- 7/1/2025
Here is the a exclusive interview of Director Rohit Padaki about Ekka movie
ಎಕ್ಕ ಸಿನಿಮಾ ರಿಲೀಸ್ ಗೆ ರೆಡಿ ಇದ್ದು ಈ ಸಿನಿಮಾದ ನಿರ್ದೇಶಕ ರೋಹಿತ್ ಪಡಕಿ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಸಂದರ್ಶನ ಕೊಟ್ಟಿದ್ದಾರೆ
#Rohitpadaki
#Rohitpadakiinterview #YuvaRajkumar
#YuvaRajkumar Interview #SanjanaAnanand
#banglebangari
#EKKAInterview #EKKA #Yuvarajkumar #RohitPadaki #KRG #PRK #AswiniPuneethRajkumar #Sanjana #Sampada
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'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
~HT.188~PR.30~ED.35~
ಎಕ್ಕ ಸಿನಿಮಾ ರಿಲೀಸ್ ಗೆ ರೆಡಿ ಇದ್ದು ಈ ಸಿನಿಮಾದ ನಿರ್ದೇಶಕ ರೋಹಿತ್ ಪಡಕಿ ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಸಂದರ್ಶನ ಕೊಟ್ಟಿದ್ದಾರೆ
#Rohitpadaki
#Rohitpadakiinterview #YuvaRajkumar
#YuvaRajkumar Interview #SanjanaAnanand
#banglebangari
#EKKAInterview #EKKA #Yuvarajkumar #RohitPadaki #KRG #PRK #AswiniPuneethRajkumar #Sanjana #Sampada
Also Read
'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc
ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc
ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc
~HT.188~PR.30~ED.35~
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NewsTranscript
00:00If you want to make a difference in your life, that's actually my name.
00:12In the game, I'm going to make a kink.
00:21I'm going to make Pan India, Noor Koti, Ayvat Koti.
00:24I'm not going to make a difference.
00:27In fact, if you were to interview me, you probably won't talk about it.
00:31If we were to talk about StarCast Super, Budget Super, Ati Dodda Cinema,
00:36we probably didn't have a concentration.
00:38We didn't have an emotion.
00:40If I was a director, if I was a director,
00:44I would like to talk about Josh.
00:46I would like to talk about it.
00:48It was not just about Mother.
01:02If I were to talk about this interview, it was a good challenge actually.
01:05The moment I stopped seeing the world the way I am seeing now,
01:11is when I am gone.
01:13Hello, my name is Ashvanth.
01:21The director of the industry has been a great opportunity.
01:27He is also a great opportunity to see the world.
01:30He is also a great opportunity.
01:32He is also a great opportunity.
01:34He is also a great opportunity to talk about it.
01:38I welcome you to talk about it.
01:40Hello. How are you, sir?
01:42You are ready to be full of the rest of the industry?
01:44You are ready to be full of the rest of the world.
01:46You are ready to be full of the rest of the stage.
01:49Absolutely.
01:50What about the rest of the time when you have a promotion,
01:52you will be confused by the promotion?
01:55You will only find confusion that.
01:56If you are ready until exam time,
02:00how am I supposed to be ready?
02:02If you are ready for the next entry,
02:04and I will tell you that.
02:05I be happy for you too.
02:06You are happy if you are asked for extra questions,
02:08I will tell you that next.
02:10I think we have two marks of cancer.
02:12That's right.
02:14Sir, it's YAKKA.
02:16Press Meet.
02:18The King is mentioned.
02:20So, YAKKA is the title of the title?
02:22See,
02:24YAKKA is the King.
02:28In the art,
02:30the King is the King.
02:32It's YAKKA.
02:34So,
02:36in our society
02:38Who is the King or male?
02:40Who is the King or male?
02:42Who is the King or male?
02:44No.
02:46In general, we will vote.
02:48King is the superior.
02:50Actually,
02:52in society, the King or male is the common man.
02:54Okay. Common man.
02:56That's right.
02:58So,
03:00this common man,
03:02that's what we have done.
03:04That's what we have done.
03:06YAKKA is the king or male.
03:08Okay.
03:10So, one who can be above the king is our ace.
03:12YAKKA.
03:14So,
03:16we will vote for cards.
03:18Cards!
03:20We will vote for cards.
03:26So,
03:27we won't vote for cards.
03:28You will vote for cards,
03:30And we will vote for cards.
03:32So, you will vote for cards.
03:34They will vote for cards.
03:36We will vote for the first one to JAKKA.
03:38So,
03:40what is this connection?
03:42I don't know if you have a visual on that scene.
03:47Tell us if you have an update.
03:50No connection.
03:51No reference.
03:53Of course, if you talk about this look,
03:57that was from Jackie's fight.
04:00But in this scene, there is a story.
04:05So, if you talk about this look,
04:09you're going to try a movie.
04:11So, yeah.
04:12Okay.
04:13Well, from the Northern cinema,
04:16we're not sure how to speak a movie.
04:21The director of the films
04:23He's been discovered as a film,
04:25that he's the same genre as a film.
04:28He's the same as a cinematic universe.
04:30Every director can be the same genre as a film.
04:33No.
04:34I will explore a movie like this.
04:36How do you think about it?
04:41When I'm going to fix it, when I'm going to talk about it,
04:48I'm not going to talk about it.
04:51I'm not going to talk about it.
04:53I'm not going to talk about it.
04:56So I'm going to explore it.
04:59But at the end of the day,
05:02I'm going to talk about it in a different fashion.
05:09I'm going to talk about it.
05:12In one scene,
05:16there's a silence.
05:18Everyone will talk about it.
05:23The pattern will probably remain the same.
05:51The pattern is that we are considering a bit.
05:55The pattern will still remain the same.
05:57In this case I think will still be able to understand the climate.
06:03So including me also.
06:06Here are some glimpses and some people with a vague sentiment.
06:12The chances are that they will not exist.
06:16And that sentiment is not just about mother. It was about motherhood.
06:33It was about motherhood. It was about motherhood.
06:46In this film, the motherhood was very popular.
06:50But that sentiment is not about motherhood.
06:55Probably, I don't know.
06:59Do you think you're inspired by a person?
07:06It's about motherhood.
07:10When I was a kid, I was a kid.
07:18I was a kid.
07:20I was a kid.
07:24When I was a kid, I was a kid.
07:29Why did you notice that?
07:31I didn't know anything about cinema.
07:33Emotion.
07:34Emotion.
07:35Emotion.
07:36I was a kid.
07:37When I had to speak, I got to talk more.
07:38I thought he said things.
07:39I had to say that emotion as if I was talking to my students.
07:41Where they were able to talk more of them,
07:43But I don't know.
07:45Oh my God.
07:46There's a daily art hours.
07:47There's a camera on the side.
07:49What's that?
07:50Where's the camera?
07:52If it's from the side of the side of the side,
07:53he's got a lot,
07:54he's got a lot of information,
07:56I can hear what's the camera on the side of the side.
07:59So, I opened my eyes.
08:01But I was coming to the side of the side.
08:02But as a common audience,
08:03I got to talk about that I was make my attention.
08:06It's not the case. It's not the case. It's not the case. It's the case.
08:10I think it's probably inspired by the case.
08:13For example, Ranganayaki's case.
08:17I don't think there's any importance in the case.
08:21But if you do not talk about cinema,
08:25what cinema is going on?
08:28In the world of cinema,
08:31what cinema is going on?
08:33We have to study those films.
08:37We also have to go to the cinema and go to the cinema.
08:41We all have to go to the cinema.
08:43In fact, the cinema is a great thing.
08:47If I am going to go to the director,
08:49I am going to go to the director,
08:52I am going to go to the director.
08:55What do you think about the cinema?
08:59No, I am very interested.
09:01I was able to go to school and college.
09:08At that time, I was a formative year.
09:10I was able to do this for a while.
09:13I was able to say,
09:15I was able to say,
09:19I was able to go to school.
09:23There was fire.
09:25There was fire.
09:29I was able to follow fire.
09:31Yes, yes, yes.
09:33In the director,
09:35there was a starting fire.
09:37Every director,
09:39there was a lot of creativity.
09:41There was a lot of creativity.
09:43Every year,
09:45there was a lot of creativity.
09:47I was able to say,
09:49we are able to update.
09:51For example,
09:53there is Facebook.
09:55There is Instagram and WhatsApp.
09:57There is update.
09:59We are able to do that.
10:01We are able to do that.
10:03We are able to do that.
10:05We are able to change the generation.
10:07We are able to update.
10:09For example,
10:10this is the OTT.
10:11We have been able to do that.
10:13But,
10:15there is an opportunity to do it.
10:17We have to do it.
10:18There are no subtle emotions.
10:19You can do it.
10:21There are no more over the top.
10:23But,
10:24there are no more over the top.
10:25We are able to do it.
10:27We are able to do it.
10:28So, there is an upgrade. That's what we can do. At the end of today, human emotion doesn't work.
10:42But I don't have any emotion in that human emotion. I don't have to touch my emotions.
10:54What is the challenge? How do you think about it?
10:59I'll give you an interview. It's a challenge actually. I'll give you an option.
11:05I'll give you an image for me.
11:10The moment I stop seeing the world, the way I'm seeing it now, is when I'm gone.
11:19So, the major challenge is, I'll give you an idea, and I'll give you an idea.
11:24I'll give you an idea.
11:27So, I'll give you an idea.
11:30I'll give you an update.
11:32I'll give you an idea how you get into a clip of your video with your emotions.
11:36If it's an anime story, then you can answer it up.
11:39I know how you get the songs, film ofestion, film of the film.
11:46You can't say that.
11:48It's supposed to have success.
11:51so
11:53so
11:55making
11:57star casting
11:59emotion
12:01now
12:03probably
12:05emotion missing
12:07star cast super
12:09budget super
12:11probably
12:13concentration
12:15now
12:17the more
12:19cinema
12:21it was
12:23pure emotion
12:25pure emotion
12:27that emotion
12:29we have to
12:31KGF
12:33biggest film
12:35but at the end
12:37of the day
12:39there is an emotion
12:41that emotion
12:43we have to
12:45the
12:47police station
12:49and
12:51everyone
12:53is an anti-hero
12:55he is a hero
12:57he is an anti-hero
12:59he is an anti-hero
13:01he is an anti-hero
13:03he is an anti-hero
13:05he is an anti-hero
13:07he is an anti-hero
13:09so
13:11the emotion
13:13is an anti-hero
13:15you can support the
13:17negative characters
13:19in the show
13:21in Indian cinema
13:23one of the finest films
13:25he is an anti-hero
13:27he is an anti-hero
13:29he is an anti-hero
13:31he is an anti-hero
13:33he is an anti-hero
13:35he is an anti-hero
13:37he is an anti-hero
13:39but he is an human emotion
13:41he is an human
13:43that is important
13:45so
13:47then
13:49he is an anti-hero
13:50he is an anti-hero
13:51he is a
14:01협
14:17So that's why I started working on that one year, so I started working on that one year, I started working on that one year, and I started building characters on that one year.
14:29But the first time I said, I don't know what to say about this.
14:34What kind of life is going on, that's actually me.
14:41You can't see anyone who's interested in the world,
14:45no problem.
14:47What's the problem?
14:49That's a problem.
14:51He's talking about my own feelings.
14:53He's talking about my own feelings.
14:56That's why I'm speaking.
14:58I'm speaking about it.
14:59This is a topic, a topic, a topic.
15:02You can't stop the problems from the people,
15:05but you can't stop the problems.
15:07Two.
15:08Do you know that?
15:09Two.
15:10Two.
15:11As a child, there are children.
15:14As a child, there are children.
15:18That's the soul of the film.
15:22More or less, there are children.
15:27But as a child, there are children.
15:30Who books are you?
15:33The children of Bairapna, Puran Chandra Tejaswe, the children of Bairapna, Puran Chandra Tejaswe, the children of Bharatira, Dattatari and Jogi.
15:43The children of Bharatira is a regular.
15:46I don't have to do the free time.
15:50So, do you have to do the creativity?
15:52No.
15:53I am not active.
15:55I am a lonely feeling.
15:59I am not a lot of books.
16:01Okay.
16:02So, I am a young man.
16:04It is a second film.
16:05It is a second film.
16:06So, in the first film, there is a second film.
16:09There are confusions and there are no way I am doing a project in the extra film.
16:14So, there is a background.
16:16Then, there is a three production series.
16:19It is true that you are also a job.
16:22So, do you have to do a job?
16:24Or do you have to do a job?
16:26Or do you have to do a job?
16:28Or do you have to do a job?
16:30I did not.
16:31I am a young man.
16:32But you are too young man.
16:33And it is the first film.
16:34I have to do a job by handling this film.
16:36You are too young man.
16:38Are you a creative film?
16:41Yes, he is like a big cinema. So he is the same.
16:46If he hears that film, he is the same.
16:49And I don't think he is the same.
16:52So, if you think about the same cinema, or the same cinema?
16:57The same cinema is the same.
16:59That's right.
17:01It's not the same.
17:02The animals, the planet, the planet, they are the same.
17:07The same.
17:09It's a big cinema.
17:11It's a big cinema.
17:13It's a big cinema.
17:15So, it's a big cinema.
17:17It's a big cinema.
17:19It's a big cinema.
17:21It's a big cinema.
17:23It's a big cinema.
17:25For example, Hindi,
17:27Blink, Shakhari,
17:29these movies,
17:31they don't watch people.
17:33They don't watch the OTT.
17:35They don't watch the cinema.
17:37See, full proof cinema
17:39is a big cinema.
17:41Shakhari
17:43complete entertainment
17:45package.
17:47Shakhari was a brilliant film.
17:51Blink
17:53was a brilliant film.
17:55In fact, I'm going to talk about it.
17:57I'm going to celebrate
17:59I'm going to say
18:01I'm going to say,
18:03I'm going to say,
18:05I'm not saying
18:07other films are bad.
18:09I'm not saying
18:11other films are bad.
18:13I'm saying,
18:15are we foolproof with even the promotions?
18:17I'm going to say,
18:19I'm going to say,
18:21I'm going to say,
18:23I'm going to say,
18:25I'm going to say,
18:27I'm not saying
18:29other films are bad.
18:31I'm going to say,
18:33I'm going to say,
18:35I'm going to say,
18:37I'm going to say,
18:39are we foolproof with even the promotions?
18:41you're going to say,
18:43one is going to say,
18:45I'm going to say,
18:47I'm going to say,
18:49the moment
18:51Janath Chanagitha,
18:53you know
18:55I'm going to say
18:56a great film,
18:58he's going to say,
19:00he's going to say
19:03And yes, he is doing a great film again, which is a victory for all of us.
19:10So, we are getting the rest of it.
19:14Before COVID, after COVID, people are changing.
19:20Sometimes, we don't know how to watch the screen.
19:24I have to watch a single screen for $150.
19:27I have to watch a PVR for $350.
19:29When I watch a normal cinema, I have to watch a wow moment.
19:35I have to watch that.
19:38I have to watch that.
19:40I have to watch a very simple story.
19:43I have to watch a TV show.
19:45I have to watch a TV show.
19:47Who are you?
19:49Audience.
19:50Audience.
19:51The film is a tourist family.
19:53Noor Koti is a film.
19:55Why do you want to watch a film?
19:57This story is a film.
19:59It starts playing a film.
20:00Then, you can watch the film.
20:01You are your tourist family
20:03What are you?
20:05I have to watch a tour cast.
20:07I want to watch a tour cast.
20:09They always stop there.
20:11They use a TV show.
20:13Oh, please.
20:14You can't do it.
20:15It's a good thing, sir.
20:19If you say anything,
20:21you can't do it.
20:24You can't do it.
20:29You can't do it.
20:30You can't do it.
20:31You can't do it.
20:32You can't do it.
20:34You can't do it.
20:36100% there are great filmmakers.
20:42The problem is we are not writing
20:45now Kannadath cinema guys.
20:47Proper Kannadath cinema guys
20:51can't do it.
20:52Kantara, sir.
20:53Kantara, he is a good one.
20:55He has two super-duper hit movies.
20:57That's why Kantara is a good one.
21:00He is a good one.
21:02He has a good one.
21:04He has a good one.
21:06In fact, I'm talking about
21:07Kartikovaru was a part of it.
21:09He decided Gura,
21:11he is a good one.
21:12He's got a paper.
21:13He's still but I'm lying around.
21:15He's not making up his book.
21:17He's going to be a bad one.
21:18How does he look at the cinema?
21:19Every man and every man
21:22every man or any man
21:23every man can listen to the cinema.
21:24And so,
21:25he has come to be universally accepted.
21:28He does.
21:29Who's watching the cinema?
21:31Who is watching this?
21:33The person is watching this.
21:35If you are watching this,
21:37I'm watching this.
21:39I'm watching this.
21:41They're watching this.
21:43You're watching this.
21:45Actually, trust is a problem.
21:47I don't know if it's a problem.
21:49But I trust this.
21:51We are watching this.
21:53We are watching this.
21:55There's no trust factor.
21:57Yes.
21:58Yes.
21:59I feel like you know, you are the only one who's coming from a second.
22:03So, here is a track which has already a song, and that's the one.
22:08You can find a social media open, and you can find a Bengal-Angeri.
22:12So, how do you feel?
22:13How do you feel?
22:14How do you feel?
22:15How do you feel?
22:16How do you feel?
22:17How do you feel?
22:18How do you feel?
22:19I feel like how do you feel?
22:20Usually I feel like I'm going to experience a lot of emotions.
22:23I don't know, I don't know.
22:24I feel like I'm going to give you a lot of emotions.
22:26And that's why he's got a problem.
22:33He's got a local, he's got a local, he's got a local.
22:38He's got a local, he's got a local.
22:41And that's also a credit to Nagarjun Sharma.
22:43He's got a lyric.
22:45If he's got a local local line, he's got a phrase,
22:49he's got a super.
22:51So that's easy to do.
22:54And I think we've got a lot of questions.
22:57He's got a hit from the last two years.
23:02So he's in his zone.
23:04He will come up with something.
23:09He's got a lot of discussion.
23:13One hour for cinema, two hours for life.
23:17He's got a lot of discussion.
23:20So he's got a point to connect.
23:23He's got a lot of questions and he'll get a lot of questions.
23:25And I think he's got a lot of questions.
23:29He's got a lot of questions.
23:31I don't really need any questions.
23:33The challenge works like that.
23:35He's got a space.
23:37He's got a lot of questions.
23:39He's got a lot of questions.
23:41So, if you have to talk about the cinema, you can talk about the cinema.
23:49Yes, it is.
23:51We are going to talk about the cinema, but we have to talk about the cinema.
23:58What do you think about the mold?
24:03Why do you think about the mold?
24:07Usually, when I was in the first hour, I was able to meet them.
24:13I was able to approach them.
24:16I was able to approach them easily.
24:22And I was able to do it automatically.
24:27So, I was able to work with artists.
24:34I was able to work with artists.
24:37So, it's easy to do it.
24:39Probably, we have to match that frequency with artists.
24:43So, you have to start the frequency with artists?
24:45Absolutely.
24:46Okay.
24:47So, Patra is a beautiful hero.
24:52So, what do you think about casting?
24:55Majorly, we don't have known faces and popular faces.
25:02That is not the way.
25:03You've got a father, the father and the father.
25:05It's not the way you have to play.
25:07It's not the way you have to play.
25:09But, you've got to play.
25:11Major of the major actors are one of those.
25:13And the other people have come to act in my film.
25:17who have come to act in my film.
25:19If you look at this film,
25:23there are no actors,
25:25there are no actors,
25:27there are no actors,
25:29there are no actors.
25:31It looks very natural.
25:33If you observe it,
25:35if you observe it,
25:37if you observe it,
25:39if you observe it,
25:41usually we interact with it.
25:43So,
25:45there are no actors,
25:47there are no actors,
25:49there are no actors,
25:51there are no actors.
25:53So, that's the element.
25:55So, acting is not enough?
25:57It's not enough.
25:59It's not enough.
26:01It's not enough.
26:03Usually, we have a very
26:05good vibe, friendly set.
26:07If you observe it,
26:09it's not enough.
26:11We have time frame,
26:13it's not enough.
26:15But apart from that,
26:16it's very easy going.
26:17Okay.
26:18So, this is a production house,
26:19so,
26:20there are no actors,
26:21there are no actors,
26:22there are no actors,
26:23there are no actors.
26:24Obviously.
26:25Okay.
26:26But,
26:27they are all experienced.
26:28They have baggage,
26:30experience,
26:31and ideas.
26:33So,
26:34they have put it forward.
26:36So,
26:37there are discussions.
26:39there are no actors,
26:40there are no actors and
26:41there are no actors,
26:42anything else,
26:43they have no actors,
26:44they can't happen.
26:45So,
26:46there are a lot of discussions.
26:48There are no actors,
26:49there are no actors,
26:50there are no actors,
26:51there are no actors?
26:52According to the script,
26:54the story goes straight away and the story goes straight away.
26:5785% it is done,
26:59there is no location on each other.
27:01There is no location on each other,
27:03and there is no location on each other,
27:05that is the story we can't get there.
27:08If you find the story,
27:10you can't do that,
27:12you can't do that,
27:14you can't get there.
27:16But it's not the story.
27:18It's very rare.
27:21Very rare.
27:22If you're not already, let's start with the idea.
27:24If you want to have something like that,
27:27then there's a head to tail.
27:29But you do not like that.
27:33If you're looking to start a photo,
27:37you'll see a photo of the photo.
27:39You'll see something very late in the photo.
27:43So, you'll see the photo 3 people.
27:46The producer has a lot of issues.
27:50He has a lot of financial stress.
27:52He doesn't have to convince him.
27:55One advantage is that there are a lot of people involved.
28:00If you want to learn a project,
28:04everyone will learn.
28:06If you want to learn someone else,
28:09if you want to learn someone else,
28:11if you want to learn someone else,
28:12you want to learn something about that project.
28:14They will learn something about it.
28:16There was no time to procrastinate.
28:18If you want to learn 4 times,
28:21then you will prepare them.
28:24And there is a luxury for us to do the stuff we thought.
28:30If you want to learn something else,
28:32I will shoot one person in the same way.
28:34They will take the action fast.
28:36I wonder if they have to believe it.
28:40The truth is that they will take the action.
28:42If you have any questions about this film, do you want to talk about this film?
28:49Yes, I have said it. There are obvious reasons.
28:52Our film called Shivanna is Big Daddy.
28:56Shivanna is about to talk about this film.
29:01So the moment he is ready and he is free.
29:04The production house is free and they are ready.
29:07Uttarakhanda will start.
29:09Where is it?
29:11It is about 30% shooting.
29:13If we have a fight, it is about 18% extra.
29:17So it is about 50-55%.
29:21That is the major action sequences for Shivanna.
29:24So we are still thinking that we can take it off.
29:29Because Shivanna is about to talk about that film.
29:34Okay.
29:36In the last one, we have seen the last line.
29:40It is about to talk about pig and pig.
29:43So in general, if you want to talk about your life, then you will be pig and pig.
29:48You will be pig and pig.
29:49But now we are innocent.
29:50But we are innocent.
29:52We are still innocent.
29:54I have seen it.
29:55And we are still innocent.
29:56We are still innocent.
29:58We are still innocent.
30:00We are still innocent.
30:01We are still innocent.
30:03So you have done nothing in society?
30:05I was thinking about it.
30:06I was thinking about it.
30:07I was thinking about it.
30:08I was thinking about it.
30:09Okay.
30:10Finally, what kind of making this film is you can expect?
30:16You can expect a genuine attempt.
30:20In the film, we can get a template that you can break.
30:30There are many genuine efforts.
30:32Of course, all of the film are all the effort.
30:37But they are innocent.
30:38With the hero, with the hero,
30:40I have no expectation.
30:44Just pure entertainment.
30:48I am going to entertain a film.
30:50Apart from that, I am going to Pan India,
30:52Noor Koti, Ayyvat Koti.
30:54I have no idea what you did.
30:57If you are going to interview a film,
30:59I am going to interview a film.
31:01Including producers.
31:03Everybody is looking at entertaining people.
31:07And in the theatre,
31:10I am going to interview a film.
31:12That is the only agenda we have.
31:14If you are going to interview a film,
31:17you will have a fixed budget.
31:19We will recover that budget.
31:23That is our idea.
31:25And the dance have a really innocent effort.
31:27That was the first place.
31:28That is the most innocent interview.
31:30In the sleep,
31:31so you are just getting a happy smile.
31:32That is the next video.
31:34Is the idea of the future to Pan India?
31:37Does the future plan have Pan India?
31:38That is Pan India.
31:39I do want this.
31:40It does not want the Pan India.
31:42I want the film.
31:43The movie is Pan India.
31:44But everyone will love the film in the past.
31:46Yes, you did not get a lot of effort. So you said to go on a job, then you get a job. Finally, you will get an invitation.
31:56Sir, I have a great effort. I made a film, I made a film, I made a film. I made a film, and I made a film. I made a film.
32:05I made a film.
32:07This is our first film.
32:11Attempts.
32:13You are contentist.
32:15Bangalbangari, Ekamara, Teaser, Trailer, Trailer.
32:21If you look at this theater, I'm going to look at it.
32:28David is coming.
32:30And if you look at it, I'm going to hear your emotions.
32:35If you look at the cinema, you enjoy it.
32:39That's what we call it.
32:45And all the best.
32:46First day, first show in the theater.
32:49Thank you, sir.