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BANU ALKAN GECELERİNKADINI ⚡DRAM⭐️ MACERA || AİLE ⚡ 1995 Tek Parça İzle ⭐️Full HD 1995 İzle⭐️
Film Bilgileri
Yönetmen & Senaryo: Osman F. Seden
Yapım/Yayın Yılı: 1983 (Türkiye)
Tür: Romantik Drama
Süre: 82 dakika
Dil: Türkçe
Yapımcı: Can Özer
Başlıca Oyuncular
Banu Alkan – Foto model Mine, aşka ve ihanete sürüklenen modern kadın figürü
Faruk Peker – Başarılı iş insanı Haluk, Mine’le evliliği için ailesinin muhalefetiyle mücadele eder
Metin Serezli – Haluk’un iş ortağı ve sırdaşı; ailenin onayına dair içsel çatışmayı sembolize eder
Suna Selen – Haluk’un karısının kuzeni Selva, Mine’in arkadaş şefkatini ve rekabetini yansıtır
Eray Özbal, Bülent Bilgiç, Yüksel Gözen, Diana Taylor – Zengin ailenin ve iş dünyasının figüranları olarak toplumsal baskıyı pekiştirir
Konu Özeti
Başarılı iş insanı Haluk, yıllardır uzakta yaşadığı nişanlısı Mine’i Türkiye’ye getirir; modern yaşamı, renkli gece eğlenceleri ve magazin basınıyla tanınan bir foto modeldir Mine. Aile, “o tip kadınla evlenmezsiniz” diyen geleneksel zihniyetiyle genç çifti kabul etmekte tereddüt eder. Mine ise “benim tarzım bu” diyerek özgürlüğünü savunurken, Haluk’un ev hayatının kuralları arasında sıkışır. Aile baskısı, toplumsal dedikodular ve iş dünyasının gölgesindeki soğuk bakışlar, evliliğe gölge düşürür.
Mine’in geçmişinden gelen gizli bir sır deşifre olur: Şam’da eski sevgilisinin ani ölümü, kendisini “gecelerin kadını” yapan güç ve kırılganlık arasındaki ince çizgiyi oluşturur. Haluk, hem aşkını hem itibarını korumak için eşiyle yüzleşirken; Mine, “ben de sevmeye hakkım var” diyerek bu klasiğe dönüşmüş masalı modern bir özgürlük hikâyesine çevirir .
Temalar ve Sosyal Mesajlar
Aşkın Toplumsal Engelleri: Geleneksel aile değerleri ile bireysel özgürlük arasında sıkışan genç çiftin içsel çatışması.
Moda ve Medya Kültürü: 1980’lerin magazin dünyası, “foto model” kariyerinin bilinmeyen sancılarını gözler önüne serer.
Kadın Kimliği ve Onur: Mine’in “gecelerin kadını” imajı, onun hem güç hem de savunmasızlık simgesi olmasını sağlar.
Modernizm vs. Muhafazakârlık: Batılı yaşam tarzının Türkiye’nin muhafazakâr aile yapısıyla çarpışması, dönemin sosyolojik panoramasını sunar.
Teknik ve Sanatsal Yaklaşımlar
Görüntü Yönetimi: Yeşilçam’ın klasiği Osman F. Seden, gece kulübü ve iş ofisi sahnelerini kontrastlı ışıklarla örerek hem cazibeyi hem de yalnızlığı vurgular.
Kurgu: Akıcı tempo, aşk ve gerilim sahnelerini birbirine ustalıkla bağlayarak izleyiciyi sürekli merakta bırakır.
Müzik & Ses: Dönemin pop-rock altyapıları, karakterlerin içsel arayışlarına eşlik eden modern tınılar sunar.
Miras ve Değerlendirme
“Gecelerin Kadını”, Banu Alkan’ın kariyerindeki en dramatik rollerden birini barındırır ve “gecenin cazibesi” temasını Yeşilçam estetiğiyle harmanlayarak unutulmaz bir eser ortaya koyar. İzleyiciye hem aşkın hem de toplumun kısıtlamalarının acısını yaşatan film, 1980’lerin Türkiye’sinin modernleşme sancılarını dramatik bir romantizmle anlatır.
Film Bilgileri
Yönetmen & Senaryo: Osman F. Seden
Yapım/Yayın Yılı: 1983 (Türkiye)
Tür: Romantik Drama
Süre: 82 dakika
Dil: Türkçe
Yapımcı: Can Özer
Başlıca Oyuncular
Banu Alkan – Foto model Mine, aşka ve ihanete sürüklenen modern kadın figürü
Faruk Peker – Başarılı iş insanı Haluk, Mine’le evliliği için ailesinin muhalefetiyle mücadele eder
Metin Serezli – Haluk’un iş ortağı ve sırdaşı; ailenin onayına dair içsel çatışmayı sembolize eder
Suna Selen – Haluk’un karısının kuzeni Selva, Mine’in arkadaş şefkatini ve rekabetini yansıtır
Eray Özbal, Bülent Bilgiç, Yüksel Gözen, Diana Taylor – Zengin ailenin ve iş dünyasının figüranları olarak toplumsal baskıyı pekiştirir
Konu Özeti
Başarılı iş insanı Haluk, yıllardır uzakta yaşadığı nişanlısı Mine’i Türkiye’ye getirir; modern yaşamı, renkli gece eğlenceleri ve magazin basınıyla tanınan bir foto modeldir Mine. Aile, “o tip kadınla evlenmezsiniz” diyen geleneksel zihniyetiyle genç çifti kabul etmekte tereddüt eder. Mine ise “benim tarzım bu” diyerek özgürlüğünü savunurken, Haluk’un ev hayatının kuralları arasında sıkışır. Aile baskısı, toplumsal dedikodular ve iş dünyasının gölgesindeki soğuk bakışlar, evliliğe gölge düşürür.
Mine’in geçmişinden gelen gizli bir sır deşifre olur: Şam’da eski sevgilisinin ani ölümü, kendisini “gecelerin kadını” yapan güç ve kırılganlık arasındaki ince çizgiyi oluşturur. Haluk, hem aşkını hem itibarını korumak için eşiyle yüzleşirken; Mine, “ben de sevmeye hakkım var” diyerek bu klasiğe dönüşmüş masalı modern bir özgürlük hikâyesine çevirir .
Temalar ve Sosyal Mesajlar
Aşkın Toplumsal Engelleri: Geleneksel aile değerleri ile bireysel özgürlük arasında sıkışan genç çiftin içsel çatışması.
Moda ve Medya Kültürü: 1980’lerin magazin dünyası, “foto model” kariyerinin bilinmeyen sancılarını gözler önüne serer.
Kadın Kimliği ve Onur: Mine’in “gecelerin kadını” imajı, onun hem güç hem de savunmasızlık simgesi olmasını sağlar.
Modernizm vs. Muhafazakârlık: Batılı yaşam tarzının Türkiye’nin muhafazakâr aile yapısıyla çarpışması, dönemin sosyolojik panoramasını sunar.
Teknik ve Sanatsal Yaklaşımlar
Görüntü Yönetimi: Yeşilçam’ın klasiği Osman F. Seden, gece kulübü ve iş ofisi sahnelerini kontrastlı ışıklarla örerek hem cazibeyi hem de yalnızlığı vurgular.
Kurgu: Akıcı tempo, aşk ve gerilim sahnelerini birbirine ustalıkla bağlayarak izleyiciyi sürekli merakta bırakır.
Müzik & Ses: Dönemin pop-rock altyapıları, karakterlerin içsel arayışlarına eşlik eden modern tınılar sunar.
Miras ve Değerlendirme
“Gecelerin Kadını”, Banu Alkan’ın kariyerindeki en dramatik rollerden birini barındırır ve “gecenin cazibesi” temasını Yeşilçam estetiğiyle harmanlayarak unutulmaz bir eser ortaya koyar. İzleyiciye hem aşkın hem de toplumun kısıtlamalarının acısını yaşatan film, 1980’lerin Türkiye’sinin modernleşme sancılarını dramatik bir romantizmle anlatır.
Kategori
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Kısa filmDöküm
00:05:42Why did you laugh?
00:05:47The damage you boast about is only found in racehorses today.
00:05:52Does it work?
00:05:54Yes, a model.
00:05:56One of those models who undresses in front of everyone?
00:06:00Many of the daughters of the families you call honorable also undressed in front of me.
00:06:05And it's not a profession.
00:06:07To make them love themselves.
00:06:12There is no point in hurting each other needlessly.
00:06:19I will marry Banu.
00:06:21And no one will be able to stop it, mother.
00:06:24Neither you nor my father.
00:06:30I want to help you, Faruk.
00:06:33Please understand me.
00:06:33You understand me too, mom.
00:06:36I love him very, very much.
00:06:39Tell me about it, Faruk.
00:06:41How did you meet?
00:06:42I want to learn everything, son.
00:06:46Maybe it will seem strange to you, mom.
00:06:48But we met on the road.
00:06:50In Istanbul, on the coastal road.
00:07:04What's going on?
00:07:05Hey, I'm the one who gave you a driver's license...
00:07:15What will happen now?
00:07:18Don't drive people crazy.
00:07:19Is there anything sudden here?
00:07:21How do I know?
00:07:22If only you were careful too.
00:07:25Well, he is both guilty and powerful.
00:07:28I swear you don't have a driver's license.
00:07:30So I'm going to answer to you?
00:07:31You ruined my car.
00:07:33Is that so?
00:07:34Okay, I guess we should go to the police.
00:07:35One minute.
00:07:36One minute.
00:07:41Would you excuse me?
00:07:44Take the car keys from the lady.
00:07:46Pull over to the curb.
00:07:47Yes sir.
00:07:48He commands you, but he cannot command me.
00:07:50Why was I pulling over to the curb?
00:07:51I'll send my men and have it towed to the repair shop.
00:07:55I'll send you the key again.
00:08:04You can come here too, please.
00:08:06Let us drop you off at your destination.
00:08:21I'm sorry, it's my fault.
00:08:33But your driver wouldn't have reacted so harshly either.
00:08:37The car is not mine.
00:08:38My friend's.
00:08:40I'm learning how to drive.
00:08:42I took leave from work until noon this morning.
00:08:44That's the problem.
00:08:45I was driving so well.
00:08:49I haven't gotten my driver's license yet.
00:08:51Driving is not learned by practicing for an hour or two a week.
00:08:56Let's go.
00:08:57I'm too late.
00:09:04Excuse me, but where are we going?
00:09:07He will drop me off at headquarters.
00:09:08With hazelnuts.
00:09:09But I'm not going there.
00:09:11After you drop me off, the car is at your disposal.
00:09:15I'll be late.
00:09:20At one o'clock
00:09:21I have a business appointment.
00:09:23Oh.
00:09:24Your job?
00:09:25I am a model and a photo model.
00:09:28I work in a large boutique.
00:09:30We showcase the latest models.
00:09:32We're getting ready for the fashion show next week.
00:09:36You may have read it in the newspapers.
00:09:38Very interesting.
00:09:41But you see, I'm working.
00:09:42Leave the lady wherever she wants and come back immediately.
00:09:57Don't be late.
00:09:58Here is my card.
00:10:02If you have an order, you can call.
00:10:07I sent his car back in the evening with it repaired.
00:10:10And a big bouquet of flowers.
00:10:11He was very surprised when he saw the flowers with the car keys.
00:10:15Who are the punks?
00:10:16Who?
00:10:17Probably the thug we bumped into this morning.
00:10:20I wonder who?
00:10:22I don't know, he gave me a card but I didn't even look at it in the bag.
00:10:24Card?
00:10:25What an incurious thing.
00:10:26So where is his card?
00:10:29Let me see.
00:10:33At work.
00:10:36Oh my God.
00:10:39Do you know who this girl is?
00:10:40Faruk Gokdemir.
00:10:42Who's that?
00:10:43Oh girl, you sleep standing up and pay for the hotel.
00:10:47Faruk Gokdemir.
00:10:49Hayri Bey's son.
00:10:50The son of one of the three richest men in Türkiye.
00:10:54So what?
00:10:56Oh, your hand is blind.
00:10:58Girl, you can't be a man.
00:11:00Take it.
00:15:46My father put all the work of the company on me.
00:15:49I don't even have time to breathe.
00:15:51Is it worth it?
00:15:52After not being able to enjoy this age.
00:15:55You work too.
00:15:57I have to.
00:15:59I have no one in my life.
00:16:03Isn't there?
00:16:05You don't have a single relative.
00:16:09He died when he was younger than my mother.
00:16:11My father raised me.
00:16:12He tried to give me the best of everything he could.
00:16:18But he died the year I graduated from high school.
00:16:22I had some money in my palm.
00:16:25I applied for a few jobs.
00:16:28You need to know the language.
00:16:30There are many things.
00:16:33You need to know typewriting and accounting.
00:16:36I've got my eye on a job.
00:16:39I said I worked on it for a year.
00:16:40Why did I accept myself as a model?
00:16:44I am happy with my job.
00:16:46Isn't it disturbing?
00:16:49It happened a lot before.
00:16:51But now my name has become insensible, insensible, cursed.
00:16:56No one comes near me.
00:16:58What about at night?
00:16:59I have a two-room house.
00:17:03I listen to music at night.
00:17:05I am reading a book.
00:17:07Cinema after leaving work early.
00:17:09And theater on Sundays.
00:17:13Where do you eat your meals?
00:17:15I cook it myself.
00:17:16Maybe you won't believe it, but I am a good cook.
00:17:20Of course I don't believe it.
00:17:21Prove it.
00:17:21Let me invite you tonight too.
00:17:25Music
00:17:36Thank you for watching.
00:18:06Thank you for watching.
00:18:36Thank you for watching.
00:19:06Thank you for watching.
00:19:36Thank you for watching.
00:20:06Thank you for watching.
00:20:08But my love, it is a very simple thing.
00:20:11We're taking this team.
00:20:19But you're taking the game too far.
00:20:21Then this little one is enough.
00:20:27So, did you like it?
00:20:29No.
00:20:29But you chose.
00:20:32I didn't like the team, I didn't like this game.
00:20:35You are such an indecisive thing.
00:20:38I'm so sleepy.
00:20:46We have something missing, but I was thinking what.
00:20:50Now I found it.
00:20:52What is that?
00:20:53To bed...
00:20:54...That bedroom set.
00:20:57Of course sir.
00:20:59How's it going, my love? Do you like it?
00:21:01Ha?
00:21:04Don't worry, sir.
00:21:05First they slap, then they go to bed.
00:21:07Oh!
00:21:08Oh!
00:21:22Are you crazy?
00:21:23Where are you running to?
00:21:24Never getting into that bed.
00:21:26Will we sleep on the floor when we get married?
00:21:29What did I say?
00:21:32I asked, "Are we going to sleep on the floor when we get married?"
00:21:34Are you crazy?
00:21:35Hmm.
00:21:38Does one have to be crazy when he wants to marry you?
00:21:41But you...
00:21:42But I love you.
00:21:49This can't be happening!
00:21:50Your family...
00:21:52Yes, my family...
00:21:53...he will drive you crazy.
00:22:05Now you won't say yes to me?
00:22:13I'm so scared, Farum.
00:22:17Leave my childhood behind.
00:22:19I'm simple...
00:22:20...I'm a quiet girl.
00:22:22I earn my own living.
00:22:25Please understand me.
00:22:27However, at this young age...
00:22:29...You are at the head of billion-dollar companies.
00:22:31You are a man from a completely different world.
00:22:34I am just someone who loves you.
00:22:36Believe me, I love you very much too, Faruk.
00:22:40I love you so much you can't believe it.
00:22:43It's been so little since we've known each other.
00:22:45But I don't know how it happened.
00:22:48I loved you very, very much.
00:22:50I'm still scared.
00:22:51But why?
00:22:52You!
00:22:55They will become our enemies just because we love each other.
00:22:58Who?
00:22:58Who?
00:23:00All your acquaintances.
00:23:03Those rich circles.
00:23:05Those billionaires who want to give their daughters to you.
00:23:08Then your family.
00:23:09I don't care.
00:23:11If the whole world wants, it can stand against us.
00:23:14I love you.
00:23:15I love.
00:23:16I love.
00:23:17Sevim.
00:29:05Make me that bitch, a turnkey BNV!
00:29:08Go ahead, go ahead, at zero kilometer!
00:29:12You can make it as sweet as honey if you want!
00:29:18What a snake you are!
00:29:22I know you!
00:29:30I understood what loneliness was after you left.
00:29:33I would go crazy if we didn't have the thousands of mothers we've had in such a short time.
00:29:37Every day I go back to the place where we met and relive that day.
00:29:41What time is it there now?
00:29:43It's ten past two.
00:29:44It's 2:00 AM here in New York.
00:29:47New York? Are you in New York?
00:29:50I needed to come here from London in a hurry for two or three days.
00:29:54The conversion may take several days.
00:29:56But after that there will be no travel at all.
00:29:58We will always be together.
00:30:00My one and only darling, I miss you so much.
00:30:03Me too.
00:30:05Yes, I'm waiting.
00:30:07May God bless you.
00:30:10He called from New York.
00:30:14Lots of love from Libya.
00:30:16I'm another week late.
00:30:19Bad news?
00:30:22He went to Libya.
00:30:24It's another week late.
00:30:25I have to go to Saudi Arabia from here.
00:30:34As you know, we won the biggest tender here.
00:30:36I have exactly fifteen days of work left.
00:30:39After that, I will never part with you again.
00:30:41When is it coming?
00:30:59Tonight.
00:31:01You don't come to work tomorrow.
00:31:03Well, I was going to ask for that too.
00:31:06As soon as he arrives, we will meet immediately and go to his family.
00:31:11Look at the crazy guy.
00:31:11You're not going to ask for my permission anymore.
00:31:16Would the richest young man in Türkiye employ you here?
00:31:21I am going to the construction site in Yemen to participate in the tender there.
00:31:25The exact return is on the fifteenth.
00:31:27Love, I love you so much.
00:31:29Fan.
00:31:39According to reports received so far, the death toll is understood to be well over a thousand.
00:31:44Among the dead are members of a Turkish construction company based in Yemen.
00:31:49Turkish embassy in Yemen is razed.
00:31:51It is reported that no one in that region survived.
00:31:55But be, but be.
00:31:56Is there anything to be cool about?
00:31:57Come to your senses.
00:31:59I'm telling you to calm down.
00:32:02We are not coming to your cat.
00:32:03Aaaa!
00:32:05Don't be here, stay calm.
00:32:07You are welcome, always stay calm with me.
00:32:09Aaaa!
00:32:10Aaaa!
00:32:11Aaaa!
00:32:11Aaaa!
00:32:12Aaaa!
00:32:13Aaaa!
00:32:13Aaaa!
00:32:23How?
00:32:24Terrible sister.
00:32:26We can't leave him alone in this situation.
00:32:29He'll have to get used to it one day anyway.
00:32:31Of course, sister, but now, God forbid, he might even commit suicide.
00:32:36He's right.
00:32:42Sister, give me a few days off.
00:32:44I'll stay with you until you come to your senses a little.
00:32:46...Don't take too long.
00:32:47Don't take too long.
00:32:51How's yours?
00:32:52Wretched.
00:32:54It's high time.
00:32:54Would you come?
00:32:55Are you crazy?
00:32:56Two breaths or one injection with the consolation number.
00:33:01Are we going to teach you these ways?
00:33:03What kind of pig are you?
00:33:05A whole new appreciation for key sound.
00:33:09Goodbye!
00:33:10Aaaa!
00:33:10Aaaa!
00:33:11Aaaa!
00:33:11Aaaa!
00:33:12Aaaa!
00:33:12Aaaa!
00:33:13Aaaa!
00:33:14Aaaa!
00:33:14Aaaa!
00:33:15Aaaa!
00:33:15Aaaa!
00:33:16I was killed.
00:33:28I was killed.
00:33:28I was killed.
00:33:30I was killed.
00:33:32I was killed.
00:33:33I was killed.
00:33:34I was killed.
00:33:35I was killed.
00:33:36I was killed.
00:33:37I was killed.
00:33:38I was killed.
00:33:39I was killed.
00:33:40I was killed.
00:33:41I was killed.
00:33:42I was killed.
00:33:43I was killed.
00:33:44I was killed.
00:34:15Leave the medicine alone, I'll try to get used to it.
00:34:24My dear, the doctor said that at least one patient should continue.
00:34:27How can I repay you for this right?
00:34:30Don't be ridiculous, you're my brother.
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00:56:48Thank you for watching.
00:57:18Thank you for watching.
00:57:48A boutique. They're offering a new job.
00:57:53What business? Pack up, I'm taking you. You're going to meet my mom and dad.
00:57:58It's a little late, but I've come back from the dead.
00:58:00Faruk, I...
00:58:02You're very excited, aren't you?
00:58:05Let's have a nice meal first.
00:58:09I was conscious during the earthquake.
00:58:11Before I pass out...
00:58:17...I mean...
00:58:19...this is what death is like.
00:58:22I don't know how long I stayed there.
00:58:26They released me after two or three days.
00:58:28They put him in a field hospital in the desert.
00:58:31Of course, I didn't have any ID on me.
00:58:34My father came to pick me up...
00:58:36...he could not find me among the corpses shown to him.
00:58:40He said my son was not among them.
00:58:45They found me in the hospital two weeks later.
00:58:48They transported it to the city.
00:58:49From there he brought it to London by private plane.
00:58:54I struggled with Azrael for three months.
00:58:58They were afraid that I would go into a vegetative state.
00:59:03When I came to, I remembered you first.
00:59:07My father hugged me.
00:59:09I was talking about you to myself while crying with joy.
00:59:13As soon as I came to, I called the doctor who was looking after me.
00:59:17I sent a telegram immediately.
00:59:22I sent three telegrams in succession.
00:59:26I was very upset when I didn't receive an answer from you.
00:59:29But I realized that you did not receive my telegrams.
00:59:33If he had, he would have definitely answered.
00:59:36Two months later...
00:59:38...I came to my senses after two months.
00:59:41My father returned to Türkiye.
00:59:43I stayed in the hospital for another month for some tests.
00:59:47Don't be sad anymore.
00:59:48Look, I'm alive.
00:59:50I'm with you.
00:59:52We will get married as soon as possible.
00:59:54Everything, everything will be forgotten.
00:59:56Are they bothering you?
01:00:20No, I beg you, Faruk.
01:00:22I swear they didn't do anything rude.
01:00:25To your return.
01:00:27Our happiness.
01:00:33When do we leave?
01:00:34What's wrong with you?
01:00:41I feel so bad.
01:00:43Come on, we need to get drunk until the morning.
01:01:24Of course, son.
01:01:26I can't wait to get to know myself.
01:01:28I'm accelerating.
01:01:28You are more precious to me than anything, my son.
01:01:55Go get your dictionary.
01:03:18M.K.
01:03:19M.K.
01:03:24M.K.
01:03:36We listen to it alone in the summers.
01:03:41What's wrong with you?
01:04:06Thank you for watching.
01:04:24What's wrong, honey?
01:04:27Don't hide it from me, you have a problem.
01:04:32I will be your mother, my daughter.
01:04:34Tell me everything.
01:04:36Trust me.
01:04:38Don't you love my son?
01:04:40I would even give my life for him.
01:04:48You are very unhappy.
01:04:50You have a problem.
01:04:54I am not worthy of it.
01:04:56You don't have to think like that, girl.
01:04:59You don't know, you don't know.
01:05:01What, my child?
01:05:02I am a whore.
01:05:10I am a woman who goes to someone's house at night, using the phone, and gets in their car.
01:05:18I am everyone's woman.
01:05:19How come?
01:05:29I swear.
01:05:32I don't know how I got dragged into this life.
01:05:35But they deceived me.
01:05:37They sold it.
01:05:38They pushed my friends into the abyss.
01:05:44When the news of Faruk's death came, I felt like I was going crazy.
01:05:49They gave me drugs.
01:05:53I was beside myself.
01:05:56I didn't know anything.
01:05:59They gave increasingly stronger doses.
01:06:03Then one day...
01:06:06...when I opened my eyes...
01:06:08...I found myself in a vagrant's room.
01:06:11It had polluted me for days.
01:06:16I didn't even have the strength to get out of bed.
01:06:18That dog's place was taken by others.
01:06:24Then others.
01:06:28A few vendors stepped in.
01:06:32Without knowing how...
01:06:35...I found myself in hotel rooms.
01:06:39Then young people with private cars...
01:06:42...They started picking me up from the street.
01:06:46I didn't care about anything anymore.
01:06:49After losing Faruk...
01:06:53...There was nothing in the world in my eyes.
01:06:57Besides the pain I've suffered...
01:07:00...The insults I suffered...
01:07:03...Humiliations...
01:07:05...What difference could it make?
01:07:08I let myself go.
01:07:11I only had death in my eyes.
01:07:14I swear.
01:07:15He was only thinking about death.
01:07:18...The moment he came and found me at my house...
01:07:20...He was only thinking about death.
01:07:23I swear.
01:07:24I swear.
01:07:26I went crazy when I saw him in front of me.
01:07:29But I had no strength left.
01:07:32I swear.
01:07:35How many times have I tried to tell him the truth?
01:07:39Falling at his feet...
01:07:41...Let me go.
01:07:44I wanted to scream out, "I am not the Banu you know."
01:07:48But I couldn't do it.
01:07:51I couldn't do it.
01:07:52Please understand me.
01:07:54Please understand me.
01:07:57I beg you.
01:08:03I beg you.
01:08:04Let me go.
01:08:06Then you tell him the truth.
01:08:13He will forget me in time.
01:08:15I beg you.
01:08:17Let me go.
01:08:20Then you tell him the truth.
01:08:25He will forget me in time.
01:08:26He will forget me in time.
01:08:34No, girl.
01:08:36I insist.
01:08:38My son loves you very much.
01:08:40He escaped death, but...
01:08:43...He can't stand your pain.
01:08:45What can I do?
01:08:56You will marry my son.
01:09:01After sleeping with hundreds of men?
01:09:05You will forget.
01:09:07We will both forget.
01:09:10I can't do it.
01:09:11I can't do it.
01:09:14As his mother, I beg you.
01:09:18Don't leave my son, girl.
01:09:21Your disaster will be my disaster.
01:09:27I swear.
01:09:29Your secret...
01:09:30...Your secret will remain between us.
01:09:37This morning he insisted on going to Istanbul.
01:09:40I said, "Wait a minute."
01:09:42Let the girl take a breath.
01:09:49He loves you too, don't you see.
01:09:52You are right, she is a rare girl, he says.
01:09:56I think you two had a secret mother-daughter meeting.
01:10:04Mothers are curious.
01:10:06He asked you something.
01:10:09Come on, come on.
01:10:14Don't hide it from me.
01:10:17Didn't he say anything to you?
01:10:23He told me.
01:10:26uhhh my name is Yashul.
01:10:36Hey then hahaha!
01:10:41I told you!
01:10:45I told you.
01:10:46You told my mother how much you loved me.
01:10:49You told me how you would work to make me happy.
01:10:53He liked it very much.
01:10:56While he was telling the story, I couldn't help but cry, he said.
01:12:46We are inviting a few of our relatives to the wedding.
01:12:50Is there anyone you invite, girl?
01:12:53No sir.
01:12:54My friends at work?
01:12:56No.
01:13:03Our tickets are ready.
01:13:05We're leaving tomorrow.
01:13:07But mom, let's stay a little longer.
01:13:09Don't get involved.
01:13:11I will buy my bride such a wedding dress that everyone will love it.
01:13:22It suits you very well, my daughter.
01:13:24Let's take this if you want.
01:13:26You know, sir.
01:13:28I will not wear it.
01:13:29You will wear it.
01:13:31After you deem it worthy.
01:13:32Don't be afraid, girl.
01:13:36Yes, we get that.
01:13:37My baby.
01:13:38My dear, you have become so beautiful.
01:13:52Come on, girl.
01:13:53Come on, come on.
01:13:54Come.
01:13:54Is that okay, dear?
01:13:55Don't do that?
01:13:57Come.
01:13:58We'll agree on the preparation, come on.
01:14:00You got horny without taking it, huh?
01:14:04We take a tour of the Bosphorus.
01:14:05Come on.
01:14:07Come on, dear, come on.
01:14:08Don't look at them, girl.
01:14:16Come on, let's go.
01:14:20Do you understand now?
01:14:23No, baby.
01:14:25You are very good.
01:14:27But I swear you are doing harm to your son.
01:14:33I love her more than you would believe.
01:14:36Please.
01:14:37Believe me.
01:14:38I'm not sober, Faruk brother.
01:14:43I will bring shame upon him for the rest of my life.
01:14:46As soon as we get married, I will take you away from here, my child.
01:14:49My husband does whatever I want.
01:14:52You will be living outside for a long time.
01:14:55When you return, everything will be forgotten.
01:14:58What about me?
01:15:00Will I ever be able to forget the nights I spent in the arms of others?
01:15:05When I entered her bosom, I smelled the stench of other men
01:15:08won't I feel it here?
01:15:09Please understand me.
01:15:11They had given up hope on my son at the hospital.
01:15:15We had one last chance to prevent Dilisel from entering life.
01:15:18My son was dying before my eyes.
01:15:21We waited by his bedside with his father for days.
01:15:24Later...
01:15:25Then gradually he began to show signs of life.
01:15:28The night before, he started moaning and then started to rave.
01:15:34Banu...
01:15:34He mumbled, "Banu."
01:15:37He said he will marry you when he returns.
01:15:42The moment we tried to oppose it, we realized that we would not succeed.
01:15:47He loved you more than anything in the world.
01:15:49If you love him even a little, forget everything.
01:16:00I beg you, forget it.
01:16:04What are we going to forget?
01:16:06We were talking about you, son.
01:16:07But mother...
01:16:09...You're crying.
01:16:11I told your mother about the pain of the days when I thought you were dead.
01:16:17I told me to forget everything.
01:16:19We're getting married tomorrow.
01:16:21In honor of my last day of being single...
01:16:23...I invite you both to dinner.
01:16:25Is it ok?
01:16:26I'm sending Haru, girl.
01:16:39The guests have been waiting for two hours.
01:16:41MUSIC
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01:20:01Have you seen Ms. Banu?
01:20:03From here he got into the car and the sand was pulled to the door.
01:20:07MUSIC
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01:20:14Thank you for watching.
01:20:44Thank you for watching.
01:21:14Thank you for watching.
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