Dianjurkan
1:35:27
|
Selanjutnya
2:00
1:26:35
1:26:35
1:57:20
1:30:35
1:26:32
1:42:54
2:34
3:08
3:29
- kemarin dulu
Kategori
🎵
MusikTranskrip
00:00:00It is preposterous to think that others might be as interested in your own story as you
00:00:23are. Writing a memoir is a whole other level of navel gazing, but here we are. Tonight I'd like to try out
00:00:35some scenes from Surrender, me book what I wrote myself. The first one's a dramatic opening, could
00:00:43have been a dramatic closing. You see, I was born with an eccentric heart. And one of the
00:00:54chambers of my heart where most people have three doors, I have two. Two swinging doors
00:01:01which at Christmas 2016 were coming off their hinges. The aorta is your main artery, your
00:01:11lifeline. My aorta, after years of stress, has developed a blister. A blister that's about
00:01:18to burst, which will put me in the next life faster than I can say bye to this one. So
00:01:28here I am, Mount Sinai Hospital, New York City, looking down at myself on the stainless steel.
00:01:38Hot blood is swirling, spilling, and making a mess, which is what blood does when it's
00:01:46not keeping you alive. Blood and air, blood and guts, blood and brains are required right
00:01:55now. The brains and the hands of the surgeon who is standing over me. The man is climbing up
00:02:04to my chest, wielding his blade with the combined forces of science and butchery. Your man has
00:02:14a lot of firepower in that war chest of his. We needed extra strong wire to sew him up. He's
00:02:21probably had a hundred and thirty percent of normal lung capacity for his age.
00:02:28Air is stamina. Air is the confidence to take on big challenges. Air is not the will to conquer Everest, but
00:02:56the ability to endure the climb. Here I am now. Without it for the first time. Without breath. The names we give God. All breath.
00:03:13And with that air. And I'm terrified. Because for the first time I reach for Yeshua. And Yeshua is not there. It's an extraordinary thing to
00:03:20ask the silence to save you. To reveal itself to you. To reveal itself to you. It's an extraordinary thing to ask the silence to save you. To reveal itself to you.
00:03:27To discover if there's a face to that silence. To reveal itself to you. To discover if there's a face to that silence.
00:03:34But in this moment. God seems to
00:04:04you've gone missing. You've gone missing. Where am I? Without air. Without a prayer. Without an aria. How did I get here?
00:04:29New York! New York! New York! 74th and Broadway. Let the beacon light our way.
00:04:39You're from the
00:04:42You've made to try and make the best ofppy. Hola aria!
00:04:42Least is the Yamila!
00:04:44It's done last. Let's go down, it's dark. The jungle is your head. Can't rule your heart.
00:04:49I'm feeling so much stronger than I thought
00:04:52Your eyes are widened, though your soul, it can't be bought
00:04:56Your mind can wander
00:04:57Hello, hello
00:04:59Where the place go, pretty girl
00:05:04It's everything I wish I didn't know
00:05:07You give me something I can feel
00:05:12The light is full of holes
00:05:20As bullets rip the sky, ink with gold
00:05:24As sparkle as boys play rock and roll
00:05:27They know that they can't dance, at least they know
00:05:30I can't stand the beats, mask it full of jack
00:05:34Girl with crimson nails, got Jesus round her neck
00:05:37Swing into the music, swing into the music
00:05:41Oh, oh, oh, oh, oh, oh, oh
00:05:46Hello, hello
00:05:48Hello
00:05:49Where the place go, pretty girl
00:05:53It's everything I wish I didn't know
00:05:56You give me something I can feel
00:06:06I'm feeling
00:06:11Ah, all of this, all of this could be yours, all of this, all of this could be yours, all of this, all of this could be yours, just give me what I want, and no one gets, hurts.
00:06:36Yeah, thank you, I'm still pretending this is a book tour.
00:06:41Oh yes, hola, hola, welcome to my quarterman show, and might I say this feels somewhat transgressivo, to meet you here without my bandmates, a lot of you know,
00:07:06when you two go on tour, it can involve some outsized props, giant claws, space stations, mirrorball lemons.
00:07:20Tonight, I have a table and chairs, and the Jackknife Lee ensemble, featuring Kate Ellis on Cello and Extraordinariness,
00:07:34and Gemma Doherty on the heart, and over Heavenly Voices.
00:07:40Now, turns out the most extraordinary thing about my life, is the people I'm in relationships with,
00:07:48I, I met most of them the same week, I began life with my wife, Ali, the same week, I joined you too.
00:08:02That's right, excuse me darling.
00:08:04One week, during, one week, during high school, and my whole life, sort of, sort of.
00:08:14Alison Patricia Stewart had faith, even more absurdly, faith in me.
00:08:20This 15-year-old girl, not just suffered my demonic dreams, she encouraged her boyfriend,
00:08:29as he told anyone who would listen, that his band were gonna be big, when he felt so, so small.
00:08:39These are the tall tales, of short rock star.
00:08:42Oh, you see, the less you know, the less you find out as you grow.
00:09:05I know much more than, than I do now.
00:09:10Neon-hot day-glow eyes
00:09:15The city lit by fireflies
00:09:19They were advertising in the skies
00:09:23For people like us
00:09:25And I miss you when you're not around
00:09:33I'm getting ready to leave the building
00:09:41Back then I was dreaming about this future
00:09:46So beautiful
00:09:48Lately I've been dreaming about the past
00:09:52The past that might keep me from the present
00:09:56Oh, you are so beautiful
00:10:01You see my mother scolding me
00:10:14You're making a show out of yourself
00:10:16You're making a show out of yourself
00:10:18But that's what I want to do with my life
00:10:21And the da, rolling his eyes on that one
00:10:24My da was a catholic
00:10:29A catholic who loved protestant things
00:10:33Like my mother
00:10:35When they got married
00:10:37His own family didn't turn up at the wedding
00:10:40Ireland was an unforgiving place in those days
00:10:44But Bob wasn't very concerned with the outside world
00:10:48My father was a tenor
00:10:58A really, really good one
00:11:00He could move people with the singing
00:11:03And to move people with music
00:11:06You first have to be moved by it
00:11:09I see my father standing in the living room
00:11:12Of ten cedarwood road
00:11:15In front of the stereo
00:11:16With two of my mother's knitting needles
00:11:20Conducting Beethoven
00:11:22Mozart, Verdi
00:11:25Right now he's listening to La Traviata
00:11:31On stage
00:11:36The Teatro di San Carlo
00:11:38Sorrento
00:11:40He's not precisely aware of the story
00:11:43But he feels it
00:11:44Father and son at odds
00:11:47Lovers cast away and returned
00:11:50He senses the injustice of the human heart
00:11:55His heart is broken by the music
00:11:59I'll spend most of my life
00:12:01Trying to figure out
00:12:02The opera playing inside my father's head
00:12:05He doesn't really notice much else
00:12:08He used to go on me
00:12:10Age ten
00:12:12Just staring up at him
00:12:14Now
00:12:16If you want your child to grow up
00:12:19To be a grandstanding stadium singer
00:12:22There are a couple of ways to go about it
00:12:23You can tell them they're gifted
00:12:25That the world needs to hear their voice
00:12:28This is the Italian method
00:12:31Or you can completely ignore them
00:12:35This can be the Irish method
00:12:38Much more effective in my case
00:12:40I craved my father's attention
00:12:45I wanted him to think
00:12:46That I had music in me too
00:12:49He didn't hear me
00:12:52So I sang louder
00:12:55And louder
00:12:57In fact, you could say
00:13:00I sang my way
00:13:01To right in front of you tonight
00:13:04Thanks, Dad
00:13:07My father had some very good reasons
00:13:11For staying lost in his own world
00:13:13I think we're going to need
00:13:15Some harp music for this next bit
00:13:17It's the tragic part
00:13:20My mother Iris died when I was 14
00:13:30Last time I saw her alive
00:13:33Was at her own father's funeral
00:13:35This sounds almost too Irish
00:13:39I know, but
00:13:40This is my story
00:13:42I'm stuck with it
00:13:44As my grandfather's casket
00:13:47Was being lowered into the ground
00:13:49My mother collapsed
00:13:51I stood watching
00:13:53As my father and my older brother
00:13:56Carried her to the car
00:13:58Drove her to the hospital
00:14:01Where she died
00:14:02Of an aneurysm
00:14:04It happens
00:14:06I felt useless
00:14:08So I prayed
00:14:10My father's response to this tragedy
00:14:13Was to never speak of her again
00:14:17With Iris gone
00:14:19Our home at number 10
00:14:21Is becoming its own opera
00:14:23I'm locked in a house
00:14:26Where three men are living in rage
00:14:29And melancholy
00:14:31A house
00:14:33Where the name of our grief
00:14:36Is never spoken
00:14:38Iris
00:14:40My mother's name
00:14:42Is Iris
00:14:44The house became
00:14:47A river of silence
00:14:50In which I might have drowned
00:14:52Had
00:14:53My big brother Norman
00:14:55Not
00:14:56Thrown me a lifeline
00:14:58He
00:14:58He gave me a guitar
00:15:00His guitar
00:15:01A shield
00:15:03A weapon
00:15:04A confidant
00:15:07Another voice to pray with
00:15:09Music
00:15:11I am jumping around the living room
00:15:25To the sound of the Ramones
00:15:28Leave home album
00:15:30Songs so simple
00:15:31And yet they capture how my life feels to me
00:15:34Songs so simple
00:15:36That even I
00:15:37Might be able to write one
00:15:41It's May 10
00:15:421978
00:15:44Today
00:15:45Is my 18th birthday
00:15:47We don't do cakes
00:15:49Instead
00:15:50The Da
00:15:51Wants to talk to me
00:15:52About getting a job
00:15:54A job
00:15:56I know
00:15:57That if I could do something I love
00:16:00I would never have to work
00:16:02A day in my life
00:16:03But
00:16:04To do that
00:16:05You have to be great at something
00:16:06And I'm not great at something
00:16:09I'm not great at anything
00:16:11I'm smart enough
00:16:13To know I'm not smart
00:16:15Enough
00:16:16The Ramones
00:16:18Are smart enough
00:16:19To play dumb
00:16:20Maybe I need to listen
00:16:22To even more Ramones
00:16:24This is the day
00:16:26I'm gonna write
00:16:27My very first
00:16:28Proper rock and roll song
00:16:30It will become
00:16:32U2's first single
00:16:33It will save my life
00:16:34It is called
00:16:34Out of Control
00:16:35Monday morning
00:16:4018 years of dawning
00:16:43Say how long
00:16:46Say how long
00:16:49It was one good morning
00:16:53Woke the world
00:16:55With all in
00:16:57I was so sad
00:16:59They were so glad
00:17:02Yeah, I had the spirit
00:17:06And we had soul
00:17:08Even then I was
00:17:10Out of control
00:17:12Hey
00:17:21I can do this
00:17:23Drummer seeks musicians
00:17:32To form bands
00:17:34let me introduce you to larry mullen jr now most people who enter the room with larry mullen find
00:17:48him striking in the sense that he is a stylish good-looking member of the species but also in
00:17:55the sense that he can be strikingly suspicious of you being in his gaze of you being in the
00:18:04room and perhaps on a bad day your reason for being anywhere at all but when larry loves people
00:18:11he loves them completely and i'm grateful to have become one of the beneficiaries of that love
00:18:18now david evans sometimes the name you're given at birth just isn't your real name is it david
00:18:28evans was always the edge always the edge 1976 he was 15 a year younger than me he was leaning
00:18:38up against the wall at mount temple comprehensive plucking a complicated guitar line he was in
00:18:47class with alison stewart my future wife and it was said that they were the smartest in their year
00:18:52that he had a crush on her that they might have gone for walks decided right then was keeping an eye
00:19:01on this guitar genius now let me introduce you to adam clayton a true believer in rock and roll
00:19:13only one commandment four strings are better than six he had the style the attitude the ambition
00:19:23only problem was he couldn't play which wasn't the problem as i couldn't sing
00:19:30there's a place i go that isn't part of me like the radio with no controls in my imagination
00:19:59there's only static and flow no yes oh no just stories for boys stories for boys stories for boys
00:20:20you two's rehearsal room was a small cottage backing onto a graveyard in north county dublin
00:20:36same graveyard that my mother was buried in we called it the yellow house
00:20:42today today not for the first time i've been screaming at my bandmates
00:20:50forget ireland bursting into paramilitary flames oh no on this day in the winter of 1978
00:21:03the most pressing issue facing all of humanity is that this band are not being good enough musicians
00:21:12as if i was trying to explain to them how excited i am about the new public image
00:21:22limited song a great song i explain like like i know can be written on on two strings over two chords
00:21:32i'm trying to get edge to make the sound of an electric drill into your brain
00:21:38like a chainsaw through the carcass of the past
00:21:43edge is not following the invective
00:21:48in fact edge is losing patience and i'm becoming even more invected
00:21:54so invected that i grab his gibson explorer from him
00:21:59and wrap it around my own neck to start making a dangerous squeal of a sound
00:22:08go on go on says edge keep it coming you're nearly there
00:22:19you like it i'm not sure i like it but it does sound like a dangerous drill in your brain
00:22:27here let me take it let me see if i can take it somewhere
00:22:33in this ego filled an ego less moment
00:22:39a song is forming
00:22:40a song that will be called i will follow
00:22:44if you walk away walk away walk away walk away it's like a rhythm hook
00:22:49you know like a wah wah pedal walk away walk away walk away
00:22:53walk away walk away i will follow edge is turning my graffiti into some raphael mother and
00:23:00fucking child and larry and adam are burning down the gallery that's right come on let's
00:23:10find the thing that we can do that no one else can do adam you can do that we can do this
00:23:18thing edge we can do this thing
00:23:20adam larry if you walk away walk away
00:23:25if you walk away walk away
00:23:28if you walk away walk away
00:23:31on the drums larry mullen on the bass adam clayton
00:23:44oh man sorry about that edge um larry um adam what a complete fucking aegis i was
00:24:03i'm working on it though um truth is you're
00:24:08you're you're really you're really great
00:24:17what what no one in that rehearsal room including me had thought about
00:24:23was iris houston resting
00:24:28not a hundred yards from where we were playing
00:24:32in all the time we rehearsed in the yellow house i
00:24:35i never thought about her never once visited her grave
00:24:42it wasn't like she was dead it was worse we disappeared her but iris would not be denied
00:24:53no not in the music
00:25:02iris standing in the hall
00:25:06she tells me i can do it all
00:25:11don't fear the world
00:25:12it isn't there it isn't there iris playing on the strand
00:25:20she buries the boy beneath the sand
00:25:25iris says that i will be
00:25:29the death of her
00:25:30the death of her
00:25:31the death of her
00:25:32that it wasn't
00:25:34fucking me
00:25:42let me tell you something about the geometry and the geography of the irish mind the irish mind is best
00:25:52understood as being like an irish pub you go to forget but in the end you're drowning in memories and salt and vinegar crisps
00:26:05and black stuff finnegan's pub is not just my local it is its own country with its own laws and customs
00:26:14it is the domain of dan finnegan and his sons it's a constitutional monarchy
00:26:20but dan head of state and his sons running the government
00:26:25there is a code a strictness a reverence for tradition indeed a respect for opera
00:26:32and for the kind of man who might know how to wear
00:26:35tweed
00:26:37like my father bob
00:26:38now within the nation of finnegan's like my father bob
00:26:45now within the nation of finnegan's there is a small italian consulate the sorrento lounge
00:26:54which is where on a sunday i would meet my father for a drink i would order a pint he the catholic would
00:27:00order black bush a protestant whiskey already a subtle signal that brendan robert hewson was his
00:27:08own man and one with a great opening line every single time
00:27:19anything strange or startling now by stranger startling he was uh not interested in the riotous
00:27:28life of a rock and roll singer mostly we uh we sat in silence
00:27:38i tried to impress him uh how about luciano pavarossi calling the house you consider that strange or
00:28:04startling? Startling? That's obvious. Strange, yeah. Why would a great tenor be calling you?
00:28:15No offense. None taken. Actually, he's looking for a song. Did he dial a wrong number? No. He
00:28:28wants me, with a little help from Edge, to write him a song. Not Gilbert and Sullivan or Rogers
00:28:36and Hammerting. Me. B-O-N-O. Paul. You. A baritone who thinks he's a tether. Me. Pavarotti wants me
00:28:54to write him a song. Now who's the fucking Egypt? He is.
00:29:06Gloria in te domine. Gloria in te domine. Gloria in te domine. Gloria in te domine.
00:29:24Mount Temple Comprehensive School was a non-denominational co-educational experiment.
00:29:33In a country that was close to civil war along sectarian lines, we had Catholics and Protestants
00:29:42in the same class. You were encouraged to be yourself, to be creative, to wear your own clothes,
00:29:50and there were girls also wearing their own clothes. Ironically, amid this freedom from religion,
00:30:02religion, we found ourselves getting religion, we got close to a group of Christian radicals called
00:30:08Shalom. They figured all the established churches had not just gotten away from Jesus, but they
00:30:16had got in the way of Jesus. As U2 started to get popular, our first century Christian brethren began
00:30:25suggesting that our music was frivolous and self-flattering. In other words, fun.
00:30:32We asked the question, can we not change the world and have fun?
00:30:39No. You must choose between this world and the next. Eventually, it became too much for us,
00:30:54particularly the edge. He couldn't live with the tension between being a disciple of Jesus and
00:31:01an apostle of Joey Ramone. He eventually decided to leave the band. I felt conflicted too. I had no
00:31:12interest in carrying on in U2 without edge. Larry sympathized with us both. Adam, Adam did not.
00:31:23One album, and done. Like the sex pistols.
00:31:34Now, we just had to tell our manager. Have I told you about Paul McGinnis?
00:31:43Paul McGinnis, the Winston Churchill of rock. I mean, he went to war for U2. He had just taken us
00:31:49once around the world, so we really, really weren't looking forward to telling him that we were
00:31:56breaking up his baby band just as they hit puberty. But he heard us out. There was a pause,
00:32:08some fidgeting, a slap on the face of his, and then came,
00:32:17Am I to gather from this that you've been talking to God?
00:32:26Well, maybe the next time you ring God, you might ask him or her if it's okay for your representative
00:32:38on earth, i.e. me, to renege on a legal contract. Do you think God would have you break a legal
00:32:49contract, is my question. A contract that I have signed on your behalf to go on tour. What sort of
00:32:56a god is that? Hell of a negotiator. Paul McGinnis. It wouldn't be the first time we'd put words in
00:33:07God's mouth. The tour would indeed go ahead, and I was so heightened. I convinced my 21-year-old girlfriend
00:33:17to get married to get married. Unbelievable. She said yes.
00:33:24Now, Edge, he had some fun, too. But Edge was still not sure. He wanted to be in a business
00:33:38of inflamed egos and pumped-up personalities. I asked him, would he make an exception for me?
00:33:48Arpeggiating his way out of a corner, Edge began working on the sketch of a song. Well,
00:33:56not just a song, a map. A way forward for you two in the world.
00:34:01Sunday Bloody Sunday was religious art meets the clash.
00:34:08But its ambition was to contrast the original Easter Sunday with the massacre of 14 unarmed
00:34:16protesters in the city of Derry. While Edge was in his flat in Dublin, I was with my bride
00:34:24in Jamaica writing lyrics for these new songs. Explaining to Ali why our honeymoon album was
00:34:30going to be called war.
00:34:31Can't believe the news today. I can't close my eyes. Make it go away. How long, how long must we sing this song? How long, how long?
00:34:58Tonight.
00:35:00Tonight.
00:35:01Tonight.
00:35:03Tonight.
00:35:05Tonight.
00:35:06Tonight.
00:35:07Tonight.
00:35:08Tonight.
00:35:09Tonight.
00:35:10Tonight.
00:35:11Tonight.
00:35:12Broken bottles on the children's feet.
00:35:13Bodies strewn across the dead end street. I won't heed the battle call.
00:35:28I won't heed the battle call. It's my backup. Back up against the wall. Sunday. Bloody Sunday.
00:35:49Sunday. Bloody Sunday. Bloody Sunday. Sunday. Bloody Sunday.
00:35:51Sunday. Bloody Sunday.
00:35:56Here she comes.
00:36:13Here she comes
00:36:20Here she comes
00:36:28Here she comes
00:36:36Here she comes
00:36:43Here at the murder scene
00:36:51The beginning of a fiction
00:36:54Facts will not come clean
00:36:59Why so many mothers cry
00:37:05Is religion now the enemy
00:37:08Of the Holy Spirit guide
00:37:11The real battle yet begun
00:37:17Where is the victory
00:37:22Jesus
00:37:28Won
00:37:32Something to know about performers
00:37:45In pursuit of truth
00:37:47We are capable of more untruth than most
00:37:50Show business
00:37:57Back in the Sorento lounge
00:38:01The usual opening line from the Dan
00:38:04Anything strange or startling?
00:38:09Everything is strange and startling
00:38:11Oh you're right there
00:38:16I took a taxi out here today
00:38:19The driver saw where I was going
00:38:21And asked if I knew Bono
00:38:24I said I do not, do you?
00:38:28Sure we all know Bono out here
00:38:30Sure isn't he hounded by the Pavarotti
00:38:32Pounded by the Pavarotti
00:38:34Pounded by the Pavarotti
00:38:36I never heard that one
00:38:38Paparazzi is it?
00:38:40Funny you should say that
00:38:44The great paparazzi himself has been calling the house again
00:38:48This time he wants us to perform with him
00:38:51In his hometown of Modena
00:38:53To raise money for refugees from the war in Bosnia
00:38:58I mean how do you say no to that?
00:39:00For once would you just do what you're told
00:39:04I want to do what I'm told
00:39:07But I'm also being told by the band to stop getting distracted
00:39:11So we can finish a U2 album rather than one for Pavarotti
00:39:15Let me explain
00:39:19Something about being in this band
00:39:21That even my dad doesn't understand
00:39:25The popular perception
00:39:27Is that I am the leader of U2
00:39:30I wish
00:39:32I voted that U2 should be an actual democracy
00:39:36So now I'm in a band with three other people
00:39:40Each of whom thinks he is the leader of U2
00:39:44So my wanting to do something
00:39:47Does not necessarily mean they are wanting to do something
00:39:51Anyway, I'm telling this to the dad
00:39:54And the dad
00:39:56The whole band was in the studio in Hanover Quay
00:39:59When the phone rings, you know
00:40:05Bono, bono, bono
00:40:08How are you?
00:40:10Are you weary from the mountain top?
00:40:13Have you come down the mountain top with the tablets of rock and roll?
00:40:20The new album
00:40:23We're late as always
00:40:25You told me this
00:40:27Dearest Bono, that is why I am here to help
00:40:30I'm sorry
00:40:32I'm sorry?
00:40:34You're in Dublin
00:40:36I am this very minute in the Irish customs and exercise
00:40:41I have told them I have nothing to declare but my love of Bono, Edge, James and Larry
00:40:48It is my sole purpose in this moment to be of service to these great men
00:40:58Oh, maestro, they are great men and this is a great honor but it's not a great moment
00:41:06They don't like me?
00:41:08Oh, it's worse
00:41:10They don't care
00:41:12I mean, these are the children of punk rock
00:41:14They will likely suspect that you are just here to twist their arm into going to Modena
00:41:19Oh, this pains me
00:41:24I came only in the genuflection and cordiality and now you question my motivation
00:41:32No, no, no, maestro, it's not like that
00:41:35Perfetto, I am on my way
00:41:38Fuck, fuck, fuck, fuck
00:41:42I...
00:41:49I go to Edge, Adam and Larry
00:41:53I say, look, he's the greatest singer in the history of the world
00:41:57It's a huge honor he's coming to see us
00:42:00In the next half an hour
00:42:03The next half an hour
00:42:06He might be coming to see you, says Larry
00:42:09He's not coming to see us
00:42:12This is some kind of stunt, says Adam
00:42:15He'd likely show up with a photographer, you know
00:42:18We will not be coerced
00:42:20What are you gonna do, hide?
00:42:22No, we're not gonna hide, says Edge
00:42:24Action, action, action
00:42:26Say Adam and Larry in perfect unison
00:42:28That is exactly what we're gonna do
00:42:30We are going to hide
00:42:33And with that, two grown men hide from Luciano Pavarotti
00:42:37The buzzer rings
00:42:40And there he stands
00:42:44Oh, my God
00:42:46The greatest singer in the history of the world
00:42:52Oh, oh, oh
00:42:54With a film crew
00:42:56Seven or eight excited Italians
00:42:59One of them's crying
00:43:01Bono, bono, bono, edge, edge
00:43:05Bono, edge
00:43:07Where are James and Larry?
00:43:09These are my friends from Rio Uno
00:43:12They have a satellite dish
00:43:14In case we decide to announce the show
00:43:17In Moderna, I mean, while we're all together
00:43:19In what corner of the universe is the great Pavarotti knocking on your door and you are not letting him in?
00:43:35Has the world gone bloody mad?
00:43:37Da, in my corner of the universe
00:43:42We very much let him in
00:43:44And Edge's corner too
00:43:46In fact, we're off to be part of Pavarotti and friends
00:43:50To support War Child in Moderna
00:43:53Yes, Adam and Larry are missing an action on this one
00:43:57But would you like to go?
00:44:00Would you like to go?
00:44:05Oh, um
00:44:07Really?
00:44:09Okay
00:44:11I suppose you better have at least one real tenor on your side
00:44:22And then
00:44:24And then
00:44:30The greatest voice in the history of the world
00:44:48But the miracle in Moderna
00:44:51Was the transformation of Brendan Robert Hewson
00:44:55My Irish Catholic father
00:44:57Not by Luciana Pavarotti
00:44:59But by the woman on his arm
00:45:02Diana, Princess of Wales
00:45:05For those of you who don't know
00:45:08Edge's family were Welsh
00:45:11So they were thrilled to meet the Princess of Wales
00:45:15Edge dared me to ask the Da
00:45:19So I did
00:45:21A Da
00:45:22A Da
00:45:24You fancy meeting Lady Di?
00:45:27The Evans are wondering
00:45:29What?
00:45:30What?
00:45:32Why would I want to meet a member of the Royal Family?
00:45:35I mean, that's like asking me
00:45:37Do I want to meet the winner of the Lotto?
00:45:42Got it
00:45:44I know
00:45:45Just asking
00:45:47The next bit
00:45:48You just couldn't make up
00:45:51The Da
00:45:52Is in our trailer
00:45:54Not eating from Pavarotti's
00:45:56Deli tray of exotic Italian meats
00:45:59With names that none of us can pronounce
00:46:02And when he turns around
00:46:05She's right there
00:46:09Approaching six feet tall
00:46:12In her heels
00:46:15A vision
00:46:17In ivory
00:46:19Diana approached the Da
00:46:22As if
00:46:24In slow motion
00:46:26How
00:46:28Do
00:46:29You
00:46:31Do
00:46:32The Da
00:46:33The Da
00:46:34Melted
00:46:35The shock of a close encounter with the British Royal Family
00:46:38Quickly became
00:46:40A teenage crush
00:46:42Um
00:46:44Very well
00:46:46Thank you for asking
00:46:48Very pleased to meet you
00:46:51800 years of oppression
00:46:53Disappearing in eight seconds
00:46:58If you've ever wondered
00:47:00About the usefulness of the Royals
00:47:03Which a lot of Irish people have
00:47:05I would point to this incident
00:47:08Eight centuries of oppression
00:47:11One princess
00:47:13And we're even
00:47:19When
00:47:20When we get home
00:47:22The Da
00:47:23Is still talking about
00:47:25Princess Diana
00:47:27But
00:47:29He's modulating
00:47:31I must say
00:47:33She does great things for charity
00:47:35But
00:47:36It's
00:47:37Not charity
00:47:39That you're on about
00:47:40Is it?
00:47:41It's justice
00:47:42Isn't it?
00:47:43I mean
00:47:44You wouldn't need charity
00:47:45If
00:47:46The world was just
00:47:49Is the
00:47:51Son
00:47:52Starting to make sense
00:47:53To the father?
00:47:55I wouldn't go
00:47:57That far
00:47:58But
00:47:59I heard your
00:48:00Song
00:48:01Pride
00:48:02On the radio
00:48:03And
00:48:05I might have felt something
00:48:07Well
00:48:09You know
00:48:11It was that song
00:48:12That got us an invitation
00:48:13To Live Aid
00:48:15Bob Geldof said that
00:48:17When he heard it
00:48:19He could forgive me
00:48:20The mullet
00:48:22When you two
00:48:23Walked on stage
00:48:24At Live Aid
00:48:25We found ourselves
00:48:26Looking out
00:48:27At a sea
00:48:28Of
00:48:29White flags
00:48:30Of surrender
00:48:31Swelling in the wind
00:48:32Even them
00:48:34And a generous spirit
00:48:35Moving through the crowds
00:48:37Felt like
00:48:39Our punk prayers
00:48:41Were
00:48:43Coming of age
00:48:44You know?
00:48:45Prayers of peace
00:48:47Because
00:48:49To be hungry
00:48:51Is to be at war
00:48:52With yourself
00:48:54To be at war
00:48:55With the very ground
00:48:57To walk on
00:48:59That's right
00:49:05One man comes
00:49:07In the name of love
00:49:09One man to come and go
00:49:12One man comes
00:49:15He to justify
00:49:17One man to overthrow
00:49:21In the name of love
00:49:26One more in the name of love
00:49:31In the name of love
00:49:35One more in the name of love
00:49:39One man vor
00:49:41One man caught
00:49:42On a barbed on one fashioned
00:49:57One man he resist
00:50:00One man to соз
00:50:03One man around
00:50:05One man who never be kiss
00:50:07And the name of love
00:50:11But more than the name of love
00:50:16Wembley Stadium, London
00:50:21A thought is being broadcast all over the world
00:50:27What if we were the world?
00:50:32What if we could see the world?
00:50:34What else?
00:50:37What else could be done in the name of love?
00:50:41I still ask myself that question
00:50:45And I still want to know the answer
00:50:53In the name of love
00:50:57What more in the name of love
00:51:01In the name of love
00:51:06What more in the name of love
00:51:10In the name of love
00:51:14What more in the name of love
00:51:19What more in the name of love
00:51:25What more in the name of love
00:51:29What more in the name of love
00:51:39What more in the name of love
00:51:41What more in the name of love
00:51:43What more in the name of love
00:51:47What more in the name of love
00:51:49What more in the name of love
00:51:53What more in the name of love
00:51:55What more in the name of love
00:51:59What more in love
00:52:04What more in the name of love
00:52:05What more in love
00:52:07shoved down their throats during the cold war every fucking week as bob geldoff would say
00:52:15i learned a big lesson from that injustice is often disguised as bad luck as front man with
00:52:24you two i realized that if you two um was going to be writing big songs about big subjects i needed
00:52:34a bigger brain um software update rather than go back to school you don't have to laugh
00:52:43i went i went to africa with the missus um ali and i were working in this orphanage in adjabar
00:52:53south wallow ethiopia it's the autumn of 1985 these rural people are struggling to survive
00:53:04without food and water their world has turned in on them the very land they live off has refused
00:53:13them entry say guy i am the source i am the nile i am the african i am the beginning i am the sun
00:53:24i am the singing i am the ethiopia that stretches her hand in supplication to god oh nile you are the
00:53:34eloquence that rings the ethiopian bell across the deaf world because buried in this ground
00:53:43are great riches but a great famine has turned this great nation upside down same country is about to
00:53:51turn our tiny lives right side up we will never be the same again and we won't want to be
00:54:00in this parched place we learn lessons from a landscape and a people that we can never forget
00:54:08poverty is not natural it is man-made and can be overcome by the actions of women and men
00:54:18from slightly women we better understand that where you live should not decide whether you live
00:54:27our world
00:54:36i wanna run
00:54:39Oh, I want to hide
00:54:43I want to tear down the walls that hold me inside
00:54:51Show me a place
00:54:54High on a desert plain
00:54:58Where the streets have no name
00:55:02Oh
00:55:04I wanted to feel sunlight on my face
00:55:12But I'd need some shade of shelter
00:55:18Waterless place
00:55:20East as a rose
00:55:24It's a prayer for rain
00:55:27Where the streets have no name
00:55:32Where the streets have no name
00:55:38Where the streets have no name
00:55:42Still building and running down low
00:55:47Running down low
00:55:51Get through the fire
00:55:53If I go with you
00:55:57There's no other way
00:55:59It was hard for Ali and me to come back from Ethiopia
00:56:20Large part of us is still there actually
00:56:23After the Joshua tree
00:56:27You two were getting a bit famous
00:56:32A bit mainstream
00:56:34We were either going to be embarrassed about that
00:56:39Or not
00:56:41Fame is currency
00:56:43And we wanted to use what you gave us to do more
00:56:48Than get a seat at a fancy restaurant
00:56:51Which, by the way, is not to be sniffed at
00:56:54I joined some new bands
00:56:57Drop the debt
00:56:59Red
00:57:00The one campaign
00:57:01Fighting extreme poverty
00:57:03Really, the one campaign just had one idea
00:57:07You don't have to agree with someone on everything
00:57:10If the one thing you do agree on
00:57:13Is important enough
00:57:15This led to meetings with people
00:57:17Who held the purse strings for the world's poor
00:57:20There are such people
00:57:23They're called the government
00:57:25They're called the IMF
00:57:28The World Bank
00:57:29This might be a moment
00:57:33To break the fourth wall
00:57:34Really
00:57:35And ask some hard questions
00:57:37About my motivations
00:57:38Okay, there's been a mistake in the teleprompter
00:57:41EHP
00:57:42Am I trying to cover up my guilt
00:57:44For having such a lavish lifestyle?
00:57:48Yes, my lifestyle is lavish
00:57:49I am an overpaid, over-regarded, over-rewarded, over-fed
00:57:54Rock and roll star
00:57:55Am I a hypocrite?
00:57:58Yes
00:57:58But not on this front
00:58:01On a lot of other fronts
00:58:03But I will say
00:58:05Hypocrites get a bad rap
00:58:07I mean, hypocrites do the right thing at least
00:58:09Some of the time
00:58:11But in the end
00:58:13What does it matter?
00:58:17I mean, really
00:58:18Who cares?
00:58:20Motives don't matter
00:58:21Outcomes matter
00:58:25Lives matter
00:58:27Human potential matters
00:58:29Justice matters
00:58:31You wouldn't need charity
00:58:34If the world was just
00:58:36As the data says
00:58:37But it's not
00:58:38So
00:58:39Get the check
00:58:41Get the check
00:58:42Lover
00:58:45I'm off the street
00:58:47Gonna go with the bright lights
00:58:50Mix it in me
00:58:52With a red guitar
00:58:54On fire
00:58:56Desire
00:59:00She's a candle
00:59:03Burning in my room
00:59:05I'm like a needle
00:59:07Needle and spoon
00:59:09Over the counter
00:59:12Over the counter
00:59:12With a shotgun
00:59:14Pretty soon
00:59:16Everybody got one
00:59:18A fever
00:59:20With a societal
00:59:23Desire
00:59:26Desire
00:59:29Burning
00:59:35Burnin'
00:59:35Burnin'
00:59:35Burnin'
00:59:38Burnin'
00:59:39Baby
00:59:40Burnin'
00:59:42Burnin'
00:59:42Burnin'
00:59:43She's the dollars
00:59:52She's my protection
00:59:54She is a promise in the air of election
00:59:58Oh, sister, can't let you go
01:00:04Like a preacher stealing her heart to the traveling show
01:00:07For love for money, money, love for money, money
01:00:12Love for money, money, money, money, money, money, money, money, money, money
01:00:17And the people, I can't deny
01:00:20Desire
01:00:24Desire
01:00:29Mark again
01:00:32All that makes the world go round
01:00:38The world go round
01:00:40The world makes the world go round
01:00:42Money makes the world go round
01:00:46Really?
01:00:50All right
01:00:58They're going to change the cameras
01:01:02And I'm going to have a very strong drink
01:01:06And we'll be right back
01:01:10We've got four lenses and we're looking for the hero lens
01:01:18Right, the most beautiful
01:01:19We would like you to stand there
01:01:22Oh, I would love to
01:01:23And we'll micro direct you
01:01:25Focus on the near eye
01:01:28Beautiful
01:01:30We're never going to go tighter than that, are we?
01:01:32I don't think so
01:01:33I think that would be a bit difficult to perform
01:01:36With those limitations
01:01:37Okay, so turn around, buddy
01:01:40Yeah, no, that's pretty good
01:01:45He sort of naturally knows what to do, right?
01:01:49It's the third act
01:01:50Oh, that's good
01:01:52The confession
01:01:54All this saving the world
01:02:01Is it really service
01:02:03Duty
01:02:03Righteous anger
01:02:05Or is it just a childlike desire
01:02:09To be at the center of the action
01:02:13The center of attention
01:02:16Which begs the question
01:02:21Can you have a child
01:02:23And remain a child?
01:02:34Time to grow up
01:02:36He'll fuck this up
01:02:40Desire and virtue
01:02:49Is a whole dance
01:02:52And
01:02:53No one does better than my missus
01:02:57Desire went to number one in the charts
01:02:59I don't know if there's a connection
01:03:00But
01:03:01We were so excited
01:03:03We had our first baby
01:03:06I didn't know how to feel
01:03:10I didn't know
01:03:12If I'd know how to be a father
01:03:14Didn't know if I could be a father
01:03:18Because I didn't think
01:03:21I had been much of a son
01:03:24I said in the beginning
01:03:29That Alison Stewart had faith
01:03:31I mean
01:03:33This woman
01:03:34Part wrote
01:03:35The story that you're
01:03:37Listening to
01:03:38When Ali and I married
01:03:42We moved out
01:03:43Of our family homes
01:03:46That's how young we were
01:03:49We moved into an old stone tower
01:03:52On the Irish coast
01:03:53A lighthouse
01:03:55Ali will let her soul be searched
01:04:02But
01:04:02Only if you arrive at her fort
01:04:04Defenseless
01:04:06Have you half a chance
01:04:07At challenging
01:04:08Her own almost
01:04:11Unbroachable defenses
01:04:13It's the only way over that drawbridge
01:04:16It wasn't two years into our marriage
01:04:20And I could
01:04:21See my wife in
01:04:23Prolonged moments
01:04:26Returning to the vast silence
01:04:28That she holds inside herself
01:04:31She was suggesting
01:04:34That even when I was home
01:04:35I wasn't home
01:04:37Our weekly walks
01:04:39Along the promenade
01:04:40Tinged with melancholy
01:04:42As the waves
01:04:44Try to make up their mind
01:04:45Whether they're
01:04:47Leaving or staying
01:04:48Leaving or staying
01:04:50See the storm
01:04:53Set in your eyes
01:04:55About such a thought
01:04:57In yourself
01:04:58Should I wait
01:05:01For you
01:05:03There's a selfishness
01:05:05Implicit
01:05:06In the desire
01:05:08To be great at something
01:05:09Slide a hand
01:05:10On a twist of fate
01:05:12A bed of nails
01:05:15That'll make me wait
01:05:16You're trying to prove yourself
01:05:18But to who?
01:05:20Without you
01:05:21With or without you
01:05:26Alison Stewart saw to me
01:05:28With or without you
01:05:30By seeing through me
01:05:33Through the storm
01:05:36We reached the shore
01:05:38Before I had anything
01:05:39You hear all that I want more
01:05:42Before I had my name
01:05:44Greetings
01:05:45She knew what I had
01:05:46For you
01:05:47And hadn't
01:05:49With or without you
01:05:52Concentration
01:05:54With or without you
01:05:57You can't be great at anything
01:05:58I can live
01:06:00With an incredible concentration
01:06:03All without you
01:06:05But a lot of it's just
01:06:07Dysfunction
01:06:08Give yourself away
01:06:10Sort of blindness
01:06:11Give yourself away
01:06:15Where you might not see the person
01:06:17Right next to you
01:06:18You might want an audience
01:06:21Give yourself away
01:06:24More than you want the family
01:06:26My hands are tied
01:06:29You might not want to give up
01:06:31The body bruised
01:06:32You got me with
01:06:34The emptiness
01:06:35Nothing to win
01:06:36That gave you everything
01:06:38Nothing left to lose
01:06:41With or without you
01:06:44With or without you
01:06:49I can't live
01:06:53With or without you
01:06:57I called my book Surrender
01:07:05Because I knew this is a word
01:07:07I needed to understand better
01:07:08That it was the antidote
01:07:11To whatever condition
01:07:13I was suffering from
01:07:14And it didn't come natural to me
01:07:18One Sunday in 1999
01:07:37I'm back in the Sorrento lounge
01:07:40With the Da
01:07:41And for the first time ever
01:07:44Decide I'll ambush him
01:07:48With his own question
01:07:50Just throw it at him
01:07:52Anything strange or startling, Da?
01:07:57I have cancer
01:08:04I'm in the departure lounge
01:08:09As it were
01:08:11You won't be putting up
01:08:14With my
01:08:15Unfunny jokes
01:08:18Much longer
01:08:18Hmm
01:08:24Huge
01:08:27Boulders
01:08:30Fall on your head
01:08:31Just like that
01:08:32From some imaginary mountain
01:08:34I
01:08:34I thought I was getting to know him
01:08:37That there'd be more time
01:08:39Oh Bob Houston of you
01:08:43Just when I thought I was finally getting to know you
01:08:46That you might give up some answers
01:08:48You give me the slip
01:08:50Bowman's hospital
01:08:55Dublin the summer of 2001
01:08:59I see my father in a hospital bed
01:09:03This time it's him who's running out of air
01:09:06And I see myself
01:09:09Lying next to him
01:09:13On a mattress on the floor
01:09:15He's breathing
01:09:17But his breathing's getting shallower
01:09:21Like the grave in his chest
01:09:24He shouts my name
01:09:26Confusing me with
01:09:28With my brother
01:09:30And the other way around
01:09:32Bob
01:09:32Norman
01:09:33Bob
01:09:33Norman
01:09:34Bob
01:09:34I jump up
01:09:36Call
01:09:37The nurse
01:09:39Are you okay Bob?
01:09:42She whispers in his ear
01:09:44His tenor
01:09:45Has now become short tinny breaths
01:09:47And asks
01:09:49After every exhalation
01:09:50Yes
01:09:50Yes
01:09:51Yes
01:09:52Get me out of here
01:09:53Get me out of here
01:09:54I want to go home
01:09:56Yes
01:09:56Yes
01:09:57I want to go home
01:09:58Yes
01:09:58It's okay
01:09:59It's okay
01:10:01It's okay
01:10:01It's okay
01:10:03It's okay
01:10:04Are you okay?
01:10:11Yes
01:10:11Silence
01:10:17Silence
01:10:17I put my
01:10:19Ear close
01:10:21To his mouth
01:10:24Silence
01:10:27Silence
01:10:32Followed by
01:10:34Fuck off
01:10:37There's something
01:10:48Perfectly
01:10:50Imperfect about my dad's exit from my life
01:10:54I don't believe he was telling me
01:10:56Or the very vigilant night nurse to fuck off
01:11:01Though I'm not ruling that out
01:11:03I'd like to think he was addressing the burdens that had been on his back for most of his life
01:11:11I have a feeling
01:11:12They're my inheritance
01:11:18But I believe I have a choice in the matter
01:11:23And there was kindness too
01:11:28I think he believed that to dream
01:11:32Was to be disappointed
01:11:35And he didn't want that for me
01:11:38This is a
01:11:42This is
01:11:43This is when you realise your father
01:11:45Is your friend
01:11:47And you know
01:11:48The journey
01:11:49Of
01:11:51You know
01:11:53From father to friend
01:11:54Is the only one to be on really
01:11:57If you're a father
01:11:59And I am
01:11:59And I
01:12:01Sort of made friends with my father
01:12:04After he passed
01:12:06Which is a bit of a mistake
01:12:07To imagine the story from his perspective
01:12:11Is humbling
01:12:14You know
01:12:15He loses his wife
01:12:16He's left with
01:12:18His two kids
01:12:20And
01:12:20One of them is
01:12:22Charging in his direction
01:12:25You know
01:12:25Coming for him
01:12:26Guns blazing
01:12:27One of them is going to take him out
01:12:29By achieving all the ambitions he was afraid to have
01:12:32He told me in those final days
01:12:34When accepting his cancers
01:12:36That he lost his faith
01:12:38And he also told me
01:12:40That I should
01:12:41Never lose mine
01:12:42That it was
01:12:43The most interesting thing about me
01:12:45But it did happen
01:12:48Where I reached out
01:12:51Yeshua
01:12:52And
01:12:53That thing that I have
01:12:57Held so tightly
01:12:58Yeshua
01:12:59Wasn't there
01:13:01It was the most terrifying moment of my life
01:13:04Yeshua
01:13:07Hold me close
01:13:16Hold me close
01:13:21And don't let
01:13:22Hold me close
01:13:28And don't let me go
01:13:30Hold me close
01:13:34Like I'm someone that you might know
01:13:41Like I'm saying
01:13:42I'm telling you
01:13:55Amen
01:13:55God bless
01:13:56How long
01:13:57Sheld
01:13:58And don't let me know
01:13:58The heart is a bloom
01:14:13It shoots up through the stony ground
01:14:18There's no room
01:14:20No space to rent in this town
01:14:25You're out of luck
01:14:27The reason that you had to care
01:14:32Traffic is stuck
01:14:34You're not moving anywhere
01:14:38You thought you'd find a friend
01:14:43To take you out of this place
01:14:47Someone you could lend a hand
01:14:52In return for grace
01:14:55It's a beautiful day
01:14:57Sky falls, you feel like it's a beautiful day
01:15:04Don't let it get away
01:15:09You're on the road
01:15:12You've got no destination
01:15:17You're in the mud
01:15:19With the base of her imagination
01:15:24You love this town
01:15:26Even if that doesn't ring true
01:15:32You've been all over
01:15:35You've been all over
01:15:37And it's been all over you
01:15:39It's a beautiful day
01:15:43We'll let it get away
01:15:46You're in the mud
01:15:52Yeah, touch me now
01:15:57Take me to that other place
01:16:00Touch me now
01:16:04I know I've got a hopeless case
01:16:16The dead are always with us
01:16:18Won't leave us alone
01:16:19Blowing through our memories
01:16:22Rattling their bones
01:16:24Dead are always with us
01:16:25There's more of them than us
01:16:27In a valley of dry bones
01:16:29Lust and dust
01:16:31Parched and abandoned
01:16:33Filled with doubt
01:16:34But after the flower
01:16:36All the colors came out
01:16:39All the colors came out
01:16:48It was a beautiful day
01:16:54To let it get away
01:16:59Beautiful day
01:17:01Yeah, yeah
01:17:06Touch me now
01:17:10Take me to that other place
01:17:13Take me to that other place
01:17:13Teach me
01:17:18I know I'm not a hopeless case
01:17:21What you don't have
01:17:23You don't need it now
01:17:25What you don't know
01:17:27You can feel it somehow
01:17:30What you don't have
01:17:32What you don't have
01:17:33You don't need it now
01:17:35Don't need it now
01:17:39I have a very unscientific theory
01:17:54That when you lose someone you love
01:17:58They bequeath you something
01:18:02A gift
01:18:04When I lost my mother
01:18:15Well
01:18:19I got you
01:18:23To fill that hole
01:18:27When I lost my father
01:18:29I found
01:18:30My voice started to change
01:18:33And I couldn't
01:18:34Help thinking that
01:18:37The Barrett's own
01:18:38Who thought he was a tenor
01:18:39Actually became one
01:18:42I don't know how
01:18:44All kinds of reasons
01:18:47Might have something to do
01:18:49With this word
01:18:50Forgiveness
01:18:52I don't know if I forgave my father
01:18:56Or my father forgave me
01:18:58Because I was born
01:19:04With my fists up
01:19:06Surrender does not come easy to me
01:19:10To bow down to my bandmates
01:19:12To my wife
01:19:14To my maker
01:19:16Is a struggle
01:19:20I have faith
01:19:22Enough to hope
01:19:23And hope
01:19:24Enough to love
01:19:26And this music
01:19:27Is how I practice that
01:19:30And my father
01:19:32And my father on earth
01:19:33He gave me that
01:19:34And he left me with one of his favorite melodies
01:19:39To haunt me
01:19:41I only realized recently the title
01:19:44Has the same name
01:19:47As our local watering hole
01:19:49The Sorrento Lounge
01:19:51Come back to Sorrento
01:19:55As this melody
01:19:58And I will
01:20:02And I will
01:20:05Come on
01:20:06Come on
01:20:06Come on
01:20:06You are the one who has a heart
01:20:11Like a father, you will hear me
01:20:17And you say, I'm part of God
01:20:22You are far away from your heart
01:20:28From the heart of love
01:20:34You have a heart in your heart
01:20:41You are far away from your heart
01:20:54But you don't know me
01:21:00Don't give me this sleep
01:21:05You are far away from your heart
01:21:11You are far away from your heart
01:21:21You are far away from your heart
01:21:24You are far away from your heart
01:21:37You are far away from your heart
01:21:50One, two, three, four
01:22:04Baby's crying cause it's fun to sing
01:22:16Singers cry about everything
01:22:21Still in the playground, falling off a swing
01:22:26But you know that I know
01:22:32I just can't remember the next bit
01:22:35What's the next bit of the melody?
01:22:37Woo!
01:22:38Keep going
01:22:39That's great
01:22:40One, two, three
01:22:43It is what it is
01:22:45It's not what it seems
01:22:48This screwed up stuff
01:22:50Is the stuff of dreams
01:22:53I got
01:22:54Just enough low self-esteem
01:22:58To get me where I wanna go
01:23:03Oh, another verse
01:23:05The showman gives you front row
01:23:08To his heart
01:23:10The showman prays his heartache will char
01:23:15Making a spectacle of falling apart
01:23:20Is just the start of the show
01:23:24Oh, oh, oh, you don't care
01:23:30But you know I'm there
01:23:36You think you look so good
01:23:39Little more better
01:23:42Look so good
01:23:45Little more better
01:23:47You think you look so good
01:23:50That's what's gonna get you
01:23:53Look so good
01:23:56Little more better
01:23:57Little more better
01:23:58Little more better
01:24:00I've been chasing the sunlight
01:24:04That's why I'm staying up all night
01:24:09I lie for a living
01:24:12I love to let on
01:24:15But you make it true
01:24:17When you sing along
01:24:22You think you look so good
01:24:27Little more better
01:24:30Look so good
01:24:32Little more better
01:24:35You think you look so good
01:24:38That's what's gonna get you
01:24:41Look so good
01:24:43Little more better
01:24:44Keep chorus going
01:24:46Look so good
01:24:47Look so good
01:24:51Look so good
01:24:52You think you look so good
01:24:56Little more better
01:24:57You think you look so good
01:24:59That's what's gonna get you
01:25:02Look so good
01:25:04You think you look so good
01:25:11Look so good
01:25:34All right
01:25:40Happy
01:25:46Back to work
01:25:47Okay
01:25:48That was great
01:25:49I loved it
01:26:04Turn it off
01:26:09I loved it
01:26:11Half
01:26:12Half
01:26:15Half
01:26:18Half
01:26:22Half
01:26:25Half
01:26:27Half
01:26:29Half
01:26:31Half
01:26:33Half
Dianjurkan
1:35:27
|
Selanjutnya
2:00
1:26:35
1:26:35
1:57:20
1:30:35
1:26:32
1:42:54
2:34
3:08
3:29