- 2 days ago
A web of espionage unfolds in war-torn Shanghai, where spies, betrayal, and secret missions collide. "Shanghai Secrets – Shadows of Betrayal" is a gripping tale set against the backdrop of political tension and looming danger. Can the truth survive in a city where everyone has something to hide?
Original film restored and presented for historical and entertainment purposes.
🎬 Curated by Izay Film Archive.
Original film restored and presented for historical and entertainment purposes.
🎬 Curated by Izay Film Archive.
Category
🎥
Short filmTranscript
00:00:00The End
00:02:00I only wish they'd put as much energy into their studies as they do into the recess.
00:02:07Wuzang or Boston, children are the same the world over.
00:02:11I hate to think of their growing up into men who believe there's such a great difference between them.
00:02:17It's a pity children come from here.
00:02:25Here, don't you know it's undignified to fight?
00:02:38I do, but he doesn't.
00:02:40If you don't behave yourself, there'll be no recess for either of you.
00:02:43Understand?
00:02:44Yes, ma'am.
00:02:45Now, let alone.
00:02:47What did you say about children ruling the earth?
00:02:51The young scamps would contradict me.
00:03:10Is that your brother's plane?
00:03:14I believe it is.
00:03:16Yes, it's Peter.
00:03:18It looks as though he's bringing a friend, too.
00:03:21Some young swain, no doubt, who is eager to meet our beautiful teacher.
00:03:25Let's hope we won't be too disappointed.
00:03:26Todd, he's flying right by here.
00:03:44Todd, he's trying to shoot Peter down.
00:03:56Todd, he's flying right by here.
00:04:26Todd, he's flying right by here.
00:04:56Todd, he's flying right by here.
00:04:58Todd, he's flying right by here.
00:04:59Todd, he's flying right by here.
00:05:00Todd, he's flying right by here.
00:05:23How badly is he hurt, Doctor?
00:05:24I don't know.
00:05:25Probable concussion and internal injuries.
00:05:28Todd, please.
00:05:54Irene.
00:05:55Irene.
00:05:56Irene.
00:05:57Everything's going to be all right.
00:06:01Dr. Adams will take care of you.
00:06:02Nice to you.
00:06:03Take it easy.
00:06:04Cotton, please.
00:06:05No.
00:06:06No, never mind that.
00:06:07Irene.
00:06:08Sargoza, who will be here any minute.
00:06:09Sargoza?
00:06:10What does he want with you?
00:06:15It's this.
00:06:16He mustn't get it.
00:06:17No matter what happens, Irene, he mustn't get it.
00:06:21Why?
00:06:22It's part of an amulet.
00:06:23Don't tell me that thing is the cause of all this.
00:06:24That thing, as you call it, means much to Chana.
00:06:25And to Sargoza, if he can get it.
00:06:26Hoy long trusted me to deliver it for him to the Sun people in San Francisco.
00:06:29But what does Sargoza have to do with all that?
00:06:30He found out I had it.
00:06:31Irene.
00:06:32You're the only one I can trust with it.
00:06:33You'll have to take my place.
00:06:34Don't excert yourself, Peter.
00:06:35Don't you understand?
00:06:36He'll get to my place.
00:06:37He'll get to my place.
00:06:38Don't excert yourself, Peter.
00:06:39Don't you understand?
00:06:40He'll get to my place.
00:06:41He'll get to my place.
00:06:42Don't excert yourself, Peter.
00:06:43You'll get to the Sun people in San Francisco.
00:06:45But what does Sargoza have to do with all that?
00:06:46He found out I had it.
00:06:47Irene.
00:06:48You're the only one I can trust with it.
00:06:50You'll have to take my place.
00:06:51Don't excert yourself, Peter.
00:06:52Don't you understand?
00:06:53He'll be here any minute in this room.
00:06:55Irene, you must be gone with that amulet before he gets here.
00:07:13Let's go.
00:07:43Now you understand how important that amulet is, what it means to us, to Hoi Lung's people, and to China. I wouldn't ask it of you, Irene, if there was any other way. There's no one else I can trust.
00:08:12But you're hurt. I don't like to leave you now. I can't.
00:08:17If you don't go, now it'll be too late. Whoever has that amulet can either help or rob China. I gave Hoi Lung my word that China would not be robbed. Don't worry about me. I'll be all right.
00:08:28I'll get Peter to the base hospital. He'd be well taken care of there.
00:08:34I'll go.
00:08:36Good girl. There's a boat leaving Shanghai for the States tomorrow morning. You must be on it. You'll have the protection of many of our old friends when you get to San Francisco.
00:08:46I only wish you were going to. I'll join you as soon as I can. Now remember, Irene, no word of this to anyone. And if you run into trouble in Shanghai, look up Howard Barkley at the cafe hotel. You can trust him.
00:09:01You can trust him. Howard Barkley. I'll remember. You'll look after him. Thank you.
00:09:31I'll be back. I'll be back. I'll be back. I'll be back. I'll be back. I'll be back. I'll be back. I'll be back.
00:09:51This will ease you until I can get you to the hospital and have some extra raise taken.
00:09:55That doesn't matter now, Doctor. I only hope that Irene... Sargoza.
00:10:02What do you want? The amulet. You had a narrow escape, my friend. If you want to benefit by it, you'll hand it over to me.
00:10:11I haven't got it. You'll force me to search you. I refuse to permit it. I did not ask your permission.
00:10:25Now then, what did you do with it? I threw it out of the plane. No, you didn't. I was watching you.
00:10:32That girl who was here, did you give to her? Did you?
00:10:38Maybe you tell me. Did you give something to that girl who was here?
00:10:47You. Did you see him give something to that girl? I see nothing. Nothing.
00:10:52Don't lie to me. I don't know. I don't see a girl.
00:11:05So there was no girl here. Well, she won't get very far.
00:11:22She'll find a boy. She's a big musician. No girl came.
00:11:28She picked up the run with another girl. Thanks, guys.
00:11:30She wrote us. Have I had a foe?
00:12:01Boat's ready to pull off, sir.
00:12:26That's the last boat for today.
00:12:27The ship's loaded.
00:12:29Can't my wife get on, sir?
00:12:30Sorry, but there's no more room.
00:12:32There'll be another ship at nine tomorrow morning.
00:12:40No, there's nothing like a war to make people unhappy.
00:12:44Hey, Murph, take a look.
00:12:50Lunch.
00:12:51Why, you poor goop, why didn't you show me this earlier?
00:12:53You could have went off on a tap.
00:12:54I got soft-hearted or something.
00:12:56You know, women and children first.
00:12:57Besides, I figured I could spend another night in this dump.
00:13:00The fellas in this fracas couldn't hit you if they tried.
00:13:03Yeah, well, where'd you get that rooked wing?
00:13:05That's just it.
00:13:06They weren't aiming at me when I got this.
00:13:08I was in the international settlement minding my own business when off went the fireworks.
00:13:12You're looking to be able to talk about it.
00:13:14Between you and me, I'm glad I got it.
00:13:15When the office found out I'd been winged, they cabled me to come home.
00:13:18Probably figured I couldn't handle the camera with one minute.
00:13:20Can you?
00:13:21Sure, but why tell them?
00:13:23Well, you meet me in the morning and I'll send you off on the first boat.
00:13:26She's the Nitschimaru, a Japanese ship, gone to Manila.
00:13:28She'll transfer her passengers there to an American liner.
00:13:32McGinty, where did you get a handle like that?
00:13:35Fairtham, haven't you heard?
00:13:36I come from a long line of seafotters.
00:13:38Down goes McGinty.
00:13:40Well, I'll be here the first thing in the morning.
00:13:42And don't let me get soft-hearted again.
00:13:44Ah, it's the curse of the Irish.
00:13:45I'll get you aboard if I have to use a bainer to get you there.
00:13:48But when is the next boat out to the President Taft?
00:13:56The last boat is left, miss.
00:13:57But I must get on that boat.
00:13:59I'm sorry, miss, but she's jammed to the waterline.
00:14:01But I've got to.
00:14:02How about it, Mert?
00:14:03Any exceptions?
00:14:04Say the word and I'll roar her out myself.
00:14:06You ought to know better than ask me that.
00:14:07I tried.
00:14:08I thought I had some influence.
00:14:09Never mind him, miss.
00:14:11You get here early in the morning with your passport and order
00:14:13and you'll probably get off all right.
00:14:14Passport?
00:14:15It's a better ship.
00:14:16I'm going on it myself.
00:14:17Well, that makes it a better ship.
00:14:19Do I have to have a passport even for evacuation?
00:14:21You sure do, miss.
00:14:22It'll be a Japanese ship using American trade
00:14:24for evacuation of American citizens only.
00:14:27You have to wait your turn and you'll...
00:14:28I get one like that every once in a while.
00:14:33Not me, I don't.
00:14:35I never have that much luck.
00:14:38So long.
00:14:39I don't know.
00:14:40I don't know.
00:15:08Scram Tavares before you get hurt.
00:15:10Don't be an idiot.
00:15:12I am Jindemal, Alexis of the Soviet Embassy.
00:15:14That girl is a spy.
00:15:16Yeah, well, you've got just five seconds to be gone with the wind.
00:15:22Go on, beat him.
00:15:26Oh, boy.
00:15:28If that guy would ever call my...
00:15:32Well,
00:15:34that's gratitude for you.
00:15:58Hello, Frank.
00:15:59Any chance of getting my old room back?
00:16:01You haven't been gone long enough to rent it out.
00:16:03Let the boy take my bag up, will you?
00:16:05Yes, sir.
00:16:06Go in.
00:16:07Roommate 12.
00:16:16Johnny McGinty.
00:16:17Bless my soul, how are ye?
00:16:19I thought by now you'd be outward bound to the States.
00:16:21Life is like that, Gallicuddy.
00:16:23How's Trix and where are the boys?
00:16:25Done at the Japanese consulate.
00:16:27Something to do with issue and a statement.
00:16:29How's the arm, laddie?
00:16:31Oh, fair to middling.
00:16:45What's the matter, Johnny?
00:16:47Behind me with the spats.
00:16:48Who is it?
00:16:49A gentleman by the name of Sargoza.
00:16:51Not General Alexis.
00:16:52No, there's no General Alexis in this town.
00:16:53Not in the diplomatic service, as far as I know.
00:16:54And I should know.
00:16:55He used to be commissar with the Soviet Embassy
00:16:56before they gave him the boot.
00:16:57Boy.
00:16:58Yes, sir.
00:16:59That man at the bar.
00:17:00Who is he?
00:17:01Anything else?
00:17:02Well, I wouldn't have played ping pong with him at night, if I were you.
00:17:03He gave a party the other night and they got very, very drunk.
00:17:25And he showed us his knife tricks.
00:17:27And they can whip one out from either sleeve into a target very, very fast.
00:17:37It's Johnny McGinty, sir.
00:17:39You stop here?
00:17:41Yes, sir. Room 812.
00:17:47I don't know what your connection with Mr. Segoza is,
00:17:50but if you're on the wrong end of the stick, I'll see it's very, very unhealthy.
00:17:53If you'll take a tip from me.
00:17:54I know. Get out tomorrow while I can.
00:17:56Aye.
00:18:01Johnny, old boy, what a stroke of luck.
00:18:04I was overcoming it the thought of a single solitaire tonight.
00:18:07Why aren't you on the task, saving for home?
00:18:09All my seafaring blood, I guess.
00:18:10Women and children first, no room left for McGinty.
00:18:14That good heart of yours will get you into trouble yet, Johnny.
00:18:17It already has.
00:18:18On the way back, I ran into a fellow who was trying to grab a girl against her will,
00:18:22and I stepped in.
00:18:24Well, if she did, I'd never found out about it.
00:18:26When I turned around, she was gone.
00:18:27Not even a kiss or a scented handkerchief for your pains, eh?
00:18:29Well, fortunes of war in the Galahad complex.
00:18:31We all have a touch of that at least once in our young lives.
00:18:33Oh, but I'd love to have seen it.
00:18:35Was she pretty, Johnny?
00:18:36Of course, she had to be.
00:18:37It says so in all the storybooks.
00:18:38Huh.
00:18:39The first time I rescued her maiden, she slapped my face for doing it.
00:18:41Apparently, I liked the molesting chap's attentions and felt I'd ruined her chances.
00:18:43Good luck.
00:18:44Well, I can't say I'm sorry, Johnny.
00:18:46You're missing the boat today was a bit of good luck for me.
00:18:48For you?
00:18:49Why?
00:18:50I'm leaving myself tomorrow.
00:18:51I've decided to get out of here and leave the war behind.
00:18:52I'm going to America.
00:18:53And the Nietzsche Maru?
00:18:54Yes, we'll be shipmates.
00:18:55Do you mind?
00:18:56No, that's a break for me.
00:18:57Let's have dinner together later, what do you say?
00:18:58You know, while last night, we're going to the war.
00:19:00You will have to be a little bit of a day in the war.
00:19:02Just like the molesting chap's attentions and felt I'd ruined our chances.
00:19:07Good luck.
00:19:09Well, I can't say I'm sorry, Johnny.
00:19:11Your missing the boat today was a bit of good luck for me.
00:19:12For you?
00:19:13Why?
00:19:14I'm leaving myself tomorrow.
00:19:15I decided to get out of here and leave the war behind.
00:19:17I'm going to America.
00:19:18And the Nietzsche Maru?
00:19:19Yes, we'll be shipmates, do you mind?
00:19:20No, that's a break for me.
00:19:22You know, our last night in Shanghai and all that.
00:19:24Sure, count me in.
00:19:25I'll be up in a few minutes.
00:19:26I've got to get a cable off first.
00:19:27Come to my room whenever you're ready.
00:19:29I'll be waiting for you.
00:19:40Is there a Mr. Howard Barclay registered here?
00:19:43Yes, miss. Room 810.
00:19:45Shall I announce it?
00:19:52Barclay.
00:19:57Barclay.
00:20:01Barclay.
00:20:23The door's unlocked.
00:20:30You?
00:20:32Well, the damsel in distress.
00:20:35Come in.
00:20:36Just a minute.
00:20:41All right, sit down.
00:20:48Will you have a cigarette?
00:20:49No, thanks.
00:20:50You know, I...
00:20:52I wonder what happened to you.
00:20:54Did you come to thank me?
00:20:55You must forgive me for running away as I did.
00:20:57Well, it wasn't exactly according to Hoyle.
00:20:59Well, I had no idea you were the person I was looking for.
00:21:02Oh, that's all...
00:21:03Huh?
00:21:04Looking for me?
00:21:05I'm in trouble.
00:21:07Again?
00:21:08Now, don't tell me the desperate Desmond's still after you.
00:21:11It's no joking matter.
00:21:12I need your help.
00:21:13That's why I'm here.
00:21:15Well, I'd be glad to help you,
00:21:16if only to prove that chivalry still lives or something like that.
00:21:19Just for curiosity's sake,
00:21:20I'd like to know why you select me as your protector.
00:21:22My brother told me to come to you if I got in trouble.
00:21:24Your brother?
00:21:25Am I supposed to know him?
00:21:26His name is Peter Roma.
00:21:28Peter Roma?
00:21:29Oh, pardon me.
00:21:31But what do you know about Peter Roma?
00:21:32Now, this is the girl I was telling you about.
00:21:34You know, the girl I saved from a fate worse than death?
00:21:36This is Mr. Barclay, your host.
00:21:38Mr. Barclay?
00:21:40How stupid of me.
00:21:41I'm Peter Roma's sister.
00:21:42Peter Roma's sister?
00:21:43Why, of course.
00:21:44Then you're Irene.
00:21:45Well, let me have a good look at you.
00:21:46Would you believe it?
00:21:47I used to dangle her on my knee when she was a mere infant.
00:21:49Hmm.
00:21:50That'd be all right about now.
00:21:51Pardon me.
00:21:52He's just one of those incorrigible Irish Americans, Irene.
00:21:54His name is Johnny McGinty.
00:21:55And you couldn't have chosen a better champion
00:21:56if you'd have to do the picking yourself.
00:21:58Well, now, dear.
00:21:59What's wrong?
00:22:00It's...
00:22:01Sargosa.
00:22:02I'm sorry.
00:22:03I'm sorry.
00:22:04I'm sorry.
00:22:05I'm sorry.
00:22:06I'm sorry.
00:22:07I'm sorry.
00:22:08I'm sorry.
00:22:09I'm sorry.
00:22:10I'm sorry.
00:22:11I'm sorry.
00:22:12I'm sorry.
00:22:13I'm sorry.
00:22:14I'm sorry.
00:22:15I'm sorry.
00:22:16I'm sorry.
00:22:17I'm sorry.
00:22:18I'm sorry.
00:22:19I'm sorry.
00:22:20It's...
00:22:21Sargosa.
00:22:24Sargosa?
00:22:25Oh.
00:22:26So it was Sargosa you locked horns with it.
00:22:35Pour me a spot of brandy out of that bottle, Jimmy.
00:22:37Things are becoming a bit involved.
00:22:39How come?
00:22:40Simply that you've locked horns with one of the two most dangerous men in China.
00:22:44I'll take one myself.
00:22:46Say.
00:22:47If Sargosa's one of the two most dangerous men in China, who's the other one?
00:22:52A natural question.
00:22:53The other is Fuji Yokohama.
00:22:55It's Japan's number one military agent in Shanghai.
00:23:01But what does Sargosa want with you, my dear?
00:23:06Well, I'll step out if you want.
00:23:08Oh, you can trust Johnny, Irene.
00:23:10I vouch for it.
00:23:11Besides, he may want to help.
00:23:13Oh, I'll help.
00:23:14For more reasons than one.
00:23:16Thank you, Mr. McGinty.
00:23:17Ah, Johnny, or I don't play.
00:23:20All right.
00:23:21Johnny.
00:23:22That's better.
00:23:25This is what they're after.
00:23:26This broken amulet.
00:23:29It's the key to five million dollars being held in San Francisco.
00:23:32The money is to be used to help China.
00:23:34Hmm, quite a sum.
00:23:36The other half of that is in San Francisco.
00:23:38And the money will be turned over only when this half is presented to the person who holds it.
00:23:42Extraordinary.
00:23:43Ah, now, wait a minute, lads and lassies.
00:23:44This grouse stock business went out with the gay nineties.
00:23:45Now, I may be just a country boy from Peoria, Illinois, but after all, I'm a newspaper photographer,
00:23:49and I've been around a little bit.
00:23:50When you start talking about broken amulets that have to be matched up in five million dollars,
00:23:54well, that stuff belongs in the comic thrillers in my paper back home.
00:23:57Now, let's get on the level with this thing, or just skip me.
00:23:59This is no joke, Johnny, and nobody's trying to pull your leg.
00:24:02I've been around a bit myself, and I believe it.
00:24:03But, Irene, how did you get this?
00:24:05Well, Sargoza found out Peter had it, and shot his plane down.
00:24:08Peter was injured, so I took his place.
00:24:10Oh, I see.
00:24:11And how did Peter get into it?
00:24:12The money belongs to Hoi Lung's people.
00:24:14It's been kept on deposit in San Francisco for safety.
00:24:17Oh, I see.
00:24:18And how did Peter get into it?
00:24:19The money belongs to Hoi Lung's people.
00:24:21It's been kept on deposit in San Francisco for safety.
00:24:24Hoi Lung's cousin, who was with the Sun Company in that city,
00:24:27has the other half of the amulet.
00:24:29Why didn't this Hoi something another go himself?
00:24:31Well, that would be impossible.
00:24:32He's too closely watched.
00:24:33Why pick on your brother?
00:24:34Johnny, your persistence is most embarrassing.
00:24:36It was Hoi Lung who gave the Roma family protection
00:24:38when the general fled to China.
00:24:39In other words, he was their benefactor.
00:24:41His home was theirs, and all he had he shared with him.
00:24:43His home was theirs, and all he had he shared with him.
00:24:45It was Hoi Lung who gave the Roma family protection
00:24:46when the general fled to China.
00:24:47In other words, he was their benefactor.
00:24:49His home was theirs, and all he had he shared with them.
00:24:51All right, forget it.
00:24:52But what I don't get is what this Sargoza guy is after
00:24:55if he isn't working for the Soviet Embassy.
00:24:57My dear boy, you underestimate our worthy opponent.
00:25:00Of course he isn't with the Soviet Embassy,
00:25:02but it would make no difference if he were.
00:25:04Dear old Sargoza is always strictly for himself.
00:25:07Oh, I get it now.
00:25:08Sargoza gets this gadget, takes it to San Francisco,
00:25:10gets five million dollars and keeps it for Sargoza.
00:25:13You're learning fast, Johnny.
00:25:14The point is, where do we go from here?
00:25:16And a very good point, too.
00:25:17Since I have a suspicion that we'll have more than Sargoza
00:25:20to contend with.
00:25:21Who?
00:25:22Does somebody else know about it?
00:25:23Well, possibly Fuji Yokohama.
00:25:25You know, there's very little takes place
00:25:27without Yokohama being aware of it.
00:25:29And if he disapproves?
00:25:30Well, you don't expect him to approve of five million dollars
00:25:32to be used for China, do you?
00:25:33That's why I'm concerned about him, Johnny.
00:25:35How do you know so much about him?
00:25:37That's part of my business.
00:25:39What is your business?
00:25:41Do you mind if I keep it to myself for a while?
00:25:44Oh, no, not at all.
00:25:45Not at all.
00:25:46I'm sorry if I stepped on your toes.
00:25:48Well, that's quite all right, Johnny.
00:25:50As for you, my dear, you must leave Shanghai tomorrow morning.
00:25:52But I can't.
00:25:53I have no passport.
00:25:54Kind of stymied, aren't we?
00:25:56One thing we can't do is fake a passport.
00:25:58There's only one ship going out tomorrow, the Nichimaru.
00:26:01That's for American refugees only.
00:26:03Johnny's taking that, and I happen to be going on it myself,
00:26:06through an embassy courtesy.
00:26:08Well, why don't you take the amulet for her?
00:26:10Oh, I couldn't permit that.
00:26:11It's my responsibility.
00:26:13Well, I'd do that, Johnny, if I thought it would do any good.
00:26:15But believe me, it wouldn't save Irene if it were learned she'd sent it out.
00:26:20No.
00:26:21We've got to think of something else.
00:26:28Johnny, are you married?
00:26:30Hmm?
00:26:31No, of course not.
00:26:33Let me see your passport.
00:26:34Hey, what is this?
00:26:38Excellent.
00:26:47Blended.
00:26:48Now, look here, both of you.
00:26:49Get this.
00:26:50If this passport read Johnny McGinty and wife,
00:26:53Irene would have no trouble leaving Shanghai.
00:26:55If you were married to him, that would make you an American citizen.
00:26:57And you could be all for this tomorrow.
00:26:59But I couldn't do that, even if Johnny agreed.
00:27:01It wouldn't be fair to him.
00:27:02Besides, I...
00:27:03Besides what?
00:27:04Don't be foolish, my dear.
00:27:05This is urgent and necessary.
00:27:06And it won't mean actual marriage.
00:27:08You can have it annulled when you get to the States.
00:27:10But at least we'll get you out.
00:27:11Mrs. McGinty.
00:27:12Not bad.
00:27:13And you agree, Johnny?
00:27:14Sure, I'll marry her if it'll get safely aboard ship and out of the country.
00:27:18But I don't see...
00:27:19There are no buts, Johnny.
00:27:20You're both intelligent people, not fools.
00:27:22Now, we'll work out the problem of travel some way.
00:27:24Well, that's settled.
00:27:25Yes, it is.
00:27:26Or is it?
00:27:27Now, for the amulet.
00:27:28Irene can't carry it.
00:27:29It's too obvious.
00:27:30So you take it, Johnny.
00:27:31Or better yet, put it in your luggage.
00:27:32I've got a better idea.
00:27:33We'll put it in the camera.
00:27:34In the camera?
00:27:35Sure.
00:27:36I'll take the back off and we can put it right in there.
00:27:37That's a good idea, Johnny.
00:27:38It's the last place they'd suspect.
00:27:39All Shanghai knows Johnny feels undressed without his camera.
00:27:42Well, now, everything's settled.
00:27:43Let's get to work.
00:27:44I'll have a marriage certificate sent up here.
00:27:46As soon as you're married, we'll hop right over to the American consulate.
00:27:48Johnny, you go in and pack.
00:27:50I'll have a marriage certificate sent up here.
00:27:51As soon as you're married, we'll hop right over to the American consulate.
00:27:53Johnny, you go in and pack.
00:27:54Well, you don't mind if I change my clothes, do you?
00:27:56After all, I'm getting married.
00:27:57And the fellow doesn't get married every day.
00:27:59All right, all right.
00:28:00But make it fast, will you, old man?
00:28:01Sure.
00:28:02I'll be back in a second.
00:28:03Now, get me the American consulate.
00:28:04Quickly, please.
00:28:05Say, do I kiss the bride now or later?
00:28:06Johnny, this is no time for clowning.
00:28:08Oh, I'm not clowning.
00:28:10See you soon, Mrs. McGinty.
00:28:19Mr. McGinty.
00:28:20Well, you got the right name, but I can't place the accent.
00:28:25I not speak English good.
00:28:27Yeah, well, you don't have to with that thing in your hand.
00:28:29Ah, it is understood then.
00:28:31You will go downstairs.
00:28:33In front of hotel, a car.
00:28:35You get in with car, no?
00:28:38I get in with car, yes.
00:28:40You fly running away, then come shoot.
00:28:43Oh, bingo, just like Batman, huh?
00:28:45Funny, no joke.
00:28:47Fairly sober.
00:28:53No, you're not bluffing.
00:28:56You sure got one of those outstanding chins.
00:28:58Go.
00:29:00All right.
00:29:01Here you follow.
00:29:02Here you go, boss.
00:29:15Allow me.
00:29:23Hello, Frank.
00:29:24Hello, Mr. McGinty.
00:29:25You want me for anything?
00:29:26Not a thing.
00:29:27I don't expect he would.
00:29:29Oh, how do you do?
00:29:30How do you do?
00:29:31I'm awfully glad to see you.
00:29:32Isn't it a lovely day?
00:29:33Good day.
00:29:34Good day.
00:29:57Johnny, it's all fixed.
00:30:04Oh, no.
00:30:05It's all fixed.
00:30:06I didn't expect that.
00:30:07I'd like to see you with that.
00:30:08Yes, sir.
00:30:09No.
00:30:10There's no damage.
00:30:12No, sir.
00:30:13I'm sure he's going to see me.
00:30:14I'd like to be careful.
00:30:15It's the same, sir.
00:30:17I'd like to see you on the phone, sir.
00:30:18You need to know.
00:30:19Oh, oh, sir.
00:30:20I'm the same.
00:30:21I'm sure that's the same.
00:30:22Oh, sir.
00:30:23Well, sir.
00:30:24In the background, sir.
00:30:25I don't know, Mr. McGinty.
00:30:27Yes, but it's no fault of mine, believe me.
00:30:29Go ahead, Tom.
00:30:31Garden Bridge, cross over into Chapey.
00:30:33Keep on going.
00:30:35Now, Mr. McGinty, the less trouble you'll make for me,
00:30:37the sooner you will be on your own.
00:30:39Understand?
00:30:40Sure, I understand.
00:30:41But what's the idea of grabbing me like this?
00:30:43Well, I can overlook your rash conduct this morning.
00:30:45Your lady apparently was in distress,
00:30:47and you were impetuous enough to rescue her.
00:30:50Sure, being impetuous is one of my failings.
00:30:53How did you know my name?
00:30:55Did you think I was fool enough to drive off and lose track of you?
00:30:59I hoped you'd forget about me.
00:31:00The young woman, where is she?
00:31:02The young woman?
00:31:04The young woman, uh...
00:31:06Oh, that young woman, why...
00:31:08Yeah, where is she?
00:31:09I don't know. I don't even know her name.
00:31:11After you left and I turned around, she disappeared.
00:31:14Don't lie to me. I want to know where she is.
00:31:16Now, what makes you think I'm lying to you?
00:31:18You followed me back to the hotel, didn't you?
00:31:20You know, Don, well, I'm not lying to you.
00:31:21I never saw her after I copped your man Friday.
00:31:23And furthermore, if you didn't have that cannon in your hand,
00:31:25I'd lay one on your kitchen, it'd fold you up like an accordion.
00:31:27Oh, I got no time for histrionics.
00:31:37For the last time.
00:31:38I want to know where she is.
00:31:39For the last time, I don't know.
00:31:40She's gone and disappeared, Savvy.
00:31:42For your home farm.
00:31:59You are no longer in the international settlement, Kamatsago, sir.
00:32:01You are in Japanese territory.
00:32:03Only diplomatic courtesy returns your pistol to you.
00:32:07Diplomatic courtesy cannot, however, allow you to retain your prisoner.
00:32:10So, Savvy.
00:32:12Come with me, please.
00:32:13Thanks.
00:32:14You just about saved my skin.
00:32:16Your skin had no part in the interruption.
00:32:17I'm afraid that your life is of no interest to me whatsoever.
00:32:23It's merely...
00:32:24the means of whether that is a car,
00:32:25the Martina and the other.
00:32:29He is no longer in the international settlement.
00:32:30The French and nakit the other.
00:32:33Not my soul.
00:32:36Thanks.
00:32:37You just about saved my skin.
00:32:38Your skin had no part in the interruption.
00:32:39I'm afraid that your life is of no interest to me whatsoever.
00:32:41It is merely that I take a peculiar delight
00:32:43in causing Sargosa as much embarrassment as possible.
00:32:46That and other things, Mr. McGinty.
00:32:50You know my name?
00:32:51This is beginning of the last time.
00:32:52It's my business to know names. You're supposed to be a problem at the moment.
00:32:55Well, I don't get it.
00:32:56You will.
00:32:57I'm interested in knowing the whereabouts of the young lady by the name of Irene Romer.
00:33:01Now, now, wait a minute.
00:33:02If you think I'm going to go all through that again, you...
00:33:04Go on.
00:33:06Well...
00:33:07You know where she is?
00:33:09No, I just happened along when a guy with spats made a grab at her,
00:33:12and I butted in.
00:33:14Next time, I'll find my own business.
00:33:17I should not.
00:33:19I should not advise you to lie.
00:33:22I'd be lying if I told you I knew where she was.
00:33:25You are not a spy.
00:33:27Me, a spy?
00:33:28No, I'm just a newspaper photographer.
00:33:30Here, look.
00:33:31Click.
00:33:32The money.
00:33:38This is where you get off, Mr. McKinney.
00:33:41And parting.
00:33:43I would be happy if you permitted me to offer a word of wisdom.
00:33:46Sure.
00:33:47Go ahead.
00:33:51Should you meet Miss Romer in the future, it will be advisable for you to avoid her.
00:33:54Her company at present is most dangerous.
00:33:56A gentleman is usually known by the company he keeps.
00:33:59How do you Americans say, yes, birds of a feather flock together?
00:34:04That is explicit enough.
00:34:05Good day.
00:34:06Good day.
00:34:07Good day.
00:34:36Good night.
00:34:37Good night.
00:34:38Good night.
00:34:40Good night.
00:34:41Mr. Barclay's room.
00:34:57I'm sorry, but Mr. Barclay's no longer staying at the hotel.
00:35:00He just checked out.
00:35:01Just checked out?
00:35:03Well, didn't he leave a forwarding address?
00:35:07Well, uh...
00:35:09Oh, never mind.
00:35:11I'm sorry.
00:35:24Hello, Johnny.
00:35:25Whiskey and soda?
00:35:26No, give me a straight rye.
00:35:28All right.
00:35:29You know, Gallicuddy, I'm learning fast.
00:35:31I thought there was just an out-and-out war going on in this town.
00:35:34Now I find out there's plenty popping under the surface.
00:35:37That's Shanghai for you, Johnny.
00:35:38It's a hotbed of the world's worst and best.
00:35:42You wanted a 25 suit your old quick.
00:35:46Don't ask any questions of it.
00:35:48Johnny, I'm glad to see you.
00:35:57We were worried you wouldn't make it.
00:36:00I was worried about you, too.
00:36:01Well, what happened?
00:36:02That Sargoza was taking me for a ride when I was yanked out of his car by an exceptionally tall Japanese sporting a Monaco.
00:36:07Buji Yokohama.
00:36:08Holy smokes.
00:36:09So that's the number one boogeyman.
00:36:10He warned me to stay away from you.
00:36:12Wait till he hears we're married.
00:36:13I take it for granted you still have the amulet.
00:36:14Oh, sure.
00:36:15I had that with me all the time, the suckers.
00:36:16All they had to do was reach out and grab it.
00:36:17Good day.
00:36:18Is this the happy groom?
00:36:19Yes.
00:36:20This is Wu Chang who's with the family.
00:36:21He's going to be honoring the wedding ceremony.
00:36:22Well, will the embassy recognize the Chinese wedding?
00:36:24Don't worry, old boy, it'll be perfectly legal.
00:36:26Wu Chang is an ordained minister.
00:36:27Go ahead and tie the knot.
00:36:28Hey.
00:36:29Is the marriage certificate we're in?
00:36:31Why not?
00:36:31Five years ago, you got married by a car by an exceptionally tall Japanese sporting a Monaco.
00:36:37Hey, beware.
00:36:38So that's the number one boogeyman.
00:36:39He warned me to stay away from you.
00:36:40Wait till he hears we're married.
00:36:41I didn't want to take it for granted.
00:36:42You still have the amulet.
00:36:43Oh, sure.
00:36:43I had that with me all the time, the suckers.
00:36:44All they had to do is reach out and grab it.
00:36:45Good day.
00:36:46Hey.
00:36:48It's the marriage certificate, Wu-Chang.
00:36:49Don't I have to sign that?
00:36:50No, I signed it for you, Johnny, just to save time.
00:36:52Just an ordinary marriage certificate.
00:36:54Say, whose wedding is this?
00:36:55Go ahead, Wu-Chang.
00:36:56Over there, Lyrene, next to it.
00:36:58That's right.
00:36:58We are gathered together to unite this man and this woman
00:37:06in marriage, which is an institution ordained.
00:37:11I don't want to interrupt, Wu-Chang,
00:37:13but could you make it a bit faster, please?
00:37:15My English is clumsy.
00:37:17It can make faster if you talk native tongue.
00:37:20I'll understand.
00:37:21No, I won't.
00:37:22I'll tell you what to do, Johnny.
00:37:23Go ahead, Wu-Chang.
00:37:24Just make it short and sweet, please.
00:37:37Go ahead, say, I do, Johnny.
00:37:38He wants you to promise to love, honor, and cherish.
00:37:40What's the matter with obey?
00:37:42No, obey.
00:37:43This is modern marriage.
00:37:45Oh, I get it.
00:37:45I do.
00:37:46Irene, is something in God.
00:37:47I don't want to tell you.
00:37:48I don't want to tell you.
00:37:49I don't want to tell you.
00:37:50I do.
00:37:53Have you got a ring, Johnny?
00:37:54Any kind of a ring will do.
00:37:55Here, take this one.
00:37:57I'll give it back to Irene, Johnny.
00:37:59Oh, an Indian giver, huh?
00:38:00I now pronounce you husband and wife.
00:38:09You may kiss the bride.
00:38:10For a moment, I thought you were going to forget that part of it.
00:38:13No, no, wait a minute, Johnny.
00:38:14We've got to get to the embassy.
00:38:15You're always taking the joy out of life.
00:38:17May you enjoy happiness together until the day you die.
00:38:21Why do you have to bring that up?
00:38:22Come along, Johnny.
00:38:23Thank you very much, Wu-Chang.
00:38:25Congratulations, McGinty, and good wishes to you, Mrs. McGinty.
00:38:41Now, look, all you have to do is OK this passport for both of us.
00:38:44I'm sorry I'd like to, McGinty, but I can't.
00:38:47Can't?
00:38:48Look here, sir.
00:38:49If you're afraid that marriage certificate isn't legitimate,
00:38:52why don't you get in touch with Wu-Chang?
00:38:53Well, sure, everything's on the up and up.
00:38:55We were just married, weren't we, Irene?
00:38:57Oh, I don't doubt that.
00:38:58But Miss Roma is not eligible to...
00:39:00Mrs. McGinty.
00:39:01Oh, I beg your pardon, Mrs. McGinty.
00:39:03Is not eligible to enter the country without a passport.
00:39:06Why not?
00:39:07She's my wife.
00:39:08Doesn't that mean anything?
00:39:09Evidently, you've spent so much time everywhere but in the United States, McGinty,
00:39:13that you haven't kept up with its laws.
00:39:15Congress passed a law a number of years ago ending the custom
00:39:18where a foreign-born woman who marries an American
00:39:20automatically becomes an American citizen.
00:39:22Holy smokes.
00:39:24Well, this is certainly a good time to find that out.
00:39:27The only way Miss Roma could enter the United States...
00:39:29Mrs. McGinty.
00:39:30Oh, I beg your pardon, Mrs. McGinty.
00:39:31Could enter the United States is under the quota laws.
00:39:34And before I could issue a visa, a passport would be necessary.
00:39:37Well, that's a fine kettle of fish.
00:39:39That's the reason we were married.
00:39:41I'm sorry I caused you all this trouble, Johnny.
00:39:44Oh, that's all right.
00:39:45I didn't mean it that way.
00:39:47It's just that we planned this thing so carefully and now...
00:39:50Hey, Barfi, this was all your idea.
00:39:52Why doesn't Miss Roma...
00:39:54Oh, I beg your pardon.
00:39:55Mrs. McGinty, get a Soviet passport.
00:39:58Oh, that's a long story.
00:40:01With a passport issued by the Chinese office to...
00:40:05Of course.
00:40:06Then it's all settled.
00:40:08But how?
00:40:10Don't ask so many questions, Johnny.
00:40:13Where can I get you later?
00:40:14Well, I've still got the hotel room.
00:40:16Good.
00:40:17Take Irene back there and wait for me.
00:40:18I'll be alone shortly.
00:40:19Do me a favor, please, and wait until I return with the passport.
00:40:22It won't be long, I promise you that.
00:40:29You know, that guy's the number one mystery man to me.
00:40:32Well, we might as well be getting along to the bridal suite.
00:40:35Huh, Mrs. McGinty?
00:40:37Come and take me.
00:40:47Here. Let me eat.
00:40:51Thanks.
00:40:53Johnny, you don't know how sorry I am that I got you into all this.
00:40:57Now, Mrs. McGinty, you mustn't talk like that.
00:40:59Have you forgotten we're married?
00:41:01You know, your troubles are my troubles and vice versa.
00:41:03Although I will admit, so far it's been mostly vice versa.
00:41:07You're sweet, Johnny, but our marriage didn't help at all.
00:41:11It only put your life into more danger.
00:41:13Oh, regrets already, huh? And only married an hour.
00:41:16Think of the scandal. What'll the neighbors say?
00:41:18Mr. Barclay was right. You are incorrigible.
00:41:21That's a $4 word.
00:41:23You will take this to the honorable Mr. and Mrs. John McGinty at the Café Hotel, immediately.
00:41:43Hey, where's your guard up?
00:42:00I'm going, I'm going.
00:42:01Get away.
00:42:02Get away.
00:42:03Get away.
00:42:06Very beautiful.
00:42:31It will serve our purpose admirably.
00:42:33You will have the bottom open and an explosive inserted so that when the incense is burned
00:42:39in here it will make contact with the explosive.
00:42:44Make certain that Mrs. McGinty gets it.
00:42:48See that this is delivered with it.
00:42:53I hope nothing has happened to him.
00:42:54To Barclay?
00:42:55No, he's got as many lives as a cat.
00:42:58You know it isn't fair.
00:42:59A fellow like that lives to a ripe old age while a cautious timid soul like Johnny McGinty
00:43:02meets with an early catastrophe.
00:43:04Well, it's the law of nature or something.
00:43:07I'd hate to be a widow so soon.
00:43:08Sweetheart, you couldn't hate the thought as much as I do.
00:43:11That's Mr. Barclay.
00:43:13Maybe.
00:43:14Yes?
00:43:15Can you give to Mrs. McGinty, please?
00:43:20Sure, thanks.
00:43:21Hey!
00:43:22How did you know there was a Mrs. McGinty?
00:43:24Told to bring here.
00:43:25Can you give to Mrs. McGinty, please?
00:43:28Thank you all.
00:43:37But how does anyone know we're married?
00:43:39Unless there was a Chinese Waller Winchell at the keyhole, I don't know.
00:43:42And I'm not going to try to figure it out.
00:43:43Open it.
00:43:57You know, it's a very good thing.
00:43:58I'm not going to try to sell it.
00:43:59Luc.
00:44:00Do you know what I mean?
00:44:02If I could have a wedding, then you'll get a wedding, then you'll get it.
00:44:04And I'll get it.
00:44:05Well, the old son of a gun.
00:44:06He's a friend of mine.
00:44:07I met him through Barclay.
00:44:08But how he found out we were married is beyond me.
00:44:11Isn't it beautiful?
00:44:12Yeah, it's all right.
00:44:14You know, that's our first wedding present.
00:44:16I'll have to send him a note of thanks.
00:44:18What is it?
00:44:19Why, it's an incense burner.
00:44:22Oh.
00:44:23Oh, did you get it?
00:44:24Oh, did you get it?
00:44:26Why, of course.
00:44:27Didn't think I let you down, did you?
00:44:28Here's your passport, my dear.
00:44:30Signed, sealed, and delivered.
00:44:32Now you can leave with us tomorrow.
00:44:35I don't know how I'll ever thank you.
00:44:37Here, right before your husband's eyes?
00:44:39Oh, that's all right.
00:44:40Besides, you deserve it.
00:44:42If I wasn't so self-conscious, I'd kiss you myself.
00:44:44Say, that's a delightful thing.
00:44:45Where did you get it?
00:44:46Lonsat Lee sent it to her, our first wedding present.
00:44:48But don't ask me how I knew we were married.
00:44:50Oh, I told him.
00:44:51You see, we're going to spend a night at his place.
00:44:53Sort of disappear until we get aboard an Itchamaru.
00:45:09I promise.
00:45:11We'll be over the city in a minute.
00:45:20Excuse me.
00:45:21What are you going to do?
00:45:22What do you think I'm going to do?
00:45:23I'm going to take some pictures.
00:45:26What's the matter with this thing?
00:45:29We're getting a little matter of an amulet.
00:45:31Here.
00:45:32Help me get it out.
00:45:33We'll change.
00:45:34Then come out.
00:45:36Here we go.
00:45:45We better find a new hiding place with this.
00:45:46Your excitable husband is less likely to forget himself
00:45:48at a most inopportune time.
00:45:49Well, where else could we hide it?
00:45:50Let's see.
00:45:52I know.
00:45:53The Mandarin.
00:45:54The little place where the incense goes.
00:45:56That's a good idea.
00:45:58Put the amulet inside and wax up the open.
00:46:01Yeah.
00:46:22Oh, boy, that was a pit.
00:46:25Hey, hold that curtain for me, will you?
00:46:49If I don't get a bonus for this, I'm going to quit.
00:46:51How are you making out?
00:46:53I'll be through in a moment.
00:47:14Get enough photographs?
00:47:16Well, I never get enough, but these will hold me for a while.
00:47:18Say, that looks pretty good.
00:47:20You must have had experience with that sort of thing before.
00:47:22Well, come on now, let's all get out of here.
00:47:24I've got a car waiting downstairs.
00:47:26Let's go.
00:47:27Let's go upstairs.
00:47:32You're witnessing a preview of what the next war will be like, Johnny.
00:47:34I hate to think of it.
00:47:35You got a gun, Johnny?
00:47:36You got a gun, Johnny?
00:47:37You got a gun, Johnny?
00:47:38No, you're getting trouble carrying guns.
00:47:40Neutrals aren't supposed to go on.
00:47:41Neutrals aren't supposed to go on.
00:47:42You got a gun, Johnny?
00:47:43Neutrals aren't supposed to go on.
00:47:44If they catch it...
00:47:45Right, if they catch it.
00:47:46Sometimes they're more comfortable than a hot water bottle.
00:47:48Well, I'd hate to put one on my stomach for a pain.
00:47:50No, you're getting trouble carrying guns.
00:47:51Neutrals aren't supposed to go on.
00:47:52If they catch it...
00:47:53Right, if they catch it.
00:47:54Sometimes they're more comfortable than a hot water bottle.
00:47:55Well, I'd hate to put one on my stomach for a pain.
00:47:57You're not a gun.
00:47:58You're not a gun.
00:47:59You're not a gun.
00:48:00You're not a gun.
00:48:01No, you're getting trouble carrying guns.
00:48:02Neutrals aren't supposed to go on.
00:48:03If they catch it...
00:48:04Right, if they catch it.
00:48:05Sometimes they're more comfortable than a hot water bottle.
00:48:06Well, I'd hate to put one on my stomach for a pain.
00:48:31If they catch it...
00:48:34Have we much farther to go?
00:48:35No, we'll be there in a few minutes, Irene.
00:48:37Well, I hope we win about playmates.
00:48:39So say we all.
00:48:49Good work, Frank.
00:48:50Keep your eyes open now and be sure to sound an alarm if you see anyone.
00:49:02Well, we've made it.
00:49:04Good evening.
00:49:05Hello, Lee.
00:49:06I'm glad you arrived safely.
00:49:07Mrs. McGinney, this honorable and venerable gentleman is Lumsat Lee,
00:49:10the man who sent you a wedding present.
00:49:11A meager token of my friendship for your husband.
00:49:14Very lovely.
00:49:15And very handy, too, believe me.
00:49:17Handy?
00:49:18Skip it.
00:49:19Please come in.
00:49:25Make yourselves comfortable.
00:49:30Is the boat ready, Lee?
00:49:31It is ready.
00:49:32A man sits in it now, waiting.
00:49:34You see, we're right over the river.
00:49:36In fact, it flows beneath this house.
00:49:38There's a 22-foot power launch below this room, all ready to go.
00:49:41That's just in case something unforeseen happens.
00:49:44I suppose you had the foresight to play on all this.
00:49:46With the capable assistance of our good friend, Lumsat Lee.
00:49:53Mr. Barclay.
00:49:54He is here with many men.
00:49:56Follow me, please.
00:50:01I have to be a prince.
00:50:02Well, come here.
00:50:03Let's go.
00:50:04Well, let's go.
00:50:06Perfect.
00:50:07Mr. Barclay.
00:50:08Well, let's get out of here.
00:50:09Well, I can't leave a mountain.
00:50:11Come on, Mr. Barclay.
00:50:12Come on.
00:50:13Come on.
00:50:14Get out of here.
00:50:31Come on.
00:50:44Look out!
00:50:51He almost got us that time.
00:50:53Yes, that was a close call, Johnny.
00:50:54Thank you very much, Irene.
00:50:55Where are we?
00:50:56The Waimble River.
00:50:57What do we do now?
00:50:59The battleship is opening up.
00:51:04We can't lie out here all night with the shell gone places.
00:51:07This is something I didn't take into account.
00:51:14The battle ships are opening up.
00:51:15We can't lie out here all night with the shells gone places.
00:51:18This is something I didn't take into account.
00:51:20What are you doing?
00:51:29Let's go.
00:51:30Let's go.
00:51:31Let's go.
00:51:32Let's go.
00:51:33Let's go.
00:51:34Let's go.
00:51:35Let's go.
00:51:36Let's go.
00:51:37Let's go.
00:51:38Let's go.
00:51:39Let's go.
00:51:40Let's go.
00:51:41We are in luck.
00:51:42Do you suppose we can board her now?
00:51:43We can try.
00:51:44We haven't anything to lose, especially if one of those battleship spots us.
00:51:47You're right, Johnny.
00:51:48They went to risk a night for me to attack from a small launch.
00:51:50And this looks pretty much like one of those suicide boats.
00:51:53Well, our best bet is to try and board her now.
00:51:59Keep your fingers crossed, Mrs. McGinney.
00:52:01They're liable to shoot first and identify us afterwards.
00:52:06Wait a minute.
00:52:07Hold your fire.
00:52:08American passengers trying to come aboard.
00:52:10They are lowering the ladder.
00:52:13Head to that ladder, will you, old man?
00:52:15Yes.
00:52:16Yes.
00:52:17Yes.
00:52:18Yes.
00:52:19Yes.
00:52:20Yes.
00:52:21Yes.
00:52:22Yes.
00:52:23Yes.
00:52:24Yes.
00:52:25Yes.
00:52:26Yes.
00:52:27Yes.
00:52:28Yes.
00:52:29Yes.
00:52:30Yes.
00:52:31Yes.
00:52:32Yes, you cannot see it right.
00:52:33It seems like these battles are over.
00:52:35Mrs. McGinney, you have nothing more to fear.
00:52:37Historically, you do not know him.
00:52:59Do you have your credentials?
00:53:01Oh, yes.
00:53:02I have a carte blanche from the embassy.
00:53:05Very good.
00:53:09And the address?
00:53:11I think you'll find our passport and puppy daughter, sir.
00:53:13She's my wife.
00:53:17Yes.
00:53:19The three are all right.
00:53:21But then we can stay on board now?
00:53:23Most of the time.
00:53:25Yes.
00:53:27Most unusual.
00:53:29We did not expect passengers until tomorrow.
00:53:31But it is all right.
00:53:39Follow me, please.
00:53:41This room is for Mr. and Mrs. McGindy.
00:53:47And this is for Mr. Farley.
00:53:50Good night.
00:53:51Good night.
00:53:53Good night.
00:53:54Oh, I'm glad that's over for a while.
00:53:55I thought we'd never get on this boat.
00:53:56I think we can all relax now.
00:53:57In fact, that's just what I intend to do.
00:53:59I'll see you after I get cleaned up.
00:54:01Hey, hey, wait a minute.
00:54:02How about Irene and me?
00:54:03After all this marriage was just...
00:54:05Oh, a marriage in name only, wasn't it?
00:54:07Completely slipped my mind.
00:54:08Well, come on in.
00:54:09We'll straighten it out somehow.
00:54:10Well, let's see now.
00:54:12Let's see now.
00:54:13Here, if that's all right.
00:54:14Johnny, I'll take this room and you keep the other seat.
00:54:16Okay.
00:54:17Come on in.
00:54:18Well, now we'll clean it.
00:54:19Come on in.
00:54:20Well, let's see now.
00:54:22Yeah, that's all right.
00:54:23Johnny and I will take this room
00:54:25and you keep the other seat.
00:54:26Come on in.
00:54:27What, he'll be quiet?
00:54:28Come on in.
00:54:29Now you let's get on the seat for me.
00:54:30You come on the seat.
00:54:31Now you're gonna be quiet.
00:54:32You're away.
00:54:33And you're gonna be quiet.
00:54:34Who can't be quiet?
00:54:35Johnny and I will take this stateroom and you keep the other for yourself, Irene.
00:54:38Oh, now that's settled. Everything's fixed.
00:54:41Do you mind if I clean up a bit? I'll only be a moment.
00:54:44No, go ahead. We're not going anyplace.
00:54:50Another bombardment.
00:54:53Don't they ever get tired.
00:55:05Well, we'll be out of this mess tomorrow.
00:55:19Yes. Tomorrow we'll be on our way to America.
00:55:23America. Now, there's a country for you. No bombardments over there.
00:55:26The only bombardments, you see, are the pop bottles around an umpire at a baseball game.
00:55:30I've never been to a baseball game.
00:55:32Well, you don't know what you've missed.
00:55:33But don't you worry, Mrs. McGinney. I'll see that you don't miss anything when we get there.
00:55:37Probably be too busy to see me.
00:55:38Too busy?
00:55:40Do you think I'm crazy?
00:55:41Do you think you're going to lose me just...
00:55:42Come on, Mrs. McGinney.
00:55:44I'll be escorting you to your stateroom.
00:55:46You can come in at the darndest times.
00:55:48Oh, I'm sorry, old man. I didn't realize I was intruding upon a private tater tate.
00:55:52I'll go back if you wish.
00:55:53No, it's too late now.
00:55:55Come along then, Irene.
00:55:57You must be dreadfully tired.
00:55:58As a matter of fact, I didn't even think of being tired.
00:56:01Hey!
00:56:02Uh, let's celebrate a little.
00:56:04Let's have a couple of drinks.
00:56:06Uh, to, uh...
00:56:07Well, to the mandarin.
00:56:09Grandpa came in handy.
00:56:11Heaven knows I'm not the one to put a damper on any celebration.
00:56:14Come on.
00:56:17I'll have the steward drink some scotch and soda.
00:56:19I'll celebrate with rye, do you mind?
00:56:20Not at all.
00:56:23I'd rather have a good drink of rye than a drink of scotch any day.
00:56:26Boy, when that hits you, that really does something.
00:56:29Good evening.
00:56:30Yokohama.
00:56:32So nice meeting you again, Mr. Barclay.
00:56:35I noticed you disregarded my warning concerning Miss Fromer.
00:56:38Well, uh...
00:56:39You see, we had a date to get married, and I couldn't very well leave her waiting at the altar.
00:56:43What do you want?
00:56:44The amulet.
00:56:46You will save yourselves the most unpleasant scene if you give it to me at once.
00:56:50I'm afraid, old man, you'll have to take it from us forcibly.
00:56:52That is, of course, if you can find it.
00:56:55Now, wait a minute. Don't be silly about this thing.
00:56:57He's got us dead to rights. Why not give him the thing and save a lot of trouble?
00:57:01Johnny.
00:57:02Look here. Have you gone crazy?
00:57:04Oh, why be saps? He holds all the cards. Let him pick up the chips.
00:57:07Besides, I'm getting sick of dodging bullets all the time.
00:57:11Mr. McGinty is right. How did you say it?
00:57:14Yes. I hold all the cards.
00:57:16Where is it, please?
00:57:18Right here.
00:57:20You will hand the camera to me, please.
00:57:23From where you are.
00:57:24All right. I don't want it.
00:57:27Nice work, Johnny. Now, Mr. Yokohama.
00:57:30The cards are in my hands, don't you think?
00:57:36Permit me to compliment you, Mr. McGinty, and admirable Bruce.
00:57:41Well, it's funny how handy a camera can be sometimes.
00:57:43You have made a dreadful mistake.
00:57:46You should have handed me the amulet as I requested it,
00:57:48but it saved the young lady's life.
00:57:50Now, I have no alternative.
00:57:53What's he talking about?
00:57:55My dear fellow, it appears your life is the one that needs saving at the moment.
00:58:00No doubt you have hidden the amulet someplace else.
00:58:03In the package, perhaps.
00:58:06You've always been such a good guesser, Mr. Yokohama.
00:58:09Well, you needn't worry about it. You'll never get that amulet.
00:58:11Put up your hands, Mr. Bakwe.
00:58:21I want the amulet.
00:58:23For yourself, or the Soviet Embassy.
00:58:28Diplomatic courtesy prevents my putting a bullet through your head, Mr. Yokohama.
00:58:32But diplomatic courtesy does not prevent my telling you to mind your own business.
00:58:37This is my business.
00:58:39Enough of this.
00:58:40Either I get the amulet or all of you...
00:58:42There is no necessity for threats.
00:58:43You want the amulet? I want my life.
00:58:46I care nothing for these others.
00:58:48You know where it is.
00:58:49You know where it is.
00:58:57In this package.
00:58:58Open it.
00:58:59Open it.
00:59:20You do not know how it is hidden.
00:59:22How stupid.
00:59:23Drop it in the hollow with the figure and wax poured in.
00:59:26A match will melt the wax and drop the amulet down.
00:59:29If you are lying...
00:59:31See for yourself.
00:59:36Stand back.
00:59:38In that room, all of you.
00:59:39You two.
00:59:49Did you expect me to leave without first verifying the hiding place?
00:59:53I did not think you would.
01:00:09You must have had a good reason for disclosing that hiding place, Mr. Yokohama.
01:00:33I did?
01:00:39You better not go in there.
01:00:44I understand now why you revealed the hiding place.
01:00:47I intercepted the gift from Lun Sat Lee.
01:00:50I regret the necessity of being forced to such extremes.
01:00:53But I had to take precautions in case the young lady should escape with the amulet.
01:00:57You will be coming ashore with me now, no doubt.
01:01:00Going ashore? I thought you were sailing with us.
01:01:03You did not know.
01:01:04Know what?
01:01:05Mr. Barkley happens to be a first class Chinese military agent.
01:01:07Empowered at the moment to buy ammunition with the funds that amulet wants to release.
01:01:11He's more or less right, Johnny. I'm sorry I couldn't have told you before.
01:01:14Do not feel too badly. The trip would have proved useless.
01:01:17Permit me.
01:01:37I had hoped to get to the States before that would happen.
01:01:40I received it but a moment before coming here. Most unfortunate for you.
01:01:50I suppose you'll be going ashore too.
01:01:53I guess so.
01:01:54No, Irene. You stay with Johnny.
01:01:57There's nothing for you in China but trouble.
01:01:59Don't worry. I'll talk to your brother and Hoi Lung.
01:02:03Well, I'll be seeing you both up on deck before I go.
01:02:10You know, I...
01:02:12There's a fellow who knows what he's talking about.
01:02:14My brother almost killed.
01:02:17Our lives endangered and all for the sake of an amulet, which exists no more.
01:02:21Well, that amulet did some good.
01:02:23If it hadn't been for that, I never would have met you.
01:02:26Sorry if I always seem to be barging in at the wrong moment, Johnny,
01:02:29but this is the last time I promise you that.
01:02:31Oh, that's all right.
01:02:32You're going?
01:02:33Yes, the launch is ready.
01:02:35So long, Johnny.
01:02:37Goodbye and better luck next time.
01:02:39Goodbye, my dear.
01:02:40Take good care of her, Johnny.
01:02:42Goodbye and good luck.
01:02:43The amulet.
01:02:45Yeah.
01:02:46What?
01:02:48Well, the old son of a gun.
01:02:49Hey, Barclay.
01:02:51I thought it was blown up.
01:02:52I thought it was in the mandarin.
01:02:53That's what I wanted you to think.
01:02:55When I started to place it in, I noticed the mandarin had been tampered with.
01:02:56I made it.
01:02:58I made it.
01:02:59I made it.
01:03:01No, no, no, no.
01:03:03and I made it.
01:03:04No, no, no.
01:03:05I made it.
01:03:06No, no, no.
01:03:07Okay, John.
01:03:08Well, I made it.
01:03:09So I decided to take no chances.
01:03:11Well, I'm doggone.
01:03:12Well, if we have the amulet, why don't you go with us?
01:03:15That cablegram changed everything, my dear.
01:03:17So let's hope the Chinese will find a better use with their money.
01:03:20Very clever, you know.
01:03:22At any rate, we eliminated Mr. Sargoza.
01:03:25So perhaps it was worthwhile after all.
01:03:27Won't you change your mind and go with us?
01:03:29Believe me, Johnny, there's nothing in the world I'd love more.
01:03:32It's been a long time since I've seen the Statue of Liberty.
01:03:35In fact, it's been a long time since I've seen the Statue of Liberty.
01:03:38It's been a long time since I've seen Liberty of any kind.
01:03:42I know just how you feel.
01:03:44I wonder.
01:03:46I'd like the prodigal son who counted the minutes until he could return home.
01:03:49Only to have the clock suddenly stopped.
01:03:53Give my regards to the Golden Gate and all the rest of the Americana.
01:04:03Well, next stop, America.
01:04:05Land of the Fan Dancers, Mickey Mouse and Flatfoot Floozy with the Floy Floy.
01:04:08Oh, heaven bless it.
01:04:11Land of...
01:04:12My destiny.
01:04:13Whose destiny?
01:04:14I wouldn't take advantage of your gallant gesture in marrying me, Johnny.
01:04:17Oh, now, wait a minute.
01:04:18Our marriage might have been a gallant gesture, but there's nothing in the book says we can't make it to McCoy.
01:04:22McCoy.
01:04:24Now, whose destiny is it?
01:04:26Mrs. McGinty.
01:04:27That's better.
01:04:33Why, Johnny, you're rubbing it off.
01:04:35Oh, no I'm not.
01:04:36I'm rubbing it in.
01:04:37Oh, no I'm not.
01:04:38I'm rubbing it in.
01:05:06Oh, my word.
01:05:07No, my word.
01:05:09Oh, no I'm Wells.
01:05:10Oh, no I'm gab
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