- 2 days ago
The Day Of The Jackal Season 1 Episode 2
Category
🎥
Short filmTranscript
00:00The following program contains strong language and violent scenes.
00:20The populist politician Manfred Best was struck by a sniper in Munich.
00:25Best was visiting his son Elias Best at the St. Elizabeth Hospital.
00:33This has sparked speculation concerning a connection between these incidents.
00:38When a sniper finds a rifle that allows him to make a shot at that distance, that rifle is a keeper.
00:45There's a gunmaker who's been trying to do this. His name is Norman Stoke.
00:49I have an asset in Belfast, codenamed Sparrow.
00:51If Larry knew who I was talking to, kill me.
00:54She has a daughter, Emma. I know I can find him.
00:57Don't let me down.
01:00Who's the target?
01:01L'Ole, Doc Charles.
01:03River is a revolutionary technology.
01:05Can you get to him?
01:06It'll cost.
01:13We've got a serious problem with your students.
01:18She's arrested?
01:19Some flowers never get to bloom and see a day.
01:30Some flowers are content to wish their lives are weak.
01:36Some may rise and some may fall.
01:45But only you may ever see me choose.
01:54So only you can tell that this is who I am.
02:05This is who I am.
02:12No, no, no, no.
02:15No, no, no, no, no.
02:17This is who I am.
02:21Not always looking to be found.
02:34Not always here when you come around.
02:43Black feathers, smoke across the room.
02:55Bright morning, come around.
03:03Black feathers, smoke across the room.
03:10Bright morning, come around.
03:15In Germany, supporters of Manfred Fest continue to call for the upcoming federal elections to be postponed.
03:30His political opponents deny that their resistance to this is a mark of disrespect to Fest and his family.
03:36Manfred Fest has got advice.
03:37Who's Sparrow?
03:45Alison, just give me a moment.
03:48Morning.
03:48You're a fucking bitch, you know that?
03:50Alison, what's going on?
03:53Don't tell me this is a coincidence.
03:55You suddenly turn her up out of the blue next thing I'm as arrested.
03:58You're not letting me speak to her.
04:02And I know you're doing this to get at me.
04:05I've got nothing to do with it.
04:07You're a liar.
04:10Why are you calling me, Alison?
04:12You know fucking fine rightly why I'm calling.
04:15I know you can get her out.
04:18You got me out.
04:20Yeah, you had something to offer back then.
04:22Just get me Norman's phone number and I'll do the rest.
04:32And I want it today.
04:33I know you're a liar.
05:03I know you're a liar.
05:24The preliminary report says Emma had a pre-existing heart condition.
05:51She could have died anywhere.
05:52But she died in a police cell, and you put her there.
05:56The man who killed Manfred Fest will kill again, unless we stop him.
06:01So, collateral damage?
06:03I wouldn't put it that way.
06:04Well, where would you put it?
06:07A girl died who shouldn't have died.
06:22This is Mr. Carver.
06:26He cleans up messes for us.
06:29And you're very lucky he's here to clean up yours.
06:33The girl was in police custody.
06:36That makes the police legally responsible.
06:39But it is my job to make certain, 100%, that MI6 can't be connected in any way.
06:47So, who knows you were at the police station?
06:51Everything went through Gillespie.
06:59The copper?
07:00Yeah.
07:01He's the only one who even knows my name.
07:04I'll have a word with Gillespie.
07:06Make sure no one else can identify her.
07:09Anyone else?
07:11Nope.
07:12You're sure?
07:12Yes.
07:13Let's hope Gillespie can be trusted.
07:17We need to close this operation down now.
07:20I spoke to Sparrow this morning.
07:21She's on the hook.
07:22Did you tell her that her daughter's dead?
07:24I did not.
07:25You're in a hole and you want to keep digging?
07:27A major political figure has been assassinated.
07:30And there's a strong probability that the gun was made by a British gunmaker.
07:33And I have a lead on him.
07:43Are you saying we should just walk away?
07:45This is a wild goose chase and it's not helping our department's reputation.
07:49We should offload this to the Central Europe desk.
07:58I promised the Germans we'd help.
08:03Emma's is unfortunate, but it's ends and means.
08:09And in this instance, ends Trump.
08:13Alison cannot find out about Emma.
08:18Once that news breaks, I've lost her.
08:21I can buy you some time.
08:24How long?
08:2524 hours, maybe.
08:29You'd better get to work.
08:39Come on.
08:41Yeah.
08:43I've got some good news.
08:45I've talked to my bosses and I can get Emma out.
08:49Great, right?
08:50Yes.
08:51But I need you to get me Norman's phone number and I need it today.
08:57Don't worry.
08:59Emma will be home soon.
09:00I'll just do that.
09:22I'll just do it.
09:23Good morning.
09:24Good morning.
10:54Good morning, cariño mÃo.
11:06Good morning.
11:06I can see where you are.
11:16Tela de nerviosito.
11:18When you go to that place, you go and you're thinking about work.
11:23Oh, yeah.
11:25Only half.
11:27Tell the other half to come.
11:29I miss him.
11:36Someone I've been working with has, um...
11:41Well, they've misunderstood their obligations, do they?
11:44Is it money?
11:48Yeah.
11:50A lot?
11:51Yeah.
11:55What are you going to do?
12:02Well, it's not just the money.
12:07So if it were to get out that someone had got away without paying me, it hurts the brand.
12:14Which is a problem.
12:16I know.
12:19And if he steals from you, he steals from your family.
12:24Which is me and Carlito.
12:27So you tell me where he lives and I get the money here.
12:29I will do it, you know, if I don't fucking doubt it, I do not doubt that.
12:39But don't worry.
12:41I'll sort it.
12:45There's another deal brewing.
12:49Is it big?
12:49Well, it would mean that I could spend a lot more time with you two.
12:58The people you work for think that because they pay you a lot of money, they...
13:03own your soul.
13:09What is that look?
13:12What?
13:15Sometimes you look at me and...
13:18What?
13:19I don't know.
13:22No, what do you mean?
13:23Sometimes you look at me and...
13:24What do you mean?
13:25I don't know.
13:26Sometimes you look at me and what?
13:30What do you see?
13:35You see a motherfucker.
13:36Fuck you.
13:37I don't know.
13:56Fuck you.
13:58Oh, my God.
14:28I was shaving this morning, and it hit me.
14:35The economists are wrong.
14:38We could easily lose half the world's population,
14:41and there'd be no downside.
14:43I have to be the right half, of course.
14:46Now, the question is,
14:49can we trust the man who killed Manfred Fest?
14:53Leonora asked me to find you the best.
14:55That's what I've done.
14:56He's clearly capable, but 100 mil is a hell of a lot of money to spare.
15:00Well, we only pay if he delivers.
15:02If he delivers, it'll be worth it.
15:06Good to see you.
15:06Thanks, Kevin.
15:10Ula Dog Charles, you're about to launch a product, River,
15:14which you're promising will deliver global economic justice.
15:18Why is the richest man on the planet so interested in economic justice?
15:22Well, we should all be interested in economic justice.
15:25It's as simple as that.
15:26Right?
15:30Your parents were leftist radicals.
15:33Some would say you're trying to please Mom and Dad.
15:35Oh, come on.
15:36Look, money runs like water
15:40into the pockets of the super-rich
15:42and stays there.
15:44Instead, it should run into reservoirs
15:47for future generations.
15:50And the only way to do that
15:52is total financial transparency.
15:55Right?
16:00Super-rich like you.
16:04Yeah.
16:06Do you want everyone to see into your bank accounts?
16:12Well, I've got nothing to hide.
16:15But there are people out there
16:16with a lot to hide.
16:19We have very little time.
16:27This has got to be done
16:28before he releases this River thing.
16:31Do I make myself clear?
16:33Cumpleaños feliz.
16:39Cumpleaños feliz.
16:42Te deseamos, Carlito.
16:45Cumpleaños feliz.
16:53¡Sempla!
16:54¡Canta, Carlito!
16:56¡Dale, Carlito!
16:59¡Bien!
17:01¡Cumpleaños!
17:02Do you want to give him this one?
17:08I made you something good one.
17:10You did?
17:11Yeah.
17:12Do you have time for this?
17:14Yeah.
17:15Look, look, look.
17:17Should we have a look?
17:19What is this?
17:20Oh, Carlito!
17:22Hola!
17:23Hola!
17:25What's this?
17:27Hola!
17:29This is an American plane.
17:36Ah!
17:37Ah!
17:38Ah!
17:39Guys, nothing, no posting.
17:44Yeah.
17:45Mama.
17:46Okay, okay.
17:48They know.
17:50I promise they know.
17:51I know you know.
17:53You know?
17:55I know.
17:57Happy birthday, Kay!
18:00Happy birthday, Kay!
18:01You all right, love?
18:26I can't bear to think if I'm all alone, little Sal.
18:38Aye.
18:41And over there in London, at least if they were holding their hair, they'd be with their own people.
18:51Love, we've both been through this.
18:56The first time they arrested me, you had me petrified.
19:00But you survived.
19:02She's not like us, Larry. She needs a star.
19:06I want to go over.
19:09I'm going to have the money for that.
19:13You could ask Norman.
19:15Norman?
19:16Well, Norman has loads of money.
19:19You're in Twitch with him, aren't you?
19:22Do you know where he is?
19:23I can't go around the movie, brother, every time we get in trouble.
19:25This is serious.
19:27They're saying she battled a policewoman.
19:30She needs to sit over there.
19:32No pain.
19:33No pain.
19:34A lot of children, eh?
19:35Well...
19:36Always.
19:37Always.
19:38Always children.
19:39Different for you, no?
19:40No?
19:41No pain.
19:42No?
19:43No?
19:44No?
19:45No?
19:46No?
19:47No?
19:48No?
19:49No?
19:50No?
19:51No?
19:52No?
19:53No?
19:54No?
19:55No?
19:56No?
19:57No?
19:58No?
19:59No?
20:00No?
20:01No?
20:02No?
20:03No?
20:04No?
20:05No?
20:06No?
20:07No?
20:08No?
20:09No?
20:10No?
20:11No.
20:12No?
20:13No?
20:14No?
20:15No?
20:16You know, Charlie, my English is very difficult.
20:18You always say that, Alvaro, but you speak very good English.
20:21Nah.
20:22No.
20:23No.
20:24Spanish is impossible for me.
20:26No, no, no.
20:27Spanish is better.
20:28Really?
20:29You know, I never tell you.
20:32Always.
20:33when when you go away i tell everybody don't worry i hear i look everything is perfect everything is
20:42okay so you need anything yeah i can do that's very kind out and i appreciate it honestly
20:51for me charlie one thing
20:55i have a friend okay okay and my friend has a has a bar
21:00and he offered to to sell to sell apart half of the bar okay so if you're interested
21:15i can take you to my friend and the three can speak see if it's good i think that would be
21:20i think we should do that but i think maybe when i perhaps when i come back here yeah
21:30i'm just gonna make a quick call yeah i'll be quick
21:46quick
21:50rapidito
21:54chal siempre está trabajando claro
21:58pero mÃrate lo que ha conseguido el nota con el curro que se pega
22:00Nuri.
22:02What a loco that has played with the hotel.
22:04And, and, and, and, and, and, and, and, and, and, and, and come.
22:06Let's go to the gym.
22:07We'll get the gamba.
22:30No, not again, please.
22:41I'm so sorry.
22:44Come.
22:45Oh, no.
22:46They know it's his birthday.
22:47They just have no empathy, these people.
22:50I'm so sorry.
22:51Are they from the guest?
22:52I know, I know I did.
22:54Guys, I'm so sorry.
22:55I'm going to have to head off.
22:57Bye-bye, little one.
23:00Bye-bye.
23:02Happy birthday.
23:03I love you.
23:04I'll see you soon.
23:05I'll see you soon.
23:08Okay, I'm driving you home.
23:09No, I've got the cab.
23:10Hey, get us, get us.
23:11You can't leave this.
23:12No, I'm driving you.
23:13Get away.
23:16Hey, I'm here, okay?
23:20Bye, guys.
23:25Bye, guys.
23:25Bye-bye.
23:26Bye-bye.
23:27Bye-bye.
23:27Bye-bye.
23:28Bye-bye.
23:30The BND said the guard was convinced he was talking to the real Ralph.
23:59The voice, the intonation, the sarcasm.
24:03Apparently everything was perfect.
24:06So our man is a mimic, and if he's a mimic, he's good with the languages, so he's not necessarily
24:11German.
24:14Enlarge the backpack for me.
24:15Waxed canvas.
24:21Of course, he's taking the maker's tag off.
24:24Enhance that so I can see where it was.
24:28Yeah.
24:29Grab some screenshots of that.
24:32Done.
24:33Should I move on?
24:34Yeah.
24:34So he's right-handed.
24:40Oh, stop it there.
24:44Enlarge.
24:47Keep going.
24:49Keep going.
24:50Stop, stop, stop.
24:51Stop.
24:52Browning high power mark three.
24:54Why would you go for a nine mil where he could have something with a lot more stopping power?
25:01Why would you do that?
25:02That's it?
25:24Do you have gone to that place again?
25:25Oh, my God.
25:28I'm here.
25:29I'm here.
25:35¿Me quieres?
25:36Yeah.
25:39Dime en español.
25:41Don't you marry Amy?
25:44No, me pudÃmelo en inglés.
25:49I love you.
25:55I love you, too.
25:59I love you, too.
25:59I love you, too.
26:25I love you, too.
26:27I love you, too.
26:32I love you.
26:34Hola.
26:35How are you?
26:38La avenida de AndalucÃa, en la esquina con la calle Oza.
26:42Gracias.
26:42Vale.
26:43Easy, easy.
26:48It makes me while I'm sleeping.
26:51It is a second I set myself on fire
27:02It's easy, don't mess with me
27:15Don't mess with me
27:18As I dive in the flame
27:24As I set myself on fire
27:29As I dive in the flame
27:38As I set myself on fire
27:41As I set myself on fire
27:46As I dive in the flame
27:51Hi, this is Charles
28:10Please, it will message and I'll go back to you
28:12All right
28:17All right
28:23All right
28:27All right
28:37¿Qué pasa, niña?
28:58¿Qué pasa?
29:00¿Qué pasa?
29:00¿Qué?
29:02Esa carita
29:03Me la conozco muy bien
29:04No pasa nada, mamá
29:05¿Me lo vas a contar o no me lo vas a contar?
29:08No pasa nada, mamá
29:08No seas pesado
29:09Cuéntamelo
29:12Lo que pasa es que he dejado de salir en el aeropuerto y luego emplaza a las flores y lo visto en un taxi
29:24¿Qué dices?
29:28No está llamando, pero tiene el teléfono apagado
29:29¿Qué?
29:34Te dije que eras demasiado confÃa
29:37¿Te lo dije o no te lo dije?
29:39¿Le permites que pase demasiado tiempo fuera?
29:42Todo eso...
29:43Mamá
29:44¡Mamá!
29:45¡Mamá!
29:48Charles es una buena persona
29:49Nos ama y se desvive con Carlitos, tú ya lo sabes
29:53¿Vas aqu�
29:58El Charles que está teniendo una aventura
30:00¿Qué?
30:00Mamá, por Dios, eso no es lo que te he dicho
30:01Nuri
30:02Como el Guiri ese te esté poniendo los cuernos, le parto las piernas
30:06Aguanta, el genio
30:06Te juro que lo reviento
30:07¡Aguanta, el genio!
30:12Yo solo quiero arreglar esto
30:13Encima
30:18Coño, ya
30:32There you go, love
30:34Larry, please
30:45Call Norman
30:47I've called him already
30:49Twice
30:50If it doesn't call back soon
30:57I'll try him again, ok?
31:00The maker's tab was a sort of mountain range shape
31:04Hello, yes, I'm looking for a very specific backpack
31:23Charcoal grey
31:24Wax canvas
31:26Mountain range maker's tab
31:28Isabel's expecting you
31:29Isabel's expecting you
31:33The sniper's British
31:42Don't even joke about that
31:44And he's probably ex-British army
31:46You know that how?
31:47You need military training
31:49To make a shot at even half that distance
31:51Doesn't necessarily mean he's one of ours
31:53He used a Browning High Power Mark III
31:55To kill Elias' bodyguard
31:57And to wound Elias
31:59The High Power
32:01Was standard British army issue
32:03Until 2013
32:04A lot of armed forces
32:06Used the High Power
32:07He had a backpack
32:09Made by a small
32:10UK-based startup
32:12Called the Perfect Pack
32:13The backpack went on sale
32:15Eight months ago
32:16There were only two retailers
32:17Both in Leeds
32:19And neither ships internationally
32:20That means he was here
32:22In the UK
32:23Or an accomplice picked it up for him
32:27No, our man works alone
32:28Snipers work with a spotter
32:30Not this one
32:31He was alone
32:32When he shot Elias
32:33And he was alone
32:34When he left the apartment building
32:35So we think the sniper is British
32:38And the gunmaker is British
32:40Have you heard from Sparrow?
32:42She knows what she has to do
32:44By tomorrow morning
32:45She'll know her daughter's dead
32:47And Bangor's your leverage
32:48I need more time
32:51No
32:52I'm this close
32:55Bianca
32:56We're already on very thin ice
32:59I suggest you encourage Sparrow
33:02To give you what you want
33:03By tomorrow
33:05Hello, my love
33:18What time are you going to be home?
33:20Er, not sure
33:22Not too late
33:22I hope
33:23Okay
33:24Okay, okay
33:24My brothers are coming at eight
33:26I'm cooking me, sir
33:29Huck up
33:29It's so complicated, though
33:32They better love it
33:33They will
33:34Er, okay, I'll see you then
33:37Okay
33:37Don't be late
33:38Yep, all right
33:39Love you
33:40Bye, bye, bye, bye, bye.
33:44OK.
33:45If our sniper was ex-army,
33:48he would have done his sniper training at Purbright,
33:50if he was a para or household division.
33:52If he had another cap badge,
33:54he would have gone to the infantry battle school at Brecon.
33:57We need them to go for their records.
33:59And what are we looking for?
34:00An exceptional candidate.
34:03Right-handed, tall, white.
34:07And how far back do we want them to go?
34:10Assuming our man is under 50,
34:12I'd say about 30 years.
34:29Who is this?
34:31We met in Sweden.
34:34How can I help you?
34:36I've spoken to my colleagues,
34:38and we feel there's a deal to be done.
34:40But we need to meet in person to work out the details.
34:44For a deal of this size,
34:47we believe a meeting is essential.
34:49It has to be in person,
34:50and it has to be in the next 48 hours.
34:52Yeah, well, I'm afraid that's not happening.
34:56We've already shown you a million dollars of good faith.
35:01If we can't meet in the next 48 hours,
35:03we'll have to move on.
35:08Hello?
35:13Hello?
35:15You'll have to come to me.
35:18I'll look forward to it.
35:19Hi.
35:30Oh, hey.
35:31Just about on time.
35:33This is great.
35:35Oh, wow.
35:35Oh, okay, okay.
35:36Okay, okay.
35:38Tempranillo, perfect for Masaka.
35:39Grenache Blanc, this is perfect.
35:41See?
35:41I do listen to you.
35:42Well, they told her at the wine shop.
35:46Oh, wow.
35:47She's not about excited to see me.
35:50Hey.
35:50Hello.
35:51Good?
35:51It's good.
35:52It's absolutely good.
35:53It should be fine.
35:54Come on, bring it in.
35:55There it is.
35:55Mom sends love.
35:57Good to see you, man.
35:58Good, man.
35:59You all right?
35:59The best.
36:00Looking good, looking good.
36:02How's it going?
36:02Huh?
36:03Here you go.
36:04Hi.
36:06How are you?
36:06I'm good, you know?
36:07Yeah.
36:25I wanted the Bacardi and Coke.
36:30You asked for ten?
36:31I asked for a Bacardi.
36:37Get a pack of crisps while you're at it.
36:38All right.
36:39I asked for a Bacardi.
36:56I asked for a Bacardi.
37:05Second time looking.
37:25Second time.
37:34Vodka and coke.
37:37Gin and coke?
37:39You're not funny, Larry.
37:47Do you like it?
37:49You see the gods of my Olympus, yeah?
37:52They used to eat this thing called Ambrosia.
37:55But then Jasmine goes and sends them up for a famous Musaki.
37:58You know what they said?
37:59No.
38:00You don't know what they said?
38:01They said, fuck Ambrosia.
38:03But from now on, it's Jasmine's Musaki.
38:06What is he talking about?
38:07It's a brainy compliment.
38:08I can see that the classics aren't wasted on you, I don't know.
38:11Mm-hmm.
38:15One second.
38:22Uh...
38:24Top up?
38:25Please give characters two, three and six of your telephone ID.
38:29Zero, one, nine.
38:31How can I help?
38:32I need a priority location on a phone.
38:35Speaking as a former teenage boy...
38:36We're in our town at all.
38:37Mm-hmm.
38:38That's what we do.
38:39We fuck it up.
38:40Yes, it's facts.
38:41That's facts.
38:42Yeah, it's facts.
38:43It's facts.
38:44It's facts.
38:45how can I help I need a priority location on a phone speaking as a former
38:52teenage boy that's what we do we fuck it up
38:58seriously I'm sorry I'm sorry Jess see you see boys call us when you get there I'll try
39:28miss Jensen this has been left for you thank you
39:58Norman's still at the location in Belarus I have nine missed calls from the Sparrow does she know
40:03about Emma not yet but at some point soon she's going to have to be told if Sparrow finds out
40:10she'll tell Larry who will tell his brother I'll see what I can do Spencer's waiting in arrivals
40:16he'll get you across the border just make sure you get Norman we're counting on you yeah
40:23Spencer this way the Latvians know we're operating on their type they're friendly but Belarus is very
40:36hostile we need to get to the target as soon as possible the journey to smart one's six hours
40:43Toby's our wheels Colin will be with us for the grab let's go
40:53and
40:57so
41:04and
41:10well
41:12and
41:14but
41:15and
41:16and
41:19and
41:50You can keep looking straight ahead.
42:12Can you ask a sign at the hotel?
42:14Of course.
42:16Good.
42:16My clients need to know if you think it's possible speaking as a professional.
42:22Well, you do seem to think he's God, but that doesn't mean he's immortal.
42:28We're still some way apart on the fee.
42:31Perhaps we can meet in the middle.
42:35We're not terrorists.
42:37You know, we're patriots.
42:38We're defending our way of life.
42:40I have fuck all interest in why you want him dead.
42:44A hundred million is a big ask.
42:46You're paying me to kill him.
42:48I am charging you for getting away.
42:51And speaking as a professional, getting away is an important consideration.
42:56It's half in advance, half on delivery.
42:58No, half up front won't fly, but I am authorized to pay you a commencement fee of $20 million.
43:07I could do that today.
43:09Would that be acceptable?
43:19Yeah.
43:20Well, the job has to be completed by the 28th.
43:27I'm not in the habit of being hurried.
43:29UDC releases River on the 28th.
43:31It's non-negotiable.
43:33Can you do it?
43:38Once the payment is in my bank account, I will get to work.
43:42Why are you still in Munich?
43:47It's been nearly a week since you killed Manfred Fest.
43:52Have you loose ends to tie up?
43:55We don't want you doing anything that attracts attention or puts you in jeopardy that's not in service of the job.
44:01There are no loose ends.
44:04Good.
44:06Then we have a deal.
44:08We have a deal.
44:09Keep working straight ahead.
44:13In future communications, we'll use the codename Rodin for the target.
44:20Rodin.
44:22Very good.
44:23And we'll need a codename for you, too.
44:28Why not the Jackal?
44:36Why not?
44:39Yeah, I have a hand.
44:42Thurston is here.
44:43Good.
44:45The Thurston had for two weeks a big pay on his account.
44:49He didn't expect this.
44:50He didn't expect this.
44:52He was done by our bank.
44:54Here is the number of the account.
44:56DE 89 372 400 44 25 320 17000.
45:07So, thank you so much for your patience, Mr. Thurston.
45:29So, the payment was made from a company account, Helle Linea.
45:34Helle Linea.
45:36What can you tell me about Helle Linea?
45:39I'm afraid we're not authorized to give out that information.
45:43But the national company register is available online.
45:46Is there anything else I can help you with?
45:49Uh, no.
46:3420 minutes to the border.
46:44No one hasn't moved.
46:49No one hasn't moved.
47:1940 metres out of the rear.
47:37Moving.
47:3925 metres out of the rear.
47:45Moving.
47:47Approach from front door.
47:59Moving.
48:0110 metres out of the rear.
48:11Moving.
48:13Everyone in position?
48:15Two in position.
48:19Two in position.
48:31Norman!
48:33The house is surrounded.
48:35Throw your weapons down and come outside.
48:37On my count.
48:41Three.
48:43Two.
48:44One.
48:45Reach!
48:47Nice.
48:57Plan down.
48:59We're two down.
49:21Target escaping on foot.
49:22In pursuit.
49:29Bravo to Tango.
49:47We were set up.
49:49He knew we were coming.
49:51Two packs down.
49:52Immediate extraction from X-ray now.
49:5530 seconds out.
49:5930 seconds out.
50:29I breathe.
50:33Yeah, you're no rid of me.
50:37Yeah, you're no rid of me.
50:41And I beg you, my darling.
50:49Don't leave me.
50:52And I'm hurting.
50:55Fuck you.
50:57Yeah.
50:57I'm going to twist your head of sea.
51:00I'm going to twist your head of sea.
51:02I'm going to twist your head of sea.
51:08I'm going to twist your head of sea.
51:10I'm going to twist your head of sea.
51:12Yeah, you're no rid of me.
51:13I'm going to twist your head of sea.
51:15Yeah, you're no rid of me.
51:19I'll make you lick my injuries.
51:23I'm going to twist your head of sea.
51:26I'm going to twist your head of sea.
51:43You're more better than me
51:47I'll make you lick my injuries
51:51I'm gonna twist your heels
51:55Till you're sad
51:56Don't you wish it
51:57Never, never matter
51:59Don't you, don't you wish it
52:00Don't you, don't you wish it
52:04Never, never matter
52:06Don't you, don't you wish it
52:08Never, never matter
52:10Don't you, don't you wish it
52:11Never, never, never
52:13No, you don't, you should
52:15Never, never, never
52:17No, you don't, you should
52:19Never, never