- yesterday
First broadcast 23rd June 1965.
After being less than complimentary about Jack's singing abilities, the likely lads are more or less coerced into taking part in a talent contest night at the pub with a cash prize.
James Bolam - Terry Collier
Rodney Bewes - Bob Ferris
Frank Cowley - Glass clearer
Alex McDonald - Mr. Collier
Don McKillop - Jack
Olive Milbourne - Mrs. Collier (as Olive Milbourn)
Richard Moore - Arthur 'Blakey' Blake
Bartlett Mullins - Mr. Clough
Jessie Robins - Singer
Bernard Spear - Freddy Fyfe
Dilys Watling - Rhona
After being less than complimentary about Jack's singing abilities, the likely lads are more or less coerced into taking part in a talent contest night at the pub with a cash prize.
James Bolam - Terry Collier
Rodney Bewes - Bob Ferris
Frank Cowley - Glass clearer
Alex McDonald - Mr. Collier
Don McKillop - Jack
Olive Milbourne - Mrs. Collier (as Olive Milbourn)
Richard Moore - Arthur 'Blakey' Blake
Bartlett Mullins - Mr. Clough
Jessie Robins - Singer
Bernard Spear - Freddy Fyfe
Dilys Watling - Rhona
Category
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TVTranscript
00:30You made me laugh, you. And all the time you knew it. I guess you always knew it. You made me happy sometimes. Then you made me sad. But all the time, dear. You made me laugh.
00:59Yeah, you still knocked some black edge out for a bloke of 42. Hey, when I was 42...
01:04I know, Bear was only tough as a fight. No, when I was 42, there was a war on.
01:09They could have been a war, man. Well, it could have been. He was in my own guard.
01:14Well, I wasn't. Nobody told you that. I wasn't an own guard.
01:18What were you, then? I was in your day, Borden. Every time there was an array, there was out in it. I had to be there.
01:24Your bus must have been out there now. Someone's gone.
01:28Like a badass balloon. I don't know why she doesn't give it up. I'd like to see you the better.
01:33Who invited him, anyway? Anybody could do better, even old Jack here.
01:37I'm joined him in the washroom when he thinks nobody's listening. Yeah. Very good. He's a body tune.
01:42Oh, your Jack does your missus know.
01:45Oh, but he used to sing a bit, didn't you, Jack? I did once, aye, aye.
01:48Right. Well, get up there now, then. You don't get me up there.
01:52Come on, Jack. Make a comeback. You will not get me up there.
01:54Come on, Jack. We'll give you a quid. Five bobby's.
01:56Ah, that's right. We will.
01:58Hey, good luck.
02:00He's had a bit of a kick in here. Hey, look at the way he's walking.
02:03Oh, well, he's not used to it. He doesn't let him out all that much, you know.
02:06I've heard him sing before. Hey, do you mind?
02:08I've heard him sing before. I've finished that. I wonder why he'll sing.
02:11Yeah, now do that, you know, the minute your back's turned.
02:14Hey, he's working it all out with Sabrina there.
02:17Shut up, and here it comes.
02:19Oh, Adam, you fab!
02:21And you.
02:22Give us the bread and racers, Jack.
02:26Another bride.
02:32I told you to be warned.
02:34No, bad at all.
02:36Look, will you?
02:38Oh, certainly not.
02:40Do you want that one, Pat?
02:42What?
02:43What, are you going to give us a song?
02:44I do sing them, Pat.
02:45Only Saturday night's here, though.
02:47All right.
02:48Well, that's the big night. They all come in.
02:50Oh, we sing it all, you know.
02:51Oh, well, I thought you might do. You look for time.
02:54Is that your mate singing out?
02:56Well, if that's what you can call it.
02:58Do you mean he's not bad?
03:00Get away. He's as flat as this beard.
03:02Oh, I've heard worse. If you can do better, you ought to end up a Saturday.
03:06What's this, then?
03:07Oh, it's a special night.
03:08Talent night.
03:09Twenty-five pounds.
03:10Twenty-five quid?
03:11They've got no talent.
03:13I'm a damn sight better than any of this lot here tonight, I'll tell you.
03:17Aren't we, Bob?
03:18Of course.
03:19Get it in for it, then, if you do.
03:21Of course we do.
03:22Ask our manager.
03:23He's away, ain't he?
03:26What do you do?
03:27He's our maraca man.
03:28Hello.
03:29Is it just singing, then, this tall and do?
03:32Mostly, but not all the time.
03:34A ghetto.
03:35Blokes telling stories, that sort of thing.
03:37Or playing an instrument.
03:38He plays the gramophone.
03:39Ah, play the piano, if you want to know.
03:41Ghetto.
03:42Well, can you? Can you?
03:44I don't know. I've never tried.
03:45Hey, will you be here Saturday night?
03:47No.
03:48It's our beer.
03:49Will you?
03:50Of course, I think so.
03:51But we'll have to ask our manager first, eh?
03:53Cluffy, you've been spoken to.
03:55Who you are?
03:56Come out of there, Cluffy.
03:58What are you doing?
04:01Aye, give him half a chance.
04:03Cluffy!
04:04Well, anyway, we're serious about going in for a time.
04:07I look forward to seeing you on Saturday.
04:09We'll be here.
04:10Did you see?
04:11Did you see that?
04:12See what?
04:13She was all over me, ma'am.
04:15She was all over Cluffy.
04:17She's a big girl, is that Rona?
04:19Rona?
04:20A real name's Agnes.
04:22Oh, you know her, do you, Blaggy?
04:24Well, everybody around here knows it's common knowledge.
04:27She's kinky for singers.
04:29Anybody like that?
04:30I'll tell you one thing.
04:32This talent contest, she's the real prize.
04:35I know the bloke who won the last one.
04:37Hello, Jack.
04:38Oh, there you go.
04:39Oh, there you go.
04:40That's enough for the fan-warship.
04:42Let's see the chorium, won it?
04:43Come on, lads, pay up.
04:44Yes, I've got plenty of change.
04:46Jack, Jack, I know it was only a bet, but still it took a lot of nerve to get up there.
04:52I mean, you didn't know what you were going to sing or the pianist or anything.
04:54Yeah, yeah.
04:55But when you got up and did that number, I turned the ball, didn't I, Bob?
04:58You did.
04:59I turned the ball and I said, that was bloody terrible.
05:05Maybe your professional item.
05:08Some things.
05:09You've got to be singing on Saturday, the telephone.
05:12Oh, me?
05:13No, no, no.
05:14Once is enough for me.
05:15Well, they're thinking of it.
05:16I used to.
05:18Weren't you serious?
05:19Of course.
05:20Well, we weren't all taught then, too.
05:22No, it's like that.
05:23No, it's not like that.
05:24We'll be here, don't you worry.
05:26Well, what do you do?
05:27Well, er, you'll see.
05:30Hey, Fred, we've got a number two for Saturday.
05:32Oh, good lads, you're entered, are you?
05:35Aye.
05:36Well, the old-star tea, you know, Beatles, Eartha Kitt, George Brown.
05:41No, but seriously, it should be a good night.
05:43I mean, it's £25 the winner.
05:45And, of course, we've got Miss Waterborne presenting the cheque.
05:47Oh, what?
05:48What is it you'll be doing?
05:49Well, erm...
05:50It's a surprise.
05:51Oh, that's all to the good.
05:53I mean, that's the problem with these dudes.
05:55Lack of variety.
05:56I mean, we'd like to see some unusual acts,
05:59so if you two can do out different...
06:01Like your friend here, animal limitations.
06:04That'll be good.
06:05Well, you don't take it too far, you know.
06:08I mean, you don't shoot him out of a cannon, do you?
06:10Of course, eh.
06:11Only we've not that much room at the Albion,
06:13especially with Rona here, eh?
06:15Eh?
06:16Ha-ha-ha-ha!
06:17Well, seriously, it's all in a good cause.
06:19For charity, you know.
06:20But those less fortunate than ourselves hope it'll be a good do.
06:24It usually is.
06:25You'll be entering, will you?
06:26No, no, no.
06:27Leave it to Nina and Frederick here.
06:29Well, I can see you in a dullardy group here today.
06:33What were you, sir?
06:34These two lads and, eh...
06:36Yeah.
06:38And then there's the old fella.
06:40The old fella.
06:41Ah, that's the point.
06:42Where's Cluffy?
06:43Over there.
06:44I'm leaning on the left bush at the corner of the street
06:49till a certain little lady goes behind me.
06:54Oh, geez.
06:55Oh, me.
06:57Baby, baby, I'll get down on my knees for this room.
07:0311, 19, 1911.
07:05Love me.
07:06My service.
07:07Eh, eh, eh, there's another one we could sing.
07:09There's a new world somewhere
07:12They call the promised land
07:15And I'll take you someday
07:18I'll go there someday.
07:19Eh?
07:20I'll go there someday if you will hold my hand.
07:22Oh.
07:25If you will hold my hand
07:28Twenty-eleven.
07:29Twenty-eleven.
07:30Eh, it's a good one, that, you know, you see,
07:32because there's not too many ups and downs in it.
07:34That's the sort of song we should be singing.
07:36Game?
07:37Oh, geez.
07:38What is your own pop man?
07:40You weren't concentrating.
07:41That's three games to me.
07:43Three?
07:44Well, no wonder.
07:45You've been so busy trying to be a pop singer
07:47you're terrible tennis is bound to suffer.
07:48Well, I was only making suggestions.
07:50You've been on about nothing else since last night.
07:52Well, look, do you want to do it, don't you?
07:54I suppose you're gonna back out as usual.
07:57Well, I have no intention of backing out.
08:00I'd just like to be consulted, that's all.
08:02What do you mean?
08:03Well, it's you, Terry.
08:04You take so much for granted.
08:05You fixed this up last night without even bothering to ask me
08:07and now it's the song.
08:08I might not want to sing.
08:10What?
08:11Well, you can do other acts besides singing, you know.
08:12All right-o, Bob.
08:13Let's have a go at knife throwing.
08:16Now, you know I didn't mean that.
08:17Well, what else?
08:18I mean, we're hardly Jewel and Warris, are we?
08:20We've got to sing, man.
08:21It stands to reason.
08:22All right.
08:23It's just your attitude that annoys me.
08:25And if we were doing a knife throwing act, you can bet your life
08:27it'd be me stuck up against that thing
08:28while you were hurting them daggers down.
08:30Knife throwing?
08:31Oh, what do you want?
08:33Well, you might as well, because I mean you can't sing, can you?
08:36Sure, Bob.
08:37Well, I was listening to you rehearsing.
08:38You've got a voice like a wounded frog.
08:40Now, listen, Blakey.
08:41No offence, fellas.
08:42I mean, you're still going in for it.
08:44You haven't changed your mind.
08:46Of course we're still going in for it.
08:48Oh, have you got a number?
08:49What are you going to sing like?
08:50We're just going to mime to our latest record.
08:52Oh, well, you could the worst.
08:53They'll all be there, you know.
08:54Jack Cluffy, Brian Epstein.
08:56Never know, you might get discovered.
09:01Do you mind, Blakey?
09:02What are you going to call yourself?
09:03Well, think of something after you've gone.
09:06Oh, I see.
09:07I'm interrupting a rehearsal, am I?
09:10Right.
09:11I can take a hint.
09:13Have you thought about it?
09:14You've got nothing to say to the press, then.
09:16Shove off!
09:18Have you thought about her name, though?
09:20Well, not especially.
09:21I just thought, well, Terry and Bob.
09:23I mean, if you like, Terry Collier and Bob Ferris.
09:26I mean, it's not all that important.
09:28What's the matter?
09:29There you go again.
09:30Go where?
09:31There you go again.
09:32I suppose it never occurred to you that it might be better as Bob and Terry.
09:35What, I mean?
09:36Most people would say it like that automatically, Bob and Terry.
09:39It's like fruit and nut, top and chop, pinky and perky.
09:42Even alphabetically, B comes before T.
09:45All right, then, all right.
09:46Have it your way.
09:47I can just see what would have happened, that's all.
09:49Terry Collier.
09:50Assisted by Robert Ferris in weeny little letters.
09:53No, no, no.
09:55I know you.
09:57Is there something wrong with your head?
09:59I know you of old.
10:00You're not worried about this name business or the song or anything.
10:03You don't want to go in for it, do you?
10:05I never said that.
10:06You want to back out.
10:07I never said that.
10:08Well, this doesn't surprise me, Bob.
10:10It's not the first time.
10:11I can't understand you sometimes.
10:13Well, what I can't understand is why this is so flaming important to you.
10:17Why do you want to be a pop singer all of a sudden?
10:20After your MBE?
10:24I'll tell you why it's important.
10:26Because it makes a change for a bloke to get up and actually do something instead of sitting around criticising all the time.
10:32Oh?
10:33I suppose that Rona's got nothing to do with it.
10:35Rona, no.
10:36Ah, do me a favour.
10:38She's the prize you're after.
10:39How are you going to divide her up?
10:41I suppose you'd want the first choice on that and all.
10:43Right, right.
10:44Forget all about it, man.
10:45Forget it.
10:46Well, seriously, it's far better if we do.
10:47Oh, no, man.
10:48Not me.
10:49I'm still going ahead.
10:50Solo.
10:51Don't make an idiot of yourself, Terry.
10:52I beg your pardon?
10:53Well, you...
10:54I beg your pardon?
10:55You can't sing, man.
10:56Better than you ever could, and I'll tell you one thing.
10:58I stand a damn sight better chance on my own than ever I would have done with you.
11:02But, Terry, you're tongue deaf.
11:05What's that got to do with it?
11:21Hello, Jack, mate.
11:23Hey, is it any better?
11:25What?
11:26Well, the atmosphere.
11:27I mean, are those two speaking yet?
11:29No, it's just as bad today.
11:30Oh, well, of course, Terry hasn't helped matters, you know.
11:33He was telling all the lads in maintenance that Bob had got cold feet.
11:36If you ask me.
11:37I wouldn't ask you anything.
11:39He'll get himself into trouble, will Terry.
11:42Hey, are you coaching him?
11:44Well, I don't mind giving him the benefit of my advice.
11:47Oh, yeah.
11:48Hey, mind you, Bob hasn't even got the nerve to get...
11:51Hello, Bob.
11:53Have you come to the canteen?
11:56Oh, no, I brought some sandwiches.
11:57I fancy a change.
11:58Oh.
11:59Well, I'll see you later then.
12:01Yeah.
12:03Oh, I see.
12:06I beg your pardon.
12:08He'll be in the canteen.
12:10Who?
12:11Terry.
12:12Well, I should think so.
12:13He has been at this time for the last five years.
12:15Hey, what's he going to say?
12:17I haven't discussed it with him.
12:18I'm not the least bit interested.
12:19He's got a nerve.
12:20Man, it's more than what you've got.
12:23What did you say?
12:24Oh, it's not what I'm saying, mate.
12:26I mean, it's what they're all saying.
12:27You know, because you backed out.
12:29Who told you that?
12:32It's common knowledge.
12:34I mean, I thought...
12:35Well, you shouldn't, should you?
12:36I happen to be doing something on my own.
12:38Are you?
12:39What are you going to do?
12:40You'll find out.
12:43Sorry.
12:44Not at all.
12:45Not at all.
12:46After you.
12:47Thank you very much.
12:51Hey, are you coming across to the canteen?
12:53I'll wait for you.
12:54No, I've brought some sandwiches.
12:56I fancy to change.
12:59You'll get stuck like that.
13:01Hey, what are you going to sing on Saturday?
13:03I don't know.
13:06I'm still looking for a strong number.
13:08Of course, sir.
13:09You've got your mate to beat now, haven't you?
13:11Who do you mean?
13:13Bob?
13:14He's not in for it.
13:16Oh, yes, he is.
13:17Solo, same as you.
13:20Didn't he tell you?
13:22No.
13:24Oh, I've known all along.
13:26Well, I never.
13:30Listen, um...
13:32Arthur.
13:35What song is he singing?
13:36I promise not to tell.
13:39Ah, well, I mean...
13:41Is it beat or ballad?
13:42You know, just out of interest.
13:47It's one of those.
13:49Ah, you don't know anything, do you?
13:50Well, why don't you go and ask him yourself?
13:52He's just suddenly gone off the canteen and all.
13:55I told you you'd get stuck like that.
13:57I knew you when you were just an electrician.
14:02Pop star.
14:04Baby, understand me now
14:07If sometimes I feel a little mad
14:09But don't you understand no-one else can be an angel
14:13Whenever people are mad
14:15Because I'm...
14:17Come on, Peter.
14:19I've, er...
14:21I got a bit sick at the canteen.
14:23I just, er...
14:24Brought some sandwiches.
14:25Yeah, so did I.
14:27Er, would you like one of mine?
14:28Cheese and chutney.
14:30Oh.
14:31Tart.
14:33Here.
14:34Have one of mine.
14:35Oh, what's in these?
14:37Er...
14:38Cheese and chutney.
14:40Still.
14:42Hey, that was a catchy little number you were singing when I came in there.
14:44Er...
14:45What's it called again?
14:46Please don't let me be misunderstood.
14:48Oh, aye.
14:49Oh, aye.
14:50That's it.
14:51I remember now.
14:52And is that what you'll be singing tomorrow night, like?
14:53They told me you were in for it.
14:55Er, no.
14:56I won't be singing that, but I am in for it, yeah.
14:58Oh, well, I suppose you prefer a ballad, er...
15:02Tea?
15:04Oh, Tom.
15:05Not necessarily.
15:08Would you like a chocolate wafer biscuit?
15:09Oh, Tom.
15:13What, will you be singing tomorrow night?
15:14I mean, just out of interest, you know.
15:16Oh, well, you know.
15:17Well, no, I don't know.
15:19Well, I think I'll just keep it to meself.
15:20Oh, will you?
15:21Yeah.
15:22You're not going to tell me, then?
15:23No.
15:24And before you ask for your wafer biscuit back...
15:26Right.
15:28Right!
15:33I might not even sing.
15:34Oh, well, back on that again, are we?
15:36What is it this time?
15:37Sword swallowing?
15:38Perhaps.
15:52Pretty woman.
15:53The kind I like to meet.
15:55Pretty woman.
15:57Oh, I don't want to wear...
15:58Miss!
15:59You what?
16:01Miss!
16:02He's not the backing, it's the singer.
16:03Now plug that telly back in and get upstairs.
16:05Well, I'm rehearsing, I'm on in two hours.
16:07If you're in pain, we'll get the doctor.
16:10What do you got them specs on for?
16:12Do your eyes hurt as much as your throat?
16:14Very funny.
16:16What's wrong with your neck?
16:18What do you mean?
16:19Oh, give over.
16:20Oh, give over.
16:22Saw you walking past my door, late last night.
16:28But in the meantime, it's in Chilean time, baby.
16:32I'm going to be a meantime man.
16:33No.
16:36What's a really good number for me?
16:38I've just done that shirt.
16:40I don't know that one.
16:42Cherry, look at it.
16:43What were you doing?
16:44I was playing the organ.
16:46Oh, it's a right musical evening here.
16:48Well, who else is in this contest then?
16:50Oh, well, there's a group and a ventriloquist and this girl.
16:54And, of course, teenage pop idol, Bob Ferris.
16:58And another pop singer called Vic Charity.
17:00By the cringe.
17:03Little things that you do make me feel I'm in love with you.
17:13Hey, Darren, have you got an identity bracelet?
17:15A what?
17:16You know, an identity bracelet.
17:17Left over from the war or something.
17:20The war.
17:22What does he know about the war?
17:23No, Wilfred.
17:24I fought for him.
17:26Here, he's not wearing that shirt, is he?
17:29I fought for that, praying the organ.
17:32You know what war means?
17:33My brother-in-law, your Stan, lost a leg in the war.
17:39Lost a leg.
17:43I'm off the club.
17:46The ex-serviceman's club.
17:50I think you've upset your father, Terry.
17:55Well, doesn't he like Dave Barry?
18:00Well, I can see his point, love.
18:02I mean, you do let yourself down, I mean, with your hair like that.
18:06It's our time you put your thinking cap on.
18:10Yellow is the colour of my true love's hair in the morning, when we rise.
18:20Red is the colour of my true love's eyes in the morning.
18:26Oh, no, I do catch the wind better than that.
18:28Terry, you're not going out in your works, though.
18:33Oh, stroll on!
18:34Look, I'm in for this competition tonight.
18:36Do you want me to win it or don't you?
18:37Well, of course I do.
18:38Well, I'm not getting much encouragement, am I?
18:41And if my dad goes on like that, he won't get a £10,000 house from me.
18:45Well, of course we'd want you to win, love.
18:47You know, I like that last singer you were doing.
18:50Do you?
18:51Oh, yes, I like him, Lonnie Donovan.
19:06Thank you, Herbie Huff and the Colonel.
19:08Who knows he may be the lucky winner.
19:10And don't forget tonight, folks, the prize is £25.
19:12And a kiss from this year's delightful, delicious, delectable, Miss Waterboard.
19:20Waterboard, that then, eh?
19:24Now, joking apart, it's all in a good cause.
19:26You know, for those less fortunate than ourselves.
19:29And I don't mean the missus.
19:31Hey, hey, hey!
19:32Hey, no, hey, oh, no, no.
19:33Second on the bill.
19:34Second on the bill, ladies and gentlemen.
19:36We've got a group of local lads,
19:37and they're coming up to play their latest number.
19:40I can't get over you, so get out of bed and make the cigarettes yourself.
19:45Make the cigarettes yourself.
19:48No, here they are, the nice hand for Methuselah and the monkey glands.
19:52Oh, hello.
20:02Oh, hello.
20:06Can I buy you a drink?
20:07No, I got one, Pat.
20:09Oh, hello.
20:17Oh, hello.
20:19Um, can I buy you a drink?
20:21No, I've got one, thanks.
20:23Hey, I wondered what your image would be.
20:26Listen, uh, a brandy, please, a biggin'.
20:29Oh, nervous.
20:30Oh, no, no, I've just got a slight cold.
20:33Do you think I look all right?
20:34Oh, yes, fine.
20:36Well, I've just seen your mate.
20:37I hear you've both gone solo.
20:39Oh, you know, split up, like the Springfields, really.
20:43Did Dusty say what she was singing?
20:46Never mentioned it. It's gone off somewhere.
20:48Oh.
20:49Oh, this lot aren't much cop, are they?
20:52Bit amateurish.
20:54Oh, yeah, a bit.
20:55Well, the rhythm guitar's quite strong.
20:57True, quite strong.
20:59Oh, have you had a word with Ronnie?
21:01Who's he?
21:02The pianist, love, about your arrangement.
21:05I'll give you a tip if you don't get in the drinking and put you right off.
21:08All right.
21:09I wonder where your mate's got to.
21:11Oh, and he's, uh, he's probably rehearsing.
21:14Oh, a perfectionist.
21:16There's a famous seaside place called Blackpool that's noted for fresh air and fun.
21:22And Mr. and Mrs. Ramsbottom went there with young Albert, their son.
21:29A grand little lad was Albert, all...
21:31Hey, Bob, have you seen Molly Hardy?
21:34A grand little lad was young Albert, all dressed in his best quite as well.
21:42With a stick, with a horse's head handle, the finest of...
21:47By another one, you must have pneumonia.
22:04Oh, I'd say...
22:05Oh, well, it's gonna...
22:05How long next?
22:07I'm gonna sing Secret Love, you know, Kathy Kirby.
22:10Oh, aye.
22:10People say I sound like that.
22:12Oh, do they?
22:13Oh, that's right.
22:14Oh, well, lad.
22:15Hey, what do you got, an engine driver?
22:17Hey, hey, hey.
22:18Hey, don't know a friend's calm like that.
22:20Rona, look, can I have you next, if you know what I mean, eh?
22:23Ha, ha.
22:23Hey, before Matt Dillon here, eh? Get up behind the canner.
22:27Hey, I'm one after her, am I?
22:29Well, you are your mate. Do you know what he's got, too?
22:31No.
22:32Oh, well, you next in that case.
22:33Wish me luck, then. May the best man win.
22:36What are you going to do, then?
22:38Catch the wind, probably.
22:39Oh, you'd always take something for it.
22:42Well, all the best said, and don't forget to get Ronnie as usual.
22:45Well, here we are, folks, ladies and gentlemen.
22:48Your favourite, my favourite, the one and only, Rona Tidmarsh.
22:53Now, I shouted from the heart.
22:59That's one of the poor little lad-o.
23:01Then Pa, who had seen the occurrence...
23:03What?
23:04...and didn't know what to do next, said,
23:06Mother, yon lion's at Albert.
23:08And Mother said, Well, I am vexed.
23:10Bob, is that you?
23:19What do you want?
23:20Oh, I just wondered where you were.
23:22Have you been listening?
23:23No, of course not.
23:24You're on next.
23:25Oh.
23:26Hang on.
23:27That's mine.
23:28Where'd you get that?
23:29Oh, your mum let me borrow it.
23:30You're on now.
23:31Oh.
23:32Right.
23:33Right.
23:34I can't do it.
23:35Do what?
23:36It's not good I can't do it.
23:37You needn't say it.
23:38It's true.
23:39When it comes to the push, I'm too shy or something.
23:40I can't do it.
23:41So go on, say it.
23:42Say it.
23:43Go on, say it.
23:44I can't do it either.
23:45Can't you?
23:46No, I've just been talking to Rona out there.
23:47She's done it before, man.
23:48She's experienced.
23:49I only came in here to see you.
23:50I can't do it.
23:51I can't do it.
23:52I can't do it.
23:53I can't do it either.
23:54Can't you?
23:55No, I've just been talking to Rona.
23:56She's done it before, man.
23:57She's experienced.
23:58I only came in here to see if there was a back door.
23:59There isn't.
24:00Folks on, was it?
24:01What's the point of the door?
24:02I can't do it.
24:03I can't do it.
24:04I can't do it.
24:05I can't do it.
24:06Do what?
24:07It's not that I can't do it.
24:08You needn't say it.
24:09It's true.
24:10It's true.
24:11When it comes to the push, I'm too shy or something.
24:12I can't do it.
24:13Say it.
24:14Go on, say it.
24:15I can't do it either.
24:16Can't you?
24:17No, I've just been talking to Rona out there.
24:18She's done it before, man.
24:19She's experienced.
24:20There isn't.
24:23Folk song, was it?
24:25Well, that's what I thought, yeah.
24:27You might have done it very well.
24:28Oh, not me, man.
24:30Tone deaf, remember?
24:31Well, I don't see them out so much with folk singers.
24:34No.
24:35You were going to...
24:36Yeah.
24:37That's all I could think of.
24:38Oh, it's original, that.
24:39I mean, nobody else would have done it.
24:41I don't think you would have got in the charts.
24:44No.
24:45Shall we...
24:46Aye, come on.
24:47Let's get on the club.
24:48Well, I'd better get changed first.
24:49Oh, my heart's an open door.
24:53It's a better way than she's finished.
24:55And my secret love's no secret any more.
25:04Well, I have to do enough to fight over.
25:06Aye, she's not worth making a fool of yourself, poor man.
25:11Oh, my love, thank you.
25:13Good job the judges asked old men, eh?
25:15Well, we've had to rearrange the bill a little for you, ladies and gentlemen.
25:18Look, we've got a great act coming up.
25:20A new, very talented young pop singer.
25:22I suppose you're going to win.
25:23Who knows?
25:24He may be on the threshold and start.
25:25Ah, Vic Charity.
25:26Whoever he is.
25:27Here he is, Vic Charity.
25:29It's not unusual to be loved by anyone.
25:36It's not unusual to be loved by anyone.
25:38It's not unusual to be loved by anyone.
25:42It's not unusual to be loved by anyone.
25:43It's not unusual to be loved by anyone.
25:47It's not unusual to be loved by anyone.
25:48It's not unusual to be loved by anyone.
25:49It's not unusual to be loved by anyone.
25:50Please sorry.
25:51I'm sorry.
25:52My name is Ron Larry puff.
25:53I'm sorry.
25:54My name is Ronado Carter.
25:55I chose you.
25:56I chose you.
25:57You know what for your fun game?
25:58Let it be loved by anyone.
25:59Got you.
26:04Get back out of your mind.
26:09Get back out of your dreams now!
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