- 2 days ago
Category
🎥
Short filmTranscript
00:00:30I didn't want to be like him.
00:00:47I didn't want to...
00:00:59I didn't want to be like him at all.
00:01:10He was always very kind of boyish.
00:01:13He was not socialized, I would not say.
00:01:18He had never really been into a small town.
00:01:23It horrified me.
00:01:28It horrified me to see that dark room.
00:01:36And the light that he worked under was just a very small patch.
00:01:44He was very kind of a small patch.
00:01:50He was very kind of a small patch.
00:01:53He was very kind of a small patch.
00:02:27Whether it was my mother that called or someone from Colombia, I have no idea.
00:02:52I just got the message that my father had died.
00:02:57Smile.
00:03:13Good.
00:03:16Good.
00:03:18Good.
00:03:28Good.
00:03:30Good.
00:03:34I forgot my hands off.
00:03:36All right, up there.
00:04:04We build all the stuff they put together.
00:04:10But we do this way and do whatever we want.
00:04:16Now, it's like this kind of thing.
00:04:19And the fear of it.
00:04:23Oh, come on, you remember?
00:04:25I'm standing on a soft rock.
00:04:34Wow.
00:04:46It's lovely.
00:04:49Great.
00:04:53What do we have here? 3L?
00:04:55This is the BTN.
00:04:59Right, so that's an efficiency gap.
00:05:02So, the band was completely missing.
00:05:06Do you know the whales are here?
00:05:08Where the whales are?
00:05:10You dissect it down very grand.
00:05:12Right, but you do understand that essentially what this means is that it's spontaneous.
00:05:16There's a massive gap here.
00:05:18We actually down a little bit further, too.
00:05:23That's fascinating.
00:05:25Hey!
00:05:26Hey!
00:05:27Let's skip this session today!
00:05:28Let's read this session.
00:05:33There are the meadows!
00:05:39There are the woodlands!
00:05:41Roved in clouds of blooming spring
00:05:49Jesus is fairer, Jesus is purer
00:06:00Roved in clouds of blooming spring
00:06:13Jesus is fairer, Jesus is purer
00:06:26Deep aids our sorrowing spirit
00:06:35Tilt up. Tilt the camera up.
00:06:41Betsy, I want the trees and... Tilt it up.
00:06:50Take off your hat.
00:06:51Hang on. I was going to take off my hat. Settle down.
00:06:55Come on.
00:07:10Come on.
00:07:16You've got lead feed. Come on.
00:07:31You've got lead feed. Come on.
00:07:38Dr. Bridges. Dr. Wilson.
00:07:53Betsy, hurry up. Come on.
00:08:08Hello. Hello.
00:08:20I'm Calvin Bridges' daughter and I'm coming to visit his work.
00:08:24Welcome. Come on in. Have you ever seen a side of a frog before?
00:08:28No.
00:08:29This is what it looks like. See? I just opened it up here.
00:08:33You can see what's inside.
00:08:34Betsy. Betsy, come on.
00:08:36I have to go.
00:08:37All right. Have a good day.
00:08:38You too.
00:08:39It was a pleasure meeting you.
00:08:40Pleasure.
00:08:43Enjoy your frogs.
00:08:51Don't touch anything. Don't move anything.
00:08:56You're talking to anyone while they're working.
00:08:59And especially in your photographs in the lab.
00:09:02But that's what I brought my camera for.
00:09:03Betsy.
00:09:04FW1.
00:09:14Yes?
00:09:16Hello, Morgan.
00:09:17Calvin.
00:09:18Betsy.
00:09:21Hello, Professor Morgan.
00:09:22Well, hello, Betsy.
00:09:23Gertrude sends her thanks for helping today.
00:09:25Of course.
00:09:26My pleasure.
00:09:29Now, how is your dear mother?
00:09:31She has trouble walking up the stairs, and now I have to carry Nate.
00:09:36Good morning, Dr. Bridges.
00:09:38So nice of you to join us.
00:09:42How is mapping the first chromosome, Dr. Sturdivant?
00:09:45Will it be ready by the end of 1927?
00:09:48That all depends on whether you get me the most recent recombination frequency numbers, Dr. Bridges.
00:09:52So kinder.
00:09:59This one's got a funny little right wing.
00:10:02One of yours, Herman.
00:10:03I believe I'll call it.
00:10:05I want.
00:10:07After Igor.
00:10:09What do you think?
00:10:10You see, it starts as an egg, and then it becomes a larva, and then finally a pupa, and then, of course, once again, the adult flop.
00:10:22I want some time.
00:10:23Oops.
00:10:24No, that's...
00:10:25We're okay.
00:10:26No horam.
00:10:27No horam.
00:10:30No horam.
00:10:35Now, I have something that I'm clear.
00:10:42That's okay.
00:10:45I stand alone.
00:10:46No, that's...
00:10:47We're okay.
00:10:49No horam.
00:10:51Now, I have something that I'm quite sure will interest you.
00:11:02I think you're going to really like this.
00:11:09Madame et Monsieur, le paradis.
00:11:21You, you, you're going to really like this, but you're only going to get this, but you're going to be able to do it.
00:11:32Come in, please.
00:11:55Uh, Edith, Betsy, I'd like you to meet Miss Wallace.
00:11:59Come with me, dear.
00:12:00Do we need a number on this?
00:12:03Does it matter?
00:12:03Probably not.
00:12:04T1.
00:12:05That was mine.
00:12:06Oh, terrific.
00:12:07I'm going to go with that.
00:12:08It's one of mine.
00:12:13Did you make all these drawings?
00:12:16They're very good.
00:12:30May I have some paper, please?
00:12:32Of course.
00:12:36That's very beautiful.
00:12:41Very, very good.
00:12:45There you are.
00:12:46What's that?
00:13:01That is the Vitruvian Man by Leonardo da Vinci.
00:13:04But he's naked.
00:13:06No.
00:13:08He's not naked.
00:13:10He's nude.
00:13:12And there's nothing wrong with a naked body in the context of great art.
00:13:18Have you ever seen a naked man, Miss Wallace?
00:13:23You?
00:13:24I've only ever seen my brothers naked.
00:13:26They look very silly without clothes.
00:13:28Not bad, Calvin.
00:13:41None of these days that file was ready.
00:13:51Miss Wallace?
00:13:52Yes?
00:13:53How do you make the eyes on the flies look real?
00:13:56Well, inside the fly eyes are hundreds of repeating shapes.
00:14:03And you may want to color in those shapes different shades of red.
00:14:07Well, of course, going around the banana.
00:14:12Can I tell you about the...
00:14:14Canton and Strain?
00:14:19How I named it?
00:14:20No, not quite.
00:14:22You know, I captured that Strain in Canton, Ohio.
00:14:25Hence the name.
00:14:27Guess what the S is for?
00:14:30Sarah.
00:14:32Shara.
00:14:33Sarah.
00:14:33Who's Shara?
00:14:35Special Sarah.
00:14:37Yes, she is.
00:14:37She's a special guy.
00:14:39Her vagina was so large.
00:14:41My God, man, by the way she could work it.
00:14:44Anyway.
00:14:45You know, there are three.
00:14:47I like red.
00:14:48This is the newest color.
00:14:49Red is a beautiful color.
00:14:50And while I was waiting, they had both...
00:14:57They served to their guest those three bananas.
00:15:02And surrounding the bananas were these wildflies, the Cantonese.
00:15:06Well, this excited me.
00:15:08I followed my impulse.
00:15:10I grabbed the fly.
00:15:11I put it in a vial that I had myself.
00:15:13While I danced with Sarah for the next hour and a half.
00:15:20The flies.
00:15:21The flies.
00:15:21I love you.
00:15:30I love you.
00:15:32I pray.
00:15:45I don't know.
00:16:15I don't know.
00:16:45I don't know.
00:16:47Let me introduce you.
00:16:49This is Betsy.
00:16:51Betsy Meredith.
00:16:53And that's baby Edward over there.
00:16:55Oh my God.
00:16:57What have we there, baby Edward?
00:17:06A good smile, anyway.
00:17:10This looks wonderful, William.
00:17:12Have we eaten yet?
00:17:14We have not eaten, but we must all be hungry.
00:17:16Let's see what's in here for us to eat, shall we?
00:17:19Can you open your mouth a little bit larger now?
00:17:21Here it comes.
00:17:22Here it comes.
00:17:23Wow.
00:17:24This is mine.
00:17:27Is that right, huh?
00:17:28Okay.
00:17:30Well, we're going to have a...
00:17:32Here it comes.
00:18:02What are you thinking about?
00:18:19Listening to the cicadas.
00:18:22What were you doing 17 years ago?
00:18:26I'm not thinking that I would come up for four weeks to the surface of the earth.
00:18:32And then pass away.
00:18:35Could you spend 17 years underground?
00:18:39I think perhaps I already have.
00:19:07Mutations can either be mistakes or they can lead to improvements in how the body works.
00:19:34Look at the earthworms that I found at the park today.
00:19:38Oh my, aren't they beautiful?
00:19:41Yes, I'm going to give them some dirt to eat.
00:19:43And do they have names?
00:19:45Yes, that's Billy, Barbara and Buster.
00:19:48They're very beautiful creatures.
00:19:50Yes.
00:19:52Does anyone study earthworms like you study flies?
00:19:58Well, one can study mutations in insects.
00:20:02Barbara!
00:20:04Earthworms.
00:20:06Humans.
00:20:08Plants.
00:20:10Trees, really anything.
00:20:12Could you get Billy off of my drawing please?
00:20:14I'm sorry.
00:20:15Thank you so much.
00:20:17It's good you remembered it was Billy.
00:20:19I know, I don't want to mix up your friends.
00:20:21I think you're Billy.
00:20:24How do you tell if a worm is a boy or a girl?
00:20:28That is a very good question.
00:20:30I think you should ask your father about that.
00:20:32One day.
00:20:33A scientist.
00:20:34Yeah.
00:20:35Oh.
00:20:36This one's had a rough night.
00:20:39What's wrong with it?
00:20:41Don't tempt fate Herman.
00:20:48Say hello there.
00:20:50Hello Mr. Mueller.
00:20:52How are you Betsy?
00:20:54Good.
00:20:55Good.
00:20:56And you?
00:20:58I'm doing just fine.
00:21:01What are you doing here Betsy?
00:21:02Spending the day with you like Mother said.
00:21:05That's my desk.
00:21:06Go back with Edith.
00:21:12That's not what Mother said I should do.
00:21:15Well your mother's not here is she?
00:21:17Go back to Edith.
00:21:19I'm going to tell her what you said.
00:21:33Quite an unruly child.
00:21:35Be careful, Stur.
00:21:36She'll take your job.
00:21:37Ninth day.
00:21:38Ninth day.
00:21:39Ninth day.
00:21:40Ninth day one.
00:21:45I'm getting no females in this batch.
00:21:47After tomorrow, I want to hear nothing more about you.
00:22:06Why?
00:22:07Why?
00:22:08Go to sleep.
00:22:20I love you, mom.
00:22:33I love you, sweetie.
00:22:38God bless you.
00:22:40What does it matter if I am a certain life?
00:22:54You have to help me on this one.
00:22:56The doctor said not to me.
00:22:58I have to stay here.
00:22:59She wants to play.
00:23:00She wants to get ahead of things.
00:23:02I'm going to have to take her again and show her.
00:23:04It is no place for little girl.
00:23:06Betsy does not need to see one more.
00:23:08For Christ's sake, quiet down, Calvin.
00:23:10Don't tell me to be quiet.
00:23:13Jesus fucking Christ.
00:23:32You know, there's nothing quite like starting up your morning by...
00:23:38wiping three-week-old banana goo off milk bottles.
00:23:44How many do you have left to clean?
00:23:45Oh, endless supply.
00:23:46Endless.
00:23:47Can I help you?
00:23:48This is no task for a fine lady like yourself.
00:23:49I don't mind.
00:23:50I don't mind.
00:23:51You know, there's nothing quite like starting up your morning by...
00:23:52wiping three-week-old banana goo off milk bottles.
00:23:55How many do you have left to clean?
00:23:56Oh, endless supply.
00:23:57Endless.
00:23:58Can I help you?
00:23:59This is no task for a fine lady like yourself.
00:24:03I don't mind.
00:24:04Okay, well, I'm gonna need this.
00:24:05Here you go.
00:24:06Oh.
00:24:07A lot of fun, right?
00:24:10You know, your father actually... designed a new type of bottle.
00:24:25Square bottom.
00:24:26Prevents it from rats.
00:24:31The square bottom prevents it from rattling around in the crates when we transport them.
00:24:36He also invented an improved fly food recipe that doesn't spoil us quickly.
00:24:42But he doesn't want to share it with the rest of us.
00:24:45I told you, Herman. The secret is molasses.
00:24:50And so...
00:24:51Oh, I'm sorry.
00:24:52I just ripped over here.
00:24:54And I'm done. And faster than you.
00:24:58Oh, but less thorough.
00:25:00That's where the real artistry of this job lies, young Betsy.
00:25:24So this yellow fly here has long hair on its back.
00:25:29Antennae as long as its face.
00:25:32And also long eyelashes.
00:25:34And white eyes.
00:25:36We call this fly sternoplural.
00:25:39Doesn't it look like your father?
00:25:42Yes, it does look a bit like him.
00:25:45Mm-hmm.
00:25:46And the smaller version of the same fly would be you.
00:25:50I don't look anything like him.
00:25:55I look like my mother.
00:25:57Mueller, what's the latest on the sex ratios of the last cross?
00:26:05Uh...
00:26:06About three to one ratio, male to female.
00:26:12I counted 321 males to 96 females.
00:26:20Mr. Mueller?
00:26:22Hmm?
00:26:23I'd marry you when I grow up, probably.
00:26:26Though you already have a wife.
00:26:29Well, if I didn't have a wife, I think I would accept.
00:26:35Are you taking pictures?
00:26:49Yes.
00:26:50Um...
00:26:51Perhaps maybe you can get my left side.
00:26:54I seemed preferred over my right.
00:26:57Ahem.
00:26:59I think you look fine either way.
00:27:02Well...
00:27:05Smile.
00:27:07I'm smiling.
00:27:09Both sides.
00:27:12What are you doing?
00:27:24Well...
00:27:27I'm calculating crossing over frequencies to determine the distance between genes on a chromosome.
00:27:33Can I take a picture of your crossword puzzle?
00:27:36No.
00:27:37These snapshots are disturbing us.
00:27:39Go away.
00:27:40Yesterday, Miss Wallace told me you can't see colors.
00:27:45Well, Miss Wallace is wrong.
00:27:47I can see certain colors.
00:27:49Why only certain?
00:27:51Well, that's...
00:27:54That's the way I was born.
00:27:56Why do you have two hands?
00:27:58Why are your eyes blue?
00:27:59Why is your hair the color that it is?
00:28:01Why are some people tall and some people short?
00:28:03It's just the way we're born.
00:28:05And what determines those characteristics...
00:28:09That's exactly what we're trying to study right now.
00:28:13Can you see the red eyes on the flies?
00:28:15Or does my daddy have to tell you that they're red?
00:28:18No.
00:28:19No, I can see just fine.
00:28:21I collect all the data about the different kinds of flies I see.
00:28:26Why don't you go and ask your father about his totem pole?
00:28:29Why don't you go and ask your father about his totem pole?
00:28:31Why don't you go and ask your father?
00:28:32Why don't you...
00:28:33Why don't you show me earlier?
00:28:34Yes.
00:28:37I was looking at you.
00:28:38Yeah.
00:28:39This is the bithorox mutant.
00:28:40What is this?
00:28:42It's quite amazing.
00:28:43A second pair of wings, a second stomach, and completely duplicated thoracic features.
00:28:48I've never noticed that the duplication of the second thoracic segment led to a loss of the whole view.
00:29:18Betsy, word is, it's going to be wild tonight.
00:29:48It's going to be wild tonight.
00:30:18It's going to be wild tonight.
00:30:48Are these bithorax flies?
00:31:06Yes, they are.
00:31:11Is it caused by a mutation?
00:31:15Well, yes it is.
00:31:21During development, there is a duplication of one of the body segments.
00:31:35What happens is a fly has little fat arms known as halteers.
00:31:43But the bithorax changes those little fat arms into wings.
00:31:49The added weight of the fly and the absence of the halteers restrict the most beautiful mutant we have from actually flying.
00:32:05Can I look inside?
00:32:07Sure, one moment.
00:32:13Don't touch that.
00:32:27It's an expensive object, not a toy.
00:32:31Go ahead.
00:32:35Don't squint.
00:32:37I'm not squinting.
00:32:39Pretend you are looking through.
00:32:41Like this.
00:32:45They're real.
00:32:53Can you see the dark spot?
00:32:54Yes.
00:32:55That's the meconium.
00:32:57The meconium is a dark spot that indicates that the fly is a virgin.
00:33:05What does that mean?
00:33:07What does that mean?
00:33:09Hey, Alfred.
00:33:11You know all about that.
00:33:13Why don't you tell Betsy what a virgin is?
00:33:17How should I put this?
00:33:21A virgin is a young female who has not yet been touched by a male.
00:33:33Are they dead?
00:33:37They keep twitching.
00:33:39They're having nightmares.
00:33:55What's your stock over here?
00:33:59Here.
00:34:00Here you go.
00:34:02Some ether.
00:34:04But those little fellas in sleep.
00:34:081500 flies are quite sufficient, but 1.8% for BPR recombination is low.
00:34:14There's lots of variability.
00:34:16Since you have Hoenone mutant in the last minute of two,
00:34:20that resembles O, probably a new locus.
00:34:24a new locus.
00:34:26A new locus.
00:34:28The least times.
00:34:30A new locus.
00:34:32A new locus.
00:34:34A new locus.
00:34:36The new locus.
00:34:38Sweetie, I think you went a bit too far with the ether.
00:35:05Those fellows are going to be asleep for a very long time.
00:35:10How long?
00:35:12Possibly eternity.
00:35:15Here's what you do.
00:35:19A quick dunk onto cotton, like so.
00:35:24That's all they need to be all nice, relaxed, and happy.
00:35:29What's a three letter word for?
00:35:32Fly. Ass. Classy.
00:35:44On the 89th. It's the 89th factor for the bithorax.
00:35:48Oh, that's incredible. On the first T2.
00:35:51I think we almost have enough data to put a pen in there.
00:35:54Bill, I'd like to introduce you to my colleagues.
00:35:56Mr. William Pearlie, this is Dr. Bridges, Dr. Sturdivant.
00:36:01Bill is here on assignment from Popular Science.
00:36:05I've been explaining to Bill about your outstanding work on the life chart.
00:36:10Nice to meet you.
00:36:11Nice to meet you.
00:36:12So, this is the world famous life chart?
00:36:14Uh, yes. Well, we like to call it the totem pole.
00:36:17Herman, I found a virgin.
00:36:19Betsy, enough chatter.
00:36:21Will you excuse me, gentlemen?
00:36:24Yes, this is the totem of the, uh, hereditary controlling genes.
00:36:30Each panel represents a different chromosome of the fruit fly.
00:36:34Each pin is a gene.
00:36:37We can see the distance between genes on the same chromosome,
00:36:41and that way understand their interaction.
00:36:43Are you able to design new genes?
00:36:45Uh, well, not yet, but soon, uh, we may be able to select for specific traits.
00:36:52We can only understand how factors genes recombine, uh, in insects.
00:37:00We can't play God.
00:37:01Yes, this is not about eugenics.
00:37:03We're not improving on nature, but rather we're trying to understand the basic laws that determine who we are.
00:37:09Precisely.
00:37:10Have you boys been following the John Scopes trial?
00:37:12All right.
00:37:13Yeah, Liz, it is ludicrous to think that teaching evolution is anti-religious.
00:37:17Same goes for the study of genes.
00:37:19Well, yes, of course.
00:37:20Without genes, the basic mechanisms of evolution cannot operate.
00:37:24Cannot...
00:37:26...operate.
00:37:27Well, gentlemen, this has been very interesting.
00:37:29Thank you very much.
00:37:30I'll follow up with any further questions.
00:37:31Sure thing, Mr. Powley.
00:37:33And Godspeed to you.
00:37:38Next time we will tell him how we discovered the God gene.
00:37:41Then people will accuse us of trying to eliminate God.
00:37:44Or trying to mutate him.
00:37:54Uh, Edith?
00:37:55Yes.
00:37:56I wanted to show you this.
00:37:57What I saw by thorax is on the 89th position.
00:38:04Hmm.
00:38:05Hmm.
00:38:06What do you think?
00:38:07It's great.
00:38:08It's a beautiful world.
00:38:18Betsy.
00:38:19How tall are you?
00:38:20Close to five feet.
00:38:27Are you sure?
00:38:28Come here.
00:38:29Come here.
00:38:35Climb up here.
00:38:40Now I want you to lean back.
00:38:41I got you.
00:38:42Lean back.
00:38:43Chromosome is like a house.
00:38:56Each gene is a family member.
00:39:00There's jaunty, yellow, forked, vermilion, and yellow.
00:39:13What's a beautiful boy, honey?
00:39:14Is this beautiful?
00:39:15Are you sure?
00:39:19It's beautiful.
00:39:21Ours?
00:39:22Betsey.
00:39:24They all live on the X chromosome.
00:39:25What's X?
00:39:26What's X?
00:39:27What's X?
00:39:28Well, X is a sex chromosome.
00:39:31Two Xs, and you become a girl.
00:39:33An X and a Y chromosome, you become a boy, like me.
00:39:35you become a boy like me.
00:39:37Can I have my picture taken next to the totem pole?
00:39:41Sure.
00:39:43Hey, Jack?
00:39:44Yes?
00:39:45Come over here, will you?
00:39:49Come on.
00:39:57Thank you, Jack.
00:39:58One more.
00:39:59Sure.
00:40:02Come here.
00:40:06Now,
00:40:08you see that clump of bushes over there?
00:40:12Yes.
00:40:13That would be our focal point.
00:40:15What we're going to do is we're going to capture this entire scene in a photograph.
00:40:22Can you do that with Juan?
00:40:26No.
00:40:27No.
00:40:28How are we going to do that?
00:40:32I don't know.
00:40:33No.
00:40:36Take one picture.
00:40:41Move it left.
00:40:42Three degrees.
00:40:45Keep it still.
00:40:46No.
00:40:54Listen here.
00:40:57You have to be very careful.
00:40:59When you take these photos, take a deep breath in.
00:41:01Hold your breath as you snap the photo.
00:41:03Between your movements, your three degrees, then you can breathe in and out, take another deep breath, set your photo, take the picture. Do you understand?
00:41:12Yes.
00:41:13Okay.
00:41:14Yes.
00:41:15Okay.
00:41:16Yes.
00:41:17Like the image.
00:41:18Look.
00:41:19Oh.
00:41:20All right.
00:41:21There's a great man.
00:41:22I want you to hang out the window.
00:41:23It's really good.
00:41:24Here is this.
00:41:25Okay.
00:41:26Okay.
00:41:27All right.
00:41:28All right.
00:41:29There's a lot of space.
00:41:30Okay.
00:41:31All right.
00:41:32All right.
00:41:33There's a lot of space.
00:41:34There's some space room.
00:41:35There's some space.
00:41:36There's an置き room.
00:41:37There's a lot of space.
00:41:38There's a lot of space for you.
00:41:39Jack, Henry, if one of you fellows would like to tell me about the stalk of the white mutation.
00:41:54Do you need some more?
00:41:56Would you consider it a vital stalk?
00:41:58Yes, of course.
00:42:00Great.
00:42:01What color are their eyes?
00:42:02White.
00:42:03Sorry.
00:42:05What was that?
00:42:06White.
00:42:06White.
00:42:07White.
00:42:07That's right.
00:42:07And why are their eyes white instead of, let's say, I don't know, red, for example?
00:42:16Calvin, why must you be so condescending with the boy?
00:42:19Sturtz, who said I was being condescending?
00:42:23Yes?
00:42:25Recessive mutation of the white gene causes white eyes, sir.
00:42:30Who prepared this last batch?
00:42:32I did, sir.
00:42:33Jack, would you come here for a moment?
00:42:36Look through the microscope.
00:42:51What do you see?
00:42:52Uh, I see, uh, white eyes.
00:42:57Uh-huh.
00:42:59What else?
00:43:04Uh, oh, there's a, there's a red one in there, too.
00:43:09There's a red one.
00:43:10There's a, yes.
00:43:11Do you see what the fucking problem is, Jack?
00:43:14Uh, uh, I...
00:43:15Uh, what?
00:43:16I, I don't...
00:43:17They're contaminated.
00:43:18That's what, that's what.
00:43:19They're fucking contaminated, Jack.
00:43:22Let me see.
00:43:23Sturtz, go back to your desk!
00:43:27What do you want to see?
00:43:28You are fucking colorblind!
00:43:30What?
00:43:42You.
00:43:50Step one, we start with soap.
00:43:54We get rid of all the flies.
00:44:06We get rid of all the flies.
00:44:07What do you see?
00:44:28Do you see a fly?
00:44:29Do you see a fly?
00:44:30No, no flies, sir.
00:44:31No, you don't.
00:44:33Step two, we place the bottle upside down.
00:44:36Like that.
00:44:37Not right side up.
00:44:39Upside down.
00:44:39Do you understand the difference?
00:44:41Yes, sir.
00:44:41What is the difference?
00:44:42Why do we do that?
00:44:43Because of the flies.
00:44:45Because of the flies!
00:44:47Back to work, you're both fucking idiots.
00:44:50This guy is useless.
00:44:52This fucking child here could do better than you.
00:44:59Let's go.
00:45:28Bye.
00:45:29Okay, quiet down, boys.
00:45:44Dr. Bridges, we wanted to apologize to you again
00:45:47for the mistake we made earlier.
00:45:49That's fine.
00:45:50It's a possibility that I overreacted a bit.
00:45:55And, um, I just wanted to take this opportunity
00:45:58to congratulate Ms. Bridges on her new job.
00:46:06Oh, uh, Jack.
00:46:08Yes, sir?
00:46:11I know it's Friday evening, but you boys behave.
00:46:16Come back to us in one piece on Monday.
00:46:19Thank you, sir.
00:46:35Bessie, you have that vial of urgence?
00:46:40Okay.
00:46:42Now that we have isolated, how many?
00:46:45Fifty-five.
00:46:46Fifty-five.
00:46:49It's time to invite some boys to the party
00:46:52at a ratio of 5 to 1. So that's about 10 mails.
00:47:00Now, make sure they're tapped down.
00:47:02I'm so lonely.
00:47:05What? Did you hear that?
00:47:08I'm so lonely.
00:47:10Oh, sweetheart, would you hold this file for me?
00:47:13Let's get some mails here.
00:47:17And now it's time for the fruit fly dance.
00:47:30First name, Drosophila.
00:47:33Last name, Melanocaster.
00:47:36Now what?
00:47:38Well, the male stands directly in front of the female.
00:47:41Eye to eye.
00:47:47And then starts to flap his wing.
00:47:54But be careful, just one wing.
00:47:59Why only one wing?
00:48:01Because it's sexier that way.
00:48:08Look at them.
00:48:10Those beautiful patterns and those veins.
00:48:14You hear that?
00:48:20No.
00:48:21I hear it.
00:48:23I don't know what's wrong with you, Betsy.
00:48:25My wing is flapping so fast that it vibrates.
00:48:29And then the next step happens very quickly.
00:48:32The male circles the female.
00:48:35Four times.
00:48:39Not five!
00:48:41Four!
00:48:44And then he grabs the female, who cannot resist such a beautiful male.
00:48:56And that, my dear, is the fruit fly dance.
00:49:00How are you leaving already, Herman?
00:49:13My better half is calling me.
00:49:16You're gonna miss the best part.
00:49:19Well, next time.
00:49:21This one's a hot number.
00:49:22Good work, Betsy.
00:49:24Calvin.
00:49:25Good evening, Herman.
00:49:26Tschuss!
00:49:44Put your hand on your shoulder.
00:49:46Right there.
00:49:48Now, step onto my feet.
00:49:51You know what? You're a natural. We're gonna get fancy, don't we?
00:50:05There we go.
00:50:07Follow me.
00:50:17Yes!
00:50:19You're a warm dancer.
00:50:22You know what Mother said about Grandmother Bridget?
00:50:28Well, I can only imagine.
00:50:30She said she lived so long because she was so mean.
00:50:35Uh-huh.
00:50:37She raised me the best she could.
00:50:51The old goat lived a very hard life.
00:50:54Why?
00:50:56Why?
00:50:57Uh...
00:51:00Well...
00:51:03She had a very mean father.
00:51:08And he didn't mind hitting her.
00:51:10Well...
00:51:13Now...
00:51:17Grandma Bridget was a...
00:51:20She was an adult when she was your age.
00:51:23She was working 10, 12 hours a day at a dairy farm.
00:51:29Making her own living.
00:51:30Well, it wasn't long before...
00:51:34She met Grandpa.
00:51:36Now, they were married when they were 14 years old.
00:51:39He was 15.
00:51:41Married already?
00:51:44Now, we can't imagine such a thing at this time, can we?
00:51:51That's right.
00:51:53It's a complicated thing, isn't it?
00:51:57So let's not hold it against Grandma.
00:52:00Were you sad not ever knowing your parents?
00:52:03Well...
00:52:07I suppose I was.
00:52:11But you know...
00:52:14I may not have known them, but...
00:52:17I knew them.
00:52:19From what they gave me.
00:52:21Why did they give you?
00:52:23Well, they gave me...
00:52:25This nose.
00:52:27They gave me these ears.
00:52:30They gave me this hair.
00:52:31Just like I gave you...
00:52:34My eyes.
00:52:36And my eyesight.
00:52:39Really?
00:52:40Oh, yeah.
00:52:42Well, it sure wasn't your mother.
00:52:43She's as blind as a bat.
00:52:45No, she isn't.
00:52:46Hey, no.
00:52:48Looks like someone also got my temper.
00:52:52You're right, though.
00:52:53Sometimes she sees right through me.
00:52:56Hey, what do you say we put these new dance steps to some use?
00:53:02Sometimes she seems to goוחed.
00:53:04Amen.
00:53:09Well, my God.
00:53:10At the end of the par Guide...
00:53:13Boy, you guys.
00:53:15My hope is that everybody needs you to see you live again.
00:53:17Good afternoon?
00:53:19Can she see you live again?
00:53:21Everyone.
00:53:23Good afternoon, Ray.
00:54:26Flying through the sky, eating up all the little bogies from the ground.
00:54:34Hello!
00:54:36What's with the mustache?
00:54:42It's a costume party, Bobby.
00:54:46I know that.
00:54:48Your football jersey hardly counts as a costume.
00:54:52Oh!
00:54:54What's the password?
00:54:56Prohibition's over.
00:54:58Haven't you heard?
00:55:00Oh, man.
00:55:02According to popular science, the eyes of the world's fair are on the future.
00:55:12The world of tomorrow starts tomorrow.
00:55:22How are you talking?
00:55:26I'm as happy as a king, feeling through everything.
00:55:30Just like a bird in a spring.
00:55:32I got a little high.
00:55:34Theo.
00:55:35Yes, my dear?
00:55:36I hear you're working on a new piece about memory.
00:55:38Well, it sounds fascinating, the project.
00:55:40You're enjoying the work?
00:55:42Well, you know, memory is something that is very fluid and dynamic.
00:55:46Theo, Theo.
00:55:58Theo.
00:56:00I would swear that you never leave this place.
00:56:06Funny, just thinking the same thing about you.
00:56:08the same thing about you.
00:56:10Betsy, have a seat.
00:56:21How was Paris?
00:56:23Marvelous.
00:56:24I'm returning in a few days.
00:56:26I just got called in on a story assignment for Pulp Magazine.
00:56:28Oh, you did?
00:56:31Hi, Anna.
00:56:35This is my daughter, Betsy.
00:56:39You must be bored out of your mind.
00:56:42You didn't know you had a daughter.
00:56:43Now you know.
00:56:44How old are you?
00:56:45Ten.
00:56:47Little young could be hanging out with this crowd.
00:56:50Knowing them, they might be here a while.
00:56:53She's wise beyond her years.
00:56:54Oh, really?
00:56:55They come with me.
00:56:59You two are getting along well.
00:57:00She's been in the lab all day.
00:57:02Me.
00:57:02It's been an experience.
00:57:06I'll say that much.
00:57:20Charles, say hello.
00:57:21Oh, um, Charlie.
00:57:24Not Charles.
00:57:31You want some?
00:57:34Come here.
00:57:39Wow.
00:57:40Are you smoking?
00:57:47What are you, a man?
00:57:49Look at me.
00:57:51Be good.
00:57:52You too.
00:57:55Tell me, have you been able to show that genes control our sexual desires yet?
00:57:59Uh, not yet, but I'm working on it, and as soon as I do, you will be the first to know.
00:58:04The idea is that not only your factors of genes, as you might say, affect what color your nose comes out as, or your ears, but also in the way you speak.
00:58:15Really?
00:58:15And the ideas you have, and the behavior you exhibit.
00:58:20Fascinating.
00:58:21For instance, right now.
00:58:22So what I'm doing right now is determined by my genes.
00:58:25The way you're crossing your legs, the way you're crossing your arms, is not only determined by genes, also, of course, your environment.
00:58:32The genes play an incredible factor.
00:58:34One.
00:58:34I'm laughing because it's so convenient for you, isn't it?
00:58:38Can I take your picture?
00:58:41Want to take my picture?
00:58:43Sure.
00:58:52Take your hat off.
00:58:59What is wrong with women?
00:59:01Oh, God.
00:59:02Where do I start?
00:59:04It's not what's wrong with them, it's what's wrong with me.
00:59:07Uh-huh.
00:59:08Tell me.
00:59:09You're looking well.
00:59:10You too, dear.
00:59:11I'm glad you're back.
00:59:12You need to let me know ahead of time.
00:59:14I'm sorry.
00:59:14I just got so busy.
00:59:16That's one way to describe it.
00:59:17I've heard other stories.
00:59:18Oh, yeah.
00:59:19What have you heard?
00:59:20Well, being that we're in polite society.
00:59:23Oh, God.
00:59:24Oh, God.
00:59:24Oh, God.
00:59:26Oh, God.
00:59:27Oh, God.
00:59:28Oh, God.
00:59:28Oh, God.
00:59:28Oh, God.
00:59:29Oh, God.
00:59:29Oh, God.
00:59:30Oh, God.
00:59:30Oh, God.
00:59:31Oh, God.
00:59:31Oh, God.
00:59:31Oh, God.
00:59:38Jeans like Jean Tooney?
00:59:41No.
00:59:43Jeans have to do with the parts of our mothers and fathers that they pass down to us.
00:59:50Oh.
00:59:51I don't got a father.
00:59:54That's just ridiculous.
00:59:55Everyone has a father somehow.
00:59:57I mean, I don't know who my father is, and Mom won't tell me nothing.
01:00:01Well, these are chromosomes, and these are genes.
01:00:19See?
01:00:20In all different shapes and sizes.
01:00:21There's them cotton balls telling about my father.
01:00:23Well, when your mother and father make you, you get half of your genes from your mother,
01:00:35and the other half from your father.
01:00:37So?
01:00:38Even if you never knew your father, you still have his genes.
01:00:48Look.
01:00:54Your mother has light hair, so you probably got that from her.
01:00:57But your mother does not have that, so you probably got that dimple from your father.
01:01:08Those goofy cotton balls and stuff tell you all that?
01:01:10Well, sort of.
01:01:11Using genes, you can see part of your father looking right back at you in the mirror.
01:01:23I'm right back at you in the mirror.
01:01:30This is from a call.
01:01:31Mm-hmm.
01:01:38Can them bits of cotton tell me where he lives, what his name is?
01:01:41I'm not sure science has gotten that far yet.
01:01:43I'm not sure that he knows what his telling matters, what his name is.
01:01:45Cold inspire him no time for Makita coming.
01:01:47All the more awesome far-looking.
01:01:55Yes, done believe him.
01:01:56No fight for Makita coming.
01:02:02That people want to make it possible?
01:02:05It's allets, allets that they can watch.
01:02:08What are you enjoying the unexpected day?
01:02:12Oh, oh, oh, oh, oh
01:02:42Let's go.
01:03:12To be continued...
01:03:42What do you say, Dr. Richards?
01:03:45Well, I say you're going to tire me out.
01:03:49I'm 100% mad.
01:03:52Not entirely.
01:03:58Hmm, what is this?
01:04:02Head nuts?
01:04:12Okay.
01:04:31Kids aren't supposed to smell good.
01:04:33They aren't supposed to be scientists, neither.
01:04:42Hey, look what I found.
01:04:52Oh, that's one of my father's research notebooks.
01:04:56Full of data.
01:04:58Performance.
01:05:00Expert.
01:05:03Sleepy.
01:05:06Rough.
01:05:09Wet.
01:05:12Kelly.
01:05:14Lily.
01:05:17MB.
01:05:19L.
01:05:20N.
01:05:21J.
01:05:22C.
01:05:23E.
01:05:24B.
01:05:25W.
01:05:26That's Ms. Wallace's initials.
01:05:28This is Edith Strong of her pupa.
01:05:42F.
01:05:43F.
01:05:50Creep.
01:05:51T.
01:05:52F.
01:05:53C.
01:05:54C.
01:05:55C.
01:05:56Stand up on the stool.
01:06:18Take off your clothes.
01:06:21Come on.
01:06:23There's nothing wrong with being naked if it's for art.
01:06:26It's called being nude.
01:06:35Bawk, bawk, bawk, bawk, bawk.
01:06:38I ain't a chicken.
01:06:44You're a chicken.
01:06:53Well?
01:06:56Look, I'm only going to put a little bit on the cotton.
01:07:00And I'll do it first to show you it's okay.
01:07:02You'll be nice and relaxed and happy, but not asleep.
01:07:06You'll be nice and relaxed and happy, but not asleep.
01:07:15Do you want to know how to do the changes?
01:07:25Do you want to know how to do the changes?
01:07:26Do you want to know how to do the changes?
01:07:27Do you want to know how to do the changes?
01:07:41Like this.
01:07:42Take a picture of my meconium, Charlotte.
01:08:00It's the little dark spot on my belly.
01:08:02It should be there unless I'm still a pupa.
01:08:19What are you doing?
01:08:20What would your mother say if she saw you now?
01:08:26Where's your father?
01:08:29Where?
01:08:30Calvin!
01:08:32Calvin, get out here this minute!
01:08:34Okay, sir.
01:08:35Shut us down at this.
01:08:36This is this.
01:08:37This is this.
01:08:38This is this.
01:08:39This is this.
01:08:40This is this.
01:08:41This is this hour.
01:08:42You're burning a little whore.
01:08:44I got it.
01:08:45I'm serious this time.
01:08:55I didn't do it.
01:08:56I didn't do it.
01:08:57What the hell is wrong with you?
01:08:58Get out.
01:09:04Well, I guess the whole world gone crazy.
01:09:08It's just you and me.
01:09:18I didn't want you here.
01:09:22I told your mother that I did not want you here.
01:09:25And you come into my lab and fuck everything up.
01:09:30You think I don't know?
01:09:31You think I can't sing?
01:09:35Bitch.
01:09:55I hate you.
01:09:56I hate you too!
01:09:57I hate you too!
01:10:02I hate you too!
01:10:03I hate you too!
01:10:04I hate you too!
01:10:05I hate you too.
01:10:06I hate you too.
01:10:08I hate you too.
01:10:09I hate you too.
01:10:10I hate you too.
01:10:11I hate you too.
01:10:12I hate you too.
01:10:13I hate you too.
01:10:14I hate you too.
01:10:15I hate you too.
01:10:16I hate you too.
01:10:17I hate you too.
01:10:18I hate you too.
01:10:19I hate you too.
01:10:20I hate you too.
01:10:21I hate you too.
01:10:22I don't know.
01:10:52I don't know.
01:11:22In certain strains involving sex-linked characters, females arose, which could not be explained
01:11:35upon the ordinary mechanism of sex-linked inheritance.
01:11:38These females were maternal in appearance, showing those sex-linked characters which
01:11:45the mother showed, but no influence of those born by the father.
01:11:50Breeding results showed that genetically as well as somatically, these exceptional females
01:12:02were exact duplicates of their mother, in that they carried no sex-linked genes introduced
01:12:09by the father.
01:12:10Daddy!
01:12:22Daddy!
01:12:23Daddy!
01:12:24Daddy!
01:12:25Daddy!
01:12:26Daddy!
01:12:29Me!
01:12:31Daddy!
01:12:32Let's go.
01:13:02Let's go.
01:13:32Let's go.
01:14:02Let's go.
01:14:32Let's go.
01:15:02Let's go.
01:15:32Let's go.
01:16:02Let's go.
01:16:04Let's go.
01:16:06Let's go.
01:16:08Let's go.
01:16:10Let's go.
01:16:12Let's go.
01:16:16Let's go.
01:16:18Let's go.
01:16:20Let's go.
01:16:30Let's go.
01:16:32Let's go.
01:16:33Let's go.
01:16:34Let's go.
01:16:36Let's go.
01:16:38Let's go.
01:16:40Let's go.
01:16:42Let's go.
01:16:44Let's go.
01:16:50Let's go.
01:16:52Let's go.
01:16:54Let's go.
01:17:02Let's go.
01:17:04Let's go.
01:17:06Let's go.
01:17:08Let's go.
01:17:18Let's go.
01:17:20Let's go.
01:17:22Let's go.
01:17:32Let's go.
01:17:34Let's go.
01:17:36Let's go.
01:17:38Let's go.
01:17:40Let's go.
01:17:44Let's go.
01:17:48Let's go.
01:17:50Let's go.
01:17:52Let's go.
01:18:04Let's go.
01:18:06Let's go.
01:18:08Let's go.
01:18:10Let's go.
01:18:12Let's go.
01:18:14Let's go.
01:18:16Let's go.
01:18:18Let's go.
01:18:20Let's go.
01:18:22Let's go.
01:18:24Let's go.
01:18:26Let's go.
01:18:28Let's go.
01:18:30Let's go.
01:18:32Let's go.
01:18:34Let's go.
Recommended
1:19:48
1:01:42
1:11:18
1:26
1:20:09
1:29:22
1:48:12
1:57:40
1:20:09
1:19:50
1:15:25
1:30:56
1:23:53
1:27:15