- 2 days ago
Washington Black Season 1 Episode 2
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🎥
Short filmTranscript
00:01Previously on Washington Black
00:03Why are you stuck in this chair?
00:05Thinking, huh? More like lost in one of them dreams again.
00:08I met this girl. She's too fancy for me.
00:11You are a child of England, and that is the skin that you must inhabit.
00:15Mr. Willie McGee, I presume?
00:16We've decided that you shall marry.
00:18I heard something earlier today.
00:19Big fella come in on the ferry looking for a black man.
00:22George Washington Black.
00:24Where you go by, boy?
00:25Jack?
00:26Jack Crawford, sir.
00:27Christopher Wilde.
00:29I cannot wait to hear the real reason that you're here.
00:31Can't a man simply miss his dear brother?
00:33That would also require a certain physical element.
00:35The abolitionist requires a slave.
00:37You, tell me your name.
00:38Judge Washington Black, sir.
00:40Please call me Titch.
00:41You're going to be working with me from here on out.
00:44I'm a scientist, you see?
00:45How did you do that, brother?
00:47Do you recall father's cloud cutter?
00:49I don't recall ever being invited to participate in one of your experiments.
00:53My memory is perfectly intact.
00:59What?
01:00What?
01:01What happened?
01:02Where are you hurt?
01:03Not me.
01:04What?
01:05What?
01:06What happened?
01:07What?
01:08What?
01:09What?
01:10What?
01:23What happened?
01:24What?
01:25Where are you hurt?
01:26Not me.
01:27What?
01:28What?
01:30Master Philip.
01:32Master Philip? What?
01:34Did he hurt you?
01:36Where is he?
01:38Gone.
01:42Gone? You mean...
01:44dead?
01:46Yes.
01:48Gone.
01:52Did anyone see you? Did he say anything, Wash?
02:04What will Master Rasmus do?
02:06My brother is vengeful and most cruel.
02:08He will hurt you in the most heinous ways he can imagine, just to make an example of you.
02:12And he'll hold me responsible for all of it.
02:16Please, will you help us leave? Me and Kit?
02:22Yes.
02:24We must leave.
02:26We lack time.
02:28And the room...
02:30I do not say this to be unkind.
02:32The ship would be anchored by adding another.
02:36Do you understand the choice?
02:40I can't stay.
02:46Then it is time to fly, George Washington Black.
02:52Where are my idiot brothers?
03:00Fetch them for dinner.
03:02He isn't here.
03:04Let's check the woods.
03:06Come on!
03:08Come on!
03:10The door said master Philip and the boy went up the north path.
03:12He isn't here.
03:14Let's check the woods.
03:16Come on!
03:18Come on!
03:20Come on!
03:22Come on!
03:24The door said master Philip and the boy went up the north path.
03:28Thanks.
03:44Dear God. Is that...?
03:47Master Philip.
03:52They're under us, watch! Cut the ropes!
03:59Hear that. They must be at the peak. Split up. We'll find them.
04:15She's going, Wash! She's going!
04:19We'll be making it! Come on!
04:24Come on!
04:26Take my hand, Wash! Wash, take my hand!
04:32Wash!
04:33What are you doing?
04:38Take it!
04:58You're not getting away.
05:29Well, good morning.
05:35This worked out rather well, didn't it?
05:37You warm enough?
05:39Here.
05:41Put this on.
05:43There we go.
05:46Now we're a proper aeronaut.
05:50Now, see here.
05:51Steering, altitude, balloon volume, and barometric pressure.
05:57It would be most unpleasant to find out she's not fit for inclemencies after the fact.
06:03Stormy weather.
06:07She flies through, Wash.
06:09We've done it.
06:11We've made magic.
06:12Will I see her again?
06:21Kit.
06:22Now, I'd say we've been up for about 12 hours.
06:29Eight knots west at 270 degrees.
06:33Now, the cutter flies indeed, but she requires our diligence to do so.
06:36So come, time to work.
06:37Now, let's take her down to the water, shall we?
06:40On my command, I want you to close those blast valves.
06:45Ready?
06:46Now, Wash.
06:49Hold on, Tate!
06:52Woo-hoo-hoo-hoo!
06:57Now we're flying.
06:59Wash, look, look!
07:03I've seen those, my bodies.
07:05In the book you gave me.
07:06Dolphinidae, Tatiops.
07:13That's right.
07:14Dolphins.
07:16Look at them jumps!
07:23Dolphins.
07:28Woo-hoo-hoo-hoo!
07:30Woo-hoo-hoo!
07:30Mr. McGee will be here shortly to discuss the wedding arrangements.
07:43It is but a four-night away.
07:52Perhaps it's wise to wait until we've furthered our explorations.
07:57This morning season is nearly upon us.
07:59We'll have our hands full with specimens.
08:02He has set up an appointment for us with a seamstress this coming Tuesday.
08:07You're dress-fitting.
08:15Watch your head coming down.
08:20So, your name is not Jack Crawford.
08:24He's Washington Black.
08:26And you sat your behind down in my home a good seven years and you never felt you could trust me.
08:32Ain't about that.
08:33When I'm ready for you, Medwin Nehemiah Harris, I will call your name.
08:37The man's story here is to tell when he choose to tell it.
08:40Easy for you to say.
08:42You knew this entire time.
08:43Well, then let me leave you men down here to sort your men's business.
08:50Miss Angie.
08:51Uh-uh, no.
08:52She'd be all right.
08:53Just give her a moment.
09:01How do you know about this place?
09:03Man, I used to know.
09:04Spend his life hiding runaways to the people looking for him or looking no more.
09:07You got Ray's pallet over there for sleeping, got lanterns all around, and you can keep the door open long as church isn't in service.
09:17Well, you be safe.
09:19Safe?
09:21But locked in a cage.
09:22I'm sorry, Medwin.
09:29I am grateful.
09:32Why look out for me like you do?
09:34Only way black folk won't climb this mountain is if we pull each other along.
09:38You can do that for everybody?
09:40You can folk, Alan boy.
09:43And that man who used to help people, I wish I could have helped him better.
09:48I will not let that happen again.
09:54Hunters, fugitives, I've been through it before.
09:57Time I go find this hunter.
09:59Put a scare in him.
10:02You take care.
10:18Small calculation to set the course, and we can settle in for the night.
10:26But where are we going, Teach?
10:29The grand adventure that awaits us.
10:32I, the scientist, and you, the young apprentice, traversing the atlas.
10:36What do you say, eh, Wash?
10:39You know, this needs adjusting.
10:43Teach, perhaps it's best we get away from.
10:45Day in clemency is...
10:46Oh, my God.
11:00Hold on, Wash.
11:02Hold on.
11:05We've got to get out of this storm.
11:07Help.
11:08Look, a light, a light, a light.
11:11Teach, look.
11:12What's that?
11:14Hold on to me.
11:15I'm going to take it down.
11:17Go.
11:25Get ready to jump.
11:26We secure the four sheep before we lose the mass.
11:50See for the barrels and salvage what you can.
11:53Save that molasses.
11:54You!
11:55What is that thing?
11:57You attacked our ship?
11:58No, no.
11:59My name is Christopher Wilde, and this craft that you see docked here is not...
12:06Oh, fuck it!
12:08I almost tried!
12:09I got it!
12:15Explain this!
12:17Ah!
12:20Ah, my good fellow.
12:23Clearly you must be in command.
12:24Ah, as I was saying to your lady here, we're aboard my cloudcutter conducting very important weather experiments.
12:34Captain, I think this man is a spy.
12:37Toss him over!
12:38Hey, hey, no, no, no, no!
12:40Now, see here, I am a scientist, under the auspices and with the full authority of His Majesty's Royal Science League.
12:48Royal Science League, he says.
12:50Yes.
12:51Yes.
12:51Yes.
12:51Now, please, Captain, we're going to instruct your man here to collect our belongings.
12:55Take this one below.
12:58No, no, unhand me!
12:59Unhand me, I said!
13:00Watch!
13:01Watch!
13:02Teach!
13:03Teach!
13:04Teach!
13:06You.
13:06Come with me, bye.
13:10I'm sorry.
13:11Take this one below.
13:12Take this one below.
13:13No, what?
13:15No, unhand me!
13:16Unhand me, I said!
13:17Watch!
13:18Watch!
13:18Teach!
13:19Teach!
13:21Teach!
13:23Teach!
13:24Teach!
13:25Teach!
13:26Teach!
13:27Teach!
13:28Teach!
13:29Teach!
13:30Teach!
13:30Teach!
13:32Teach!
13:32How long you open that thing before it come down?
13:49Who you frightened?
13:51Me?
13:53Or that white man?
13:58You.
14:02Our people don't need to fear me.
14:19Let's try the easy ones again.
14:22State your name.
14:25George Washington Black.
14:28They call me Wash, sir.
14:30I look like a sir to you.
14:31Call me Barrington.
14:33So, white man.
14:35You belong to him?
14:40What's his name?
14:41His name is Titch.
14:43This Titch.
14:45That why you trying to sound like a little Englishman?
14:49I hear the islands in there, bye.
14:51If I make a guess,
14:54I say Barbados.
14:57Where are you from, Barrington?
15:04I'm from Guyana.
15:12Why are you here, Titch?
15:13You mean why nobody kill me
15:16for putting one good cup on that white man?
15:20We don't live by them rules.
15:23We make we own.
15:25First,
15:27man give respect
15:28to get respect.
15:31That man,
15:32disrespectful.
15:32I am no man's property.
15:39Not since I choke a man with a chain he put on me.
15:43But your skin.
15:46Like mine.
15:46No matter how strong the bondage,
15:51we never stop pushing back.
15:54We fight.
15:56Names like
15:56Coffee,
15:58Busa,
16:00him you know.
16:02He nearly burned the white man from Barbados.
16:04But say his name,
16:06they take a tongue.
16:07That is their fear.
16:08Hooded in the knife.
16:11Fear turned man vicious.
16:15Barrington?
16:16Hmm?
16:17Is Titch all right?
16:18Don't you be in mind with that one.
16:21Worry about you.
16:22Worry about who you be.
16:28White man do this, eh?
16:30No.
16:32I do it.
16:33White man do it.
16:34I do it.
16:35I do it.
16:39By Kandran.
16:41Proper Q gentlemen.
16:42And Paidman at the ready.
16:43We accept all kind,
16:45spirit,
16:46sugar.
16:47No deferments.
16:49Second rule of this boat.
16:51Man don't get what he deserves.
16:53Man gets what he negotiates.
16:55Boy, do no such thing.
17:07A toast then to young master Washington Black,
17:11captor of lost souls,
17:13and to the Ave Maria,
17:15a boat that be full of them.
17:19To the captain, who saved us all,
17:22whatever he may be.
17:23Captain Alvarez is in his quarters.
17:30Where else would he be?
17:34Men nothing by it, Barrington.
17:37Just that the skiver hasn't been the same since he lost...
17:41Maybe...
17:47Maybe I set eyes on Titch soon.
17:53Maybe...
18:03Maybe I set eyes on Titch soon.
18:06No!
18:13Oh!
18:14Ah!
18:15Oh!
18:16Stupid.
18:17Teach.
18:18What?
18:19She's a good one.
18:20She's a good one.
18:21What?
18:35Ah!
18:36Stupid poison.
18:40Teach.
18:42What?
18:45Oh, heaven's your sight.
18:47Shh.
18:48Have poison food.
18:50You are a godsend.
18:55Look at us.
18:58Grounded aeronauts.
19:00You dressed for the Jolly Roger, apparently,
19:02and I now the one with liberty constrained.
19:04The irony.
19:06Quite the pickle, as my father would say.
19:11I wonder what the old bastard would think
19:13if he could see me now.
19:19Oh, Wash.
19:20I'm so sorry.
19:23I thought I was saving you.
19:25But it's safe here.
19:26It's...
19:27Look, they pay me to draw.
19:29Do not trust them.
19:31They're pirates, Wash.
19:33Pay no mind to their words and their kind-seeming gestures.
19:35Man's true nature will reveal itself.
19:46What's this you work on?
19:47Well, their ship has an engine driven by a perpetual motor,
19:53which I'd love to know how they acquired.
19:56And this piece is its malfunctioning brain.
19:59The engine has a brain?
20:02If I can get it working again, they won't throw me overboard.
20:05Might even let me up on deck for some blasted air.
20:09How can I help?
20:10No, no, no.
20:10I'll get there eventually.
20:12I do have better use of your energy, though.
20:16I've spent my nights in here dreaming about the cloud cutter.
20:19I'm anxious to rebuild and sail the skies anew.
20:23How, Titch?
20:24Huh?
20:34Go topside, Washington.
20:36You fixed the motor yet?
20:55It would appear not.
20:58How did a lot of you come by a ship like this anyway?
21:00I mean, it's simply...
21:01Too advanced for our stupidity.
21:03No, I didn't mean to...
21:04Of course you did.
21:05In any case, we acquired it the same way you English do.
21:09We stole it.
21:10It is new from the West India concern.
21:14Prototype, I believe.
21:15My God.
21:17The Royal Navy...
21:18They'll be after us.
21:20But not soon enough to help you.
21:22Cloud Man, you ever want to see the sky again?
21:28Say what I say, maybe you get out the cage.
21:33You play games with me, sir.
21:38How much you pay to buy to draw your dream?
21:48Get used to the chains, white man.
21:52You see that up in the cotter?
22:01Dolphins swim like you want to fly.
22:04So I put him in the sky.
22:06Black boy in the sky.
22:07What a thing.
22:09That eye of yours,
22:11Captain have need for it.
22:12See him later.
22:15Hey, Barrington.
22:16Hmm?
22:18Can Titch come up for some air?
22:19Well, I see.
22:25Where are those from?
22:29Dahomey.
22:31A friend gave them to me when I was little.
22:34What do you know about Dahomey, Bai?
22:38When I die,
22:40I wake up at home
22:41in Dahomey
22:42and I live on.
22:51There'll be words for a little youth.
22:54How do you know of these things?
22:56A friend.
22:58Hmm.
23:02A long time
23:04I see one of those.
23:05In Guyana.
23:10Hmm.
23:12How long you left?
23:19Can I ask
23:21what you remember?
23:27Water.
23:29Everywhere.
23:30Sea,
23:31river,
23:32blue water,
23:35brown,
23:37black.
23:45Water no gets enemy.
23:49Only friend.
23:51Wise words
23:52from your friend.
23:55Wise friend.
23:56We take a swim one day.
24:01Me and you.
24:03To celebrate wise friends.
24:06Island by
24:07can fly.
24:10Or can't swim.
24:14Oh boy.
24:16You see the water there?
24:28Hmm?
24:31Hold them up!
24:31Help!
24:32Somebody need to teach you all to swim,
24:47Washington Black.
24:48You there?
25:07Hey, relax, boy.
25:10It's only me.
25:13I bought you some goods.
25:18Miss Angie, you have to know that not telling you wasn't about not trusting it, it was my own fear.
25:33I'm sorry.
25:40We want family.
25:44So you can tell me the truth.
25:48Huh?
25:50Any truth.
25:53None of us can carry it all alone.
25:57I will.
26:03Wait.
26:05I know this girl.
26:07You do?
26:08She has a taste for some spices you only find in my shop. I bought some by the house.
26:12It's Tana.
26:13Nice, huh?
26:15Hey, this is your fancy girl?
26:17Yes, but she's not white.
26:19And this is news, how?
26:22Maybe she can fool these other people, but black folks know their own.
26:31There's something you might need to know.
26:35I hear she's being courted by Mr. Magee, that rich white man who owns the docks.
26:44No.
26:45No.
26:46No, I don't believe that.
26:47That's right.
26:48Well, you barely know this child.
26:52These sort of things don't always work, even if you want it.
26:56I don't care if she's rich and fancy.
26:59I see her and she sees me.
27:01Young and foolish.
27:04Maybe she can walk between two worlds, but you can't.
27:08Well, then we'll create the world of our own.
27:12No.
27:13I know that look, and the answer is no.
27:15Please, Miss Angie.
27:17Are you out your mind?
27:18If you go out there, those hunters will find you by sunrise.
27:21And that's not if Medwin gets to you first.
27:24He has you down here for a reason.
27:27To protect you.
27:28She breathes life into me.
27:32I have to know what this is.
27:36Maybe you don't understand.
27:40Believe me, boy.
27:42I out of all people understand.
27:46So if you do, can you ask her to meet me somewhere?
27:52Tonight?
27:53You do know what you're risking.
27:56Danger follows you now.
27:59And it will cling to her, too.
28:01I've been taking risks my entire life.
28:03This is no different.
28:14Where?
28:16Tell her Preston's Cove.
28:23And she will see magic on the shore.
28:46Come on!
28:55You fixed the mortar?
28:57For the lever guard man.
28:59I will fix it.
29:01But just let me up on deck for a spell.
29:04It's been days.
29:05You're demanding?
29:07I'm asking.
29:08Please.
29:09Please.
29:22Know this?
29:23I let you free because of Washington.
29:25I can walk on my own.
29:28Thank you very much.
29:29Where do you expect me to run to?
29:31No.
29:32You have me.
29:33No.
29:34I can walk on my own.
29:35Thank you very much.
29:36Where do you expect me to run to?
29:37No.
29:38You have me.
29:39No.
29:40I can walk on my own, thank you very much.
29:45Where do you expect me to run to?
29:49You have me.
29:50Might I have a word?
30:04Ill tides indeed if you be my company fancimote.
30:07Surely I can't be all that bad, I suppose I did cause quite the mess.
30:13You cost us money, fancimote.
30:18Then perhaps I might be of service.
30:24You're carrying molasses from what I see.
30:27You see too much, you eye them too big.
30:31Yes, well, the thing is, I know where we might go.
30:39We.
30:41My fate is tied to yours now.
30:44Royal Navy already hunting us?
30:47Well yes, they will do that if you steal ships on their maiden voyage.
30:50Your moat just can't help itself, can it?
30:53And the word is commandeered.
30:55We go to America, Virginia to be precise.
31:00My family has an associate there, and you can unload your goods, make a profit in a place
31:06where the British won't venture.
31:15So will you talk to the captain?
31:27Well done boy, we'll need one for each remaining barrel.
31:45This means we negotiate, yes?
31:48You're one of us now.
31:54We should make for Virginia.
31:57Fancy Mouth has a contact for us to sell the molasses.
32:00We sneak back to Brazil after, or get a contract in the States.
32:05Just let things die down a little bit.
32:07Different plan.
32:08Somewhere else.
32:09Cuba.
32:10We ducked the Royal Navy for weeks.
32:17Now you want to provoke the Spanish.
32:19They crash into us.
32:21We lose a third of our goods.
32:23Gone.
32:24Few places to sell the rest in these seas where the British won't find and hang us.
32:29But then there's Cuba.
32:30Conditions there be what we've heard.
32:33The goods will fetch a mark up.
32:36Make us whole.
32:38We said we would never go back there.
32:42Situations change.
32:47Cuba, it is.
33:05Do you miss it, boy?
33:08Your home?
33:13Yes.
33:16Do you miss your home, Mr. Captain?
33:20Even now, what I would get for a touch of home.
33:23A home filled with her, when it happens, takes up the smallest space inside you.
33:31Until it is vast, door-consuming.
33:34I'm sorry.
33:35I don't understand.
33:36When what happens?
33:38A woman happens.
33:41That doesn't sound good.
33:43I don't explain it right.
33:52Leave me be.
33:53Who were on the horizon, Captain?
33:58We have...
33:59Havana Rosa?
34:02This was never about the crew.
34:08You lied to me.
34:09To all of us.
34:10Cuba was not supposed to be about her.
34:15You have us running from the British, and the Spanish, risk death for this.
34:26You agreed.
34:28I'll follow you anywhere, but not on a lie.
34:42I'll follow you anywhere, but not on a lie.
34:59I'll follow you anywhere, but not on a lie.
35:05I'll follow you anywhere, but not on a lie.
35:12You'll find it right away.
35:13You must be.
35:15You must be.
35:16You must be.
35:17Okay, Benita.
35:18Crue of the Ave Maria.
35:19Hey.
35:20Whoa.
35:21Whoa!
35:22Whoa!
35:23It's mad you've gone mad.
35:25I see clear as day.
35:27And I bring charges against our captain.
35:29What charges you speak of?
35:31Negligence.
35:32Wanton recklessness.
35:33Do not listen to this madness.
35:35Theodora! Stand down, woman.
35:38Sweet Barrington, loyalty blind you.
35:41Up to Captain, we'd be in a prison in Havana, or at the bottom of the ocean in Haiti.
35:47This man was willing to get us killed, not for profit, but for chasing the cure to his ailment.
35:56A woman. A woman break him, and now the bottle is finishing the job.
36:01You free yourself from what bound you.
36:04All we have are our rules, our trust.
36:10Without them, loyalty to him will end us all.
36:16I'm sorry, my friend, but I am not ready to die.
36:21You make charges, and hold gun on the man. Stand on your words.
36:33If I am wrong, then I'm dead.
36:44But if I am right, what say you cruel?
36:48So...
36:49It's not a thing.
36:49So...
36:49I'm sorry.
36:50I'm sorry.
36:50So...
36:50I'm sorry.
36:51I'm sorry.
36:52I'm sorry.
36:53I'm sorry.
36:53I'm sorry.
36:53Oh, my God.
37:23Alvarez, as captain, I hereby exile you from this ship.
37:53Alvarez, as captain, I hereby exile you from this ship.
38:05Alvarez, as captain, I hereby exile you from this ship.
38:12Alvarez, as captain, I hereby exile you from this ship.
38:24Why do you have to go with him?
38:30He's the one teach me to swim.
38:36Choose the right one to teach you.
38:48Keep me alive.
39:08In here.
39:14Meet your eyes, friend.
39:20Come on.
39:32Come on.
39:36Bring them down now.
39:54On my mark.
39:56Lure away.
39:58Lure away.
40:00Lure away.
40:02Lure away.
40:04Lure away.
40:06Lure away.
40:08Lure away.
40:10Let's make no mistake for you.
40:12ORGAN PLAYS
40:42I... you came.
41:06Thank you for meeting me here.
41:08And you told me where you'd be.
41:10I mean, she has it on good authority that magic can be found here.
41:13How are you?
41:32You're the first person who's asked me that in some time.
41:45I'm well, thank you.
41:46So I can get a good look.
42:01I might have a better idea.
42:08You'd have to trust me.
42:09It's beautiful.
42:30It fits current company.
42:32Are you on the way with words, Jack Crawford?
42:36A lady might find her heart in jeopardy.
42:38Your heart is as safe with me as though it were floating in water.
42:46Tell me, where will you fly when your machine is done?
42:49I'm going to fly across the ocean to the World Science Expo in London and win.
42:56The World Science Expo?
42:57Yes.
42:59Extraordinary indeed.
43:01And you?
43:02What is your dream?
43:03One of the only things I remember from when I lived with my mother
43:09was listening to her play the piano.
43:13When I close my eyes, I can see it.
43:16In my dream, I'm a composer.
43:20Of world renown.
43:22A woman captivating the world with her melodies and harmonies.
43:26The flying man and musician.
43:36Some pair we are.
43:48I heard that...
43:49Is this your surprise?
43:51Is this the magic?
43:52Yes, the bioluminescence.
43:58Do you like it?
43:59I love it.
44:00Yeah.
44:02Oh.
44:10We've only just met.
44:16You're the first person who has really seen me.
44:20I've never felt so free.
44:21Thank you for this night, Jack Crawford.
44:34What did you mean by...
44:36You never felt so free?
44:39You are free.
44:40I feel powerless too often.
44:48Not in control of my own destiny.
44:50That isn't what I see when I look at you.
44:53What do you mean?
44:55Your power.
44:59It shines from you.
45:03Jack, there's something I must share.
45:07I...
45:07Stop!
45:09Move away from that lady!
45:10Move away, boy.
45:16Explain what you're doing here with him.
45:25Well, I hired Mr. Crawford to take me out on the water for science.
45:31That true?
45:32You were boatmen?
45:34Yes.
45:35But you wanted to see the bioluminescent jellyfish, sir.
45:38I've studied them.
45:39If you don't release Mr. Crawford this instance, I will file a very unflattering complaint.
45:43And my benefactor, Mr. William McGee, will accompany me.
45:48You do know who he is.
45:52Keep your studying to daylight.
45:55It'll be safer for both of you.
45:57Are you all right?
46:09And this...
46:10This can't happen.
46:15It's not the world we live in.
46:20Jack.
46:23We're both dreamers.
46:24Can't we dream up a different world?
46:28We're both dreamers.
46:42All right.
46:48What's the problem, sir?
47:57No, no, not usually.
47:59But most of the boys in the year still need me in mind to make life easier for them down on the dark, so we agree to disagree, you know what I mean?
48:08These settlements are full of surprises.
48:11Well, maybe you should figure out the lay of the land before you put your feet up in a strange town.
48:16Point taken.
48:18Mr. What was it again?
48:21Oh, that's right.
48:23Medwin Harris.
48:25Champion of beaten, broken, black bastards.
48:30How am I doing?
48:31It's not bad.
48:33Mr. John Willett?
48:35At least that's the name you gave down at the stables when you collected that wagon of yours, huh?
48:40How am I doing?
48:43I may almost like you, Mr. Harris.
48:46And I don't much care for your kind.
48:51The feeling's mutual, Mr. Willett.
48:54I'm guessing you just see coin and opportunity when you look at us, huh?
48:59A man has to make a living.
49:00Well, why don't you do it somewhere else?
49:02I've been at my job a while, Mr. Harris.
49:10It might be time to retire, enjoy the fruits of my labors.
49:14But it's hard to close the book when a chapter remains incomplete.
49:19The only one to get away.
49:32Trail went cold eight years ago near Virginia.
49:35It's been difficult to abide by that failure.
49:40Then I get word of a boy here conducting flying experiments like a certain Christopher Wilde once did.
49:47It's an unlikely coincidence.
49:49Hmm.
49:51There ain't nobody up here to fit that description.
49:54In fact, I reckon you and your hunters made so much noise, we fled off.
50:03See, what I suggest is that you continue on up north.
50:06Unlikely.
50:08I've been granted a second chance and I will make good.
50:11Well, you've done your research, so you already know.
50:15I protect my people.
50:17Funny.
50:19I do the same.
50:32You know, there's just one thing I can't quite wrap my head around.
50:37Why owe that coin for a runaway?
50:40That's what happens when you kill a white man.
50:45You know, there's just one thing I can't quite wrap my head around.
50:46You know, there's just one thing I can't quite wrap my head around.
50:46You know, there's just one thing I can't quite wrap my head around.
50:47You know, there's just one thing I can't quite wrap my head around.
50:48You know, there's just one thing I can't quite wrap my head around.
50:49You know, there's just one thing I can't quite wrap my head around.
50:50You know, there's just one thing I can't quite wrap my head around.
50:51You know, there's just one thing I can't quite wrap my head around.
50:52You know, there's just one thing I can't quite wrap my head around.
50:53You know, there's just one thing I can't quite wrap my head around.
50:54You know, there's just one thing I can't quite wrap my head around.
50:55I love you.
51:25I love you.
51:55I love you.
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