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#ilzameishq #humayounashraf #mariamalik
Ilzam e Ishq - Episode 14 - 13th July 2025 - [ Humayoun Ashraf & Maria Malik ] - Har Pal Entertainmen
#ilzameishq #humayounashraf #mariamalik
Ilzam e Ishq - Episode 14 - 13th July 2025 - [ Humayoun Ashraf & Maria Malik ] - Har Pal Entertainmen
#ilzameishq #humayounashraf #mariamalik
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Phim ngắnPhụ đề
00:00I have noticed that you're going to fly away from me.
00:08Are you looking at me?
00:12I don't know why.
00:14I had to give this to you.
00:16I got this number from Hurya.
00:19Do you have any help?
00:22Asad.
00:24Who is Asad?
00:26It's you.
00:28It's better that you leave your anger at Hurya.
00:32You don't have to give it to me.
00:34You don't have to give it to me.
00:36You don't have to give it to me.
00:38But I don't have to give it to Haris.
00:40There's nothing to give it to me.
00:42Everyone left me.
00:44But Haris is still there.
00:46Why?
00:48Let's go here.
00:49Before I get something to do.
00:51This is my entire path.
00:53Look.
00:54I want to give it to you.
00:56You don't have to give it to me.
00:58You don't have to give it to me.
01:00You don't have to hear it.
01:02You don't have to hear it.
01:04You don't have to give it to me.
01:06If you don't have to give it to me,
01:08then you don't forget me.
01:10It's a good thing.
01:12If you're wrong,
01:14what's going on?
01:16Where is your responsibility?
01:18What?
01:19How can I get a relationship with my family?
01:21I'm going to get a deal.
01:24What?
01:25What?
01:26What happened?
01:27Something happened?
01:28Something happened?
01:29No, nothing.
01:30Nothing happened.
01:31You don't have to be a problem.
01:32You're definitely going to get me.
01:34What?
01:35What are you doing?
01:36How are you doing?
01:38You're going to be a thousand problems.
01:40How are you doing?
01:41How do you do it?
01:42How do you do it?
01:43How do you do it?
01:44I'm getting started.
01:46I'll be asking myself.
01:49Yes, I'm going to give it to you,
01:51I'll ask you to take a man.
01:53If you're willing,
01:55then you pay for a mobile phone call.
01:57Yes, I'm not.
01:59He paid a lot of money and paid money for the staff.
02:04You are crying.
02:06No, no.
02:09I want to say that...
02:11...with your father...
02:14...he's going to be a burden.
02:16You're going to be hiding.
02:19What? What?
02:21What happened?
02:22Something happened?
02:23No, nothing happened.
02:25Don't worry about it.
02:26You're hiding something for me.
02:28What are you doing?
02:31How are you doing?
02:33The people who have thousands of problems are.
02:36Hamsa, if I have a feeling that...
02:40...if I can do this with my hands, I will never be able to do this with you.
02:46I was able to give this to you.
02:48I got this number from Hurya.
02:50Do you have any help for me?
02:53Asad.
02:55Who is Asad?
02:58No, I'm talking about your daughter.
03:00If you want to do it, then do it on the phone.
03:04Yes, why?
03:05Why not?
03:06There was a lot of money, and the money was cut.
03:09He gave the staff to the staff.
03:12You're crying.
03:13You're crying.
03:15I don't know.
03:15You're crying.
03:16You're crying.
03:17You're crying.
03:18I'm crying.
03:19You're crying.
03:21I'm crying.
03:22I'm crying.
03:23I'm crying.
03:23I'm crying.
03:25I'm crying.
03:26I'm crying.
03:27I'm crying.
03:27I'm crying.
03:28I'm crying.
03:30I'm crying.
03:31You're crying.
03:33Why should I take back to my wife?
03:34I didn't know anything about my daughter's name.
03:36Let's go home to my house.
03:39Maybe you have to listen to me.
03:41Shere's daughter doesn't get low.
03:44So if you're not afraid to scare me,
03:47I will never forget your daughter.
03:49I'm telling you.
03:51Why do you laugh your voice?
03:54Are you looking at me crazy?
03:57Why not know me?
03:58I'm not going to get a heart of you.
04:00And it's better that you don't want to leave your anger at home.
04:04Or you don't want to announce a new war.
04:07No, you don't believe it.
04:09But I don't have to say anything about it.
04:12There's nothing to do with it.
04:14Everyone left it and left it.
04:16But it's still there. Why?
04:18It's a bad thing.
04:20Think about it.
04:21If it's wrong, what's going on?
04:23It's a bad thing.
04:25It's a bad thing.
04:26How can I get a relationship with my family?
04:29We don't want people to do anything.
04:33Don't tell me why you don't talk about it.
04:35You don't want to talk about it.
04:37I don't understand.
04:38I don't understand what's going on with my husband.
04:40Have you got any news about it?
04:42Now it's the news about it.
04:44I like it.
04:46It's going to be our relationship with it.
04:48I don't know.
04:50I don't know.
04:51I don't know.
04:53I don't know.
04:54I don't want to go.
04:57I don't want to think about it.
04:59Don't go anywhere.
05:01Lahore, Islamabad, anywhere.
05:03You will lose your lives, right?
05:04It's the same.
05:05It's just like him.
05:07It's the same as his son.
05:10Then, he won't die or die.
05:12He doesn't want to be a mess.
05:14Please, let's open it.
05:15No one will take you.
05:17Please.
05:18Please, let's open it.
05:21I'll call him and tell him that he'll come back at the same time.
05:25Mother, I've told you to get a phone call.
05:28There's a lot of water and water.
05:30Besides, I'll live or die with you.
05:33Take me to the doctor.
05:35I'm not good at all.
05:37What happened to you?
05:38We need to see all these things.
05:41I'll follow you.
05:43Who told you this story?
05:45If they can find me in my house,
05:48then they can find me.
05:50You're better than me.
05:52You're better than me.
05:54You're better than me.
05:56You're better than me.
05:58You're better than me.
06:00But I don't know.
06:02What you're saying is true.
06:04And they don't know where they are.
06:07But I won't leave you again,
06:09when I'm not getting married.
06:11I don't understand.
06:13I don't know anything.
06:15I'll come back to you tomorrow.
06:17I'll go tomorrow.
06:18I'll come back to you tomorrow.
06:20I'll come back to you tomorrow.
06:22I'll come back to you tomorrow.
06:24I'll come back to you tomorrow.
06:26But I don't like that.
06:27If she's in the middle of the house,
06:29she'll keep up.
06:31Yes, Mama.
06:32The episode opens in chaos.
06:48Guests at the gala are panicking as Zion runs through the dark corridors calling Anaya's name.
06:53His voice breaks, desperation in every shout.
06:57Security is alerted, the building is sealed, but Anaya is nowhere to be found.
07:01Meanwhile, Mahmood watches everything unfold from a hidden surveillance room.
07:05He speaks to unconscious Anaya, tied to a chair,
07:09tum Zion ki kamsori ho, aor kamsori par war sabs gara hoda hai.
07:14His plan is clear, to emotionally destroy Zion by taking away the person he fought everything for.
07:20Zion receives a voice note from Mahmood, apni mohabit ko baka seiko, to ao.
07:26Akela, warna USKI sans serf chandgantin ki memon hai.
07:30Enraged but focused, Zion decides to go alone,
07:34despite Daniel and his mother's pleas not to walk into a trap.
07:37Zion reaches the location sent by Mahmood,
07:40an abandoned textile mill on the outskirts of the city.
07:43Inside, he finds a maze of rooms,
07:46each containing a memory of his and Anaya's relationship,
07:49photos, letters, and videos playing on loop, turning love into a psychological battlefield.
07:54Meanwhile, Daniel secretly follows Zion, keeping the police updated.
07:59Zion finally finds Anaya, weak but alive.
08:02Mahmood appears, clapping slowly.
08:04Tumjit gay Zion, ya shayad main hara hai nahida, he says, before pulling out a gun.
08:10A tense standoff follows.
08:12Just then, a gunshot echoes.
08:14The screen goes black, silence.
08:17Then, the camera pans to Zion holding Mahmood's hand, stopping the shot,
08:21as police storm in and arrest Mahmood.
08:23Zion frees Anaya, holding her tightly as she breaks down.
08:27The episode ends with Zion whispering.
08:30Mahabit ko ilzom se nakal kar, ab mine tumhi serfamon doonga.
08:34The screen fades to black, peace is near, er is it.
08:38The episode opens in chaos.
08:40Guests at the gala are panicking as Zion runs through the dark corridors calling Anaya's name.
08:45His voice breaks, desperation in every shout.
08:49Security is alerted, the building is sealed, but Anaya is nowhere to be found.
08:54Meanwhile, Mahmood watches everything unfold from a hidden surveillance room.
08:58He speaks to unconscious Anaya, tied to a chair, tum Zion ki kamsori ho, aor kamsori par war sabs gara hoda hai.
09:06His plan is clear, to emotionally destroy Zion by taking away the person he fought everything for.
09:12Zion receives a voice note from Mahmood, apni mohabit ko baka seiko, toao.
09:18Akila, warna USKI sans serf chand gantan ki memon hai.
09:23Enraged but focused, Zion decides to go alone, despite Daniel and his mother's pleas not to walk into a trap.
09:30Zion reaches the location sent by Mahmood, an abandoned textile mill on the outskirts of the city.
09:35Inside, he finds a maze of rooms, each containing a memory of his and Anaya's relationship, photos, letters, and videos playing on loop, turning love into a psychological battlefield.
09:46Meanwhile, Daniel secretly follows Zion, keeping the police updated.
09:51Zion finally finds Anaya, weak but alive.
09:54Mahmood appears, clapping slowly.
09:56Tum jeet gay Zion, ya shayad main hara hai nahida, he says, before pulling out a gun.
10:02A tense standoff follows.
10:04Just then, a gunshot echoes.
10:06The screen goes black.
10:08Silence.
10:09Then, the camera pans to Zion holding Mahmood's hand, stopping the shot, as police storm in and arrest Mahmood.
10:15Zion frees Anaya, holding her tightly as she breaks down.
10:19The episode ends with Zion whispering.
10:22Mahabit ko ilzom say nakal kar, ab mine tum he sirfam on doon ga.
10:27The screen fades to black, peace is near, or is it?
10:31The episode opens in chaos.
10:33Guests at the gala are panicking as Zion runs through the dark corridors calling Anaya's name.
10:38His voice breaks, desperation in every shout.
10:41Security is alerted, the building is sealed, but Anaya is nowhere to be found.
10:46Meanwhile, Mahmood watches everything unfold from a hidden surveillance room.
10:50He speaks to unconscious Anaya, tied to a chair, tum Zion ki kamsori ho, aor kamsori par war sabs gara hoda hai.
10:58His plan is clear, to emotionally destroy Zion by taking away the person he fought everything for.
11:04Zion receives a voice note from Mahmood, apne mohabit ko baka seiko, to a o.
11:10Akela, warna us ki sans serf chand gantan ki mem on hai.
11:15Enraged but focused, Zion decides to go alone, despite Daniel and his mother's pleas not to walk into a trap.
11:21Zion reaches the location sent by Mahmood, an abandoned textile mill on the outskirts of the city.
11:27Inside, he finds a maze of rooms, each containing a memory of his and Anaya's relationship, photos, letters, and videos playing on loop, turning love into a psychological battlefield.
11:38Meanwhile, Daniel secretly follows Zion, keeping the police updated.
11:43Zion finally finds Anaya, weak but alive.
11:46Mahmood appears, clapping slowly.
11:48Tum jeet gay Zion, ya shayad main hara hai nahida, he says, before pulling out a gun.
11:55A tense standoff follows.
11:57Just then, a gunshot echoes.
11:59The screen goes black, silence.
12:01Then, the camera pans to Zion holding Mahmood's hand, stopping the shot, as police storm in and arrest Mahmood.
12:08Zion frees Anaya, holding her tightly as she breaks down.
12:12The episode ends with Zion whispering.
12:14Mahabit ko ilzom se nakal kar, ab mine tum he serfam on doonga.
12:19The screen fades to black, peace is near, er is it.
12:23The episode opens in chaos.
12:25Guests at the gala are panicking as Zion runs through the dark corridors calling Anaya's name.
12:30His voice breaks, desperation in every shout.
12:33Security is alerted, the building is sealed, but Anaya is nowhere to be found.
12:38Meanwhile, Mahmood watches everything unfold from a hidden surveillance room.
12:42He speaks to unconscious Anaya, tied to a chair, tum Zion ki kamsori ho, aor kamsori par war sabs gara hoda hai.
12:50His plan is clear, to emotionally destroy Zion by taking away the person he fought everything for.
12:56Zion receives a voice note from Mahmood, apni mohabit ko baka seiko, to ao.
13:01Akela, warna uski san serf chond gantan ki memon hai.
13:07Enraged but focused, Zion decides to go alone, despite Daniel and his mother's pleas not to walk into a trap.
13:14Zion reaches the location sent by Mahmood, an abandoned textile mill on the outskirts of the city.
13:20Inside, he finds a maze of rooms, each containing a memory of his and Anaya's relationship, photos, letters, and videos playing on loop, turning love into a psychological battlefield.
13:31Meanwhile, Daniel secretly follows Zion, keeping the police updated.
13:36Zion finally finds Anaya, weak but alive.
13:39Mahmood appears, clapping slowly.
13:41Tum jeet gay Zion, ya shayad main hara hai nahida, he says, before pulling out a gun.
13:47A tense standoff follows.
13:49Just then, a gunshot echoes.
13:51The screen goes black, silence.
13:53Then, the camera pans to Zion holding Mahmood's hand, stopping the shot, as police storm in and arrest Mahmood.
14:00Zion frees Anaya, holding her tightly as she breaks down.
14:04The episode ends with Zion whispering.
14:06Mahabit ko ilzom se nakal kar, ab mine tumhi sirfamon doonga.
14:11The screen fades to black, peace is near, er is it.
14:15The episode opens in chaos.
14:17Guests at the gala are panicking as Zion runs through the dark corridors calling Anaya's name.
14:22His voice breaks, desperation in every shout.
14:25Security is alerted, the building is sealed, but Anaya is nowhere to be found.
14:30Meanwhile, Mahmood watches everything unfold from a hidden surveillance room.
14:34He speaks to unconscious Anaya, tied to a chair, tum Zion ki kamsori ho, aor kamsori par war sabs gara hoda hai.
14:42His plan is clear, to emotionally destroy Zion by taking away the person he fought everything for.
14:48Zion receives a voice note from Mahmood, apni mohabit ko baka seiko, to aho.
14:54Akela, warna USK.
14:56Akela, warna USK.
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