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The Day of the Jackal Season 1 Episode 2
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Short filmTranscript
00:00The following program contains strong language and violent scenes.
00:20The populist politician Manfred Best was struck by a sniper in Munich.
00:25Best was visiting his son Elias Best at the St. Elizabeth Hospital.
00:33This has sparked speculation concerning a connection between these incidents.
00:38When a sniper finds a rifle that allows him to make a shot at that distance, that rifle is a keeper.
00:45There's a gunmaker who's been trying to do this. His name is Norman Stoke.
00:49I have an asset in Belfast, codenamed Sparrow.
00:51If Larry knew who I was talking to, kill me.
00:54She has a daughter, Emma. I know I can find him.
00:57Don't let me down.
01:00Who's the target?
01:01L'oeil, Doc Charles.
01:03River is a revolutionary technology.
01:05Can we get to him?
01:06It'll cost.
01:13We've got a serious problem with your students.
01:18She's arrested?
01:19Some flowers never get to bloom and see you the day.
01:30Some flowers are content to wish their lives are weak.
01:36Some may rise and some may fall.
01:45But only you may ever see me choose.
01:54So only you can tell that this is who I am.
02:05This is who I am.
02:12This is who I am.
02:13No, no, no, no, no, no, no, no.
02:16This is who I am.
02:20Not always looking to be found
02:34Not always here when you come around
02:43Black feathers lay out my window
02:54Bright morning come around
03:00Black feathers smoke across the room
03:09Bright morning come around
03:15In Germany, supporters of Manfred Fest
03:25continue to call for the upcoming federal elections
03:28to be postponed.
03:30His political opponents deny that their resistance to this
03:32is a mark of disrespect to Fest and his family.
03:36Manfred's head of Manfred Nice was also...
03:38Who's Sparrow?
03:39Come on, come on, come on
03:43Alison, just give me a moment
03:47Morning
03:48You're a fucking bitch, you know that?
03:50Alison, what's going on?
03:53Don't tell me this is a coincidence
03:55You suddenly turn her up out the blue
03:57next thing I'm as arrested
03:58You're not letting me speak to her
04:01And I know you're doing this to get at me
04:04I've got nothing to do with it
04:07You're a liar
04:08Why are you calling me, Alison?
04:12You know fucking fine rightly why I'm calling
04:14I know you can get her out
04:17You got me out
04:19Yeah, you had something to offer back then
04:22Just get me Norman's phone number
04:30And I'll do the rest
04:31And I want it today
04:33I'll do the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest of the rest
06:03What way would you put it?
06:07A girl died who shouldn't have died.
06:09A girl died who shouldn't have died.
06:39It is my job to make certain, 100%, that MI6 can't be connected in any way.
06:47So, who knows you were at the police station?
06:51Everything went through Gillespie.
06:59The copper?
07:00Yeah.
07:01He's the only one who even knows my name.
07:04I'll have a word with Gillespie.
07:06Make sure no one else can identify her.
07:09Anyone else?
07:10Nope.
07:12You're sure?
07:12Yes.
07:13Let's hope Gillespie can be trusted.
07:17We need to close this operation down now.
07:20I spoke to Sparrow this morning.
07:21She's on the hook.
07:22Did you tell her that her daughter's dead?
07:24I did not.
07:25You're in a hole and you want to keep digging?
07:27A major political figure has been assassinated and there's a strong probability that the gun was made by a British gunmaker and I have a lead on him.
07:35Are you saying we should just walk away?
07:45This is a wild goose chase and it's not helping our department's reputation.
07:49We should offload this to the Central Europe desk.
07:51I promised the Germans we'd help.
08:03Emma's is unfortunate but it's ends and means.
08:09And in this instance ends Trump.
08:13Alison cannot find out about Emma.
08:18Once that news breaks I've lost her.
08:21I can buy you some time.
08:23How long?
08:2524 hours maybe.
08:29You'd better get to work.
08:39Come on.
08:41Yeah.
08:43I've got some good news.
08:45I've talked to my bosses and I can get Emma out.
08:49Great, right?
08:50Yes.
08:51But I need you to get me Norman's phone number and I need it today.
08:57Don't worry.
08:59Emma will be home soon.
09:00Let's go.
09:30Let's go.
10:00Let's go.
10:30Let's go.
11:00Let's go.
11:04Good morning, cariño mío.
11:06Good morning.
11:06I can see where you are.
11:16Tela de nerviosito.
11:18When you go to that place, you go and you're thinking about work.
11:22I'm here.
11:23I'm here.
11:24Only half.
11:27Tell the other half to come.
11:30I miss him.
11:31Someone I've been working with has, um, well, they've misunderstood their obligations,
11:43didn't they?
11:44Is it money?
11:47Yeah.
11:50A lot?
11:51Yeah.
11:55What are you going to do?
12:02Well, it's not just the money.
12:07So if it were to get out that someone had got away without paying me, it sort of, it hurts
12:12the brand, which is a problem.
12:15And if he steals from you, he steals from your family, which is me and Carlito.
12:27So you tell me where he lives and I get the money here.
12:29I will do it, Charlie.
12:34No, I don't fucking doubt it.
12:36I do not doubt that.
12:39But don't worry.
12:41I'll sort it.
12:45There's another deal brewing.
12:49Is it big?
12:51Well, it would mean that I could spend a lot more time with you two.
12:53The people you work for think that because they pay you a lot of money, they own your soul.
13:08What is that look?
13:12What?
13:15Sometimes you look at me and...
13:18What?
13:19I don't know.
13:20What do you mean?
13:23Sometimes you look at me and...
13:24What do you mean?
13:25I don't know.
13:26Sometimes you look at me and what?
13:30What'd you see?
13:35You see a motherfucker.
13:37Fuck you.
13:37Fuck you.
13:50I don't know.
13:52I don't know.
13:52I don't know.
13:53I don't know.
13:53I don't know.
13:54I don't know.
13:55I don't know.
13:55I don't know.
13:56I don't know.
13:56I don't know.
13:57I don't know.
13:57I don't know.
13:57I don't know.
13:58I don't know.
13:58I don't know.
13:58I don't know.
13:59I don't know.
13:59I don't know.
13:59I don't know.
13:59I don't know.
14:00I don't know.
14:00I don't know.
14:00I don't know.
14:01I don't know.
14:01I don't know.
14:01I don't know.
14:02I don't know.
14:03I don't know.
14:04I don't know.
14:05I don't know.
14:06I don't know.
14:07I was shaving this morning, and it hit me.
14:34The economists are wrong.
14:37We could easily lose half the world's population, and there'd be no downside.
14:42It'd have to be the right half, of course.
14:46Now, the question is, can we trust the man who killed Manfred first?
14:52Leonora asked me to find you the best. That's what I've done.
14:56He's clearly capable, but a hundred mil is a hell of a lot of money to spend.
15:00Well, we only pay if he delivers.
15:02If he delivers, it'll be worth it.
15:06Ula Dog Charles, you're about to launch a product, River, which you're promising will deliver global economic justice.
15:17Why is the richest man on the planet so interested in economic justice?
15:22Well, we should all be interested in economic justice. It's as simple as that. Right?
15:27Your parents were leftist radicals.
15:32Some would say you're trying to please Mom and Dad.
15:35Oh, come on.
15:36Look.
15:37Money runs like water into the pockets of the super rich and stays there.
15:43Instead, it should run into reservoirs for future generations.
15:47And the only way to do that is total financial transparency.
15:55Right?
15:56Super rich like you.
16:05Yeah.
16:06Do you want everyone to see into your bank accounts?
16:10Well, I've got nothing to hide.
16:13But there are people out there with a lot to hide.
16:19And River is going to...
16:22We have very little time.
16:27This has got to be done before he releases this river thing.
16:31Do I make myself clear?
16:34I'll talk to you later.
16:35No.
16:36Hello, I'm a 구독er.
16:37Buoy!
16:38Yes.
16:39I think it's a big deal.
16:40You're listening to.
16:41We're listening to Carlitos.
16:43I'll come to you tomorrow at the end.
16:44Bye.
16:45Come to you tomorrow.
16:46We'll be right now.
16:49Bye.
16:50Bye.
16:52Bye.
16:53I'll help you.
16:55Bye.
16:57Bye, Carlitos.
16:58Bye.
16:59Bye.
17:02What is wrong?
17:03Do you want to give him this one?
17:07No, I actually, I made you something, little one.
17:10You did?
17:11Yeah.
17:12Do you have time for this?
17:13Yeah.
17:16Mira, mira, mira.
17:17Should we have a look?
17:19Look at this.
17:20Hey, Carlito.
17:22Hola.
17:23Hola.
17:26What's this?
17:28Hola.
17:30Here.
17:32Little one.
17:32This is an American plane.
17:38Guys, nothing, no posting.
17:44Yeah.
17:45Mama.
17:46Okay, okay.
17:49They know.
17:50I promise they know.
17:51I know you know.
17:54You know?
17:59Happy birthday.
18:01You all right, love?
18:26I can't bear to think of Emma all alone, little Sal.
18:38Aye.
18:41And over there in London, at least if they were holding their hair, she'd be with her own people.
18:46Love, we've both been through this.
18:57The first time they arrested me, you had me petrified.
19:00But you survived.
19:03She's not like us, Larry.
19:04She needs a star.
19:07I want to go over.
19:09I'm going to have the money for that.
19:10You could ask Norman.
19:15Norman?
19:16Well, Norman has loads of money.
19:20You're in Twitch with him, aren't you?
19:22Do you know where he is?
19:23I can't go running my wee brother every time we get in trouble.
19:26This is serious.
19:28They're saying she battled a policewoman.
19:31She needs to sit over there.
19:32That's a good deal.
19:48Charles.
19:51Hi.
19:52¿Pasa aquí yo?
19:55No pain.
19:56A lot of children, eh?
20:01Always. Always children.
20:04Different for you, no?
20:06You... you only child.
20:09Ah.
20:12Sorry.
20:13Killo, sorry.
20:15You know, Shirley, my...
20:16my English is very difficult.
20:19You always say that, Albert, but you speak very good English.
20:22Nah.
20:22No, it's... Spanish is impossible for me.
20:24No, no, no, your Spanish is better.
20:26Really?
20:27Mm-hmm.
20:29You know, I never tell you.
20:32Always.
20:33When you go away, I tell everybody,
20:36don't worry, I hear.
20:39I look, everything is perfect, everything is okay.
20:44So, you need anything, I can do.
20:47No, it's very kind, Albert, and I appreciate it, honestly.
20:51For me, la, Shirley, one thing.
20:54I have a friend, okay?
20:57Okay.
20:58And my friend has a... has a bar.
21:01And he offered to...
21:03Como se dice, Cone, to...
21:06to sell... to sell a part, half of the bar.
21:10Okay.
21:11So, if you're interested, I can take you to my friend,
21:16and the three can speak, see if it's good.
21:19I think that would be... I think we should do that.
21:21But I think maybe when I...
21:24Perhaps when I come back.
21:26Here?
21:27Yeah.
21:27All right.
21:31Can I only give you one second?
21:33I'm just going to make a quick call.
21:44Nora?
21:45Yeah, I'll be quick.
21:47Ay, qué parió.
21:48I'll be one minute.
21:50Rapidito, eh?
21:51Yeah.
21:54El chal siempre está trabajando.
21:56Claro.
21:56Pero mírate lo que ha conseguido el nota con el curro que se pega.
22:02Nuri.
22:03Qué pelotazo que ha pegado con el nota.
22:05Anda, anda, anda, anda, venga, fíjate a comer.
22:07Vamos, que se fría la gamba.
22:08Vamos, que se fría la gamba.
22:39No.
22:40Not again, please.
22:41I'm so sorry.
22:44Come.
22:45Oh, no.
22:46They know it's his birthday.
22:47They just have no empathy, these people.
22:50I'm so sorry.
22:51All right, if only yes to me.
22:52I know, I know I do.
22:54Guys, I'm so sorry.
22:55I'm going to have to head off.
22:57Bye-bye, little one.
23:00Bye-bye.
23:01Happy birthday.
23:03I love you.
23:04I'll see you soon.
23:05I'll see you soon.
23:05Okay, I'm driving you home.
23:09No, I've got the cab.
23:10Ay, qué tasi, qué tasi.
23:11Anda, anda.
23:11You can't leave this.
23:12No, I'm driving you.
23:13Charlie.
23:16Eh, ahí, here.
23:18Okay?
23:20Bye, guys.
23:25Adios.
23:25Bye-bye.
23:27Bye-bye.
23:57Andy, he said the guard was convinced he was talking to the real Ralph.
23:59The voice, the intonation, the sarcasm.
24:03Apparently everything was perfect.
24:06So our man is a mimic, and if he's a mimic, he's good with the languages, so he's not necessarily
24:11German.
24:13Er, enlarge the backpack for me.
24:20Quax canvas.
24:21Of course, of course he's taking the maker's tab off.
24:24Enhance that so I can see where it was.
24:28Yeah.
24:29Grab some screenshots of that.
24:32Done.
24:33Should I move on?
24:34Yeah.
24:38So he's right-handed.
24:40Oh, stop it there.
24:43Ennudge.
24:47Keep going.
24:48Keep going.
24:50Stop, stop, stop.
24:51Stop.
24:52Browning high power mark three.
24:54Why would you go for a nine mil where he could have something with a lot more stopping power?
25:01Why would you do that?
25:02That's it?
25:24Do you've gone to that place again?
25:26Oh my god.
25:28I'm here.
25:28I'm here.
25:29I'm here.
25:32I'm here.
25:34Me quiere?
25:36Yeah.
25:38Dime en español.
25:40Don't you hear me hate me?
25:44Dime en inglés.
25:49I love you.
25:58I love you too.
26:32Hello.
26:34Hello.
26:35Hello.
26:36Hello.
26:37It's the Avenue of the Andalucía, in the corner of the street.
26:45Happy New Year.
27:03It's easy, don't mess with me, don't mess with me, as I dive in the flame, that's the same as self and fire.
27:33It's easy, it's easy, it's easy, it's easy, it's easy.
27:48Hi, this is Charles, please leave a message and I'll go back to you.
28:12I'll go back to you.
28:19I'll go back to you.
28:27I'll go back to you.
28:42I'll go back to you.
28:57¿Qué pasa, niña?
28:59¿Qué pasa de qué?
29:01Esa carita, me la conozco muy bien.
29:04No pasa nada, mamá.
29:06¿Me lo vas a contar o no me lo vas a contar?
29:08No pasa nada, mamá, no seas pesado.
29:11Cuéntamelo.
29:15Pasa que...
29:20Pasa que dejaba a Charles en el aeropuerto y luego emplaza a las flores y lo viste en un taxi.
29:25¿Qué dices?
29:27Está llamando, pero tiene el teléfono apagado.
29:33¿Qué?
29:35Te dije que eras demasiado confiante.
29:37¿Te lo dije o no te lo dije?
29:39¿Le permites que pase demasiado tiempo afuera?
29:41Mamá.
29:42Todo eso...
29:43¡Mamá!
29:44¡Mamá!
29:47Charles es una buena persona.
29:50Nos ama y se desvive con Carlitos, tú ya lo sabes.
29:53¿Vas aquí?
29:58El Charles que está teniendo una aventura.
29:59¿Qué?
30:00¡Mamá, por Dios, eso no es lo que te he dicho!
30:01Nuri.
30:03Como el que hubiese, te esté poniendo los cuernos, le parto las piernas.
30:05Aguanta el genio.
30:06Lo juro que lo reviento.
30:07¡Aguanta el genio!
30:11Yo solo quiero arreglar esto.
30:17Encima.
30:18Un día ya.
30:21Un día ya.
30:33There you go, love.
30:34Larry, please.
30:35Call Norman.
30:36I've called him already.
30:37Twice.
30:38If he doesn't call back soon, I'll try him again, OK?
30:41The maker's tab was a sort of mountain range shape.
30:48And when I'm in English, I'm in.
30:49WhoI while I'm in English?
30:50Me he's thanks a lot of fingers.
30:51I'll call him already.
30:52Twice.
30:53If it doesn't call back soon, I'll try him again, OK?
30:57The maker's tab was a sort of mountain range shape.
31:01was a sort of mountain range shape hello yes I'm looking for a very specific
31:22backpack charcoal gray wax canvas mountain range maker's tab is about expecting you
31:32the snipers British don't even joke about that and he's probably ex British army you know that how
31:46you need military training to make a shot at even half that distance doesn't necessarily mean he's
31:52one of ours he used a Browning high power mark 3 to kill Elias's bodyguard and to wound Elias
31:59the high power was standard British army issue until 2013 a lot of armed forces use the high
32:07power he had a backpack made by a small UK based startup called the perfect pack the backpack went
32:14on sale eight months ago there are only two retailers both in Leeds and neither ships
32:19internationally that means he was here in the UK or an accomplice picked it up for him no our man
32:27works alone snipers work with a spotter not this one he was alone when he shot Elias and he was alone
32:33when he left the apartment building so we think the sniper is British and the gun maker is British
32:39have you heard from Sparrow she knows what she has to do by tomorrow morning she'll know her
32:45daughter's dead and bang goes your leverage I need more time no I'm this close Bianca we're already on
32:57very thin ice I suggest you encourage Sparrow to give you what you want by tomorrow
33:05hello my love what time you gonna be home uh not sure not too late I hope okay okay my brothers are
33:25coming at eight I'm cooking me so huckily so complicated though I better love it they will
33:34um okay I'll see you then okay don't be late yep all right okay if our sniper was x army he would
33:47have done his sniper training at perbright if he was a para or household division if he had another
33:52kept bad she would have gone to the infantry battle school at brecon we need them to go for
33:57their records and what are we looking for an exceptional candidate right-handed tall white
34:06and how far back do we want them to go assuming our man is under 50 i'd say about 30 years
34:22who is this we met in sweden how can i help you i've spoken to my colleagues and we feel there's
34:38a deal to be done but we need to meet in person to work out the details
34:45for a deal of this size we believe a meeting is essential
34:48it has to be in person and it has to be in the next 48 hours
34:52yeah well i'm afraid that's not happening
34:56we've already shown you a million dollars of good faith
35:01if we can't meet in the next 48 hours we'll have to move on
35:07hello
35:12hello you'll have to come to me i'll look forward to it
35:22hi oh hey oh just about one time this is great oh wow okay okay okay okay uh tempranillo perfect for
35:38the massacre of the grenache blanc this is perfect see i do listen to you well they told her at the
35:43wine shop oh wow she's not that excited to see me hey hold on good it's good it's absolutely
35:52that should be fine come on come on bring it in there it is all right mom sends love
35:56good to see you good to see you good to see you looking good looking good
36:02well here you go hi how are you i'm good you
36:16i wanted the picardy and coke yes for jen i asked for a picardy
36:32get a pack of crisps while you're at it all right
36:50so
37:02so
37:04so
37:10so
37:18Second time looking.
37:34Vodka and Coke.
37:36Gin and Coke?
37:38You're not funny, Larry.
37:46Do you like it?
37:48Mmm.
37:50You see the gods of my Olympus, yeah?
37:52They used to eat this thing called Ambrosia.
37:54But then Jasmine goes and sends them up some famous Misaki.
37:58You know what they said?
37:59No.
37:59You don't know what they said?
38:01They said, fuck Ambrosia.
38:03Because from now on, it's Jasmine's Misaki.
38:06What is he talking about?
38:07It's a brainy compliment.
38:08I can see that the classics aren't wasted on you.
38:10I don't love.
38:11Mm-hmm.
38:15One second.
38:15Uh, top-up?
38:25Uh...
38:26Please give characters two, three and six your telephone ID.
38:42zero one nine how can I help I need a priority location on a phone speaking
38:50as a former teenage boy that's what we do we fuck it up
38:57fights seriously I'm sorry I'm sorry Jess see you soon boys call us when you get there I'll try
39:27miss Jensen this has been left for you thank you
39:57Norman's still at the location in Belarus I have nine missed calls from Sparrow does she know about
40:03Emma not yet but at some point soon she's going to have to be told if Sparrow finds out she'll tell
40:09Larry who will tell his brother I'll see what I can do Spencer's waiting in arrivals he'll get
40:16you across the border just make sure you get Norman we're counting on you yeah
40:22Spencer this way the Latvians know we're operating on their type they're friendly but Belarus is very
40:35hostile we need to get to the target as soon as possible the journey to smile is six hours
40:42Toby's our wheels Colin will be with us for the grab
40:45let's go
41:40You can keep looking straight ahead.
42:10Have you left your phone at the hotel?
42:14Of course.
42:15Good.
42:17My clients need to know if you think it's possible speaking as a professional.
42:22Well, you do seem to think he's God, but that doesn't mean he's immortal.
42:27We're still some way apart on the fee.
42:31Perhaps we can meet in the middle.
42:34We're not terrorists.
42:36You know, we're patriots.
42:38We're defending our way of life.
42:40I have fuck-all interest in why you want him dead.
42:43A hundred million is a big ask.
42:46You're paying me to kill him.
42:47I am charging you for getting away.
42:50And speaking as a professional, getting away is an important consideration.
42:55It's half in advance, half on delivery.
42:58No, half up front won't fly, but I am authorized to pay you a commencement fee of $20 million.
43:07I could do that today.
43:09Would that be acceptable?
43:10Is it non-negotiable?
43:19Yeah.
43:21The job has to be completed by the 28th.
43:26I'm not in the habit of being hurried.
43:29UDC releases River on the 28th.
43:31It's non-negotiable.
43:32Can you do it?
43:33Once the payment is in my bank account, I will get to work.
43:44Why are you still in Munich?
43:47It's been nearly a week since you killed Manfred Fest.
43:51Have you loose ends to tie up?
43:54We don't want you doing anything that attracts attention or puts you in jeopardy that's not in service of the job.
44:01There are no loose ends.
44:03Good.
44:05Then we have a deal.
44:08We have a deal.
44:10Keep looking straight ahead.
44:12In future communications, we'll use the codename Rodin for the target.
44:19Rodin.
44:21Very good.
44:22And we'll need a codename for you, too.
44:27Why not the jackal?
44:33Why not?
44:40Yeah, I have a hand.
44:41Thurston's here.
44:43Good.
44:43Herr Thurston's here is the number of things.
44:45two weeks, he received a big pay on his account. He didn't expect that.
44:51He was done by our bank. Here is the number of the account number 893724425320, 17000.
45:09Sir, thank you so much for your patience, Mr. Thirsk. So that payment was made from a company account, Hellelinje.
45:33Hellelinje? What can you tell me about Hellelinje?
45:37I'm afraid we're not authorized to give out that information.
45:41But the national company register is available online.
45:45Is there anything else I can help you with?
45:48No, thank you.
46:07If you're not cheap, please.
46:08If you're not a company, you'll be able to have a job.
46:09You're not cheap.
46:10If you're not cheap, can you buy it?
46:11Oh my god.
46:12It's expensive.
46:13It's expensive.
46:14It's expensive.
46:15There's a lot of cash that you can buy.
46:16You're not cheap.
46:17You're not cheap.
46:18We're not cheap.
46:19It's expensive.
46:20We're going to buy a lot of cash that we buy.
46:21We're going to buy a lot of cash in.
46:2220 minutes to the border.
46:47None that hasn't moved.
47:2240 metres out of the rear.
47:36Moving.
47:3825 metres out of the rear.
47:48Moving.
47:50Moving.
47:52Approach from front door.
47:58Moving.
48:00Moving.
48:0410 metres out of the rear.
48:06Moving.
48:0810 metres out of the rear.
48:10Moving.
48:12Everyone in position?
48:14Two in position.
48:18Norman.
48:19The house is surrounded.
48:20Throw your weapons down and come outside.
48:32On my count.
48:34Three.
48:35Two.
48:36One.
48:37Reach.
48:38On my count.
48:39Three.
48:40Two.
48:41One.
48:42Reach.
48:43Two.
48:44One.
48:45Reach.
48:46One.
48:48Fall now.
48:49base.
48:50Two.
48:51Two.
48:52One.
48:53Two.
48:54One at the end.
48:55Two.
48:56One at the end.
48:57Two.
48:58Three.
48:59One at the end.
49:00We're two down.
49:20Target escaping on foot.
49:22In pursuit.
49:30Bravo to Tango.
49:47We were set up.
49:48He knew we were coming.
49:50Two packs down.
49:52Immediate extraction from X-ray now.
49:5430 seconds out.
50:0030 seconds out.
50:30Yeah, you're not rid of me.
50:36Yeah, you're not rid of me.
50:40And I beg you, my darling.
50:48Don't leave me.
50:52And I'm hurting.
50:55Fuck yeah.
50:56Let my legs, I'm on fire.
51:00Let my legs off this eye.
51:04I'll tie your legs.
51:08Keep you against my chest.
51:12Yeah, you're not rid of me.
51:15Yeah, you're not rid of me.
51:18I'll make you lick my injuries.
51:22I'm gonna twist your head of sea.
51:32Let my legs, I'm on fire.
51:36Let my legs off this eye.
51:39Yeah, you're not rid of me.
51:41Yeah, you're not rid of me.
51:43Yeah, you're not rid of me.
51:46I'll make you lick my injuries.
51:49I'm gonna twist your head of sea.
51:53You're not rid of me.
52:05Yeah, you're not rid of me.
52:06Yeah, you're not rid of me.
52:09I'm gonna twist your head.
52:11Never, never matter
52:13Don't you, don't you
52:14Never, never matter
52:16Don't you, don't you
52:17Never, never
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