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  • 6/7/2025
مدي 1 تي في : مع أمين القيصر - 06/06/2025

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Transcript
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02:46.
02:48What was it?
02:49No, I was already in the dance, in the graffiti, in the hip hop and so on.
02:54Then I was like, I am, I dance the music.
02:59I said to myself, I was like, I'm a Arabic.
03:02We knew our friends.
03:04I knew baby cool, I said, I was a friend.
03:08Then I said, I was going to go and go and go and go.
03:11I got my daughter and I got my daughter together and I got my daughter together.
03:15I got my daughter together, but I got my daughter together, I got my daughter together.
03:20I was like, I don't know what I'm doing.
03:23I was like, I'm going to move it.
03:25Because I got my daughter together.
03:28I got my daughter together, but I got my daughter together.
03:32The second contract was the same with the Medina and the Salah, Allah.
03:39This is the first contract you have?
03:41This is the first contract.
03:43This is the first contract you have in 1995.
03:45Yes, this is the Sony Adisq.
03:48This is the first contract.
03:50This is the first contract you have to make the rap in all the time.
03:52Yes.
03:53I didn't have a choice.
03:54They said that they don't make the rap or the rap.
03:56What is the rap?
03:57I told them that the rap is the rap.
03:59I gave them the market, and the market was run by the people in the city.
04:03I was in the Ravatt.
04:04I was a DJ Rashid.
04:06I was running out of the house.
04:08I was running out of the house.
04:10I was running out of the house.
04:13I was running out of the house at theاس.
04:15I was taking the rap with me.
04:17He took a lot of money around the house.
04:19He said that the cassette should be able to get them.
04:23Because we need the rap.
04:25But I was in the office.
04:27He said that I'm a bad rap.
04:29And I'm a bad rap.
04:30So you're not aware of any of the rap.
04:32Yes, I don't know.
04:34I don't know, I don't know, Mourad M.O.D.
04:36who lived in Canada.
04:38He was in the first place with the family
04:41who was in Europe all over the world.
04:44I don't know,
04:46I don't know,
04:48I don't know,
04:50I don't know,
04:52I don't know,
04:54I don't know,
04:56I don't know,
04:58I don't know,
05:00I don't know,
05:02he was the rapper in the old film of the old film of the old film.
05:06Did you understand?
05:08You're not in the Middle East?
05:10No, I don't know.
05:12You can't say that you're going to get out of here.
05:14You're going to think about it.
05:16There was a movement,
05:18a little movement,
05:20which was hip hop,
05:22which was in the Middle East in 1983,
05:24so we could be able to get out of here.
05:26Then later in 1983,
05:28and we ended up being in the Middle East.
05:30It's not that I didn't understand this one.
05:32I didn't know who was the first one.
05:34And I didn't know how much it was.
05:36I didn't know what he meant.
05:38You're not in the middle of the world.
05:40I'm not in the middle of the world.
05:42I'm not in the middle of the world.
05:44And when there's a problem,
05:45I'm looking at one of the people who's in the middle,
05:46and they're not in the middle.
05:48There was a lot of people in the early days, and in the early days,
05:54because in the video, it was a big part of the video,
05:59and everything was done, and there were documents,
06:02and there were pages, and there were pages,
06:05and there were pages, and there were pages.
06:06What was the most important part of the work that you saw
06:08that you could do with you a lot of people from there?
06:10Yes, there were screens where people would stay in the same way,
06:13and there were people who were saying
06:15in my desert, and I realized the library in that area
06:21I was able to save my history, you know?
06:23Maybe I could try it as a new man,
06:26such as Moses and West Mourad,
06:27and Albeira, Hicham, Buddha and An一下
06:31and I dunno, the library, my mind,
06:34and my dear apartment, and34.
06:38But there wasn't an art of 두と
06:39without swelling.
06:43It's not a bad thing.
06:47But how did you get a very strong picture?
06:49I got a very strong picture.
06:51You were looking at the souvenirs?
06:53Yes, I was looking at everything.
06:56I had a little bit of a picture.
07:01How did you get a picture?
07:03I was looking at a picture.
07:051999 till I was a girl, with myahrer and AL SAID AND HIGHER
07:10And then they lived here and were there from the Baab
07:13The ones who were insane in the Natal
07:16And they were flying air, the first thing they made, rap
07:19For the oomens, the を, the ila and the YASSMIMIN
07:23They were coming from a new hero, and they had good
07:29They were coming from a northern border
07:32And they came from Aminoffice and Babycook
07:34Yes, what did you do?
07:36It was 1997, in the time that we had the tournée of the film.
07:43And the time we had the tournée in the country, we had the show case in the 06 in Kaza.
07:50And in the 06, we were able to do the office in Amin Office, so we can talk about it.
07:55Because we didn't have the intro.
07:58The DJI Hamid did the intro.
08:01We didn't play the show.
08:04We didn't play the show.
08:06But we started talking about Muslim, and we started to play the show all the time.
08:10This time, we had a great idea.
08:14Was it this?
08:16No, it was the first champion of the Breakdance in CW in 1999.
08:25This was the one with Bqari.
08:28This group was called Dhar Blanka, which was MicroBari, which was common.
08:33This is Kaysar.
08:35This is Kaysar.
08:36This was the Micro-Yoseph Sitan Journalist in Kazamavi.
08:41And this was the one with Bator, which was the other one with the Micro-Yoseph.
08:47But you were in Amin Kaysar.
08:49You were in Amin Office, because you didn't have anything with him.
08:51You didn't have anything with him.
08:53No, I was in Amin Kaysar because you didn't have anything with him.
08:56Because he was in Amin Kaysar.
08:59I was in Amin.
09:00And I was incoming to M.A.K.L.T.
09:03I was also in Amin Kaysar in the
09:16and they are excited to be the active movement in hip hop
09:23but they don't have to say hip hop
09:26How do we make the rap role?
09:29We know exactly how we started
09:31and we know that we are all good
09:33How did we start in Arabic?
09:34How did we start in the Dereja?
09:36How did we start in France?
09:37How did we start in Arabic?
09:40How did we start in the French?
09:42How did we start in France?
09:44In the Western Europe
09:49or in the history of our history
09:51There are people who could look at this in the history
09:54We don't understand why we are in the world
09:57but there are people who could look at it
10:01These people who are teaching their linguistics
10:05these people are interested in studying
10:08in sociology
10:12There are some people who are talking to us.
10:14In the messenger, they say that they are giving me a test to the hip hop or rap rap.
10:19You understand?
10:20But this one doesn't need anything to do.
10:23Even if we didn't know anything about it,
10:26we don't have anyone else to make a mistake.
10:28You understand?
10:29You understand?
10:30Okay.
10:31I'm going to tell you what's going on in YouTube
10:33so you can see what's going on and what's going on.
10:36You know, they come to other people
10:39or some other people
10:41I'm going to tell you why Amin Qaysar is critical
10:44Aminovins and Aminovins will become active
10:47and will return to the album and will return to the track
10:50and Amin Qaysar is not able to talk about it.
10:52No.
10:53When I talk about it,
10:54I think I'm a little more active than me.
10:56I think...
10:58Only the three features of the Alianna and Moro in 2010
11:02are the ones that are going to go to now.
11:06Los Moros.
11:07I'm not able to take the track to the track and to the YouTube channel.
11:17I'm not able to take the track to the Alianna and Aminovins.
11:19But if I look at the track and the Alianna,
11:22I'm going to take the track to the Alianna and Aminovins.
11:24I'm going to take the track to the Alianna and Amin.
11:27And the other part of the Alianna is working on this.
11:29What is your role?
11:30With the cinema and the other part of the Alianna,
11:33but I'm working on this.
11:34It's not a film.
11:35It's not a film, it's not a film.
11:36Yes, I'm working on the film.
11:37The first thing is, the important part of your country's leadership.
11:38What is your role?
11:39What is your role?
11:40What is your role?
11:42So, what is your role?
11:44And what is your role?
11:45At the second level,
11:46we are going to be given to a career as a career.
11:48Is this also the main role?
11:49What is your role?
11:50The role is the most important part of his.
11:52Being a role in a position of his.
11:54This is the most important part of his.
11:56That's the most important part of his.
11:58I think it's good to find out that...
12:06Did you have any problems with your life?
12:12In 2005, there were a few clashes.
12:20What was the real clashes?
12:23No, Cazanegra was before.
12:26No, I started.
12:28What happened in 2005?
12:30I didn't see it. It wasn't a game.
12:34I wanted to play with him.
12:36He was back.
12:38I wanted to play with you.
12:40I wanted to play with you.
12:42He was back in 2005-2006.
12:44He was in the home studio.
12:46Before the 2000 and the 1990s,
12:52I didn't play the home studio.
12:54He was in the home studio.
12:56I heard it.
12:58I heard it from the Telenot and said
13:00the single one was on the album.
13:02I heard it.
13:04I didn't see it.
13:06I didn't see it at the end.
13:08What did I do?
13:10I wrote a clash.
13:12He was in the concert at Cidi Biliot.
13:14He was in the concert at Cidi Biliot.
13:16He was in the concert at Casiocan.
13:18He was in the concert.
13:20He was not the same as the game.
13:22Okay, and did you do it with your answer?
13:24Yes, I did.
13:25You did.
13:26You did.
13:27You did.
13:28You did.
13:29I was on studio.
13:30Exactly.
13:32In 2007-2009, I started in Overdose in 2006.
13:35I only came back to my home in LA-DROG.
13:38Okay.
13:39How long did you do it with this thing?
13:41In 2006, I didn't say anything.
13:43In 2007, I started in Caza Negra.
13:47After Caza Negra, I got the success.
13:52and I was able to do it with you.
13:56And after that, I created an album of volume 10 with West.
14:00West was composed of the reference.
14:04The team of Kazanigra was in the first place with Don Big.
14:07Yes.
14:07And I thought that they didn't understand that Don Big
14:11would be able to release the music of the film.
14:14And after that, he came back to you.
14:16Are you aware of that or not?
14:17No.
14:18He was able to release the music.
14:20Don Big was able to release the music.
14:22I was able to release the music.
14:26I was able to release the music in the radio.
14:27I was able to release the music in the radio and hear the music.
14:32And I listened to my style of music.
14:34And I listened to my music.
14:37Problems that I got in the moment is that he was able to reach me to Joseph Merig.
14:41He told me, I have to call him Rapper.
14:43I would like to call him the name of his name.
14:47I said, I'm gonna call him Northern the Monique.
14:50I said, what would you want me to do with a film?
14:53I want to make a generic of the film.
14:55I said, what's the name of the film?
14:56I said, Casa Negra.
14:57I already found a plot of the film in Casa Negra.
15:02One of them is a very big part of the film.
15:04I was in the house.
15:05Is that Mahmoud?
15:06No.
15:07One of them is in Mahmoud 5.
15:10Okay.
15:11This is the Marche Central.
15:13I said, what's the name of the film?
15:15I said, Casa Negra.
15:16I asked myself to name it.
15:18I said, what's wrong with the film?
15:20I told myself to write it a lot.
15:22I told myself to write it a lot.
15:24The difference between Don Big?
15:26Don Big is a film in the house of the person.
15:28I said, I said, the name of Casa Negra.
15:30How can you see it?
15:32I mentioned it.
15:34I said, what's the name of the film?
15:37The movie is a movie.
15:39The movie came in 24 hours.
15:43You did not see you in the film?
15:45Yes.
15:46How did you become an actor?
15:47Yes, as a result, I was playing in the brigade
15:51and played in the brigade, and then I continued the journey.
15:54Okay.
15:55Do you have a technique, Sava?
15:56Yes.
15:57Yes.
15:58Yes.
15:59I don't have a lot of people in America who make rap.
16:03Do you like music?
16:05No.
16:06No.
16:07This is the last month I have a studio.
16:09I want to do Islam and I want to do something else.
16:12So you can get a new track?
16:13Yes.
16:14How do you get a track?
16:16Yes.
16:17I'm a fan of old school.
16:19I'm a fan of old school.
16:20I'm a fan of old school.
16:21I'm a fan of old school.
16:22I'm a fan of the rap.
16:24I'm a fan of rap.
16:26I'm a fan of rap.
16:27I'm a fan of the game.
16:28Okay.
16:29What are the new generation of the new generation that you have done with your own experience?
16:37What did you do to get into it?
16:39Yes, all of them.
16:41Monce, Mons, Toto, all of them.
16:44We are all and we are all aware of of their own experience.
16:47We are all and we are all attracted to them.
16:49All of them.
16:50They are all.
16:51Everything.
16:52Can you see the new generation of new generations?
16:53What's that?
16:54Yes.
16:55Does that not get to be used to you or anything?
16:56Yes.
16:57Does that not get used to you has done your style?
16:58Yes.
16:59I didn't hear anything.
17:01Is there anything you can say?
17:03No, I don't have any name.
17:07Okay.
17:09Did you give me a little bit of a story about rap in the 90s and the year 2018-19?
17:19How did you tell us about this time?
17:23There was a lot of improvisation in the years.
17:28There were micro-watt in silk.
17:31There was a man who was a micro-watt since 7 or 6 years ago.
17:37The area was really nice.
17:42One day we had a concert in Saint-Germain.
17:47We had a concert in Saint-Germain.
17:50We had a concert in Saint-Germain.
17:55We came to the Souris and we were a radio station.
17:59We also had a concert in Saint-Germain and said to meet the hotel at KSB.
18:11We came to the hotel and had a entrance.
18:16they were old
18:19didn't even know
18:21they were called to transform
18:26when I started our cancer
18:28$3,400
18:31$4,400
18:33$3,600
18:35$4,400
18:36$4,400
18:38$5,400
18:39had to cut in the cancer
18:41$170
18:43we finished it
18:45How are you doing?
18:46I'm fine.
18:47I'm fine.
18:48I'm fine.
18:49I'm fine.
18:50I'm fine.
18:51I'm fine.
18:52I'm fine.
18:53I'm fine.
18:54I'm fine.
18:55I'm fine.
18:56I'm fine.
18:57I'm fine.
18:58Your new generation has started a lot.
19:01Your new rap has started a lot.
19:04Are you with streaming?
19:06Autotune?
19:08Spotify?
19:09With playlists?
19:11How are you doing?
19:13I'm fine.
19:14I'm fine.
19:15I'm fine.
19:16I'm fine.
19:17I'm fine.
19:18I'm fine.
19:19I'm fine.
19:20I'm fine.
19:22I'm fine.
19:23I don't want to say.
19:24I want to say classic, boom-bap, rap,
19:27like you don't know,
19:31and that's the rest of the American.
19:34I'm fine.
19:37I'm fine.
19:40So everyone is using it?
19:42Yes, they are using it.
19:44They are using it.
19:46They are using it.
19:48They are using it.
19:50What is your name for Amin Al-Qayisar?
19:52Who used the ramp and put it in it?
19:54Or did you put it in it?
19:56It is very good.
19:58I would like you to use it.
20:00I would like to use it.
20:02I would like to use it.
20:04I would like to use it.
20:06I would like to use it.
20:08MC Joe?
20:10MC Joe.
20:12Pirata.
20:14I would like to use it.
20:16Caprice?
20:18Caprice Kane.
20:20Mustafa Slammer Kane.
20:22I would like to use it.
20:24He would like to use it?
20:26He would like to use it in 2010 or 2012.
20:30He would like to use it.
20:32He would like to use it.
20:34He would like to use it.
20:36He would like to use it for it,
20:38and he would like to use it to evolve.
20:40But I would be good.
20:46Besides meaning it?
20:48I remember them becomingrook
20:50as the light passing artist
20:52who lived in France.
20:54He ever noticed every single album.
20:56It was really unique.
20:58I could use it.
21:00It was a lot of charge and we were the rapper who was the first buzzer in this time.
21:13Is that the first album rap rap?
21:15No, no.
21:18The first album rap rap...
21:20Amine Office?
21:21Amine Office.
21:22Where do you know Amine Office?
21:24No, no.
21:25When I came to the end of the episode, I told you...
21:27No, I didn't say anything.
21:28No, it was the album.
21:30I'll show you the album.
21:32In the same year.
21:34But it was able to roll to 10.
21:36I didn't..
21:3710.
21:38The cast was the perfect artist's?
21:40Yes.
21:41The cast was a full book.
21:43She was a tough one.
21:44She stole it.
21:46But what about 10.
21:49We have a commission at you?
21:51Yes.
21:52I gave you the passport to the government.
21:54So the artist's until this time.
21:57Why could he buy a cashier and sell $55 you want to buy?
22:04In your shop.
22:06Don't know who could get the cashier.
22:09Why would he get 100,000 cashier in a thousand cashier?
22:11He doesn't know where to sell cashier.
22:14I think he's not a good thing to pay for an Aaliyah,
22:18but he gives 1,000 cashier for a $50.
22:23But he never did.
22:25I think I've already had a few years ago, I've already had a few years ago, five years ago, a thousand years ago.
22:30What did you do with your friends who made these documents?
22:34Yes, yes.
22:35About the history of rap rap?
22:36Yes.
22:37Did you answer them?
22:38Did you give them a statement?
22:39Yes, I did.
22:40I did.
22:41I did.
22:42I did.
22:43I did.
22:44I did.
22:45I did.
22:46I did.
22:47I did.
22:48I did.
22:49I did.
22:50I did.
22:51I did.
22:52I did.
22:53I did.
22:54I did.
22:55I think that's the mission of you.
22:56One mission to the fans and the people the audience.
22:59I was hoping that it is helping the podcast to help anyone who works for rap or the culture of the
23:04Can you think that the one that you gave me to this mission of the audience and the artists?
23:13Thank you, my dear.
23:14Thank you very much for the initiative.
23:16The great program, and the internet.
23:20I'm in office, friends, let me ask you a question, a question to say the truth, and if we don't have any mistakes, we'll be still living in the middle of the meeting.
23:31I'm in, let's finish the episode with a cinema, and we'll see some of the movies that are currently in the theater.
23:50Banish from the Garden of Eden.
23:53Are you prepared to be cast out again, Eve?
23:59Yes.
24:02I'd like to go hunting.
24:06Will this be a large or small game hunt?
24:12Large.
24:20I'm finishing my video by meeting with Cineatlas.
24:23And Cineatlas is a young man in the city of Cineatlas.
24:24And Cineatlas is an young man in the city of Cineatlas.
24:27Amin Qai Sars, thanks a lot.
24:28Thank you very much, Abita.
24:29I got it.
24:30We will be at a very beginning today.
24:31Thanks for having me too.
24:32Thank you for setting your own videos.
24:32And this has been a long time of digital media.
24:34Thank you, Marla.
24:34Thank you very much.
24:35Thank you very much.
24:35And that's a big part.
24:36Back work.
24:50You