EKKA PressMeet ಸಿನಿಮಾ ಯಾಕ್ ಮಾಡ್ತೀಯಾ ಎಂದವರಿಗೆ Yuva Rajkumar ಉತ್ತರ

Filmibeat Kannada

Here is the press conference of the movie Ekka starring Yuva Rajkumar    ಯುವರಾಜಕುಮಾರ್ ನಟನೆಯ ಯಕ್ಕ ಸಿನಿಮಾದ ಪತ್ರಿಕಾಗೋಷ್ಠಿ ಇಲ್ಲಿದೆ    #EKKAPressMeet #EKKA #Yuvarajkumar #RohitPadaki #KRG #PRK #AswiniPuneethRajkumar #Sanjana #Sampada  Also Read  'ಲಕುಮಿ' ಸುಷ್ಮಾಗೆ ಅನಾರೋಗ್ಯ; ಕೂದಲು ಉದುರಿ, ತೆಳ್ಳಗಾಗಲು ಅದೇ ಕಾರಣ! :: https://kannada.filmibeat.com/tv/yare-ni-mohini-serial-fame-sushma-shekar-opens-up-on-her-health-issues-094271.html?ref=DMDesc  ರಾತ್ರೋ ರಾತ್ರಿ ಅಣ್ಣಾವ್ರ ಸಿನಿಮಾ ಕಟೌಟ್ ಮಕಾಡೆ ಬಿದ್ದಿತ್ತು; ಆ ರಾತ್ರಿ ನಡೆದ ಘಟನೆ ಏನು? ಗಲಾಟೆ ನಡೆದಿದ್ದೇಕೆ? :: https://kannada.filmibeat.com/features/rajkumar-movie-anuraga-aralithu-cut-out-fell-and-the-miscreants-created-a-ruckus-080637.html?ref=DMDesc  ಬೆಂಗಳೂರಿನಲ್ಲಿ 'ಸಲಾರ್' ಅಡ್ವಾನ್ಸ್ ಬುಕ್ಕಿಂಗ್ ಹೇಗಿದೆ? ಕನ್ನಡಕ್ಕೆ ಎಷ್ಟು ಶೋ ಸಿಕ್ಕಿದೆ? :: https://kannada.filmibeat.com/news/salaar-bengaluru-advance-booking-report-kannada-and-telugu-shows-count-076683.html?ref=DMDesc    ~ED.35~ED.35~

Transcript

00:00Ok, we are shooting a dump in Mysore.

00:05We are going to get a dump in Nijua and we are going to get a dump in Nijua.

00:11I am not expecting you. Of course, there are photos and photos.

00:15But Nijua is going to get a dump in Nijua.

00:19We are going to get a dump in Chikmalur station.

00:22And that is going to get a dump in Nijua.

00:25And we are going to get a dump in Nijua.

00:29We can get a dump of Nijua or from Nijua.

00:33But not only theasında but the same way lies.

00:38And it is going to get lost ugand to me that.

00:43So in 2005, we were talking too soon.

00:46And I will argue that Nijua is going to sweep a dump in national and it is going to suit us.

00:52Whatever.

00:55And you'll see theierte i.

00:57So, we have a lot of the hacks of it.

00:59We have to get a lot of money and get a lot of money.

01:04And who can help us.

01:06And the waste management is very important.

01:11We have to say that we have to segregate the waste.

01:16We have to help our money.

01:19We have to get a lot of money.

01:22So, we have to recycle the waste.

01:26So definitely, if you don't want to do it, you don't want to worry about waste segregation and waste management.

01:37Go sir, he said that it's very much for you.

01:40Where do you say it at GE?

01:44No, I didn't hear it.

01:46Yes sir.

01:47How do you say it at GE?

01:51In the past 20 years, it was very difficult.

01:58It was very difficult.

02:00At that time, it was very difficult.

02:04In fact, I don't want to talk about this.

02:07At Adantakshana, we had a college event.

02:09It was very difficult for me to listen to the phone.

02:15In fact, there were fans immediately who were in Tunkkural.

02:21They were very difficult for me to listen to the hospital.

02:24They were very difficult for me to listen to the doctor.

02:26They were very difficult for me to listen to the doctor.

02:30In the same way, we were told that we were informed.

02:34They were informed that they would hear the doctor that they were doing is doing is doing very good.

02:44In fact, they were doing so immediately and they were looking for a doctor.

02:46They were very happy.

02:48They were feeling very anxious when they were in the hospital.

02:50They were also taking care of a病 bicycle.

02:52They were telling me about their乏, their乏, their乏.

02:55How many people didn't expect us to do it but it was very much.

02:56It was very intense.

02:58But they were relaxed and you were able to listen to that.

03:02I said, I can definitely hear this Fluffy talk, but he did not hear it far later.

03:10I know.

03:12I didn't hear anything at all in Hindi.

03:16So, I hear some things.

03:17I have heard what they have liked to hear from the film.

03:21I just heard what they can hear from the film.

03:24So, I said, I was getting into the film.

03:28I am not sure how much I said,

03:31that it's very difficult to get a film.

03:35Even if you think about this film,

03:37it's very difficult to get to film.

03:41So even if you think about cinema,

03:45you don't have to get to film,

03:46but you don't have to get to film.

03:51I don't think about this film.

03:54What do you think about it?

03:57We made a lot of artists and made a lot of the artists.

04:03We made a lot of artists.

04:04We made a lot of artists.

04:07And at that time, we made a lot of artists.

04:12We made a lot of artists.

04:15Do you feel privileged, you know, having three production houses?

04:20But what is your challenge?

04:21What is your individual contribution to the film as an actor?

04:27Of course, I have 100% of the effort.

04:34And I am very happy working with people I have seen since I was a child.

04:39So, when I was a kid, I would say yes to my mom.

04:42And I would say yes to my family.

04:44When I was a family, I would say yes to my family.

04:47So, you are in the comfort zone?

04:49I am in the comfort zone only producers.

04:52So, you are in the comfort zone.

04:54You are in the comfort zone.

04:55I am not a teacher.

04:56I am not a teacher.

04:57Because I am not a teacher.

04:59We didn't have any knowledge.

05:01I am not a teacher.

05:02But, at the end of the day,

05:05I am a judge and a judge.

05:07They are not a teacher.

05:08I am a teacher.

05:09You are not a teacher.

05:10And I am a teacher.

05:11So, if I am a teacher, I am a teacher.

05:13If you don't like it, you'll be able to do it.

05:16Okay.

05:17It's a comfort zone. I'll just finish it off.

05:19In this cinema, every day,

05:21Sathya sir,

05:23there were locations,

05:25and there were 4 locations.

05:27There were 4 days in the comfort zone.

05:29There were 4 days in the comfort zone.

05:31They were all shooting in the comfort zone.

05:33What is the comfort zone?

05:35Maybe the producers have come in.

05:37There's no head.

05:39There's no comfort zone.

05:41There are no limits for the cinema.

05:43You should have come to be a film.

05:45We should have come to be a movie,

05:46but that's the effort of the entire team

05:49they have come to be a director,

05:50a group,

05:51a group,

05:52a group,

05:53a group,

05:54a group,

05:55a group.

05:56You should have come to be a film.

05:57But if you have a good location,

05:59you should have come to be a film.

06:01That's not a comfort zone.

06:03I'm not saying that it's a comfort zone.

06:05I'm talking about comfort zone in the sense

06:07for an actor,

06:09He has a producer who can give him that. He doesn't have to think too much. He knows release date is coming.

06:19We have a target of June 6th. We have a target shooting. The shooting is almost completed.

06:29We have a shooting in Malay June, March. Malay has been shooting. There is no way to reach outdoor.

06:33We have a picture of Charan Sardhu now. We have a picture that is released.

06:40We have to know the firefly.

06:44I don't know the artist combinations, Ms. Sagatama.

06:47But why do you announce it before even, you know...

06:50No, that's it.

06:52No, no.

06:54If you hadn't announced it, you wouldn't have missed it on July 18th also.

06:58Okay. Anyway, next one.

07:01Moorjana.

07:02Tiger is back.

07:03Three big production houses, sir.

07:06Beemraj.

07:07Two, one hero, one film hero.

07:11Was it necessary?

07:13Yes.

07:15Why?

07:16Are you taking the burden of what I'm taking?

07:18No, no, no.

07:19I'll tell you.

07:20Moorjana Seri had a producer and finance.

07:22Okay.

07:23So I'll tell you.

07:24Now, Moorjana Seri had a good picture.

07:26Yes, it is a big project.

07:28But Moorjana Seri, Moorjana's ideas are Moorjana's thoughts.

07:32He said, I don't know what these thoughts are.

07:35What are those ideas are in cinema.

07:37What is collaboration?

07:39Ideas are exchanged for you.

07:41You can't do it.

07:43You can't do it.

07:44You can't do it.

07:45You can't do it.

07:46You can't do it.

07:47You can't do it.

07:48You can't do it.

07:49You can't do it.

07:50But Moorjana Seri, I think, it comes in to give a better product.

07:54Not just to make the cinema good and coming.

07:56I think we are capable of doing our own films.

07:58That's why I said, it's not monetary.

07:59It is just because of exchange of ideas.

08:01And even in Delhi, collaboration is the new future.

08:03You can't do it.

08:04You can't do it.

08:05You can't do it.

08:06You can't do it.

08:07You can't do it.

08:08You can't do it.

08:09You can't do it.

08:10You can't do it.

08:11Collaboration is the new future.

08:12I do not want to get the inputs what the Jaina films

08:16and what the PRK inputs and what will be more valuable.

08:21Same with the others.

08:22So, collaboration is not great.

08:24People don't have to do it.

08:25People don't have to do it.

08:26People don't have to do it.

08:28Will it the same thought process for newcomers also or the talented people?

08:32Because H1J is talented, it is not a producer.

08:35Is that thought process for newcomers?

08:37I'm going to launch the next picture.

08:42In this picture, we collaborated with TBF and Bombay Company.

08:47Most of the other people were new.

08:51I think it's very important.

08:53I think it's very important.

08:55I think it's very important to do newcomers.

08:59We are launching next.

09:01When you say talented, do you think we are not talented?

09:04You are talented, you are not taking the talent.

09:06The newcomers.

09:08I think it's very important.

09:09The first picture of Rohit Maudie is a good idea.

09:13And the other people are also a good idea.

09:16And the other people are also a good idea.

09:18So, we have all the chance to make a lot of cinema.

09:20We have no easiest approach for our most.

09:24We have more production, more different producers.

09:28There are other directors, there are other actors.

09:30You are not talented.

09:31You are not talented.

09:33You are not talented.

09:34It's very non-actual.

09:36Even U.I. is also a newcomer.

09:38Okay, but he comes from a legacy family.

09:40He is a new-comer.

09:42He is a new-comer.

09:44He is not a newcomer.

09:45You are not talented.

09:46You are not talented.

09:47No, he's got the privilege.

09:48That's what's my next question.

09:49He's privileged.

09:50Yeah.

09:51But new talent, so...

09:52Privileged, he has to prove Allah.

09:55He's done his hard work.

09:57He cannot simply...

09:59But he has your backup.

10:02Three big production of this backup is not an easy thing for you.

10:08Yeah, he's lucky.

10:09We are lucky to get him.

10:10He's lucky.

10:11The entire team...

10:12As a newcomer, we want him to get lucky to have three production of this.

10:15Yes, I have already...

10:17You are the one who made PRK and KRG first.

10:21Rishi Hosop.

10:22He has his job.

10:23He won the camera.

10:24In this case, my boss barely told me the camera.

10:27He didn't have a camera.

10:29But, who made PRK or KRG once more,

10:33He also has a newcomer.

10:35Here, he is a newcomer.

10:37Oh, he's doing the cinema films and KRG.

10:40He doesn't distribute the cinema.

10:41He doesn't have to work.

10:43let's talk about the future. Why are we talking about the backstory?

11:09But if you don't like it, I guarantee newcomers will have an opportunity to come.

11:16See, Ampada is a newcomer, second film.

11:18Sanjana, third or fourth?

11:20Yeah, fourth or fifth.

11:22So, newcomer, how are you?

11:24No, you don't like it.

11:26It's a happy news.

11:28Okay.

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