- 2 days ago
When night falls and the forest comes alive, a group of hikers finds themselves lost in the wilderness—where something far more sinister than nature is watching. Unfamiliar howls echo through the trees, growing closer with each passing hour. As fear turns to panic, the line between predator and prey begins to blur. Will they survive the night, or become a part of the legend whispered among the shadows?
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Short filmTranscript
00:00The Lone Ranger
00:30Let's go, let's go!
01:00.
01:30It certainly is a beauty.
01:34The tear of Buddha is one of the finest rubies in the world, Mr. Bentley.
01:37How come this Buddha sheds red tears?
01:40Just to be more exclusive, I suppose?
01:43It is part of an ancient legend.
01:45Well, my firm's going to shed tears when they find out what I paid for it.
01:50I, uh, I think you'll find that about right.
01:55Is that correct?
01:57Quite.
01:58Thank you for your courtesy, Mr. Bentley.
02:00You're welcome.
02:02Oh, uh, just a moment, Namor.
02:07You haven't, uh, mentioned this transaction to anyone else, have you?
02:12I assure you, no one knows of it except ourselves and my client.
02:17Then keep it under your hat.
02:20I should say, under your turban.
02:24Naturally. We'll be discreet, Mr. Bentley.
02:27Good afternoon.
02:29So long.
02:31my daughter'sending home?
02:33Yeah.
02:35Thank you, Mr. Bentley.
02:36Thank you as soon as a trip.
02:38Good afternoon, gentlemen.
03:07Discussion's over.
03:08Yes.
03:09I'm very happy to see you looking so well, Mr. Wilson.
03:11Thanks.
03:12How's the sleuthing coming along?
03:13Favorably, I believe.
03:14Wu-Ting's been telling me he thinks he has land on Johnny Fly's hideout.
03:20Great.
03:21So we're finally catching up with our friend the stranger.
03:24Where is it?
03:26My investigation is far from being complete.
03:29But I have definite reason to believe that his associates are among the denizens of our lamentably unsavory waterfront.
03:36Hmm.
03:37That's funny.
03:38I always figured Johnny Fly would be the kind of a crook who'd hang around a place like this, for instance.
03:45Well, Edith, what'll you have, hmm?
03:46Well, I think I'll have a claret punch.
03:47Claret punch, and I'll have a brand-new soda.
03:48Yes, sir.
03:49Good.
03:50Well, Edith, what'll you have, hmm?
03:51Well, I think I'll have a claret punch.
03:52Claret punch, and I'll have a brand-new soda.
03:53Yes, sir.
03:54Good.
03:55Well, Edith, what'll you have, hmm?
03:56Well, I think I'll have a claret punch.
03:57Claret punch, and I'll have a brand-new soda.
03:58Yes, sir.
03:59Good.
04:00Well, Edith, what'll you have, hmm?
04:01Well, I think I'll have a claret punch.
04:02Claret punch, and I'll have a brand-new soda.
04:03Yes, sir.
04:04Well, Chief, it looks as though you're going to have to pay off on our bet after all.
04:07Listen, the bet was that you're going to capture the public nuisance.
04:08You don't think I'm going to pay off if Wu Ting does all the work?
04:09Well, hello, King May.
04:13Say, Wu Ting.
04:14How about taking me on one of your sleeping expeditions?
04:16I'm very sorry if they were a chicken.
04:18I won't be a fool to my wife, ma'am, do you have to take me.
04:21That's fine, no, Edith.
04:22You don't want to have a absolute treat.
04:23That's fine,ィ.
04:24That's fine.
04:25Okay, I'm good enough.
04:26Then I'll have a brand-new soda.
04:27Yes.
04:28Good.
04:30Well, Chief, it looks as though you're going to have to pay off on our bet after all.
04:32Listen, the bet was that you're going to capture the public nuisance.
04:33You are taking me on one of your sleeping expeditions.
04:36I'm very sorry, but it would not be wise.
04:39Your presence would create suspicion.
04:41But I'll communicate with you the moment I have definite information.
04:57Idiot?
04:58Are you trying to flirt with that young man?
05:00Uncle, have you got a pencil?
05:02Uh-huh.
05:03Yes, huh?
05:04Yes, I am, yes.
05:05Now, my dear, let me...
05:08Do you know that I haven't seen my wife and kids for a year?
05:12Yeah.
05:13When you get home, your youngsters will ask your wife,
05:15Who's that strange-looking man?
05:17Well, I wouldn't be a bit surprised.
05:24Waiter, will you give this card to that man over there?
05:27The one on the right, too.
05:28With pleasure, madam.
05:33Excuse, please.
05:34Young lady over there, send you these cards.
05:38Where?
05:39Oh, there.
05:42I see it.
05:44Oh, you'll pardon me, huh?
05:45Go ahead.
05:49Edith!
05:50Gosh, I'm glad to see you.
05:51Hello, Jack. How are you?
05:52Oh, what in the world are you doing in this jumping-off place?
05:55Well, my uncle had to come down here in business and he brought me with him.
05:58This is my uncle, Mr. Bentley, Mr. Wilson.
06:00Mr. Wilson.
06:01How do you do, sir?
06:02Glad to know you.
06:03Would you join us?
06:05Will you have to drink?
06:06Uh, scotch and soda, please, scotch and soda.
06:07Yes, sir.
06:09Hey, this is great.
06:11Are you staying long?
06:13No.
06:14Well, we have to leave the day after tomorrow.
06:16No, I beg your pardon, but I have some letters I'd like to get off.
06:19I hope you two can struggle a lot without me.
06:22Glad to meet you again.
06:23We'll do the best we can.
06:25Bye-bye.
06:26Bye, darling.
06:28Now tell me all about yourself.
06:30How long have you been here?
06:31What are you doing?
06:32Hmm, right now I'm looking at you.
06:34Do you mind?
06:36Stop being a fool.
06:37Why, I've always been a fool about you.
06:40Gee, do you remember the grand times we used to have?
06:43I certainly do.
06:45Remember the Halloween party that you went dressed as Juliet?
06:48Oh, yes, and you went dressed as...
06:50Say, what did you go dressed as?
06:52Now, you don't mean to tell me that you can't remember.
07:07You haven't told me yet what you're doing down here.
07:10Well, if you must know, I'm on a secret mission.
07:12Really?
07:13Yes.
07:14I'm on the trail of the Lost Chord.
07:15Oh, you haven't.
07:16Say.
07:17Say.
07:18That's rather good.
07:19Yes?
07:20Doesn't even better call me.
07:21Oh.
07:22Oh.
07:23Oh.
07:24Oh.
07:25Oh.
07:26Oh.
07:27Oh.
07:28Oh.
07:29Oh.
07:30Oh.
07:31Oh.
07:32Oh.
07:33Oh.
07:34Oh.
07:35Oh.
07:36Oh.
07:37Oh.
07:38Oh.
07:39Oh.
07:40Oh.
07:41Oh.
07:42Oh.
07:43Oh.
07:44Oh.
07:45Oh.
07:46Oh.
07:47Honey.
07:51Uncle Joe!
07:56Uncle Joe!
07:57What happened to your key?
07:59I have.
08:04You opened it.
08:14What happened to Joe?
08:16What's happened to him?
08:21It's all right.
08:22He's still breathing.
08:28Hello.
08:29Hello, operator.
08:30Send the house physician up to Mr. Bentley Sweet immediately.
08:33Yes, that's right.
08:35Oh, wait a minute.
08:38And if Inspector Green is here, send him up also.
08:42If not, get in touch with him.
08:47Oh, talk to me, Uncle Joe.
08:48Tell me, what happened?
08:50Oh, poor darling.
08:59So, you think Johnny Clay pulled this job, huh?
09:03Unless some other crook is imitating his technique.
09:06You know, we found one of those lavaliers or the mark of it around every victim's neck.
09:11That's right.
09:12And to think that I was standing on the other side of that door.
09:15Well, what else did he get?
09:18Well, according to Mr. Bentley, about 200 pounds in money and some unset diamonds.
09:25Diamonds?
09:26Sure.
09:28Mr. Bentley is a representative of a large firm of jewelers in New York.
09:32The pawn shops will probably give us a lead.
09:35How is he, doctor?
09:37He is conscious.
09:38You may question him if you like, but please make it as brief as possible.
09:42Thank you, we will.
09:45I'm sorry to trouble you right now, sir, but I'm afraid it's necessary.
09:49This is my chief, Inspector Green.
09:51I need you, sir.
09:54Did you get a look at this man?
09:55No, he jumped me from behind.
10:00I have an idea that he's the fellow that Wilson and I have chased across the Orient.
10:05He's a mighty smooth customer, but this time we've got him cornered.
10:10Now, if you give me a description of those diamonds, my niece will give you rest.
10:18I'm not so much concerned about the present loss as I am about what the thief did not find.
10:26I have an idea that the thief was not after the jewels, Inspector.
10:31Let me explain.
10:33You see, this afternoon my uncle bought a very valuable stone.
10:36A ruby.
10:37Perhaps you've heard of it.
10:38It's called the Tear of Buddha.
10:40You mean that stone that belongs to some broken-down raja?
10:44Why, that thing must be worth $200,000.
10:48No wonder Johnny Fly was on the job.
10:51And, of course, it was too late to take it to the bank.
10:54And Uncle thought someone might possibly know of his little business transaction,
10:57so he thought it would be better if I kept it.
10:59Do you mean to tell me you've been carrying that valuable stone around on your person all day?
11:03Mm-hmm.
11:03A gentleman, I have never reason to believe that the thief is after the ruby
11:08and that he will make a second attempt.
11:11Perhaps you better put it in the hotel safe until morning.
11:15Inspector, have you ever taken a good look at that hotel safe?
11:18Why, if anyone even sneezed in his immediate vicinity, it would collapse.
11:23She's right, Chief.
11:24We'd better post a guard around this suite
11:26in case Johnny Fly decides to play a return date.
11:29He may not trouble you anymore tonight.
11:30Jack, you'd better stay here until the men arrive.
11:38Right.
11:38All right.
11:38All right, all right.
12:06All right.
12:11All right.
12:14You're right.
12:15Oh
12:45Oh
13:15Oh
13:17Oh
13:19Use your knife
13:21Use your knife
13:23Atta boy
13:27Atta boy
13:29Come on
13:35Come on now
13:37You can do it
13:39I know it
13:45Mr. Bush I knew you were going to win
13:49And you some man
13:51Atta boy
13:57Atta boy
13:59Atta boy
14:01Atta boy
14:03Atta boy
14:05Atta boy
14:07Atta boy
14:09Atta boy
14:11Atta boy
14:13Atta boy
14:15Atta boy
14:17Atta boy
14:19Oh Johnny
14:21They are all creepy
14:23Bah
14:24They are nothing
14:25You can have them
14:26Oh Johnny
14:28You're so sweet to me
14:43Johnny is pretty good to you
14:59Huh?
15:04You couldn't find one
15:06A little bit smaller
15:08Maybe I will
15:10Sometime
15:11Sometime
15:12Huh?
15:14Stop
15:15Stop
15:16Oh
15:17Oh
15:18Oh
15:19Oh
15:21Oh
15:23Oh
15:25Oh
15:27Oh
15:29Oh
15:31Oh
15:33Oh
15:35Oh
15:36Oh
15:37Oh
15:39Oh
15:40Oh
15:41Oh
15:42Oh
15:43Oh
15:44Oh
15:57Oh
16:02You know
16:04You know, that's what I always say, is that the customer is always right.
16:12Give them the right change.
16:13No crooked stuff.
16:19And no rough stuff, never.
16:23Hey, what do you have to drink?
16:25I don't speak English.
16:32What do you have?
16:33Whiskey.
16:34John, cream whiskey.
16:37Very nice.
16:38Very cheap.
16:39Very good.
16:41Me very solid.
16:43Excuse, please.
16:49What do you want?
16:50Oh, me just want a drink.
16:53You can do, please?
16:54Sure can do.
16:56What kind of drink do you want?
16:59Whiskey, please.
17:01Are you bossy man here?
17:04Yeah, that's right.
17:06Oh, maybe you do me honor.
17:08Have link with me.
17:12That's all right.
17:14Police.
17:15At hotel.
17:16Try and find out what their plans are.
17:18Go on.
17:19Police.
17:20Police.
17:20Police.
17:22Police.
17:22Police everywhere.
17:24Outside the door of their suite.
17:27Outside the door of their suite.
17:32Beneath their window.
17:34Sleeping with them for all I know.
17:37Good, Johnny.
17:39What do you wouldn't think of a way?
17:42You know, you're the smartest crook in all the world.
17:46You have told me so yourself.
17:48The crook?
17:51Yes.
17:53Mathemagician?
17:56No.
17:57No.
17:57Oh, sugar.
18:09I am so sorry, really.
18:12Oh, really.
18:14It's too bad.
18:15It's always the same story.
18:20I'm tired.
18:21First, it's diamonds.
18:22After, it's enough money.
18:23But what's this story?
18:24You're learning too many tricks from me, my little mother.
18:31Maybe they follow you here, hmm, Johnny?
19:01Maybe, but I don't think so.
19:04Maybe they are watching every place in town.
19:10Wait here.
19:23Hey.
19:24Why did I never see you around here before?
19:28Oh, me come to boat.
19:31Yesterday.
19:32Yesterday.
19:43Oh, no wonder you're thirsty.
19:54Hey, leave the whiskey here.
19:57No.
19:58Hey.
19:59Hey.
20:02Bye.
20:02Hello, Anselm.
20:28Hello. Where's Johnny?
20:31Oh, he's in his room. It's safe for you to wait here for him.
20:35Come on. Sit down.
20:38Sit down.
20:42You're not afraid of Johnny, I hope.
20:45No. I ain't afraid of nobody.
20:48Hello, Johnny. I was just...
21:04Someday, my friend, I might have to make you a present of the necktie.
21:10Oh, no, Johnny. You got me wrong. Why, I didn't mean nothing. I was just gonna...
21:15Getting a cinder of rye, I suppose.
21:18Yeah, yeah, sure. That's it. Did I get it?
21:22Very thoughtful. Very.
21:26Oh, now listen, Johnny. Just a minute.
21:29How about that hotel job? Any luck?
21:31No.
21:32No.
21:33What? I'm talking downstairs about this guy being robbed.
21:36Are you suggesting that I'm holding out on you?
21:38Oh, no, Johnny. But how about my cut?
21:41Well, this is all I got, understand?
21:45How about the ruby?
21:47How do I know? Maybe he swallowed it.
21:50Maybe...
21:52Yeah.
21:53The girl.
21:55I wouldn't be surprised.
21:58What girl?
21:59Never mind what girl.
22:01Didn't I tell you to let me know if any strangers are dropped in?
22:05Sure.
22:06There ain't any.
22:07That's just the regular crowd down there.
22:09Yeah?
22:10What about the Chinese peddler that was standing at the bar a few minutes ago?
22:14Oh, that chick's all right.
22:16Is that so?
22:17Sure, he told me so.
22:19Tell me.
22:21Have you ever been shot in the head?
22:24No.
22:26I...
22:27I've been nifed, though.
22:29Oh.
22:30I thought possibly somebody had blown your brains out.
22:33Wait a minute.
22:34Listen, you ape.
22:35Your harmless Chinese peddler was having tea this afternoon at the hotel with the two American detectives.
22:41Oh.
22:42So the dirty little rat lied to me then, huh?
22:45Well,
22:46I suppose you know what to do with, uh, liars.
22:49Huh.
22:50Sure I do.
22:51Get busy.
22:53It'll be a pleasure.
23:07All right, all right.
23:08Break it up.
23:09With that.
23:10Oh.
23:14It's Wu-Ting.
23:17I'm going to put the little open room in the door with the house for something with the ice.
23:20Paisies.
23:22Without a point.
23:23You give me a little Built in the city.
23:24That Take it off.
23:25When I shoot you another Mobile City.
23:28You give me one theining room.
23:30Ap desperately.
23:32A soldier.
23:33Never lose.
23:34Yeah.
23:35What are you doing?
23:36Did I commit you later?
23:37No.
23:38What is it? I don't know. The Wu-Tang was trying to tell us something.
24:08Come in. Good morning.
24:22Good morning, darling. How do you feel?
24:26All right. In fact, I think I'll get out of here a little while.
24:30No, you're not going to get out. You're going to stay right here until I get back. I won't be very long.
24:34Huh? Is Jack going to the bank with you today? No. Well, he couldn't come. He sent over a very nice young man to play bodyguard.
24:41Oh, I see. You'll be careful now, won't you? Of course I will, darling. Now, don't you worry. I'll be back in about half an hour.
24:49No. All right. Well, you'll run along. There. I'll be good.
25:02I'm sorry to keep you waiting. He's quite all right, Miss Bentley.
25:06I missed you. I'll be back in about half an hour.
25:10We'll be back in about half an hour.
25:15I'll be back in about half an hour.
25:18Blood and blood.
25:19Oh, of course.
25:23Blood and blood.
25:26Blood and blood.
25:28Blood courteous subsidesam.
25:30Blood and blood and blood.
25:32Oh
26:02Here.
26:32No, no, no.
26:34What did you do with that lady?
26:35You don't know what I tell.
26:37Somebody double.
26:37I don't know what you're going to do.
26:39I don't know what you're going to do.
26:40Huh?
26:50Oh, it's so beautiful.
26:52Yes, most beautiful.
26:57Oh.
26:59So you like her very much, huh?
27:01I like all beautiful things.
27:04Mine is the soul of an artist.
27:10You think she is more beautiful than I?
27:15Sure.
27:16How did you guess it, my little Mora?
27:19Well, I fixed that.
27:21When I get through with her, she will not be so beautiful.
27:25Stop it.
27:26Let me go.
27:27Let me go.
27:27Let me go.
27:29Let me go, I said.
27:33What's up?
27:36Mora and I were just discussing art.
27:40You, you think I'm more beautiful than this one?
27:44Don't you, Butch?
27:45Sure, but I ain't had a good look at her yet.
27:51Restrains your effort to make me jealous, my doll.
27:54We have business to attend to.
27:59Tell Lindsey to have the junk ready.
28:02I'm signing tonight.
28:05You'll get the rest after we have cleared the harbor.
28:08You all alone?
28:09No.
28:11What about me?
28:13Don't worry.
28:15You'll be taken care of.
28:18I'd better be.
28:23On your way back, stop at Jala's shop.
28:26Who, the money lender?
28:27Yeah, tell him I'm ready to talk business.
28:30Tell him to come after dark and be sure he isn't followed.
28:34All right.
28:35OK.
28:42I've got it.
28:43It's an eye.
28:45A human eye.
28:46It's a description of someone.
28:49Johnny Fly.
28:51Well, maybe.
28:52But I don't think so.
28:54Wu-Ting was trying to tell us something.
28:57He got a look at the man who knifed him.
29:02Hello.
29:03Yes, speaking.
29:05Spently.
29:07What?
29:08Yes, she's been gone nearly two hours.
29:16Yes, and she only went to the bank.
29:18It's only 10 minutes' ride.
29:20Yes, I suspected that.
29:23We'll get on right away.
29:25I'll let you know.
29:28The girl's gone.
29:30What?
29:31What happened?
29:33I don't know exactly.
29:35We got separated.
29:36Another rickshaw blocked mine.
29:37I find him laying in the alley.
29:41When I clear the crowd, the lady, she disappear.
29:43Her rickshaw empty.
29:47Let's go.
30:17Ah, now that you're awake, perhaps you would like some refreshments.
30:22Who are you?
30:23My friend called me Johnny. I trust that you will also.
30:28How'd I get here?
30:30In the basket. Not very roomy, but excellent for the conveyance of, shall we say, contraband?
30:37Let me out of here.
30:39By the way, would you like a cup of tea?
30:42Oh, more, remember? You're the waiter at the hotel.
30:46I feel very flattered. Few people ever know if there's a waiter's, her faces.
30:52Nobody could ever forget your face.
31:16Johnny sent me over to tell you he's ready to talk business.
31:25When you close up shop, come over to my place by the back way, and the...
31:30Are you the proprietor?
31:34I'm sorry, but we'll have to check over your stock. We're looking for some stolen gems.
31:45The city is most welcome to search my place.
31:51Wait a minute. What's your name?
31:56Frank Curtin.
31:58What are you doing here?
32:00Oh, I just came over to hock my watch.
32:04I see. What's your business?
32:08I run a grog shop. Respectable joint, too. No rough stuff.
32:12I'm sure of that.
32:14How's business, by the way? Pretty good?
32:17Well...
32:19I can't complain.
32:21But you said that you came here to hock your watch. Strange.
32:25You better come along with me to headquarters.
32:34Oh, what for?
32:36Oh, just to continue our little discussion on economics.
32:43Take him down to headquarters.
32:55Why did you murder Wu Ting?
33:02I tell you, I didn't do it.
33:05You were acting under Johnny Fly's orders, weren't you?
33:08I never heard of him.
33:11I tell you, I didn't have nobody.
33:14Oh.
33:15What makes you think that Wu Ting was knifed?
33:18I didn't mention it.
33:20Smart guy.
33:24Smart guy, ain't ya?
33:26Listen, Carden.
33:27Things might go easier with you if you tell me what you know about Johnny Fly.
33:37Well, that's exactly nothing.
33:41Oh, all right.
33:43Take off your clothes.
33:45What's the idea?
33:47Don't worry.
33:48You won't need them.
33:49You're not going anyplace.
33:50Oh, you guys, let me alone.
33:51I ain't done nothing.
33:52Ah!
33:53Here is some food.
33:54I hope you choke on it.
33:55But why?
33:56Well, I haven't done anything to you.
33:57Why?
33:58Well, I haven't done anything to you.
33:59Why?
34:00Because you have tried to take my Johnny from me.
34:01That's why.
34:02I don't want your Johnny.
34:03I don't want your Johnny.
34:04All I want to do is get away from here.
34:05You'll help me, won't you?
34:06Help you?
34:07Help you.
34:08Oh, I-
34:11Before I help you, I-I'll take you in a million pieces.
34:14I'll kill you.
34:15I don't want your Johnny.
34:16Sorry.
34:17I want you to help me.
34:18I'm not going to help you.
34:19I'll take you in one right.
34:20I'll help you.
34:21Oh, I-I-I'll say I'll take you in one way.
34:23Here is some food.
34:24I hope you choke on it.
34:25But why?
34:26Well, I haven't done anything to you.
34:27Why?
34:28Because you are trying to take my Johnny from me.
34:29That's why.
34:30I don't want your Johnny.
34:31All I want to do is get away from here.
34:32You'll help me, won't you?
34:33Help you?
34:34If I can help you, I'll tear you in a million pieces, like this!
34:39Stop it, you little fool!
34:41Stop it!
34:42Stop it, Royal King!
34:46Let go of her!
34:47No!
34:48Let go!
34:49Come on, get out of here!
34:51Get out!
34:52He's still in front of me!
34:57I can't!
34:58He's a good look!
34:59Please, Miss Bentley, forgive this breach of hospitality.
35:05I assure you it won't happen again.
35:08The child is a little jealous.
35:11Go on and talk.
35:14What for?
35:15I hear your voice.
35:17What do I talk about?
35:20The weather?
35:23No.
35:24Recite me on nursery rhymes, stupid.
35:27I don't know any.
35:30Well, then tell me about Johnny Fly.
35:33Or maybe you know him by another name.
35:36Maybe.
35:37What's he look like?
35:41Listen, Curtain.
35:42Quit stalling.
35:44You're gonna tell me and you're gonna do it now.
35:47No.
35:48No.
35:49No, no, I remember.
35:50Johnny Fly.
35:51Sure.
35:52I ran into a book by that name once.
35:53He was tall and...
35:54He had blonde hair.
35:55And a beard.
35:56And a peg leg, too.
35:57And a scar on his right cheek.
36:00Yeah, that's right.
36:01Thanks.
36:02You've helped a lot.
36:03That's all, boys.
36:04You mean I'm free?
36:05Hardly.
36:06It might be sort of confusing for two of us to be in circulation.
36:09No.
36:10No.
36:11No.
36:12No.
36:13No.
36:14No.
36:15No.
36:16No.
36:17No.
36:18No.
36:19No.
36:20No.
36:21No.
36:22No.
36:23No.
36:24No.
36:25No.
36:26No.
36:27No.
36:28No.
36:29No.
36:30No.
36:31No.
36:32No.
36:33No.
36:34No.
36:35No.
36:36No.
36:37No.
36:38No.
36:39No.
36:40No.
36:41No.
36:42No.
36:43No.
36:44No.
36:45No.
36:46No.
36:47No.
36:48No.
36:49No.
36:50No.
36:51No.
36:52No.
36:53No.
36:54No.
36:55No.
36:56No.
36:57No.
36:58blonde. He ain't got a beard. And he ain't got no back leg. I hope you realize that my uncle
37:08has a whole peace ball searching for me by now. Yes, I've been informed of such activities,
37:14but we will be beyond reach by midnight. What are you going to do with me? I trust you
37:20enjoy ocean travel. Well, you can't get away with this. Oh, take it easy, please. Sit down.
37:26Let me explain.
37:36Look.
37:56Hello, Mr. Butch. Where have you been? I've been busy. Well, I've been looking to you
38:12and anxious to see you. Yeah. Come on, John. Sit down. What kind of a bridge? Oh, sit down.
38:24It seems like it's greater, don't it? Well, you got to give me a chance to get even tonight?
38:31What do you mean, get even? Well, I mean, you know what I mean, get even. Come on, John.
38:39Bring out those docks, sir. Be right there.
38:44Back row here. Now, if you want to cover that, play it one game.
38:51You mean you want to play all that? Certainly. You want more than that from me.
38:54You ain't shorty, Mr. Butch? Yeah, I am. Well, I got some money here.
39:03Where's the money? And it's all yours. Lucky, too.
39:15All right. All right, go ahead. You shoot first.
39:17One game.
39:19One game.
39:30One game.
39:30One game.
39:47Hey, boys, boys, I want to see you tonight!
40:13That'll get it!
40:17What a man!
40:23Buy everybody in the house a drink!
40:25Yes, sir!
40:26And keep the change for yourselves!
40:28Thank you, sir!
40:29Everybody have a drink on their hose!
40:32Let's go!
40:33What a man!
40:34What a man!
40:35What a man!
40:36What a man!
40:37What a man!
40:38What a man!
40:39What a man!
40:40What a man!
40:41What a man!
40:42What a man!
40:43What a man!
40:44What are you going to happen?
40:47What are you going to happen?
40:49What are you going to happen?
40:51What are you going to happen?
40:53What are you going to happen?
40:55What a man, what a man.
40:57We've got animals.
40:59Oh, butch.
41:00You're gone so long.
41:01I'm afraid something has happened to you.
41:04Would it have made any difference to you?
41:08Would it have made any difference to you?
41:14But of course it would.
41:16You know I like you very much, Pooch.
41:19And Johnny, he is so mean to me.
41:21He beat me.
41:22He hurt me.
41:22He made me black and blue.
41:24What did you do?
41:25Oh, nothing.
41:26I tried to kill this white girl.
41:36Why?
41:37Why not?
41:38We have to get rid of her anyway.
41:41Come.
41:42He's waiting.
42:02Pooch is here.
42:03Where have you been?
42:10In jail.
42:11What happened?
42:13They picked me up in the pawn shop.
42:15Was Jala arrested, too?
42:24No.
42:25They just searched the joint.
42:27Did you have a chance to give him my message?
42:30Yeah.
42:31Sure.
42:31I gave him your message.
42:32I don't want to be here in a minute, then.
42:37Go to the back door and let him in.
42:40I'll come on.
42:41I'll come.
42:41What did the police want with you?
42:53What did the police want with you?
43:08They asked me a lot of questions about that chief detective.
43:11I wonder what made them connect you with that unfortunate affair.
43:19Maybe the chink tipped him off if he was coming here.
43:21Listen, rat.
43:24Did you squeal about me?
43:26Ah, of course not.
43:29Huh.
43:29Still, I think I'll take leave of your hospitality as soon as possible.
43:38Listen, we'll leave as soon as I finish my business with Jala.
43:42Wait for me downstairs.
43:47And keep your eyes open for unwelcome strangers.
43:51Go on.
43:51Yeah, I'll be home.
43:52Come on.
43:52Come on.
43:59Come on.
44:29Salam, Saeed.
44:57Salam.
44:59It was kind of you to comply with my request, Jala.
45:04I was most happy, sir, to do so.
45:07Under the circumstances, I felt it unwise for me to come to your place of business.
45:12Very unwise.
45:14And now, speaking of business.
45:17Yes, yes, of course.
45:19Will you do me the honor to step this way?
45:21My sleeping quarters will afford more privacy.
45:26Say, say, say, say.
45:36Say, say, say, say, say, say, say.
45:41So, he thinks he didn't get rid of me so easy.
45:56Well, we shall see about that.
46:01Oh, George, I think very much that Johnny tried to cheat you, huh?
46:11Cheat me! Ow!
46:13He's a jelly in there, so you will not know how much he'll pay for the ruby.
46:33Give it as the living flame, eh?
46:36With your permission, eh? Certainly.
46:41I think maybe we'd better play a little joke on Johnny, no?
46:50What kind of a joke?
46:52Pretty soon, he'll take this one to the boat with him.
47:02How's he gonna get her there?
47:04The way he'll bring her, of course, in the basket.
47:07Oh, yeah.
47:08You do like me a little bit, don't you, Anselm?
47:13Yeah, of course.
47:14And then, I can be your girl.
47:18But before you put her in the basket,
47:23you take this.
47:30Come here.
47:31I'm fine that I cannot part with the ruby.
47:40He ain't gonna sell it.
47:41Of course I'm going to sell it.
47:43But you're going to get it back for me.
47:45How?
47:46You wait for Jala at the back door.
47:49Presumably to let him out.
47:51Instead, you are going to help him attend Paradise.
47:54The same as you did with the detective.
48:05Oh, all right.
48:15Johnny!
48:15Oh, one understands such thing.
48:16Johnny!
48:17Oh, one understands such thing.
48:34I find the Kira Buddha is genuine.
48:37Ah-ha.
48:38Therefore, my friend, your figure will be satisfactory.
48:42Very nice.
48:46You will find, my friend, the amount is correct.
49:03Very well, thank you.
49:08Sahib.
49:23Has been a pleasure to deal with you, Sahib.
49:24I thank you, Sahib, and may you have the most pleasant journey.
49:28And may you continue to prosper.
49:30Salam.
49:31That's all right.
49:32That's all right.
49:34That's all right.
50:01Be quiet.
50:02I'm trying to give you a break.
50:04Johnny sent me down here tonight for you.
50:07Now, if you want to live, you've got to play dead.
50:11Come on.
50:12Give me the ruby.
50:13Give it to me.
50:19Stay there and stay there quietly.
50:32Tell him I want him to watch the corner.
50:42I want to guard the side entrance.
50:54Come on.
50:55Come on.
50:56Come on.
50:57Come on.
50:58Come on.
50:59Take him.
51:00Come on.
51:01Come on.
51:02Take him.
51:03Hang on.
51:05Come on.
51:06Please, please.
51:07We should leave a bus in here.
51:08Come on.
51:11Come on.
51:12Let's go.
51:13Well, let me have it.
51:43Something told me that wasn't exactly a friendly gesture.
51:48I thought you were a fool, Butch, but not that foolish.
51:53Come on, let me have it.
51:56Come on.
52:00Tell Arcor and the rest we'll leave as soon as I finish packing.
52:04And if you try any more tricks, you'll be paid in steel, not gold.
52:13Come on, let me have it.
52:18Come on.
52:23Come on, let me have it.
52:28Come on, let me have it.
52:34Come on.
52:38Come on.
52:41Come on.
52:45Come on, let me have it.
52:53You've got to listen to me.
52:55You think you are so smart?
52:56What do you mean?
52:58Johnny, Johnny, you've got to listen to me.
53:05You think you are so smart.
53:07What do you mean?
53:08This Butch would come up dressed up like Butch is not Butch,
53:11but he's a detective dressed like Butch.
53:13Ah.
53:14Johnny, listen, I know.
53:16I have seen these men with my own eyes.
53:25Steady, honey.
53:26It's me, Jack.
53:31Oh, Jack.
53:33Oh, Jack.
53:35Are you alone?
53:36No.
53:37Me and his men are waiting outside.
53:39So?
53:44Come on, I've got to get you out of here.
53:52They can't make it that way.
53:56Come on.
53:57Let's go.
54:27Let him go! Let him go!
54:57Listen here. That's what I reported in there.
55:04Yes, sir. Go right here. Go right here.
55:27Go. Go. Go.
55:35Go. Go.
55:45Go. Go.
55:54Go.
55:57Go.
56:00Go.
56:05Go.
56:06Go.
56:12Go.
56:20Go.
56:24Go.
56:27Let me go.
56:57Oh, Jack, are you hurt?
57:06No, I'm all right, honey.
57:08But I'm sure tired of wearing this ox.
57:11All right, take him downstairs.
57:15Good work, Jack.
57:18There's your man.
57:27Good work.
57:39Good work.
57:39Good work.
57:40Good work.
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