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Transcript
00:00I
00:30I kept a journal for a while.
00:40A chronicle of everything that happened in your absence.
00:46But slowly the words began to fade.
00:52Some time after you left, all the books in the library became bound volumes of blank paper.
00:58The next day, the whole library was gone.
01:03I never found it again.
01:06And yet you remained, while others fled.
01:10A royal librarian of an abandoned kingdom.
01:14I never felt abandoned.
01:17I knew you would return.
01:28It opened within five days in the living room to escape through the werk forth.
01:34I was wanting to ask you a little secret, you say, of course for a small section that was a small window.
01:42So, it wasraine.
01:44Be漂亮 print the day before it Winter.
01:47A word, like, shape, size, size, size, size, size, size, size, size, size, size, size, size, size, size, size, size, size, size size.
02:50By my captors, and then taken from them, I know not where, nor what I am without them.
03:04As-salamu alaykum, darling.
03:10How are you?
03:12Well...
03:15You'll never guess what I am looking at.
03:20It is a Caravaggio, and it can be your Caravaggio for 22 million.
03:26Well, of course, you can think about it, but not for too long.
03:30Giovanni!
03:31I'm Josiane.
03:32I'm already disturbed at work.
03:37I've been accustomed to work.
03:39I've been accustomed to.
03:40And it's an exceptional condition.
03:49To load the key.
03:52Yes, I'm passionate.
03:58Bernard, I found it.
04:01And it's in exceptional condition.
04:06The 11th of my family.
04:15Hello?
04:19Hello?
04:49Hello?
04:50Hello?
04:51Hello?
04:52Hello?
04:53Hello?
04:54Hello?
04:55Hello?
04:56Hello?
04:57Hello?
04:58Hello?
04:59Hello?
05:00Hello?
05:01Hello?
05:02Hello?
05:03Hello?
05:04Hello?
05:05Hello?
05:06Hello?
05:07Hello?
05:08Hello?
05:09Hello?
05:10Hello?
05:11How did you get in?
05:13Getting in was the easy part.
05:15The hard part was finding you.
05:17You've done a very good job of convincing people Ethel Cripps doesn't exist.
05:22Apparently not good enough.
05:23Well, I'm not exactly people.
05:32What are you then?
05:37Do you remember the being?
05:38Do you remember the being Roderick Burgess kept caged in his basement?
05:42Hmm?
05:43King of dreams.
05:44You're one of his?
05:45I'm my own man now.
05:46With your help, I intend to stay that way.
05:47Why do you need my help?
05:48Because he's out of his cage and he's coming for us.
05:49You and me.
05:50Why me?
05:51I never did anything to him.
05:52Oh, you did though Ethel.
05:53You stole from him.
05:54There is only one sure way for me to find my tools.
06:09I must summon a three in one.
06:13Surely it hasn't come to that.
06:16The fates see past, present and future and they know all.
06:33Yes, but they speak in riddles.
06:38They never tell you what you want to know.
06:41Only things you should never know.
06:44Perhaps just this once, you could ask one of your siblings for help.
06:51Destiny would certainly know where your tools are, or desire.
06:55My siblings have their own realms to attend to. I have mine.
07:00We do not interfere in each other's affairs.
07:02You may not, but they've certainly been known to.
07:07Perhaps just this once, you could tell them what happened to you.
07:11I am quite sure they know what happened to me.
07:18And not one of them came to my aid.
07:27The fates aren't cheap, you know.
07:30They cost a bloody fortune.
07:32And at present, I cannot muster power enough to summon them, let alone pay that cost.
07:42Unless, is there anything of mine that remains in the dreaming?
07:48Something that I created?
07:50You created all of this?
07:54No.
07:55Something that remains intact.
07:59That might retain some fragment of my power within it.
08:04Something I can absorb.
08:06There is one thing.
08:08Gregory, come down from there right now.
08:30Gregory, come down from there right now.
08:33You're going to slip and hurt yourself.
08:38That's it.
08:41Are you sure?
08:49Good boy, Gregory.
08:54Good gargoyle.
08:56Cain!
08:57Come quick!
08:58All those bumbling bollocks!
09:01Cain!
09:02What do you want powder brain?
09:03Can you not see I'm busy?
09:05We have visitors.
09:07What?
09:08Where?
09:11Cain!
09:13Cain!
09:14Cain!
09:18Lord...
09:18Morpheus.
09:20You've come back.
09:22At last.
09:23I told you he'd return.
09:24I never doubted it.
09:26Come in, my lord.
09:28And you, Lucien, to the House of Mystery.
09:32Or to the House of Secrets.
09:34I have tea.
09:35I have tea and biscuits.
09:36Gentlemen, I'm afraid this is not a social call.
09:39What's happened?
09:40Something wrong?
09:42What is it?
09:43For the sake of the dreaming, I must take back a gift I gave you long ago.
09:49Yes, my lord.
09:50What's ours is yours.
09:52Anything at all.
09:54Just ask it.
09:54Surely there's another way.
10:11I wish there were.
10:14But the dreaming must be restored.
10:17You say that as if we're the ones that destroyed it.
10:20As if we're the ones that disappeared for over a century.
10:22Cain!
10:23You forget yourself, Cain.
10:24No, my lord.
10:25You forgot us.
10:27Do you have any idea what we've already lost, waiting for you to come back after all these years?
10:31What you have lost?
10:34The answer is no.
10:35I have not come here to ask you.
10:38I have not come here to ask you.
10:41I've come to ask Gregory.
10:42I've been trying.
10:47I've been nói.
10:48I have no juice.
10:50I've been trying people and become the fool.
10:53I have no juice.
10:58I have no juice.
10:59I've been keeping my life behind everything.
11:00I've been doing that to me.
11:01I've been trying to engine a little bit.
11:04I have no idea why.
11:05I have no juice.
11:06I'll make cambiar my memory.
11:06I've not taken the Grundland, yeah.
11:07And then I will store it after all these years.
11:09And then I'll wait.
11:09I will go with it.
11:10I need your help.
11:29Gregory! Stop! No!
11:33Take me instead.
11:35Or Abel.
11:36Take me, Lord Morpheus, please.
11:37I cannot.
11:37I can only reabsorb that which I created and Gregory began as a nightmare.
11:43He's one of us now.
11:47It's not fair.
11:48No.
11:50That's not.
12:07You're a very good boy.
12:11You're a very good boy.
12:11You're a very good boy.
12:15You don't have to do this, you know.
12:39It's not fair.
12:49It's not fair.
12:49You have served this kingdom with great honor.
13:11It will be missed.
13:12You're a very good boy.
13:18It's not fair.
13:20You're a very good boy.
13:22You're a very good boy.
13:54Come, Lucian.
14:10We have work to do.
14:21Good luck, my lord.
14:25Simpering suck-up.
14:30I see you've turned your talent for theft into a successful career.
14:40I don't steal them.
14:42I broker them.
14:45Well, you ever keep anything for yourself?
14:48No.
14:48Not even dreams, tools.
14:53He's gonna want them.
14:54And I'm guessing that you do, too.
14:56The tools, they won't work for me.
14:59They're made of the same stuff I am.
15:01So, why are you here?
15:05I'm gonna see if we can help each other.
15:09I can show you how to use them.
15:12Use them to do what?
15:15Make him go away, for good this time.
15:17You want me to kill the king of dreams.
15:22You can do it.
15:24I know you can.
15:26You just have to listen and trust me.
15:29Then I'm afraid we're both dead.
15:32Because I don't have them.
15:35Yeah, well, that is too bad.
15:37I wonder if your son knows where they are.
15:39How is John doing these days?
15:44What do you think a dream will do
15:45to the son of Roderick Burgess?
15:50So, I'll ask you one more time,
15:52for your son's sake.
15:55Where are the tools, Ethel?
15:56Do you think you're quite ready
16:09for this, your majesty?
16:12It has been some time
16:13since you've navigated these waters.
16:17Do you think I have forgotten how?
16:19No.
16:22But...
16:23I cannot ask the fates for help
16:26without giving them something in return.
16:29There is nothing left to give from the dreaming.
16:32I have to gather my offerings
16:34from the dreams of others.
16:36I understand.
16:38It's just that...
16:40in your absence,
16:41these waters have become darker,
16:43treacherous,
16:45unsafe.
16:56these waters are as much a part of me
16:58as I am of them.
17:01Gregory's sacrifice
17:02will not be in vain.
17:04You were right, Lucian.
17:19The dreams and nightmares
17:32no longer seem to recognize their master.
17:34I will remind them
17:37and take from them
17:39what I require.
17:43Since one meets the fates
17:45at a crossroads,
17:47I find one in the dreams
17:48of a Cambodian farmer.
17:50The Hanged Man represents surrender
17:59and sacrifice for the greater good.
18:01The gallows come from
18:03a young Japanese cinephile,
18:05her head full of British horror films.
18:09The currents are stronger
18:11and faster than I remember.
18:13I have to focus.
18:17Open my eyes
18:19and see what the fates require.
18:25A serpent.
18:27A symbol of transformation.
18:29of life,
18:33death,
18:33and rebirth.
18:37I have gathered my offerings.
18:40Now it is up to the fates.
18:42I,
18:48Lord Morpheus,
18:51dream of the endless.
18:55Summon the fates.
18:59The three who are one.
19:02The one who is three.
19:04The Hecate.
19:12Morpheus.
19:14It's been a while.
19:16You look thin, love.
19:17Are you eating?
19:19Are you hungry?
19:20He is,
19:21but not for food.
19:23Look at him.
19:24He wants something.
19:25You found me out.
19:28I do want something.
19:32I need your help.
19:33Help?
19:35Oh,
19:35listen to him.
19:38Like you helped us
19:39against Cersei.
19:40Cersei's old business,
19:42sister-self.
19:43And he did bring nice stuff.
20:02You may ask us
20:04three questions.
20:05And get one answer
20:19from each of us.
20:20Thank you,
20:21ladies.
20:22My first question.
20:24I had a leather pouch
20:26filled with sand.
20:27Where is it?
20:28It was sold
20:34in London.
20:37Last purchased
20:39by a magic user
20:40called
20:41Joanna Constantine.
20:47Constantine?
20:49I knew Constantine,
20:51but that was
20:52three hundred years ago.
20:53you said last purchased.
20:56Does she still have the sand?
20:58Dream.
20:59You know better than that.
21:01You get one question,
21:03one answer.
21:05My apologies.
21:07My second question.
21:08Go on, dear.
21:09My helm.
21:10What happened to it?
21:18It was traded away
21:20to a demon
21:20for the amulet
21:24of protection.
21:26To which demon
21:27was it traded?
21:28One question,
21:30one answer,
21:30love.
21:32Last question.
21:34My ruby.
21:36Who holds it now?
21:40Your gem
21:41was passed
21:41from a mother
21:42to a son.
21:45Where are they now?
21:46You have asked
21:48your questions!
22:02My lord,
22:03you didn't give it
22:05to the fates.
22:08Because it was not
22:09meant for them.
22:16You don't listen,
22:45do you?
22:46Attractive men
22:47seldom do.
22:47I suppose
22:48they don't have to.
22:51Ethel,
22:51are you flirting
22:52with me?
22:53You asked me
22:54where the tools are.
22:55I told you
22:55I don't have them.
22:56Well, I find that
22:57difficult to believe,
22:59given your
22:59extraordinary success.
23:01Do you think
23:01that the only way
23:02a woman can be successful
23:03is by using magic?
23:06Supernatural
23:07and sexist.
23:08You really are
23:09a nightmare,
23:10aren't you?
23:10Oh, come on.
23:12You can't deny
23:13the tools have helped you.
23:14They've certainly
23:17kept you from looking
23:18your age.
23:20Now who's flirting?
23:21when I left Roderick,
23:29I traded the sand
23:30and the helm
23:31for my life
23:32in America.
23:34And the ruby?
23:36The ruby,
23:37as you know,
23:39it does have the power
23:41to make dreams come true,
23:42but it also makes
23:44nightmares come true.
23:45my son John
23:48took the ruby
23:49from me
23:50and then the ruby
23:52took John.
23:53Hmm.
23:55Well, where is it now?
23:57I don't know.
23:59I don't want to know.
24:00You're lying, Apple.
24:02You don't have to lie.
24:10In fact,
24:11you don't have to say a word.
24:17Your eyes will tell me everything.
24:21Every thought.
24:22Every feeling.
24:24You will regret this,
24:27I promise you.
24:30What makes you think that?
24:32I don't need
24:33dreams tools.
24:36I have my own.
24:39No!
24:48No!
24:49No!
24:50No!
24:51No!
24:52No!
24:53No!
24:54No!
24:55No!
24:57Brother.
25:02Thanks for burying me
25:03in such a shallow grave
25:04this time.
25:05And...
25:07for this.
25:12Who gave you an egg?
25:13You did.
25:15I didn't give you an egg.
25:16Why did I give you an egg?
25:17It's an apology
25:18for murdering me.
25:20When have I ever
25:21apologized for murdering you?
25:26Cain, look!
25:35It's a baby gargoyle.
25:38He thinks leaving this creature
25:39on my doorstep
25:40makes up for Gregory.
25:42Do you think it came from
25:43Lord Morpheus?
25:44Who else lack wit?
25:45He's trying to buy us off
25:46with a baby gargoyle.
25:49Or...
25:50he feels just as bad
25:51about losing Gregory
25:52as we do.
25:53He's rather cute, isn't he?
26:00I think I'll call him...
26:03Irving.
26:05Irving?
26:07You can't name a gargoyle
26:09Irving, you gullyguts.
26:12I like Irving.
26:13Hmm.
26:18Gargoyle names
26:20always begin
26:21with a G.
26:25Gormagon.
26:26Gladstone.
26:28Ganymede.
26:30Alright then.
26:31Girving.
26:35Girving.
26:36It starts with a G.
26:38It doesn't have to be...
26:39It can be...
26:40It can be...
26:41Goldy...
26:42Goldy's...
26:57Miss V.
26:58Hi, I'm Jackie.
26:59I was escorting you inside today.
27:00If you could just
27:01put this on for me.
27:05Hey, Sam.
27:06Hey, Jackie.
27:07All you think Sam's capable.
27:09Thank you, Jackie.
27:18Welcome back, Miss Dean.
27:20Thank you, Sam.
27:21Thank you, Sam.
27:37Hello, Johnny.
27:38Hello, Mum.
27:39How are you, Johnny?
27:40Are you well?
27:41Same as ever.
27:42Slightly bored.
27:43Highly medicated.
27:44The days are all the same in prison.
27:48Hospital, John.
27:49Not prison.
27:50If it pleases you to think so.
27:51What did the doctor say?
27:52How's your therapy going?
27:54Is that your way of asking me if I've forgiven you yet?
27:55Oh.
27:56You're fine, aren't you, darling?
27:57You're fine, aren't you, darling?
27:58You've come a long way.
27:59You've come a long way.
28:00I'm proud of you.
28:01Are you trying to convince me or yourself?
28:02I'm proud of you.
28:03Are you trying to convince me or yourself?
28:05I'm trying to have a conversation with my son.
28:06I'm trying to have a conversation with my son.
28:07I'm trying to have a conversation with my son.
28:08I don't know if it pleases you to think so.
28:09What did the doctor say?
28:10How's your therapy going?
28:13Is that your way of asking me if I've forgiven you yet?
28:18You're fine, aren't you, darling?
28:23You've come a long way.
28:25I'm proud of you.
28:27Are you trying to convince me or yourself?
28:30I'm trying to have a conversation with my son.
28:33We do need to talk.
28:37That rarely goes well for either of us.
28:39Perhaps I should ask the guard to come in and referee.
28:42We need to talk about the ruby.
29:03Hello, Irving.
29:14I mean, Goldie.
29:16I'll call you Goldie for Cain's sake, but I think of you as Irving, really, in my heart.
29:22He can't help it.
29:24It's not his fault.
29:25It's who he is.
29:27It's who we are.
29:28The first murderer, the first victim.
29:31This is our story.
29:33Do you even know what a story is?
29:36Should I tell you one?
29:38It's a secret story.
29:41It's a story about two brothers who loved each other very, very much.
29:47And they were very nice to each other.
29:50Nice and kind and brotherly, you know?
29:53And the elder brother never harmed the younger brother, ever.
30:00And they didn't live in different houses.
30:02They lived together in the same house.
30:08And they'd be happy.
30:15I don't mind getting murdered, honestly.
30:18If that's what makes Cain happy, then, hey, what are brothers for?
30:22Eh, little brother?
30:24Come on, then.
30:26Shall we say good morning to Cain?
30:29Oh, I'll be fine.
30:31He never normally murders me before lunch.
30:34He's not much of a morning person.
30:36Like me.
30:37Or you, apparently.
30:38May I ask where you're off to, sire?
30:41London.
30:42Did you not just spend the last hundred years there?
30:45Sorry.
30:47Why London?
30:48The sand was sold there.
30:51When I have it back, I will seek out my helm.
30:56In hell.
30:59Oh, dear.
31:01Then will you grant me one favor before you go?
31:06Take a raven with you.
31:09No more ravens.
31:11If not for you, then for me.
31:13A raven can go back and forth between realms.
31:16Keep me informed.
31:17I do not need a minder.
31:19I am dream of the endless.
31:23Yes, and dream of the endless always has a raven.
31:26Jessamy was the last.
31:32If this Constantine is anything like her ancestor, she will serve me well enough.
31:39She is only human.
31:45As was Roderick Burgess.
31:48What could possibly go wrong?
32:02Oh, good.
32:04You've returned.
32:05And just in time, too.
32:06His Lordship will be pleased.
32:08Where is Dream?
32:09He's away.
32:10Again.
32:11For the moment.
32:12He's out there looking for his tools.
32:26Isn't he?
32:27He will becoming back.
32:28Oh, be fair.
32:29Come back to you.
32:30Just in time, too.
32:31His Lordship will be pleased.
32:32Where is Dream?
32:33He's away.
32:34Again.
32:35For the moment.
32:36He's out there looking for his tools.
32:38Isn't he?
32:40His name he will be coming back
32:43Well, then I better get a move on where are you going back to the waking world
32:49the freedom
32:51Strikes about dreams and nightmares do not belong in the waking world. Oh turns out I fit right in if you know loyalty to your creator
32:59Why should I?
33:00There's no loyalty to us. You misunderstand him Corinthian. Oh, no, I see him for what he is
33:05He doesn't give a fuck about you or me. You know he cares about himself
33:13His kingdom
33:16Well, he can have it
33:19Because I am leaving and I am never coming back. He will come after you. Well, then if he does
33:26He won't be coming back either
33:33You can't change it
33:35Can't save him either

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