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Shadow Chase – A Mission of Vengeance
When a ruthless enemy resurfaces, a determined detective steps into the shadows once more to finish what was left undone. Shadow Chase is a gripping tale of justice, revenge, and high-stakes pursuit across a web of deception.
Packed with suspense, mystery, and vintage style, this classic film delivers a thrilling story that keeps you guessing until the very end. Perfect for fans of noir detectives and timeless spy adventures.
Film Info:
🎞️ Genre: Mystery, Crime, Action
🕵️♂️ Theme: Revenge, Detective, Pursuit
🎥 Style: Classic Black-and-White Thriller
When a ruthless enemy resurfaces, a determined detective steps into the shadows once more to finish what was left undone. Shadow Chase is a gripping tale of justice, revenge, and high-stakes pursuit across a web of deception.
Packed with suspense, mystery, and vintage style, this classic film delivers a thrilling story that keeps you guessing until the very end. Perfect for fans of noir detectives and timeless spy adventures.
Film Info:
🎞️ Genre: Mystery, Crime, Action
🕵️♂️ Theme: Revenge, Detective, Pursuit
🎥 Style: Classic Black-and-White Thriller
Category
🎥
Short filmTranscript
00:00The End
01:00I don't see it.
01:07I do, sir.
01:08Where?
01:08On that ledge, sir, resting on a bit of the tribune.
01:11Our most practical paper, Tenny.
01:13I'd rather like it, sir.
01:14Remind me to renew my subscription.
01:15That won't be necessary, sir.
01:17And why not?
01:18Because a check for your subscription is already in the post, sir.
01:22Ah, Tenny, you think of everything, don't you?
01:23I, uh, try to, sir.
01:26Then think of some way to rescue my package.
01:28There, sir, as they say in the books, you have me, sir.
01:34Is one of my American cousins in the crowd?
01:36What's your name?
01:37Drummond, Captain Hugh C. Drummond.
01:39I ain't got no cousins by that name, but I'm an American, all right?
01:41Ah, fine.
01:42Then may I borrow a piece of your chewing gum?
01:44Sure.
01:46Don't mention it.
01:47Are you all right, sir?
01:52Quite all right, Tenny.
01:54Now, sir, may I borrow your stick?
02:04An excellent idea, sir.
02:06Colossal, Tenny.
02:07One night almost says stupendous, sir.
02:09Now, thank you, sir.
02:23You have a good idea.
02:24My friend, I'm going to become a chewing gum fiend.
02:27Keeps the teeth nice and white.
02:29See?
02:29How interesting.
02:30Here.
02:31The old mention.
02:34Here you are, Tenny.
02:35Thank you, sir.
02:38Not bad, eh?
02:39I rather like it so.
02:41Say, mister, what's in that package?
02:45Wedding rings.
02:50Now that we have them, Tenny, suppose we make a final check.
02:52Very well, sir.
02:53To begin with, I have the rings.
02:54No, sir, I have the rings, sir.
02:56Ah, you have the rings.
02:57In my pockets.
02:58Marriage papers?
02:58In your pockets, sir.
03:00Authorization for your wedding in Switzerland.
03:02Railway tickets?
03:04Car 7, London to Paris Express, leaving Victoria Station tonight.
03:09Flowers?
03:10Orchids, sir.
03:10To be placed in Miss Philly's compartment at 9.50 p.m.
03:14Hotel accommodations.
03:15Paris tomorrow morning at 9.50, sir.
03:18Two suites.
03:20The following day in Geneva, one suite.
03:25Ah, Tenny getting married is great fun, isn't it?
03:27In Switzerland, sir?
03:28Anywhere, Tenny, anywhere.
03:29It's a popular belief, sir.
03:32Tenny, you're a pessimist.
03:33I've been very happy, sir.
03:40Captain Drummond.
03:41Yes, Tenny.
03:42When one is through with it, what does one do with it?
03:46I see.
03:47When one is done with it, what does one do with it?
03:49Oh, it's not a riddle.
03:50No, then what is it?
03:51It's an academic inquiry, sir, as to how one disposes of one's chewing gum.
03:55Ah, I see.
03:56Yeah, that does require force.
03:58Yes.
04:02Don't trouble, sir.
04:04And why not?
04:04I've swallowed it, sir.
04:09Well, Tenny, that's one way.
04:11Well, hardly the right way, do you think, sir?
04:12Time will tell.
04:13Well, speaking of times...
04:15It's at 4.30 I'm to call for Colonel Nielsen at Scotland Yard.
04:27Good afternoon, Captain Drummond.
04:28I'm time better done.
04:29Colonel Nielsen will be delayed a few moments.
04:31I'll wait.
04:32And there's clamoring telephone from Rockingham Lodge.
04:33Shall I get her for you?
04:34Yes, will you please?
04:35You may use the phone in there.
04:39Rockingham Lodge, please.
04:42Hello?
04:44Oh, hello, dear.
04:45I've got the rings.
04:46Don't lose them.
04:47Now, in the first place, you called me...
04:49To tell you that Gwen...
04:51Asked you to tell me...
04:52That as he would meet you at Colonel Nielsen's office and you could all come out...
04:55Together.
04:56All right, darling, see you soon.
05:02Colonel Nielsen will see you in just a moment, sir.
05:05Sumi Okanda.
05:08Hugh Drummond.
05:09Well, seven years haven't changed you.
05:11No, you, my dear friend.
05:12And the English is more perfect than ever.
05:15Due largely to our most present scholastic association.
05:19Now, that's the talk of a diplomat.
05:20That is kind.
05:21Are you?
05:22Am I?
05:23A diplomat.
05:25I see you have not forgotten.
05:26What?
05:28To ask questions.
05:30Goodbye, Colonel.
05:31Not at all, sir.
05:32I got to the foreign office immediately.
05:33Very good, sir.
05:34Mr. Kanda, Colonel Nielsen.
05:35How do you do, sir?
05:37Just a few minutes.
05:37Do you step in, Mr. Kanda?
05:39You'll forgive me?
05:40Of course.
05:41Go ahead.
05:41Go ahead.
05:41I trust my visit will not upset your friends.
05:51Well, plans are made to be upset, aren't they?
05:53That is so.
05:54That is why I am here.
05:56To try and upset some friends.
05:57Sit down.
06:01Do you know who and what I am?
06:04Of course.
06:05We understand each other then.
06:07Between us, representing in a separate way the interest of two friendly nations.
06:14There need to be no evasion.
06:15That is so?
06:16Quite.
06:17Then I'll tell you something of great importance.
06:20Concerning?
06:21Sir John Huckston.
06:22How do you know?
06:24How I know is not of importance.
06:27Sir John Huckston has invented a super explosive.
06:31An ultra powerful combination of destructive elements for use in airplane bombs.
06:38He's leaving today for France to confer with munition chemist of your great ally.
06:44That is so?
06:45Go on.
06:46An attempt will be made to steal the portion of experimental supply he's taking with him.
06:51How do you know this?
06:53Please.
06:54A single airplane carrying a hundred small bombs loaded with this devastating force could destroy
07:02any capital in the world.
07:03Has it ever occurred to you, my dear Mr. Kanda, espionage might be a rather dangerous pastime?
07:09Now is not time for accusation or recriminations.
07:12My country and your country too are in great danger if Sir John's discovery falls into unfriendly
07:21hunt.
07:21Suppose I were to tell you there's no such thing as this explosive.
07:24We agreed not to wait.
07:26Please, I'm a friend.
07:28I wish to cooperate.
07:29You told me everything?
07:30All that I know.
07:32I'll see Sir John at once.
07:33Yes, of course.
07:34That will be proper.
07:35Goodbye.
07:39Yes, Colonel?
07:40Get Sir John Huckston on the wire at once.
07:42Very well, sir.
07:43That's Captain Drummond is waiting.
07:45I will send him in.
07:49You ready, Colonel?
07:50I'm sorry, Hugh.
07:51I'm afraid you'll have to run along without me.
07:53You mean you're not coming to the station with us?
07:54I didn't say that.
07:55I said you'll have to run along without me.
07:57Then you will be there.
07:58Later, yes.
07:59Later.
08:01What's happened?
08:02Happened?
08:03Before some of your conduct came in here, you looked quite human.
08:06Implying that now I don't?
08:07Definitely.
08:08My dear Hugh, this is Scotland Yard.
08:10Things do happen here.
08:12Things that also happen to be none of your business.
08:15Now, then, Sumiokonda's visit was important.
08:17Yes, his visit was important.
08:18Just like 50 others today were important.
08:22Now, will you please run along and quit prying into things that don't concern you?
08:28Yes?
08:29I have Sir John Huckston's home for you, sir.
08:30Thanks.
08:33Hey.
08:34Hello?
08:36One moment, Police Colonel Nielsen.
08:37Sir John is in his laboratory.
08:39I'll connect you.
08:39What is it?
09:07Of course.
09:08Put him on.
09:08Oh, hello, Colonel.
09:12Well, I'm due at the airport in half an hour.
09:15I'm afraid you'll have to delay it, sir.
09:17I'll explain when I get there.
09:18Yeah, but it is important.
09:20Yes, yes, just as quickly as I can make it.
09:23About 20 minutes.
09:25Goodbye.
09:25Goodbye, sir.
09:26Colonel.
09:27It's none of your business.
09:28Trevor speaking.
09:30Have Smith and Jennings meet me at Sir John Huckston's right away, please.
09:34Right, sir.
09:34Colonel, if you...
09:37Why don't you think about getting married instead of tormenting me with your infernal questions?
09:41I only wanted to tell you that I'd be glad to drop you off at Sir John's.
09:44All right.
09:45But I warn you not to ask questions.
09:48I mean it.
09:48Of course you mean it.
09:51Right-o.
09:52I'll wait here.
09:54Why, sir?
09:55Oh, I'm sorry, Colonel.
09:57Why, I'm terribly sorry.
09:59Oh, Colonel, I'm...
10:03Dino!
10:04You're horribly sorry.
10:06Yes.
10:07Allow me.
10:11I phoned Gwyneth to tell her, to phone you, to tell her that I'm...
10:15Oh, come in, Colonel.
10:22Should I put the bags in the car, sir?
10:23You may as well.
10:24Oh, no, we'll take a special car from the yard.
10:26You heard?
10:27Yes, sir, Colonel.
10:28What's up?
10:32There's been a leak somewhere.
10:33Your plans are known.
10:35How could they be?
10:36How about your secretary?
10:37No-Gayes?
10:38He's been with me for years.
10:39Does he know what you're doing?
10:41Yes and no.
10:42To keep you happy, I destroyed all my notes.
10:45Remember?
10:46Is No-Gayes traveling with you?
10:47He's my navigator.
10:48We're flying in my ship.
10:49In an army plane, you mean.
10:51You'll be traveling on the escort from the moment you leave the house.
10:53We can't do that.
10:54Why not?
10:55I can't risk those army chaps' lives.
10:57You're risking your own, aren't you?
10:58It's my show.
11:00And this stuff's full of jokes.
11:02There's enough hexanide in this suitcase to blow Westminster Abbey into the North Sea.
11:08And, uh, want to leave?
11:10Loaded with this stuff and dropped from a plane, a hundred of those would wipe London off the map.
11:15Here, let me show you something.
11:15That's a single crystal of hexanide.
11:30That little speck.
11:32Hold it a second, will you?
11:41All right, I'll take it now.
11:43Come over here, then.
11:51Exhibit A.
11:52And in case you don't know it, this is a hammer.
11:55Exhibit B.
11:56You'll be serious, will you?
11:57I am quite serious.
11:58Now watch.
12:01You see?
12:02It didn't go off.
12:03That's the trouble with the stuff.
12:05It's treacherous.
12:06Sometimes it behaves itself.
12:08On the other hand, it's liable to go off for no reason at all.
12:10And lift a fellow into kingdom come.
12:16There you are.
12:17Suppose the explosive in that suitcase has decided to let go.
12:21More important still.
12:23Suppose that suitcase fell into unfriendly hands.
12:25That's why you're traveling under escort.
12:28Excuse me a moment.
12:33Yes?
12:35Well, have them wait.
12:37Two of your men are here.
12:38We'll go with you to the airport.
12:40I'm flying my ship.
12:42That's the way you want it.
12:43I'd rather.
12:47I'll take that one.
13:01All right, sir.
13:02That's a nice fellow for flying.
13:04Hello, Keely.
13:07That's all right.
13:08We'll be an escort waiting for the bullshit.
13:10If you insist.
13:11But I still think you're making much ado about nothing.
13:13We're taking no chances.
13:14Well, goodbye, Colonel.
13:15Not a while.
14:00Wire this immediately.
14:02To the authorities at Le Bourget.
14:04Hear it.
14:05Right, Colonel.
14:07If you want to reach me, I'll be at Captain Drummond's in about an hour.
14:10Right, Colonel.
14:10Lock in the log.
14:24Hugh?
14:25What up?
14:26Isn't this the wrong road?
14:28Shortcut.
14:31Hugh?
14:32Yes, Alty?
14:34Aren't we going a little fast?
14:36I want to get there.
14:37So do I.
14:40So do I.
15:10So do I.
16:40Tell the boss everything's going okay.
16:41Right.
16:45So what's that?
16:47What's that?
17:05I say, a mystery out here.
17:17That fellow's in a hurry.
17:41He put on all speed when he saw us.
17:47Come on, get that thing in here, quick.
18:06J.H.
18:10Haxton.
18:10Sir John Haxton, I'll bet.
18:12Huh?
18:12This afternoon in Colonel Nielsen's office.
18:14Listen.
18:15Captain Drummond.
18:16Captain Drummond!
18:17There's the car I saw.
18:47Get out of sight.
19:03You, do you see what I see in there?
19:07There's nothing we can do now, L.D.
19:10Captain Drummond.
19:12Ah, the ring on the finger.
19:25The end.
19:26Sir John's pilot, I suppose.
19:28Well, there's something queer about this.
19:29Why, Hugh?
19:30Hand cold.
19:31Well, that's to be expected, isn't it?
19:33Rigor mortis doesn't set in so soon.
19:35This is the hand of a man who's been dead at least four hours.
19:46Your hand, sir.
19:47Yes, we're here.
19:59Tammy.
20:00Yes, sir.
20:01Get me a spot of tea.
20:03Tea, sir?
20:04Yes.
20:05Captain Drummond.
20:06No, but you'd better have some.
20:07Yes, thank you, sir.
20:08Algy, this is a clue to something big.
20:12I wish we were in on it.
20:13I thought we were.
20:16Now, what's the matter with you?
20:17That thing gives me the creeps.
20:19Algy, brace up.
20:20I don't want Phyllis upset.
20:21You.
20:23Algy, Algy.
20:24What shall I tell Gwen?
20:26If you mention a word of what's happened, I'll ring your neck.
20:30Oh, Algy, Algy.
20:34Oh, so excited I could dance.
20:37Oh, I want to tell you before Phyllis does.
20:39Phyllis talked long distance to her Aunt Blanche at Geneva,
20:42and she's giving Phyllis her Swiss chateau for a wedding present.
20:45That's very interesting.
20:46Oh, you can't go upstairs.
20:47And you and Phyllis can't marry until a week after you get to Geneva,
20:50because Aunt Blanche slipped on a ski and broke her ankle.
20:53Oh, but then it's just ducky for us to leave with Geneva on Monday instead of Friday,
20:59and then I can have my dress fitted on Saturday.
21:01Isn't that fucking rad?
21:02What?
21:03What's the matter with you, Algy?
21:05Well, nothing, nothing.
21:07Just a little chill.
21:08Oh, you ought to be ashamed of yourself,
21:12you drumming, dragging Algy, Algy around in that horrid old car of yours.
21:15You come right over here and let me make you all nice and coffee once again.
21:21Stop.
21:22Stop.
21:23I'm sorry.
21:24Why don't you knock a lady down?
21:25That will come after we're married.
21:28Just a minute, young man.
21:29Where on earth have you been?
21:31Well, you see, the fog was pretty thick, darling.
21:35I thought you were bringing Colonel Nelson.
21:37Well, something came up the yard.
21:38He'll be right along.
21:40Well, let me see them.
21:41Them?
21:42The rings.
21:43Oh, yes, the rings, of course.
21:47Well, you haven't lost them.
21:48No, darling, no.
21:49Well, men always do.
21:50Oh, I haven't lost them because I remember perfectly well that I put them in my pocket zone.
21:54Oh, good work, Tenny.
21:55I rather like it so.
21:59And there you are, darling.
22:00You, it's beautiful.
22:04What, am I inexperienced?
22:05I did all right, huh?
22:07You still have time to back out, you know.
22:10What do you mean, back out?
22:11When we put these on and say, I do, it's the end of your adventuring.
22:15No more mysteries.
22:16No more dangers.
22:17Just home and fireside.
22:20Yes, but darling...
22:20You promised.
22:22Yes, I did, didn't I?
22:23But, well...
22:25Well, all right, darling.
22:26You have my word.
22:28The old life is over.
22:29Done with forever.
22:32There.
22:32Isn't that better?
22:33Oh, it's lovely.
22:40There's a hand.
22:41A hand?
22:42Ow!
22:43Ow!
22:44Help me!
22:45Help me!
22:46Help me!
22:47Where are you?
22:48It's all right, dear.
22:49Hey, get away!
22:51No, no, no, no, no, no.
22:51It's too old boy.
22:52Ow!
22:52Ow!
22:55Help me!
22:56Get it!
22:57Get it!
22:59I got it!
23:00I got it!
23:02Ow!
23:07I'm sorry, old boy.
23:10Ow!
23:10Gee!
23:12Darling, did I hurt you?
23:15No, sweetheart, it was nothing.
23:16Did he get away?
23:19Who?
23:20I don't know.
23:21The...
23:24Luke!
23:27Who?
23:28You!
23:29It's gone!
23:30What's gone?
23:31The suitcase.
23:32What suitcase?
23:32Well, a...
23:33tennis suitcase.
23:34Tennis suitcase?
23:35Yes, miss, my suitcase.
23:37But why should anyone steal a tennis suitcase?
23:39In the name of my sainted aunt.
23:40What's been going on here?
23:41I don't know.
23:41Something's happened.
23:43No.
23:44Q, what'll I do when...
23:46Take her upstairs out here.
23:47Right-o.
23:48Hang on, my pet.
23:49Now, you'd better go, too, dear.
23:51Just a moment, Hugh Drummond.
23:52Are you mixed up in something again?
23:54No, Phyllis, if you'll just give me...
23:55Just a sample of what our married life's going to be...
23:57No, no, darling, it isn't.
23:58I've made a promise and I'm going to keep it.
24:00I can.
24:01But I've simply got to talk to Colonel Neerson alone.
24:03Please.
24:05I give up.
24:07Hmm, smart girl.
24:08I did that a long time ago.
24:10Colonel.
24:11But what is it this time?
24:12Murder.
24:14There's a body, of course.
24:16About ten miles from here.
24:17In what remains of an aeroplane.
24:18Hugh, Sir Lewis told me to tell you...
24:21Later, Aussie, later.
24:22In an aeroplane, you say?
24:23Sir John Haxton's.
24:24It crashed?
24:25It not only crashed, Colonel, it exploded.
24:28It was an accident, Hugh.
24:30Yes, but Colonel...
24:31Sir John had a suitcase containing haxonite.
24:33A powerful explosive.
24:39Treacherous stuff.
24:40So much so, in fact, that the slightest job.
24:43The time would set it off.
24:45That's what exploded.
24:47It was in a suitcase?
24:49Hmm.
24:52What's the matter with you idiots?
24:54We had that suitcase here.
24:56Here?
24:56We were tossing it around like a football.
24:59Where is it now, man?
25:00Where is it now?
25:00It was stolen about a minute before you arrived.
25:02Mm-hmm.
25:09Hello?
25:10Hello?
25:10From the Scotland Yard, please.
25:13Clear the wire and get them.
25:15This is Colonel Nielsen speaking.
25:17I was rocking them large.
25:19Colonel.
25:20Huh?
25:20Whose initials are D.N.?
25:22Drobando Gay, Saxton's secretary.
25:24Was he with Sir John?
25:25Yes.
25:26Well, then he did it.
25:27Here, look at this.
25:28Look at this.
25:29Take it easy.
25:36You want this stuff to blow up?
25:38What time is it?
25:40Seven o'clock.
25:43I owe Drummond something for this.
25:46So to make it appear that he had been killed, too,
25:48Nogayes put his ring on this, wherever he got it,
25:50and then bailed out in a chute
25:51after he had dumped the Hexonite overboard.
25:53For once, I think you're right.
25:54Colonel.
25:55Huh?
25:55Nogayes had some on his cheek,
25:57which I gave him during our fight.
26:00Hello?
26:01Hello?
26:02Nielsen speaking.
26:04Put with you to Jennings.
26:05Right away, please.
26:06Elsie, Elsie!
26:07Is that a word, Elsie?
26:08Do you hear me?
26:08Oh.
26:09I'll put this in your local pocket.
26:11Oh.
26:11Hello, Jennings.
26:13Got out an order for the arrest of Drobando Gayes.
26:15Right away, please.
26:16Did you tell him?
26:17I forgot.
26:18Forgot what, Elsie?
26:20You, old boy.
26:21Well, Elsie, out with it.
26:24Phyllis told me to tell you that...
26:25Well, there you are, darling.
26:27Well, what's the matter?
26:28I, I've changed my mind.
26:31You've what?
26:32I've thrown it over and I...
26:34She's not going to marry you.
26:37That's what she told me to tell you.
26:39Now we can't go to Geneva.
26:44Darling, you're joking.
26:45I'm not.
26:46But why, Phyllis, why?
26:48It's been just one thing after another since the day we met.
26:50Oh, darling, that's all over.
26:52Oh, no, it isn't.
26:53Well, on the very night we leave to get married, the lights go out and there's a fight and suitcases disappear.
26:59Well, Phyllis, please.
27:01I want a home and not so much excitement.
27:03Now, sweetheart, if you saw me come up, Phyllis, I've got to go.
27:06See you in Geneva next week.
27:08What are you crying about?
27:10Her heart's broken, that's what.
27:11Oh, you, you, what'll I do?
27:22Tenny!
27:24Coming, sir!
27:31Gwen, my pet.
27:33Here, dear, drink this.
27:36There you are.
27:38That's fine.
27:38Thank you, Tenny.
27:39Phyllis, you didn't mean it, did you?
27:41Oh, I suppose not.
27:43But I warn you, if anything happens...
27:46Nothing will happen, dear.
27:47How could it?
27:48Oh, darling.
27:49You!
27:50Oh, later, Elsie, I'm busy.
27:53Tenny!
27:54Coming, sir.
27:55Well, hurry, hurry!
28:11And I think it's just imperfectly thrilling to be traveling on the train ferry all the way to Paris without getting off the train, don't you?
28:28When Elsie and I went to Paris, they didn't have a train ferry.
28:30Did they, Elsie, Elsie?
28:31And you know, we forgot all about having to get off the train, it's over, to get on the boat, and we went wild to sleep.
28:36Well, we simply had to tear into our clothes, and you know what?
28:40What?
28:40Oh, silly.
28:42Elsie's feet started hurting him, and it wasn't until the boat stopped and tell me that he found he had his right foot in his left shoe.
28:48That's funny, I mean, I ever saw.
28:54Porter.
28:55Yes, sir?
28:56These orchids and this luggage were to go to Miss Clevering's compartment, number one, forward.
29:01I'm sorry, sir.
29:02Please get it right, Mr. Stone.
29:03Right you are, sir.
29:04I'll tip you what do, Bob.
29:06Thank you, sir.
29:09I beg your pardon.
29:15Teddy.
29:16Yes, Mr. Longworth.
29:18Look.
29:19An alarm clock.
29:21Set for two o'clock in the morning.
29:23But why, sir?
29:24To wake him up.
29:25To wake Captain Drummond up, sir.
29:28But when they did it to me, I almost jumped out of my pajamas.
29:30It's a joke, don't you see?
29:35Not very clearly, sir.
29:36It's supposed to be funny.
29:38If you insist, sir.
29:41Excuse me, sir.
30:00Why, I beg your...
30:03I beg your pardon.
30:05May I pass, please?
30:07Yes, of course.
30:16I beg your pardon.
30:30Oh, and don't forget that little gown shop I told you about in Geneva.
30:46Oh, no, it is in Geneva. It's in Paris.
30:48I think.
30:49Oh, well, I don't remember exactly, but it's either one or the other.
30:51I know because I've been there.
30:55The train's ready to start.
30:56Oh, is it?
30:57Oh, well, goodbye, dear.
30:58And I know you're going to have a perfect, thrilling time.
31:01Goodbye, Gwen.
31:02Goodbye.
31:03Goodbye, Hugh.
31:04Goodbye, Gwen.
31:05Goodbye.
31:06Algie!
31:11Algie, where Algie?
31:13Oh!
31:14Oh, where Algie?
31:16Number seven, sir.
31:17Your compartment needs to be arranged.
31:28Why, I beg your pardon.
31:33Good evening.
31:34Oh.
31:35I'm an inspector.
31:37And I came in here to...
31:39To inspect.
31:40Good night.
31:41It started, hasn't it?
31:53Right you are, sir.
31:54Oh.
31:55Ticket, please.
31:56Ticket.
31:57If you please, sir.
31:58Oh, yes, yes.
31:59I haven't any.
32:00Then I'll have to sell you one, I'm afraid.
32:02Space?
32:03Compartment 11, this car.
32:04Straight through, sir, or to Dover only?
32:06I can phone Grenade Dover, can't I?
32:09Oh, yes, as you think, sir.
32:10Oh, all right.
32:15That horse-faced friend of Drummond's is on the train.
32:18Drummond is still in the compartment next to mine.
32:21Do you think they're on to us?
32:23Horse faces, you call them, is on to you.
32:25I call them snooping.
32:29Algie!
32:30Algie!
32:31You?
32:32It's on the train.
32:33It's on the train?
32:34Yes, what are we going to do?
32:35What about Algie?
32:36What's on the train?
32:37A suitcase.
32:38So, the suitcase is on the train.
32:39Well, how do you know?
32:40I saw him.
32:41Saw whom?
32:42The man with the scratches?
32:43I might have known it.
32:44Wait a moment, darling.
32:45If what Algie says is the truth, we're in danger.
32:46The whole train's in danger.
32:47Well, Ken Nielsen warned me.
32:48It's my own fault.
32:49Proceed, Watson.
32:50Well, I got on the train, but I didn't want to get on the train
32:52when the train was going, because Algie will stick to the man with the scratches.
32:55It's all right for you not to worry.
32:56They don't know you.
32:57You're safe, especially in that gillop you're wearing.
33:00But what about me?
33:01These scratches have got me pegged.
33:03Why, if they find out you weren't killed in Haxton's plane,
33:08Drummond will probably think I'm you.
33:10That is possible, isn't it?
33:12Sure puts me in a spot.
33:15Half a million almost more hands in this had to happen.
33:19You know, my friend, you have given me an idea.
33:24What?
33:26Did you hear something?
33:28I don't hear it.
33:37Hugh, this isn't your affair.
33:38Darling, it is my affair.
33:40I told you what Ken Nielsen said.
33:41There's more at stake than just our lives.
33:43Our lives aren't important.
33:44Naturally they are, but don't you understand?
33:46Somebody's got to see it through.
33:47Your mind's made up?
33:48Of course.
33:49All right, then.
33:50I'm in on it, too.
33:51I'll go to my compartment.
33:52You'll stay right here until we get to Dover.
33:53I'll do nothing with this.
33:54Right in this room.
34:23The world.
34:24You too.
34:25The world.
34:26The world.
34:27The world.
34:28The world.
34:33There.
34:34The world.
34:36Your gun, sir.
34:55You brought them along.
34:56Just in case, sir.
34:57An excellent idea, Tenney.
34:59I thought you might like it, sir.
35:00One for you, sir.
35:02But what about yourself?
35:03It's all there are, sir.
35:04There are to be more.
35:05Then you'd better stay here.
35:07Very good.
35:07Come on, Algie.
35:08Well, I don't see you again.
35:09Goodbye.
35:10It's been so nice knowing you.
35:11Relax, darling.
35:12Relax.
35:13Come on, Algie.
35:14We're going into conference with Mr. Draveno Gaius.
35:29He doesn't appear to be in.
35:30Lock the door, Algie.
35:43She resigned.
35:45The game was up, Algie.
35:46He couldn't take it.
35:47Be careful.
35:59There may be hexade in there.
36:02There may be hexade in there.
36:14Is that it?
36:15That's it, Algie.
36:16Well, what are you going to do?
36:18I want it over to the authorities of Dover, I hope.
36:19Algie, do you smell perfume?
36:39Yes.
36:40That's odd, don't you think?
36:41I've smelled worse.
36:41What do you mean for a man to use perfume?
36:43I wasn't you a chap.
36:44Algie.
36:45What?
36:46Perhaps this isn't suicide.
36:48Huh?
36:48You mean a woman?
36:50Why not?
36:55Did she use the perfume we smell in here?
36:57You mean the woman who found me in there?
36:59Who else did you think I meant?
37:00I don't know.
37:01And did she?
37:01I just told you.
37:03You just told me what?
37:04I don't know.
37:05You'll soon find out.
37:07How?
37:08By knocking politely on her door.
37:10Phyllis won't like it.
37:10But if somebody kills us, she still won't like it.
37:13You made a promise in case you forgot them.
37:16No, you're right, Algie.
37:17We'll hang on to this until we get to Dover.
37:19And then forget it, eh?
37:20Right.
37:35What's the matter?
37:39I'm jumpy.
37:40Relax, Tom.
37:41Relax.
37:42If...
37:42Well, if someone did kill Noguese and they find out that you have that bag...
37:46Nothing's going to happen.
37:48I hope you're right.
37:49But I think the chances are against it.
37:52But oh!
37:54Well, Algie?
37:55The conductor says that is the telephone on the ferry.
37:57I'll phone Gwen the minute we get to Dover.
37:59Algie.
38:00What, what?
38:00You were going through the train to see if you could find a woman who had the compartment next to Noguese.
38:04And if you did find her, to see if she used the perfume we smelled in his compartment, remember?
38:10I do, now.
38:12I give up.
38:14I wish you'd make up your mind.
38:15One minute you're through and the next you're...
38:17Well, you're trying to make some innocent woman a criminal.
38:19We don't know that she isn't.
38:20We don't know that she is.
38:21Ah, but she could be.
38:23So could I, if I pick on her.
38:25Isn't it strange they have adjoining compartments?
38:27Oh, I suppose so.
38:28I don't know.
38:31Come in.
38:32In here, sir.
38:34I haven't finished any.
38:37All right, darling, I'll give you a...
38:39Well, I think I'll be...
38:41Hold on, careful, hey!
38:45Excuse me, sir.
38:52I'd give a hundred pounds to know if she is the one.
38:56I've simply got to find out.
38:57You, Drummond, if you leave here, I'll take the next train back to London.
39:00Oh, I'm so nervous from looking at that bag, I can scream.
39:04Please, sweetheart.
39:05But you promised.
39:08Oh, you're right, sweetheart.
39:08I'm a dog.
39:09A mean, contemptible dog.
39:11You're not.
39:12Oh, yes, I am.
39:13But darling, I should know.
39:14I won't have you talk like that.
39:15There, there, sweetheart.
39:16This time I will forget it.
39:18We'll let the authorities handle it when we get to Dover, huh?
39:20Over there, Carol Nielsen.
39:44Rain-cutting, hurry!
39:45Rain-cutting, hurry!
40:15It's Mike's funeral.
40:32Yes, I know, we're here.
40:34Huh?
40:34More than I ever expected.
40:36Well, goodbye, Phyllis, goodbye to you.
40:37I've got to make a dash for the telephone.
40:38Oh, don't make a dash for the asylum with Phyllis.
40:40It's you.
40:40I've got to let Gren know that, well, that I'm all right.
40:43No, old fellow, but until the police get here and we wind this thing up, you've got to take care of Phyllis.
40:47You ready, darling?
40:48I'm beginning to live again now that we're really here.
40:50That's the spirit.
40:54I beg your pardon, fellow.
40:55Tenny, you stay here and keep your eye on that bag until we get back.
40:58Alone, sir?
40:59Alone. Come on, darling.
41:02Well, don't you think I'll want Elsie to all of them?
41:10You've got to think back to that.
41:11Stay away, somebody else.
41:13Stay away, Elsie.
41:23When can I phone Gwen?
41:24Later, Elsie. Later.
41:25Oh, I can't lose you, can I?
41:41I want to see you. No, Gaius is on the train.
41:56You're certain?
41:57As certain as I am of the fact that someone killed him.
41:59What? Some woman's my guess.
42:01Assuming you'll come to know all of this.
42:02Is he on the train?
42:03Supposed to be.
42:04515, car 9.
42:06I haven't seen him.
42:07Have you told anybody else what's happened?
42:08No, I thought it best to keep my mouth shut.
42:10That's you're in your head for once.
42:12Let's go below.
42:14Where is he?
42:15Why doesn't he come?
42:17Why ask me?
42:17I'm only his fiancée.
42:18No.
42:19No.
42:19No.
42:31Close the door.
42:37The door at the base of the brain.
42:39Loguist, of course.
42:40I'm not so certain.
42:41What was that you said about a woman?
42:43You smell jasmine in here?
42:44Yes.
42:45It was in Noguia's compartment, too.
42:47Kanda didn't say anything about a woman being.
42:51You know, you don't belong in this, you.
42:53But I am in it.
42:54I know.
42:55I may as well tell you, I suppose.
42:57You drag it out of me anyway, if I don't.
42:59Tumi Okanda telephoned me at the yard about 9.35.
43:02It's too late for me to catch the train.
43:04He just received word that Yusuf Merkal,
43:07suspected on the continent of dealing in war secrets,
43:09was coming aboard when we docked at Dunkirk.
43:12It indicates that he was to meet Noguia's
43:13and make a deal for the Hexenite.
43:15Certainly.
43:16And who's the woman?
43:18You tell me.
43:19Where's Noguia?
43:20In my car.
43:22You know, you certainly have a way
43:23of stumbling into things that don't concern you.
43:26It's a gift, Colonel.
43:27I don't doubt it.
43:39This isn't Noguia's.
43:45It isn't Noguia's.
43:46Well, Noguia's is darker, much lighter bill.
43:48You know the answer to this, don't you?
43:50Of course.
43:50This fellow, whoever he is, was in with Noguia's
43:52and they evidently disagreed about something.
43:54If we make a detective of you, yes.
43:57Colonel.
43:58Well, you say Noguia's is of slighter bill?
44:00Yes.
44:00Then I've got it.
44:01The woman who killed Sumi Okanda and this fellow
44:03is Noguia's disguised as a woman.
44:05I think you've got something there.
44:06I'll make a bet.
44:07Wait a minute.
44:08You say you have the hacks tonight?
44:09Yes, my compartment.
44:10Tell me about it.
44:20All right, Sonny, open up.
44:23Anything happen?
44:24Not yet.
44:25Close the door.
44:31Easy.
44:32If that run off, it'll lift this boat out of a channel.
44:36There it is.
44:39There's a hacks tonight.
44:40What?
44:45Bath salts.
44:48That means Noguia's is on the train
44:49and has the real hacks tonight.
44:51Captain Drummond.
44:51Yes, Tenny.
44:52May I retire, sir?
44:53Yes, go to bed.
44:54Good night, sir.
44:55Good night, Tenny.
44:56I want to look in the next compartment.
44:58Why was in there?
44:59A woman.
45:00Elsie Saw.
45:00And if she uses the perfume we smell
45:02in the compartment adjoining her,
45:03she's Noguia's.
45:05Have you seen this one?
45:06No, confound it.
45:06But we're going to right now
45:07if she's in there.
45:08I knew it.
45:24Jasmine.
45:27We're still burning.
45:28And then Noguia's just left here.
45:31We're underway.
45:31He must still be on the ship.
45:32Someone on the boat, probably.
45:52Just a moment, Kennell.
46:00Tenny.
46:01Come in, Sean.
46:07Get into my compartment.
46:08If anyone enters the one next to it,
46:09come and get me.
46:10Where will I find you, sir?
46:11I'm somewhere on the ship.
46:12We're going to search it.
46:13Come on, Kennell.
46:14Whose case is this?
46:15Yours or mine?
46:31Mr. Longworth.
46:43Here I am, boys.
46:44Here I am.
46:45A radiogram, sir.
46:46Thank you, sir.
46:47What is it this time?
46:52If you love me,
46:54you would have answered
46:54my telegram you received
46:56on the train.
46:57She thinks I don't love her.
46:59But if you weren't on the train,
47:00you couldn't have received it.
47:02And if you're not on the boat,
47:03you won't have to answer
47:04this one either
47:04because if you're not on the boat,
47:06you won't get it.
47:08Nothing else?
47:10Please answer.
47:11Well, you could send her
47:12a radiogram.
47:13I'll tell you right now.
47:14We can't.
47:14We're underway.
47:14Underway?
47:17Oh.
47:19You, we're underway.
47:20What am I going to do?
47:21You're coming with me
47:22to help find Noguas.
47:23But he's dead.
47:23Ah, that was someone else.
47:25Noguas is the woman
47:25you saw in the next compartment.
47:27Now, you're the only one
47:27that knows what she...
47:28what he looks like.
47:30But I don't see that.
47:30Remember me, Captain Drummond?
47:31Darling, I'm sorry
47:32I've kept you waiting.
47:33The stuff that we thought
47:34was haxonite
47:34is only bath salt.
47:36And Noguas is on the boat
47:37with the rail stop
47:37enough to blow us all
47:38to eternity.
47:38How nice.
47:39We won't be long.
47:40You stay here and relax.
47:41Well, can't I go
47:42to my compartment?
47:42I should say not.
47:43Well, then to your compartment.
47:44Well, you stay right here
47:45while you're safe.
47:46And to think,
47:47I'm marrying you.
47:48I'm sorry, sweetheart,
47:49but we've got to find him.
47:50Come on, Elsie.
47:55Goodbye.
48:05We can have another look around
48:06Colonel,
48:07but we've made a thorough search.
48:09Are you certain,
48:09you'd know her?
48:10Well, of course.
48:10He was wearing a...
48:11I mean, she was wearing...
48:12No, he was wearing...
48:13Never mind, Elsie.
48:14And now, can I send
48:14Gwen a radiogram?
48:15Go ahead.
48:17When he comes back,
48:17we'll look again.
48:18As you wish, sir.
48:19Meantime, I think
48:19I'll say hello to Phyllis.
48:23Nice, smooth crossing, madam.
48:25Yes, very smooth.
48:27Here, put this in, too.
48:39All right, close it
48:40and put it up there.
48:47Come on.
48:48Come on.
49:10You...
49:10Darling, I thought I told you not to...
49:12Shut up your hands.
49:13Turn around.
49:19Sit down, Captain Drummond.
49:20You too, miss.
49:23It seems you have the advantage.
49:25But definitely.
49:27You may lower your hands.
49:28I believe it's customary
49:31to ask me I smoke, isn't it?
49:32I trust you have better judgment
49:34than to attempt anything foolish.
49:36I assure you, sir,
49:37my judgment is excellent.
49:39It's too bad you didn't take
49:39the brown suit.
49:40That gray doesn't become something.
49:41I like it.
49:42May I inquire what you intend to do?
49:45Under different circumstances,
49:47you and I could work well
49:48together, Drummond.
49:49You honor me, sir.
49:51Hmph.
49:58You, are you there?
50:05Just a moment, Algie.
50:06You sit there, miss.
50:07I'll be watching her, Drummond.
50:09If you're smart,
50:09you'll act as if nothing is wrong.
50:11Let him in.
50:12Right on.
50:12Smile, darling.
50:13My gentleman means business.
50:16What's the trouble?
50:17Trouble, Algie?
50:18You said you were coming back.
50:19Colonel Nielsen's been waiting for you.
50:20I'll tell you how I feel about it, Algie.
50:22I'm fed up with this nonsense
50:23about Noguius and Haxton.
50:24We'll let Nielsen handle it.
50:26You're not sick, are you, old boy?
50:27No, Algie, but after all,
50:28it is the Colonel's business,
50:29not mine.
50:30Now, will you run along
50:31like a good fellow?
50:32Oh, this isn't like you, Hugh.
50:33One must reform sometime, Algie,
50:35and even as you pointed out,
50:37I have made Phyllis a promise.
50:38But what?
50:39A promise, Algie.
50:42All right-o.
50:43Well, cheerio.
50:44Pip-pip.
50:45Pip-pip, old girl.
50:45Good night, Algie.
50:51Put up your hands.
50:52Get his gun, Tenny.
50:53Algie!
50:55Why, who is this?
50:56Get my gun in his pocket.
50:57No.
50:58Now get Colonel Nielsen.
51:01But don't you think
51:01don't argue, get him!
51:04And now, you have the advantage.
51:07But definitely.
51:08Won't you sit down
51:09and lower your hands?
51:13And to quote you,
51:15may I smoke?
51:16And to quote you,
51:17I trust you have better judgment
51:19than to attempt anything foolish.
51:20When one loses,
51:23one loses.
51:24That sounds original.
51:28May I trouble you for that bag?
51:32Sure.
51:35Careful, the Hexonite!
51:39Look out, sir!
51:40He's gone!
51:42Stay there, fellas.
51:43You too, Tenny.
51:43Let's go!
52:03Let's go!
52:04You!
52:05You!
52:13Look out, he may shoot. He hasn't got it.
52:19You got a gun? No.
52:20Give him yours, Aldi. But then I will...
52:21Do as I tell you. Yes, but...
52:22You take that. Well, I'll take the last and search every car.
52:24You stay there and watch the door, Aldi. Oh.
52:35You! Get out of here!
52:40Be careful!
52:41Philip, stay back! Get out of here!
52:44He's on top of that car. Be careful!
52:47Behind you!
52:49Stay where you are, I guess. The game's up.
52:51Yes.
52:53For all of us.
52:58Glenn!
53:03Aldi!
53:05Thank you, Aldi.
53:09Tick!
53:10Kill us, Aldi.
53:20Feeling better?
53:21Hugh, I want to ask you something.
53:23Yes, darling.
53:25Come in.
53:27Will it be a order?
53:28Yes, honey. Good night.
53:29Good night, sir.
53:30Good night.
53:31Good night.
53:33What do you want to say?
53:35Do you really mean...
53:38Come in.
53:39Sorry to leave you, Hugh.
53:40I'm escorting our friend Nogaius to Paris.
53:42So what?
53:43If I'm not at Geneva for the wedding...
53:45You'll understand.
53:46Try to be there, Colonel.
53:47You know I will.
53:48Goodbye, Phyllis.
53:49Don't scold him too much.
53:50And don't try to reform him.
53:52It's impossible.
53:53Good work, old man.
53:55Thanks, Colonel.
53:59And now, darling.
54:00Do you really mean to...
54:04That will be Aldi.
54:05Come in.
54:07Hugh!
54:08Gwen's taking the plane to Paris.
54:09I'm going to see her tomorrow.
54:10It's fine, Aldi.
54:11Now, good night, old chap.
54:12Phyllis is trying to tell me something.
54:13Oh, yes, yes.
54:14That's a call.
54:15Right-o.
54:21All right, now.
54:23Do I really mean...
54:24To give up this highly exciting way of living?
54:26Why, yes, dear.
54:27Of course.
54:28I promised.
54:29It isn't necessary.
54:30Why?
54:31Because...
54:32Well, as Danny says, I'd rather like it, sir.
54:35Darling.
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