Zagreb Beograd Preko Sarajeva (1992)

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Загреб - Београд преко Сарајева је југословенски телевизијски филм из 1992. године. Режирао га је Милош Радовић, а сценарио је написала Јелица Зупанц .   Упознавши се у болници милосрдних сестара у Загребу (где се Иво Андрић лечио), после тек завршеног Првог светског рата - Андрић и Црњански налазе се на могућем заједничком путовању, у возу од Загреба до Београда.   *  #watchfreemovie  #watcnow  #fullmovie  #watchonlinemovie  #freestreaming  #StreamingNow  #MovieRecommendations  #MustWatch  #ClassicMovies  #Thriller  #Mystery  #WatchOnline  #TopRatedMovies  #CinemaLovers  #DramaFilm  #ForeignFilms  #AwardWinning  #MovieOfTheDay  #InstantClassic  #FeelGoodMovies  #RetroMovies  #MovieClips  #BestCinematography  #StreamingTonight  #LateNightMovies  #RomanticDrama  #Top10Movies  #PopcornTime  #MovieMarathon  #LoveStory  #romanticmovie  #WatchFree  #FreeMoviesOnline  #FilmOfTheYear  #BestMoviesEver  #Comedy  #FunnyMovie  #mustwatchmovie  #Movie  #Film  #filme  #Movies  #FullMovies  #ActionMovies  #ComedyMovies  #HorrorMovies  #DramaMovies  #RomanticMovies  #ThrillerMovies  #EuropeanFilms  #europeanmovie  #FrenchCinema  #SpanishMovies  #ItalianFilms  #GermanMovies  #EuropeanMovieClips  #EuropeanFilmFestival  #BestEuropeanMovies  #TopEuropeanFilms  #ClassicEuropeanCinema  #EuropeanDramaFilms  #EuropeanFilmAwards  #ScandinavianMovies  #EuropeanHorrorFilms  #EuropeanComedyMovies  #EuropeanArtFilms  #EuropeanIndieFilms

Transcript

00:00You

02:59Kroz prozor, kroz prozor.

17:58Maybe you could find a job in Beograd.

18:01No!

18:03I have nothing in my country.

18:07What kind of misery.

18:15Who would love me?

18:18I have only this helmet.

18:21They took me everything.

18:23Some officers

18:26wear a tricolour like a cockard

18:29on the floor of the Habsburga.

18:32Others have red Somoids,

18:35and on the cockard three gold words

18:38SHS.

18:40And I?

18:42Look.

18:45What do I have on the table?

18:48What?

18:49A rope.

18:52I don't know what else I have.

18:55Besides the military.

18:58I love your stories.

19:01Who cares?

19:04Me.

19:06I love you.

19:07I love you.

19:08I love you.

19:09I love you.

19:11I love you.

19:12I love you.

19:15I love you.

19:17Okay.

19:18I love you.

19:19My.

19:21He has become a soul of the river.

19:26He is feeling, ambitious,

19:29as well as all artists,

19:32he has a future.

19:34Are you sure you will find a job in other countries?

19:37I don't believe.

19:39And where is that quote?

19:41And it is written in Kavanskog,

19:44not Tavanskog.

19:46Do you think that I have done it?

19:49Why would I?

19:51And what do you think about me?

19:54What do you think about me?

19:56Are you sitting in the cafe?

19:58I'm sitting in the cafe.

20:03Yes.

20:04But in your biography,

20:07when you become famous,

20:09he didn't like the cafe,

20:11he didn't kill him,

20:13he was an idol of his generation.

20:16The doctor advised me to kill him.

20:19And I repeated him in the sixth grade in the gym.

20:22Everything is better than better.

20:24My mother told me that you are not the best.

20:26You have to prove that.

20:30Who is your favorite song?

20:32And yours?

20:33Leopardi.

20:34Leopardi.

20:35Leopardi.

20:36Change it.

20:37He will think that I have copied you.

20:40That Leopardi I have not read nor liked.

20:43What?

20:44You mean that you will be famous?

20:46No.

20:47I will never be famous.

20:50I will die young.

20:52No.

20:53No.

20:54No.

20:55No.

20:56No.

20:57But...

20:58No.

20:59No.

21:00No.

21:01No.

21:02No.

21:03No.

21:04No.

21:05No.

21:07No.

21:08No.

21:09I read Shantića in the morning at school.

21:14When I want to read, I read Sonete Michelangelo.

21:20Shantića and me, the Muslim world has learned the quietness.

21:25Just listen to the quietness that governs in the villages, in the medres, in the džami,

21:30in general, in everything that belongs to the Islamic world.

21:35How can I hear quietness?

21:39A left out of us, the village, with a terrible storm,

21:44which couldn't reach from the earth.

21:46We go again.

21:48The forest was cramped, right before us.

21:52The people who were angry, scared, want to run,

21:57and we go all in front of the forest.

22:01We sit and breathe, breathe.

22:04It's not too much.

22:06The eyes of the left and the left,

22:08evil, ungrateful, weak,

22:10evil,

22:12evil,

22:14still alive,

22:16breathing.

22:18One of us saved a brother

22:20where he was lying between them,

22:22and he was angry.

22:24He was angry,

22:26but he was angry

22:28and he was angry

22:30and he was angry.

22:34The end of the day is over.

22:41Stop!

22:42I pray!

22:44The end of the day is over.

22:54Why are you all successful, but I can't?

23:00I'll give you something for the rest of the day.

23:02No, I don't need it.

23:04He still manages to write.

23:07To write about Walt Whitman in front of the house.

23:10You are truly valuable, young lady.

23:12Good.

23:13Let us read something nice.

23:16No.

23:17I'm going to tell you about my clothes.

23:20Don't do it.

23:21Just breathe deeply.

23:23I pray for you.

23:25When the young lady went to Maribor's house,

23:28the mass was shouted,

23:30the clothes, the clothes, the clothes.

23:32Why?

23:33Why?

23:34Because of the crime.

23:35Why?

23:36Because of the crime.

23:37Where are you now, your blue lady?

23:41I'm sorry.

23:42Why?

23:43Why?

23:44Why?

23:45Because of the crime.

23:46Why?

23:47Why?

23:48Why?

23:49Why?

23:50Why?

23:51Why?

23:52I was a cowardly.

23:54Why?

23:55Why?

23:56Why?

23:57Why?

23:58Why?

23:59Why?

24:00Why is it scared?

24:02I.

24:03Why?

24:04Is it dangerous?

24:05Who wants to know this?

24:06Who is alone?

24:07Are we?

24:08And, I'm a bit scared of it.

24:09No, I didn't know him.

24:12You didn't? And the week of Chabrinović?

24:14No.

24:15And we, Banatjeni,

24:17we used to wear the twilight and play tango.

24:21How did you not know them? It's strange.

24:23He wrote the stories.

24:26One guy read the ex-ponto 50 times,

24:30and I was sitting there

24:33where it was talking about

24:36all sorts of poor and exhausted.

24:40That's what I wanted.

24:42We wore the twilight's twilight

24:44and carried out all the days

24:46on the streets and the cafes.

24:48We wanted to save the world,

24:51we, the Slovakians.

24:53And you?

24:55We didn't have twilight's twilight.

24:58I knew I was in Beechu,

25:01in the Cafe Mainl,

25:03during the party of Biljara.

25:05When I met a woman,

25:07and you?

25:08I was in Krakow.

25:09Really?

25:10You didn't have to be engaged?

25:12No.

25:13No, I mean directly.

25:15But you still have to know something.

25:18When I heard the attack,

25:20I sat in the car without things

25:22and turned back to the house.

25:24Gavrilo Princip,

25:25he was in his way,

25:26all of us on the floor,

25:28he put the ground on the floor

25:30and we all were surprised.

25:32That's how we were connected

25:34better than we were connected

25:36with the church,

25:37the traditions and the blood.

25:39What are you saying?

25:40Do you want us to read?

25:42I don't believe that it was interesting.

25:44I don't believe that it was interesting.

25:45The young man is...

25:46Attentator.

25:47Let's read it.

25:48Let's read it.

25:49I'm writing a book for a book

25:52and I don't believe that it would be interesting.

25:54Read it.

25:55Read it.

25:56It's better than to do the attack.

25:59Don't let us know

26:02this elegant thing.

26:03I love you.

26:04I won't read it.

26:08I won't read it.

26:09I won't read it.

26:10I won't read it.

26:11I won't read it.

26:12I won't read it.

26:13I won't read it.

26:14I won't read it.

26:15I won't read it.

26:16I won't read it.

26:17I won't read it.

26:18Gavrilo Princip was very young, very sick.

26:23One doctor told me.

26:25Serbia as a country

26:28was not ready.

26:30If he gave money,

26:33he was in Beograd.

26:35When writing about the poet,

26:38they call him a French

26:40Unlecteur difficile.

26:42For us,

26:43it's a joy and joy

26:44that, like a wonderful Japanese song,

26:46wants to return to humanity

26:48for young years.

26:49It's a great taste of peace.

26:52Here we are,

26:54outside ourselves

26:55and outside our dark,

26:56dark,

26:57slovensk.

26:58Tell me,

27:00I ask you,

27:01are you Serbian

27:04or Hrovat?

27:13Polinesia,

27:14господо!

27:15Who is this?

27:25Schaffner?

27:26No one, madame.

27:28I'm not a woman.

27:29I'm not a woman.

27:30I don't know.

27:31I'm not a woman.

27:32I'm not a woman.

27:33I don't know.

27:34I don't know.

27:35You look at me.

27:37You're also in the way.

27:38And you're in the way.

27:41Tell me a little bit of money,

27:43please.

27:44You don't know anything.

27:45I don't have any money.

27:47I don't have any money.

27:48No, thank you, sir.

27:54You didn't answer me.

27:56I think you're a Serbian.

28:00No, you're a Croatian.

28:02What do you want?

28:04What do you care about?

28:06Sindicalist, platonist, nihilist, anarchist?

28:10You drink.

28:12I'm a Sumatraist.

28:14And you?

28:16What's that?

28:18They called us the wonders.

28:22We didn't get to anyone.

28:24And we didn't get to anyone.

28:28Right.

28:30All of us were scared there, except you, Delbatinac.

28:34We had our coffee,

28:36and every morning we went to the door.

28:40We're the most musical people.

28:42And one said,

28:44he opened the block and I sang.

28:48And the other said, Mandušić Vuk.

28:50I was in the 9th Kotaro,

28:52in the 9th Kotaro, Severin Gase 4.

28:54Do you know where it is?

28:56No.

28:58I've never been here.

29:00Are you in this society?

29:02Who are you, in fact?

29:04It was good.

29:06I had lectures, seminars,

29:08a lot of time, books, money.

29:10I was just waiting to take place in the library.

29:14Where are you at the library?

29:16I don't read books, I'm writing them.

29:18I've been there.

29:20I've been there.

29:22Live and healthy until the first forest.

29:26It wasn't a forest forest.

29:28It was a virus of the Yugoslavia.

29:30All of us could have been sent to the Slovakian universities,

29:34and they killed the language, culture, and the Imperium.

29:38You were able to take place.

29:40I stayed in Beču.

29:42Yes, I took Krakow.

29:44Where is this train going?

29:46To Beograd.

29:48Yes, but you went to Sarajevo.

29:50No, in Zagreb.

29:52But the train is going to Sarajevo.

29:54Yes, but the train is going to Sarajevo.

29:56Yes.

29:57But Mr. Ivo Andrić,

29:58from Zagreb for Beograd,

30:00is going to Sarajevo.

30:02You know, he always goes to Sarajevo.

30:04You know, he always goes to Sarajevo.

30:08How are you all happy.

30:11Do you go to the floor?

30:13I can't.

30:15I am a former monarchist.

30:19Then you stop laughing for us.

30:21Do you want me to take a cigarette?

30:23No.

30:24No.

30:28No.

30:29No.

30:31My mother never was in love.

30:34No one loved her.

30:37Nothing else was loved.

30:38They were

30:58against Ceylon, against Samos, against Cairo.

31:00What are you most interested in?

31:02Against Carigrad.

31:04Are you able to see them in the faces?

31:06No, he only sees some faces, not all.

31:08Who?

31:09Now, only one.

31:10Who?

31:11Like on the picture of the guy who had to look at the arrival of the Jews

31:14across the Red Sea,

31:15and in this direction,

31:16he was able to see them in the red,

31:17telling them that the Jews have already gone,

31:19and that the Egyptians have fallen.

31:21How do I show you the sky on Carigrad?

31:24You surely are not able to see my ship

31:27where they are.

31:28Where are you?

31:29In Carigrad.

31:30You have been driving the yellow, yellow,

31:33on the Red Sea and the Bosphorus.

31:35You walked in front of the top of the top of the hill

31:37and the old top of the hill.

31:38That's right.

31:40We have been able to see that place.

31:42That place will be...

31:44...proclatavlija.

31:49Of course.

31:52And you will be the Fr. Ivan.

31:54Beg.

31:57Yes.

31:58But I will only have one hand.

32:01I will see the significance, the analogies, the comparison.

32:06You are Sumatra.

32:07No.

32:08No.

32:09I did not.

32:10I tried to bring him into his soul

32:14a little bit of a lack of thinking.

32:16But it seems that he has given me

32:19a dose of his Prustovity.

32:21It is a difficult case.

32:23Is it good?

32:24I was alive and healthy until the first day.

32:27Then?

32:28Then I fall into the melancholy,

32:31the nonsense, the badness,

32:33the apathy and the analogy.

32:37Yes.

32:38The English.

32:39The English.

32:40Do you think?

32:41What is English?

32:42The best idea, if you were there.

32:43Yes.

32:44The best idea, my uncle...

32:45...as you get to know.

32:46Yes.

32:47You understand me.

32:48Yes.

32:49The best idea.

32:50Yes.

32:51I can't believe so.

32:52Yes.

32:53The meaning of the English.

32:55If you are smiling now, dear dear,

33:21Our words are far too far and our power is no end.

33:34She understands it.

33:36But it's not her language.

33:38All human beings depend on the sky.

33:44Look.

33:46We live.

33:50Do you know what is your work?

33:54From the rumen of the river of Hyos.

33:59And the future of a nation is no longer than the heavy turbines,

34:03nor the work,

34:05but from the blue lines of a distant island of a distant island.

34:13My smile.

34:16This way, across the river,

34:19in order to help New Yorks,

34:22more than five million dollars,

34:24and all the hospitals of the world.

34:29And I...

34:33My thoughts...

34:37depend on a grave,

34:40on a island in a distance.

34:47A woman is in it.

34:50He's not drinking.

34:54Of course not.

34:56Of course not.

34:57Of course not.

34:59Of course not.

35:01Of course not.

35:02Of course not.

35:03Of course not.

35:05Of course not.

35:06Of course not.

35:07Of course not.

35:08Of course not.

35:09He is lying.

35:10He is lying.

35:12The river is heard from the trees, we were in the woods, it was in the middle of the night.

35:21No one had no clue where the Russians are and where they went.

35:25The more expensive shipwreck was captured.

35:29We went out from the woods and walked through a few lines to the bridge.

35:34A few of us was in front of us.

35:37When we went, the river was in front of us.

35:42When I was on the side and left, among us,

35:45Earth from the earth again went through some forest.

35:50I fell into the earth, I fell into the ground and fell.

35:56Swing behind us was thrown from the shadows.

35:59The round of like one started to sing and raise my heart.

36:05and his head was all in his blood.

36:09He was all in his blood.

36:13He was all in his blood.

36:17He remembered a woman and a child.

36:21He looked at me and called me in his name.

36:25He looked at me.

36:29I saw my head in the ground.

36:31I heard.

36:33He looked at me.

36:37Do you hear him?

36:41No.

36:43I don't hear military letters from the front.

36:47How do you know they are from the front?

36:57Ah!

36:59Doctor!

37:03Aristote.

37:05Jesus, Maria!

37:07Stop!

37:09Stop!

37:11Stop!

37:13Stop!

37:15Stop!

37:17Stop!

37:19Stop!

37:21Stop!

37:23Stop!

37:25Stop!

37:27Stop!

37:29Stop!

37:30Stop!

37:31Stop!

37:33Stop!

37:35Stop!

37:36Stop!

37:37Stop!

37:38I know my responsibility!

37:40Stop!

37:41Stop!

37:42Stop!

37:43Stop!

37:44Why do you hear me, revolutionaries?

37:47You're going to kill me, right?

37:48Leave him in peace. What is it?

37:51Do you want me to kill him?

37:52Let's kill him!

38:14Ivo, pa to je moj sibe, poludeli.

38:33Dragi jezule,

38:36pisao sam ti o moje novoj službi,

38:39o činovnicima s kojima sam prisiljen da služim,

38:41o šumama po kojima mi je suđeno da se lomim

38:44i opet ponavljam, odveć sam teško kažnjeno.

38:50Ali ne boj se.

38:52Ne očajavam još iako nisam daleko od očaja.

38:56I sve što sam ti pisao ovdašnim ljudima, uruđenicima,

39:00nije samo prvi utisak,

39:01nego se potvrđuju iz dana u dan.

39:04Ja živim među divljacima, prljavim i neukim.

39:08Ovi ljudi ne samo što nisu civilizovani,

39:10nego se po mom tvrdom uvjerenju neće nikad moći civilizovati.

39:14Jer ono mala duha i razuma što imaju upotrebljavaju

39:17upravo zato da se otima svakom pokušaju civilizacije.

39:20Es wird schon alles in Ordnung sein.

39:24Ich bin arzt.

39:27Nur keine Panik.

39:29Glauben Sie mir.

39:31Ich bin arzt.

39:40U ovoj divljoj šturoj sredini imaju dvije stvari koje me tješe i vesele.

39:48Prvo je veliki rimski most na jedanest moćnih prekrasno svedenih lukova.

39:54U ovom divljom kraju među mršavom stokom i tupim ljudima,

39:58on je kao zalutao, osamljen i zaslanik nekog dalekog svjetlijeg svijeta.

40:05Mnogo predveče kada se ne može na sokak od prašine i balege.

40:09Kada mi postane jasno sve što sam izgubio i što me okružuje,

40:13ja odmaram oči na tim ogromnim lukovima

40:15i divno srezanim sastavima.

40:18Druga neobična stvar je ti već pogađaš žena,

40:26to jest djevojčica.

40:29Zapravo je i ona Tudjinka kao i most

40:31u jednog ovdašnjeg trgovčića Španjolskog jevrejina imak ćij u sedavnestoj godina.

40:38Poslije je zagasito crvena i semitski bujna,

40:42koža začudo čista i tanka,

40:45a oči smeđe gotovo tamne.

40:48Sjećaš li se kapetanice von Grajzin?

40:53Zaljubljena je izgleda u mene,

40:55ali to ovde nije nikako dovoljno da se do žene dođe.

40:59Nikadi ne puštaju samo.

41:02Vidimo se na ulici,

41:04izmijenimo nekoliko riječi,

41:05od same zabuna ona jedva govori

41:07i već nasvi gledaju kao čudovjišta.

41:12Dopisujemo se i eto,

41:13to je za sad sve.

41:14Nestaće i ovih pisama koje me i dirnu i nasmiju,

41:21i malog crvenokosog stvorenja i dodira ruku, igre, očiju.

41:26Ostaće mi onda samo ovaj most skladnih linija.

41:29To je sigurno.

41:34Kakva divna tišina.

41:39Božansko je samo ono što je nastalo u čutanju.

41:44Ti ništa ne čuješ?

41:45Ne više.

41:50Hvala Bogu.

41:51A ti?

41:52Bolje da ti odmah kažem.

41:58Izgubio sam i malu jevrejku i onaj lijepi most.

42:02Skandal se dogodio.

42:03Ogovaranja pa tužbe kod predstojnika,

42:06razgovori i ljubav kroz ogradu.

42:08Možeš li me zamisliti u toj pozi?

42:11Pa konačno jedne noći njen brat s revolverom.

42:15Predstojnik me zamolio da se radi ugleda vlasti

42:18i svoje sobstvene sigurnosti odreknem toga flerta.

42:20Da preuzmem posao ovdje u šumi,

42:23dok se stvar ne smiri u onoj smrdljivoj barošici.

42:26Kakav je ovo narod?

42:29Ovo je užas.

42:32Mislite da je stvarno trebalo zaustaviti voz,

42:34prekinuti putovanje i prijaviti jednu smrt?

42:38Šta je tu novo?

42:42Prijavit ćete me?

42:44Ja nisam policijski pisar.

42:47Baš sam to mislio.

42:49A šta ste vi?

42:50Ja sam lekar.

42:52A ko ste pa vi?

42:54Ja sam niko i ništa.

42:56To se i vidi.

42:58A vi, gospodine?

42:59Ni Srbin, ni Hrvat.

43:01Ivo Andrić, milo mi je, gospodine.

43:03Nego oboje.

43:04Ti stvarno ništa ne čuješ?

43:31Šta?

43:32Sahranio je ono koju je najviše voleo.

43:35Pa šta?

43:38Jedan mrtvac više.

43:41Vidiš da ljudski život nema nikakvu vrednost.

43:44Pa sam ja umro držao bi me isto ovako.

43:47Kako?

43:48Kao stvar.

43:49A misliš da si Bet, a nisam voleo?

43:55Nije to si Bet.

43:56Jest.

43:57Liječi, ali nije.

43:58Otko ti znaš?

44:01Ha?

44:02Voleo sam ga više nego tebe.

44:05I zato za njega neću pisati nikakav nekrolog.

44:08Šta će mu to?

44:09A za tebe imam čak i stihove.

44:12Eterizam drugu Ivi Andriću.

44:18Moja je bajka.

44:20Da se u snu dok se spava dobra čine.

44:25I da ništa nije java.

44:27Nismo znali, a imali smo čedo u daljini.

44:32Rekao sam ti, cvet jedan lak ispunit će tvoje misli.

44:37Sve osmehe što su od bola svisli sačuvat će zrak negde u daljini.

44:47O, ničeg nek te nije žao.

44:51Zato sam ti tu misa odao.

44:54Tužnoj, goloj i beloj neveseloj.

44:59Gledaj u jesen mirno kako se gubi dan i ljubi.

45:06Ja tebi nemam šta da dam.

45:14Ne treba.

45:16Treba.

45:18Onda daj.

45:19Šta?

45:20Otkud ja znam?

45:22Znaš ti bolje od mene.

45:24Daj objećanje.

45:25Kako?

45:26Kad god ti napišem pismo da ćeš mi odgovoriti.

45:32Obećanje.

45:33Suviše ovako daješ objećanje.

45:36Pa šta još treba, da se zakunem?

45:38Ne.

45:39Tražio si da objećam.

45:41Pa trebalo je prvo malo da razmisliš.

45:43Razmislio sam.

45:44Zatim da čutiš jedno vreme.

45:47Čutao sam.

45:48Možda i da ne daš objećanje.

45:49A tražio si da objećam.

45:51A bilo bi bolje da nisi.

45:53I sam sam se pokajao.

45:59Naravno.

46:01Vi hladni i racionalni.

46:05Bezosećajni sam moživi.

46:07Šta vi znate?

46:08Naravno da sam se pokajao.

46:10Jel da?

46:10Da.

46:11Jer ja ću sačuvati tvoja pisma i svi će reći siroti Crnjanski mu je pisao.

46:15A onaj u obražen komu nije odgovaran.

46:18Da jer ti nećeš sačuvati moja pisma.

46:20Hoću.

46:25Stigli smo.

46:26Jezus Maria.

46:28Was izin das?

46:29Lebi za meš.

46:31Bitteche doktor.

46:32Ich bin in Vina ingestigen.

46:33Wieso hjalte zug?

46:35Ich weiß nix, madame.

46:37Ich weiß nix.

46:40Ich hab keine Ahnung.

46:42Sie haben gesagt da se tot ist.

46:45Bravo.

46:46Hvala.

46:50Ovo je užas.

46:53Ich pita sie, zagen Sie mir, wann kommen wir im Welkladan?

46:56Ich weiß es nicht.

46:59Es tut mir leid, ich weiß es wirklich nicht.

47:01Objasnite, gospodin, na njenom jeziku, da joj neće pomoći nikakvo postavljanje pitanja.

47:07Pa zar nismo stigli mi je?

47:08Wie lange noch?

47:10Das kann ich nie nimen genau, zagen.

47:13Što ste mom da budili?

47:15Ich weiß nicht.

47:20Ej!

47:23Gde smo?

47:27Gde se nalazimo?

47:34Bez obrazog.

47:37Niko ništa ne odgovara.

47:39Zašto smo stali?

48:01Ne znam.

48:03Možda neki kvar.

48:06Bojim se da nije neki napad na vozi zasede.

48:08It's a band, you know it.

48:14Sheed.

48:17Sheed, and again sheed.

48:21It's like a judge.

48:23Why are we standing there?

48:24It's a fight.

48:27I'm going to ask.

48:29I won't say, all the people are.

48:32Sheed was already a traitor.

48:35But she won't do it anymore.

48:37Well, maybe they don't know.

48:40They might know if they were themselves,

48:42or if someone was standing with a gun in front of the cage.

48:45Do you know how many armed bands are around?

48:49Why do you do it with me?

48:50I don't have any weapons.

48:52Everything they took me.

48:57And you?

49:00Do you have any weapons in my pocket?

49:02You didn't have my pocket.

49:04I don't think so.

49:06A lot of people into the cage.

49:07Do you know what you are going to do?

49:08I don't know how many of you

49:12do it.

49:13I am sorry.

49:14Here, you are happy now.

49:29What will you do now?

49:33I will think of another world in myself

49:37and live in him as Archimedes lived

49:40until the Roman army didn't come to kill him.

49:45That doesn't mean to you.

49:47What?

49:49You?

49:51To work?

49:53To live in your life,

49:56and to travel to the island?

49:59To the polar world between hyperborecists?

50:02What does it mean to me?

50:05To fight.

50:07And you?

50:11To get everything on the table.

50:14To work in Beograd,

50:17to work in foreign countries,

50:20to get you books,

50:22to get you to know you,

50:24to get you gifts,

50:26to give you pictures of young girls,

50:28and I have time to tell you about Tiberius,

50:30to ask yourself who was Michelangelo's mother,

50:33to feed him on his lawns,

50:35to help the mother's mother

50:36around Kokoši,

50:37to go to Lovna Zečevi

50:39or to go to Odiseju.

50:41What does it mean to me?

50:44A nonsense.

50:48A nonsense.

50:49A nonsense.

51:12A nonsense.

51:13Do you want to go together to buy your papers?

51:28No, it's not worth it.

51:33And that's how some idiot wrote three strokes from my three different songs.

51:40They told me that I'm a modernist, that I'm a fan of myself, that I'm a fan of myself and that I want to be an unusual and original.

51:51Don't be careful.

51:53What?

51:54Your duty is to write.

51:56My duty is to show my fingers.

51:59Or are those who were only at Kajmakčalano?

52:04What is your duty?

52:07I'll do it.

52:10And live your life in yourself.

52:13If you can.

52:15If you don't marry yourself.

52:17That's the last thing I'm thinking.

52:19A you?

52:20I'm going to marry yourself.

52:22But I won't have a son.

52:25I'll see him and know what's waiting for him.

52:28Can I promise you something?

52:30I've given you the lyrics.

52:32I want to promise you.

52:34Let's go.

52:36That we'll never talk about what we think will be.

52:40Don't worry.

52:41You've already promised me to talk about the past.

52:45What will we do then?

52:46Just about the present.

52:49Okay.

52:54Let's go.

52:55Let's go.

52:56Let's go.

52:57Let's go.

52:58Let's go.

52:59Let's go.

53:00Let's go.

53:01Let's go.

53:02Let's go.

53:03Let's go.

53:04Let's go.

53:05Let's go.

53:06You have the opportunity.

53:0722gen.

53:08Geografia.

53:09Can you see them come on?

53:10Sorry.

53:11Will you see them all day at night?

53:12No.

53:14Let's go.

53:15We don't have a hundred years multimodal.

53:17We have something to do.

53:19We'll have to try.

53:20What if you are MARY?

53:23We'll none.

53:24You can.

53:25You can.

53:26Let's go.

53:27So...

53:28If you're going, you need this situation?

53:29Who can go?

53:30Come on, Andretson.

53:31We will go.

53:32I'm really not going with you.

53:34Will you stay in this car that is standing?

53:40Yes.

53:42From whom no one knows when and if it will ever go?

53:46Yes.

53:48When? When you and I will be in trouble?

53:51When the car is opened.

53:53Which car?

53:54The car that has stopped the car.

53:57Ah, that car.

54:00That is all right.

54:08I will go.

54:17I have to wait for me to meet with the people who had been in France.

54:30And the car is on the other side.

54:32I have to wait for you.

54:33Yes.

54:35It's an old man.

54:38Yes.

54:39Yes, it's an old man.

54:41Yes.

54:43Yes.

54:44Yes.

54:45Yes, yes.

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