I Blame Society (2021) Full Movie HD

Silent Whisper

I Blame Society (2021) is a dark comedy about a struggling filmmaker who sets out to prove she has what it takes to create a compelling story—no matter the cost. As her project grows more ambitious, the lines between fiction and reality begin to blur. A bold, satirical look at ambition, creativity, and modern storytelling.  I Blame Society, I Blame Society (2021), dark comedy, 2021 film, full movie I Blame Society, satirical movie, indie film, creative storytelling, filmmaker story, character-driven movie, modern satire, unique comedy, independent cinema, bold narrative, artistic ambition, thought-provoking film

Transcript

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00:02:06You don't have to worry, because on camera so far, I've given you guys code names.

00:02:13I know it's kind of shocking that she's the most unkind person in the world I know personally,

00:02:19but it makes sense, because somebody has to be, and it's her.

00:02:26I guess I just have never seen or even heard about anybody being as cruel to anyone else

00:02:33for the worst reasons as her.

00:02:36So I was wondering, what I'd like to do is to come over to your place with Olivia and

00:02:47the camera, and we say that we were doing a location scout, and we were there to measure

00:02:52stuff and get some pictures, but the whole time, I'd be wearing a mask, like a scary animal

00:03:02mask, and I just wouldn't explain why, and I'll be walking around, I'll be looking at

00:03:07your place, and I'll be talking to the camera, and I'll say things like, here's a good window

00:03:13where I could come in, or I'll point out that there are locks on the bedroom doors, and that

00:03:18would be a challenge, blah, blah, blah, just, you know, narrate to the camera this hypothetical

00:03:22murder, and then leave.

00:03:24I, I'm not pitching this right.

00:03:31Jillian, are you, are you fucking serious?

00:03:33I'm not sure I understand, like, you're asking me to come over to my house.

00:03:38Yeah.

00:03:38And let you walk through how you would murder my girlfriend.

00:03:43It's just theoretical.

00:03:45It's not how I really would do it, or would want to do it.

00:03:48It's just hypothetically how it would be done.

00:03:51Like, do you get how fucked up that is, like, on, on countless levels?

00:03:56What is your problem with

00:03:57Uh, I just don't think it's okay that she's so emotionally abusive and manipulative.

00:04:04Uh, like, when she destroyed your only means of earning a living, when she threw your laptop

00:04:09out a window, and there were scripts on there that you never recovered.

00:04:13That was, like, a really low point for both of us, and she felt really bad, and she replaced

00:04:19it.

00:04:19Because she could totally afford to buy you a new Mac, but she can't ever make up the

00:04:23stuff that you had on there, and I just don't think there's any excuse to ever do anything

00:04:28like that to somebody that you say that you love.

00:04:31You don't know anything about our relationship, and you don't know her.

00:04:33I would throw other people's computers out of windows, otherwise there would be computers

00:04:38all over the place, because lots of people are in relationships, you see broken laptops

00:04:43down the street.

00:04:44You don't know anything about our relationship.

00:04:45It's true.

00:04:46You don't know her.

00:04:47You don't know what's going on with us.

00:04:48I know her.

00:04:49I don't understand where this is coming from.

00:04:51Like, she does not feel this way about you.

00:04:53She really likes you.

00:04:54She's always disliked me.

00:04:56Nope.

00:04:56It's bullshit.

00:04:57She would talk shit about me in school, and I barely knew her.

00:05:01In school, like, ten years ago?

00:05:04Twelve years ago?

00:05:04I mean, I didn't really care about it, because who the fuck cares what she thought?

00:05:09Yeah, it seems like you really didn't care about it at all.

00:05:10Well, she brought my mom into it.

00:05:12What the f- your mom?

00:05:13I'm not kidding.

00:05:14She, like, couldn't believe that my mother would let me, like, make such disturbing films.

00:05:19What?

00:05:19She did not say that.

00:05:20No, she did.

00:05:20She does not care about what kind of films you make.

00:05:22It's just really uncalled for.

00:05:24Like, I needed to ask my mommy for permission.

00:05:26Give me a break.

00:05:27No, that's true.

00:05:28That's not-

00:05:29That really happened.

00:05:30I don't believe you.

00:05:31Look, I don't care what she thinks about me.

00:05:33What I care about is how she treats you.

00:05:35Oh, my God, dude.

00:05:37I feel like I have opened up to you and told you stuff in confidence that you're now bringing

00:05:41up in a context that is completely, like-

00:05:46I mean, the context I'm talking about is just the facts.

00:05:51It's the context of, like, you inviting me here and putting me on camera and bringing

00:05:55up all this personal shit that I've shared with you.

00:05:58I'm- I'm sorry.

00:05:59Like, I'm never going to be able to tell her about this.

00:06:01I'm just going to have to keep it a secret, I guess.

00:06:04So now I have this secret from her.

00:06:06And I'm going to feel incredibly guilty about it.

00:06:09All the time.

00:06:11And I already feel like-

00:06:13I'm sorry.

00:06:14I'm sorry.

00:06:14It's just putting me in, like, an insane position.

00:06:17I'm so- I'm sorry.

00:06:18Oh, sorry.

00:06:26Sorry.

00:06:29Look, I- I don't know- I just don't-

00:06:32I don't-

00:06:32You're doing this to you.

00:06:33Okay.

00:06:34I- I just- I don't know if you- if you really understand how fucked up this is and, like,

00:06:42what position it's putting me in, but I- I- I don't- I don't know.

00:06:48I'm so sorry.

00:06:50I just fucked up everything.

00:06:55Do you want to cut?

00:07:00Cut?

00:07:08Hello?

00:07:10Aaron?

00:07:10Hey, Jillian.

00:07:11How's it going?

00:07:12Um, fine.

00:07:13Is this supposed to be a video call?

00:07:15I'm just seeing your ear.

00:07:17Oh, shit.

00:07:18Really?

00:07:18Yeah.

00:07:19Uh, do you want to rearrange things and give me a call back?

00:07:22No, it's okay.

00:07:23This won't take too long.

00:07:25Oh.

00:07:27Oh, I thought we were finally talking about the Young Ambassadors.

00:07:30Did you read the script?

00:07:32Yeah, I did.

00:07:34Okay.

00:07:35Um, I'm still just seeing your ear and it's just, like, really funny to just keep talking to you-

00:07:40Jillian, it's really great.

00:07:41I just don't think I can do anything with it.

00:07:43I don't understand.

00:07:44Um, it's the exact same thing that I pitched you in February in your office, scene for scene.

00:07:52And you said that you loved it and that you couldn't wait to read it.

00:07:55It's really, really well written.

00:07:57Very funny.

00:07:58It's just, Israel is such a political topic.

00:08:02Yeah?

00:08:03And Robin, she's just not really likable.

00:08:05Look, it's on me.

00:08:06I just don't know who to send it to.

00:08:08So, since I sent it to you around four months ago, you haven't sent it to anyone?

00:08:15No.

00:08:16I'm just, I mean, like, I'm kind of surprised because, you know, I thought that, like, you

00:08:20know, we had this great meeting and, you know, you were together and, like, we're going to

00:08:24do all these great things and you were going to, you know, get it out there and-

00:08:28No.

00:08:29Look, Jillian, I just don't think I can do anything for it.

00:08:31Well, what about the other scripts?

00:08:33No, not for any of it.

00:08:35I just can't do anything.

00:08:36I'm sorry, I just feel like maybe we're not the right fit.

00:08:41You know, if I'm not who you need me to be and you can't do the things that you said

00:08:51that you were going to do, then I think that, yeah, we shouldn't work together anymore.

00:08:59So, it's mutual.

00:09:02Hello?

00:09:02Jillian, are you there?

00:09:04Yeah, I'm still here.

00:09:06Bye, Jillian.

00:09:06Good luck.

00:09:07Uh, uh, bye.

00:09:19Something that you guys told me last year really stuck with me.

00:09:23It was a compliment and I-I don't forget compliments, but that's not why I kept thinking about it.

00:09:29I think I remember we said you'd probably make a pretty good murderer.

00:09:33What did you-what did you mean by that?

00:09:36I have always hated this project.

00:09:40It's not done yet.

00:09:42I just hate what it is.

00:09:45I don't want to use real names because people's feelings might get hurt and it's legally incriminating.

00:09:51Let's call our friend Bowie because he's cool and we can call his girlfriend Stalin.

00:09:59I couldn't find any redeeming features about her except that she is very attractive and-

00:10:08I don't think it's healthy.

00:10:09I don't think it's healthy.

00:10:10I don't think you're healthy.

00:10:12I'm not healthy.

00:10:13So, I would like you to be accessories to my murder?

00:10:19That would mean a lot to me.

00:10:21Do you think I have the qualities of a good murder?

00:10:26No.

00:10:28Not my baby.

00:10:29I don't know. I mean, what's better? Like me just like sitting around and not doing anything?

00:10:32Yes.

00:10:35Do you think that I'm capable of anything that I put my mind to?

00:10:38Yes, I do.

00:10:40Is that what you want? You want me to just like come home and like, uh, you know, give you like a whiskey highball?

00:10:47That sounds amazing.

00:10:48Do you think that in the course of writing for the show, Hannibal, you feel like you've accumulated the necessary experience and insight to-

00:10:59Murder is probably not realistically depicted on television. So, I wouldn't take a huge from that. I would do some Googling first.

00:11:08Two wrongs don't make a right.

00:11:17Dave.

00:11:21Or like, you will plan things out. You will pay attention to detail. You will also be in charge of the entire situation. You don't give in.

00:11:29Yeah, I think he did really good.

00:11:31Yeah. He did great.

00:11:33You barely listen to other people's opinions. Um, and yet think, you know, you, you don't because you have a vision.

00:11:43You're my special boy.

00:11:44Yeah.

00:11:45Stalin isn't buried at the Hollywood cemetery. He's buried at the Kremlin. I checked. But this is where I would bury Stalin and murder her if I did it. As you can see, I'm wearing a disguise, I'm dressed as a tourist visiting the old graves here. What if I dyed my hair?

00:12:09C'est la même chose qui.

00:12:11Je ne pense pas que ça va bien.

00:12:13Ce n'est pas bien.

00:12:15C'est une fille qui a fait trop de l'air

00:12:17par lui dire qu'il est en train de faire un short

00:12:19et en tirant de la place.

00:12:21Et quand personne ne se trouve,

00:12:23elle va demander, « J'ai tout le monde ? »

00:12:25C'est pas une fois que je n'ai pas à l'aise.

00:12:27C'est un coup.

00:12:29C'est pas vraiment commenter les coups.

00:12:31Les concepts de la vieille ne sont pas en train de faire

00:12:33les coupes.

00:12:35C'est un coup d'oeuvrage.

00:12:37Je vais me faire un petit peu de la mort,

00:12:39et faire un peu de tout avec moi.

00:12:41Vous n'êtes pas un blond.

00:12:42Je vais vous surprisez.

00:12:43Si vous avez eu l'air avec de l'air avec de l'air,

00:12:45c'est pas un surprise,

00:12:46vous êtes juste ce que vous êtes allés.

00:12:47C'est ce que je suis allé.

00:12:48C'est ce que nous avons passé le reste de nos vies

00:12:50et vous n'êtes pas blond.

00:12:51C'est ce qui serait le meilleur surprise.

00:12:58Olivia!

00:13:01Can vous me showz...

00:13:03... comment on va travailler cette chose?

00:13:05Oh, oui.

00:13:06Wow.

00:13:09No problem.

00:13:10So this one here is the zoom,

00:13:13and then the one up front is the focus,

00:13:15and that's all you gotta do.

00:13:17Easy breezy.

00:13:18Easy.

00:13:19All right, let me try.

00:13:21What are you shooting?

00:13:23I'm resurrecting the iMurderer project.

00:13:26Really?

00:13:27What happened to the Israel feature?

00:13:30Um, yeah.

00:13:32That's not happening.

00:13:33Why?

00:13:34I think that it's because my manager finally read the script,

00:13:39and he fired me because Israel is a political subject,

00:13:45which maybe you didn't know,

00:13:47and also because the female lead wasn't likable enough.

00:13:51Uh, I guess I just don't know what likable is.

00:13:54Taking your shirt off, I guess?

00:13:56I don't know.

00:13:59Don't ask me.

00:14:01Erin was my manager, and so he has assistants, this girl named Diane,

00:14:04so she said that she would try as, like, a last favor.

00:14:06She would try and get me a meeting with some guys.

00:14:10I just don't think that's gonna happen.

00:14:12So I realized I just can't sit back and wait for permission from some guy to make a movie.

00:14:18I've gotta find a project that I can do by myself.

00:14:22Um, you know, nobody wants you to make a movie as much as you wanna make one yourself.

00:14:26It just makes sense. Nobody cares as much as you do, so you've gotta go out and just make it happen.

00:14:33Preach it, girl.

00:14:35So, do you want to shoot this low-budget indie with lots of integrity?

00:14:42Not really. Sorry, I just, I, you know, integrity's great and all, but it's not gonna pay my student loans.

00:14:53Um, well, could I just get your camera, then?

00:14:58Oh, yeah. All yours.

00:15:00Alright.

00:15:01Go get them, tiger.

00:15:02I hear these things shoot movies all by themselves.

00:15:05Meow, meow, meow.

00:15:08Let me see it.

00:15:11Why are you doing this again? I thought you hate being on camera.

00:15:21Yeah, obviously. I mean, not as charismatic as Pepper.

00:15:25I thought you said you can't control what your mouth does or something.

00:15:29Yeah, I have some kind of tick. Looks really stupid.

00:15:33So, why are you doing it?

00:15:36I don't know what else to do. I just feel...

00:15:40Fucked.

00:15:42Yeah, hasn't this project caused enough damage already? Like, when's the last time you talked to Chase? Have you guys started speaking again?

00:15:48No. Of course not.

00:15:50But it can't get any worse, right?

00:15:55Maybe we could meet up and I could apologize. I put him in a really terrible position. I don't know what I was thinking.

00:16:05Yeah, so apologize, but why are you starting it up again?

00:16:11I just feel like I'm out of options.

00:16:16And I already have the footage.

00:16:18I could go to law school, but I don't want to give up. I feel like I'm close.

00:16:30Maybe that's what all delusional people say.

00:16:34This time, I want to fully commit to doing this right. And by that, I mean as authentic as possible.

00:16:46I want to go through the whole arc of a murderer's career. The whole criminal escalation, but condensed into the length of a feature film.

00:16:56In my research, I found that killers build up to a murder as the culmination of a progression of thrills.

00:17:04So, I've got to do a small transgression to start my adrenaline addiction.

00:17:13Hello, Carrie.

00:17:15I'm sorry. I just had to FaceTime with you because I'm just feeling really bad. I'm just a wreck. Like, Mom is not okay.

00:17:22I'm like, I just don't know what to do. And I...

00:17:27Excuse me, sir. I was wondering, could you tell me where I could find greeting cards, or like, for a person who is very, very sick?

00:17:35Oh yeah, it's aisle six.

00:17:36Aisle six? Thank you.

00:17:43Great rest of your day.

00:17:45Thank you.

00:17:49Well, that was very anticlimactic.

00:17:51I thought I was going to make Cape Cods, but I guess I'm just not self-destructive enough.

00:17:56I think I'm going to be a good girl, and go back inside and put it back.

00:18:00And that is how you do a handcuff knot.

00:18:09Hi.

00:18:10How was work?

00:18:13Well, this job is going to kill me.

00:18:14Oh no. Did they order Thai again?

00:18:15No, I just spent all day in an edit bay taking notes from a 42-year-old woman who has absolutely zero experience.

00:18:16Like, you know, no one wants more than me for their beep.

00:18:18Oh no, I just spent all day in an edit bay taking notes from a 42-year-old woman who has absolutely zero experience.

00:18:23Hi, how was work?

00:18:27This job is gonna kill me.

00:18:30Oh no, did they order Thai again?

00:18:33No, I just spent all day in an edit bay

00:18:37taking notes from a 42-year-old woman

00:18:39who was absolutely zero experience.

00:18:43Like, you know, no one wants more than me

00:18:45for there to be parody and job opportunities

00:18:47for female filmmakers, but it's like fuck.

00:18:49Every time that we have a woman director

00:18:51they're always asking me, like, what do you think?

00:18:54And I'm like, it's a superhero teen show.

00:18:57Just destroy the city already. It's not that hard.

00:18:59And they're like, yeah, but it's really one for people

00:19:02to, you know, think of her ability to turn invisible

00:19:05as signifying the construction of femininity.

00:19:07Just completely overthinking it.

00:19:10Next thing you know, it's like a 14-hour day

00:19:12and all the characters now have new Latino friends

00:19:14and I have no idea how to integrate it all.

00:19:16It's like, you know, I like to think of myself as an ally

00:19:19or at least a sensitive person, but...

00:19:22I swear to God, by hour two of overtime

00:19:25I'm ready to just, like, slam my head into the desk

00:19:28and just, like, jizz all over my computer screen

00:19:31so that I can end the day.

00:19:36How are you doing?

00:19:38Did you hear from Diane about setting up the meeting

00:19:40with Big Winter?

00:19:41Why are you asking me that?

00:19:44Don't you think I would have told you first thing if I did?

00:19:50What is this?

00:19:52It's something for the movie.

00:19:54Um, just, I don't know if I'm gonna use it,

00:19:56but I just made a lot of progress today

00:19:59and I want to keep my momentum going.

00:20:01God, I don't even want to know what you mean by

00:20:03you made some progress.

00:20:04I mean, what does that have to do with the project?

00:20:07You'll see.

00:20:10God, you are terrifying.

00:20:14You're like a psychopath.

00:20:16You're my little psychopath.

00:20:18Are you a scary girl?

00:20:19Are you my scary girl?

00:20:21Do you really think it's possible that I'm a psychopath?

00:20:33If so, when did you first recognize the signs?

00:20:37And what were they?

00:20:39Has...

00:20:40Has that been recording this whole time?

00:20:42Is that okay?

00:20:43Am I scaring you?

00:20:45Are you afraid of me?

00:20:48Is your dick afraid of me?

00:20:50Why?

00:20:52You making a porn now?

00:20:54Is that all you know how to do?

00:20:58Wow.

00:20:59That was really unfair.

00:21:01I'm sorry.

00:21:02I'm kidding.

00:21:03It's just...

00:21:04You know...

00:21:05Like, everything that you make has to do with sex.

00:21:08You know that.

00:21:09It's like...

00:21:10You're gonna be on camera.

00:21:11Are you gonna be naked in this?

00:21:13I don't know.

00:21:16Probably.

00:21:20Yeah.

00:21:21Really?

00:21:24Like...

00:21:25How naked?

00:21:28Whoa.

00:21:31Now, I'm scouting locations for the next scene of the film.

00:21:35For me to find the perfect place, a lot of elements are gonna have to come together.

00:21:39You'll see.

00:21:40You'll see.

00:22:04Wow.

00:22:05Wow.

00:22:11Definitely not a murderer's best friend.

00:22:30Wow.

00:22:31I think...

00:22:32I know her.

00:22:34She's...

00:22:36An actress.

00:22:38She dresses like an actress.

00:22:41I've definitely seen her in something.

00:22:53Ground floor apartment.

00:22:55Perfect.

00:22:56I think it's carpet.

00:22:59I think it's carpet.

00:23:03Yeah.

00:23:05Carpet is perfect.

00:23:07Although, I would never have carpet in my place.

00:23:09I think it's disgusting.

00:23:11There's always hair in it.

00:23:13But for breaking and entering, it's ideal.

00:23:15It's less noise.

00:23:17Wow.

00:23:19Is that a landline?

00:23:21Okay, Mom.

00:23:22Great.

00:23:23Easy.

00:23:24Yesterday, I nailed the first step.

00:23:37I've got to keep my momentum going.

00:23:39I feel like breaking and entering is the natural progression story-wise.

00:23:44In Joseph Campbell terms, you're breaking the taboo of moving from one space into another and entering a new world.

00:23:55I'm just going to pop inside and get the lay of the land, and then I'll come back later when it's time to complete the next, next step, breaking and entering when the occupant is home.

00:24:04Lean in, baby.

00:24:17Are you serious?

00:24:25Jesus Christ.

00:24:29Hello?

00:24:31Diane?

00:24:32Did you get my email about the guy?

00:24:34Sorry, I was working.

00:24:35Are you available now?

00:24:36Yes, I am available now.

00:24:37I don't really want to be.

00:24:38Oh, my God.

00:24:39I'll email you.

00:24:40I'm working.

00:24:41Send the email.

00:24:42I'll be there.

00:24:43Excited for you.

00:24:44Thanks.

00:24:45Yes.

00:24:46Okay, thanks.

00:24:47Bye.

00:24:48Bye, Julia.

00:24:49Thanks so much for squeezing me in.

00:24:51I was so excited when Diane connected us.

00:24:54Like, I love everything that you guys are putting out right now.

00:24:58Oh, that's nice.

00:24:59Thank you for coming down here, coming all the way from New York to meet up.

00:25:03It's really nice of you.

00:25:05Oh, I actually live here in Highland Park.

00:25:10Really?

00:25:11Oh, I could have sworn you were a New York person.

00:25:13You're not New York based?

00:25:14No.

00:25:15Oh, crazy.

00:25:16I could have, you seem like a, she has a New York vibe.

00:25:19Definitely.

00:25:20Like more of a New York vibe.

00:25:21You're definitely a smoker.

00:25:22Passionately.

00:25:23Not that you're in bad shape, but you're not in, like, not in good shape.

00:25:25Well, it's like a New York shape.

00:25:27You guys don't mind if I film this, do you?

00:25:29It's for a personal project that I'm working on.

00:25:32Is that recording?

00:25:33Yes.

00:25:34What?

00:25:35I don't know.

00:25:36I'm not going to post it or anything.

00:25:39Right now, in this current climate, you can never have enough transparency.

00:25:42Oh.

00:25:43I mean, if it's about transparency, then go ahead.

00:25:45Yeah.

00:25:46We have nothing to hide.

00:25:47Second angle.

00:25:49Cool.

00:25:50So, tell me, what did you think of the script?

00:25:55Uh, to be honest, we have not read the script, but we did watch the shorts.

00:25:59Mm.

00:26:00And they are...

00:26:01I fucked up.

00:26:03Super dark.

00:26:04They're so fucked up.

00:26:05But kind of funny.

00:26:06Yeah.

00:26:07You seem like such a nice girl.

00:26:09Yeah.

00:26:10I don't know.

00:26:11It's crazy.

00:26:12Yeah.

00:26:13You know, we want you to take risks.

00:26:14You know, I would say even go bigger.

00:26:16Go bolder.

00:26:17You know, make bigger choices.

00:26:18I would love that.

00:26:20Yeah.

00:26:21So, we have a bunch of projects set up, actually, here, with strong female leads.

00:26:24Well, I mean, I could definitely come up with some ideas.

00:26:28But we would need you to.

00:26:29We already have a bunch.

00:26:30Yeah.

00:26:31We have a bunch of stuff at development of, basically, underrepresented voices.

00:26:34Yeah.

00:26:35Diversity.

00:26:36Being an ally.

00:26:37You might think people are white, but they're not.

00:26:40Intersexuality.

00:26:41Intersectionality.

00:26:42Inter...

00:26:43Intersectionality.

00:26:44Intersectionality.

00:26:45Uh, breastfeeding in public.

00:26:47Uh-huh.

00:26:48Intersectionality.

00:26:49Cool.

00:26:50So, what would you like me to do?

00:26:55Well, we want to see your take.

00:26:57Yeah.

00:26:58Basically, you have to come up with a lookbook for investors, which basically looks like something

00:27:03like this.

00:27:04You just have to come up with it.

00:27:05Wow.

00:27:06And these are, these are probably, like, 50 pages, sort of, um, you know, pictures of

00:27:11similar things, uh, you know, nice fonts, big font, put it together.

00:27:16And this is fast track, so we need that by next, uh...

00:27:19Friday.

00:27:20Friday.

00:27:21Well, these are really nice.

00:27:24Yeah.

00:27:25Like, really, they look so good.

00:27:28Like, I'm worried that I didn't think that I could come up with anything that looked as

00:27:32professional as this.

00:27:33Oh, no, no, no.

00:27:34Our friend made those in, like, they're super easy.

00:27:36Yeah, super easy.

00:27:37Yeah.

00:27:38This is a really big opportunity for you.

00:27:39You know, and, uh, we've been developing these ideas for a long time, and we are so close

00:27:44to, to finalizing the financing.

00:27:46So, at this point...

00:27:47That's so great.

00:27:48You have a green light?

00:27:49Yeah, I'm sorry.

00:27:51Um, so just so I understand.

00:27:53Mm-hmm.

00:27:54Uh, you already have the script.

00:27:55Yeah.

00:27:56Yeah, our buddy wrote it.

00:27:57Our buddy Derek.

00:27:58Yeah.

00:27:59Actually, uh, now that I'm thinking about it, you guys have a ton in common.

00:28:02Ah!

00:28:03Dude!

00:28:04Don't they?

00:28:05Think about that.

00:28:06Oh, my God.

00:28:07You're like, you're like the female him, but, like, weird and artsy.

00:28:08Yeah, yeah.

00:28:09You guys should meet, actually.

00:28:10I feel like you would actually...

00:28:11I'm not even joking.

00:28:12I feel like you would get married.

00:28:13I feel like you would get married.

00:28:14Oh, dude, yes.

00:28:15That'd be the most fucked up wedding.

00:28:16Yeah, if you don't have anybody, if you're not seeing anybody, I feel like I can set that up.

00:28:18I feel like the fucking Addams family.

00:28:20Well, that sounds promising.

00:28:23But we need an ally on your side, you know?

00:28:26Right.

00:28:27Yeah.

00:28:28Like, what do you mean?

00:28:30You know, we just need someone like you to, like, help spearhead these projects, you know?

00:28:35Mm-hmm.

00:28:36Someone with you with a voice and, you know, strong female voice and all that stuff.

00:28:40There's a bunch of girls coming in to, you know, to pitch on it.

00:28:43Oh.

00:28:44Yeah.

00:28:45Okay.

00:28:46Only the best, of course, you know.

00:28:48Okay.

00:28:49Okay.

00:28:50All right.

00:28:51Thank you.

00:28:52Do you have any other questions for us?

00:28:54No.

00:29:18All right.

00:29:19All right.

00:29:23Do you know.

00:29:25Oh, oh, oh, oh.

00:29:28I am, oh, oh.

00:29:30Oh, oh, oh, oh.

00:29:31Yeah, that's the problem.

00:29:32I have to convert this to the mic.

00:29:34And I have to give you a little tire.

00:29:37And even if I can you, how do I do it?

00:29:39Ouais, je suis juste...

00:29:53...disappointed...

00:29:55... parce que je pensais qu'il y avait des choses prettieres en ici...

00:29:59... et il y a beaucoup de choses qui sont en santé...

00:30:02... et elle a tellement de vitamines...

00:30:04... qu'elle pensait qu'elle allait mourir ou quelque chose...

00:30:09... je suis vivant ma meilleure vie...

00:30:39... donc...

00:30:45...

00:30:48...

00:30:58C'est juste un second angle pour coverage.

00:31:28Sous-titrage MFP.

00:31:58Sous-titrage MFP.

00:32:28Sous-titrage MFP.

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00:51:42Let's not talk hypothetically, let's speak for real.

00:51:46I don't know what you've done, but you have definitely changed.

00:51:52Then you don't want to be with me anymore.

00:51:56Jillian, you are destroying yourself. There's nothing that's worth that.

00:52:02If I want to destroy myself, so I can make something I'm proud of,

00:52:08so I won't be a failure anymore, that's okay with me.

00:52:12But I can't do it without your support.

00:52:15I don't want to do it without you.

00:52:17No, no, I can't do this anymore. It's just, it's too stressful.

00:52:20Oh, is my fucked up life stressing you out? I'm sorry.

00:52:24I'm just going to go stay with a friend.

00:52:26I'll figure out a time to come back and get the rest of my stuff and pick up Pepper.

00:52:29You do not come back and pick up Pepper.

00:52:31You take Pepper, I will fucking rip your guts out.

00:52:34Get out!

00:53:04You take everything out.

00:53:06You take what happened to me and eat.

00:53:08Do you get everything to control everyone?

00:53:10You take whatever

00:53:32Sous-titrage Société Radio-Canada

00:54:02Sous-titrage Société Radio-Canada

00:54:32Sous-titrage Société Radio-Canada

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00:55:14Je ne sais pas si vous avez dit que je n'ai jamais appelé à un homme.

00:55:18Ça semble vraiment condescending à moi.

00:55:21Je ne sais pas ce que votre situation est.

00:55:24Il pourrait y avoir une bonne raison que vous êtes ici.

00:55:28Oh, vous êtes bloqués ma beat cam.

00:55:29Pouvez-vous aller au côté du côté.

00:55:31Juste, je vais aller.

00:55:32Ok.

00:55:33Cool.

00:55:35Je pense que vous êtes un naturel.

00:55:36Nous pouvons mettre ça sur votre reel.

00:55:38Non problème.

00:55:40Donc, Phil, ce qu'est la dernière job que vous avez?

00:55:42Je travaille à Boston Market.

00:55:45Gross.

00:55:46Je ne mangeais pas le cuisine là.

00:55:51Ce que vous faites ?

00:55:54C'est difficile à comprendre.

00:56:00Je suis sûre que vous avez remarqué,

00:56:03notre économie est en un grand moment de transition.

00:56:05Donc, même si je n'ai un master's,

00:56:07je ne peux pas avoir un travail qui est qualifié pour.

00:56:11J'ai juste qu'il y ait de mettre de temps ensemble ensemble.

00:56:14Je suis en train de vivre plutôt hand-to-mouth.

00:56:19Donc, vous avez une famille ?

00:56:22Un...

00:56:24Mais...

00:56:32Mais personne ne sait où vous êtes maintenant ?

00:56:41Donc, vous êtes sérieux de vouloir avoir sexe ?

00:56:53Le truc est...

00:56:55Je veux juste avoir sexe.

00:56:58Je suis juste très...

00:57:02Vous savez, maintenant, je me sens très inscure.

00:57:05Et je me suis worried que je ne peux pas se faire de ma tête.

00:57:08Et je ne sais pas, je ne sais pas, je ne sais pas.

00:57:13Oh...

00:57:18Mais je pense que vous pouvez me parler de ça.

00:57:22Um...

00:57:24Vous l'aurez vraiment cute quand je l'ai vu.

00:57:29Oui.

00:57:31Et...

00:57:33Quand vous m'avez acheté, c'était...

00:57:35C'est Sophie.

00:57:41Je dois être essentiel, c'est...

00:57:42Passez.

00:57:45Je crois que votre...

00:57:47Aux tête...

00:57:49C'est...

00:57:50..che !

00:57:51Ce n'est pas un compliment.

00:58:00Non s'il vous plaît, je vais commencer.

00:58:21Sous-titrage Société Radio-Canada

00:58:27Wow, that was actually pretty good.

00:58:32Which is why this next part is going to be so much harder.

00:58:39Do you think it's been 26 to 32 minutes since you drank that soda?

00:58:51Sous-titrage Société Radio-Canada

01:02:03Mais tout le monde vous rencontre est comme,

01:02:05« Ah, vous travaillez pour un service insurance, vous êtes le devil ! »

01:02:08Je veux dire, ça ne se passe pas aux gens qui travaillent dans d'autres domaines.

01:02:11Je veux dire, « Ah, vous travaillez pour l'industrie de l'industrie,

01:02:13et les airplanes crash, vous êtes mauvais ! »

01:02:16Alors, peut-être qu'ils vont dès leurs expériences,

01:02:19parce que je n'ai jamais été sur un plane que a été crash,

01:02:21mais je dois avoir l'insurance.

01:02:23Non, non, non, non.

01:02:25C'est le prix de la santé.

01:02:27Il y a beaucoup de gens ne comprennent pas.

01:02:29Je veux dire, toutes ces personnes veulent être couvées pour tout,

01:02:32et vous ne pouvez pas faire un business comme ça.

01:02:34OK ?

01:02:35Le premier choix, le premier choix,

01:02:37c'est un business.

01:02:39Il a besoin de faire un profit,

01:02:41ou...

01:02:42ou...

01:02:43je n'ai pas un travail.

01:02:45OK ?

01:02:47C'est malheureusement, mais je pense que les gens sont stupides.

01:02:50Oh.

01:02:53Il doit mourir.

01:02:55Je veux dire, tu sais quelqu'un qui est mort ?

01:03:02Pourquoi tu déniss pour…

01:03:03Oui, c'est drôle.

01:03:04C'est difficile de faire fr scanner

01:03:06et c'est facile !

01:03:08Sous-titrage ?

01:03:09Sous-titrage Société ?

01:03:11Sous-titrage Société ?

01:03:12C'est obvious ?

01:03:14Les gens sont très judgements.

01:03:16C'est difficile d'être open.

01:03:18Oui, c'est très vrai.

01:03:23Vous voulez aller sur un date avec moi ?

01:03:26Vous n'avez pas besoin de me payer.

01:03:42Je pense que je dois mentionner que j'avais unprotected sexe avec un homme last night.

01:03:53Je voulais être testé.

01:03:55Mais je n'ai pas l'insurance.

01:03:57Qu'est-ce qu'il y a vous ?

01:03:58Vous pouvez être testé pour free à tous les gays places.

01:04:01Je suis juste qui.

01:04:03Nous avons utilisé un condom.

01:04:05Je ne suis pas craqué.

01:04:06Je suis désolé.

01:04:08Je suis désolé d'insurance parce que j'avais une condition pré-existe.

01:04:12C'est juste un moderne anxiety disorder.

01:04:15C'est rien que quelques dollars a month d'antidepressants ne peux pas.

01:04:19Mais...

01:04:20J'ai été très stressé depuis l'année.

01:04:23J'ai été très stressé depuis l'année dernière.

01:04:25J'ai mis boyfriend et moi.

01:04:26J'ai eu...

01:04:27J'ai eu...

01:04:28J'ai eu...

01:04:29J'ai eu...

01:04:31Je ne me sens pas bien.

01:04:33Je ne me sens pas très bien.

01:04:34Je ne me sens pas très bien.

01:04:35Je ne me sens pas que je vais passer.

01:04:37Les ambulances sont tellement car printed.

01:04:40Je vais juste tejadier ensuite-

01:04:44Donc...

01:04:45Vous m'avez dit combien ?

01:04:47J'ai eu...

01:04:48Ca tenté mon me faire un coup?

01:04:49Mais il n'est pas très Share!

01:04:51Il faut que j'aise 경찰.

01:04:54Je suis juste un expert pour leupper 그爱?

01:04:57Je ne me sens pas t'invite par Detien.

01:05:00Je sais pas vraiment la sense àū,

01:05:01Frise-B septembre.

01:05:02Mais c'est cette nature de la gative.

01:05:06C'est pas toujours facile, je te le dis.

01:05:14Non, je ne peux pas. Je n'ai pas à l'extérieur.

01:05:19C'est bon, je sais que c'est pas mal.

01:05:21C'est bon, c'est l'un, comme c'est un suicide !

01:05:36Sous-titrage ST' 501 ?

01:05:50Who would've thought this twat would have a gun?

01:05:55I wanted everyone to think I was a really great person because I didn't drink.

01:05:59I didn't know that Donald Trump doesn't drink,

01:06:01and when I realized what a f**king dumbass I been acting like,

01:06:04I f**king killed myself.

01:06:06Sous-titrage Société Radio-Canada

01:06:36Sous-titrage Société Radio-Canada

01:07:06Sous-titrage Société Radio-Canada

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01:08:48Sous-titrage Société Radio-Canada

01:08:50J'espère que vous devez les dix.

01:08:52J'aimerais les dix de vous.

01:08:54End of today.

01:08:56All right.

01:08:58I bet you would, ass-clowns.

01:09:06I'm never going to see Chase again.

01:09:08And it's very hard with the date being so close.

01:09:10Fucking knew it.

01:09:12We planned our perfect wedding together.

01:09:16My vow, I was...

01:09:18He loved my Michael Caine impression.

01:09:20I was going to surprise him.

01:09:22It's so silly.

01:09:24Do you want to hear it?

01:09:26Mm-hmm.

01:09:28Hey, wow.

01:09:30So great to see you both.

01:09:32How have you been, Keith?

01:09:34Stalin.

01:09:36That's what you like to call me behind my back, right?

01:09:40Oh, I'll call you that to your face.

01:09:42Look at you, getting back out there.

01:09:44You are so brave.

01:09:46Just so you know, Keith has one of those big editing monitors.

01:09:50So I don't know if you'll be able to throw it out a window.

01:09:53You might not be boyfriend material.

01:09:55Jillian, you totally got it wrong.

01:09:56We're just having coffee.

01:09:58Look at me, I'm in mourning.

01:10:00Does this look like a first date outfit to you?

01:10:03I don't know.

01:10:04Maybe it's not a first date.

01:10:06Jillian, look, please just leave.

01:10:09Can I just say something?

01:10:14Can I just say...

01:10:16It should have been you.

01:10:19Hey, hey, hey.

01:10:21No, no, it's okay.

01:10:23You really want to talk about this.

01:10:25Let's talk about this.

01:10:27Because I ask myself every day

01:10:29how he ended up with that sesame seed bagel in the first place.

01:10:32We all saw the police report.

01:10:34He had epinephrine in his system when he died.

01:10:36Jillian gave him the shot.

01:10:37Yeah, I know.

01:10:39But he was just very sensitive about his food allergies.

01:10:42Well, maybe he just woke up that morning

01:10:45and decided he'd rather choke on a bagel

01:10:47than get married to your crazy ass.

01:10:49Jillian, that's too much.

01:10:51How did you even say that to someone?

01:10:53He was my Prince of Charming, and now he's gone.

01:10:57I'm coming back for the rest of my stuff.

01:11:02Don't bother. I gave it to the homeless.

01:11:06Hey, I know you're lying, Jillian.

01:11:12Hold on, hold on.

01:11:14I need you to tell me

01:11:19what was the last thing that he said.

01:11:22Was there... Did he say anything about me?

01:11:31Okay.

01:11:32Um...

01:11:34Let's put aside all of our stuff.

01:11:37I know this is bigger than that.

01:11:40And you deserve to know the truth.

01:11:43But I have something to ask you that's important to me.

01:11:48Because I want to know the truth.

01:11:51Okay?

01:11:54You've always hated me, haven't you?

01:11:57Yes.

01:12:10Just before he went...

01:12:15The last thing that he said...

01:12:17It was...

01:12:20It was...

01:12:21I'll see you in hell, Stalin!

01:12:35I feel like I've taken this crime spree as far as it can go.

01:12:48I think I got a bit angry.

01:12:50I was feeling helpless.

01:12:51Got distracted.

01:12:53Killing all these people is starting to feel like work.

01:12:56It's not fun anymore.

01:12:58I'm not feeling the creative fulfillment I had when I got started.

01:13:05Don't do that. It tickles.

01:13:11I know what you're thinking.

01:13:13Why did I start murdering in the first place?

01:13:16Because I'm good at it.

01:13:18And people are garbage.

01:13:20But it's taking up too much of my time now and I've got other goals.

01:13:25Why don't I just do one final one and really make it count?

01:13:38I've never been back in the first place.

01:13:40The main thing is, I'm trying to make it park.

01:13:42And I'm having to go, I don't know what you're thinking.

01:13:45I don't know what you're thinking about it.

01:13:46C'est parti.

01:14:16Oh, my God.

01:14:30I'm not talking to that crazy bitch.

01:14:46Oh, my God.

01:15:16Oh, my God.

01:15:46Why can't I move?

01:15:55You fucking bitch.

01:15:58You'll never get away with this.

01:16:00Oh, but I totally will.

01:16:06Your suicide note practically writes itself.

01:16:09Shaken by your fiancé's untimely demise, you've realized the unfairness of your survival.

01:16:18He was the good person who should have lived.

01:16:23You are the bad person who should have died.

01:16:28And now, to redeem yourself, you are donating your good organs from your evil body to nice

01:16:38people, so that they can live.

01:16:48Now, I will take your heart, which is in perfect condition, because you never used it.

01:16:57Hello, my name is Stalin.

01:17:07Please send an ambulance to 2111 Silver Lake Boulevard to pick up my organs.

01:17:15You will find my body in the bathroom.

01:17:19Wait a note.

01:17:21I'm sorry for being such a bloody cunt.

01:17:25That was, uh...

01:17:38That was crazy.

01:17:41I'm not sure what I just watched.

01:17:44Yeah, I mean, good for you, though, for getting out there and, you know, doing your...

01:17:49You know, this is cool.

01:17:51I mean, that's cool.

01:17:52Uh, I'm not sure I bought it.

01:17:54Yeah.

01:17:56You know?

01:17:56Um, it's a very interesting idea.

01:17:59Yeah, something there.

01:18:00Yeah, I just, I sort of wish there was that strong female lead.

01:18:03Something, yeah, yeah, someone likable.

01:18:05Yeah, yeah.

01:18:05Yeah.

01:18:06You didn't think I was likable even when I had my shirt off?

01:18:10Actually, those parts were okay.

01:18:11I mean, I think I wanted, like, a real actor.

01:18:15But it was real.

01:18:18Like, it was all real.

01:18:20Remember, you guys told me that you wanted me to take more risks, like, be bold?

01:18:26Yeah, I mean, we definitely support you guys as artists.

01:18:28We could never do what you guys do, you know?

01:18:31Yeah, look, look, let me level with you, okay?

01:18:33I really respect you, so I just want to tell you what I really think.

01:18:37Mm-hmm.

01:18:39Uh, I just...

01:18:41I didn't buy it.

01:18:43It was just, I couldn't suspend my disbelief.

01:18:46Yeah, it was pretty unbelievable.

01:18:47At all.

01:18:48I kind of don't know what to say.

01:18:54Clearly, you just watched something that was authentic.

01:18:59Mm-hmm.

01:18:59In more ways than one.

01:19:01I opened up a vein, and the veins of other people, and I put it on screen.

01:19:08Obviously, it was a very personal project to you.

01:19:11I mean, actually, I felt kind of embarrassed for you watching it.

01:19:16I just mean, like, all of our ideas were about these important women's issues, you know?

01:19:19Like, we talked about, like, intersectionality, strong female, all that stuff.

01:19:24And I feel like, um...

01:19:26I guess, like, this feels like a step back for... for women.

01:19:30Mm-hmm.

01:19:31To be honest.

01:19:33Okay.

01:19:35Thanks for telling me.

01:19:37Um, did you do those decks?

01:19:38Can we see those, actually?

01:19:40Yeah.

01:19:40The decks?

01:19:46What you doing?

01:19:49You didn't do the decks.

01:19:50No.

01:19:53Okay, that's... that's pretty disappointing.

01:19:55All right.

01:19:57Look, the only reason we met with you is because Diane told us you were this amazing person.

01:20:01We were... we love Diane.

01:20:02Diane's fucking awesome.

01:20:03So we were like, yeah, okay, we'll meet with her.

01:20:05Okay.

01:20:07Okay.

01:20:07I just mean, like...

01:20:09Like, with all due respect, like, I just don't know if this is the right field for you.

01:20:13Like, we want a director who can play ball, and I feel like I would give you a ball,

01:20:18and you would, like, call it a giraffe, and then, like, set the giraffe on fire.

01:20:24You know what I'm saying?

01:20:25Like...

01:20:25I'm sorry.

01:20:26I don't know.

01:20:26It's just we gave you all of these ideas, and then you go off and you make weird Francis Ha.

01:20:32You know?

01:20:33It's just, like, not useful at all.

01:20:34Can you ask Brianne to call that Uber?

01:20:48Look, you know, I'm really sorry.

01:20:51You know, we gave you this opportunity, and it just didn't work.

01:20:54I understand.

01:20:54Okay.

01:20:55Cool.

01:20:56And don't worry about the decks.

01:20:58It's totally cool.

01:20:59Okay.

01:21:00Thank you.

01:21:00You know, people say right now that, like, women shouldn't apologize so much, you know?

01:21:07And I just want to say, I'm sorry.

01:21:11Hey, we're all learning.

01:21:12Right?

01:21:13You know, we're doing our best.

01:21:14I'm sorry.

01:21:14It's all right.

01:21:15You're sorry that I do it exactly how you wanted me to.

01:21:19I'm sorry it didn't fit your expectations.

01:21:22But I do do it for you!

01:21:24I do it for me!

01:21:25Oh!

01:21:26Oh!

01:21:27Oh!

01:21:28Oh!

01:21:29Oh!

01:21:30Oh!

01:21:31Oh!

01:21:32Oh!

01:21:33Oh!

01:21:34Oh!

01:21:35Oh!

01:21:36Oh!

01:21:37Oh!

01:21:37Oh, my God!

01:21:40Brienne!

01:21:40Is this better?

01:21:41Producer number two?

01:21:43Is it looking more real?

01:21:44Any notes?

01:21:45Please.

01:21:46Please.

01:21:47Don't do this, all right?

01:21:48I love your film!

01:21:49Oh!

01:21:52Don't get mad, girl.

01:21:55Just give me a minute.

01:21:56I have some photos on my phone.

01:21:57I have to delete, OK?

01:21:58Dumb fucks like you don't get two minutes.

01:22:01If you knew what I was, you wouldn't even ask me that.

01:22:04What are you?

01:22:05I'm a strong female lead.

01:22:07Oh!

01:22:08I love her.

01:22:08All right?

01:22:08You're reading my notes.

01:22:09Excuse me?

01:22:10Are you told me that was telling me?

01:22:13I'll never get mad.

01:22:14I'll never get Taliban entrepreneurs

01:22:14I'll never get out there, huh?

01:22:16Lately.

01:22:16Everybody out of those new days, I'm having fun!

01:22:18The people are too late, huh?

01:22:22потain darling's LEDs

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