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  • 6 gün önce
BANU ALKAN SEVEN ARZU KADIN ⚡DRAM⭐️ MACERA || AİLE ⚡ 1986 Tek Parça İzle ⭐️Full HD 1986 İzle⭐️

Konu Özeti
Ülkenin en gözde fotomodellerinden biri olan Arzu (Banu Alkan), ait olduğu ışıklı dünya kadar tehlikeli bir gölgede yaşamaktadır. Başarılı reklam ve dergi çekimlerinin ardından dinlenmek için sevgilisi Tan (Yusuf Sezgin) ile bir sahil kasabasına tatile gider. Farkında olmadan peşine takılan, ona saplantılı bir tutku besleyen fotoğraf sanatçısı Cezmi (Tolga Savacı), Arzu’nun huzuruna adım adım yaklaşır .

Arzu’nun umursamaz tavırları, Cezmi’yi her geçen gün daha da tehlikeli bir noktaya sürükler. Önce küçük takipler, ardından açık tehditler takip eden Arzu, kendisini “hayran” mı yoksa “katil mi” ile oyun oynarken bulur. Şehrin karmaşasına alışmış Arzu, gerçek bir kedi–fare kovalamacasının ortasına itilmiştir.

Başlıca Karakterler
Arzu (Banu Alkan): Yer yer savunmasız, yer yer diklenmiş bir model; güzelliğini kalkan olarak kullanırken, tehditin farkına vardıkça güç bulur.

Cezmi (Tolga Savacı): Başarılı ama karanlık yanları derin bir fotoğrafçı; saplantının izdüşümüyle tutku ve şiddet arasında savrulur .

Tan (Yusuf Sezgin): Arzu’nun sevgilisi; masum niyetleriyle karanlığın gölgesinde çaresizce kalakalan bir figür.

Temalar ve Mesajlar
Göz alıcı Güzellik ve Tehlike: Dışarıdan parıltılı görünen hayatların içindeki kırılgan psikolojiyi yansıtır.

Saplantı ve İhlâl: Hayranlıkla başlayan duygunun, el koyma ve kontrol arzusuna dönüşümünün tehlikeli anatomisi.

Mahremiyet İhlâli: Kamusal alanda “poz” veren modelin, özel yaşamına yönelik sinsi saldırıları sorgular.

Teknik ve Sanatsal Yaklaşımlar
Görüntü Yönetimi: Orhan Oğuz, renkli sahil ve reklam seti çekimleriyle gerilim dolu takip sahnelerini keskin kontrastlı ışık–gölge oyunlarıyla örer .

Kurgu: Anıl Çelik’in tempolu montajları, ilk flörtöz sahnelerin ardından hızlanan gerilim akışını nefes nefese sunar.

Müzik: Oğuz Abadan’ın elektronik altyapılı temaları, korku öğelerini hafif pop melodileriyle iç içe geçirerek izleyiciyi huzursuz eder .

Eleştirel Yankı ve Kültürel Miras
Arzu, 1980’lerin Yeşilçam’ında “model gerilimi” alt türünün öne çıkan örneklerinden biri oldu. Banu Alkan’ın dönemin ikon kadın imajını, hem güç hem de kırılganlıkla yorumlayışı, karakterin etrafında dönen tehdit atmosferini yönetici kıldı. Film, magazin basını ve görsel şov dünyasının karanlık yönlerini ilk kez bu denli doğrudan masaya yatırdı .
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00:13:43Thank you for watching.
00:14:13Thank you for watching.
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00:15:13Thank you for watching.
00:15:43He talks like Yusuf Baby.
00:15:46What do you think? Should they break up?
00:15:48Impossible.
00:15:49Impossible.
00:15:50If he doesn't know the ration, he should learn it.
00:15:52Impossible.
00:15:53There you have it.
00:15:56You can't leave us.
00:15:58I made a promise to my family.
00:16:00Forget about me.
00:16:00Stop!
00:16:04I'm not done talking yet.
00:16:05If you walk out of here now, you will be our enemy.
00:16:08If you stay, you're our friend.
00:16:10I will go.
00:16:11Daddy, what did they do to you?
00:16:38I'm here, dad.
00:16:41Come on, open your eyes.
00:16:43Open your eyes, I beg you.
00:16:46Follow me, girl.
00:16:48Your father cannot answer you now.
00:16:50He will live, right?
00:16:52My father won't die, will he?
00:16:54What should I say, girl?
00:16:55Never lose hope in God.
00:17:00Your mother is entrusted to you, my son.
00:17:02I'll come back one day.
00:17:04Come, we will play ball together.
00:17:09Let's go.
00:17:12Farewell.
00:17:14May God accept it, mom.
00:17:44Thank you, my dear.
00:17:49I am proud of you.
00:17:52You are now Yıldır's team leader.
00:17:57If only my brother had lived to see us today.
00:18:00This is the only pain and bitterness inside me, mom.
00:18:05Sometimes I see you lost in thought.
00:18:08I immediately understand that you miss my brother.
00:18:10How I wish he were among us.
00:18:13I would give my right arm for him to live.
00:18:15Oh boy.
00:18:18Don't open the wound in my heart.
00:18:20The day I lost him, he left our world.
00:18:24If it weren't for you, I would have killed myself long ago.
00:18:28You gave me the strength to live, my child.
00:18:32I came to these days with your love.
00:18:34Even if I die, I won't be sad anymore.
00:18:38Drug production centers have generally shifted to the east.
00:18:59With our latest work, we have identified and destroyed a large portion of the manufacturing plants.
00:19:06Unfortunately, we could not completely stop the influx of drugs from abroad.
00:19:12This matter is considered to be over with the blow dealt to arms smugglers after September 12th.
00:19:18That's why smugglers got into the drug business.
00:19:22Many former smugglers have also entered the drug business using the "buy one, buy one" method.
00:19:27The smugglers' companies you mentioned are just for show anyway.
00:19:32They establish companies and engage in smuggling legally.
00:19:35One of them is Kerim.
00:19:38He is currently the head of the organization.
00:19:40A real father.
00:19:42Ruthless, cunning.
00:19:44He has established a system that works very well.
00:19:46We catch his men, but we can't reach Kerim.
00:19:51Why was Al Capone, the biggest gangster of the 1930s, so big?
00:19:56He was very cold-blooded.
00:19:59The entire federal police were after him, but he didn't move a muscle.
00:20:03Team leader Kenan is after you too.
00:20:05He got really worked up.
00:20:07In the last month, three of our trucks, one ship and one workshop were caught.
00:20:12What will be the end of this?
00:20:14This is why we gathered here.
00:20:17First, we will start with ourselves.
00:20:20There is someone among us.
00:20:21A wretched man who is fond of his own way of life.
00:20:23Who is this? Let us know too.
00:20:26I'll explain when the time comes.
00:20:28There is always someone like this in this world.
00:20:31I read the biography of Al Capone.
00:20:34Do you know what he would do?
00:20:36He would blow a man's brains out with a baseball bat.
00:20:39At work!
00:20:41With a stick like this.
00:20:41Good morning, baby.
00:20:51Or did we wake you up with our noise?
00:20:53No.
00:20:53I had already gotten up.
00:20:56I took a bath, I'm going to the hairdresser.
00:20:58Give me a minute.
00:21:00If I don't drink a whiskey from your hand, I won't be happy.
00:21:02I'll have it ready right away.
00:21:04Friends, I do not belittle Kenan.
00:21:06Of course we will find a solution.
00:21:10Let's find the traitor among us first.
00:21:13What do you say, Shakir?
00:21:16What can I say?
00:21:17Since when did Al Capone Kerim start talking business with his wives?
00:21:21What did you say?
00:21:22Did you say wife?
00:21:23I meant let's not talk in front of your aunt.
00:21:27Extension Karim.
00:21:28I took back my words.
00:21:29You're late!
00:21:30Did you think she was one of those dirty women who sleep under her clothes?
00:21:49The traitor among us was Şakir.
00:21:51He's done.
00:21:53Now it's Kenan's turn.
00:21:55I wouldn't want it to happen in front of you.
00:22:01I'm used to it now.
00:22:03I'll go.
00:22:04After the hairdresser, I will go to my father.
00:22:09Bye.
00:22:10Is the doctor in there?
00:22:34There is no need anymore.
00:22:36Your father calmed down when he told him you were coming.
00:22:39Did he sleep?
00:22:39No.
00:22:40I'm waiting for you in the hall.
00:22:47How are you, daddy?
00:22:49I'm fine, girl.
00:22:52I brought you flowers.
00:22:55Very soon I will bring you the greatest gift, dad.
00:22:59I will bring the head of the man who put you in this situation.
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00:34:55...I was left standing like a dry tree without leaves.
00:34:59I found a queue.
00:35:01I was responsible for your sin.
00:35:04No.
00:35:06Either you or someone else.
00:35:08I had entered this path anyway.
00:35:11The gun you gave me gave my family hope.
00:35:16I have no regrets.
00:35:18Whatever he says is pointless.
00:35:20I will release the men, Yusuf.
00:35:22We will find your wife and your son soon.
00:35:25Anyway, your son's.
00:35:29This, this, this, this.
00:35:36Come on, here.
00:35:41There was only one.
00:35:43There was only one.
00:35:44You're being too tight.
00:35:45This march ends here, let's not argue in vain.
00:35:47Let's just give one.
00:35:50Don't play intensity, what should we do?
00:35:52The latest Parisian creations.
00:35:56I present it to you first.
00:35:58Don't work as a salesperson.
00:36:01I can't say I like these.
00:36:03At least it gives us an idea.
00:36:05TRUE.
00:36:07For example, can you turn what that girl is wearing into an evening costume?
00:36:11After you want it
00:36:12I do this with a rhyme.
00:36:14You are not my customer, you are my aunt.
00:36:16Hello to my brother Kerim.
00:36:17I'll tell you.
00:36:19Good work.
00:36:22Hello.
00:36:33What's up Emreş?
00:36:34Stop, stop brushing right now.
00:36:37Would I neglect you?
00:36:39Your order is ready.
00:36:41I'm sending it right away, honey.
00:36:48Ms. Emel's dress is ready.
00:36:50The crow is dying of impatience.
00:36:54But not for the dress.
00:36:56For this.
00:36:57I wanted to ask something.
00:36:59Sir.
00:36:59Your earnings are very good.
00:37:00Why are you doing these things?
00:37:02To earn more.
00:37:04I opened it when I started this business.
00:37:07I don't want to go hungry again.
00:37:11I've been waiting for this day for years, daddy.
00:37:13I finally found it.
00:37:15Fate brought him to me.
00:37:18We will take our revenge.
00:37:21I will kill Yusuf before your eyes.
00:37:24My daughter, my child.
00:37:26I don't want you to get blood on your hands because of folds like that.
00:37:32Let the pain in my heart ease.
00:37:34May the fire of revenge that disturbs my sleep be extinguished.
00:38:07Here you go, kiddo, you're not here.
00:38:29We had difficulty obtaining the goods.
00:38:31We brought it from Masilya, we want difference.
00:38:34I don't have the authority to pay more.
00:38:35I'll report the situation to your boss here.
00:38:38I didn't have time, I was in a hurry. What number was it?
00:38:40Well, 165...
00:38:42Hold on!
00:38:43This friend is very curious.
00:38:45Move your ass!
00:38:47Sadat!
00:38:52Look at the black pavula.
00:39:02You did a good job, boss.
00:39:04It would get even better.
00:39:07I was learning the boss's phone number here, they woke up.
00:39:11At least we learned the number three.
00:39:13A 165 phone.
00:39:16We found my son, the rest will come, son.
00:39:19You'll see, you'll get your whole family together.
00:39:22Your mother, your sister, your wife, all of them.
00:39:25My heart is pounding, dad.
00:39:31The last time I saw Sinan, he was 10 years old.
00:39:36How will he greet me?
00:39:38I wonder what he will say?
00:39:40Does the flesh separate from the nail?
00:39:43The address of your workplace.
00:39:44See you this evening.
00:39:56You will be the most beautiful girl of the night.
00:39:58Sabit and specifically invited me.
00:40:01I told him not to forget his orders.
00:40:03He is our best customer.
00:40:05I'm leaving, goodbye.
00:40:07Enjoy.
00:40:07Hello.
00:40:27Hello.
00:40:32The last time we played together was in Beykoz.
00:40:36Topat is very nice there.
00:40:37I used to say that my son would be a great football player.
00:40:41You've become a madman.
00:40:42Who are you?
00:40:46Your father.
00:40:48Don't you remember me?
00:40:50Your father?
00:40:51I miss you so much, son.
00:40:53My son.
00:40:56Don't touch me.
00:40:59With what face do you appear before me?
00:41:01Bully Yusuf.
00:41:03Bloody Joseph.
00:41:05And he asks, "Don't you remember me?"
00:41:06Can you be forgotten?
00:41:09Are you embarrassed?
00:41:10Murderer Joseph.
00:41:12My son.
00:41:13Don't touch me.
00:41:14Don't tell me to be.
00:41:16You're late to say "be right."
00:41:18You still smell like shit.
00:41:19Stay.
00:41:19Forgive me.
00:41:25Forgive me.
00:41:27I forgive you for everything too.
00:41:30You don't want it to be like this.
00:41:33Where is your mother?
00:41:34I'll take him.
00:41:39I'll take him.
00:41:39I'll take him.
00:41:40I'll take him.
00:41:41I'll take him.
00:41:41I'll take him.
00:41:42I'll take him.
00:41:42I'll take him.
00:41:43I'll take him.
00:41:43I'll take him.
00:41:44I'll take him.
00:41:45I'll take him.
00:41:45I'll take him.
00:44:46Jasmine was not dependent on anything.
00:44:49However, he mostly worked at Sinan fashion house.
00:44:52Sinan is not a stranger to us.
00:44:55One of the links in the chain.
00:44:57We found that he did not use drugs.
00:44:59This does not prove his innocence.
00:45:02Let's question first.
00:45:03How did it happen?
00:45:05How did it happen?
00:45:06Do you like it?
00:45:08God bless your hands.
00:45:09Could the skirt have been just a little shorter?
00:45:12You have to wear it so we can decide.
00:45:16Please.
00:45:16Here you go, gentlemen.
00:45:26Here you go, gentlemen.
00:45:28I am team leader Kenan.
00:45:29My assistant Sedat.
00:45:30I am your command.
00:45:33How can I help you?
00:45:36Do you know Jasmine?
00:45:37Yes.
00:45:38We had done good work with him.
00:45:40She was a successful photo model.
00:45:42I think you know what happened to him.
00:45:45I read it in the newspapers.
00:45:46We know that much, too.
00:45:50We need more detailed information.
00:45:54I'm right, Sinan.
00:45:55The skirts are too long.
00:45:57I had guests.
00:45:59Gentlemen, police.
00:46:01What is it?
00:46:02We will take Sinan Bey for questioning.
00:46:05Can I find out what his crime was?
00:46:07We want to know this too, ma'am.
00:46:10Let's go.
00:46:11Can't I come by later?
00:46:13We don't have time.
00:46:14I don't have time either, sir.
00:46:16The hem of my dress needs to be shortened by evening.
00:46:20Our topic is more important than your skirts, ma'am.
00:46:23Here you go.
00:46:30Hello.
00:46:31My sister-in-law Haydar.
00:46:33My brother Kerva hasn't arrived yet.
00:46:36When your brother arrives, be sure to call me.
00:46:38I'm in Sinan's shoes, okay.
00:46:41Hello.
00:46:42Where is Sinan?
00:46:45The police are going to interrogate.
00:46:46I called Kerim but he was not there.
00:46:49He can help Sinan.
00:46:50Kerim is not a lawyer.
00:46:52It wouldn't be right for him to get involved in this matter.
00:46:54I will go as his relative.
00:46:57Someone close to you?
00:46:58Yes.
00:47:00I am his father.
00:47:01His father?
00:47:03He never told me anything.
00:47:04A son talks about his father, whom he heard had shot him.
00:47:09However, Sinan hates me.
00:47:11He is ashamed.
00:47:13This is so painful.
00:47:15Yes, but it is real.
00:47:18Kerime Sinan.
00:47:21One minute.
00:47:25I would be very happy if you take me with you.
00:47:26Who gave the girl the drugs?
00:47:33I don't know.
00:47:34You know you use it.
00:47:36What would it say if I knew?
00:47:38Yasemin was a self-sufficient girl.
00:47:41You live very well.
00:47:42Where does the water of this stream come from?
00:47:45I am working.
00:47:45My Bada salon brings in good money.
00:47:51We've found that you have a lot of wealthy customers.
00:47:55And coincidentally, most of them are drug addicts.
00:47:59How do they find the goods?
00:48:01I don't know.
00:48:02You know.
00:48:04You know it.
00:48:06You have no right to treat me like this.
00:48:09I told you everything I know.
00:48:11You didn't tell.
00:48:13But one day you will have to tell.
00:48:15That woman and her father came.
00:48:19You said you had no family.
00:48:21You said my father died.
00:48:23My father died for me.
00:48:26I don't want to be the son of that bloody murderer.
00:48:29What they say is true.
00:48:30His father has a criminal record.
00:48:32Fixer.
00:48:34Let's meet your esteemed father.
00:48:36Come on.
00:48:45I had to meet such a father that I could tell him to take care of his son.
00:49:00But unfortunately I can't say that to a person with a criminal record.
00:49:02This is fate, Mr. Amir.
00:49:05One should not say, "What have I become?"
00:49:06What should I be?
00:49:08People shape their own destiny.
00:49:11Now you can take your son and go.
00:49:14I hope the lady's skirts will be ready by evening.
00:49:16I'm not here to worry about my skirt.
00:49:18I came to help a friend.
00:49:30There is no smoke without fire, Sinan.
00:49:32Take me as an example.
00:49:34Return to the path you walked before it's too late.
00:49:37Instead of wasting time with these nonsense, he went to my stomach once.
00:49:42Your mother is dead.
00:49:43Be more respectful.
00:49:44You killed him.
00:49:45You were already dead when you left us like dirt.
00:49:48Wouldn't it be better if you discussed this matter privately?
00:49:52Tell him to leave it in advance.
00:49:54He wants your well-being.
00:49:55I am sad.
00:49:56I don't think a bloody murderer would be upset.
00:50:01The killers disperse.
00:50:17Police!
00:50:18Surrender!
00:50:30This guy is crazy!
00:50:34Crazy!
00:50:35Absolutely crazy!
00:50:36Doesn't this Kenan sleep?
00:50:38Isn't that fun?
00:50:39He dives into our counter.
00:50:41He catches our horseshoe.
00:50:42We are sitting there with our hands tied.
00:50:45You took on this task, Kerim.
00:50:47Are you asking me for an account?
00:50:49Astagfurullah.
00:50:51I'm going out on the first flight tomorrow.
00:50:54You too disappear for 15 days.
00:50:56Let Kenan think we are withdrawing.
00:50:58Will you eat this number?
00:51:00Seven seven!
00:51:01He didn't eat a bullet!
00:51:03I will finish this job completely upon my return.
00:51:0515 days for now.
00:51:08I can't stay any longer.
00:51:10Ask me why.
00:51:11Why?
00:51:11Because I can't bear to be separated from you.
00:51:16I miss you already.
00:51:18The more I miss you, the worse it gets.
00:51:21I always want you.
00:51:23Always.
00:51:23My son is involved in something.
00:51:34I don't know what kind of trouble he is in.
00:51:36Why don't you ask your son?
00:51:38He doesn't talk to me.
00:51:40The boy is not father and son.
00:51:41It's like we're two enemies.
00:51:44Play your slap.
00:51:46I can't bear it, dad.
00:51:48It is enough for me to turn Sinan away from his path.
00:51:52Who gives a job to a child? Let me learn.
00:51:55There is only one name in this world now.
00:51:56Karim.
00:51:57Keli has long arms.
00:51:59Everything is asked of him.
00:52:00Doesn't it work? Does it work?
00:52:01Yes.
00:52:02It is possible.
00:52:02I can stop, huh.
00:52:03Yes.
00:52:03Yes.
00:52:03Yes.
00:52:03Yes.
00:52:03Yes.
00:52:04Yes.
00:52:04Yes.
00:52:05Yes.
00:52:05Yes.
00:52:05Yes.
00:52:05Yes.
00:52:05Yes.
00:52:06Yes.
00:52:07Yes.
00:52:07Yes.
00:52:07Yes.
00:52:07Yes.
00:52:08Yes.
00:52:09Yes.
00:52:10Yes.
00:52:11Sir?
00:52:13I wanted to ask Mr. Kerim.
00:52:16They are not visiting Kerim Bey, Yusuf Bey.
00:52:17Can I help?
00:52:19I was going to discuss a very important matter with him.
00:52:22I wonder where I can find it?
00:52:26We were going to meet at his mansion in Büyükdere around three this afternoon.
00:52:32If it is very important, you can come.
00:52:35Thank you very much for your help.
00:52:37Can you give me the address?
00:52:39Buyukdere.
00:52:40Above the plane tree.
00:52:42MUSIC
00:52:42MUSIC
00:52:44The day I've been waiting for has come, dad.
00:53:04I will take revenge.
00:53:05In a little while, I will kill Yusuf right here in front of your eyes.
00:53:12My daughter, my child.
00:53:14Let this blood feud in your heart rest.
00:53:18After I fell into this situation, Yusuf died. What good would that do us?
00:53:23Father.
00:53:25I have always lived for these days.
00:53:28Please don't stop me.
00:53:29Then bring the gun.
00:53:32If you want it so much, I'll kill you.
00:53:35You can't be in prison in this condition after your age.
00:53:40But Kerim will definitely save me.
00:53:43I beg you, let the pain in my heart go away.
00:53:45No, this is Kerim.
00:53:59It's almost here.
00:54:00Walk.
00:54:07Sit down.
00:54:08Who knows what you think about it?
00:54:15A gangster's mistress, a woman for sale.
00:54:18No.
00:54:18Life taught me something.
00:54:20I don't blame anyone.
00:54:21I was once a young girl full of hope.
00:54:24He lives well.
00:54:25I was studying in fee-paying schools.
00:54:27My mother died when I was little.
00:54:29I used to share everything with my father.
00:54:31One day my father lost everything.
00:54:34They shot him.
00:54:36He was injured.
00:54:38That's when the pain started.
00:54:41I saw what it was like to be pushed around.
00:54:44And I vowed to be strong.
00:54:46He understands you very well.
00:54:49There is a great grudge in his heart.
00:54:52Yes.
00:54:53Yes, there is.
00:54:54You are like a predatory tiger right now.
00:54:57I don't want to be your enemy.
00:54:59Are you my enemy?
00:55:01You are the man who ruined my life.
00:55:05What does this mean?
00:55:07Father.
00:55:08You can come now.
00:55:09You can come now.
00:55:25Do you remember my father?
00:55:26You were the one to take him.
00:55:28You turned our lives into a prison.
00:55:30Now you will pay for this with your life.
00:55:32I am not treacherous enough to shoot a woman.
00:55:54Come on, shoot.
00:55:56Did you get your revenge, beautiful girl?
00:56:09Have your shattered dreams been saved?
00:56:12Go ahead.
00:56:16My father knew this job very well.
00:56:18How can your father be killed?
00:56:23Let me tell you.
00:56:25Didn't he say he was the head of the organization?
00:56:27That beautiful life you live...
00:56:29That beautiful life you live...
00:56:32...expensive schools...
00:56:34...have you ever asked where the money comes from?
00:56:36Don't ask anymore, beautiful girl.
00:56:41Because it's too late.
00:56:43Is that right, dad?
00:56:55Is it true what they say?
00:56:57Are you a murderer too?
00:56:59I beg you, tell me, father!
00:57:00Is it true what they say?
00:57:30Subtitle M.A.
00:57:50Joseph?
00:57:51My Bill!
00:57:54Joseph!
00:57:54Yusuf, Yusuf, answer.
00:58:02Talk to me.
00:58:03I beg you, talk to me.
00:58:21You are alive, you will live.
00:58:24Your father does a clean job and never leaves it half done. Come on, prove that you are Şefik's daughter and kill me.
00:58:33I came not to kill you, but to keep you alive.
00:58:37If necessary, I will pay the price for the blood I shed with my life.
00:58:40Forgive me, forgive me.
01:17:51M.K.
01:18:21M.K.
01:18:51M.K.
01:19:51M.K.
01:20:51M.K.
01:21:23M.K.
01:21:53M.K.
01:22:23M.K.
01:22:25M.K.
01:22:27M.K.
01:22:29M.K.
01:22:31M.K.
01:22:33M.K.
01:22:35M.K.
01:22:37M.K.
01:22:39M.K.
01:22:41M.K.
01:22:49M.K.
01:22:51M.K.
01:22:53M.K.
01:22:55M.K.
01:22:57M.K.
01:22:59M.K.
01:23:01M.K.
01:23:03M.K.
01:23:05M.K.
01:23:07M.K.
01:23:09M.K.
01:23:21M.K.
01:23:23M.K.
01:23:25M.K.
01:23:27M.K.
01:23:29M.K.
01:23:31M.K.
01:23:33I can't handle three men on my own.
01:23:50We'll get you a helper
01:23:52Don't miss the point
01:23:54I want a bride
01:23:56Bride
01:23:57Don't tire your mouth in vain, mom.
01:23:59Marriages with the Kenan profession
01:24:00His turn will come too
01:24:02In our time, brides used to kiss hands
01:24:07Come on, my beautiful girl
01:24:32My name is Gırgır Ali
01:24:39I kiss you for coming to this movie.
01:24:42My name is Gırgır Ali
01:24:44I kiss you for coming to this movie.
01:24:47Then you'll understand who I am
01:24:52Our brother Ali Gırgır Ali
01:24:55I don't say a word twice, Turgut
01:24:57You understand who I am
01:25:01Our brother Ali Gırgır Ali
01:25:04I don't say a word twice, Turgut
01:25:07I kiss you for watching
01:25:11My name is Gırgır Ali
01:25:13I kiss you for coming to this movie.
01:25:16My name is Gırgır Ali
01:25:23For coming to this movie
01:25:25Ali the Gırgır is passing by, we are catching flies
01:25:27Here in this movie my Gırgır is in place
01:25:31Kidnapping a woman
01:25:32Monument trade presents with Gırgır
01:25:35Producer, that is, the one who gives the dough
01:25:37Mehmet Karafiz
01:25:38The director, the one who spends the dough
01:25:40Cetin Inanc
01:25:41Gırgır Ali
01:25:42Life is a joke
01:25:45A woman is a bigger crier
01:25:47It is my habit to joke around with women, humbly.
01:25:50I have another habit, brother.
01:25:52First I kiss, then I beat
01:25:53Why is that? Just for fun.
01:25:56My name is Gırgır Ali
01:25:57If you come to this movie, I will kiss you.
01:25:59On their burnt faces
01:26:03To her secret hands
01:26:05On their burnt faces
01:26:08To her secret hands
01:26:11Friendship escapes their tongues
01:26:14I would be your sacrifice
01:26:16Your
01:26:18Your
01:26:20Your
01:26:22Your
01:26:24Your
01:26:26Snoring
01:26:27What good is Ovam without you?
01:26:31There is a flood, there is a spring
01:26:34What good is Ovam without you?
01:26:36There is a flood, there is a spring
01:26:39In the heart of the hand that entered the house of Berek
01:26:43Think about tomorrow
01:26:45Tomorrow
01:26:47Tomorrow
01:26:48Tomorrow
01:26:49Tomorrow
01:26:52Tomorrow
01:26:55Tomorrow
01:27:13Tomorrow
01:27:13Tomorrow
01:27:14Tomorrow
01:27:15Tomorrow
01:27:16The sun rose to the heights
01:27:19Dear Durban lovers
01:27:22The sun rose for the high, the souls were sacrificed for the lovers
01:27:27You are the rose of my land, who knows where you will be tomorrow?
01:27:32Your voice to be heard, your voice, your voice, your voice
01:27:45You are the rose of my land, who knows where you will be tomorrow?
01:27:53Your voice to be heard, your voice, your voice, your voice
01:28:05The sun rose for the high, the souls were sacrificed for the lovers