- 2 days ago
Designed For Desire _My Drama
Category
🎥
Short filmTranscript
00:00I'm Cecilia, just your average coffee delivery girl trying to make ends meet.
00:07Little did I know, I'm about to land my dream job and meet the love of my life.
00:25This is insane.
00:27Hi, did anyone order these?
00:31Heartless pervert!
00:33Whoa!
00:34You've got to be kidding me! Look, you've got it all over me!
00:39Do you have any idea how much this costs? And if they can't get it out...
00:42That's enough!
00:47You.
00:51In my office. Now.
00:53What?
00:57What's your name?
01:05Uh...
01:09Cecilia Brooks?
01:10Ms. Brooks, is there a reason why you came here to interview as a designer, dressed like this?
01:15Oh, I think you have the wrong idea, Mr. Mercer. I'm not here...
01:21I don't want to hear excuses.
01:31Change into this.
01:32Excuse me?
01:33Yolanda thinks they're very fast-paced here.
01:36I don't have time to ask twice.
01:46Hello? This is Cecilia.
01:48Ms. Brooks, we need $200,000 to move forward with your grandfather's surgery.
01:53Until then, we cannot proceed.
01:55Okay, one second.
01:57Hello?
01:59Ms. Brooks?
02:00Shit.
02:04Who is this woman? His girlfriend or something?
02:07I wasn't done with my interview.
02:10We'll touch base soon, okay?
02:11Oh!
02:16Good luck.
02:20I thought you weren't interested.
02:22Take off your clothes.
02:23Right now.
02:24No.
02:39A gift?
02:40In exchange for being kidnapped?
02:42No thanks.
02:46I need to know where you're at, at all times.
02:50It's a tracker.
02:51What?
02:52Like a doll collar?
02:54Do you think you owe me now?
02:55Uh-uh.
02:56I wouldn't do that.
02:57Come on.
02:58Let's go.
02:59This is insane.
03:00Just...
03:01Give me a second to put Crumpet in his carrier and call my grandfather.
03:03No.
03:04There are no animals in the mansion.
03:07You must say goodbye to your little...
03:09Crumpet.
03:10What?
03:11Absolutely not.
03:12I told you, in the contract, that I will take care of everything.
03:17I don't care about the contract.
03:18What?
03:19Oh my god!
03:20Goodbyes are always so hard.
03:22Put me down!
03:23What are you doing?
03:24What?
03:27So, Miss Brooks.
03:29What do you see in this room?
03:31Well...
03:33It's...
03:34deliberate.
03:36Controlled.
03:37Powerful.
03:39It's impressive.
03:40But...
03:41But?
03:43It's not...
03:45satisfying.
03:46Bold again.
03:47Bold again.
03:51Tell me.
03:52How do you know it's satisfying?
03:53Satisfaction lies...
03:56Somewhere in between.
03:57You think you can give me that?
03:59Think you can take the risk and find out?
04:02All yours.
04:03Hey.
04:04The women out there would do anything to be in the position you're in.
04:21Unless you have other ideas.
04:23Don't make me regret this risk.
04:31I don't plan to.
04:34The position's been filled.
04:36Go home.
04:39Get out!
04:40Damn.
04:41He doesn't have to be so rude.
04:43Pappy, your phone's upside down.
05:00Hi.
05:01How are you feeling?
05:02Hey, jubilation?
05:04Not doing too well, honey.
05:06Damn hospital postponed my surgery again.
05:08I'm so sorry, Pappy.
05:10I'm working things out with the hospital.
05:13I have some good news today, though.
05:16I'm sorry.
05:17Uh, I think that's my landlord.
05:18I have to go.
05:19Love you.
05:20Bye-bye.
05:23Oh.
05:25What the hell is he doing here?
05:27What are you doing here?
05:29Oh.
05:30What the hell?
05:32Hey!
05:33Whoa, whoa, whoa.
05:34Guys, whoa.
05:35Hey, don't take that!
05:36I did not agree to this!
05:41Actually, you did.
05:45The signing must reside on Mr. Mercer.
05:47I can't quite hear you.
05:49Must reside with Mr. Mercer for the duration of the project?
05:53Mm-hmm.
05:54How long?
05:56Keep reading.
05:57And definitely without exception?
06:05A gift.
06:07What the fuck?
06:09A gift?
06:10In exchange for being kidnapped?
06:12No thanks.
06:16I need to know where you're at.
06:18At all times.
06:20It's a tracker.
06:21What?
06:22Like a dog collar?
06:24Do you think you own me now?
06:25No.
06:26I wouldn't do that.
06:27Come on.
06:28Let's go.
06:29This is insane.
06:30Just...
06:31Give me a second to put Crumpet in his carrier and call my grandfather.
06:33No.
06:34There are no animals in the mansion.
06:37You must say goodbye to your little Crumpet.
06:40What?
06:41Absolutely not.
06:42I told you in the contract that I will take care of everything.
06:47I don't care about the contract.
06:48What?
06:49Oh my god!
06:50Goodbyes are always so hard.
06:52Put me down!
06:53What are you doing?
06:54Ah!
06:57Welcome back, Miss Brooks.
06:59So...
07:00I'm not allowed to leave?
07:02If you leave, your contract will be terminated immediately.
07:05And what? You're just gonna leave me all alone in here?
07:07Would you like me to join you?
07:08No, no, no, no. Why is it making that sound?
07:22Damn, if I leave, Pappy dies.
07:25Shit, I'm trapped with this monster.
07:27Oh my god, is this really happening?
07:29I'm stuck.
07:30This is your uniform.
07:42Work hours have started already.
07:44Tidy yourself up.
07:46Report to Mr. Mercer.
07:47Oh, and uh...
07:48Chop chop, Miss Brooks.
07:49Mr. Mercer does not like to be kept waiting.
07:50Oh, and uh...
07:51Chop chop, Miss Brooks.
07:53Mr. Mercer does not like to be kept waiting.
07:57Feel the heat caught in the fire.
07:58Your body moves.
07:59Feel my desire.
08:00Touch the edge.
08:01Hold me tight.
08:02Lost in this moment.
08:03Burning down.
08:08Enjoy the view?
08:23No, I, um, just didn't want to disturb you.
08:27I don't mind if you stare.
08:28Sorry, sir. I was just interested in your build.
08:33The building. The build of the mansion that we're building to work on today.
08:41What time are we leaving for?
08:42Car leave's in ten minutes.
08:44Great. I'll be ready.
08:46How much further?
09:00Patience, Miss Brooks.
09:11Oh, my God.
09:16Hey, Foxy. I got something that'll keep that jaw clenched.
09:22Wow. Original.
09:23Mr. Mercer, we didn't know you was coming in today.
09:26Get off my property.
09:28What?
09:29You're fired. Leave.
09:31Oh, the hell?
09:31I worked on the last nine Mercer mansions, and now I'm fired because of this bitch?
09:38If I collapse your loan...
09:39Wait, did he just stand up for me?
09:42Sir, how about you?
09:44Continue your work with Miss Brooks, and I'll handle it.
09:46Come on.
09:51Everything's nearly finished.
09:53I'm going to have a team come in and make some final measurements over here,
09:56and I'll ensure they know how to keep their mouth shut.
09:59Uh, is this all marble?
10:07Seeing her in my house gives me a strange feeling.
10:10It's so beautiful.
10:11What is it about her?
10:13Why do I want to...
10:14Follow me.
10:15Wow, an elevator?
10:23By the way, what you did out there, thank you.
10:26I'd dismiss you just as fast if I wasn't pleased with your work, Miss Brooks.
10:30Remember that.
10:31Your first task for the client.
10:39I don't know anything about the client.
10:40Who is...
10:41We don't ask about the client.
10:44We only worry about what they desire.
10:46Okay.
10:47Am I allowed to know what the purpose of this room is?
10:51Yes.
10:52Great.
10:52The client would like this room transformed into their BDSM chambers.
11:00I hope she doesn't see right through me.
11:06So, how would you do it?
11:10Uh, um...
11:12Paint me a picture.
11:14Right.
11:16Uh, over here I would put a chaise lounge.
11:22Velvet.
11:23Obviously.
11:23Obviously.
11:24And over here would be a great place to mount a swing.
11:27One of the adjustable heights and handles.
11:31And next to it, we could put a cabinet for whips and toys and things.
11:35You're very well versed.
11:38I read a lot.
11:40Certain genres of certain books have certain details.
11:44Right, right.
11:45Of course.
11:46Yeah, it's perfectly normal.
11:48A lot of women read fantasy and romance and fantasy romance.
11:55Anyway, uh, this would be a great place to mount wall cuffs.
12:01I'm drowning in the heat
12:07Afraid of what I need
12:12Your touch is like a flame
12:18But I can't turn your way
12:21Hello?
12:29Miss Brooks, I'm sorry.
12:30We need the payment.
12:32Uh, I understand.
12:34Is there anything I could do now to hold him there?
12:36Anything that could be done right now?
12:38We need your payment, Miss Brooks.
12:39By tomorrow morning.
12:41All $200,000.
12:43Okay, I'll get it to you.
12:45I promise.
12:48Sorry.
12:49Your contract explicitly states that I receive 100% of your attention at work.
12:55Who was that?
12:58It's personal.
12:58There are no personal calls at work.
13:02I'm sorry.
13:09Mr. Mercer, it won't happen again.
13:11I'll get to work right away.
13:13I'll have designs to you by tomorrow morning.
13:14Take it off.
13:20What?
13:24Your jacket.
13:27Mr. Mercer.
13:28I won't ask twice.
13:31I won't ask twice.
13:38Uh, what's this for?
13:45It's perfect.
13:48Now go get dressed.
13:48No need to pout in this, Brooks.
14:11You'll be reading some of the top designers.
14:13I don't understand.
14:14How does this take priority over work?
14:17Am I your date or your designer?
14:19You are.
14:22When I say you are.
14:24Ladies and gentlemen, it is my pleasure to welcome you all to the annual architectural ball,
14:43proudly hosted by the Mercer Group.
14:49I'd also like to welcome and introduce our newest interior designer,
14:55Miss Cecilia Brooks.
14:56I thought you said you had the job.
15:02I did everything that I could.
15:04Mitch must have slept with him in the interview.
15:06Fine.
15:08I'll fix it myself.
15:13So without further ado, please enjoy your drinks and have a wonderful night.
15:17May I have this dance?
15:27Oh.
15:30Sterling.
15:32I was hoping that maybe we could walk and talk.
15:37Or maybe dance and discuss.
15:40You must be working so hard.
15:42I was thinking maybe you would benefit from a designer who really knows you, your past.
15:52I'm not interested in rehashing old relationships, no.
15:56It was just a flight.
15:57It doesn't mean we can't be close.
16:01Sterling could be a difficult person to work for.
16:04You know you can come to me if you need anything.
16:16Get your hands off of her!
16:20What the hell are you doing here, Vincent?
16:25Folks, looks like the jester came to play!
16:27Ha ha ha ha ha!
16:31Get him out of here.
16:31It's all right, folks.
16:38Enjoy the party.
16:38It's okay.
16:40Yeah, you're okay.
16:42Why don't you go grab a drink?
16:43I'm going to take care of this.
16:52Crazy night, huh?
16:54Ha ha ha.
16:54Too crazy.
16:55I'm Nora.
16:56A close friend of Sterling's.
16:58So, tell me, how's the new position treating you?
17:03It's demanding.
17:05And the client?
17:07What's your feel on them?
17:08Oh, I'm not at liberty to discuss that.
17:10Come on, it must be crazy, right?
17:13I really can't.
17:17Oh!
17:17Oh, how embarrassing.
17:25What are you doing in here?
17:26Cecilia, I'm sorry.
17:28I'm so done with their whole world.
17:32Yeah, the head of the board was barking my ear off.
17:36Stop it!
17:37What?
17:38I'm just trying to help.
17:39Help?
17:40Really?
17:41That's rich.
17:42I mean, I am rich.
17:45You.
17:46You are a lot of things.
17:48From the moment I met you, you've controlled every aspect of my life.
17:51Every movement I make.
17:52You're obsessive, cryptic, a perfectionist.
17:56But you're not rich.
17:58Not where it counts.
17:59Feel, excuse me.
18:19I have work to do.
18:20I have work to do.
18:29Hmm, this hand.
18:37What if?
18:39Maybe cuffs?
18:41What if we hang something around here?
18:43Is that me?
19:02Did I say you could come in here?
19:04Uh, you'll be happy to know that I worked on these all night.
19:13Maybe if you stayed at the gala, you would have learned something.
19:20Learned what?
19:21You follow through with your obligations, so you wouldn't waste your time working on garbage.
19:25Garbage?
19:27I'll need five more by tomorrow morning.
19:29That will take me all night.
19:30Even making those two took me all night, and I barely got them done in time.
19:34You've done it once before.
19:36You can do it again.
19:37Don't you think maybe, just maybe, that's an unreasonable amount of time?
19:42Maybe.
19:42I don't care.
19:44Wait.
19:46I should have remembered.
19:48It's not in the contract.
19:58Oh my god.
20:04Excuse me, miss.
20:05Where's my grandfather?
20:07I'm sorry.
20:08Usually if they're not in the room, it's because the insurance ran out or...
20:12Miss Brooks?
20:25Yes?
20:26I just wanted to inform you that your grandfather just received his first round of stem cell treatment.
20:30He's being very well taken care of.
20:33I don't understand.
20:33How is that possible?
20:35I can't afford that.
20:38I told you.
20:39I'll take care of everything.
20:40What?
20:41I can't believe this.
20:50Oh, but...
20:51But why?
20:53Why would you do that?
20:54Well, when I said I needed your undivided attention, I meant it.
20:58Now the only thing you have to worry about is me.
21:05I'm not your slave.
21:11Five designs.
21:13By tomorrow morning.
21:13You're welcome.
21:27I've been expecting you.
21:28I have a feeling I'll be impressed.
21:30Brushed work is not work to be proud of.
21:38Is this you?
21:39And my parents.
21:40They must be so proud of you.
21:41They never got to see it.
21:42I inherited this company before I was old enough to run it.
21:46I'm so sorry.
21:47It was a long time ago.
21:48What happened?
21:49They vanished.
21:50On a work trip into Europe.
21:52Guess I don't control everything after all.
21:54I'm going to deliver these designs to everyone.
21:57I have a surprise for you.
22:04To your first approval.
22:05It's beautiful.
22:13I do have a request, though.
22:16I was wondering if I could...
22:18I could have a little freedom.
22:20From what?
22:21Me?
22:22No.
22:23No, not you.
22:25From this.
22:26Well...
22:27I need to keep track of you.
22:30I mean, what if...
22:32Sterling...
22:32I'm not your parents.
22:36They'll be fine.
22:37I just don't know if I'm ready for that yet.
22:40But you continue to impress me.
22:41I mean, you'll be free as a bird.
22:43I do have more surprises to show you.
22:59But, um...
23:01You're going to have to wait until tomorrow.
23:03Hmm.
23:04Full of surprises.
23:05Aren't you?
23:06Yeah.
23:11And that's why I can't let you go.
23:27What are you two doing here?
23:29There's not supposed to be anyone working today.
23:30We were just swinging by to assess a minor electrical concern.
23:33It seems that the search...
23:34It's nothing urgent.
23:35We're going to come back tomorrow with the rest of the crew and get it resolved.
23:39Okay.
23:39Thank you for the update.
23:43Thank you, Mr. Mercer.
23:48I've ordered these beautiful pieces.
23:50White marble.
23:53What the hell?
23:53It's kind of beautiful.
24:01No, no, it's a mistake.
24:05It's not too perfect.
24:07It's bold.
24:08It's not trying hard.
24:08It just...
24:10is.
24:11Well, I like my work to be intentional.
24:13Intentional.
24:13Well, I would argue that this elevates the intention of the space.
24:21The juxtaposition between control and chaos.
24:24You have good eyes, Miss Brooks.
24:27Follow me.
24:34Your second task for the client.
24:37Master bedroom and nursery.
24:39Oh, the client's a family man.
24:42We don't discuss the client.
24:45Only satisfy their needs.
24:49Would you like to see your designs?
24:50Is it not what you thought?
25:10No, it's...
25:12It's not that.
25:13It...
25:14The power went up.
25:18There's no signal.
25:20Yeah, the soundproofing they put up, uh...
25:23cuts signal.
25:24What?
25:25No.
25:25It's not funny.
25:39I'm not laughing.
25:41How long until someone notices that we're gone?
25:43I don't know.
25:44An hour?
25:46Maybe two?
25:47Is it Nora?
25:49The client?
25:50What?
25:51No, you're not supposed to ask about the client.
25:54Just tell me.
25:55No, it's not.
25:57Is she...
25:58more?
26:00I built this room because I believed in your vision.
26:04I cleared your schedule.
26:06I cleared your stressors.
26:08All because...
26:10I wanted you.
26:24Sir, your 7 o'clock is waiting upstairs.
26:50Tuck your shirt in, sir.
27:02I know.
27:10I know.
27:11I know.
27:13Ah!
27:14Who the hell are you?
27:15Calm down, sweetie.
27:17Put Crumpet down!
27:18Listen, sweetie.
27:21I work for Mr. Mercer.
27:23He hired me to take care of your grandpa and Crumpet until you return.
27:27Sweetie!
27:28What are you doing home?
27:29What am I doing?
27:30This is Agnes, my nurse.
27:34She's taking care of me.
27:35Oh.
27:37I'm sorry.
27:37I'm so embarrassed.
27:42Um.
27:43Hello?
27:44Why are you in your apartment?
27:46If you're there, there's no need for Agnes to stay employed.
27:49Cece, you're ruining my chances.
27:51Go back, Cece.
27:52Oh, okay.
27:53Okay.
27:53Okay.
27:53Everything's all right.
27:56Agnes has taken very good care of me.
27:57Okay.
27:58Okay, Pappy.
27:58I'll go.
27:59Um.
28:00It was nice meeting you, Agnes.
28:02Nice to meet you, dear.
28:13What the hell?
28:15He has a girlfriend?
28:16What was I thinking?
28:24What was I thinking?
28:24What was I thinking?
28:46Got you now, bitch.
29:08I found her address.
29:16Sterling.
29:29Sterling.
29:30Can we talk?
29:30I don't have the time, Miss Brooks.
29:32Sterling, it's important.
29:33Please.
29:33Well, I'm dealing with something.
29:34Figure it out yourself.
29:35You might want to ask me why I'm here, you psycho.
29:48I don't give a damn what you have to say.
29:51I don't trust you.
29:52Well, maybe you should start.
29:54Because I know a dirty little secret about you.
30:00You're about to be broke.
30:01I'm here to offer you a buyout.
30:07Get out.
30:08Hear me out.
30:10Instead of your accounts being compromised, facing bankruptcy, and becoming the embarrassment
30:16of architecture, we could merge as Hale Mercer.
30:21Even has a nice name.
30:23Oh, you're way out of line.
30:24Am I?
30:26Because someone pretty close to you seems to be worried about you.
30:29Besides, if you don't accept this buyout, I'll publish the information, and Mercer
30:37Designs will go bye-bye.
30:39Is that a threat?
30:40Think of it more of a bribe.
30:48Get the hell out of my property.
30:50And out of my sight.
30:52Now!
30:53Now!
30:59Miss Brooks, in my office immediately.
31:09Are you sure you want me in there, or not your other woman friend?
31:12What are you talking about?
31:13Hand me your sketches.
31:14I have designs, but they're not the originals.
31:20The originals are missing or lost.
31:23What do you mean, lost?
31:24I finished the designs last night, and I fell asleep, but when I woke up, they weren't in
31:28my room anymore.
31:29You're lying.
31:30I'm lying?
31:32Why don't you tell that to the next girl you bring over?
31:36Excuse me?
31:37You're so careless.
31:38Careless?
31:39Me?
31:39I'm pretty sure you're the one who's talking about losing sketches, something you won't
31:44have to deal with anymore.
31:47Marley's going to be taking you to the project mansion.
31:50Hopefully you can figure out your sketches problems there.
31:54You may go.
32:01Take her and her belongings to the project mansion.
32:05Anything I should know, sir?
32:07She can't be trusted.
32:08And check the cameras.
32:11We have them all.
32:13Yes, sir.
32:19Miss Brooks.
32:21What are you doing here?
32:23Well, um, I, uh, had to get some artwork for the client.
32:31You don't trust me?
32:33Not to.
32:35You're not trusting me?
32:36You were the one with another woman after all that
32:39I did this all for you bullshit.
32:41Okay, what woman are you talking about here?
32:43You can't lie to me.
32:44I saw you with her.
32:46I saw you with her.
32:46Okay, okay.
32:47Okay.
32:48If it makes you feel any better, I...
32:49I promise I'm looking into it.
32:55You promise?
32:58I promise.
32:59I thought you didn't trust me.
33:20That you were mad at me?
33:22No, you're too hard, Thursday.
33:22Let's go inside.
33:37I promise you fire on me inside.
33:41Eyes like knives you cut right through
33:54Every look says what you do
33:57Pull me under soft and deep
34:01You're the secret I can't keep
34:04Breath on glass you trace my name
34:07No one else can play this game
34:10You don't ask, you just take
34:14And I give, and I pray
34:17Well, hello. I'm here for Mr. Brooks.
34:21I'm sorry, what exactly is this for?
34:23I'm the treatment nurse. I'll be taking him to his appointment for today.
34:27Oh, Mr. Brooks doesn't have an appointment today.
34:29I can assure you he does.
34:34Well, thank you for coming.
34:36Can I bring Crumpet?
34:38Yes, Mr. Brooks. Bring the cat.
34:40Hello, Cecilia. I'll need your full cooperation. I have something of yours you might want back.
35:06Now that I've got your attention, I need a little favor. Bring me Mercer's Legacy One design.
35:12You can't do this.
35:14But see, I already have, sweetheart.
35:16Give me the designs.
35:18Tell Sterling, and your sweet old pappy dies.
35:21And your little cat, too.
35:22Your choice.
35:23I've been reviewing project management assets.
35:27You're four days late on the Hudson property.
35:29The client is not happy.
35:31Mr. Mercer is not happy.
35:34Pick it up or I'll give your work to her.
35:35She's three days ahead.
35:36Is that a personal email?
35:58Sweetie, you don't have to do this.
36:00Too late, old man.
36:01Who the fuck are you?
36:04Your worst nightmare.
36:06Baby.
36:08I'm so glad you made it.
36:09I set all this up for you.
36:12This better work.
36:13No, no, you won't eat.
36:17mmm
36:47Show me the video.
36:56Yes, sir.
37:00She knew how to invade the cameras.
37:02I can't identify her, but you knew her enough to let her in.
37:07Keep this video between us.
37:09Yes, sir.
37:17Cecilia.
37:25Sterling, you're not working from home today?
37:27What are you doing here?
37:29Who have you been talking to?
37:31No one.
37:31I just, I needed to pick up some paint samples and this was on the way.
37:35On the way to what?
37:37We're like 20 miles south of home.
37:40I'm getting my necklace cleaned.
37:43So if you can't find me or track me for any reason,
37:47that's why.
37:54Why do you need your necklace cleaned?
37:56I've just been working a lot.
37:58The drafting table is super dusty and I don't want to get messed up.
38:03It's a woman thing.
38:10I'm trusting you right now.
38:13I know.
38:17What the hell is going on?
38:30What the hell is going on?
38:30Good girl.
38:49Right on time.
38:51Well, don't hesitate now, sweetheart.
38:55Or they're dead.
38:58Come on, Cecilia.
39:00Do it.
39:06Sterling Mercer's legacy designs.
39:08Just like I asked.
39:10Oh.
39:12Sterling, you won't even know what hit you.
39:13Now let my grandfather go.
39:16He's all yours.
39:18A deal is a deal, pretty lady.
39:25Cece, don't!
39:26Get out of here!
39:28Look, look!
39:28I've had a change of heart.
39:46Please.
39:48No.
39:49This way.
39:50This way.
39:51You really know how to tie the room together, darling.
40:04Sterling has my location.
40:06You have no idea what you're in for.
40:07Oh.
40:08But I think I do.
40:09You see, when that timer goes off,
40:15you and that little tracker
40:17and this entire place will go bye-bye.
40:19And then that will pave way
40:21for the construction site
40:22of all hail designs.
40:25He'll find me.
40:26And when he does...
40:27That's very unlikely, Cecilia.
40:30Now that Sterling has this video,
40:33no one's coming to save you.
40:36Screw you.
40:37Screw both of you!
40:38Oh, oh, oh.
40:40But I almost have everything I need.
40:44Hmm?
40:45His financials, his accounts.
40:47You see, the only thing that is missing, my dear,
40:52is the contact for Sterling's project mansion.
40:55What?
40:57Why does that matter?
40:58Well, once I have the contact,
41:02I can put in a bid under his.
41:05Therefore, Mercer will no longer have any names
41:08attached to any property.
41:11That will never happen.
41:17Who's the client?
41:20How much was the bid offer?
41:21I don't know.
41:24I don't know.
41:26Will you remember?
41:29Trust me.
41:30Even if I did,
41:32I wouldn't tell you.
41:34So, tell me,
41:45who is the client?
41:48He took care of my family.
41:51I'm never going to sell him out.
41:52Unless you forget, sweetheart.
41:58You already gave me the plans.
42:02So, therefore, you are already a betrayer.
42:04Promise, I don't know anything.
42:09Hmm.
42:11Well, I can see that you're a lady of your word,
42:13which makes it kind of harder to believe you.
42:15So, tell you what.
42:18This is how it's going to go.
42:21You're going to tell me,
42:22and then you,
42:24Pappy,
42:25and little Kitty
42:25can go free
42:27while Mercer Designs burns to the ground.
42:31Or,
42:32I could kill you.
42:35Right here.
42:37Right now.
42:39And Mercer Designs falls anyway.
42:44Okay.
42:46Decisions, decisions, darling!
42:47Wait, no!
42:47No, I'll tell you!
42:48I'll tell you anything you want to know!
42:49Please, just don't touch him!
42:51I'll tell you!
42:57Tell me
43:02everything.
43:06I don't...
43:08I don't know a lot.
43:09I just...
43:11I know she's very private,
43:13very secretive.
43:15She only talks to Sterling.
43:17She's an older,
43:19conservative woman.
43:21Liar!
43:23That night that I dosed Sterling
43:25with that sleeping elixir,
43:26I found your little project mansion
43:30and that newly built BDSM room.
43:33Oh, and then all the plans
43:34that I stole from Cecilia's bedroom?
43:36They were for a nursery.
43:38Both rooms that an elderly woman
43:40wouldn't need in a new home.
43:42You drugged him?
43:43Yes!
43:43I drugged him!
43:51And then,
43:52I ransacked his mail.
43:53That's where I found you,
43:55your address,
43:56and your little cat, too.
44:03Well then,
44:04looks like you chose...
44:08Oh!
44:09Oh, I'm sorry,
44:10my sweetness,
44:11but our short little affair
44:14is over.
44:15Excuse me?
44:17Well,
44:18obviously I don't need
44:20your services any longer.
44:21besides,
44:22I don't
44:24do
44:25witnesses.
44:33Sterling,
44:33help me, please!
44:35Sterling, wait,
44:35it's a trap!
44:36Sterling, please,
44:37you have to help me!
44:38Watch out!
44:38tell me how to disarm it!
44:48Now!
44:51Black wire!
44:52You little bitch!
45:00Norah, stop!
45:01Put down the knife!
45:03She kidnapped me!
45:05I've been waiting here
45:05for hours for you!
45:07Put down the knife!
45:08Come on,
45:08let me at her one last time!
45:10She betrayed you!
45:11She's the one who gave up
45:12the Legacy One
45:13and the third floor!
45:16Wait,
45:16how do you know about
45:17the Legacy One project?
45:18That was confidential.
45:19That little bitch,
45:20she told Vincent
45:21everything!
45:22No,
45:23she's lying!
45:23It's all because of her!
45:28She drugged you!
45:29No,
45:30I didn't,
45:30you bitch!
45:31When I thought
45:32I saw you
45:32with that woman?
45:34Then I lost
45:35the designs.
45:36No,
45:37no,
45:37that wasn't me!
45:38Okay,
45:39Vincent made me do it!
45:40He said he threatened
45:41my family!
45:42I had no other choice!
45:44I don't believe you.
45:47Arrest her!
45:48No!
45:51Stop the knife!
45:52No!
45:56Vincent,
45:56Vincent,
45:57please!
45:57You have the right
45:58woman in silence!
46:00Anything you say
46:01can't move against
46:02you or you're going to
46:02walk.
46:04Wait,
46:04no,
46:04no,
46:04I'm timeless.
46:05I'm so sorry.
46:07It's okay.
46:08It's okay.
46:09But I gave him
46:09your designs.
46:10I didn't know
46:10what else to do.
46:11I was trying to
46:12save them.
46:12Didn't mean to.
46:13You're safe.
46:14You're safe.
46:15Okay?
46:16Vincent,
46:17we'll be able
46:17to touch the project.
46:22I'm so happy
46:26you found me.
46:27I thought...
46:28Always find you.
46:32How?
46:36Because I know you.
46:38That moment in the
46:39parking lot,
46:40I knew from your eyes
46:42that you needed me.
46:44I will always
46:49keep you safe.
46:53Hey,
46:54hey,
46:54would you two
46:55take it someplace else?
46:59Sorry,
46:59Patti.
47:00I'll take you
47:00and Crump at home.
47:07Oh,
47:07thank goodness
47:08you're okay.
47:10I want to tell you
47:12something,
47:12sweetheart.
47:12I love Agnes.
47:14I really mean it.
47:16Okay,
47:16Patti.
47:17Just get some rest.
47:18I mean it,
47:19Cece.
47:20When a man knows,
47:21he knows.
47:26Agnes,
47:26it's been a long time
47:27since I've met
47:28someone as caring
47:28as you.
47:30And I'd like you
47:31to be my wife.
47:33Yes!
47:35I love you,
47:36Agnes.
47:42Marley,
47:46what are you doing
47:46here?
47:47Miss Brooks.
47:48Mind coming with me?
47:50Will you give me a second?
47:51I want to change first.
47:52비 предлож
48:01to bed.
48:02Okay,
48:06please,
48:07we love you.
48:11Woke up
48:12and the sky was pain.
48:14Coffee tastes like sugar dreams,
48:17traffic sounds like melody.
48:20This is really beautiful.
48:43We work well together.
48:45Glad you think so, Cecilia.
48:48Um.
48:49Yes, Sterling?
48:52I have something I need to tell you.
48:56About?
48:58There isn't a legacy, Kalaya.
49:01Well, there is, but...
49:04It's not who you think.
49:07I don't follow.
49:11It's me.
49:12What?
49:13This. This is my legacy.
49:16Come here. I need to show you something.
49:29I made this for you.
49:30Wait, one second.
49:41I thought if we put them next to each other, it would create balance.
49:48But then you came in.
50:05You're kind.
50:09Old.
50:11Intuitive.
50:13Sterling.
50:13Close.
50:14Beautiful.
50:17You gave this place a soul.
50:19Cecilia Brooks.
50:24Would you share the love we built together?
50:28Yes
50:32Yes, Sterling
50:58Yes, Sterling
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