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  • 7/8/2025
مدي 1 تي في : مع حمزة الصنهاجي - 07/07/2025

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Transcript
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01:53Farewell, we need a big brother.
01:55I have to talk to you.
02:00That's the idea?
02:03You're sorry, I'm sorry, you're not ready to come.
02:07If you go, you're not trying to get away the school.
02:09I'm going to get to you.
02:12I'm going to get away!
02:17I'm not wanting to put back on my pay.
02:19I'm not in New York or in the Maldives.
02:21You don't have to answer me, you're going to kill him.
02:24What do you want to do with him?
02:25I want to ask you, my brother.
02:26My brother, my brother!
02:36Yes, my brother!
02:38I want to talk to you.
02:40I want to talk to you in Paris.
02:41I want to talk to you.
02:42I want to talk to you.
02:43I want to talk to you.
02:46I want to talk to you.
02:48What?
02:48I want to talk to you, my sister, Paris, London, New York, all these events.
02:51I want to talk to you.
02:52What do you want to talk to you?
02:53What do you want to talk to you?
02:54What do you want to talk to you?
02:55Why do you want to talk to you?
02:57Your heart is a big one.
02:59Your heart is a good one.
03:01Your heart is a good one.
03:03My heart is a bad one.
03:06We are here today.
03:07We have to talk to you with a comedy with a Hamza,
03:09I'm an Sinaji.
03:10Assalamualaikum.
03:11Good-bye.
03:12Hello, my name is Sam.
03:13Thank you for the invitation.
03:14I know you didn't see the video.
03:15I know you're doing everything.
03:16I want to tell you what?
03:17There are some other videos that you can share with us.
03:19You can share your video with us.
03:21Yes, thank you.
03:23Do you have any thoughts?
03:25Do you always find any thoughts?
03:27Sometimes you don't have any thoughts.
03:29Sometimes you don't have any thoughts.
03:31Sometimes you don't have any thoughts.
03:33Sometimes you don't have any thoughts.
03:35But you try to develop your thoughts.
03:37Your ideas, your surroundings, your experience.
03:39Yes, thank you.
03:41At the end of the day, you said you were a comedy fan.
03:43And you have a good idea.
03:45Yes, yes.
03:46Yes, thank you.
03:48You have your life, your career and your career as a humorist.
03:51And you have, of course, success in the videos,
03:54and the development of the video,
03:56and the sketch video that you can do on social media.
03:58In fact, you start the creation of the content,
04:00the videos, etc.
04:02And in February,
04:04when you start the humorist,
04:06the spectacles,
04:08and the tourney, etc.
04:10We'll talk about it all.
04:12How did you start the development of the video?
04:14How did you start the development of the video?
04:15You started the COVID-19-19.
04:17Yes, yes.
04:18You can't do it all.
04:19You're not even inspired by the COVID-19.
04:21But you're not inspired by the one.
04:22You're not inspired by the one.
04:23And you're not with the other.
04:24You're not with the other.
04:25You're not with the one.
04:26You're all with the other.
04:27You're with the other.
04:28And, honestly,
04:29Maybe, in the middle of the day, I did a video first.
04:33I did a good video.
04:34I usually have a video that I want to be in a few minutes.
04:39You're going to use the algorithm.
04:41You're going to use the algorithm.
04:43Yes, you're going to use the algorithm.
04:44And, alhamdulillah, it works.
04:46Little bit, little bit.
04:47You're going to search.
04:49What is the algorithm of Instagram after you did a few minutes?
04:53What is it today?
04:54You're going to use one minute.
04:55What is it going to be?
04:56In fact, the algorithm of Instagram is different.
04:59You want it to be fast.
05:01It's going to be fast, and it's going fast.
05:03And the consumption is too fast.
05:05In fact, you don't want to use the algorithm of 10 or 15 minutes.
05:09You want to use the algorithm of 40 seconds,
05:11or one minute, or one minute,
05:13and then you're going to use the algorithm.
05:15What is the most video?
05:17It's not the most video.
05:18The video that I filmed in the last time is possible.
05:20Because I know that the video is in a few minutes.
05:23It's a few minutes.
05:24You're going to take a few minutes.
05:25Or you're going to take a few minutes.
05:25You're going to take a few minutes.
05:27You'llinda get a few minutes.
05:29However, if someone gives you a chance to film it?
05:31Or can someone's watch it?
05:33You can actually cut over your phone.
05:35What kind of movie is know now?
05:36Right.
05:37What you're going to be doing the movie is now?
05:39Yeah!
05:40What didn't you call it?
05:40It's the very long place where it's done.
05:43I sabe it.
05:44Yes, maybe you could have a team with a group of people who would like to share it with you.
05:49It's not DVD.
05:55What do you want to do with your husband?
05:57If you want to enter your father, you can enter your husband's house.
06:02For example, the house.
06:04If you want to do your husband's house, your mother's house, your daughter's house.
06:10This is a picture of 15 minutes.
06:14Okay.
06:15There are two million views.
06:17That's amazing.
06:18It's very small.
06:19I don't think it's very small.
06:20It's very small.
06:21It's very small.
06:22Yes, it's very small.
06:23What's the area?
06:25Yes, the area is the metro.
06:28The metro.
06:29Yes, it's very small in the metro.
06:31It's very small in the metro.
06:33It's very small.
06:35It's a hard organization.
06:37How did you get rid of the people's lives?
06:39What's the metro?
06:40It's an important figure.
06:42It's very important.
06:43But first, I told her to run it.
06:47I didn't want to do anything.
06:49I gave her a little bit.
06:50I told her that it was cool because I wanted to make it.
06:53Like the plot in the woodland.
06:55I told her that she's going to run it.
06:57I'm sure she's got it.
06:58But it was a tough one for me.
07:01What did you do with your husband's house?
07:04The big part.
07:06The users of the mechanical work?
07:07Final code.
07:08Okay, so PC Mac?
07:10Yes, PC Mac.
07:11Okay, very good.
07:12Because the Mac will allow you to move to another one.
07:17You can zoom it well.
07:19And in the same video that you watched with Saad,
07:21this video, I don't know what's going on.
07:25I'm going to tell you that Saad is going to be 13 times.
07:30I'm a perfectionist, but Saad is going to be...
07:3313 versions of...
07:3413 versions.
07:35I'll give it to you, but I'll give it to you.
07:37What are you doing with Saad?
07:39With Saad?
07:40Exactly.
07:41Yes, I'll give it to you a lot.
07:42There's a camera here.
07:43I'll give it to you, my brother.
07:44Saad, we filmed a video,
07:47and this video is in the first one.
07:49You can tell Saad, you know,
07:51it's good for us.
07:52You can see this, it's good for us.
07:53But, unfortunately, you can always get to know.
07:55Did you come to the video of Saad?
07:57How did you get the contact?
07:59How did you get the tournage?
08:01Saad was in 2022.
08:04In October 2022.
08:05This video took you 4 years.
08:064 years or 8 years ago.
08:07No, in the first one we had a chance.
08:08In the first one we had a chance.
08:09In the first one we had a chance.
08:10In the first one we had a chance.
08:11In 2023 we had a chance.
08:13And in 2023 we had a chance.
08:14In 2025.
08:15We found out in Paris.
08:17We had a chance to see the thoughts that I have.
08:20and watched a shot 10-star VO 1 one week.
08:22We had some animations.
08:24We looked at the podium.
08:25We caught him and shot again.
08:26We did motionzak.
08:27and I saw it in the second one.
08:28Saad was such an perfectionist.
08:30He was very professional.
08:32And there was a disagreement.
08:33We died.
08:34And it was a mahkely.
08:35Don't you say?
08:36We should do with theš.
08:38We can do a video.
08:39We can video with a fair tournage.
08:40Inclusive, larval, slipk traditionally.
08:41I think it's a very good idea of the film.
08:44The film is not as good as the film.
08:47I think it's a good idea.
08:48It's a good idea.
08:49I'm sure you can't see it.
08:50I'm sure you can see it.
08:51I'm sure you can see it.
08:52I'm sure you can see it.
08:53But one of the things I learned is that
08:57the work is not good.
08:59It's good for someone to get a video,
09:02to see it, and to go back to the video.
09:05I think it was a very good idea
09:09He's a big fan in the world.
09:12How did you do this video with Karima?
09:14Karima, I'm very proud of you.
09:17I'm very proud of you.
09:18I'm very proud of you.
09:20I told you that you're going to do it.
09:23I'm going to do it with you.
09:24I told you, I'm going to do it.
09:26At the end, when I did a video with you,
09:28it will be the opportunity for you.
09:30Even if I didn't understand the video with you,
09:32it will be a good time.
09:34And, alhamdulillah, it will be a success.
09:37Phenomenal.
09:38Do you have a video with Mamba?
09:40Mamba is the same.
09:41It's very good.
09:43I'm very proud of you.
09:45I'm very proud of you.
09:46And you're going to do it with your money?
09:48Yes, I'm going to do it with my money.
09:49I'm going to see the video with my money.
09:51Yes, I'm going back to the video with my money.
09:54I'm going to do it with my money.
09:55I'll know where you're going to be.
09:58How did you do this video with your video?
10:02He's very professional.
10:04He's very talented.
10:06I'm a comedian, humorist, and I'm very talented.
10:12And it was really good with me.
10:15Kauthar Sameach?
10:16Kauthar, Kauthar…
10:18Personals.
10:19Ah, Kauthar.
10:20If people call me the boaster, they call me the boaster.
10:26They call me the boaster.
10:29They call me the boaster.
10:32They call me the boaster.
10:35So you can say sketch shots in the form of video video on Instagram.
10:40Exactly.
10:41So I think that you can see a lot of stuff in the montage.
10:45What's going on?
10:47I don't have a lot of stuff in terms of stockage.
10:52Because the spectacle, the picture of the spectacle is a lot.
10:57And it's an exercise that is very different.
11:00But there are some videos with Kauthar.
11:04They're good.
11:05With Rita too.
11:06With Mamba too.
11:08Maybe we'll be able to see them.
11:11So it's a new one.
11:13Okay.
11:14Okay.
11:15Let's do a pause for the production of the video on Instagram.
11:18Let's go to the sketches.
11:19And on the sketches.
11:20We have an extra part of the comedy show from the stand-up comedy show.
11:26Let's see.
11:27There's a lot of stuff here.
11:29What are you doing?
11:30I don't know.
11:31Do you have children in the room?
11:33Yes.
11:34Hello.
11:35I don't know.
11:36Yes.
11:37Hello.
11:38You're welcome.
11:39My name is Hibani.
11:40You're welcome.
11:41Yes.
11:42No.
11:43Yes.
11:44Yes.
11:45Yes.
11:46Yes.
11:48Yes.
11:49Yes.
11:50Yes.
11:51Yes.
11:52Yes.
11:53Yes.
11:54Yes.
11:55Yes.
11:56Yes.
11:57Yes.
11:58That's the same thing.
11:59Yes.
12:00Yes.
12:01Hi, my friend. Where is Brian?
12:06I don't know.
12:09Brian is in the kitchen.
12:13Do you seriously?
12:19Speak Louis.
12:21I think I think speak Louis.
12:23I think I know and he just go okie dokie.
12:26What's your name?
12:28Shamsdine.
12:29I think you're good.
12:31Yeah, you know what it is when you hear that.
12:38I'm going to talk about French Montana.
12:41What do you know, Mom?
12:43No.
12:44I don't understand.
12:47I don't understand.
12:50I don't understand.
12:52I don't understand.
12:54I'm going to talk to you.
12:56Good.
12:58Thanks for coming.
12:59This is an amazing movie film-up comedy show.
13:01Yes.
13:02We were in French California,
13:03and were spending in France and all the other.
13:05Exactly.
13:06It was the only feature of the exclusive media to a foreign country,
13:09and there was a great show of France.
13:10Yes, it was very cool.
13:11From France and the other part of the Moscow national media.
13:13Also in Switzerland.
13:14Yes, in Switzerland,
13:15and in Holland.
13:17This is the beginning of September.
13:19September.
13:20Okay, very good.
13:21So, let's move on to the spectacle of you, a new spectacle.
13:24A new spectacle called Shkunta.
13:27Shkunta, when I came from the culture of the world.
13:30Often, when it comes to a circle,
13:33you say, Shkunta.
13:35Shkunta.
13:36We say Shkunta.
13:38One day, I was a three-year-old,
13:41and I had a situation in the social media.
13:45Shkunta.
13:47We started.
13:48Because at the moment,
13:49when it comes to a circle,
13:50you're going to go back to the pictures,
13:52and you're going to go back to Shkunta.
13:55And, alhamdulillah,
13:56I had a special spectacle of you.
13:59We worked with all the team.
14:01And, alhamdulillah,
14:02for the moment,
14:03we were sold out for the three-year-old in Paris.
14:06Very good.
14:07So, I had a new stage,
14:08and I had a special spectacle of you in France.
14:10Yes.
14:11And I had a new stage.
14:12From September to October,
14:14I had a new stage.
14:15Yes.
14:16So, how would you tell your dates?
14:17Who is Toulouse, who is Paris?
14:18Who is Paris?
14:19Who is Paris, the 25th September?
14:21Who is Toulouse, Lille.
14:22Who is Lyon, Montpelier, Casablanca.
14:27Maybe Kherbats.
14:29On course...
14:30On course of confirmation.
14:31On course of confirmation.
14:32Who is Kherbats?
14:33Who is Kherbats?
14:34Who is Kherbats?
14:35Who is Kherbats?
14:36Who is Kherbats?
14:37In Geneva, Amsterdam, so what do you think?
14:43Do you have anything else to do?
14:45It's Casa Leuven in October, exactly.
14:47What did you find in this spectacle?
14:49What did you find in your life?
14:51In the beginning of your life?
14:53What did you find in your life?
14:55What did you find in your life?
14:57How did you find your life?
14:58Because most of the people who are living in France
15:02or people who are living in France and who are living in France
15:05and who are living in France
15:07What did you find in France?
15:09In Casa.
15:11Casa.
15:12Beidaoui.
15:13Beidaoui.
15:15I was living in France.
15:16This is the 11th of my life in France.
15:18I was living in my life.
15:20So the complications, the literalism, the difficult things.
15:24Even when I arrived in the internet,
15:27when I found a lot more,
15:29and what happened in the video,
15:31and I left them in the spectacle.
15:33So I was living in the spectacle.
15:35So there were things that were nice and sad,
15:38and that was a lot more than the Moroccan.
15:41And the Moroccan residents of France.
15:42What did you find in your life in the spectacle?
15:44Of course.
15:45Of course.
15:46Of course.
15:47Of course.
15:48Of course.
15:49So you always try to do the job with the job?
15:51Of course.
15:52Of course.
15:53Of course.
15:54Of course.
15:55The improvise.
15:57Of course.
15:58The improvise.
15:59It doesn't mean the experience.
16:00You can put themselves into any one.
16:02I don't want to say that I'm a professional,
16:03but the improvise.
16:05It's one thing that we do with
16:06and when you're like,
16:07If you are happy, you will be happy.
16:11If you are happy, you will be happy.
16:14You will not be happy.
16:17What's your question?
16:19What did you want to talk about?
16:21What did you think about the spectacle of the movie?
16:24I am an assistant, I don't know.
16:26When I remember her name, I was a Hanna.
16:32I was telling you that you were very beautiful.
16:37You were very happy with me.
16:39I was happy with me and I was very happy with me.
16:43My understanding is always humorous.
16:46When you came over, you said you are very happy.
16:50You are very happy and you are very happy.
16:53You are very happy and you are very happy.
16:56So you think you're an animation, stand-up comedy.
16:59Exactly.
17:01So you're very happy from someone?
17:02Very happy.
17:03You are very happy.
17:04Very happy.
17:05Yes, of course.
17:06In the first time, until the beginning of the show, I was a writer.
17:13Every year I would say that the year is going to start, the year is going to start, the year is going to start.
17:17I started the creation of the content in 2020, but I started the last year until 2024.
17:23So I was a writer and I did the first part of many artists in the West,
17:30and I was very grateful for my friends and my friends and my friends.
17:36Thank you so much.
17:39What is the spectacle of your audience?
17:42If you want to see the audience, the audience will see you.
17:44Of course.
17:45If you want to see the audience, the audience will see you.
17:47What is it?
17:48In fact, I would like to see the spectacle of the people who came to it,
17:52to see the spectacle of the audience.
17:56It's a part of the improvisation.
17:58It's a part of the audience and you're ready to go.
18:01You're ready to go.
18:02You're ready to go.
18:03This is the beginning of my video.
18:04Because my friends are going to be able to watch the video for a few times.
18:10People are going to watch the video for a few times.
18:12I'm sure that the videos that are in the last few times,
18:16people don't watch the video for a few times.
18:18They only watch the video for a few times.
18:20And that's what I want for the spectacle.
18:24People come and watch the video and say that I want to play.
18:26And I want to play.
18:27Because the spectacle of the Somalia is like a diamond.
18:30Every day when you play, you're going to play a few times.
18:33You're going to play a few times.
18:34You're going to play a few times.
18:35And you're going to play a few times.
18:36So it's not a good thing.
18:38It's not a good thing.
18:39But, Hamza, what are the fans of the video?
18:42Are you automatically fans of the stand-up?
18:45No, it's automatically.
18:47Okay, so we're going to play a few times.
18:49I'm going to play a few times.
18:50If you're going to play a few times,
18:51you'll have great work and I'm going to play a few times.
18:52We're going to play a few times.
18:53We're going to play up for the ski.
18:54I am going to play a few times.
18:55But the exercices of the spectacle is a very different,
19:00because we have played in live one.
19:01If you're listening to the professors,
19:02you'll never talk about the instructors.
19:04So let's look at them.
19:05So you'll play with them.
19:06And let's look at you guys in the classroom.
19:07So let's see what's going on here.
19:08Okay, I'm going to ask you a question, what can you take from your phone?
19:12Yes.
19:13I'll give you a story.
19:14What can you say about your experience and you can get to the show?
19:18You can't imagine the first television program in the platform that you can get to the show in the U.S.A.M.A.
19:22I'm the first time I get to you, U.S.A.M.A.
19:24I'm going to ask you, U.S.A.M.A.
19:26I'm going to ask you on Instagram.
19:27Yes, I'm going to ask you.
19:30We're going to live in MediaAmal.
19:33The big U.S.A.M.A.
19:35Thank you, U.S.A.M.A.
19:37Of course we'll find you.
19:39You have to compare from Brazil.
19:41The abbreviation of Brazil, I'm going to call this one.
19:44That's all.
19:46That's all.
19:47I'm going to ask you a little bit.
19:49You can always say the behaviors, you must be wrong.
19:52Oh, I wish all the problems.
19:54Cheers.
19:56My friend Hamza, good evening.
19:58Good evening.
20:02Good evening.
20:04I want to thank all of the people who visited me in the first...
20:08...and in 2020, from the beginning.
20:10Thank you very much for joining me.
20:12I thank you for inviting me, Osama.
20:15We want to thank the parents who have been waiting for me.
20:20We welcome the team, the team, Imaad, hideout,
20:23... a few videos with my friends,
20:26... the support of a team in France.
20:30I thank you for being in the following video.
20:34And from the first time, the big fan who brought me with a lot of motivation.
20:42So, thank you for your name, Mera.
20:44All of you are following me on Instagram.
20:48Thank you very much for your support.
20:51We are back with you.
20:53We have reached the end of the episode of today.
20:54Thank you for your support.
20:55We have reached the end of the week.
20:57Thank you very much.
20:58I'm with you, Naji Hamza and Ibn Jaloon.
21:00I'll see you next time.
21:04I'll see you next time.