YuvaRajkumar ಅಶ್ವಿನಿ ಆಂಟಿ ನನಗೆ ತುಂಬಾ ದೊಡ್ಡ ಬಲ

Filmibeat Kannada

ಎಕ್ಕ ಸಿನಿಮಾ ರಿಲೀಸ್ ಗೆ ರೆಡಿ ಇದ್ದು ಈ ಸಿನಿಮಾದ ನಾಯಕ ಯುವರಾಜ್ ಕುಮಾರ್  ಫಿಲ್ಮಿ ಬೀಟ್ ಜೊತೆ ಸಂದರ್ಶನ ಕೊಟ್ಟಿದ್ದಾರೆ     #YuvaRajkumar  #YuvaRajkumar Interview #SanjanaAnanand  #banglebangari  #EKKAInterview #EKKA #Yuvarajkumar #RohitPadaki #KRG #PRK #AswiniPuneethRajkumar #Sanjana #Sampada  Also Read  ಕನ್ನಡ ಚಿತ್ರರಂಗದಲ್ಲೂ ಬ್ಯುಸಿ, ಪರಭಾಷೆಯತ್ತ ಸಂಜನಾ ಆನಂದ್ ಫೋಕಸ್ :: https://kannada.filmibeat.com/interview/sanjana-anand-opens-up-on-her-upcoming-films-including-telugu-film-099871.html?ref=DMDesc  ಸಂಜನಾ ಆನಂದ್ ಜೊತೆ ಚಂದನ್ ಶೆಟ್ಟಿ  ಎರಡನೇ ಮದುವೆ, ಇಲ್ಲಿದೆ ಸತ್ಯಾಂಶ..! :: https://kannada.filmibeat.com/news/rapper-chandan-shetty-and-actress-sanjana-anand-cleared-their-marriage-rumours-at-an-event-097093.html?ref=DMDesc  'ಎಕ್ಕ' ಅಡ್ಡ ಸೇರಿದ ಸಲಗ ಸುಂದರಿ: ಯುವ ರಾಜ್‌ಕುಮಾರ್ ಜೊತೆ ಸಂಜನಾ ಆನಂದ್ ರೊಮ್ಯಾನ್ಸ್ ಫಿಕ್ಸ್ :: https://kannada.filmibeat.com/news/salaga-sanjana-anand-joined-as-female-lead-in-yuva-rajkumar-starrer-ekka-kannada-film-094345.html?ref=DMDesc    ~HT.188~PR.30~ED.33~

Transcript

00:00If you want to know all of them, of course, you want to know all of them.

00:05So, Yuvah Adhmanantra, of course, some of them play a lot.

00:08I mean, it's a lot of fun in this cinema.

00:17There are character-long variations, intensity, change-overs.

00:26There are bangle-bangari sounds, and it's a little taste.

00:29We are going to teach ourselves.

00:38We are going to teach ourselves.

00:45We are working in this country with many people.

00:52So, what does that industry do you think?

00:55It is a tag.

00:56It is a big deal.

00:58I don't have a friend.

01:28So, welcome to Ivarajkumar Matasavani, sir.

01:32Namaskar.

01:33How are you?

01:34Firstly, I am a king, but I am a king.

01:38A king.

01:39So, everyone knows how many cards are.

01:43I am a king and I am a king.

01:45So, if you ask a question about a king or a king,

01:49I am a king and I am a king.

01:52I am a king and I am a king.

01:57So, I must tell you.

02:00Do you want to ask a king?

02:03Yes, I must be a king.

02:06Of course, I will tell you.

02:09A king is a king and I will tell you.

02:12I am a king.

02:15I am a king.

02:17I am a king.

02:19I am a king.

02:21I am a king.

02:23I am a king.

02:26I didn't know that you were talking to a guy like that.

02:30I didn't know that you were talking to a guy like a guy like that.

02:36But I didn't know that.

02:38I'm not sure how to get into it.

02:40In this case, I was already in the beginning of the year.

02:44So I was like a blessed kid.

02:4720s kids are blessed kids.

02:49I'm sure I'm getting a sign.

02:51I'm definitely happy in the world.

02:55And the audience has a lot of attention to the cinema and content.

03:00Especially the Bangalbangan song is a lot of attention to it.

03:04So, if we can see the picture, it's a lot of attention to it.

03:08You know, the artists came from the beginning of the song after.

03:17He had a hit with the cinema songs,

03:20he had a hit with the Apaji, Shivana,

03:24he had a hit with the different songs to this song.

03:27He did it.

03:29After 10-15 years, you knew about the next generation of the next generation.

03:36How do you feel about your songs?

03:38I don't know if you feel about it, but definitely in that year,

03:44I would never have to give this song as much as you can.

03:50And our cinema album is a beautiful song.

03:54It's hard to be hard to be.

03:56In a lot of cinema, we don't know how much we spend time with our people.

04:05We have all the emotions.

04:07You are watching the cinema industry and you are watching the cinema industry.

04:13You are watching the cinema industry and you are watching the experience.

04:17What are you experiencing in the cinema industry?

04:22One day, the cinema industry is not a host.

04:30In fact, when I started acting, I was not a host.

04:35Because there is a lot of Kelsa Maduri, Light Officers, Production Groups.

04:41I don't know how many people are doing it.

04:43So, if you are watching the cinema industry, I would like to watch it.

04:49But if you use the camera and face.

04:52Put it in the light and put it in the light,

04:55Unless you have to discuss the scene where we can improve it.

04:59I would like to ask you about the shot.

05:01when you saw the shooting set, you said that you were in the industry

05:08after an event, you were in the event and you were in the event

05:15and you were in the promotion and you were in the first day first show

05:22It is the experience of being here, being here.

05:33You are definitely one of the first time.

05:37You are one of the first time that you have made a film for a year after the first time.

05:45You are not the most likely when you are in your life.

05:50The first thing is that we are all about the people who are living in the world.

05:59We are all about our children, our children, our parents, our father.

06:03We are all about our children.

06:07So, we are all about our children.

06:12You are going to be in the industry, you are going to be in the industry, you are going to be in the industry.

06:18So, who is the first thing?

06:22In fact, I have never heard about it.

06:27I have never heard about it.

06:29But I am talking about my father's father.

06:33Of course, I am talking about our children.

06:37When I am talking about it, I am talking about it first.

06:40You are in the industry, you are playing the show.

06:44And if you are interested in it, you will learn something the first thing.

06:49So what I am talking about is that you are preparing us with the work.

07:02It is the end of the day.

07:04This is the day of the day.

07:06Today, we have a lot of weight.

07:08We have a lot of people.

07:10So, if we were to get into the industry,

07:14I was going to play the first cinema.

07:16I was going to play the first film.

07:20But, there is no tag.

07:22What do you think?

07:24I definitely can do this.

07:28Of course.

07:30What I am going to tell you is,

07:34if you have a little tag,

07:36what does the film make?

07:40What does the film make?

07:42What does the film make?

07:44We decide on our future.

07:46And, what is the future?

07:48The audience will be the same.

07:50But, the tag will be the same.

07:52But, the tag is the same.

07:54But, the tag is the same.

07:56I have a lot of people.

07:58But, there are many things.

08:00This is the same.

08:02What when I started the film to do that,

08:04who has to be having a great film?

08:06To answer the novel,

08:08I was going to go on to play the film.

08:10and, I was going to play the film.

08:12I was going to play the game.

08:14Like, I did call the police,

08:16a boss with a young girl.

08:18She was going to play the film.

08:20but, there is a game because she does play the film.

08:22I would like to ask, one of my characters is the characterisation.

08:32My character has variations.

08:38The character has variations, the intensity, changeovers.

08:44So, I think that's why I'm going to make the next cinema.

08:48I'm going to make the next cinema, and I'm going to make the next cinema.

08:52So, what character is called, is that it's completely different.

08:57I'm going to make the next cinema completely different.

09:02And I'm going to make the next movie script.

09:06And how do you make the characters?

09:10I'm going to make a complete scripting stage.

09:16In fact, I'm going to make a whole script discussion.

09:20Like Ashwini, Jayana, Bhogana, Karthik, Yogi, Direction Team, and my father.

09:27So, there are inputs in every script.

09:31Almost 5-6 hours of script change.

09:35So, there are inputs in every script.

09:39And the three production houses are going to be done.

09:43I didn't talk about three production houses.

09:48I was going to make the first time.

09:50And the other thing is, the other thing is, the other thing is, the other thing is, the other thing is.

09:55Of course, one day, there are 3 production houses in one day buildings.

10:02And, Munchendra's will be open to collaborate, but there are discussions on the first movies.

10:11They will be released in Jaina's films, they will be released in the film, and they will talk to each other.

10:16Especially when they are out of time, they will be able to talk to each other and discuss them.

10:22So, in order to understand each other, they will be able to understand each other.

10:28So, when they are able to understand each other, they will be able to get more production.

10:34Now, are you able to do scripts?

10:38Yes, it is a very good thing. I did a very good thing.

10:42In other words, I have to learn the same, but I have to be confident.

10:54I have to be able to understand the same thing as a point.

10:57I have to understand the same character as a character, but I cannot understand the same thing as a character.

11:04So, if you are able to understand the same thing as a character, I will start with the same thing.

11:07What impressed you in the story?

11:09I'm going to give you a small example.

11:11This is a very good thing.

11:13Everything is good.

11:15But no one is good.

11:17No one is good.

11:19If you have a piece of paper,

11:21a piece of paper,

11:23a piece of paper,

11:25a piece of paper,

11:27a piece of paper,

11:29a piece of paper,

11:31a piece of paper,

11:33a piece of paper,

11:35a piece of paper.

11:37If it is not a glimpse,

11:39we have a lot of problems

11:41that we have asked,

11:43a jockey.

11:45He has a visual or a tire.

11:47It's like that.

11:49It's like that.

11:51I'm not sure what that is.

11:53I'm not sure what that is.

11:55But I'm not sure what this is.

11:57It's like that.

11:59I don't know where the locals are.

12:01They're all looking at it.

12:03That's why I'm not sure what that is.

12:05So the first film is the most impressive film.

12:12Of course, the first film is the first film.

12:16The first film is the most famous film.

12:22It's the first film.

12:27Then after that, my father got a girl in Bengaluru.

12:31When she was born in Bengaluru, there was a lot of sun invasion.

12:36The girl called the innocence.

12:39She was a child who was a boy in the middle of the 19th century.

12:43She was a child who was a girl who was a girl.

12:47When she was born in her life, she was a girl who was a girl.

12:51She was scared, she was a girl, she was a girl, she was a girl.

12:56In his life, I was concerned about my mother, my mother, and I was concerned about it.

13:03So, he was a character.

13:05I thought that he was a kind of Jacky situation.

13:10Of course, we inspired many things in the film.

13:17In fact, if you were in the film, you would be inspired by yourself.

13:26We don't have to say anything about it.

13:29We don't have to say anything about it.

13:32So, if you look at this point in the teaser,

13:36there is a reason for getting up.

13:42So, if you look at the cinema, you will be correct.

13:45So, if you look at that look at the get-up.

13:47Okay, let's talk about Nirdeshkaru.

13:50So, if you look at the cinema,

13:52you're looking at the emotional bonding,

13:57and you see all these teasers.

14:00But, do you think that you're looking at the moment?

14:04Of course, this cinema is different from any modern cinema.

14:08But, what's the same with our modern cinema?

14:12That makes it very well.

14:14It makes it very interesting to see that

14:17In fact, the last cinema in Ratnan Prapancha note is that it is the most important part of the film.

14:25In the same picture, there are no more raw and no more emotions.

14:30In that style, it is the most important part of the film.

14:35In fact, it is the most important part of the film.

14:41For example, if there is a scene in a room or a situation in a room,

14:49it is the most important part of the film.

14:52It is the most important part of the film.

14:54So, if you watch the film, you can watch the film and watch the film.

14:58Let's talk about Ashun.

15:00We have our strength.

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