floor.
06:03Number 16.
06:04Waste of time, if you ask me.
06:19I don't care for this procedure.
06:21For a reason.
06:22You never know what we might find.
06:25Motive.
06:27Suspect.
06:29I doubt the killer would be dumb enough to hide out here.
06:31Expensive piece of kit for a pick.
06:33You're a pig.
06:37Oh, you little!
06:50Eric.
06:51Don't shoot!
06:52Don't shoot!
06:53And you thought I wouldn't find a suspect.
06:54Suspect?
06:55What's going on?
06:56What's happened?
06:57What's happening is you murdered Aisling Carell.
06:58What?
06:59Body's not even cold.
07:00And here you are, pilfering her own.
07:01Murdered?
07:02Miss Carell was found dead this morning.
07:03Oh no.
07:04Aisling.
07:05How?
07:06Who?
07:07Who would want Aisling killed?
07:08That's what I'm trying to determine.
07:09Along with what you might be doing in her flat.
07:10Well she was my friend.
07:11From years ago.
07:12I only just arrived in the burg this morning.
07:13I needed somewhere to shelter.
07:14Aisling wasn't here.
07:15The door was open.
07:16I let myself in.
07:17It's her closet.
07:18I heard you coming.
07:19I was frightened.
07:20I hid.
07:21Frank.
07:22Frank, what are you doing now?
07:23Frank, what are you doing now?
07:24This is her name.
07:25Frank!
07:26Frank!
07:27How if I can?
07:28I don't ask him.
07:29What?
07:30You're saying?
07:31Frank!
07:32Frank!
07:33I mean, you're going to go bail?
07:35I'm going to go!
07:36I need you to get it.
07:37What?
07:38I need you to get it.
07:39Frank.
07:40It's going to be more uncomfortable.
07:42I can't find you.
07:43Frank!
07:44Frank!
07:45Frank, what are you doing down here?
07:48Here we go.
07:50There, my boy.
07:52Cobbles. Vicious things.
07:54How dare you? He's my star.
07:56You said you were her friend.
07:58Who would want to see Miss Corral come to harm?
08:02I don't know.
08:04We were both performers, she and I,
08:06but she was the real artist, an angel.
08:09She was a being from another world.
08:15Listen.
08:27That's a fairish tune, isn't it?
08:29That was when she was at the height of her fame
08:31and the toast of Burke's society.
08:35But I knew her first when she sang at a little cafe on the road.
08:41I never heard anything like it.
08:44And soon there were carriages lined up round the block,
08:47the rich and powerful clamouring to get in.
08:50She gave a recital at Finisterre Crossing.
08:54Once, even a command performance at Balefire Hall.
09:00Did she marry?
09:05Are there children to talk to?
09:07Her life was her art.
09:09Which is why it hit her so hard when she fell out of favour.
09:12And after that she became something of a recluse, I'm afraid to say.
09:18When did you see her last?
09:20Years ago, sometime in the aughts.
09:23I told you I have just arrived back in the Burg.
09:28I've been away such a long time.
09:30Well, you won't be leaving any time, Sam.
09:32What do you mean?
09:34I'm still a suspect?
09:35Until I find a better one.
09:37The police.
09:39You have her dead pics and all you do is file a report and forget about her.
09:44No.
09:45I'll find whoever did this.
09:48You can count on it.
09:50That is the best china for special guests.
10:09For visitors from the professions, we use the second best china.
10:13Yes, ma'am.
10:20What?
10:21You think I didn't notice you sneak out?
10:22I told you I'd be keeping my eye on you, girl.
10:37Please don't tell her, sir.
10:39I don't want any trouble.
10:41Are you on the elixir?
10:43No.
10:44Tell me the truth, girl.
10:46Nothing like that.
10:47Well, what is it then?
10:49I found out someone I knew from Tiernanoc is here in the Burg.
10:55A lover?
10:57Believe me.
10:59I never want to see that man's face again for as long as I live.
11:03Right.
11:04You take the train.
11:05I'll get the door.
11:07Mr. Wigsby here to see you, sir.
11:10Miss.
11:11Ah.
11:12Good morning, Wigsby.
11:13Good morning.
11:14I came as soon as I could.
11:16You wrote of a situation.
11:18I certainly did.
11:19Cheswith House.
11:21There, across the way.
11:24I heard someone was taking residence.
11:27Not someone.
11:28A puck, all puffed up in silk and finery.
11:31He carries a ridiculous walking stick and has a human manservant.
11:35She's not serious.
11:36I laid eyes on him myself.
11:38Needless to say, it's a situation that cannot be allowed to stand.
11:44Well, I sympathize with your distress, Miss Imogen.
11:47Assuredly I do.
11:48But I know of no law explicitly banning the sale of property.
11:52It is simply not done.
11:54Assuredly not.
11:55The gossip has been that Cheswith was in debt when he died.
12:00Perhaps it's true.
12:01And his heirs chose to sell to the highest bidder.
12:04Well, to hell with them then.
12:05Imogen, please.
12:07Surely there's something you can do, Wigsby.
12:11I'm afraid there is no recourse.
12:16Right.
12:19Wigsby, you've been our solicitor since father.
12:22If you say there's no recourse, there's no recourse.
12:25We'll simply have to do our best to ignore our new neighbour.
12:29That is the spirit, dear.
12:31We'll pretend he's not even here.
12:33Would you take some tea?
12:34Thank you, yes.
12:35How's Mrs. Wigsby these days?
12:37In fine health and tolerable disposition.
12:40Mr. Breakspear.
12:45Mr. Breakspear, are you decent?
12:59Oh, fuck.
13:01Begging your pardon, sir, but I really think it best
13:04we get you back home to Balefire.
13:06He's not here.
13:10What?
13:11Little shit ran out of me last night.
13:15Without paying, I might add.
13:18Wouldn't have left without these, would he?
13:20Shite.
13:21Adducted?
13:22Where?
13:23How?
13:24A house of assignation on Carnival Row.
13:25I told him to stay off the row.
13:26I bloody told him!
13:27What should we do, Weintrout?
13:28There's nothing to do, Lady Piety, except wait for a ransom demand.
13:29Wait!
13:30Weintrout's right.
13:31To these brigands, this is a business.
13:33They understand that if they don't return the hostages unharmed, people will stop paying.
13:34The fewer that know of this, the better.
13:37Longerbane would make a scandal on it.
13:38Absalom!
13:39They won't.
13:40Come out, estate, you can't.
13:43I'm afraid of having a bad love.
13:44What are your timesbrered's problems?
13:45That's not your problem.
13:47You can't talk.
13:48There's nothing to do, Lady Piety, except wait for a ransom demand.
13:51Wait.
13:52Weintrout's right.
13:53To these brigands, this is a business.
13:56They understand that if they don't return the hostages unharmed, people will stop paying.
14:00The fewer that know of this, the better.
14:02Longerbane would make a scandal of it.
14:04Absalom!
14:06They won't harm the boy.
14:08Not if they get what they want.
14:10Trust assured, once Jonah's safely home,
14:14we will find who was responsible
14:17and hang them from the tallest lamp in Argyll Square.
14:30Which one of you is Quill?
14:34Sir, I'd like to explain.
14:37I would appreciate that.
14:39Well, it was raining.
14:40I went across the street to get out the wet.
14:42You see, the horses...
14:43Who took my son?
14:45I wouldn't know.
14:48You must have seen something.
14:51Heard something.
14:55Everything seemed normal.
14:57Normal?
14:59I'm sorry, sir. I didn't think.
15:02Obviously, you didn't think.
15:03Otherwise, you wouldn't have been hiding across the street
15:06protecting your critch hide from the rain
15:09instead of protecting my son.
15:11Sorry, please, sir.
15:12Please, I would do anything to protect you.
15:14Get him out of my sight.
15:16I never want to see his face again.
15:25On those who attended the Jester's burial,
15:28Nary a smile was to be found.
15:32But they swore they heard a final chuckle
15:37from six feet underground.
15:40Bravo!
15:50Bravo!
15:51Bravo!
15:58Thank you, thank you very much.
16:00Thank you so much.
16:02Most kind.
16:10Okay.
16:12Well, let's start again.
16:13Cassiopeia, you missed your cue.
16:15Close the curtains, and let's...
16:16Are those...
16:18Kobolds.
16:19My grandmama got me one when I was a girl.
16:22Horrid little thing.
16:24Come along, vignette.
16:28There they are.
16:29All the usual faces.
16:31Promenading about this way and that way.
16:33Like so many leaves in the wind.
16:38It looks like it might rain after all.
16:40Where's my parasol?
16:41Sorry, miss.
16:42You don't know the first thing about being a ladies' maid, do you?
16:47Run back and fetch it.
16:48Blithely now.
16:50Run back and fetch it.
16:51Blithely now.
17:04Excuse me.
17:05I...
17:07Excuse me.
17:08Would you mind, sir, if I came...
17:11Excuse me.
17:15Allow me.
17:16Oh, thank you.
17:38Quite the deluge, isn't it?
17:41Miss Imogen.
17:45You know my name?
17:48Made inquiries.
17:50You left quite the impersonal media today.
17:53As did you, most assuredly.
17:56Believe me.
17:58I am quite aware of the reaction my arrival to the neighbourhood has provoked.
18:05Then perhaps you would consider a different address.
18:07But I like it here.
18:08The crossing's lovely.
18:09As are its residents.
18:10How dare you speak to me like that?
18:11And how should I speak with you?
18:12Preferably not at all.
18:13I know what you're about, girl.
18:14I can smell it on you.
18:15You know what's in it, don't you?
18:16Piss.
18:17From a troll bitch in hate.
18:18What do you know?
18:19I know there isn't a man that can resist and I also know you mean to bother.
18:20I know you mean to bother.
18:21I know you mean to bother.
18:22I know you mean to bother.
18:23You mean to bother.
18:24You're not my fault.
18:25I need you to be spoiling.
18:26Never Have a mess.
18:27You're a fool to be right.
18:28I know you're not my fault.
18:29You're lying.
18:30I know you're not my fault.
18:31You mean to be crippled.
18:32I know you're not my fault.
18:33You're lying.
18:34I am.
18:35I am.
18:36Piss.
18:39It's from a Trowbitch in hate.
18:44What do you know?
18:45I know there isn't a man that can resist, and I also know you mean to bother.
19:06It was fucking pouring down with rain.
19:11Where were you at?
19:12Yeah, by the clothes.
19:13I was walking out.
19:14His carriage is overturned on the road, right?
19:16And I'm helping us drink it out.
19:17Well, he fell out of the carriage.
19:18Yeah, he got stuck.
19:19His shoe got stuck.
19:20Comes right off his foot.
19:22And it's not his foot.
19:23What are you talking about?
19:24It's a hoof.
19:25A hoof? Like a putt?
19:26Yeah, he's a fucking half-blood.
19:27Oh, Father.
19:28Hello, Father.
19:29Do you want one, mate?
19:30No, I'm all right.
19:31So you took him in?
19:32Of course I fucking took him in!
19:33You get a year for that, Chappie.
19:35I'm trying to pass.
19:36Yeah.
19:37I'm trying to pass.
19:38They did anything at the end.
19:39They did anything at the end.
19:40They did anything at the end.
19:41They're getting cheap, yeah.
19:42Fuck.
19:43Your desk today until these are finished.
19:45You understand?
19:46Yes, sir.
19:47And learn how to spell necessary.
19:49Yes, sir.
19:50Ahem.
19:52Good day.
19:55What is it, Philo?
20:00You've got a coach waiting.
20:02Mrs. and I are going on holiday.
20:04My autopsy request was denied.
20:07Oh.
20:08The coroner's a busy man.
20:10Good day, Philkins.
20:11Morning, gentlemen.
20:12I'm not going to waste his time on the dead picks.
20:14Now, you get these writs done today, Philkins.
20:17What are you doing, gentlemen?
20:19Sir, with all due respect, this wasn't some Lixer deal gone wrong.
20:24She was a quiet source.
20:26She never bothered anyone.
20:28Hey.
20:29You brought down bloody Jack yesterday.
20:32You're the man of the hour.
20:34Now, let Beric handle this.
20:37Right?
20:38She was brutalized.
20:40She was torn apart.
20:42Somebody wanted her more than just dead.
20:45I want to find out why.
20:46And I'm not going to stop you.
20:48But I won't be wasting the coroner's time either.
20:51Where to, Inspector?
21:05The room.
21:06Good morning, Doc.
21:18Well, hello.
21:20I got one for you.
21:21The usual fee.
21:22When?
21:23As soon as you can get there.
21:25Give me an hour.
21:36Sort her up.
21:41Put everything back more or less where it belongs.
21:43More or less?
21:44What kind of doctor were you back in Puyang?
21:46The only doctor you could find to do an autopsy in a crutch.
21:49I guess she's about 90 from her wing burning.
21:54There's some distention in her lady bits, so...
21:57She at least had one pregnancy and there's some atrophy in her coracordus.
22:02Wing muscle.
22:04Normal for her age.
22:05Anything else?
22:07No liver.
22:08No liver?
22:10Must have been left behind in a mess.
22:14Or the killer made off with it.
22:17Why would he do that?
22:19Good question.
22:21Was it a blade?
22:24Or a talon that killed her?
22:26Hard to say.
22:29Either way, a sternum was caught straight through.
22:32That'd take some strength.
22:34Could a man have done it?
22:36Would enough hate in him?
22:37Aye.
22:38Enough hate.
22:39Evening lads.
22:40Hello, Sergeant.
22:41Evening lads.
22:42Hello, Sergeant.
22:43Evening lads.
22:44Hello, Sergeant.
22:45Darius.
22:46Darius.
22:47Darius.
22:48Darius.
22:49Darius.
22:50Hello.
22:51Hello, Philo.
22:52Hello.
22:53Hello, Philo.
22:54Hello, Philo.
22:55Sorry I couldn't care.
22:56It's all right.
22:57I couldn't care.
22:58I couldn't care.
22:59I couldn't care.
23:00sooner.
23:01Work.
23:02It's all right.
23:03It's all right.
23:04It's all right.
23:05It's all right.
23:06I couldn't come sooner.
23:07Work.
23:08It's all right.
23:09I couldn't care.
23:10I didn't care.
23:11This is all right.
23:12I couldn't care.
23:13I couldn't care.
23:14Do.
23:23I didn't care.
23:25I think I'm sooner.
23:29Work.
23:39You are a mate.
23:43What happened to your face?
23:46Oh, it's nothing.
23:48How's your day then?
23:50Same ode, same ode.
23:53Yours?
23:55There was a killing.
23:57On the road.
23:59Same ode, same ode.
24:03This picture's different, though.
24:05How so?
24:07She was a singer.
24:09Back in the day.
24:11She had a voice.
24:15Haunting.
24:17Can't get it out of my head.
24:19Well, there's only one thing you could do about that, then.
24:22Solve the case.
24:24Get a fucking different song in your head, mate.
24:26Take the hard way.
24:32Don't.
24:33To Mirriana.
24:36Follow me.
24:38I'm headed there.
24:40Against them packed shites.
24:44We will battle.
24:48Taking ground and holding dear.
24:52It's a hard way.
24:54But there's no other.
24:56We are soldiers of the Berg.
25:00Of the Berg!
25:02You know you don't have to come here every day.
25:04Could've just as easily been me buying them bars instead of you.
25:08Tomorrow, then.
25:10Tomorrow.
25:12Tomorrow.
25:14Tomorrow.
25:16Tomorrow.
25:20Can I help you?
25:22Keep up with what you're doing.
25:24Keep up with what you're doing.
25:26Keep up with what you're doing.
25:28Keep up with what you're doing.
25:30Till next Ostery.
25:32For that's how long it would take you to pay off your debts for your passage.
25:38Here.
25:46Can I help you?
25:49Keep up with what you're doing.
25:55Till next Ostery.
25:58For that's how long it would take you to pay off your debts for your passage here.
26:08What if I told you that was a quicker way?
26:38Don't. I warn you.
26:40You see here, now I lost everything. Everything my family ever had. Now all I have to show for it is your miserable rich cunt.
26:51Fuck you!
26:53Shut your mouth, you little bearhole. You will listen to me.
27:04Ezra? What's happened?
27:07It's fine. I caught her stealing. The little thief had her hand in the incidental's job.
27:18Well, she's gone just like that. She owes months on her contract.
27:23Even so, we can't have somebody we don't trust living under our roof, can we?
27:29Well, she's not going to get away with it, I can assure you of that.
27:32First thing tomorrow morning we're going straight to the constabulary to report her.
27:36She'll end up on a ship back where she came from if I have anything to say about it.
27:41We're going to have to go back. Let that fuck come looking for you, I'll show him a crutch cunt.
27:59Are you sure you're alright?
28:10What?
28:11What?
28:12Yeah, sorry.
28:13It's something else really.
28:15It's just um, I found Philo.
28:20I tracked the bastard down.
28:22I didn't hurt him.
28:23I wanted to.
28:24But you were right.
28:25I realised I wasted my whole life on all of that.
28:27It's time for a fresh start.
28:28Well, I like the sound of that.
28:29What have you got in mind?
28:30I was wondering if you could have a word with your boss.
28:35This isn't a plan to piss off your ex-lover, is it?
28:38No.
28:39You want to work here?
28:40I could.
28:41Vignettes.
28:42Listen.
28:43Why not?
28:44Working for my own kind.
28:45Making my own money.
28:46Because you're a ghastly fuck.
28:48I'm magnificent.
28:49You cow.
28:50Sorry.
28:51Sorry.
28:52Sorry.
28:53Sorry.
28:54Sorry.
28:55Sorry.
28:56Sorry.
28:57Sorry.
28:58Sorry.
28:59Sorry.
29:00Sorry.
29:01Sorry.
29:02Sorry.
29:03Sorry.
29:04Sorry.
29:05Sorry.
29:06What have you got in mind?
29:07What have you got in mind?
29:08I was wondering if you could have a word with your boss?
29:10Sorry.
29:11You are.
29:15You are.
29:18Oh, it's just not you, Vinnie.
29:19It's not you either.
29:21You're a poet laureate for tits sake.
29:23Yes, but let's be honest, the poems were mostly about sex.
29:26I'm serious.
29:27So am I.
29:28This city doesn't care who you are.
29:30You have to make the best of the choices you've got.
29:33What choices?
29:34I can't go back to that fucking house.
29:36You won't let me work here.
29:37What else is there?
29:40I do know a bloke who knows some people.
29:43What sort of people?
29:45They call themselves the Black Craven.
29:48They're a fae.
29:50Mainly ex-blockade runners from the Wing Brigade.
29:53Proud, fairish homelands types without a homeland to fight for, just fighting to get by.
29:58Get by how?
29:59Anywhere they can, I suppose.
30:01Running alts, gaming, contraband, pop chine, elixir.
30:09They'll put you squarely on the other side of the law more often than not.
30:14Sounds perfect.
30:17I'm meeting tonight.
30:18I'll get you an introduction.
30:39Any word?
30:40Nothing yet.
30:43You ought to have received a ransom demand by now.
30:50I would have thought so too.
30:53There's nothing we can do but wait.
30:58What if there were?
30:59I ask you to keep an open mind.
31:06Come.
31:13What is this piety?
31:15She's the best chance we have of getting Jonah home safe.
31:18I won't have this witch in my presence.
31:21This witch has advised my family for generations.
31:25Haruspexie is quackery and superstition.
31:28I won't abide it!
31:29Quackery?
31:31It was she who brought us together, and well you know it.
31:34My father would never have agreed for me to marry a burgishman
31:38had she not foreseen that you were destined for great things, your son even greater.
31:43Even so, critch magic is a sin against the martyr.
31:46But it works.
31:49But you want our boy home or not?
31:52More than my life.
31:55Then let her proceed.
32:00A sacrifice is required.
32:03The dearer to the house, Brakespear, the better.
32:16The man who took your son is known to you.
32:17Known to us? Are you certain?
32:31It is he who would stand a thwart you.
32:32He who would drive you from your seat of power.
32:33Rita Lungerbane.
32:34It is he who has your son.
32:36It is he who has your son.
32:37It is he who has your son.
32:39Your tourmaline's friend.
32:40You're tourmaline's friend.
32:41You're tourmaline's friend.
32:42You're tourmaline's friend.
32:43You're tourmaline's friend.
32:44It is he who would stand a thwart you.
32:45It is he who would stand a thwart you.
32:48He who would drive you from your seat of power.
32:51Rita Lungerbane.
32:52It is he who would stand a thwart you.
32:53It is he who would stand a thwart you.
32:54You're tourmaline's friend.
32:55It is he who has your son.
33:08Your tourmaline's friend.
33:11Vignette's done was.
33:13Eyes open mouth shut, Vignette.
33:22Titor.
33:30This is not worth a bug.
33:33I heard you got caught last night.
33:36I'm just trying to understand.
33:38I told you. I gave them the slip.
33:41They had you coated and cuffed.
33:43How did you give them the slip?
33:46How did you give them the slip?
33:52Maybe you could show me.
33:59Go on. Get yourself out of all that.
34:01Like you did last night.
34:02I'm timing you.
34:05Who's this?
34:06Tourmaline's friend.
34:07Ah, right. The lady's maid.
34:10What's your name, girl?
34:11Vignette.
34:13Vignette? I'm Dahlia.
34:15Hamelin tells me you spent some years
34:17getting our countrymen out of an inn
34:19before coming over.
34:21That's right.
34:22Good on you.
34:23It's righteous work, that.
34:25Didn't spend quite so long ladies mating, though, did you?
34:28Wasn't for me.
34:30Me neither.
34:32This is one of my old wing corsets, in fact.
34:35You probably had to wear something like it.
34:37Do you know why?
34:38They didn't want me to fly off.
34:40No, it's more than that.
34:43It's envy.
34:45You see, Vignette, a bird isn't afraid of falling.
34:49No, we're free.
34:51The Legos can't stand to see it.
34:54So they have to cripple us.
34:56They have to make us like them.
34:58Weak.
34:59Heavy.
35:00Afraid of falling.
35:02What really happened last night, Rem?
35:12Time's up.
35:13The police have been looking for a foothold in my organisation for some time.
35:27So, when one of mine spends a night in police custody that she won't say shit about, what
35:32am I to do?
35:33I have to protect my own.
35:38The way I see it, a fetishin who picks the groundlings over us belongs to the ground.
35:45Now, if you have a problem with that, you should turn and go.
35:51No.
35:53I'm done with them.
35:55I won't work for none but my own kind.
35:58Good.
36:00It's customary that I'd ask you to prove yourself.
36:03Just tell me what to do and I'll do it.
36:07I want you to take the flag that's hanging in the rotunda of the Constabulary and bring
36:12it back to me.
36:14In plain view of all those blue jackets.
36:17Do you know what we do here?
36:20We get things where they need to be.
36:23If you're going to be one of us, I need to know there isn't a shred of this city you
36:27can't touch.
36:29So what's it to be, girl?
36:37V-I-G-M-E-T-T-E.
36:51Vignette.
36:52Stone moss.
36:53That's stone as in stone and moss as in moss.
36:55Right, right, right.
36:56You'll need to fill out a writ of non-compliance and then we can issue an arrest warrant.
37:01Thank you, sir.
37:02Very well, but do hurry up.
37:03She's been missing her 12 hours.
37:04Running all the way, man.
37:10What was that about?
37:11Oh, some pics broke her contrite.
37:32The gentleman from the Constabulary.
37:34Well, good morning, sir.
37:36Take a seat, please.
37:41You have news.
37:43Has the little thief been found?
37:45No.
37:48Though I am here about the writ you filed.
37:51How much is the contract in question worth?
37:54Yeah, it's 50 guilders, sir.
37:55I would settle it.
37:5650 guilders?
37:57On a policeman's salary?
37:59Why in heaven's name would you waste that kind of money?
38:02Will you release the writ and give her freedom if I pay what's owed?
38:05Yes.
38:06No.
38:07Yes.
38:08Ezra.
38:09Whatever's got into you.
38:10Imogen, I will explain in a moment, please.
38:35One last thing.
38:46The girl's no thief.
38:48Why does she run?
38:50I thought so.
38:54I'll show myself out.
39:07I don't understand.
39:09Father left us ten thousand a year.
39:13And now you're telling me you squandered it.
39:15Do you have any idea how much it takes to support a household?
39:19Do you?
39:20Any at all?
39:22So we have coal delivered by the cart load.
39:26With fresh flowers every day.
39:28And that is to say nothing about what it costs to keep you in the latest fashion.
39:32You would lay the blame for this debacle on me.
39:35I am merely trying to make you understand I had no choice but to try and take the resources
39:40that Father left us and grow them to reflect our needs.
39:43I trusted that you had our financial matters in hand.
39:47And I do.
39:49Now I will right this situation.
39:52I aim to procure a loan to fund the refurbishment of another ship.
39:56Oh, by the martyr!
39:58Did you learn nothing from what happened?
40:00It was bad luck.
40:02A storm.
40:04There is money to be made in this business still.
40:07Of that I'm certain.
40:08And what is it that you intend to offer the bank as collateral for this loan you hope
40:14to procure?
40:15By the house, of course.
40:17No, Ezra, this house is all we have.
40:21We'll be on the street.
40:23I aim to adjust our fate.
40:24You must have faith.
40:25Oh, faith be damned!
40:27Ha!
40:28It is my fate too and I will have a say in it.
40:31And what do you know of anything apart from what to wear to each function?
40:36Who's been seen with whom?
40:39Now I am the master here.
40:41I will make the decisions.
40:43Who, who's, who's that?
41:02Please.
41:03Answer me.
41:06Do you have any fucking idea who I am?
41:12I'm Jonah Brakespear.
41:13My father will crush you for this!
41:15You're dead!
41:16The lot of you dead!
41:17A lot of you dead!
41:19Do you have any fucking idea who I am?
41:28I'm Jonah Brakesmere.
41:30My father will crush you for this.
41:32You're dead.
41:33The lot of you are dead.
41:38You did well.
41:40My husband's convinced that it was Longobane who took Jonah.
41:43Piety.
41:44I've served your family for many years.
41:48Never before have I been asked.
41:49To lie.
41:52Well, there's always a first time.
41:55Besides, I've always hated that fucking bear.
42:10There he is.
42:12That ridiculous puck.
42:15Preening for passers-by.
42:17Desperate for attention.
42:18Does he really think his money can buy him acceptance here?
42:22Dear Mr. Agraeus,
42:46My behaviour yesterday was unneighbourly.
42:50You're welcome to call on me at your earliest pleasure.
42:53Sincerely, Imogen Spurnrose.
42:58Afisa!
42:59Don't just stand there.
43:10What did he say?
43:12That he would be pleased to take tea with you tomorrow.
43:20Of course he is.
43:21Unless there's anything else, miss.
43:23Everything appears to be in order.
43:35So the writ has been released.
43:38She's free to do as she pleases.
43:50Inspector.
43:51What?
43:52We have a problem upstairs.
43:56She's asking cedar dead pigs.
43:58I only need a few moments with her.
44:04Sorry, Barry.
44:07You're a Mima.
44:09What order are you with?
44:11Revan's clear.
44:12The investigation is ongoing, Mima.
44:15The body is evidence.
44:17She was a person first.
44:19And she cannot rest like this.
44:21Not after what happened.
44:22She must be anointed.
44:26Please.
44:33In love we begin.
44:35To light we return.
44:38Love begets love.
44:40And light begets light.
44:42We are one with all that is.
44:45And ever will be.
44:47How well did you know Aisling?
44:54She lit a candle at my shrine every week.
44:57For who I couldn't say.
45:00Can you think of anyone who would have wished her harm?
45:05A pool hangs over her.
45:07She was taken by a great evil.
45:16Hard to see.
45:19But sense.
45:22Something unnatural.
45:26Neither man nor fae.
45:28You don't seem surprised.
45:40I've had my fair share lately.
45:43I met a man just the other night.
45:46Claimed he saw some dark god lurking beneath the city.
45:50And you didn't believe him?
45:51He was mad.
45:53Come to his death.
45:53The old ways can summon things that would drive a man mad to look upon.
46:00You're saying magic did this?
46:01Magic is just your word for all the things you and yours haven't yet discovered.
46:07And I'd remind you there was a time not so long ago in the scheme of things.
46:11When my species was among them.
46:15Thank you inspector.
46:16Thank you inspector.
46:16If anything goes wrong just go.
46:46Come on with me.
46:47Come on let's get out.
46:49Oh look at this door.
46:52Hey.
46:53Is someone going to talk to me or not?
47:08Shut up and wait your turn.
47:10I was robbed.
47:12Does no one care?
47:14I said shut up.
47:15It only happened around the corner.
47:17You can still catch him if you move your fat ass.
47:19Yeah you tell him.
47:20What'd you say?
47:21Hey.
47:25Hey where'd you think you were?
47:26You are a salty man.
47:28You're gentle.
47:29You're a tragic.
47:35Get that bloody hell.
47:36I've got her.
47:40Don't be dark man.
47:42If you miss you'll bring down the whole bloody dog.
47:47Get after her lad.
47:49Come on.
47:50Get her.
47:50Get back here.
48:03Get back here.
48:04Hey.
48:05Stop.
48:06Get back here.
48:06Get out of the bloody kick.
48:11Get her, bloody king!
48:20Vinyat.
48:22The Raven.
48:24I know you know better.
48:25What do you care?
48:27Give it to me.
48:28Not without that flag.
48:29They'll arrest you.
48:30Just think of all the things I could tell them.
48:35They don't know, do they?
48:38They don't know the truth about you.
48:40Are you threatening me?
48:42Maybe.
48:44Or maybe it's where I see.
48:47You never, you never tell them.
48:51Do you really want to take that chance?

Recommended