- yesterday
Designed For Desire – Full Movie (2025)
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:17Okay.
00:24This is insane.
00:26Hi, did anyone order these?
00:31Artless Pervert!
00:32Whoa!
00:35You've got to be kidding me! Look, you've got it all over me!
00:38Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:56What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here for-
01:22I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33You'll learn things are very fast-paced here.
01:45I don't have time to ask twice.
01:46I don't have time to ask twice.
01:50I don't have time to ask twice.
01:54I'm sorry.
01:55I don't have time to ask twice.
02:25Hello, this is Cecilia.
02:29Miss Brooks, we need $200,000 to move forward with your grandfather's surgery.
02:33Until then, we cannot proceed.
02:35Okay, one second.
02:37Hello? Miss Brooks?
02:40Shit.
02:44Who is this woman? His girlfriend or something?
02:47I wasn't done with my interview.
02:50We'll touch base soon, okay?
02:55Oh! Good luck.
02:59I thought you weren't interested.
03:02Take off your clothes. Right now.
03:04So, Miss Brooks, what do you see in this room?
03:25Well, it's deliberate. Controlled. Powerful. It's impressive. But...
03:36But?
03:37It's not... satisfying.
03:41Bold again.
03:42Tell me, how do you know it's satisfying?
03:48Satisfaction lies somewhere in between.
03:52You think you can give me that?
03:54Think you can take the risk and find out?
04:04All yours.
04:05Hey.
04:13The women out there would do anything to be in the position you're in.
04:17Unless you have other ideas.
04:25Don't make me regret this risk.
04:27I don't plan to.
04:28The position's been filled.
04:32Go home.
04:35Get out!
04:36Damn.
04:37He doesn't have to be so rude.
04:52Pappy, your phone's upside down.
04:53Hi. How are you feeling?
04:58Hey, jubilation?
05:00Not doing too well, honey.
05:02Damn hospital postponed my surgery again.
05:05I'm so sorry, Pappy.
05:07I'm working things out with the hospital.
05:09I have some good news today, though.
05:12I'm sorry.
05:13Uh, I think that's my landlord.
05:14I have to go.
05:15Love you.
05:15Bye-bye.
05:18Oh.
05:20What the hell is he doing here?
05:23What are you doing here?
05:25Oh.
05:26What the hell?
05:28Hey.
05:29Whoa, whoa, whoa.
05:30Guys, whoa.
05:31Hey, don't take that.
05:36I did not agree to this.
05:38Actually, you did.
05:42The signing must reside on Mr. Mercer.
05:44I can't quite hear you.
05:46Must reside with Mr. Mercer for the duration of the project?
05:50Mm-hmm.
05:51How long?
05:52Keep reading.
05:54And definitely without exception?
06:02A gift.
06:03What the fuck?
06:06A gift in exchange for being kidnapped?
06:09No thanks.
06:13I need to know where you're at at all times.
06:17It's a tracker.
06:18What?
06:19Like a dog collar?
06:20Do you think you own me now?
06:23I wouldn't do that.
06:25Come on.
06:25Let's go.
06:26This is insane.
06:27Just give me a second to put Crumpet in his carrier and call my grandfather.
06:30No.
06:31There are no animals in the mansion.
06:34You must say goodbye to your little Crumpet.
06:37What?
06:38Absolutely not.
06:39I told you in the contract that I will take care of everything.
06:44I don't care about the contract.
06:45What?
06:46Oh my God.
06:47Goodbyes are always so hard.
06:49Put me down.
06:50What are you doing?
06:51Welcome back, Miss Brooks.
06:57So, I'm not allowed to leave?
06:59If you leave, your contract will be terminated immediately.
07:03And what?
07:03You're just going to leave me all alone in here?
07:05Would you like me to join you?
07:06No, no, no, no.
07:18Why is it making that sound?
07:20Damn, if I leave, Pappy dies.
07:23Shit.
07:23I'm trapped with this monster.
07:26Oh my God.
07:26Is this really happening?
07:28I'm stuck.
07:28I'm stuck.
07:36This is your uniform.
07:41Work hours have started already.
07:43Tidy yourself up.
07:45Report to Mr. Mercer.
07:49Oh, and, uh, chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
08:06No, I, um, just didn't want to disturb you.
08:25I don't mind if you stare.
08:27Sorry, Sarah.
08:28I was just interested in your build.
08:31The building, the build of the mansion that we're building to work on today.
08:39What time are we leaving for?
08:41Car leaves in 10 minutes.
08:43Great.
08:44I'll be ready.
08:55How much further?
08:59Patience, Miss Brooks.
09:01Oh, my pink pepper.
09:16Hey, Foxy.
09:18I got something that'll keep that jaw clenched.
09:20Wow.
09:21Original.
09:22Mr. Mercer.
09:23We didn't know you was coming in today.
09:25Get off my property.
09:26What?
09:27You're fired.
09:28Leave.
09:29Oh, there.
09:30No.
09:30I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:36If I collapse your loan...
09:38Wait, did he just stand up for me?
09:41Sir, how about you?
09:43Continue your work with Miss Brooks, and I'll handle this.
09:48Come on.
09:49Everything's nearly finished.
09:52I'm going to have a team come in and make some final measurements over here, and I'll ensure
09:56they know how to keep their mouth shut.
09:58Uh, is this all marble?
09:59Uh, is this all marble?
10:06Seeing her in my house gives me a strange feeling.
10:09It's so beautiful.
10:11What is it about her?
10:12Why do I want to...
10:13Follow me.
10:14Wow, an elevator?
10:21By the way, what you did out there, thank you.
10:25I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:29Remember that.
10:30Your first task for the client.
10:38I don't know anything about the client.
10:40Who is...
10:40We don't ask about the client.
10:43We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:50Yes.
10:51Great.
10:52The client would like this room transformed into their BDSM chambers.
11:01I hope she doesn't see right through me.
11:06So, how would you do it?
11:09Uh...
11:11Um...
11:12Paint me a picture.
11:13Right.
11:14Uh, over here, I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One with adjustable heights and...
11:29Handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:39Certain genres of certain books have certain details.
11:44Right.
11:45Right.
11:45Of course.
11:47Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh...
11:57This would be a great place to mount small cuffs.
12:03I'm drowning in the heat
12:06Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Don't pick up.
12:27Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32I understand.
12:33Is there anything I could do now to hold him there?
12:36Anything I could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay.
12:44I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:59There are no personal calls at work.
13:02I'm sorry.
13:03I...
13:03Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:18Take it off.
13:20What?
13:24Your jacket.
13:26Mr. Mercer...
13:27I won't ask twice.
13:38Uh...
13:39What's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are...
14:22what I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:45I'd also like to welcome and introduce our newest interior designer,
14:55Mr. Cecilia Brooks.
14:59I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:07I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:25May I have this dance?
15:27Okay.
15:31Sterling.
15:33I was hoping that maybe we could...
15:35Walk and talk?
15:37Or maybe dance and discuss?
15:40You must be working so hard.
15:43I was thinking...
15:45Maybe you would benefit from a designer who really knows you.
15:50Your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:04You know you can come to me if you need anything.
16:17Get your hands off of her!
16:18What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:29Get him out of here.
16:31It's all right, folks.
16:37Enjoy the party.
16:38It's okay.
16:39Yeah, you're okay.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:44Crazy night, huh?
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me.
17:00How's the new position treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on.
17:11It must be crazy, right?
17:13I really can't.
17:16Oh!
17:19Oh, how embarrassing.
17:22What are you doing in here?
17:26Uh, Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:50Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:55But you're not rich.
17:58Not where it counts.
18:18Do you excuse me?
18:19I have work to do.
18:25Hmm, this hand.
18:37What if?
18:39Maybe cuffs?
18:42What if we hang something around here?
18:43I have work to do.
18:55Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:17Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think?
19:38Maybe, just maybe, that's an unreasonable amount of time.
19:42Maybe.
19:43I don't care.
19:44Wait.
19:46I should have remembered.
19:47It's not in the contract.
19:49Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:11Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:31He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:34I can't afford that.
20:37I told you.
20:39I'll take care of everything.
20:40What?
20:42I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention,
20:57I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs by tomorrow morning.
21:19You're welcome.
21:19I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:37Is this you?
21:39And my parents.
21:39They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:10It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could, I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:22No, not you.
22:25From this.
22:26Well, I need to keep track of you.
22:30I mean, what if...
22:32Sterling, I'm not your parents.
22:36I'll be fine.
22:36I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you, but, um, you're gonna have to wait till tomorrow.
23:03Hmm.
23:04Full of surprises, aren't you?
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:34We're gonna come back tomorrow with the rest of the crew and get it resolved.
23:37Okay.
23:41Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:59It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be...
24:13Intentional.
24:16Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Ms. Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:40Oh, the client's a family man.
24:42We don't discuss the client.
24:44Only satisfy their needs.
24:48Would you like to see your designs?
24:50Is it not what you thought?
25:08Is it not what you thought?
25:11No, it's...
25:12It's not that.
25:12It...
25:13The power went out.
25:18There's no signal.
25:20Yeah, the soundproofing they put up, uh...
25:22Cuts signal.
25:24What?
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:40How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No.
25:52You're not supposed to ask about the client.
25:54Just tell me.
25:55No.
25:56It's not.
25:57Is she...
25:58More?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:08Because I wanted you.
26:11I wanted you.
26:38Sir, your...
26:48Seven o'clock is waiting upstairs.
27:01Tuck your shirt in, sir.
27:08I know.
27:11I know.
27:12Ah!
27:13Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down.
27:20Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie, what are you doing home?
27:29What am I doing?
27:32This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:36I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Ceci, you're ruining my chances.
27:51Go back, Ceci.
27:52Oh, okay.
27:53Okay.
27:54Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:07What the hell?
28:15He has a girlfriend?
28:23What was I thinking?
28:24I'm looking...
28:28I'm not serious.
28:30Oh.
28:30Oh.
28:31Oh.
28:31Come on.
28:32Oh.
28:33Oh.
28:36Oh.
28:37Oh.
28:42Oh.
28:43Oh.
28:43Yeah.
28:43Oh, I'll be there soon.
28:44Oh.
28:45Oh.
28:46Oh.
28:46Oh.
28:47Oh.
28:47Oh.
28:48Oh.
28:49Oh.
28:49Oh, oh.
28:50Oh.
28:50Gotcha now, bitch.
29:08I found her address.
29:20Sterling.
29:29Sterling, can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important, please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:45You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:50I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:04I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy,
30:15and becoming the embarrassment of architecture,
30:17we could merge as Hale Mercer.
30:20Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout,
30:34I'll publish the information,
30:36and Mercer Designs will go bye-bye.
30:39It's not a threat.
30:40Think of it.
30:42More of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Miss Brooks,
31:06in my office immediately.
31:09Are you sure you want me in there,
31:10or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:17I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean lost?
31:24I finished the designs last night,
31:26and I fell asleep,
31:26but when I woke up,
31:28they weren't in my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:40I'm pretty sure you're the one who's talking about losing sketches.
31:43Something you won't have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:00Take her and her belongings to the project mansion.
32:04Anything I should know, sir?
32:06She can't be trusted.
32:09And check the cameras.
32:11We have a mole.
32:13Yes, sir.
32:18Miss Brooks.
32:21What are you doing here?
32:23Well, um,
32:25I, uh,
32:26had to get some artwork
32:28for the client.
32:31You don't trust me.
32:33Not too.
32:35You're not trusting me?
32:37You were the one with another woman
32:38after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:45I saw you with her.
32:46Okay, okay, okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:21No, you're too hard to say.
33:22You see, you see.
33:24Touch me with a light when I'm gone
33:27Love me deep, love me slow
33:30Oh, kiss me and let them take all I hide
33:36Let's go inside.
33:37Let's go inside.
33:37Fire on the inside
33:40eyes like knives you cut right through every look says what you do
33:57pull me under soft and deep you're the secret i can't keep breath on glass you trace my name
34:07no one else can play this game you don't ask you just take and i give and i pray
34:16well hello i'm here for mr brooks i'm sorry what exactly is this for i'm the treatment nurse i'll
34:25be taking him to his appointment for today oh mr brooks doesn't have an appointment today
34:29i can assure you he does
34:30well thank you for coming can i bring crumpet yes mr brooks bring the cat
34:40hello cecilia i'll need your full cooperation i have something of yours you might want back
35:06now that i've got your attention i need a little favor bring me mercer's legacy one design you can't
35:13do this but see i already have sweetheart give me the designs tell sterling and your sweet old
35:20pappy dies and your little cat too your choice i've been reviewing project management assets
35:26four days late on the hudson property the client is not happy mr mercer is not happy pick it up or
35:34i'll give your work to her she's three days ahead is that a personal email
35:41sweetie you don't have to do this too late old man who the fuck are you your worst nightmare
36:06baby baby i'm glad i'm glad you made it i set all this up for you this better work
36:13no no no
36:17no no
36:20no
36:24no
36:29no
36:29no
36:32no
36:37no
36:40Show me the video
36:55Yes, sir
36:56She knew how to evade the cameras
37:01I can't identify her, but
37:03We knew her enough to let her in
37:05Keep this video between us
37:08Yes, sir
37:10Cecilia
37:24Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one, I just
37:32I needed to pick up some paint samples
37:34And this was on the way
37:35On the way to what?
37:37We're like 20 miles south of home
37:39I'm getting my necklace cleaned
37:42So if you can't find me or track me
37:46For any reason
37:47That's why
37:49Why do you need your necklace cleaned?
37:56I've just been working a lot
37:57The drafting table is super dusty
37:59And I don't want to get messed up
38:00It's a woman thing
38:04I'm trusting you right now
38:12I know
38:14What the hell is going on?
38:30Good girl
38:49Right on time
38:51Well don't hesitate now, sweetheart
38:54Or they're dead
38:55Or they're dead
38:56Come on, Cecilia
38:59Do it
39:00Sterling Mercer's legacy designs
39:08Just like I asked
39:09Oh
39:10Sterling, you won't even know what hit you
39:13Now let my grandfather go
39:15He's all yours
39:17A deal is a deal, pretty lady
39:19Sissy, don't
39:26Get out of here
39:27Look, look
39:29I've had a change of heart
39:42Please
39:47No
39:48This way
39:50Wow
40:00You really know how to tie the room together, darling
40:03Sterling has my location
40:05You have no idea what you're in for
40:07Oh
40:08But I think I do
40:09You see
40:11When that timer goes off
40:14You
40:15And that little tracker
40:17And this entire place will go bye-bye
40:19And then that will pave way for the construction site
40:22Of all hell designs
40:24He'll find me
40:26And when he does
40:27That's
40:27Very
40:28Unlikely, Cecilia
40:30Now that Sterling has this video
40:32No one's coming to save you
40:35Screw you
40:36Screw both of you
40:38Oh, oh, oh
40:39But I almost have everything I need
40:44His financials, his accounts
40:47You see, the only thing that is missing, my dear
40:51Is the contact for Sterling's project mansion
40:55What?
40:57Why does that matter?
40:58Well
40:58Once I have the contact
41:01I can put in a bid
41:03Under his
41:04Therefore, Mercer will no longer have any names
41:07Attached to any property
41:10That will never happen
41:13Who's the client?
41:18How much was the bid offer?
41:23I don't know
41:24Or you'll remember
41:27Trust me
41:30Even if I did
41:32I wouldn't tell you
41:34So
41:42Tell me
41:45Who is the client?
41:48He took care of my family
41:50I'm never going to sell him out
41:52Unless you forget, sweetheart
41:58You already gave me
42:00The plans
42:01So therefore
42:02You are already a betrayer
42:05Promise
42:06I don't
42:07Know anything
42:08Hmm
42:10Well, I can see
42:12That you're a lady of your word
42:13Which makes it kind of hard
42:14To believe you
42:15So
42:16Tell you what
42:17This is how it's going to go
42:19You're going to tell me
42:22And then you
42:23Pappy
42:24And little kitty
42:25Can go free
42:27While Mercer Designs
42:29Burns to the ground
42:30Or
42:32I could kill you
42:35Right here
42:36Right now
42:38And Mercer Designs
42:40Falls anyway
42:41Okay
42:44Decisions, decisions
42:46Wait, no
42:47No, I'll tell you
42:48I'll tell you anything
42:48You want to know
42:49Please
42:49Don't touch him
42:50I'll tell you
42:51Tell me
43:02Everything
43:04I don't
43:07I don't know a lot
43:09I just
43:10I know she's very private
43:12Very secretive
43:14She only talks to Sterling
43:16She's an older
43:18Conservative
43:19Woman
43:20Lie
43:21That night
43:24That I dosed
43:24Sterling
43:25With that sleeping elixir
43:26I found
43:28Your little
43:29Project mansion
43:30And that newly
43:31Built BDSM room
43:32Oh, and then all the plans
43:34That I stole from
43:34Cecilia's bedroom
43:35They were for a nursery
43:37Both rooms
43:39That an elderly woman
43:40Wouldn't need
43:41In a new home
43:41You drugged him?
43:43Yes
43:43I drugged him
43:45And then
43:51I ransacked his mail
43:53That's where I found you
43:54Your address
43:56And your little cat
44:00And your little cat too
44:00Well then
44:04Looks like you chose
44:07Oh
44:08Oh, I'm sorry
44:10My sweet miss
44:11But
44:11Our short little affair
44:13Is over
44:14Excuse me
44:16Well
44:17Obviously I don't need
44:19Your services
44:20Any longer
44:21Besides
44:22I don't
44:24Do
44:25Witnesses
44:27Sterling, help me
44:34Please
44:34Sterling, wait
44:35It's a trap
44:36Sterling, please
44:37You have to help me
44:38Watch out
44:38Tell me how to disarm it
44:47Now
44:48Black wire
44:52You little bitch
45:00Nora, stop
45:01Put down the knife
45:02She kidnapped me
45:04I've been waiting here
45:05For hours for you
45:06Put down the knife
45:08Come on
45:08Let me at her
45:09One last time
45:09She betrayed you
45:11She's the one
45:12Who gave up
45:12The Legacy One
45:13And the third floor
45:14Wait, how do you know
45:16About the Legacy One project
45:17That was confidential
45:18That little bitch
45:19She told Vincent
45:21Everything
45:21No
45:22She's lying
45:23It's all because of her
45:25She drugged you
45:29No, I didn't
45:30You bitch
45:30When I thought
45:31I saw you
45:32With that woman
45:32The night you lost
45:35The designs
45:35No
45:36No, that wasn't me
45:38Okay
45:38Vincent made me do it
45:40He said he threatened
45:41My family
45:41I had no other choice
45:43I don't believe you
45:45Arrest her
45:47No
45:48No
45:48Something like
45:52Vincent did you please
45:57You have the right
45:58You're silent
45:59Anything you say
46:01Can't move against you
46:02I don't want to fall
46:02No, get this, my sir
46:03Wait, no, no
46:04I'm Heinzverse
46:05I'm so sorry
46:07It's okay
46:07It's okay
46:08But I gave him your designs
46:10I didn't know what else to do
46:11I was trying to save them
46:12I didn't mean to
46:13You're safe
46:14You're safe
46:14Okay
46:15Vincent, we'll be able to touch the project
46:18I'm so happy you found me
46:26I thought
46:27We'll always find you
46:30How?
46:36Because I know you
46:37That moment in the parking lot
46:40I knew
46:40From your eyes
46:42That you needed me
46:44I will always keep you safe
46:49Hey, hey
46:54Would you two take it someplace else?
46:58Sorry, Fabian
46:59I'll take you and Crump at home
47:01Oh, thank goodness
47:08You're okay
47:09I want to tell you something, sweetheart
47:12I love Agnes
47:14I really mean it
47:15Okay, Fabi
47:16Just get some rest
47:18I mean it, Cece
47:20When a man knows
47:21He knows
47:22Agnes
47:26It's been a long time
47:27Since I've met someone
47:28As caring as you
47:29And I'd like you to be my wife
47:31Yes!
47:35I love you, Agnes
47:37Marley
47:45What are you doing here?
47:47Miss Brooks
47:47Mind coming with me?
47:50Will you give me a second?
47:51I want to change first
47:52I'm sorry
47:54I don't know
47:55Let's go.
48:25Come here.
48:36This is really beautiful.
48:42We work well together.
48:45I'm glad you think so, Cecilia.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:55What about?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:15Come here. I need to show you something.
49:29I made this for you.
49:30Wait, one second.
49:41I thought if we put them next to each other, it would create balance.
49:48Bounce.
50:04But then you came in.
50:07You're kind.
50:09Bold.
50:11Intuitive.
50:13Sterling.
50:13You gave this place a soul.
50:22Cecilia Brooks.
50:26Would you share the love we built together?
50:31Yes.
50:32Yes, Sterling.
50:33I said yes to you.
50:45To forever too.
50:48To every dream we're walking through.
50:52I said yes to you.
50:56To forever too.
50:59To every dream we're walking through.
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