The Fly Room_2014

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FULL TEEN MOVIE  Griffin Newman  When a wide-eyed 10-year-old girl visits her fathers insect laboratory, she receives an unorthodox education in genetics.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00:30I didn't want to be like him.

00:00:47I didn't want to...

00:00:59I didn't want to be like him at all.

00:01:10He was always very kind of boyish.

00:01:13He was not socialized, I would not say.

00:01:18He had never really been into a small town.

00:01:23It horrified me.

00:01:28It horrified me to see that dark room.

00:01:36And the light that he worked under was just a very small patch.

00:01:44He was just a very small patch.

00:02:31Whether it was my mother that called or someone from Columbia, I have no idea.

00:02:52I just got the message that my father had died.

00:03:01Smile.

00:03:13Good.

00:03:17Good.

00:03:21Good.

00:03:23Good.

00:03:25Good.

00:03:29Good.

00:03:41Good.

00:03:43Good.

00:03:45We're going to build all the stuff that you want to do.

00:04:15Oh, come on, Herman. I'm standing on a soft rock.

00:04:45Wow. It's lovely. Great.

00:04:53What do we have here? 3L?

00:04:57This is the BTN.

00:05:00Right, so that's a deficiency gap.

00:05:03Do you know what a whale shark is?

00:05:08When you dissect it, sounds very grand.

00:05:12Right, but you do understand that essentially what this means is that it's spontaneous.

00:05:16There's a massive gap here.

00:05:18The BTN actually downloaded it further, too. That's fascinating.

00:05:24There are the meadows, there are the woodlands,

00:05:42Roved in clouds of blooming spring.

00:05:50Jesus is fairer.

00:05:55Jesus is purer.

00:06:00Jesus is purer.

00:06:14He makes our sorrowing spirit sing.

00:06:36Tilt up. Tilt the camera up.

00:06:40Betsy, I want the trees and...

00:06:44Tilt it up.

00:06:50Take off your hat.

00:06:51Hang on. I was going to take off my hat. Settle down.

00:07:10Come on.

00:07:12You've got lead feed. Come on.

00:07:40Dr. Bridges.

00:07:55Dr. Wilson.

00:07:57Betsy, hurry up. Come on.

00:08:08Hello.

00:08:18Hello.

00:08:19Hello.

00:08:20I'm Calvin Bridges' daughter, and I'm coming to visit his work.

00:08:24Oh, welcome. Come on in.

00:08:26Have you ever seen the sign of a frog before?

00:08:28No.

00:08:29This is what it looks like.

00:08:31See? I just opened it up here.

00:08:33You can see what's inside.

00:08:34Betsy. Betsy, come on.

00:08:35I have to go.

00:08:36I have to go.

00:08:37All right. Have a good day.

00:08:38You too.

00:08:39It was a pleasure meeting you.

00:08:40Pleasure.

00:08:42Enjoy your frogs.

00:08:45Don't touch anything.

00:08:52Don't move anything.

00:08:55I'm talking to anyone while they're working, and especially in your photographs in the lab.

00:09:02But that's what I brought my camera for.

00:09:03Betsy.

00:09:04Yes?

00:09:05Hello, Morgan.

00:09:06Calvin.

00:09:07Betsy.

00:09:08Hello, Professor Morgan.

00:09:09Well, hello, Betsy.

00:09:10Gertrude sends her thanks for helping today.

00:09:12Of course.

00:09:13My pleasure.

00:09:14Now, how is your dear mother?

00:09:15She has trouble walking up the stairs, and now I have to carry Nate.

00:09:20Good morning, Dr. Bridges.

00:09:21Good morning, Dr. Bridges.

00:09:22So nice of you to join us.

00:09:23How is mapping the first chromosome, Dr. Sturdivant?

00:09:25Will it be ready by the end of 1927?

00:09:26Well, that all depends on whether you get me the most recent recombination frequency

00:09:27numbers, Dr. Bridges.

00:09:28So nice of you to join us.

00:09:29How is mapping the first chromosome, Dr. Sturdivant?

00:09:30Will it be ready by the end of 1927?

00:09:31That all depends on whether you get me the most recent recombination frequency numbers,

00:09:32Dr. Bridges.

00:09:33So nice of you to join us.

00:09:34How is mapping the first chromosome, Dr. Sturdivant?

00:09:35Will it be ready by the end of 1927?

00:09:36That all depends on whether you get me the most recent recombination frequency numbers,

00:09:51Dr. Bridges.

00:09:54So kinder.

00:09:55This one's got a funny little right wing.

00:10:01One of yours, Herman. I believe I'll call it.

00:10:04I want...

00:10:06after Igor.

00:10:08What do you think?

00:10:09You see, it starts as an egg,

00:10:11and then it becomes a larva,

00:10:13and then finally a pupa,

00:10:15and then, of course, once again the adult flop.

00:10:31Hmm.

00:10:45Oops. Oh, that's...

00:10:47We're okay.

00:10:49No harm.

00:10:54Now, I have something

00:10:56that I'm quite sure will interest you.

00:11:01You have to sit there.

00:11:03I think you're going to really

00:11:05like this.

00:11:09Madame et Monsieur,

00:11:11Le Paradis.

00:11:31Come in, please.

00:11:41Uh, here.

00:11:43Betsy, I'd like you to meet Miss Wallace.

00:11:45Come with me, dear.

00:11:47Do we need a number on this?

00:11:49Does it matter?

00:11:51Call it, Matt. T1.

00:11:53That was mine. Oh, terrific.

00:11:55You want to go with her? That's one of mine.

00:11:57Did you make all these drawings?

00:11:59They're very good.

00:12:03May I have some paper, please?

00:12:17Of course.

00:12:19That's very beautiful.

00:12:21There you are.

00:12:29May I have some paper, please?

00:12:31Of course.

00:12:33That's very beautiful.

00:12:35There you are.

00:12:47What's that?

00:12:49That is The Vitruvian Man by Leonardo da Vinci.

00:13:03But he's naked.

00:13:05No.

00:13:07He's not naked.

00:13:09He's nude.

00:13:11And there's nothing wrong with a naked body

00:13:15in the context of great art.

00:13:17Have you ever seen a naked man, Miss Wallace?

00:13:21You?

00:13:23I've only ever seen my brothers naked.

00:13:25They look very silly without clothes.

00:13:39Not bad, Calvin.

00:13:41None of these days that file is ready.

00:13:43They look very silly.

00:13:51Miss Wallace?

00:13:52Yes?

00:13:53How do you make the eyes on the flies look real?

00:13:57Well, inside the fly eyes are hundreds of repeating shapes.

00:14:03You may want to color in those shapes.

00:14:05Different shades of red.

00:14:07Well, of course, going around the banana.

00:14:13Can I tell you about the...

00:14:15Cantonese.

00:14:17Strain.

00:14:19How I named it?

00:14:21No, not quite.

00:14:23You know, I captured that strain in Canton, Ohio.

00:14:25Hence the name.

00:14:27Guess what the S is for?

00:14:29Sarah.

00:14:31Sarah.

00:14:32Sarah.

00:14:33Who's Sarah?

00:14:35Special Sarah.

00:14:36Yes, yes.

00:14:37She's a special guy.

00:14:38Her vagina was so large.

00:14:40My God, man.

00:14:41By the way she could work it.

00:14:43Anyway...

00:14:45I like red.

00:14:47This is the newest one.

00:14:48Red is a beautiful color.

00:14:54And while I was waiting, they had a bowl of food, they served to their guests.

00:14:58There was three bananas.

00:15:00And surrounding the bananas were these wild flies, the Cantonese.

00:15:05Well, this excited me.

00:15:07I followed my impulse, I grabbed the fly, I put it in a vial that I had myself.

00:15:12While I danced with Sarah for the next hour and a half.

00:15:20The flies.

00:15:42When I walked...

00:15:44Notais for the next hour.

00:15:45I was afraid.

00:15:46My wife tells me that I wasn't mulher voluntarily.

00:15:50A custom편사 from grey street.

00:15:52A commonplace Sarah for the next time.

00:15:54Here in the final hour, I saw my steroid and an Kaufman.

00:15:56I was still looking for four hours for the last hour.

00:15:59Causedly on a water heptší.

00:16:01Where the holder on a water heptší.

00:16:03Peak and drive at the pub and drive away.

00:16:05While there is a small portion of the gas.

00:16:08To reduce the water heptší department.

00:16:09It was about thestalty to fix.

00:17:11Have we eaten yet?

00:17:14We have not eaten, but we must all be hungry.

00:17:16Let's see what's in here for us to eat, shall we?

00:17:19Can you open your mouth a little bit larger now?

00:17:21Here it comes.

00:17:23Wow.

00:17:24This is mine.

00:17:27You did that right, huh?

00:17:28Okay.

00:17:30Well, we're going to have a...

00:17:32Here it comes.

00:18:02What are you thinking about?

00:18:19Listening to the cicadas.

00:18:20What were you doing 17 years ago?

00:18:26I'm not thinking that I would come up for four weeks to the surface of the earth and then pass away.

00:18:34Could you spend 17 years underground?

00:18:36I think perhaps I already have.

00:18:41I don't know?

00:18:44I'm not thinking of it.

00:18:46It's hard to breathe.

00:18:46Here we go.

00:18:48Here's the cicadas.

00:18:48BIRDS CHIRP

00:19:18BIRDS CHIRP

00:19:27Mutations can either be mistakes or they can lead to improvements in how the body works.

00:19:35Look at the earthworms that I found at the park today.

00:19:38Oh my, aren't they beautiful?

00:19:41Yes, I'm going to give them some dirt to eat.

00:19:44And do they have names?

00:19:45Yes, that's Billy, Barbara, and Buster.

00:19:48They're very beautiful creatures.

00:19:50Yes.

00:19:52Does anyone study earthworms like you study flies?

00:19:59Well, one can study mutations in insects.

00:20:03Barbara!

00:20:03Earthworms, humans, plants, trees, really anything.

00:20:12Could you get Billy off of my drawing, please?

00:20:14I'm sorry.

00:20:15Thank you so much.

00:20:17It's good you remembered it was Billy.

00:20:19I know, I don't want to mix up your friends.

00:20:22I think you're Billy.

00:20:23How do you tell if a worm is a boy or a girl?

00:20:28That is a very good question.

00:20:30I think you should ask your father about that.

00:20:32Oh, this one's had a rough night.

00:20:40What's wrong with it?

00:20:42Don't tempt fate, Herman.

00:20:49Say hello there.

00:20:51Hello, Mr. Mueller.

00:20:53How are you, Betsy?

00:20:54Good.

00:20:56Good.

00:20:57And you?

00:20:59I'm doing just fine, thank you.

00:21:01What are you doing here, Betsy?

00:21:03Spending the day with me, like Mother said.

00:21:06That's my desk.

00:21:08Go back with Edith.

00:21:12That's not what Mother said I should do.

00:21:16Well, your mother's not here, is she?

00:21:18Go back to Edith.

00:21:20I'm going to tell her what you said.

00:21:28You're quite an unruly child.

00:21:36Be careful, Stash.

00:21:37She'll take your job.

00:21:39Ninth day, 91.

00:21:45I'm getting no females in this batch.

00:21:47After tomorrow, I want to hear nothing more about you.

00:22:06Why?

00:22:07Why?

00:22:07What?

00:22:08Go to sleep.

00:22:32I love you, Mom.

00:22:35I love you, sweetie.

00:22:37God bless you.

00:22:51What does it matter if I am a sort of life?

00:22:54You have to help me on this one.

00:22:57The doctor said not to me.

00:22:58I have to stay in bed.

00:22:59She wants to play.

00:23:00She wants to get hit with things.

00:23:02She's not going to have to take her again and show.

00:23:04It is no place for a little girl.

00:23:06Betsy does not need to see one more.

00:23:08For Christ's sake, quiet down, Helen.

00:23:11Don't tell me to be quiet.

00:23:13Jesus fucking Christ.

00:23:15Jesus fucking Christ.

00:23:15sh言

00:23:17Not enough.

00:23:20I don't know.

00:23:24And that exists.

00:23:30I feel she always keeps me up.

00:23:31You can keep me from watching, please.

00:23:32I have to praise him and drink it to my third book.

00:23:33I have to say, you ain't so much.

00:23:34Yep.

00:23:34I wrote in the book on this book,

00:23:35You know, there's nothing quite like starting up your morning by wiping three-week-old banana

00:24:05and a goo on milk bottles.

00:24:07How many do you have left to clean?

00:24:09Oh, endless supply. Endless.

00:24:11Can I help you?

00:24:13This is no task for a fine lady like yourself.

00:24:17I don't mind.

00:24:19Okay, well, I need this.

00:24:21There you go.

00:24:23Ugh.

00:24:25A lot of fun, right?

00:24:27You know, your father actually designed a new type of bottle.

00:24:31Square bottom prevents it from rattling around in the crates when we transport them.

00:24:35He also invented an improved fly food recipe that doesn't spoil us quickly.

00:24:41But he doesn't want to share it with the rest of us.

00:24:45I told you, Herman.

00:24:47The secret is molasses.

00:24:49And so...

00:24:51Oh, I'm sorry.

00:24:53And I'm done.

00:24:55And faster than you.

00:24:57Oh, but less thorough.

00:24:59That's where the real artistry of this job lies, young Betsy.

00:25:03So this yellow fly here has long hair on its back, antennae as long as its face.

00:25:31And also long eyelashes.

00:25:34And white eyes.

00:25:36We call this fly sternoplural.

00:25:39Doesn't it look like your father?

00:25:43Yes, it does look a bit like him.

00:25:45Mm-hmm.

00:25:46And the smaller version of the same fly would be you.

00:25:54I don't look anything like him.

00:25:56I look like my mother.

00:25:58What's with the last cross?

00:25:59What's the latest, the last cross?

00:26:02Uh...

00:26:03About...

00:26:04Three to one.

00:26:05Ratio.

00:26:06Male to female.

00:26:07I counted...

00:26:08Three hundred and twenty one.

00:26:09Males to ninety six females.

00:26:12Mr. Mueller?

00:26:13I counted 321 males to 96 females.

00:26:21Mr. Mueller?

00:26:23Hmm?

00:26:24I'd marry you when I grow up, probably.

00:26:27Though you already have a wife.

00:26:30Well, if I didn't have a wife, I think I would accept.

00:26:35Are you taking pictures?

00:26:49Yes.

00:26:52Perhaps maybe you can get my left side.

00:26:55I seem to prefer it over my right.

00:26:58I think you look fine either way.

00:27:03Well, thank you.

00:27:06Smile.

00:27:07I'm smiling.

00:27:10Both sides.

00:27:18What are you doing?

00:27:24Well, I'm calculating crossing over frequencies

00:27:29to determine the distance between genes on a chromosome.

00:27:33Can I take a picture of your crossword puzzle?

00:27:36No.

00:27:37These snapshots are disturbing us.

00:27:39Go away.

00:27:42Yesterday, Miss Wallace told me you can't see colors.

00:27:45Miss Wallace is wrong.

00:27:47I can see certain colors.

00:27:49Why only certain?

00:27:52Well, that's the way I was born.

00:27:57Why do you have two hands?

00:27:59Why are your eyes blue?

00:28:00Why is your hair the color that it is?

00:28:01Why are some people tall and some people short?

00:28:04It's just the way we're born.

00:28:05And what determines those characteristics

00:28:08is exactly what we're trying to study right now.

00:28:13Can you see the red eyes on the flies?

00:28:15Or does my daddy have to tell you that they're red?

00:28:18No.

00:28:19No, I can see just fine.

00:28:21I collect all the data about the different kinds of flies I see.

00:28:27Why don't you go and ask your father about his totem pole?

00:28:29Oh.

00:28:32Can you find a trans mutants?

00:28:34Did you want to show me earlier?

00:28:36Yes.

00:28:36I was looking at it.

00:28:38Here.

00:28:39This is the Bithorax mutant.

00:28:41Mm-hmm.

00:28:42It's quite amazing.

00:28:43A second pair of wings, a second stomach,

00:28:45and completely duplicated thoracic features.

00:28:48I've never noticed that the duplication

00:28:50of the second thoracic segment led to a loss of the whole view.

00:28:58I'm moving in.

00:29:15Betsy, word is, it's going to be wild tonight.

00:29:34It's going to be wild tonight.

00:30:04It's going to be wild tonight.

00:30:34It's going to be wild tonight.

00:31:04Are these bithorax flies?

00:31:10Yes, they are.

00:31:12Is it caused by a mutation?

00:31:17Well, yes, it is.

00:31:21During development, there's a duplication of one of the body segments.

00:31:32Mm-mm-mm.

00:31:34What happens is a fly has little fat arms known as halteers.

00:31:44But the bithorax changes those little fat arms into wings.

00:31:51The added weight of the fly and the absence of the halteers

00:31:56restrict the most beautiful mutant we have

00:32:03from actually flying.

00:32:05Can I look inside?

00:32:08Sure, one moment.

00:32:09Don't touch that.

00:32:27It's an expensive object, not a toy.

00:32:29Go ahead.

00:32:35Don't squint.

00:32:37I'm not squinting.

00:32:39Pretend you're looking through.

00:32:41Like this.

00:32:49They're real.

00:32:51Mm-mm.

00:32:51Can you see the dark spot?

00:32:54Yes.

00:32:56That's the meconium.

00:32:58The meconium is a dark spot that indicates that the fly is a virgin.

00:33:06What does that mean?

00:33:08Hey, Alfred.

00:33:11You know all about that.

00:33:14Why don't you tell Betsy what a virgin is?

00:33:17Oh, how should I put this?

00:33:21A virgin is a young female who has not yet been touched by a male.

00:33:35Are they dead?

00:33:37You keep twitching.

00:33:38They're having nightmares.

00:33:40I'll show a stock over here.

00:33:59Yeah.

00:34:00Here you go.

00:34:02Some ether.

00:34:04Put those little fellas in sleep.

00:34:061500 fly is quite sufficient, but 1.8% from BPR recombination is low.

00:34:14Lots of variability.

00:34:17Since you have Hoenone mutant in the last end of two,

00:34:20that resembles Ho, probably a new locus.

00:34:24You have Ho, probably a new locus.

00:34:25I'm not going to be haunt.

00:34:25Come on.

00:34:26I'm not going to be haunt each other.

00:34:27There we go.

00:34:28You're a new locus.

00:34:29Hmm?

00:34:30Hmm?

00:34:31Hmm?

00:34:38Hmm?

00:34:41Hmm?

00:34:43Hmm?

00:34:44Hmm?

00:34:46Hmm?

00:34:47Hmm?

00:34:48Hmm?

00:34:49Hmm?

00:34:50Hmm?

00:34:51Hmm?

00:34:52Hmm?

00:34:53Hmm?

00:34:53Sweetie, I think you went a bit too far with the ether.

00:35:06Those fellows are going to be asleep for a very long time.

00:35:10How long?

00:35:12Possibly eternity.

00:35:16Here's what you do.

00:35:17A quick dunk onto cotton, like so.

00:35:24That's all they need to be all nice, relaxed, and happy.

00:35:29What's a three-letter word for...

00:35:32Fly.

00:35:34Ass.

00:35:35Classy.

00:35:44Only 89.

00:35:45It's the 89th factor for the bithorax.

00:35:48Oh, that's incredible.

00:35:49On the first T2.

00:35:51I think we almost have enough data to put a pen in there.

00:35:54Bill, I'd like to introduce you to my colleagues.

00:35:57Mr. William Pearlie.

00:35:58This is Dr. Bridges.

00:36:00Dr. Sturdivant.

00:36:02Bill is here on assignment from Popular Science.

00:36:06I've been explaining to Bill about your outstanding work on the life chart.

00:36:10Nice to meet you.

00:36:11Nice to meet you.

00:36:12So, this is the world-famous life chart?

00:36:14Uh, yes.

00:36:16Well, we like to call it the totem pole.

00:36:18Herman, I found a virgin.

00:36:20Betsy, enough chatter.

00:36:23Will you excuse me, gentlemen?

00:36:26Yes, this is the totem of the hereditary controlling genes.

00:36:30Each panel represents a different chromosome of the fruit fly.

00:36:35Each pin is a gene.

00:36:37We can see the distance between genes on the same chromosome, and that way understand their

00:36:43interaction.

00:36:44Are you able to design new genes?

00:36:46Uh, well, not yet.

00:36:48But soon, uh, we may be able to select for specific traits.

00:36:53We can only understand how factors genes recombine, uh, in insects.

00:37:00We can't play God.

00:37:01Yes, this is not about eugenics.

00:37:04We're not improving on nature, but rather we're trying to understand the basic laws that determine

00:37:08who we are.

00:37:09Precisely.

00:37:10Have you boys been following the John Scopes trial?

00:37:12Yeah, Liz, it is ludicrous to think that teaching evolution is anti-religious.

00:37:18Same goes for the study of genes.

00:37:19Well, yes, of course.

00:37:20Without genes, the basic mechanisms of evolution cannot operate.

00:37:25Cannot operate.

00:37:27Well, gentlemen, this has been very interesting.

00:37:29Thank you very much.

00:37:30I'll follow up with any further questions.

00:37:32Sure thing, Mr. Powley.

00:37:33And Godspeed to you.

00:37:39Next time, we will tell him how we discovered the God gene.

00:37:42Then people will accuse us of trying to eliminate God.

00:37:45Or trying to mutate him.

00:37:54Edith?

00:37:55Yes.

00:37:56I wanted to show you this.

00:37:58What I saw by thorax is on the 89th position.

00:38:04Hmm.

00:38:06Hmm.

00:38:06What do you think?

00:38:07It's great.

00:38:08It's a beautiful world.

00:38:18Betsy, how tall are you?

00:38:21Close to five feet.

00:38:26Are you sure?

00:38:29Come here.

00:38:29Climb up here.

00:38:40Now I want you to lean back. I got you.

00:38:43Lean back.

00:38:52Chromosome is like a house.

00:38:55Each gene is a family member.

00:38:59There's jaunty, yellow, forked, vermilion, and Betsy.

00:39:22They all live on the X chromosome.

00:39:26What's X?

00:39:27What's X? Well, X is a sex chromosome.

00:39:31Two X's and you become a girl.

00:39:34An X and a Y chromosome, you become a boy, like me.

00:39:37Can I have my picture taken next to the totem pole?

00:39:41Sure.

00:39:43Hey, Jack, just come over here, will you?

00:39:50Come on.

00:39:50Thank you, Jack.

00:39:58One more.

00:39:59Sure.

00:40:02Come here.

00:40:06Now, you see that clump of bushes over there?

00:40:12Yes.

00:40:12That will be our focal point.

00:40:16What we're going to do is we're going to capture this entire scene in a photograph.

00:40:23Can you do that with Juan?

00:40:27No.

00:40:28How are we going to do that?

00:40:30I don't know.

00:40:36Take one picture.

00:40:41Move it left.

00:40:42Three degrees.

00:40:45Keep it still.

00:40:46Listen here.

00:40:57You have to be very careful.

00:40:59When you take these photos, take a deep breath in.

00:41:02Hold your breath as you snap the photo.

00:41:05Between your movements, your three degrees, then you can breathe in and out.

00:41:10Take another deep breath.

00:41:11Set your photo.

00:41:12Take the picture.

00:41:12Do you understand?

00:41:13Yes.

00:41:14Okay.

00:41:43Jack.

00:41:47Henry.

00:41:48Yes, sir?

00:41:49If one of you fellows would like to tell me about the stalk of the white mutation.

00:41:54Do you need some more?

00:41:56Would you consider it a vital stalk?

00:41:58Yes, of course.

00:42:00Great.

00:42:01What color are their eyes?

00:42:02White.

00:42:03Sorry.

00:42:05What was that?

00:42:06White.

00:42:07That's right.

00:42:07And why are their eyes white instead of, let's say, I don't know, red, for example?

00:42:16Calvin, why must you be so condescending with the boy?

00:42:19Sturtz, who said I was being condescending?

00:42:23Yes?

00:42:25Recessive mutation of the white gene causes white eyes, sir.

00:42:30Who prepared this last batch?

00:42:31Uh, I did, sir.

00:42:33Jack.

00:42:35What did you come here for, Mama?

00:42:45Look through the microscope.

00:42:51What do you see?

00:42:52Uh, I see, uh, white eyes.

00:42:57Uh-huh.

00:42:59What else?

00:43:04Uh, oh, there's a, there's a red one in there, too.

00:43:09There's a red one.

00:43:10There's a, yes.

00:43:11Do you see what the fucking problem is, Jack?

00:43:15No, what?

00:43:16I, I don't.

00:43:17They're contaminated.

00:43:18That's what, that's what, they're fucking contaminated, Jack.

00:43:22Let me see.

00:43:23Sturtz, go back to your desk.

00:43:27What do you want to see?

00:43:28You are fucking colorblind.

00:43:42You.

00:43:42Step one, we start with soap.

00:44:03We get rid of all the flies.

00:44:05What do you see?

00:44:28Do you see a fly?

00:44:29Do you see a fly?

00:44:29No, no flies, sir.

00:44:31No, you don't.

00:44:33Step two, we place the bottle upside down, like that.

00:44:37Not right side up, upside down.

00:44:39Do you understand the difference?

00:44:41Yes, sir.

00:44:41What is the difference?

00:44:42Why do we do that?

00:44:43Because of the flies.

00:44:45Because of the flies!

00:44:47Back to work, you're both fucking idiots.

00:44:50This guy is useless.

00:44:52This fucking child here could do better than you.

00:44:54This guy is a liar.

00:45:19Okay, quiet down, boys.

00:45:44Dr. Bridges, we wanted to apologize to you again for the mistake we made earlier.

00:45:48That's fine. It's a possibility that I overreacted a bit.

00:45:55And, um, I just wanted to take this opportunity to congratulate Miss Bridges on her new job.

00:46:06Oh, uh, Jack.

00:46:08Yes, sir?

00:46:11I know it's Friday evening, but you boys behave.

00:46:16Come back to us in one piece on Monday.

00:46:18Thank you, sir.

00:46:34Bessie, you have that vial of urgence?

00:46:37Okay, now that we have isolated how many?

00:46:45Fifty-five.

00:46:46Fifty-five.

00:46:49It's time to invite some boys to the party at a ratio of five to one.

00:46:54So that's about ten males.

00:46:56Now, make sure they're tapped down.

00:47:02I'm so lonely.

00:47:05What? Did you hear that?

00:47:08I'm so lonely.

00:47:09Oh, sweetheart, would you hold this vial for me?

00:47:13Let's get some males here.

00:47:19And now it's time for the fruit fly dance.

00:47:24First name, Drosophila.

00:47:33Last name, Melanogaster.

00:47:36Now what?

00:47:37Well, the male stands directly in front of the female.

00:47:41Eye to eye.

00:47:42And then starts to flap his wing.

00:47:54But be careful, just one wing.

00:47:59Why only one wing?

00:48:01Because it's sexier that way.

00:48:03Look at them.

00:48:10Those beautiful patterns and those veins.

00:48:15You hear that?

00:48:20No.

00:48:21I hear it.

00:48:23I don't know what's wrong with you, Bessie.

00:48:25My wing is flapping so fast that it vibrates.

00:48:29And then the next step happens very quickly.

00:48:32The male circles the female four times.

00:48:39Not five.

00:48:43Four.

00:48:46And then he grabs the female who cannot resist such a beautiful male.

00:48:53And that, my dear, is the fruit fly dance.

00:48:59Oh.

00:49:02How are you leaving already, Herman?

00:49:13My better half is calling me.

00:49:16Gonna miss the best part.

00:49:19Well, next time.

00:49:21This one's a hot number.

00:49:22Good work, Bessie.

00:49:24Calvin.

00:49:25Good evening, Herman.

00:49:26Cheers.

00:49:27Hereabouts.

00:49:44Good hand on your shoulder.

00:49:46Right there.

00:49:47Good job.

00:49:48Now step onto my feet.

00:49:51Here.

00:49:51Get off.

00:49:52You know what?

00:50:01You're a natural.

00:50:03We're going to get fancy.

00:50:04Here we go.

00:50:08Pardon me.

00:50:17Yes.

00:50:19You are a born dancer.

00:50:22You know what Mother said about Grandmother Bridget?

00:50:28Well, I can only imagine.

00:50:30She said she lived so long because she was so mean.

00:50:36Uh-huh.

00:50:46She raised me the best she could.

00:50:48The old goat lived a very hard life.

00:50:54Why?

00:50:56Why?

00:50:57Uh...

00:50:59Well...

00:51:00Well, she had a very mean father.

00:51:08And he didn't mind hitting her.

00:51:09Well, Grandma Bridget was, uh, she was an adult when she was your age.

00:51:22She was working 10, 12 hours a day at a dairy farm, making her own living.

00:51:30Well, it wasn't long before she met Grandpa.

00:51:35Now, they were married when they were 14 years old.

00:51:39He was 15.

00:51:43Married already?

00:51:44Now, we can't imagine such a thing at this time, can we?

00:51:52That's right.

00:51:54It's a complicated thing, isn't it?

00:51:55So, let's not hold it against Grandma.

00:52:01Were you sad not ever knowing your parents?

00:52:05Well, I suppose I was.

00:52:08But, you know, I may not have known them, but I knew them from what they gave me.

00:52:21Why did they give you?

00:52:22Well, they gave me this nose.

00:52:26They gave me these ears.

00:52:28They gave me this hair.

00:52:32Just like I gave you my eyes.

00:52:36And my eyesight.

00:52:39Really?

00:52:40Oh, yeah.

00:52:41Well, it sure wasn't your mother.

00:52:43She's as blind as a bat.

00:52:45No, she isn't.

00:52:46Hey, now.

00:52:47Looks like someone also got my temper.

00:52:52You're right, though.

00:52:53Sometimes she sees right through me.

00:52:55Hey, what do you say we put these new dance steps to some use?

00:53:25Hey, what do you do?

00:53:55I am Canal Batros!

00:54:23Flying through the sky, eating up all the little bogies from the ground.

00:54:38Hello!

00:54:40What's with the mustache?

00:54:43It's a costume party, Bobby.

00:54:45I know that.

00:54:47Your football jersey hardly counts as a costume.

00:54:51Oh, uh, what's the password?

00:54:56Prohibition's over.

00:54:58Haven't you heard?

00:55:00Oh, man.

00:55:03According to popular science, the eyes of the world's fair are on the future.

00:55:13The world of tomorrow starts tomorrow.

00:55:18I'm as happy as a king, feeling good to everything.

00:55:30Just like a bird in the spring.

00:55:32I got a little child.

00:55:34Theo.

00:55:35Yes, my dear?

00:55:36You're working on a new piece about memory.

00:55:37Well, it sounds fascinating, the project.

00:55:39You're enjoying the work?

00:55:41Well, you know, memory is something that is very fluid and dynamic.

00:55:45Nice to see you, Theo.

00:55:46Juna.

00:55:47It's my daughter, Betsy.

00:55:48Betsy, Juna, Theo.

00:55:49Good night.

00:55:50Hello!

00:55:51Good night.

00:55:52I'll be ready to come.

00:55:53It's a beautiful day.

00:55:54I'm dancing.

00:55:55Theo.

00:55:56Juna.

00:55:57Here's my daughter, Betsy.

00:55:58Betsy.

00:55:59Juna.

00:56:00Theo.

00:56:01Jose.

00:56:02Hi.

00:56:03E na na na.

00:56:04I swear that you never leave this place.

00:56:06Funny!

00:56:07I was just saying the same thing about you.

00:56:10Betsy, have a seat.

00:56:12How was Paris?

00:56:23Marvelous.

00:56:24I'm returning in a few days.

00:56:26I just got called in on a story assignment for Pulp Magazine.

00:56:28Oh, you did?

00:56:31Hi, Anna.

00:56:34Get over here.

00:56:36This is my daughter, Betsy.

00:56:39You must be bored out of your mind.

00:56:41I didn't know you had a daughter.

00:56:43Now you know.

00:56:44How old are you?

00:56:45Ten.

00:56:47Little young could be hanging out with this crowd.

00:56:50Knowing them, they might be here a while.

00:56:52She's wise beyond her years.

00:56:54Oh, really?

00:56:55They come with me.

00:56:59You two are getting along well.

00:57:00She's been in the lab all day.

00:57:04It's been an experience, I'll say that much.

00:57:11Charles, say hello.

00:57:22Anna.

00:57:23Charlie.

00:57:24Not Charles.

00:57:31You want some?

00:57:32Come here.

00:57:34Are you smoking?

00:57:47What are you, a man?

00:57:49Look at me.

00:57:51Be good.

00:57:52You too.

00:57:53Tell me, have you been able to show that genes control our sexual desires yet?

00:57:59Uh, not yet, but I'm working on it, and as soon as I do, you will be the first to know.

00:58:04The idea is that not only your factors of genes, as you might say, affect what color your nose comes out as, or your ears, but also in the way you speak.

00:58:15Really?

00:58:15And the ideas you have, and the behavior you exhibit.

00:58:20Fascinating.

00:58:21For instance, right now.

00:58:22So what I'm doing right now is determined by my genes.

00:58:25The way you're crossing your legs, the way you're crossing your arms, is not only determined by genes, also, of course, your environment.

00:58:32The genes play an incredible factor, one.

00:58:35I'm laughing because it's so convenient for you, isn't it?

00:58:38Can I take your picture?

00:58:41You want to take my picture?

00:58:44Sure.

00:58:45Take your hat off.

00:58:59What is wrong with women?

00:59:01Oh, God.

00:59:03Where do I start?

00:59:04It's not what's wrong with them, it's what's wrong with me.

00:59:07Uh-huh.

00:59:08Tell me.

00:59:09You're looking well.

00:59:11You too, dear.

00:59:11I'm glad you're back.

00:59:12You need to let me know ahead of time.

00:59:13I'm sorry, I just got so busy.

00:59:16That's one way to describe it, I've heard other stories.

00:59:18Oh, yeah, what have you heard?

00:59:20Well, being that we're in polite society.

00:59:23Jean's like Jean Tooney?

00:59:39No.

00:59:41Jean's have to do with the parts of our mothers and fathers that they pass down to us.

00:59:48Oh, I don't got a father.

00:59:54That's just ridiculous.

00:59:55Everyone has a father somehow.

00:59:57I mean, I don't know who my father is and mom won't tell me nothing.

01:00:02Well, these are chromosomes.

01:00:05And these are jeans.

01:00:19See, in all different shapes and sizes.

01:00:21There's them cotton balls telling about my father.

01:00:24Well, when your mother and father make you, you get half of your jeans from your mother and the other half from your father.

01:00:38So?

01:00:39So, even if you never knew your father, you still have his jeans.

01:00:46Look, your mother has light hair, so you probably got that from her, but your mother does not have that, so you probably got that dimple from your father.

01:01:08Those goofy cotton balls and stuff tell you all that?

01:01:13Well, sort of.

01:01:16Using jeans, you can see part of your father looking right back at you in the mirror.

01:01:30This is from a call.

01:01:32Mm-hmm.

01:01:38Can them bits of cotton tell me where he lives, what his name is?

01:01:42I'm not sure science has gotten that far yet.

01:01:46Yeah.

01:01:51Well, I'm like, yeah.

01:01:53To be the only one.

01:01:54Yeah.

01:02:00Yeah.

01:02:03Yeah.

01:02:05Hey.

01:02:07Yeah.

01:02:08My, my, my baby, love me

01:02:11Oh my, my, my, my, my, my

01:02:13Everybody loves my baby, no my baby

01:02:29Don't love my bar to me

01:02:31No, I, I, I, I

01:02:38A memory, a memory, you're the new fantasy

01:03:08I don't know.

01:03:38What do you say, Dr. Richards?

01:03:46Well, I say you're going to tire me out.

01:03:50I'm 100% mad.

01:03:52Not entirely.

01:03:54What is this?

01:04:00I had nothing.

01:04:10I don't know.

01:04:20Kids aren't supposed to smell good.

01:04:32They aren't supposed to be scientists neither.

01:04:36Look what I found.

01:04:50Oh, that's one of my father's research notebooks.

01:04:56Full of data.

01:04:58Performance.

01:05:00Expert.

01:05:04Sleepy.

01:05:06Rough.

01:05:08Wet.

01:05:10Kelly.

01:05:11Lily.

01:05:12M-B-L-N-D-C-E-B-W.

01:05:24That's Ms. Wallace's initials.

01:05:28This is Edith's drawing of a pupa.

01:05:30This is Edith's drawing of a pupa.

01:05:32I'm a mutter.

01:05:34I hate that.

01:05:35I'm not sure that we're not.

01:05:37It's bad.

01:05:38It's bad.

01:05:39And it's bad.

01:05:40But it's bad.

01:05:41You're not bad.

01:05:42But it's good.

01:05:45It's good.

01:05:46Stand up on the stool.

01:06:16Take off your clothes.

01:06:22Come on.

01:06:24There's nothing wrong with being naked if it's for art.

01:06:27It's called being nude.

01:06:36I ain't a chicken.

01:06:45You're a chicken.

01:06:54Well?

01:06:56Look, I'm only going to put a little bit on the cotton.

01:07:00And I'll do it first to show you it's okay.

01:07:06You'll be nice and relaxed and happy, but not asleep.

01:07:19Do you want to know how to do the changes?

01:07:38Do you want to know how to do the changes?

01:07:41Okay.

01:07:42Like this.

01:07:53Take a picture of my meconium, Charlie.

01:07:57It's the little dark spot on my belly.

01:08:03It should be there unless I'm still a pupa.

01:08:06What are you doing?

01:08:21Oh, no.

01:08:23What would your mother say if she saw you now?

01:08:27Where's your father?

01:08:30Where?

01:08:31Calvin!

01:08:32Calvin, get out here this minute!

01:08:34Okay, sir.

01:08:35Shut us down after.

01:08:36This is good.

01:08:37You're a little too.

01:08:38You're a little too.

01:08:39You're a little too.

01:08:40You're a little too.

01:08:41I'm going to do it.

01:08:43I'm serious this time.

01:08:44I need to do it.

01:08:56I need to do it.

01:08:57I need to do it.

01:08:58What the hell is wrong with you?

01:09:00Get out.

01:09:05Well, I guess the whole world's gone crazy.

01:09:09It's just you and me.

01:09:14I didn't want you here.

01:09:21I told your mother that I did not want you here,

01:09:25and you come into my lab and fuck everything up.

01:09:29You think I don't know?

01:09:31You think I can't sing?

01:09:34Oh, yeah.

01:09:36You did, Skip.

01:09:37I tune in, Keith.

01:09:51I hate you!

01:10:04I hate you too!

01:10:21I hate you too!

01:10:51I hate you too!

01:11:07Time of 100% male, human.

01:11:10She's Granted God.

01:11:13Jeans Granted God.

01:11:16We had a cotton, cotton, cotton, cotton jeans.

01:11:29In certain strains involving sex-linked characters,

01:11:32females arose which could not be explained

01:11:35upon the ordinary mechanism of sex-linked inheritance.

01:11:39These females were maternal in appearance,

01:11:43showing those sex-linked characters

01:11:45which the mother showed, but no influence,

01:11:48of those born by the father.

01:11:57Breeding results showed that genetically as well as somatically,

01:12:01these exceptional females were exact duplicates of their mother

01:12:06in that they carried no sex-linked genes introduced by the father.

01:12:15What?

01:12:16Daddy!

01:12:17Daddy!

01:12:18Daddy!

01:12:48Daddy!

01:13:18No, no, no.

01:13:48No, no, no.

01:14:18No, no, no.

01:14:48No, no.

01:15:18No, no.

01:15:48No, no.

01:16:18No, no.

01:16:48No, no.

01:17:18No, no.

01:17:48No, no.

01:18:18No, no.

01:18:48No, no.

01:19:18No, no.

01:19:48No, no.

01:20:18No, no.

01:20:48No, no.

01:21:18No, no.

01:21:48No, no.

01:22:18No, no.

01:23:18No, no.

01:23:48No, no.

01:24:18No, no.

01:24:48No, no.

01:25:18No, no.

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