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Watch the full episode of "Severance" – a gripping psychological thriller that explores the mystery behind work-life separation. When employees undergo a procedure that divides their work memories from personal life, secrets begin to unravel. Don’t miss this mind-bending series!
✅ Genre: Sci-Fi, Thriller, Mystery
🎬 Language: English (with Urdu subtitles)
📺 Platform: Originally aired on Apple TV+
🔔 Subscribe for more thrilling dramas and full episodes!
#Severance #ThrillerDrama #SciFiSeries #FullEpisode #UrduSubtitles
✅ Genre: Sci-Fi, Thriller, Mystery
🎬 Language: English (with Urdu subtitles)
📺 Platform: Originally aired on Apple TV+
🔔 Subscribe for more thrilling dramas and full episodes!
#Severance #ThrillerDrama #SciFiSeries #FullEpisode #UrduSubtitles
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FunTranscript
00:01:30Do you remember the last thing that you said to me?
00:01:38She's alive.
00:01:39Have you finished Cold Harbor?
00:01:48What is this place?
00:01:50It's a cabin for giving birth.
00:01:52Why am I here?
00:01:56Why are you here?
00:01:58Cold Harbor.
00:01:59Have you finished it?
00:02:05No.
00:02:06And she's still alive.
00:02:12We can save her.
00:02:16Who?
00:02:17Miss Casey.
00:02:21Gemma.
00:02:24There's a hallway down there.
00:02:27It's different than the others.
00:02:30It's long and black and hidden.
00:02:32From Irving's drawings.
00:02:37Once.
00:02:40With an elevator going down.
00:02:46We know where it is.
00:02:47What a funny speech you gave at the party.
00:02:58I was cross with you after.
00:03:08I threw a tin of candies.
00:03:14God, you're fucking weird.
00:03:20God, you're fucking weird.
00:03:21I do not love my daughter.
00:03:49I used to see care in her.
00:03:52I used to see care in her.
00:03:58But he left her as she grew.
00:04:04Sound like a great dad.
00:04:07I saw at others in the shadows.
00:04:09But he wasn't in them either.
00:04:19Until I saw him again.
00:04:25And you.
00:04:29You and your family created hell and you're going to burn in it.
00:04:31There he is.
00:04:45Tomorrow is a special day.
00:04:51Hey.
00:04:55Why did you come here?
00:04:56What do you want from me?
00:05:03So, wait.
00:05:04When I finish Cold Harbor,
00:05:06they do a test
00:05:08and then
00:05:08they kill her?
00:05:10Once that file is done,
00:05:13you'll need to quickly get to the black hallway.
00:05:16Then down to the testing floor.
00:05:18I'll not let you leave MDR
00:05:20until that file is complete.
00:05:22Okay, but
00:05:23how do I find her once I'm down there?
00:05:26No, you won't.
00:05:27I won't.
00:05:27No.
00:05:28Your chip
00:05:28is only attuned to your floor.
00:05:32Once you get down to testing,
00:05:33you'll be your Audi again.
00:05:36And then he'll find Gemma
00:05:37and take her up to the separate floor
00:05:39where you will guide her
00:05:41to the exit stairwell.
00:05:46Right.
00:05:46Okay.
00:05:46Okay.
00:05:50Mark.
00:05:52I know this is a fucking lot, man.
00:05:57But if we can prove
00:05:58that she is alive,
00:06:00if we can prove
00:06:01that they fucking kidnapped her,
00:06:03it will end them.
00:06:14Well,
00:06:14what happens to us?
00:06:18What do you mean?
00:06:22Well,
00:06:23if lumen ends,
00:06:25then what happens to every innie
00:06:26on the severed floor?
00:06:33Yeah.
00:06:33Um...
00:06:34Oh.
00:06:46You want me to give my life?
00:06:48No.
00:06:49The lives of everyone down there?
00:06:50No,
00:06:51it's not that simple.
00:06:54Just to save one person
00:06:56you happen to care about.
00:06:58It doesn't have to end your life.
00:07:00Really?
00:07:07Right.
00:07:08Um...
00:07:09There's somebody else
00:07:11who wants to talk to you,
00:07:11actually.
00:07:12Um...
00:07:23Okay.
00:07:26Just...
00:07:27hit the...
00:07:28play.
00:07:29Okay.
00:07:29watch it record your response and step outside
00:07:50we'll just be downstairs okay okay
00:07:59hey I'm I guess you know who I am I think you've spoken with Devin and mrs.
00:08:28gobel so you you know what it is that we're asking but the first thing I need
00:08:39to say to you is that I am so sorry you know I created you as a prisoner and is
00:08:51an escape woman told me you'd be happy that innies are content and because I
00:08:58took their word for it you've been living a nightmare for two years it's horrific
00:09:04what they've done to you and part of the reason I'm here is to make it right I
00:09:14hope now with all we have in common that you'll give me that chance
00:09:44so
00:09:51I don't know.
00:10:21I don't know.
00:10:51I never expected to actually speak to you.
00:10:54Holy shit.
00:10:55Let alone get an apology, so...
00:11:05You know, nightmare is the wrong word, actually.
00:11:09Because we find ways to make it work, to feel whole, which is why what you're asking scares me.
00:11:21You know, because whatever this life is, it's all we have, and we don't want it to end.
00:11:34Can you understand that?
00:11:35I don't know.
00:12:05Of course I can.
00:12:07Such a good point.
00:12:10I'd say the same thing in your position.
00:12:14However...
00:12:16Lumen...
00:12:18doesn't have to be your whole life.
00:12:20Now, you may have been seeing flashes lately, images from my world out here.
00:12:28I've been seeing yours, too.
00:12:30It's a process called reintegration.
00:12:34It's a way to recouple memories so we can be one person.
00:12:40And I started this because I see now how unfair this all is to you.
00:12:44And once my wife is free, I swear I will finish the process.
00:12:48Because this life, our life, belongs to both of us.
00:12:55And I want to share it with you.
00:12:59Uh...
00:13:07Here we go.
00:13:13exactly that you you get the right side and i get the the left or is it like a top bottom situation
00:13:21i'm honestly trying to understand no no it wouldn't be like a top bottom situation it's like
00:13:26both of us like one person combined like my memories and yours and my trauma and yours but
00:13:34like you know good stuff too okay but i mean you've been alive for what 20 times longer so
00:13:48whoever this new hybrid person is it seems like he'd be way more you than me
00:13:54i just don't think that's how it works okay how does it work
00:14:24look
00:14:33i mourned gemma for two years
00:14:42i lost my job my teaching job
00:14:46because i if i can started showing up drunk
00:15:00you know he hid all of her stuff in my basement
00:15:05because it was easier pretending that she never existed
00:15:08and i thought i was protecting you from that pain
00:15:25oh hey uh miss google told me you you like someone down there
00:15:30helena egan right i think her innie name's helenie
00:15:39honestly i love that you had that experience
00:15:44so now you can imagine like what you and helenie have but multiply like thousands of days of like joy
00:15:55and arguments and arguments and passion then you can see why i have to get my wife back i have to have her back
00:16:11it's helenie actually helenie
00:16:31it's a person i'm in love with
00:16:33which you'd know if you'd ever taken an interest in my life
00:16:36before tonight when you need something
00:16:41she's the person i'll lose if i do what you say because you know as well as i do that her outie won't like
00:16:49reintegrate
00:16:52assuming that's even real assuming every word out of your mouth isn't a lie
00:16:57what
00:17:02whoa i'm sorry i didn't mean to
00:17:06dude i'm just trying to save my wife okay
00:17:10and i can't abandon her and if you help me i won't abandon you i promise
00:17:17you know what i think i think the second you get your wife back you forget i ever existed
00:17:22i think that i disappear along with every innie down there
00:17:28what do you want from me we are in this together can't you just trust me
00:17:38no
00:17:42devon
00:17:44he's a fucking child he won't listen let me speak to him i mentioned reintegration he basically called
00:17:50bullshit well he's not wrong right let me speak to him
00:17:56alone okay yeah
00:18:08okay
00:18:20the numbers are your wife
00:18:32the mdr numbers from your console
00:18:35their doorway into the mind of your audi's wife jemma scout
00:18:49i don't understand
00:19:02what do you see every day when you look at them
00:19:04what i mean we feel things
00:19:21what do you feel
00:19:26different things we sometimes sadness
00:19:29woe
00:19:30frolic
00:19:36malice
00:19:39dread
00:19:44so you're saying the the clusters
00:19:49are tempers
00:19:50the building blocks of her mind
00:19:59what am i building
00:20:05every file you've completed
00:20:07what am i building
00:20:10is a new consciousness for her
00:20:19a new innie
00:20:27i've completed 24 files
00:20:29cold harbor is the last
00:20:37tomorrow will be your final day at lumen
00:20:40time
00:20:42you will have served your purpose
00:20:44and so will she
00:20:58wait why are you telling me this
00:21:00what are you doing here
00:21:07what are you doing here really
00:21:08mark
00:21:11mark
00:21:16oh
00:21:18there'll be no honeymoon ending for you and helia
00:21:22she's in keegan
00:21:30you're nothing to them
00:21:32no
00:21:33nothing
00:21:34no i don't believe you
00:21:36they're using you
00:21:37no i don't believe you
00:21:39and they've discard you like a skin usk
00:21:42i think you're using me
00:21:44reintegration is your only chance
00:21:46do you love your brother
00:21:47father
00:21:49yes
00:21:50well then you tell him that the next thing i see had better be the severed floor or i swear he will
00:21:55never see his wife again
00:21:57i care for you
00:21:59stop
00:22:00mark
00:22:17you
00:22:47I have to tell you something.
00:23:13Me too.
00:23:17I have to tell you something.
00:23:47Fuck me.
00:24:10I have to tell you something.
00:24:40Mark, the founder, wished to witness the historic completion of your 25th file.
00:25:04Helly R. shall also bear witness from our chair.
00:25:13Goodly splendors await upon your victory.
00:25:16Love, Mr. Milchick.
00:25:17Goodly splendors await you.
00:25:27Goodly splendors await you.
00:25:32Jane Egan was here.
00:26:02They came to see me.
00:26:06He said some cryptic shit about the fire of Kier being in me and that today is a special
00:26:13day.
00:26:15I know why.
00:26:26I know why they're doing this.
00:26:31Hello, Dylan.
00:26:47He said no.
00:26:52Follow me.
00:26:59I know why they're doing this.
00:27:06I know why they're doing this.
00:27:12I know why they're doing this.
00:27:15I know why they're doing this.
00:27:30So, what happens when they extract the chip?
00:27:37But how can we trust anything Cobel says?
00:27:43All she's ever done is lie.
00:27:44I know, but she seemed different.
00:27:50I mean, she's the same, but, like, different, same.
00:27:56I don't know.
00:28:03I mean, I could just not do it.
00:28:06I could just not finish the file, not get her out.
00:28:11But if she's telling the truth, we're screwed either way.
00:28:21What's happening?
00:28:22What's happening?
00:28:23Just get dressed.
00:28:24Everything's gonna be fine.
00:28:28I don't know.
00:28:29But if you get her out, maybe that will take down Lumen, like his sister said.
00:28:41And maybe you could do this combining thing.
00:28:45Well, yeah, but he could be a total liar.
00:28:51What if he's fine?
00:28:58At least you'll have a chance of living.
00:29:06Yeah, but I want to live with you.
00:29:15I want to live with you.
00:29:20But I'm hurt, Mark.
00:29:29I'm hurt.
00:29:45I want to live with you.
00:29:50Okay.
00:30:15Your Audi has responded to your resignation request.
00:30:36As it may yield an embarrassing emotional response in you, and as I'm duly swamped, I shall leave you to read it in solitude.
00:31:06Dear Innie, I've read your request and organized my response into three points.
00:31:25Point one, fuck you.
00:31:28Gretchen is my wife and my beloved, and your actions with her were deeply fucking indecorous.
00:31:43Point two.
00:31:44Point two.
00:31:47I get it.
00:31:51She's perfect.
00:31:53And given our shared physiology, it tracks that you'd agree.
00:31:58Here's the thing.
00:31:59I've never been an impressive person, so when Gretchen told me that you're like this self-assured badass, I don't know.
00:32:16It stung.
00:32:17So, I guess point three is, I hope someday she sees in me what she sees in you.
00:32:32In the meantime, if I'm being really honest, I guess I like knowing you're there.
00:32:40So, if you want to leave, you can, but I think you should stay.
00:33:01Sincere regards, your Audi.
00:33:10Four, three, three, four.
00:33:11Two, three.
00:33:12Three, four.
00:33:13Three, four.
00:33:14Four, four, four.
00:33:16I miss you, you're a kid.
00:33:17One.
00:33:18One.
00:33:20One.
00:33:22Four, five.
00:33:24Four, five.
00:33:26One, two, one.
00:33:27Four, five.
00:33:29Three, two.
00:33:31Three, four.
00:33:33One.
00:33:35Two, five, five.
00:33:37Four, six, seven.
00:33:38I've been trying to think of other place names besides Delaware.
00:34:01I've got Europe, Zimbabwe, and the Equator.
00:34:16The Equator? Is that a building?
00:34:24Or a continent?
00:34:27Maybe it's just a building that's, like, so big.
00:34:32They came a continent.
00:34:34Yeah.
00:34:38Yeah.
00:34:41I just wish we had more time.
00:34:56I just wish we had more time.
00:35:03Yeah.
00:35:04Yeah.
00:35:05Yeah.
00:35:06Yeah.
00:35:09Yeah.
00:35:15I don't know.
00:35:45I don't know.
00:36:15I don't know.
00:36:45I don't know.
00:37:15I don't know.
00:37:45I don't know.
00:38:15Thank you, Kier.
00:38:22And may I say, you're looking very handsome, sir.
00:38:28I'd say the same of you, if not for my favorite core principle.
00:38:36Probity?
00:38:37No.
00:38:38Well, it's truly special to host a man so illustrious.
00:38:50So sapient, so sapient, so magnanimous.
00:38:54My, you're verbose.
00:38:56Good thing you didn't write the first appendix.
00:39:00It would have burst.
00:39:02It's an honor to receive your barbs, Mr. Egan.
00:39:13It's an honor to receive your barbs, Mr. Egan.
00:39:17The legacy you've left behind, the legacy you've left behind is truly and irrefutably larger than life.
00:39:23You mean my company?
00:39:27No.
00:39:28I mean this waxed statue that's five inches taller than you were.
00:39:35I mean this wax statue that's five inches taller than you actually were.
00:39:35Thank you for that feedback, Seth.
00:39:56Thank you, Kier.
00:40:01And now, lady and gentlemen of MDR, may I introduce choreography and merriment.
00:40:31Let's go.
00:40:35Let's go.
00:40:38Let's go.
00:40:52Let's go.
00:40:56Let's go.
00:41:00Let's go.
00:41:03Let's go.
00:41:25Let's go.
00:41:28Welcome, Mr. Egan.
00:41:53The efficacy test will begin shortly.
00:41:58Thank you, C and M.
00:42:06Let's keep the Mark S. love going.
00:42:09I have to leave.
00:42:11With a ballad of Ambrose and Gunnel.
00:42:58You ready?
00:43:06Yeah.
00:43:09See you at the equator.
00:43:13See you at the equator.
00:43:15See you at the equator.
00:43:45See you at the equator.
00:44:15Hey, can I get a little help?
00:44:17I don't know.
00:44:47I don't know.
00:45:17I don't know.
00:45:47I don't know.
00:46:17I don't know.
00:46:47I don't know.
00:46:49I don't know.
00:46:53Hey.
00:46:57Hey.
00:46:59I don't know.
00:47:03Enter the room.
00:47:27I don't know.
00:47:29I don't know.
00:47:33I don't know.
00:47:35I don't know.
00:47:39I don't know.
00:47:41I don't know.
00:47:45I don't know.
00:47:47I don't know.
00:47:49I don't know.
00:47:57I don't know.
00:47:59I don't know.
00:48:01I don't know.
00:48:03Enter the room.
00:48:05I don't know.
00:48:15I don't know.
00:48:17I don't know.
00:48:19Who are you?
00:48:43I don't know.
00:48:49Mammalian's Nurtrable brings an offering.
00:49:15Has it verve?
00:49:16It does.
00:49:21Wilds.
00:49:25The most of its flock.
00:49:27Wilds.
00:49:42This beast will be entombed with a cherished woman whose spirit it must guide to Kier's
00:50:03door. Is it up to the task? It is.
00:50:33Then give me its life.
00:50:48Take it apart.
00:51:10Hey!
00:51:12Excuse me!
00:51:18We commit this animal to Kier in his eternal war against pain.
00:51:48How many?
00:51:49How many?
00:52:03How many?
00:52:04How many what?
00:52:05How many more must I give?
00:52:10How many more must I give?
00:52:11As many as the fonder calls.
00:52:17God!
00:52:18God!
00:52:19How many more must I give?
00:52:25How many?
00:52:27Him!
00:52:28How many more must I give?
00:52:31We're kinda one more into Twist look for her.
00:52:32How many?
00:52:34How many more must I give you?
00:52:37i have to.
00:52:39You have to fall under the key, thereby letting me write.
00:52:42Which i have to?
00:52:43How many is the founder calls?
00:52:44How many are you doing?
00:52:48Mark S.
00:53:18Uh, it's the wrong door.
00:53:25I'm leaving, okay?
00:53:33No!
00:53:40No!
00:53:48No!
00:53:55No!
00:54:00Oh, fuck!
00:54:07Whoa!
00:54:09Whoa!
00:54:11Whoa!
00:54:15What are you doing?
00:54:21What are you doing?
00:54:28What are you doing?
00:54:34No more killing.
00:55:01No more killing.
00:55:08No more killing me.
00:55:15No more killing me.
00:55:20No more killing me.
00:55:23No more killing me.
00:55:30No more killing me.
00:55:36No more killing me.
00:55:42No more killing me.
00:55:57Wait, wait, wait!
00:55:59No more killing me.
00:56:00No more killing me.
00:56:01No more killing me.
00:56:02No more killing me.
00:56:03No more killing me.
00:56:04No more killing me.
00:56:05No more killing me.
00:56:06No more killing me.
00:56:07No more killing me.
00:56:08No more killing me.
00:56:09No more killing me.
00:56:10No more killing me.
00:56:11No more killing me.
00:56:12No more killing me.
00:56:13No more killing me.
00:56:14No more killing me.
00:56:15This heart of mine embraces
00:56:20All they do
00:56:28The barrier is holding
00:56:35She feels nothing
00:56:45It's beautiful
00:57:15Thank you
00:57:18Emile thanks you
00:57:23Emile is the name of the goat
00:57:26Oh, okay
00:57:39Okay
00:57:40Now in a second
00:57:41I'm gonna change to my Audi
00:57:43And then you
00:57:44Are gonna take him to
00:58:10To
00:58:14Ah
00:58:16Ah
00:58:18Ah
00:58:20Ah
00:58:22Ah
00:58:24Ah
00:58:27Ah
00:58:30Ah
00:58:32Ah
00:58:34Ah
00:58:35I don't know.
00:59:05I don't know.
00:59:35I don't know.
00:59:37What are you doing?
00:59:39Don't think of it's a property of choreography and merriment.
00:59:53Choreography and merriment, return to your department now!
01:00:01Fall back to C&M.
01:00:03Our performance has been compromised.
01:00:05No, no, no, no.
01:00:07Wait, wait, wait, wait.
01:00:09This desk used to have four seats.
01:00:13Our friend Irving is gone, and they want our whole department gone.
01:00:19If he gets out, we're dead!
01:00:23They're gonna turn us off like fucking machines!
01:00:27You've seen them do it.
01:00:29I know you've lost friends too.
01:00:35And you could be next.
01:00:39You could be next.
01:00:41You could be next.
01:00:43They give us half a life and think we won't fight for it.
01:00:47Right, Milchik?
01:00:51Please help us.
01:00:53Please.
01:00:55Help us.
01:00:57Help us.
01:00:58How'd you get in here?
01:00:59Jesus.
01:01:00Open the door.
01:01:01Step off, fucko.
01:01:02Do it.
01:01:03No!
01:01:04No!
01:01:05No!
01:01:06No!
01:01:07No!
01:01:08No!
01:01:09No!
01:01:10No!
01:01:12No!
01:01:12Ina!"
01:01:13No!
01:01:14Open the door step off fuck out do it
01:01:44Oh
01:02:14It's okay.
01:02:41It's me.
01:02:44I'm your husband.
01:03:05I'm your husband.
01:03:09Okay.
01:03:10Your name is Gemma Scout.
01:03:20We've been married for four years.
01:03:22No.
01:03:23We had a life together.
01:03:34Don't speak to that man.
01:03:36He's healed to hurt you.
01:03:38And if you come with me right now, we can get him back.
01:03:46No.
01:03:49Stop.
01:03:50This is not a part of the test.
01:03:56Please.
01:03:57Don't let him touch you.
01:03:59We have to go.
01:04:04Stop.
01:04:06Oh, fuck.
01:04:07Mr. Drummond.
01:04:12Mr. Drummond.
01:04:13It's okay.
01:04:21Fire!
01:04:28It's the fucking spouse!
01:04:31Come, Drummond!
01:04:32Okay.
01:04:41Okay.
01:04:42You can come.
01:04:44It's okay.
01:04:45Come on.
01:04:48Come on.
01:04:50Come on.
01:04:52It's okay.
01:04:53Come on.
01:04:53It's okay.
01:04:54Come on.
01:04:55All right.
01:05:25Oh, come on.
01:05:55Oh, come on.
01:06:25No.
01:06:27Gemma, no.
01:06:29No, no, no, no, no, no, no.
01:06:31No, no, no, no, no.
01:06:33No.
01:06:34You killed them all.
01:06:55What's taking place?
01:07:07Um...
01:07:09Um...
01:07:11Uh...
01:07:13Uh...
01:07:15Uh...
01:07:17Uh...
01:07:19Uh...
01:07:21Uh...
01:07:23Uh...
01:07:24Uh...
01:07:25Uh...
01:07:26Uh...
01:07:27Uh...
01:07:28I don't know.
01:07:58I don't know.
01:08:28I don't know.
01:08:30Come on, you gotta go right now!
01:08:32Go!
01:08:33Go!
01:08:35Fuck you, Mr. Milchick.
01:08:40Fuck you, Mr. Milchick.
01:08:52Mark!
01:08:54Mark, come on!
01:08:56Come on, Mark!
01:08:58Come on, we have to go!
01:09:00Mark!
01:09:01Mark, open the door!
01:09:02Come on!
01:09:03What are you doing?
01:09:04Mark!
01:09:05Mark, open the door!
01:09:06Come on!
01:09:08What are you doing?
01:09:10Open the door!
01:09:12Mark, we gotta go home!
01:09:14Mark!
01:09:15Mark, come on!
01:09:16Mark, open the door!
01:09:18Mark!
01:09:19Mark, come on!
01:09:20Mark, open the door!
01:09:21Mark!
01:09:22Mark!
01:09:23Mark!
01:09:24Mark!
01:09:25Mark!
01:09:26Mark!
01:09:27Mark!
01:09:28Guys!
01:09:33Mark!
01:09:42What?
01:09:45Mark!
01:09:47Mark!
01:09:55Mark!
01:09:56Mark!
01:09:58Mark!
01:10:17No! No, no, no! Mark!
01:10:26No! No! No! No!
01:10:49Round, like a circle in a spiral
01:10:53Like a wheel within a wheel
01:10:57Never ending or beginning
01:11:01On an ever spinning reel
01:11:04Like a snowball down a mountain
01:11:08Or a carnival balloon
01:11:11Like a carousel that's turning
01:11:15Running rings around the moon
01:11:17Like a clock whose hands are sweeping
01:11:22Past the minutes of its space
01:11:25And the world is like an apple
01:11:29Whirling silently in space
01:11:33Like the circles that you find
01:11:36In the windmills of your mind
01:11:40Like a tunnel that you follow
01:11:47To a tunnel of its own
01:11:51Down a hollow to a cavern
01:11:55Where the sun has never shone
01:11:58Like a door that keeps revolving
01:12:01In a half-forgotten dream
01:12:03In a half-forgotten dream
01:12:05Or the ripples from a pebble
01:12:09Someone tosses in a stream
01:12:13Like a clock whose hands are sweeping
01:12:17Past the minutes of its face
01:12:18And the world is like an apple
01:12:22And the world is like an apple
01:12:24Whirling silently in space
01:12:27Like a wheel within a wheel
01:12:30Never ending or beginning
01:12:34On an ever spinning reel
01:12:36Spinning reel
01:12:39As the images unwind
01:12:43Like the circles that you find
01:12:49In the windmills
01:12:55Of your mind
01:12:59You're mine
01:13:29Go down
01:13:35And I go down
01:13:37And I go down
01:13:38And I stay down
01:13:42Go down
01:13:44And I go down
01:13:45And I stay down
01:13:50Rigging up big rocks
01:13:52On a jean gang
01:13:54Rigging rocks
01:13:55And serving my time
01:13:57Picking up big rocks
01:14:00On a jean gang
01:14:02Cause I've been convict
01:14:04To the crime
01:14:06I hold it steady right there
01:14:08Well, I hate it
01:14:10Oh, rigging that
01:14:12Oh, to get it been working
01:14:14I've been working
01:14:16But I got me so terrible long ago
01:14:21I've been convicted
01:14:23Of the crime lord needin'
01:14:25The crime of being
01:14:27Hungry and poor
01:14:28Hungry and poor
01:14:30I had a lever that
01:14:31A grocery man bleedin'
01:14:33When he found me
01:14:35Robbing his store
01:14:37I hold it steady right there
01:14:39Well, I hate it
01:14:41Hey!
01:14:43Oh, rigging that
01:14:44Oh, to get it been working
01:14:46I've been working
01:14:48But I got me so terrible long ago
01:14:51I've been working
01:14:52I could find a lot of
01:14:53But I'm not going to go
01:14:54I don't know
01:14:55I don't know
01:14:56How you don't know
01:14:58But I will have no clue
01:14:59I'm not going to look
01:15:00To the city
01:15:01Not to go
01:15:02I'm not going to come
01:15:03To the city
01:15:04See what's the use?
01:15:05Hey, I'm not going to talk
01:15:06I'm not going to talk
01:15:07Cream, Lord, ain't no
01:15:08Hold it steady right there
01:15:11Well, I hate it
01:15:12Breaking dead
01:15:15Oh, to get it been working
01:15:17I've been working
01:15:19But I got me so
01:15:21Till long ago
01:15:23To get it been working
01:15:25I've been working
01:15:27But I got me so
01:15:29Till long ago
01:15:31Yes, I've been working
01:15:33I've been working
01:15:35But I got me so
01:15:37Till long ago
01:15:38You know I got me so
01:15:41Till long ago
01:15:42Yes, I have got me so
01:15:45Damn long ago
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