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00:01Oh my god. Miss Martin Ryan.
00:03I've spoken to your father. He'd called the station a number of times.
00:07You must know Lou Stanley. He was that little boxing club.
00:11I can't do this. I'm sorry.
00:14Why did you ask Ursula Wilson not to press charges?
00:17Is this where you've been stewed? I found the body.
00:19Is it possible to speak with Victoria?
00:21She's her other daughter. She's dead.
00:24No death record, but if she's dead, her parents never told anyone.
00:27Victoria Burton, is she dangerous?
00:30Where you're going, there is only pain.
00:45When I was very small, I learned that all people live their lives in two different worlds.
00:51One is a prosaic life, and the other poetic.
00:55But only certain people have the ability to move between the two.
00:59In some early cultures, revenge was a duty.
01:05A fundamental right that gave the victim the opportunity to regain respect.
01:11In!
01:12Plumbing!
01:13Now!
01:14Bedford, plumbing!
01:15Retribution marked the end of a conflict.
01:17And the right to vengeance.
01:18Wasn't questioned.
01:19No!
01:20No!
01:21No!
01:22No!
01:23No!
01:24No!
01:25No!
01:26No!
01:27No!
01:28No!
01:29No!
01:30No!
01:31No!
01:32No!
01:33No!
01:34No!
01:35No!
01:36No!
01:37No!
01:38No!
01:39No!
01:40No!
01:41No!
01:42No!
01:43No!
01:45No!
01:46No!
01:47No, no!
01:48No!
02:02Let's go.
02:32Not everyone is cruel, you know.
02:54Some people are trying to do the right thing.
02:57To be kind and gentle and good.
03:04Even if it makes you feel sick to your stomach.
03:10Even if it hurts.
03:17Let's go.
03:19Let's go.
03:24Let's go.
03:31Let's go.
03:32Let's go.
03:33Let's go.
03:34Let's go.
03:35Let's go.
03:36Let's go.
03:37Let's go.
03:38Let's go.
03:39Let's go.
03:40Let's go.
03:41Let's go.
03:42Let's go.
03:43Let's go.
03:44Let's go.
03:45Let's go.
03:46Let's go.
03:47Let's go.
03:48Let's go.
03:49Let's go.
03:50Let's go.
03:52Let's go.
03:53Let's go.
03:54Let's go.
03:55Let's go.
03:56Let's go.
03:57Let's go.
03:58Let's go.
03:59Stop.
04:00Number two.
04:05Stop there.
04:06Roll back.
04:07Let's see outside Carl Lowry's room.
04:11Can you bring up the other images?
04:16See.
04:17Told you she was a woman.
04:19Do you think this person, this woman we're looking at,
04:23could be Victoria Berkman?
04:25And how does this connect to the others.
04:27To Drake and White.
04:28Maybe they're involved, maybe.
04:30They got Victoria in to do their dirty work.
04:33Didn't they want him to squeal?
04:34Victoria Berkman. What else have we got on her?
04:37Well, she accused her dad of sexual abuse when she was younger.
04:40Well, that case got dropped due to a psychological evaluation
04:43that determined she was lying.
04:45Ben and Mary were pretty explicit when they said that she was dead.
04:47Maybe they're lying. What else?
04:50Well, she was kicked out of Beecham College.
04:53There she is.
04:57Wonder if Drake was at the school, then.
04:59Jeanette.
05:02Hi, come in. Hi.
05:04This is Dr Sophia Craven.
05:06She's kindly agreed to come in to help us understand
05:08what Victoria Berkman is up to.
05:11Welcome. Thank you.
05:13We know that Victoria went to Beecham College
05:16before she was kicked out.
05:18Did she tell you anything about the school?
05:20People who go to that kind of school,
05:24they have a parent who has a plan for them.
05:26Oxford Medical School, the military.
05:29What kind of plan did Victoria's parents suffer, do you think?
05:33Sex.
05:38Victoria made allegations of sexual abuse against her father
05:41when she was young.
05:43The Berkmans, they were cleared of any wrongdoing,
05:45but the psychotherapist that was evaluating her at the time
05:48thought she was lying.
05:50That's right.
05:52And does that tally with any of your assessment?
05:54Well, for Victoria to make a complaint, that's atypical.
05:58Now, I can believe that Victoria is a fantasist,
06:01someone who would create alternative realities.
06:03That does occur in this kind of victim,
06:06but I don't believe that she lied.
06:09Victoria is a victim of abuse.
06:14Do any of these look like Victoria Bergman to you?
06:18Um...
06:19That's Victoria.
06:31I just know it.
06:38Okay.
06:41Okay.
06:42Lou, let's pay mum and dad another visit.
06:45Water.
06:46Mike, we've got the first body's name.
06:50Now, let's try and ID the others.
06:53Everyone else?
06:55Find Victoria Bergman.
06:56It's open.
07:15Ben!
07:26Problem.
07:27No problem.
07:28I realise I'd forgotten to ask you a few questions
07:30about your daughter, Victoria.
07:33And we were just passing, so we thought we'd pop in
07:35and ask you both if that's okay.
07:39Why did you lie to the police about your daughter being dead?
07:42I didn't lie.
07:44Our daughter is very sadly dead.
07:47Really?
07:48How did she die?
07:49We asked the police many, many times to help find her body.
07:53We assumed she died in relation to her own mental issues.
07:58Well, that's funny, cos we'll get a little record of that.
08:00Mm.
08:01How do you think she died?
08:03Suicide.
08:05She had a history of drug abuse.
08:07Drug abuse and self-harm are not in any of her psychiatric evaluations.
08:11Well, if you're having psychiatric evaluations, something's up, isn't it?
08:13Did you kill your daughter, Mr. Bergman?
08:14No, I didn't.
08:15Mrs. Bergman?
08:17No.
08:18What were you doing when Martin and Ryan disappeared?
08:21As we told the police at the time, we were at a funders' event
08:23for Victoria's school, and many people can corroborate our attendance.
08:27The police have all this information already.
08:30Do you think Victoria could have killed Martin?
08:34They were friends, but it's possible.
08:38Did you abuse your daughter, Mr. Bergman?
08:40No.
08:41Mrs. Bergman?
08:42Absolutely not.
08:44There were some serious allegations made against you at the time.
08:48Why would Victoria make that up?
08:50Look, she could be quite devious and cruel, unfortunately.
08:56She's a bit of a fantasist.
08:59Our daughter was a very troubled young lady.
09:01Mm.
09:03She can't shake the feeling that you're lying to us, Mr. Bergman.
09:06Well, that's not my problem.
09:08I know that my conscience is clear.
09:11We did our best for Victoria.
09:13More than our best.
09:14And it's very sad.
09:16Painful to keep raking over.
09:19So, if you don't have any more questions, I've got plenty to be getting on with.
09:22How is Madeline?
09:24Is she okay?
09:26Mind if we say a quick hello?
09:27Are you abusing your younger daughter now, Mr. Bergman?
09:30Mary?
09:31Huh?
09:32Leave Madeline out of this.
09:34Come on, get out.
09:39You crone.
09:57You think he's abusing Madeline?
09:59I don't know.
10:01I wish to make my skin crawl.
10:03What do you want to do?
10:05I want to get child protection in there ASAP.
10:07Good.
10:09I'm in no hurry to go back to the House of Horrors.
10:15Do you see a killer bun?
10:17It's Ursula Wilson. We spoke before.
10:19Yeah, I remember.
10:21I heard Carl Lowry is dead. Is that true?
10:24Yeah, that's right.
10:25I'd like to talk to you.
10:31You at home?
10:33Yeah.
10:34Right, okay. I'll come now. Don't go anywhere.
10:37Bye-bye.
10:38Sorry, Lou.
10:40I've got to go and talk to Ursula.
10:42Why?
10:44She thinks she's remembered something and she'd prefer to talk to a female officer.
10:47Ah, right.
10:49I don't think it's got anything to do with this. I mean, she's just the victim.
10:53I'd call her a survivor.
10:56Do you want a lift or do you want me to get a uniform to pick you up?
10:59There.
11:00Hey, Mum, we're back.
11:02Crawling.
11:04Cheeky bastard.
11:05Ha!
11:06Ha!
11:10Amar.
11:11You ran off.
11:13Sorry.
11:14You wanna talk to him, you pay him, yeah?
11:15Sorry, mate. It doesn't work like that.
11:16Who are you?
11:17I'm a police officer and I need to ask Amar some questions. It's important.
11:20Fuck it. Let's go, Mum.
11:21Let's go, Mum.
11:22Hang on.
11:26It's bad, but I'm really glad he's dead.
11:28It must have been a shock.
11:29I did, like, a little dance.
11:30Like a fuck-you dance.
11:31Right here.
11:32Okay.
11:33I actually wanted to talk to you about something else.
11:34Yes.
11:36Lou.
11:37Lou.
11:38I'm sorry, yeah.
11:39I'm sorry.
11:40That's not bad.
11:41It's bad, but I'm really glad he's dead.
11:42It must have been a shock.
11:45I did, like, a little dance.
11:46Like a fuck-you dance.
11:49Right here.
11:50Okay.
11:51Okay.
11:56I actually wanted to talk to you about something else.
12:01Yes.
12:03Lou.
12:07D.I. Lou Stanley.
12:10Right.
12:12Is that okay? Yeah.
12:14You don't seem sure. Go ahead.
12:17Okay.
12:19Um...
12:21It started off him looking out for me.
12:24Kind of an Uncle Lou type of thing.
12:28And then...
12:32And then we started sleeping together.
12:35And I just felt...
12:37Here I am again, getting...
12:40fucked.
12:42Well...
12:44When I thought back to how it happened,
12:47I realized the only reason he was able to get to know me,
12:51to get me to like him, to trust him,
12:54is because I was a victim of a crime.
13:00He was police and I was the victim.
13:04And he told me he was trying to solve that crime
13:07and protect me from anything else bad happening.
13:10How did he say he was protecting you?
13:16He, um...
13:18He said he beat Larry up.
13:20Smashed his teeth in.
13:22And then I realized...
13:23Now Carl Larry is dead.
13:25The only person I need protecting from is Lou.
13:29There's no one to protect me from Lou,
13:31because he's police.
13:36Except maybe someone like you.
13:40Me.
13:42Unless you're his best mate or something.
13:46Look...
13:47Between you and me...
13:51I just don't want to have to have sex with a police officer
13:53in charge of my case anymore.
13:57Is that too much to ask?
14:01No.
14:09Leave it with me.
14:12I am leaving it with you.
14:16I'm trusting you.
14:18Good.
14:23I am.
14:41Do you recognize any of them?
14:43Let me see.
14:47Yeah.
14:49How do you know them?
14:50They were like us.
14:51Do you know their names or what happened to them?
14:55Daniel and Faisal and Samuel.
15:01Were they all in the same hostel?
15:05Do you know their surnames?
15:13Amal, what happened to your face?
15:15There are people who have opportunities for people like us to make money.
15:22If you are weak and you sell drugs, if you're not afraid, you can fight.
15:30Do you fight each other?
15:32Boy against boy.
15:35And what happens if you lose?
15:38So who organizes these fights?
15:42The British.
15:45Are any of these men at the fights watching?
15:55No, we don't know who they are.
16:00Look.
16:01This is a murder investigation.
16:04It's important.
16:06If something happens to you, no one will tell your families.
16:09The Home Office doesn't have to.
16:11No one will know.
16:12You just disappear like these boys.
16:14Family.
16:18What do you know of my family?
16:22What has already happened to me?
16:24We are!
16:27This country does no care.
16:32Nobody cares.
16:37We're done here.
16:38Thank you for your information.
16:50Look after yourselves.
16:51Half is mine.
17:08Nothing is for free.
17:10There's a police officer.
17:22He helps the boys make money.
17:24What's his name?
17:26I'll come to the station.
17:28Please.
17:28Please.
17:28Hey, Jojo.
17:44How's school?
17:45Hi, Mum.
17:45All good.
17:47Great.
17:47Hi, Dad.
17:58How are you, Tuff?
17:59Where's Alex?
18:01Uh, no clue.
18:02I, uh, tried to call you the other day.
18:08Yeah, I know you did.
18:10And you called Verity.
18:12Sorry I didn't stop police procedure to call my dad back and get his take on things.
18:17There's been a lot going on.
18:18But you found Martin Ryan.
18:26Dad.
18:27There's no way you could have found that body back then.
18:31It's just not possible.
18:33I was supposed to find him and I didn't, so...
18:41I actually wanted to ask you a bit about the case, if that's okay.
18:44Oh, well, maybe I'm busy now, eh?
18:48Go on.
18:53Do you remember Ben and Mary Berkman?
18:55They had a daughter, Victoria.
18:58Uh, yeah.
18:59I remember her.
19:00She was a very sad little girl at the time.
19:03We could barely get her to speak.
19:05What about the Ryans and the Berkmans?
19:06Were the families close?
19:08Were the Berkmans ever suspects?
19:10Did they all have alibis?
19:11Yes.
19:12They all had alibis.
19:14And, of course, we investigated everybody thoroughly.
19:18We even paid to get some searches done.
19:21But there was no leads, no witnesses, no evidence.
19:24Martin was...
19:28He was just gone.
19:32I believe you, Dad.
19:34You were a really good police officer.
19:38Too good, maybe.
19:39How do you mean?
19:42Well, I grew up thinking all police were like you, Dad.
19:46In what way?
19:50What happens if you know something about someone that could destroy everything?
19:57Oh, Christ.
19:58What's he done?
20:05Who?
20:06Alex.
20:07I'm not talking about Alex, Dad.
20:10Oh, Jesus.
20:11Listen, I'm really grateful for all your help.
20:13I really, really am.
20:14But I...
20:14You know, I can't have Joe hearing what you think about his dad every five seconds.
20:18It's not...
20:19It's not fair, Dad.
20:21I know exactly what it's like to be in the job.
20:25But I always had you, ma'am.
20:29She was there for me, for you, so I could focus.
20:33You need to focus.
20:34You are at a critical stage in this inquiry.
20:38You can solve it or blow it.
20:40And Alex.
20:42Wait.
20:43He's gone fucking AWOL.
20:45I mean, where is he?
20:46Dad, can you watch this down, please?
20:47Joe is not death, okay?
20:48Please, please, stop.
20:50Yeah, I'm...
20:51I'm sorry.
20:52I'm sorry.
20:54I'm sorry.
20:54I'm sorry.
20:54I'm sorry.
20:56Uh, Jeanette?
21:24Uh, she's done for the day.
21:25Right, well, I had some test results that she wanted.
21:30But I can come back tomorrow.
21:32Uh, you can tell me, if you like.
21:34Uh, yeah, okay, fine.
21:38So.
21:41Right.
21:42So, after the post-mortem,
21:45we can see lidocaine in all three bodies,
21:49but it wasn't the primary cause of death.
21:51So.
21:52Body two,
21:54cause of death,
21:56most likely internal bleeding caused by a ruptured kidney.
22:00Body three,
22:01cause of death,
22:02surface bleed on the brain,
22:04consistent with blunt force trauma.
22:06Okay.
22:07Now,
22:08body one,
22:09this is its brain tissue,
22:11here.
22:12Daniel.
22:12So, but...
22:13Um,
22:15okay.
22:17Well, this is Daniel's brain tissue.
22:19It's an enlarged image
22:21from histology.
22:23It shows that the book,
22:24um,
22:26that Daniel
22:27had a traumatic diffuse axonal brain injury.
22:30That's just, um,
22:34many tiny injuries to the brain,
22:37often caused by consistent and repeated blows to the head.
22:40I met a witness today
22:44that said that all three boys
22:45were probably involved in illegal fights.
22:48Okay.
22:49Yeah, well,
22:49all three
22:50show
22:51defensive
22:53and offensive injuries,
22:54so that would track.
22:56And one more thing.
22:58Body three.
23:00We found human tissue
23:02between its teeth.
23:04I'd run a DNA test
23:05and the DNA was a match
23:07for Daniel.
23:09So now we know how he lost his finger?
23:11Yep.
23:13My findings,
23:15they're consistent with what
23:16your witness...
23:18Amar?
23:19With what Amar was saying.
23:21If these boys were involved
23:22in very brutal fights,
23:25then they were, in fact,
23:26fights to the death.
23:29And you are welcome.
23:58Jeanette?
23:59Suppose we need to chat.
24:03We do.
24:04But please,
24:05can it not be tonight?
24:06Can you please listen to me about work
24:08and tell me what to do?
24:12Of course.
24:12It's Lou.
24:27It's Lou.
24:33I found out
24:34he's been having sex
24:35with a victim.
24:38What?
24:38Yeah, he was assigned
24:40to her case
24:41and he's used the opportunity
24:42to have sex with her.
24:45Fuck.
24:46I know.
24:49Okay.
24:49I mean, I feel really,
24:51really let down.
24:53I've known him
24:53for such a long time
24:54and I feel like
24:54I don't know him at all.
24:56I mean, maybe I did know him,
24:57you know,
24:57maybe I knew what he was like
24:58from the start.
25:00I mean,
25:00and I ignored it.
25:01Is that possible?
25:02Some people are really good at hiding.
25:07He's a really convincing,
25:09hardworking copper.
25:10I bought it.
25:11No, he is
25:11a really hardworking copper.
25:13That's the thing.
25:14You see,
25:14that's not an act.
25:15That's what's clever.
25:16So what are you going to do?
25:16I don't know what I'm going to...
25:18Jened,
25:20this is exactly
25:22what you're good at.
25:24Standing up for what's right.
25:25Your whole career,
25:26you've always done
25:27what's right.
25:31You can't stop now
25:32because it's Lou.
25:33No.
25:35No.
25:46Hi, my love.
25:56Hi.
25:57Hello.
25:59Well,
26:00everything all right?
26:01Yeah.
26:02I feel good.
26:03Really good, actually.
26:06I talked to Annabelle today.
26:09We managed to have
26:10a really good
26:11and very adult conversation
26:13and agreed that
26:14so she knows
26:16about us now,
26:17you and me.
26:18I told her all about you
26:19and how we want to
26:20actually do things properly
26:21and be together properly,
26:22not just in secret.
26:24Okay.
26:25Um,
26:26I didn't ask you
26:28to do that.
26:29Well,
26:30if you had to ask me
26:30to leave my wife,
26:31it wouldn't be right
26:32between us, would it?
26:33I'd be the
26:34won't leave his wife guy.
26:37I thought it was
26:38what you wanted.
26:40No.
26:43Sorry, it's not.
26:45You're saying
26:45you want a headfuck.
26:47You want distance.
26:48No.
26:49Well, so you want me
26:49to lie and cheat
26:51so that you don't
26:52ever have to decide
26:52how much you care about me.
26:54It's poor Annabelle.
26:55Poor Annabelle?
26:57Poor Lance,
26:58you mean?
26:59This is why men
27:00don't do the right thing,
27:01you dick.
27:02It's humiliating.
27:04You are humiliating me.
27:05For what?
27:07Okay.
27:08Lance,
27:09I'm sorry you feel like this.
27:11You've also lost the ability
27:13to talk like a normal person,
27:14by the way.
27:16It's all just
27:16made-up psych talk.
27:18I'm sorry you feel like
27:19this is a very fucking
27:20annoying thing to say
27:21to someone who's upset.
27:23Okay.
27:23Should we just
27:24go for a walk somewhere?
27:26Am I a dog?
27:28Jesus.
27:28Oh, my God.
27:58I don't know.
28:28I don't know what I'm doing here.
28:58Oh, shit. I'm having a worse night.
29:01What's happened?
29:02I mean, do you want to come in? Everybody's asleep.
29:05I can sneak you in for a cuppa.
29:08I just met up with Lance and he's broken up with his wife for me.
29:12Bastard?
29:13Yeah. No.
29:15Well, he...
29:17I think I just...
29:21I didn't expect...
29:23I didn't want that to happen.
29:24I didn't realise.
29:25No, he didn't either.
29:27And so he ends up just sort of shouting at me in this bar.
29:31I was so embarrassed by all these feelings coming out.
29:33It was so public.
29:34It was just...
29:35What, do you think he can patch things up with his wife?
29:41Well, I would hope that she sort of doesn't want to do that.
29:44But, you know, Lance, he's okay as a person, I think.
29:48Right.
29:50Yeah.
29:50I just don't...
29:52Yeah.
29:52There's no connection.
29:54Yeah.
30:02Anyway, um...
30:04Thanks.
30:09It is mad that I'm here.
30:11And, um...
30:14I hardly know you and you're married, so...
30:18I'm going to go home now.
30:20I must have just needed to talk to someone,
30:23so I came here on autopilot thinking,
30:25yeah, she'll understand me.
30:27I do understand.
30:29Nobody wants to be adored and shoved it out in a bar.
30:33No.
30:33No.
30:50No.
30:51No.
30:51No.
31:01No.
31:02No.
31:03No.
31:03No.
31:04I don't know.
31:34I don't know.
32:04I don't know.
32:34I don't know.
33:04I don't know.
33:06I don't know.
33:08I don't know.
33:10I don't know.
33:12I don't know.
33:14I don't know.
33:16I don't know.
33:18I don't know.
33:20I don't know.
33:24Eva came in last night.
33:26Last night?
33:28What time were you here till?
33:30I don't know.
33:32A post-mortem report on your desk shows that a cause of death is consistent with injuries from fighting.
33:36I'll have more for you shortly, but there's something else before everyone else gets in.
33:44I've got a witness.
33:46I've got a witness.
33:50He said there's a police officer involved.
33:52Who?
33:53I think it's Lou.
33:54Why do you think it's Lou?
33:56Why do you think it's Lou?
33:58Because it is, Lou.
34:00You know when you join the police?
34:02The whole Peelian principle thing?
34:04Police are the public, the public are the police.
34:06Policing by consent, that's what we're supposed to be doing, yes.
34:10Lou isn't into that.
34:12He's a sheriff.
34:14Not a police officer.
34:16He thinks he's the law.
34:18Look, why does everyone think he's a good guy?
34:20He's clearly not.
34:22Okay.
34:36Thank you for coming to me.
34:38Don't talk to anyone else, if you don't mind.
34:40Just give me some time to, um...
34:44There are procedures, Mike, okay?
34:46Yes.
34:47Understood.
35:08Fuck.
35:28Hi, Madeleine.
35:32How are you?
35:34Victoria.
35:44Can we, um...
35:46Can we go somewhere?
36:04Come on.
36:22It's hot!
36:27Yeah, thank you quickly...
36:28How's school?
36:42It's a good school.
36:50You know, even the really thick kids do okay?
36:54Exactly.
36:58Everyone wants to go to uni.
37:00Do you?
37:03I'm not sure.
37:10You could take a year off.
37:13And do what?
37:17Recover.
37:21From what?
37:25Your life so far?
37:32Yeah.
37:35I know what he does to you.
37:41He did it to me too.
37:43You get to know I'm your sister, don't you?
37:58So what did you do about it then?
38:00I escaped?
38:05Yes.
38:07You did.
38:16Meet me here tomorrow morning.
38:18Early.
38:19Early.
38:23We'll go away together.
38:25You can escape too.
38:33And I'll make them pay.
38:38Whether you have your vengeance in this lifetime or the next.
38:41Is that gladiator?
38:42Yeah.
38:43Cool.
38:47I'm serious.
38:48You should be very afraid of me.
38:55I'm serious.
39:04You should be very afraid of me.
39:10Okay.
39:21Are you ready, sisters?
39:25Yeah.
39:51Yeah.
39:53Yeah.
39:54Yeah.
39:56Yeah.
39:57Yeah.
39:58Yeah.
39:59Yeah.
40:00Yeah.
40:01Yeah.
40:02Yeah.
40:03Yeah.
40:04Yeah.
40:05Yeah.
40:06Yeah.
40:07Yeah.
40:09Yeah.
40:19Yeah.
40:26Yeah.
40:27I'm ready.
40:29Can you tell me what I'm looking at?
40:32So, body one, it's Daniel Rexer, age 17, from Albania.
40:38Body two, Faisal Qureshi, 21 years old, from Afghanistan.
40:44And body three, Samuel Osman, 18 years old, from Eritrea.
40:51All three of these asylum seekers have been in the UK for under two years.
40:54Daniel Rexer, who's living in the Royal Hotel.
40:58Faisal and Samuel, who were living in a hostel on the outskirts of Bristol.
41:02Poor lads.
41:03I've got a witness that can confirm that all three boys were involved in illegal fires.
41:08And how did you identify the bodies?
41:11The witness did, from a hostel.
41:13He gave me their first names and I pieced it together last night.
41:16Wow. That's great work, Mike.
41:19People in those places don't usually open up to policemen.
41:21Yeah, I worked really hard to gain his trust.
41:25Can you testify?
41:28It's not likely.
41:29Why?
41:31He's got a lot going on.
41:32Immigration staff.
41:33This kind of witness is exactly what we need.
41:35Can you just bring him in, please?
41:38Okay.
41:39Hello, hello.
41:41Afternoon.
41:41Oh, I forgot to ask you if Jojo wanted to go to the football on Saturday.
41:45It's going to be a fantastic match.
41:47Er, I'm not sure, but thanks for the invite.
41:50I'll ask him.
41:51Well, I'll take that as he is.
41:52Well, let me just double check with him and Alex.
41:54Well, I can call Alex.
41:55I'll call Alex.
41:56It's fine.
41:56We're just working.
41:58Mike's updating us on the case.
42:01So what'd I miss?
42:02Mike's named all the boys.
42:04And he's bringing in a witness.
42:05Ah, nice one, Mike.
42:08A star.
42:11I'm going to go to the hostel.
42:15You want your uniform to go with you?
42:18No.
42:19No, I'm good.
42:32Come in.
42:35I have about five minutes.
42:37Have a seat.
42:49Shoot.
42:53I'm concerned about a colleague.
42:56I suspect them of wrongdoing.
43:05It's a dangerous path, reporting a colleague.
43:31It's a male colleague, I assume.
43:36Yes.
43:38It's getting in the way of the case.
43:50You know, it's one of my skills, navigating the field.
43:54I stay still and quiet most of the time.
43:58But sometimes I have been really screaming underneath.
44:03The question is, when to raise your voice.
44:17I think I've turned a blind eye often enough for the both of us.
44:24We're entering more of a say what you see era.
44:27Right.
44:27If you can nail him, nail him.
44:31But if you miss, he will drag you down with him and never let you go.
44:36I don't want to nail him.
44:38We've worked together for years.
44:40Well, in that case, I'm glad we've had this important and informal chat.
44:46We can't all be pioneers.
44:54And if I do want to arrest him?
44:59Keep your hands clean.
45:01Let professional standards handle it.
45:03Fuck you, Mama.
45:20This is my first.
45:21Give me a key to a mouth here downstairs.
45:24Yeah.
45:24Yeah.
45:25Yeah.
45:25Yeah.
45:26Yeah.
45:27Yeah.
45:28Yeah.
45:29Yeah.
45:30Yeah.
45:31Yeah.
45:32Shit.
46:02Yeah.
46:03Yeah.
46:04Yeah.
46:05Yeah.
46:06Yeah.
46:07Yeah.
46:08Yeah.
46:09Yeah.
46:10Yeah.
46:11Yeah.
46:12Yeah.
46:13Yeah.
46:14Yeah.
46:15Yeah.
46:16Yeah.
46:17Yeah.
46:18Yeah.
46:19Yeah.
46:20Yeah.
46:21Yeah.
46:22Yeah.
46:23Yeah.
46:24Yeah.
46:25Yeah.
46:26Yeah.
46:27Yeah.
46:28Yeah.
46:29Yeah.
46:30Yeah.
46:31I'm hiding out.
46:41I'm hiding out, I'm hiding out, I'm hiding out.
47:11I won't let you do it anymore, Dad.
47:19I know all about Victoria, but guess what?
47:22She's taking me away.
47:24We're going to look after each other.
47:32Madeline, I won't let you leave.
47:36You belong to me, you see.
47:38Victoria isn't just your sister.
47:40Oh, she's your mother, too.
47:49Oh, what's up against me?
47:53You're welcome.
47:56You're welcome.
47:58Guys, don't lie down.
48:01You leave tonight, Will.
48:03One hundred and seventy seventy thousand times.
48:08Oh!
48:13Wow!
48:15Wait!
48:15Oh!
48:16Oh!
48:19Oh!
48:19We'll be talking...
48:20Oh!
48:20Oh!
48:21Oh!
48:22Oh!
48:22Oh!
48:22Oh!
48:22Oh!
48:23Oh!
48:23Oh!
48:25Oh!
48:26Oh!
48:26Oh!
48:27Oh!
48:28Oh!
48:29Oh!
48:30Oh!
48:30Oh!
48:31Oh!
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