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00:01:30Do you remember the last thing that you said to me?
00:01:38She's alive.
00:01:39Have you finished Cold Harbor?
00:01:48What is this place?
00:01:50It's a cabin for giving birth.
00:01:52Why am I here?
00:01:56Why are you here?
00:01:58Cold Harbor.
00:01:59Have you finished it?
00:02:05No.
00:02:06And she's still alive.
00:02:12We can save her.
00:02:16Who?
00:02:17Miss Casey.
00:02:21Gemma.
00:02:24There's a hallway down there.
00:02:27It's different than the others.
00:02:30It's long and black and hidden.
00:02:32From Irving's drawings.
00:02:37Once.
00:02:40With an elevator going down.
00:02:46We know where it is.
00:02:47What a funny speech you gave at the party.
00:02:58I was cross with you after.
00:03:08I threw a tin of candies.
00:03:14God, you're fucking weird.
00:03:20God, you're fucking weird.
00:03:21I do not love my daughter.
00:03:49I used to see care in her.
00:03:52I used to see care in her.
00:03:58But he left her as she grew.
00:04:04Sound like a great dad.
00:04:07I saw at others in the shadows.
00:04:09But he wasn't in them either.
00:04:19Until I saw him again.
00:04:25And you.
00:04:29You and your family created hell and you're going to burn in it.
00:04:31There he is.
00:04:45Tomorrow is a special day.
00:04:51Hey.
00:04:55Why did you come here?
00:04:56What do you want from me?
00:05:03So, wait.
00:05:04When I finish Cold Harbor,
00:05:06they do a test
00:05:08and then
00:05:08they kill her?
00:05:10Once that file is done,
00:05:13you'll need to quickly get to the black hallway.
00:05:16Then down to the testing floor.
00:05:18I'll not let you leave MDR
00:05:20until that file is complete.
00:05:22Okay, but
00:05:23how do I find her once I'm down there?
00:05:26No, you won't.
00:05:27I won't.
00:05:27No.
00:05:28Your chip
00:05:28is only attuned to your floor.
00:05:32Once you get down to testing,
00:05:33you'll be your Audi again.
00:05:36And then he'll find Gemma
00:05:37and take her up to the separate floor
00:05:39where you will guide her
00:05:41to the exit stairwell.
00:05:46Right.
00:05:46Okay.
00:05:46Okay.
00:05:50Mark.
00:05:52I know this is a fucking lot, man.
00:05:57But if we can prove
00:05:58that she is alive,
00:06:00if we can prove
00:06:01that they fucking kidnapped her,
00:06:03it will end them.
00:06:14Well,
00:06:14what happens to us?
00:06:18What do you mean?
00:06:22Well,
00:06:23if lumen ends,
00:06:25then what happens to every innie
00:06:26on the severed floor?
00:06:33Yeah.
00:06:33Um...
00:06:34Oh.
00:06:46You want me to give my life?
00:06:48No.
00:06:49The lives of everyone down there?
00:06:50No,
00:06:51it's not that simple.
00:06:54Just to save one person
00:06:56you happen to care about.
00:06:58It doesn't have to end your life.
00:07:00Really?
00:07:07Right.
00:07:08Um...
00:07:09There's somebody else
00:07:11who wants to talk to you,
00:07:11actually.
00:07:14Um...
00:07:15Okay.
00:07:26Just hit the...
00:07:28play.
00:07:29Watch it.
00:07:46Record your response.
00:07:48And step outside.
00:07:50We'll just be downstairs, okay?
00:07:55Okay.
00:07:55Hey, uh...
00:08:21I'm...
00:08:22Well, I guess you know who I am.
00:08:24Uh...
00:08:24I think you've spoken with Devin
00:08:27and Mrs. Sel...
00:08:28Uh, Miss Gobell.
00:08:30Um...
00:08:31So you...
00:08:33You know what it is
00:08:34that we're asking.
00:08:36But the first thing
00:08:39I need to say to you
00:08:40is
00:08:41that I am
00:08:44so sorry.
00:08:46You know,
00:08:47I created you
00:08:48as a prisoner
00:08:49and as an escape.
00:08:53A woman told me
00:08:54you'd be happy,
00:08:55that in ease
00:08:56or content,
00:08:57and because I took
00:08:58their word for it,
00:08:59you've been living
00:09:00a nightmare for two years.
00:09:01It's horrific
00:09:04what they've done to you.
00:09:07And part of the reason
00:09:08I'm here
00:09:09is
00:09:09to make it right.
00:09:14And I hope, uh...
00:09:16Now with all we have in common
00:09:18that
00:09:18you'll give me that chance.
00:09:21You'll give me that chance.
00:09:51You'll give me that chance.
00:09:53...
00:09:54...
00:09:54...
00:09:55...
00:10:07...
00:10:09...
00:10:10...
00:10:10Oh, my God.
00:10:40Oh, my God.
00:11:10Because we find ways to make it work, to feel whole.
00:11:18Which is why what you're asking scares me.
00:11:22Because whatever this life is, it's all we have.
00:11:29And we don't want it to end.
00:11:34Can you understand that?
00:11:35And we don't want it to end.
00:12:05Of course, I can.
00:12:07Such a good point.
00:12:10I'd say the same thing in your position.
00:12:14However, lumen doesn't have to be your whole life.
00:12:20Now, you may have been seeing flashes lately, images from my world out here.
00:12:28I've been seeing yours, too.
00:12:30It's a process called reintegration.
00:12:34It's a way to recouple memories so we can be one person.
00:12:38And I started this because I see now how unfair this all is to you.
00:12:44And once my wife is free, I swear I will finish the process.
00:12:48Because this life, our life, belongs to both of us.
00:12:55And I want to share it with you.
00:12:59Uh, okay.
00:13:12But what would that mean exactly?
00:13:14That you get the right side and I get the left?
00:13:17Or is it like a top-bottom situation?
00:13:21I'm honestly trying to understand.
00:13:22No, no.
00:13:23It wouldn't be like a top-bottom situation.
00:13:25It's like both of us.
00:13:27Like one person combined.
00:13:29Like my memories and yours and my trauma and yours.
00:13:34But, like, you know, good stuff, too.
00:13:40Okay, but, I mean, you've been alive for, what, 20 times longer?
00:13:46So, whoever this new hybrid person is, it seems like he'd be way more you than me.
00:13:59I just don't think that's how it works.
00:14:03Okay.
00:14:03How does it work?
00:14:28Look.
00:14:29I mourned, Gemma, for two years.
00:14:42I lost my job, my teaching job.
00:14:49Because I fucking started showing up drunk.
00:14:59You know, he hid all of her stuff in my basement.
00:15:05Because it was easier pretending that she never existed.
00:15:07And I thought I was protecting you from that pain.
00:15:16Oh, hey, uh, Miss Google told me you, you like someone down there?
00:15:30Helene Egan, right?
00:15:34I think her innie name's Helene.
00:15:36Honestly, I love that you had that experience.
00:15:42So, now, you can imagine, like, what you and Helene have, but multiply, like, thousands of days of, like, joy and arguments and passion.
00:15:57Then you can see why I have to get my wife back.
00:16:01I have to have her back.
00:16:02It's Helene, actually.
00:16:26Helene.
00:16:27It's a person I'm in love with, which you'd know if you'd ever taken an interest in my life.
00:16:36Before tonight, when you need something.
00:16:41She's the person I'll lose if I do what you say.
00:16:45Because you know as well as I do that her Audi won't, like, reintegrate.
00:16:52Assuming that's even real.
00:16:55Assuming every word out of your mouth isn't a lie.
00:16:58What?
00:16:59Whoa.
00:17:03I'm sorry.
00:17:04I didn't mean to...
00:17:05Dude.
00:17:07I'm just trying to save my wife.
00:17:09Okay?
00:17:10I mean, I can't abandon her.
00:17:12And if you help me, I won't abandon you.
00:17:15I promise.
00:17:17You know what I think?
00:17:18I think the second you get your wife back, you forget I ever existed.
00:17:22I think that I disappear along with every innie down there.
00:17:26What do you want from me?
00:17:29We are in this together.
00:17:31Can't you just trust me?
00:17:38No.
00:17:42Devin!
00:17:43He's a fucking child.
00:17:45He won't listen.
00:17:46Let me speak to him.
00:17:47I mentioned reintegration.
00:17:49He basically called bullshit.
00:17:51Well, he's not wrong, right?
00:17:52Let me speak to him.
00:17:54How long?
00:17:58Okay.
00:17:59Yeah.
00:18:08Okay.
00:18:08The numbers are your wife.
00:18:31The MDR numbers from your console.
00:18:35They're a doorway into the mind of your Audi's wife, Gemma Scow.
00:18:56I don't understand.
00:18:57What do you see every day when you look at them?
00:19:13What?
00:19:14We feel things.
00:19:21What do you feel?
00:19:22We feel different things.
00:19:26We feel different things.
00:19:27We sometimes...
00:19:28Sadness.
00:19:29Whoa.
00:19:32Oh, like...
00:19:34Malice.
00:19:39Dread.
00:19:40So you're saying the...
00:19:46The clusters are...
00:19:49Are numbers.
00:19:53The building blocks of her mind.
00:19:58What am I building?
00:20:00What am I building?
00:20:04Every file you've completed.
00:20:07It's a new consciousness for her.
00:20:18A new innie.
00:20:27I've completed 24 files.
00:20:31Cold Harbor is the last.
00:20:34Tomorrow will be your final day at Lumen.
00:20:41You will have served your purpose.
00:20:45And so will she.
00:20:58Wait.
00:20:58Why are you telling me this?
00:21:00What are you doing here?
00:21:07Billy.
00:21:11Mark.
00:21:13Mark.
00:21:16Oh.
00:21:18There'll be no honeymoon ending for you and Helly R.
00:21:22She's an Keegan.
00:21:30You're nothing to them.
00:21:32No.
00:21:33Nothing to her.
00:21:35No, I don't believe you.
00:21:36They're using you.
00:21:37No.
00:21:38I don't believe you.
00:21:39And they've discard you like a skin usk.
00:21:42I think you're using me.
00:21:44Reintegration is your only chance.
00:21:46Do you love your brother?
00:21:48Mark.
00:21:49Yes.
00:21:50Well, then you tell him that the next thing I see had better be the severed floor or I swear he will never see his wife again.
00:21:57I care for you.
00:21:59Stop!
00:22:00Mark.
00:22:01Mark.
00:22:01Mark.
00:22:01Mark.
00:22:01Mark.
00:22:01Mark.
00:22:03Mark.
00:22:05Mark.
00:22:05Mark.
00:22:07Mark.
00:22:09Mark.
00:22:10Mark.
00:22:11Mark.
00:22:12Mark.
00:22:13Mark.
00:22:14Mark.
00:22:15Mark.
00:22:16Mark.
00:22:17Mark.
00:22:18Mark.
00:22:19Mark.
00:22:19Mark.
00:22:20Mark.
00:22:21Mark.
00:22:22Mark.
00:22:23Mark.
00:22:24Mark.
00:22:25Mark.
00:22:26Mark.
00:22:27Mark.
00:22:28Mark.
00:22:29Mark.
00:22:30Mark.
00:22:31Mark.
00:22:32Mark.
00:22:33Mark.
00:22:34Mark.
00:22:35Mark.
00:22:36Mark.
00:22:37Mark.
00:22:38Mark.
00:22:39Mark.
00:22:40Mark.
00:22:41Mark.
00:22:42Mark.
00:22:43Mark.
00:22:44Mark.
00:22:45Mark.
00:22:46Mark.
00:22:47Mark.
00:22:48Mark.
00:22:49Mark.
00:22:50I have to tell you something.
00:23:13Me too.
00:23:20I have to tell you something.
00:23:50Fuck me.
00:24:10Fuck me.
00:24:12Fuck me.
00:24:16Fuck me.
00:24:18Fuck me.
00:24:20Fuck me.
00:24:22Fuck me.
00:24:24Fuck me.
00:24:26Fuck me.
00:24:28Fuck me.
00:24:30Fuck me.
00:24:32Fuck me.
00:24:34Fuck me.
00:24:36Fuck me.
00:24:38Fuck me.
00:24:46Fuck me.
00:24:48Fuck me.
00:24:50Fuck me.
00:24:52Fuck me.
00:24:54Fuck me.
00:24:56Fuck me.
00:24:58Fuck me.
00:25:00Fuck me.
00:25:02Fuck me.
00:25:04Fuck me.
00:25:06Fuck me.
00:25:08Fuck me.
00:25:10Fuck me.
00:25:12Fuck me.
00:25:14Fuck me.
00:25:16Fuck me.
00:25:18Fuck me.
00:25:20Fuck me.
00:25:22Fuck me.
00:25:24Fuck me.
00:25:26Fuck me.
00:25:28Fuck me.
00:25:30Fuck me.
00:25:32Jane Egan was here.
00:26:02They came to see me.
00:26:06He said some cryptic shit about the fire of Kier being in me and that today is a special
00:26:13day.
00:26:18I know why.
00:26:26I know why they're doing this.
00:26:31Hello, Dylan.
00:26:47He said no.
00:26:52Follow me.
00:26:58He said no.
00:27:03He said no.
00:27:09So what happens when they extract the chip?
00:27:25But how can we trust anything Cobel says?
00:27:31How she's ever done is a lie.
00:27:47I know, but she seemed different.
00:27:50I mean, she's the same, but like different, same, I don't know.
00:28:02I mean, I could just not do it.
00:28:06I could just not finish the file.
00:28:08Not get her out.
00:28:09But if she's telling the truth, we're screwed either way.
00:28:18What's happening?
00:28:23Just get dressed.
00:28:26Everything's gonna be fine.
00:28:29I don't know.
00:28:33But if you get her out, maybe that will take down Lumen like his sister said.
00:28:43Maybe you could do this combining thing.
00:28:46Well, yeah, but he could be a total liar.
00:28:50What if he's fine?
00:28:53At least you'll have a chance of living.
00:28:58Yeah, but I want to live with you.
00:29:20But I'm her, Mark.
00:29:26I'm her.
00:29:50Okay.
00:29:54Okay, absolutely.
00:30:37Your Audi has responded to your resignation request.
00:30:43As it may yield an embarrassing emotional response in you,
00:30:47and as I'm duly swamped,
00:30:49I shall leave you to read it in solitude.
00:31:07Dear Innie,
00:31:20I've read your request and organized my response into three points.
00:31:26Point one, fuck you.
00:31:28Well, Gretchen is my wife and my beloved,
00:31:36and your actions with her were deeply fucking indecorous.
00:31:40Point two.
00:31:46I get it.
00:31:50She's perfect.
00:31:52And given our shared physiology, it tracks that you'd agree.
00:31:56And here's the thing.
00:32:01I've never been an impressive person.
00:32:06So when Gretchen told me that you're like this self-assured badass,
00:32:13I don't know.
00:32:16It stung.
00:32:17So I guess point three is
00:32:22I hope someday she sees in me
00:32:26what she sees in you.
00:32:28In the meantime,
00:32:33if I'm being really honest,
00:32:36I guess I like knowing you're there.
00:32:39So if you want to leave,
00:32:48you can.
00:32:50But I think you should stay.
00:33:00Sincere regards,
00:33:02you're outie.
00:33:09Sincere regards,
00:33:34you're outie.
00:33:34Sincere regards,
00:33:35you're outie.
00:33:36Sincere regards,
00:33:37you're outie.
00:33:39I've been trying to think of other place names besides Delaware.
00:34:01I've got Europe, Zimbabwe, and the Equator.
00:34:16The Equator? Is that a building?
00:34:23Or a continent?
00:34:27Maybe it's just a building that's, like, so big.
00:34:32The Equator continent.
00:34:34Yeah.
00:34:38Yeah.
00:34:40I just wish we had more time.
00:34:55I just wish we had more time.
00:35:25I think we could've gone to Mexico.
00:35:29I thought we could've gone.
00:35:34Yep.
00:35:37Yeah.
00:35:38Yeah.
00:35:39I just wish you were maybe more time.
00:35:43But it's nice to see who we are now.
00:35:46It's a happy one.
00:36:16Call Mr. Egan.
00:36:46Call Mr. Egan.
00:37:16Mark S.
00:37:30In completing your 25th macro data file, you have drawn my grand agendum nearer to fulfillment, thus making you one of the most important people in history.
00:37:50Revel now in the fruit of your labors, and hail your earthbound steward, your very own floor manager.
00:38:08Thank you, Kier.
00:38:20And may I say, you're looking very handsome, sir.
00:38:29I'd say the same of you, if not for my favorite core principle.
00:38:36Probity?
00:38:38No.
00:38:40Vision.
00:38:44Well, it's truly special to host a man so illustrious, so sapient, so magnanimous.
00:38:54My, you're verbose.
00:38:57Good thing you didn't write the first appendix.
00:39:01It would have burst.
00:39:02It's an honor to receive your barbs, Mr. Egan.
00:39:18The legacy you've left behind is truly and irrefutably larger than life.
00:39:23You mean my company?
00:39:27No.
00:39:30I mean this wax statue that's five inches taller than you actually were.
00:39:35Thank you for that feedback, Seth.
00:40:00Thank you, Kier.
00:40:01And now, lady and gentlemen of MDR, may I introduce choreography and merriment.
00:40:31Let's go.
00:40:34Let's go.
00:40:50Let's go.
00:40:51Let's go.
00:41:21Let's go.
00:41:51Mr. Egan, the efficacy test will begin shortly.
00:42:03Thank you, C and M.
00:42:06Let's keep the Mark S. love going.
00:42:09I have to leave.
00:42:10With a ballad of ambrose and gunnel.
00:42:15Let's go.
00:42:17Let's go.
00:42:17Let's go.
00:42:21Let's go.
00:42:27Let's go.
00:50:59Take it apart.
00:51:31And his eternal war.
00:52:05How many?
00:52:12How many?
00:52:14How many?
00:52:15How many?
00:52:17How many?
00:52:22How many more must I get?
00:52:25As many as the founder calls?
00:52:32As many as the founder calls?
00:52:33How many?
00:52:43How many?
00:52:44How many?
00:52:45How many?
00:53:03Mark S?
00:53:04Mark S?
00:53:15Mark S.
00:53:16Mark S.
00:53:17Mark S.
00:53:18Mark S.
00:53:19Mark S.
00:53:20I'm wrong,
00:53:20Mark S.
00:53:24I'm leaving, okay?
00:53:26I'm leaving, okay?
00:53:27Oh, my God.
00:53:57What are you doing?
00:54:27What are you doing?
00:54:57What are you doing?
00:55:27What are you doing?
00:55:57What are you doing?
00:55:59What are you doing?
00:56:03What are you doing?
00:56:05What are you doing?
00:56:15What are you doing?
00:56:27What are you doing?
00:56:29What are you doing?
00:56:33What are you doing?
00:56:35What are you doing?
00:56:39What are you doing?
00:56:41What are you doing?
00:56:45What are you doing?
00:56:47What are you doing?
00:56:51What are you doing?
00:56:53What are you doing?
00:56:55What are you doing?
00:56:57What are you doing?
00:57:01What are you doing?
00:57:03What are you doing?
00:57:05What are you doing?
00:57:07What are you doing?
00:57:09What are you doing?
00:57:18Emile thanks you.
00:57:23Emile is the name of the goat.
00:57:26Oh, okay.
00:57:39Okay.
00:57:39Now in a second, I'm going to change to my Audi, and then you are going to take him.
00:57:45I'm going to change to my Audi.
00:57:51I'm going to change to my Audi.
00:57:55I'm going to change to my Audi.
00:58:05I'm going to change to my Audi.
00:58:10I'm going to change to my Audi.
00:58:14I'm going to change to my Audi.
00:58:20I'm going to change to my Audi.
00:58:24I'm going to change to my Audi.
00:58:26I'm going to change to my Audi.
00:58:32I'm going to change to my Audi.
00:58:36I'm going to change to my Audi.
00:58:38I'm going to change to my Audi.
00:58:44I'm going to change to my Audi.
00:58:48I'm going to change to my Audi.
00:58:50Come on.
00:59:20What are you doing?
00:59:36Don't think of it's a property of choreography in Merriman.
00:59:50Choreography in Merriman, return to your department now!
01:00:01Fall back to CNM.
01:00:03Our performance has been compromised.
01:00:05No, no, no, no.
01:00:06Wait, wait, wait, wait.
01:00:07Wait.
01:00:09This desk used to have four seats.
01:00:12Our friend Irving is gone, and they want our whole department gone.
01:00:20If he gets out, we're dead.
01:00:24They're going to turn us off like fucking machines.
01:00:29You've seen them do it.
01:00:30I know you've lost friends, too.
01:00:37And you could be next.
01:00:41You could be next.
01:00:44They give us half a life and think we won't fight for it.
01:00:47Right, Milchik?
01:01:02Please help us.
01:01:04Please.
01:01:05Help us.
01:01:09How'd you get in here?
01:01:11Jesus.
01:01:11Open the door.
01:01:15Step off.
01:01:16Fuck out.
01:01:17Do it.
01:01:18No!
01:01:18No!
01:01:19No!
01:01:19No!
01:01:20No!
01:01:20No!
01:01:20No!
01:01:21No!
01:01:22No!
01:01:22No!
01:01:23No!
01:01:23No!
01:01:25No!
01:01:25No!
01:01:25No!
01:01:26No!
01:01:26No!
01:01:26No!
01:01:27Fuck you!
01:01:27Fuck you!
01:01:27Fuck you!
01:01:41Ah, Jesus.
01:02:11Oh, Jesus.
01:02:13Jesus.
01:02:14Jesus.
01:02:35Jim.
01:02:36It's okay.
01:02:41It's me.
01:02:58I'm your husband.
01:03:00Okay.
01:03:05I'm your husband.
01:03:09Okay.
01:03:14Your name is Gemma Scout.
01:03:19We've been married for four years.
01:03:21No.
01:03:24And we were.
01:03:30We had a life together.
01:03:33Don't speak to that man.
01:03:36He's healed to hurt you.
01:03:37Where are you?
01:03:39And if you come with me right now,
01:03:43we can get him back.
01:03:46No.
01:03:49Stop.
01:03:53This is not a part of the test.
01:03:56Don't let him touch you.
01:03:59We have to go.
01:04:04Stop.
01:04:06Oh, fuck.
01:04:10Mr. Drummond.
01:04:12Mr. Drummond!
01:04:13Sit down!
01:04:15It's okay.
01:04:16Come on!
01:04:17I'm.
01:04:21Fuck!
01:04:27It's the fucking spouse!
01:04:30Complement!
01:04:32It's the fucking spouse!
01:04:37Complement!
01:04:38Okay, you can come.
01:04:43It's okay.
01:04:45Come on.
01:04:47Come on.
01:04:49Come on.
01:04:51It's okay.
01:05:02Mike.
01:05:04Come on.
01:05:08Come on.
01:05:28Come on.
01:05:30Come on.
01:05:34Come on.
01:05:36Come on...
01:05:38Get up!
01:05:40Get up!
01:05:42Get up!
01:05:57Get up!
01:06:12Get up!
01:06:23Gemma, stop!
01:06:26Gemma, stop!
01:06:28No, no, no, no, no, no, no!
01:06:31No, no, no, no, no, no!
01:06:34You killed them all!
01:06:42My gas?
01:07:01Excuse me.
01:07:04What's taking place?
01:07:07Umm...
01:07:10Oh, my God.
01:07:40Oh, my God.
01:08:10Oh, my God.
01:08:40Oh, my God.
01:08:41Oh, my God.
01:08:43Oh, my God.
01:08:44I'm sorry.
01:08:45Oh, my God.
01:08:49Oh, my God.
01:08:52Oh, my God.
01:08:56Come on, Mark!
01:08:58Come on, we have to go!
01:09:02Mark!
01:09:04Mark, open the door, come on!
01:09:08What are you doing?
01:09:10Open the door!
01:09:12Mark, we gotta go home!
01:09:14Mark!
01:09:16Mark, come on!
01:09:18Mark, open the door!
01:09:20Mark!
01:09:24Mark!
01:09:32Mark!
01:09:42Mark!
01:09:44Mark!
01:09:50Mark!
01:09:52Mark!
01:09:54Mark!
01:09:56Mark!
01:09:58Mark!
01:10:14No!
01:10:16No, no, no, Mark!
01:10:18Oh, no, Mike!
01:10:48Round like a circle in a spiral, like a wheel within a wheel, never ending or beginning on an ever spinning reel, like a snowball down a mountain or a carnival balloon, like a carousel that's turning, running rings around the moon.
01:11:18Like a clock whose hands are sweeping past the minutes of its face, and the world is like an apple, whirling silently in space, like the circles that you find in the windmills of your mind.
01:11:42Like a tunnel that you follow to a tunnel of its own, down a hollow to a cavern where the sun has never shone.
01:11:58Like a door that keeps revolving in a half-forgotten dream, or the ripples from a pebble someone tosses in a stream.
01:12:12Like a clock whose hands are sweeping past the minutes of its face, and the world is like an apple, whirling silently in space.
01:12:26Like a wheel within a wheel, never ending or beginning on an ever spinning reel, as the images unwind.
01:12:42like the circles that you find, like the circles that you find, in the windmills of your mind.
01:13:04Like a clock whose eyes are in the windmills of your mind.
01:13:18Go down and go down and stay down
01:13:41Go down and go down and stay down
01:13:47Riggin' up big rocks on a team gang
01:13:53Riggin' rocks and servin' my time
01:13:57Riggin' up big rocks on a team gang
01:14:01Cause I've been convicted of crime
01:14:05I hold it steady right there
01:14:07Well, I hate it
01:14:09Riggin' that, oh, to get it
01:14:12Been workin', I've been workin'
01:14:16But I got me so terrible long ago
01:14:19I've been convicted of the crime
01:14:23Lord, needin'
01:14:25The crime of bein' hungry and poor
01:14:28I had a lever that a grocery man bleedin'
01:14:33When he found me robin' his store
01:14:36I hold it steady right there
01:14:39Well, I hate it
01:14:40Riggin' that, oh, to get it
01:14:44Been workin', I've been workin'
01:14:47But I got me so terrible long ago
01:14:50I heard the judge say
01:14:54Five years of labor
01:14:56To the team gang
01:14:58You got to go
01:15:00I heard the judge say
01:15:02Five years of labor
01:15:04I heard my woman scream
01:15:06Scream, Lord, ain't no
01:15:08I hold it steady right there
01:15:10Well, I hate it
01:15:12Riggin' that, oh, to get it
01:15:16Been workin', I've been workin'
01:15:19But I got me so terrible long ago
01:15:22To get it been workin', I've been workin'
01:15:26But I got me so terrible long ago
01:15:31Yes, I've been workin', I've been workin'
01:15:35But I got me so terrible long ago
01:15:39You know, I got me so terrible long ago
01:15:43Yes, I have got me so damn long ago
01:15:47Hey!
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