Washington Black Season 1 Episode 4

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Washington Black Season 1 Episode 4  #WashingtonBlack #WashingtonBlackSeason1 #ShowMoviesTV  🎞 Please join  https://t.me/CinemaSeriesUSFilm

Transcript

00:01Previously on Washington Black

00:03Father's dead

00:06But it's safe here, teach

00:08Do not trust them

00:09Pay no mind to their words and their kind-seeming gestures

00:14Why do you have to go with me?

00:15He's the one, teach me to swim

00:19Choose the right one to teach you

00:23You're carrying molasses, from what I see?

00:26I know where we might go

00:28We go to America, Virginia to be precise

00:31Your marriage to McGee is vital to our survival

00:35Halifax was supposed to be a fresh start

00:37I won't live a lie anymore

00:39What do you think?

00:40That I will make another choice

00:47Somebody gotta watch that door

00:49Make sure the wolf don't sneak in the back

00:51But what if he already here?

00:58I'll make the introductions to Mr. Farrow

00:59He'll give you a fair price for your molasses

01:00Yeah, speaking of

01:01I'll make the introductions to Mr. Farrow

01:03He'll give you a fair price for your molasses

01:04Yeah, speaking of

01:05We can't set up looking like this

01:06Might you advance us a small sum so we blend in with the locals

01:09We might

01:10We might

01:11We might

01:13Oh, yeah

01:15Go ahead

01:18Come on

01:19Yeah, yeah

01:20Come on

01:21Yeah

01:22Yeah, I'll make the introductions to Mr. Farrow

01:23He'll give you a fair price for your molasses

01:24Yeah, speaking of

01:27We can't set up looking like this

01:29Might you advance us a small sum so we blend in with the locals?

01:31us a small sum so we blend in with the locals we might

01:43George Washington Black I am sorry about Barrington. No you're not

01:54I like your spirit little pirate

02:01Wash your friend Barrington was perhaps not as lunatic as I once supposed and I declare that where I have failed you I shall be better

02:22Wash what I'm trying to say is you can trust me today evermore

02:31What do you say you ready for a brand new adventure

02:52Behold us our new finely tailored outfits befitting two explorers

02:58The air in Virginia is different

03:04Yes it's thinner here smells of bitter tobacco and cotton

03:08One of that sweet Barbados cane

03:14So Mr. Ferrer was a great friend and associate of my father

03:18Have I already told you?

03:20Yes he was a scientist like your father

03:26Yes and like us and an abolitionist

03:28Like you

03:30Ah here we are

03:32Capital

03:34Why didn't you say capital you do this?

03:36Is that so?

03:37Am I an object of your study now Wash?

03:38Is that alright?

03:39Oh yes

03:40Observations the proper province of the scientist

03:41How do you square it all Mr. Ferrer?

03:42Profiting from the sugar trade being a scientist and your work as an abolitionist

03:48Revolutions and science require funding dear boy

03:50She drives a hard bargain your lady pirate

03:52But I'm all in

03:54I won't inquire to you

03:55What do you do?

03:56What do you do?

03:57What do you do?

03:58What do you do?

03:59What do you do?

04:00What do you do?

04:01What do you do?

04:02What do you do?

04:03What do you do?

04:04What do you do?

04:05What do you do?

04:06I do?

04:07What you do?

04:08How many people will do?

04:09What do you do?

04:10What does this do you do?

04:11Is that certain things lately

04:12Do this work as an abolitionist

04:13Revolutions and science require funding dear boy

04:15She drives a hard bargain your lady pirate

04:18But I'm all in

04:19I won't inquire too deeply as to the circumstances that placed christopher wild with pirates

04:23But I will say that a man needs to know what he's running to

04:26As much as what he's running from

04:29You remain

04:30As ever, the teacher Mr. Ferrer

04:32And I your student

04:34I'm interested to learn more about this cloud-cutter craft you built

04:38and this budding young scientist you've arrived with.

04:43The Royal Science League.

04:45I'm a 22-year member of the RSL

04:48and a recipient of the Excellence Award for my dissection techniques.

04:55Like your father, Titch?

04:57Yes. Yes, my father was a member.

05:00Was? You mean is, surely.

05:03Mr. Farrow, my father is deceased a year now.

05:08I hate to deliver the news to such a dear friend.

05:14These are from your father.

05:16Posted within the last few months.

05:20We have been corresponding during his polar expedition.

05:24I dare say you are mistaken.

05:27Can't be possible.

05:33Oh, my God.

05:54Oh.

05:55Oh, my God.

06:25What I was worried about...

06:44What happened?

06:50He betrayed us.

06:55What will you say happened?

07:05Another face for the war.

07:09Oh, my dear.

07:21My dear, you look absolutely beautiful.

07:39Thank you for agreeing to cordials, Father.

07:45You wanting to see Mr. McGee is music to my ears.

07:49Father, can I ask you something?

07:51Yes, of course.

07:53You and Mother.

07:54I know your relationship was frowned upon, but how did it feel when you were together?

08:05Well, um, it felt like fire upon summer grass.

08:20What?

08:21Father!

08:22Did you know about me?

08:36Not for years.

08:42She knew that if she'd told me, then I never would have left.

08:45I think I know that I loved her more than she loved me.

08:56You told me no good comes from love.

08:59Yes, well, I meant my own broken heart.

09:07In the end, your mother and I could never have been together.

09:10You, daughter, you will write a different legacy for yourself.

09:20Mr. Goff, please.

09:23Have you finalized the guest list?

09:28For?

09:29The wedding.

09:31I assume that's the reason for this sudden invitation.

09:34Well, there's a different reason we're here today.

09:42It's important to know who you're marrying.

09:45You see, Mr. McGee, this is less about you than it is about me.

09:51And my chance to create my own legacy.

09:54There is something we must discuss.

09:57A secret.

09:58I'm intrigued.

10:00My mother was born in the Solomon Islands.

10:07Oh.

10:08A native.

10:11As was I.

10:14Tana, that's enough.

10:15That's enough.

10:16To be clear, I've only been passing as a white woman.

10:22Is that it?

10:33Certainly enough to give you misgivings about our wedding.

10:41To live in a skin other than one's own.

10:48My poor dear.

11:00Mr. McGee.

11:01And to think that up until now I considered you a lady of entitlement.

11:06Shame on me.

11:08If I may be blunt, I know the circumstances surrounding our marriage may offend your modern sensibilities.

11:15But I think that given the correct amount of time, you may be able to appreciate me in the way that I now appreciate you.

11:21I don't understand.

11:24Perhaps I too am more complex than meets the eye.

11:29Our contract is binding.

11:31Of course.

11:32You are.

11:33Yes.

11:34You are.

11:51I am.

11:55I am.

11:56I am.

12:01Tana, how do things go with Mr. McGee?

12:16I'm afraid I failed.

12:19And you? Any news of the hunters?

12:22None. Until Willow's body turns up, it's best I lay low.

12:27I'm just glad you weren't hurt.

12:28At least staying at Miss Angie's is a sight better than that cellar.

12:36Come in.

12:58This book has been in your possession for some time.

13:18Since I was a boy. So I came to draw sea creatures.

13:25You dog-eared page 112?

13:27Yes, the watercolour of the mollusk that sheds its shell.

13:30After the larval stage. Page 68?

13:36The illustration of the decorator crab hiding in the seaweed bed.

13:40Seaweed bed.

13:43How do you know it as well as I?

13:45This is my father's book.

13:58Who's Titch?

13:59My teacher.

14:00My, uh...

14:02My mentor, uh...

14:06He was the man who took me from my home.

14:10Oh.

14:14Uh, Turtle, is that you?

14:17And Turtle Dove was my mother.

14:19My father wrote this book about his discoveries in the Solomon Islands.

14:25Where you were born.

14:27What are the chances that you would have this book?

14:31And know it so intimately?

14:33It's more uncommon than you could have imagined.

14:35What does it matter if...

14:43If you can't find a way to be together?

14:46No, you can't despair. No, I won't allow it.

14:49I'll find another way to end my engagement.

14:52But in the meantime,

14:54we need a way to be together in public, safely.

14:58The solution...

15:00My father.

15:00What better way to shield oneself from the viciousness of one white man

15:06than to the ego of another?

15:09You already struck his scientific curiosity when you came to our house.

15:13He said that?

15:14Father's ego is the key.

15:17So we play to it.

15:18He'll consider you one of his scientific discoveries.

15:21And there is some measure of safety in that.

15:24You do know your father kills his discoveries to study them?

15:28It won't work.

15:29I'm not McGee.

15:30I'm not the sort of man your father wants for you.

15:32You need some guidance.

15:34More than you'd openly admit.

15:41You need only spend more time together

15:44for him to see how brilliant you are.

15:47If you were to become Jack Rawford,

15:53respected scientist and esteemed colleague of G.M. Goff,

15:57you would not be vulnerable to attack in the way that you are now.

16:05All right.

16:07All right. All right.

16:08Tell me the plan.

16:17My father and I are going on a dive in the morning

16:21to research his new book.

16:25You'll come with us.

16:26I'll try anything.

16:36I'll try anything.

16:45I have to go.

16:48Before my father knows I'm gone.

16:49Be careful.

16:57Hello there.

17:24Good day for the sea.

17:27Tanner, look.

17:28I found my intelligent delivery boy.

17:30What a coincidence.

17:32Hello.

17:33Mr. Jack.

17:35Jack Crawford.

17:36And how are you this early morning, Mr. Crawford?

17:38I was just out for a stroll on my day off, sir.

17:41Well, I'd have been asleep if

17:43Tanner hadn't discovered that the slack tide

17:45was running in our favor today.

17:47That's as your good fortune then, sir.

17:49You know, on a morning like this,

17:50the marine life will be plentiful.

17:52Perhaps you'll make another extraordinary discovery.

17:56Well, maybe.

18:03We're done.

18:05Would you care to join us?

18:06Given your interest in marine life,

18:08I'm sure Tanner wouldn't mind, would you?

18:09Well, I suppose not.

18:14Well, very good.

18:15Come aboard, Mr. Crawford.

18:22There we are.

18:28Our adventure awaits.

18:29Mr. Goff, I hadn't realized upon our first meeting that

18:51you were the author of resplendence of nudibranchia.

18:55Perhaps you and I could discuss it.

18:58I do know every page by heart.

19:00Every page?

19:01It's impossible.

19:02Your book, as a boy, would have meant to me.

19:05And now it means even more.

19:10Your watercolors are mesmerizing.

19:12It's true, sir.

19:13It's how I learned to paint.

19:14Oh, my arm.

19:16Are you all right?

19:17I'm afraid I can't dive, Father.

19:24I'll do it.

19:28Can you even swim?

19:30I can, sir.

19:36Great.

19:38Let's get you into this diving suit, shall we?

19:40The terrain below, it's an alien landscape.

19:50And to stand upon it is to feel like an explorer of the unknown.

19:56You'll see the world differently when you come back up.

19:58I feel a part of me will always be down there.

20:03I understand, sir.

20:05I'm 2,000 feet above.

20:07Even on an island, it looks like a pebble you can hold in your hand.

20:13You consistently say the most interesting things.

20:16You'll find my specimen capture just below.

20:18She'll be teeming with creatures.

20:19We'll stuff and study them.

20:22Now, worry not, Mr. Crawford.

20:23They're the lucky ones, made immortal by science and my good name.

20:27Now, the main thing is to try not to die.

20:42This valve is most important.

20:45You must release oxygen into your breathing helmet to replenish what's been used.

20:49And you must check it constantly while underwater to ensure a steady flow.

20:53And that is how you breathe, without gills.

20:57Now, are you ready for me to throw you overboard?

21:15You must fill you in your water.

21:16You must fill the water.

21:16Oh, my God.

21:17Well, my God.

21:17No, no, no, no, no, no.

21:18What do you dance if you are?

21:19What?

21:19Oh, my God.

21:20Oh, my God.

21:21Oh, my God.

21:43Oh, my God.

21:43I don't know.

22:13I don't know.

22:43I don't know.

23:14Oh, it's an octopus.

23:15That's a real catch.

23:20How on earth did you put it off?

23:23I didn't catch her.

23:25She swam into my arms.

23:27She saw that I was struggling and came forth to help me.

23:32I'm certain of it.

23:32Look at the way that she shapeshifts her colors.

23:37I've never seen one like it.

23:40A fine apprentice, perhaps, Father.

23:42Well, he might just be.

23:44We shall spend the rest of the day stuffing her.

23:47Excuse me, sir.

23:50What if there was a way to hold on to the creature's beauty before it disappeared?

23:54What if that moment of life didn't have to turn into death?

23:59Do you think it could do that?

24:00Find a way to keep it alive?

24:03She'll give me a day.

24:04Perhaps two.

24:05Imagine the RSL's reaction to such a discovery.

24:09A gold medal might be in my future just yet.

24:11So, can you design a home, Bert?

24:23Maybe.

24:25But let's start at the beginning.

24:28Well, marine animals absorb oxygen.

24:32So she'll need that to survive.

24:34And the plants and the water give off oxygen and also absorb carbonic acid.

24:39Which marine creatures exhale.

24:40Oh, so perhaps then the way to make them thrive in captivity...

24:43Is to house them together.

24:51There will have to be light if the vegetation is to get what it needs for synthesis.

24:58So, this glow won't work.

25:04It will have to be a clear glass tank.

25:06That could work, yes.

25:08Your fiancé left a note in our absence requesting the honour of your company tomorrow.

25:13He mentions an outing of unprecedented splendour.

25:18And given his resources, I can only imagine.

25:24I'll be on my way.

25:28No, Mr Crawford.

25:32Mr Crawford, your thoughts are intriguing.

25:35Come to me in a week's time with an update on your progress.

25:38There's no point in bothering Tana.

25:40She's going to be busy planning the wedding.

25:41Tana, my dear.

25:52Whatever you think is going on between you and Mr Crawford, it's not practical.

25:57I don't know what you're talking about.

25:58There is nothing going on, but...

25:59I saw the way that you looked at him and he at you.

26:02And I thought I'd made myself quite clear when I took you into my confidence.

26:06You will not transgress.

26:08You will marry Mr McGee.

26:15I know you believe it's what's best.

26:18And I've tried to follow your rules.

26:20I will not let you make my choices for me.

26:25Whether it be who I marry or what skin I inhabit.

26:29My issue is with the larger world.

26:32What kind of life do you think that you can have with that young man?

26:36I am certain I could survive the indignities the world would heap upon me.

26:39I've been practising since the day I arrived in London.

26:42It's more than dirty looks or hostile comments or social exile.

26:46Your life could be in jeopardy.

26:50So you're afraid?

27:03I'm prepared to walk through fire for love.

27:07A path I believe in my heart you wish you'd taken.

27:11Do you remember that feeling, Father?

27:13Don't you?

27:15I know you do.

27:16Do you honestly believe that one lovely day on the water is going to change our circumstances?

27:25Nobility marries strategically.

27:27We're no different.

27:29But you've already recognised his genius.

27:32If Mr Crawford is able to solve the problem before him,

27:35then there is no limit to our success.

27:37You said it yourself.

27:38You know that without your marriage to Mr McGee,

27:42our family faces ruin.

27:51This is what's best.

27:52Well, it's a pleasure to see you too.

28:17You'll have to excuse me, Mr McGee.

28:24My father's waiting for me to head back out onto the water.

28:28Tanner, please.

28:29Might we at least have a conversation like proper people?

28:36You took me by surprise when last we met.

28:39To little avail, apparently.

28:40No, I was being quite sincere.

28:42You showed me a lens into who you really are,

28:45and I quite simply wish to show you the same.

28:48Oh, well.

28:50I already know who you are.

28:53Men like you, who use people,

28:55conquer lands, name things,

28:57and tell yourself that they belong to you.

29:00Men like me.

29:05Don't you mean men like your father?

29:08I've got to go.

29:09Forgive me.

29:11I do not mean to insult you

29:13or my future father-in-law.

29:15Then why are you really here, Mr McGee?

29:19I look at you,

29:21and I see someone brilliant.

29:23Someone beautiful.

29:26Someone who refuses to let the world

29:28tell her who she should be.

29:31And I know what you think you see

29:32when you look at me,

29:34but there's more.

29:35All my life,

29:37I have sought that fleeting chance,

29:41that possibility,

29:43and I have taken it.

29:46I am here now because, just like you,

29:49I knew I deserved more.

29:52We're the same.

29:53It's not simply about deserving more.

30:00One has to be more.

30:03Be more?

30:04Be better,

30:05be more than what the world expects.

30:08More than even you expect.

30:09Can you be all of that?

30:17Will you let me try?

30:22I'm late.

30:25And since this is your house,

30:26you can amuse yourself

30:27or show yourself out.

30:48Bye-bye.

30:49Bye-bye.

30:50Bye-bye.

30:53And if you're physics ging,

30:54by the way you took it once.

30:56I'll come.

31:26Excuse me.

31:32Yes?

31:35Are you the one called Farrell?

31:37You are?

31:38The man who needs you to smuggle this boy north.

31:40His name's Harrison.

31:42Your son?

31:43No.

31:44I freed him from his master.

31:46Freedom?

31:47By what means?

31:48I'll be happy to show you if you don't let me finish my business.

31:51Please, please, don't mind him.

31:53Will you cede to the boy?

31:55I asked you a question.

31:57You already know who I am.

32:09I'll contact my agent.

32:22Come on, Harrison.

32:24We'd be well advised to wait in the basement with them until this blows over.

32:27Who is this man coming for us?

32:29That is the man who has loosed the dog's fear.

32:33Nat Turner.

32:35Head down.

32:36Head down.

32:37And I'll contact my agent.

32:52My agent will be here presently.

32:54Once the boy's safe passage is certain.

32:57I'll need you to leave immediately.

33:04What's your name, boy?

33:09I don't bite.

33:11At least not our people.

33:13Man give respect.

33:14He get respect.

33:15My sentiments exactly.

33:16Now I must know your name.

33:17George Washington Black.

33:18British accent.

33:19American name.

33:20Two countries at war.

33:22Do you know of heaven?

33:23Washington Black.

33:24Washington Black.

33:25I don't know.

33:26I don't know.

33:27I know of heaven.

33:28What's your name?

33:29George Washington Black.

33:30What is your name?

33:31The British accent.

33:32American name.

33:33The British accent.

33:34An American name.

33:35Two countries at war.

33:37Do you know of heaven?

33:41Washington Black.

33:44I don't know.

33:45I know that everything that dies lives again in Dahomey.

33:58Where I come from, folks might call that heaven.

34:02But you and I are different.

34:04No. No, boy, we all come from the same place.

34:08We've been scattered across this white man's world for so long,

34:12surviving on the scraps he gives.

34:14Some of us don't even remember anything else.

34:17Did the white man give you heaven?

34:19Only insofar as he believed it was his to give.

34:22The folk like you are now in Washington, black folk,

34:27we know that when our eyes closed,

34:29they will open again to see a better place.

34:32You sound like a kid, my friend.

34:36See? Not so different after all.

34:44That boy's name's Harrison.

34:46Why don't you go keep him company?

34:48Hello. I'm Wash.

35:00Englishman.

35:03Englishman.

35:06I'm addressing you.

35:08Is this boy your slave?

35:10He's my friend.

35:13And he's free. I helped him escape.

35:16Escape?

35:18To a place he can be taken and killed for no reason.

35:21I am an abolitionist. My intentions are to...

35:23You are a charlatan!

35:24Seeking the comforting pricks of guilty conscience.

35:27Charlatan, you say.

35:30Yet you stand there preaching to the boy about heaven and providence,

35:34all whilst your hands drip with blood.

35:36Tinch!

35:37I know who you are, Nat Turner.

35:39I've read about you and your methods.

35:41Is that so?

35:42Yeah.

35:44Should I tell you why this boy is mute?

35:47Tell you how he saw his father being made a meal of by dogs?

35:52His mother being sold his breeding stock?

35:55And your answer is slaughter.

35:57Violence cannot be the tool to freedom.

36:00Reason, logic, and the appeal to man's better nature will...

36:03Wait!

36:04No! No! No! No!

36:09I see you have been marked.

36:11Okay.

36:12Tell me, Englishman, this violence that kissed your face...

36:16Was it before or after you appealed to their better nature?

36:19Please don't hurt him!

36:21He's all I have.

36:25You can't see the change, little brother.

36:27You may try to sound like them...

36:33But you will never be him.

36:35No!

36:36No!

36:55Tinch, are you alright?

37:05Is your father really still alive?

37:13His last letter was from the Arctic.

37:17I'm sorry, Tinch.

37:20What I wouldn't give to tell him of the suffering that he's caused.

37:24If I knew where my parents were...

37:30I would go to the ends of the Earth.

37:34We should go find him.

37:38To the Arctic.

37:41After everything I've pulled you into and...

37:44away from...

37:46Are you sure you'd still be willing?

37:48I trust you, Tinch.

37:49I trust you, Tinch.

38:18Thank God. That's his signal.

38:21Slave catchers on, Rue.

38:25Steps behind me, I fear.

38:28Turner, you must leave immediately.

38:30No.

38:31They're not looking for Turner.

38:33They're looking for a black boy and his British companion.

38:37Washington black and a Christopher Wilde.

38:50Go!

39:14Come on!

39:16Look at that.

39:17Get down!

40:17I'm afraid I haven't had the pleasure.

40:34Willard.

40:36McGee.

40:38I know who you are.

40:40How mysterious.

40:41And how might I help you, Mr. Willard?

40:45I thought maybe I could help you.

40:48Even more mysterious.

40:50We have a common problem.

40:52I'm not aware of any problem.

40:54There's one who's close to home.

40:56Perhaps you overlooked it.

40:59Enlighten me.

41:01You familiar with a black fellow named...

41:05What is he calling himself these days?

41:09Hiya.

41:12Jack Crawford.

41:13I can't say that I am.

41:15Really?

41:17You do know that Miss Tanagoff is, shall we say, quite familiar with her?

41:31And what are you insinuating?

41:33The insinuating is best left to you English.

41:37I speak plain.

41:39We can help each other.

41:41This black fellow that Yurtana is entangled with.

41:49He is a piece of property to be corralled.

41:53A threat to be contained.

41:56And I find myself short on manpower and resources.

42:01So he's too much for you, then, is he?

42:08This Jack Crawford.

42:12Do your fancy friends know what you do in your spare time, McGee?

42:16What a gentleman chooses to do in his spare time is his business.

42:27But what's behind this peacock costume of yours is no gentleman.

42:32It's a man who will help me remove this thread to us both.

42:40No.

42:45Excuse me.

42:46I don't care who you think I am, Mr. Willard.

42:52I don't care what you think you know.

42:57I reject it.

43:03And I reject you.

43:04There will be consequences, McGee.

43:20There always are.

43:21Oh, my God.

43:42Oh, my God.

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