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  • 6/12/2025
مدي 1 تي في : مع إلياس HMAN - 11/06/2025

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03:16There is a production and a song that can be used with other DJs or other artists in featuring or collaboration.
03:26So if you have a cinema in a label, you can buy them or buy them gratuitly.
03:34Ok, so a product that can be used to music and music.
03:38Exactly, it's a product.
03:40Ok.
03:41What's the difference between a console or a table of mixage?
03:54A console compact, which can be used with a table of mixage and a compact.
04:03A table of mixage is what allows you to mix and make a transition and play with two readers in the same time.
04:13Do you always mix with this type of table of mixage?
04:16Yes, there are pioneers of Alan Hayes.
04:20Yes, I touch on everything.
04:22You can use platinum or vinyl?
04:24Yes, I touch on vinyl.
04:26Ok.
04:28Now let's go back to Sintalore.
04:30How did you begin in this world of DJing?
04:33Since my young age, I was fascinated by the music.
04:37There was one of those who saw the cassette and CD and everything.
04:42So I never saw the music.
04:46Michael Jackson, Fuji,
04:49I was interested in the music.
04:50I was interested in the music.
04:51I was interested in the music.
04:52So my brother or my sister did not know what I thought.
04:56What did you really know about it?
04:57The cassette or the CD?
04:58The cassette.
04:59The cassette.
05:00The cassette.
05:01Okay.
05:02In addition, we had vinyl at home.
05:03I was always fascinated by the concept.
05:05The concept.
05:06The concept was so refined for me and I was intrigued.
05:11And that's what made me want to develop it.
05:14So how did you buy the moussaka?
05:16On a tortilla.
05:17Exactly.
05:18The cassette or vinyl?
05:19The vinyl was more my father and I found it.
05:23But the cassette, because it was a tendency.
05:25The vinyl was more a classical music.
05:28Or, let's say, without a symbol.
05:30What's the time of the cassette?
05:32Ilyas, did you record it on the radio?
05:37Yes.
05:38Did you click on play or play?
05:40Exactly.
05:42I clicked on the keyboard.
05:44You can click on the keyboard.
05:45You can click on the keyboard.
05:47You can click on the keyboard.
05:48You can click on the keyboard.
05:49You can click on the keyboard.
05:50I'll let you know what you're doing.
05:51Exactly.
05:52Very good.
05:53But after that, you are also an engineer of the song.
05:59In fact, it's not like that.
06:01Because to be part of an engineer,
06:03you need to be part of the order of the engineers.
06:06We call it like that,
06:08but normally it's a technician of the song.
06:10For example, I went to Canada,
06:16to do the CEGEP.
06:18After my love, I chose to marry a musician.
06:26You mix it in, you mix it in.
06:28Exactly.
06:29Why not do a career?
06:32So, I went to the University of Montreal.
06:37So, I wanted to go to the scene
06:41that I took a few years to get started.
06:44I started DJing career.
06:46Because that's what I'm interested in the most.
06:49To do sound engineering,
06:51where I took what I needed, I got out.
06:53Okay.
06:54So, you understand and know that you're a DJ.
06:57Exactly.
06:58So, you can tell me that your career started in Montreal?
07:01No, my career started in Montreal.
07:03It was in 2004,
07:04when I left,
07:06when there was an electronic music movement.
07:08I was a professional wanted to hear it.
07:11It was great for a band there.
07:12It was a pandemic that was on my own.
07:13It's a part of my installation.
07:15It was very familiar to me.
07:17We were talking to DJing,
07:19from Ronan and who were playing in the top ten.
07:24When I came to,
07:25I went to and go to and see the music.
07:27I was punctual in the coming.
07:29I remember when I was listening to the music.
07:31And in the right way, did you learn teaching?
07:35No.
07:36What is your experience?
07:38At the time it was very difficult to relax the material.
07:42And the information.
07:44And the material was very difficult?
07:46Yes, it was not accessible.
07:48So, you can use your time to invest in a lot of time.
07:53And contact.
07:54So you can relax the material.
07:57And you can relax the material.
07:59Exactly.
08:00How did you do it?
08:01Did you find someone from outside?
08:03No, I was able to go.
08:05And I saw a teacher who was DJ.
08:09I was able to go with him.
08:11And he told me that he was able to go with you.
08:13And we were able to do the branch of the cable.
08:15And I knew how to do it.
08:17And I knew how to do it.
08:19It was the time to go from the place to the place.
08:23So, I was able to learn the profit at the maximum.
08:27Okay.
08:28So, I was able to do this.
08:29Because it was the reason why I made the video.
08:34And I wanted to make the generation of the people who are here.
08:38To have access.
08:39To have access.
08:40To have access to information.
08:41To have access.
08:42To have access.
08:43To have access.
08:44To have access.
08:45To have access.
08:46To have access.
08:47And I like that.
08:48To have access.
08:50Well, there's a lot of resources for everyone.
08:52Now, since I was able to include that.
08:53depressive technology,
08:54for those social networks,
08:55First I can öğlen more ones for the future of DJ.
08:56But this is 20-15 years ago, it wasn't quite a long time ago.
09:02What was the tutorial?
09:04Yes, it was a YouTube channel.
09:08The tutorial is not able to evolve with it.
09:14Sometimes you don't know what to do,
09:17and you don't know what to do if you don't understand it.
09:20So, the tutorial will be perfect,
09:22and you don't know what to do.
09:26If you don't know what to do,
09:28what is the best way to start learning?
09:32The best way to start learning?
09:34The best way to start learning,
09:36is to learn the best way to learn.
09:40Normally, you can see a school.
09:44What are you doing?
09:46Yes, I created one.
09:48I created a couple of schools and workshops.
09:52What is your school?
09:54You can teach a DJ at the same time.
09:56Exactly.
09:57In the same time?
09:58Exactly.
09:59Very good.
10:00What can you teach someone?
10:01Normally, I teach the best way to learn the best way.
10:04I can avoid learning the best way to learn the best way.
10:07The best way to learn the best way to learn the best way.
10:10When we work in three months,
10:12they also
10:20have a number of games that teach them to learn the best way.
10:22So odpowied the that tradition would create a power who can learn the not least,
10:24just to learn the best way to learn it.
10:25.
10:26Pretty good to learn the best.
10:27But after able to learn even at a high level,
10:29it's a learning how to learn the best way to learn the best way.
10:32It's the practice of the day of the day.
10:36How did you see the beginning of the day of the day?
10:42Or how did you see the level of your career in the day of the year 2025?
10:46I was an amateur, an observer,
10:50I was able to see, I was able to see, I was able to see,
10:53I was able to see my music style,
10:56I was able to see my background.
10:59So, now, I started to produce,
11:05I started to produce labels in Spain or Italy.
11:11In fact, I'm coming out of a single with the Italian Italian label,
11:17so it's going to be an inauguration of the Italian label.
11:28I'm also proud of it. Thank you, Luca.
11:32So, I've evolved thanks to the practice, the production, the networks,
11:42and I created a label, a collective.
11:46The Kenjib makes DJs of the international stage.
11:49We are disconnected souls.
11:51Exactly.
11:52It's like a collective.
11:54Exactly, it's a collective.
11:56Kenjib for the international stage.
12:02So, I encourage you to know my country, my country, my country,
12:08and my city, and my city.
12:11So, the DJs come to a story,
12:14to enter an hotel, to eat a place.
12:17Exactly.
12:18It's in the city, in the city, in the city, in the city.
12:21Exactly.
12:22It's good to have you in the city, in the city, in the city, in the city.
12:27But when you're in the city, in the city, in the city, in the city,
12:30you want to give me a word for the citizens of these countries.
12:34For example, in Spain.
12:36In Spain.
12:37In Spain.
12:38In Barcelona.
12:39In Barcelona.
12:40In Barcelona.
12:41In Madrid.
12:42In Ibiza.
12:43In Spain.
12:44In Barcelona.
12:45In Barcelona.
12:46In Barcelona.
12:47In Argentina.
12:52Well...
12:54In Barcelona.
12:59In Barcelona.
13:00Why not only these businesses,
13:17What's the day of Italy?
13:19I'll discover it on December 17th.
13:25Okay.
13:27Do you have a world view?
13:31Yes, I also have Mexico.
13:33Tulum, Guadalajara, Mexico.
13:41Why do you go to Vietnam?
13:43I'm going to prepare a tour in Bali or Vietnam.
13:47Maybe there are other places.
13:49Yes, thank you.
13:51Have you ever met?
13:53No.
13:55It will be the first time.
13:57Okay.
13:59I'm going to France.
14:01I'm going to Montreal.
14:03I'm going to Montreal.
14:05I'm doing the most high club in the North America.
14:09The most high club?
14:11I'm going to have a tour in the North America.
14:13I'm going to have a tour in the North America.
14:15I'm going to have a tour in Canada.
14:17I'm going to have a tour in the North America.
14:19Okay.
14:21So, do you want to see a DJ?
14:23Do you want to see a DJ or a LALA?
14:25No, that's all.
14:27In the name of Allah.
14:29Also, I think he is a DJ.
14:31I'm going to have a tour in fifth America.
14:33I can live with a DJ,
14:35and I can hear the DJ.
14:37I can hear someone listening to a DJ.
14:39I can hear the DJ.
14:41I can hear the DJ.
14:43They can hear the DJ.
14:45I can hear the DJ and hear the DJ.
14:47I can hear the DJ.
14:49or something new, or something new,
14:53I didn't hear it, and I didn't hear it.
14:56So there's another movement,
14:58where you can hear a playlist,
15:00where you can see the same playlist.
15:05The same thing is,
15:08you can see it's good,
15:10and it's good.
15:12The answer is,
15:14you can analyze the electronic music,
15:17and you can see it's good.
15:19But I think,
15:21the charm of you,
15:23when you listen to something,
15:25you can see it's good.
15:28But if you listen to something,
15:30you don't have to listen to it.
15:32But if you listen to something,
15:34you don't have to listen to it.
15:36But if you listen to a playlist
15:39about your music,
15:42do you have more chance
15:44to be able to listen to it?
15:46Yes, I'm completely agree,
15:48I'm Airlines,
15:51but the base of theさ,
15:52that you're using
16:01and you start to discover something new,
16:03certain notes.
16:04The identifying snippet
16:06will be amplified,
16:07but it's true.
16:08Yes, indeed. But I think you can listen to it everywhere.
16:12Okay.
16:13Do you want to be independent or with a label?
16:18The truth is that a label allows you to have a lot of visibility.
16:26You can also have visibility and credibility.
16:31You can also have a lot of visibility.
16:33Do you have a label or what you do so that you can go to Bali or Vietnam?
16:39The label is what I do exactly.
16:41And of course you have a commission.
16:43Of course.
16:44The manager.
16:46I think you want to call the manager.
16:48Booker.
16:49Exactly.
16:50The manager is a lot of experience.
16:52He has a lot of experience with you.
16:54He knows how to get out of the room.
16:56He knows how to get out of the room.
17:00What do you want to call the indoor or outdoor?
17:03Now the tendency is to call the outdoor.
17:06The festivals.
17:07Exactly.
17:08The festivals.
17:09The branches.
17:10They start and finish.
17:12So the music is a culture.
17:15So not necessarily a festival.
17:18Not necessarily indoor.
17:19Not necessarily the night.
17:21You are there.
17:22You appreciate the moment.
17:23You listen to the good music.
17:24If you want it.
17:25If you want it.
17:26If you want it.
17:27If you want the outdoor.
17:28Of the commercial?
17:29Oh the underground.
17:30Oh the underground.
17:31How am I called it the outdoor?
17:32How are you calling it the outdoor?
17:33I am not saying the outdoor.
17:34Yes, sometimes, in front of the stage.
17:36The main role of a DJ.
17:38When you engage the dance scene.
17:41You are required to listen.
17:44What do you want to call the crowd analysis?
17:47Exactly.
17:48So I told you, you are accepted a contract.
17:52I told you.
17:53Um, I told you.
17:54Oh!
17:55But you can always see it when you start, you can get your attention once you have the ability.
18:03Where do you start? BPM or HAD?
18:06HAD 123, HAD 125, HAD 125.
18:10What is HAD 125?
18:12123, 126.
18:16There are 130, 132.
18:19It's fine, it's not a medium.
18:22Yeah, exactly. Even in the deep, minimal, or in the house.
18:27You can still get a little bit more.
18:29Are you looking at the Afro House?
18:31In Brixar, it's more the house, the deep house, the minimal deep tech.
18:37And Afro, a few hundred.
18:40They are very rich and very distinguished.
18:44What is the social media the best of the DJ?
18:49How are you making the social media the most important?
18:52How do you feel about My Space?
18:54What is the name of it?
18:57There is SoundCloud Mixcloud.
18:59How do you do SoundCloud?
19:00Yes, yes.
19:02How do you feel about it?
19:03How do you feel about it?
19:04Yes, it's more visibility.
19:06So we're saying it's a visit list.
19:09And Instagram, of course.
19:11Ok. Do we now, friends, the summer tour?
19:14The summer tour, it started in Rabat.
19:17I had a date of the 29th of Lula in Madrid.
19:21After, I think I was in Rabat too.
19:26After Mexico, 4 days of the day.
19:30In July or Aout?
19:32In Aout, the 10th, 11th, 12th, 13th.
19:36Every day in the city.
19:38When I was in Mexico, I was in Ibiza and Cadiz.
19:49When I was in Cadiz, I was in Italy.
19:52I'm going to disconnect between the time and the time.
19:56I have a course project in Madrid.
20:04Ok.
20:05There will be a booking of the movement.
20:07There will be a new concept too.
20:10And after that, I will fix the tour of Asia.
20:16Ok.
20:17The.
20:185.
20:195L.
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20:225L.
20:235L.
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20:346L.
20:357L.
20:368L.
20:376L.
20:386L.
20:397L.
20:408L.
20:417L.
20:42And that's all.
20:46What do you want to do in the school?
20:49What do you want to do in the library?
20:51So you can enter in contact with us on Instagram,
20:57or on the web website www.disconnectedsoul.com
21:01That's great.
21:02That's all.
21:03That's all.
21:04That's all.
21:05We've reached the end of the video today.
21:06Thank you for your time.
21:21For the first time,
21:22theycom 복 autre which is pashwork.
21:37You