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00:00You
00:30Yeah
00:58Maybe you should get out of here.
00:59I know, just wrapping up. Sorry, I love the work.
01:04Sorry, I love the work.
01:06I love the work.
01:08I love the work.
01:10I love the work.
01:12I love the work.
01:14I love the work.
01:16I love the work.
01:18I love the work.
01:20I love the work.
01:22I love the work.
01:24I love the work.
01:28I love the work.
01:30I love the work.
01:32I love the work.
01:34Help!
01:37Help!
01:42God damn it!
01:47Oh, my God.
01:59Is she okay?
02:00Hey!
02:04Helly.
02:06Mark, get in the elevator.
02:07Helly!
02:08Helly!
02:09Get in the elevator!
02:18Is she okay?
02:30Oh, my God.
02:35Judd?
02:36Mr. Scott, you have a good evening.
02:37Will do.
02:38Same to you.
02:39Shoot me?
02:40He's okay.
02:41I'm home.
02:42Do you have anyior?
02:43There he is.
02:44Yes.
02:45Yes, he's okay.
02:46Here he is.
02:47Hey, Mark.
02:48You are right.
02:49I'm not here.
02:50Right?
02:51I want to go.
02:52You're right.
02:53You're wrong.
02:54You're right.
02:55No, I'm sorry.
02:56Oh, my God.
02:57I'm sorry.
02:58Yeah, okay.
02:59Good.
03:00You are right.
03:02Now, wait till you do something together.
03:03Look, this is okay.
03:04It is okay.
05:08Okay, so you're letting her go?
05:11Hellez Audi has no intention of resign.
05:14But she almost died.
05:15I mean, she doesn't want to be here.
05:15And she will be back at her desk in a few days.
05:19Is that enough time?
05:19This happened on your watch, Marques.
05:29And you can thank Keir himself it went the way it did.
05:34Have a productive day.
05:45What is it to fail?
05:57What is it to fail?
06:11My failure to break into the literary world in my 20s was devastating, yet it taught me a vital lesson, that it was not me who was wrong, but literature itself.
06:24And that to truly find my place in that world, I would first need to break it entirely.
06:31And so I did.
06:33A society with festering workers cannot flourish, just as a man with rotting toes cannot skip.
06:40What separates man from machine is that machines cannot think for themselves.
06:46Also, they are made of metal, whereas man is made of skin.
06:53If you are a soldier, do not fight for my freedom.
06:57Fight for the freedom of the soldier fighting next to you.
07:01This will make the war more inspiring for you both.
07:05A good person will follow the rules.
07:08A great person will follow himself.
07:11Bullies are nothing but bull and lies.
07:15And lies at the center of industry is dust.
07:20They cannot crucify you if your hand is in a fist.
07:27Should you find yourself contorting to fit a system, dear reader, stop and ask if it's truly you that must change, or the system.
07:39And?
07:42Ran the diagnostics.
07:44And?
07:46Full synaptic coupling. Peter Kilmer's memory was reintegrated.
07:51You were right, Harmony.
07:53We should celebrate.
07:55We should celebrate.
08:02I figure you'll take a beat before telling the board, especially after what happened with L.A.R.
08:06Jesus, you haven't told them.
08:15Comm the chip data for source signatures.
08:18It's saved, so you can keep it.
08:23A gift.
08:24Please find out who did this.
08:28I'd like to deliver everything to the board at once.
08:41Oh, shit.
08:42All right, Mark, it's Rickon.
08:44Listen, I know you're still in, um, severed Mark form, but, uh, Devin's at four centimeters, so this baby is officially coming.
08:52Uh, we're headed to the birthing retreat now, so please come.
08:55Mark, Rickon again.
08:57We're at the retreat, and the child is continuing toward the birth canal, so it would be really great if you were here.
09:02I don't know if they let you have your phone down there.
09:07Oh, actually, if this is Mark's work self, please tell him Rickon said to come quickly.
09:13Mark, we're still here, wondering if you're lost.
09:16We are in cabin six, which is through the gate, and at the end of the row, it's, um, one of the more affordably sized units, but you should be able to find it.
09:25Please do come soon.
09:32Oh, hey.
09:37Hey.
09:40Did you forget that I was gonna be here?
09:45Slightly?
09:49Look, I'm, uh, sorry about the other night.
09:53Yeah, no, it's fine.
09:56Yeah.
09:59She's doing great.
10:00Yeah?
10:01The contractions are about 20 minutes apart, so I still have some time.
10:07Rickon is doing this thing where he cries over her.
10:11So I'm, uh, I'm giving them some privacy.
10:19Sounds good.
10:24Hey, thank you for, uh, you know, taking care of her.
10:27Yeah, of course.
10:28Babe, I just don't wanna be like my father.
10:42I know, baby.
10:44I think it's good you're getting it out now.
10:45It's okay.
10:49Hey, I'm looking for a baby camp.
10:51Oof.
10:53The uncle-to-be.
10:54Welcome, Mark.
10:56Hey, I'm so glad you're here.
10:57I didn't know if they were gonna wake you up from work or whatever.
11:00Oh, no, I just saw the message when I got off.
11:02I'm sorry.
11:03It's been pretty boring so far.
11:05All right.
11:06Well, uh, glad to be here.
11:08Cozy nook.
11:09Wow.
11:10Dude, did you see the one next door?
11:11Yeah.
11:12It's, like, psychotically expensive.
11:14It's like a frickin' lodge.
11:15I hate whoever's in there.
11:17It's just fat cats making fat kittens.
11:20Ew.
11:21Oh.
11:22Oh, shit.
11:23It's contraction.
11:24Fuck.
11:25Mark, say a secret, quickly.
11:27He doesn't have to, babe.
11:29What?
11:30The fetus is drawn to clear air.
11:32Purging secrets can create a soul void that speeds the labor.
11:35Okay, and we want that.
11:37Oh, we do.
11:38Babe, maybe not right now.
11:39It's fine, I'll start.
11:42Mark, I love you and I feel hurt that you haven't called me to thank me for the book yet.
11:48There, good.
11:49The book?
11:50We left a copy of his new book on your doorstep.
11:53Five days ago.
11:54Five full days.
11:55Okay, well, I definitely haven't seen that.
11:58I mean, it must have been stolen or something.
12:00What?
12:01That was an advanced copy.
12:03Oh, my God.
12:04Oh, my God.
12:05Oh, my God.
12:08Are you okay?
12:09Oh, my God.
12:10I'm okay.
12:11It's fine, it's all fine.
12:16Okay, okay, I'm okay.
12:18You okay?
12:19Okay.
12:22I'm good.
12:23Yeah?
12:24Yeah, I'm gonna go get coffee.
12:26Really?
12:27Yeah, I think.
12:28I'm gonna get coffee.
12:29You sure?
12:30Uh-oh.
12:32Thanks, bud.
12:33All right.
12:34Yeah.
12:35I'll be back.
12:36Okay, be careful.
12:45Well, this is good.
12:46We can finish setting up the room.
12:47Um...
12:48Oh.
12:53Mark, would you help me hang the kelp?
12:56Hang the kelp?
12:57Why?
12:59Do you really want me to explain it?
13:01Uh...
13:02Hi.
13:22Hi, excuse me?
13:24Sir?
13:26Sir...
13:30Hey!
13:32What the fuck, man?
13:34Oh, my God.
13:36Hi, I'm so sorry.
13:38I'm another pregnant lady.
13:39I'm from over there.
13:40I just came out on a coffee run,
13:42and I got distracted by your beautiful coffee,
13:45and I was wondering if there's any chance
13:47you could hook me up.
13:50Uh...
13:51Okay.
13:52Yeah.
13:53Yes.
13:59Hi.
14:00Thank you so much.
14:01Squeeze right back to you.
14:08Oh!
14:09I'm Devin.
14:11Gabby.
14:12Thank you for the narcotics.
14:15My husband is driving me fucking crazy.
14:18My brother's...
14:20depressing me.
14:24Is it your first?
14:26Yeah.
14:27Yours?
14:28My third.
14:30I'm naming him William.
14:32Three kiddos.
14:33I'm so fucking scared of ruining one child.
14:36How do you handle it?
14:39A lot of help, I guess.
14:41Yeah.
14:42Holy shit, by the way,
14:43about this cabin.
14:44So nice.
14:46Hey, Rich.
14:47ズ Miami.
14:48You underestimate her.
14:54Because really,
14:56if the thief reads the book,
14:58it will have been worth it.
15:00In fact,
15:01I bet you he turns himself in afterward.
15:05Listen...
15:07I know the last time you were in a medical facility
15:09was for Gemma.
15:10Oh, is that what this is?
15:12Uh, medical facility?
15:15Of course, the baby's middle name
15:17could have been so lovely a tribute to her,
15:19but I understand you were unable to be comfortable with it.
15:24Your kid deserves her own name without some...
15:29big, feely baggage.
15:40Psst.
15:55I got coffee.
15:58Toll, please.
16:00Ooh.
16:02I made friends with the richest lady in baby camp.
16:06She was quiet, but she was nice.
16:10Very cute.
16:12She'd send you up there.
16:14I'd imagine she's spoken for.
16:18I bet Alexa would give you another shot.
16:23I bet she wouldn't.
16:25I bet you could ask her.
16:27Okay.
16:29Uh.
16:30You okay?
16:31Oh.
16:32You want me to go get her?
16:33No, no, no.
16:34Hold on.
16:35Can I squeeze your hand?
16:36Yeah.
16:37There we go.
16:38Ooh.
16:39All right.
16:43Need me to tell a secret?
16:44Yeah, go ahead.
16:46Give me your dark shit.
16:47Well, so, uh...
16:53Um...
16:54I kind of think Lumen might be up to something.
17:04What do you mean?
17:06Like, with your paychecks?
17:08No, I've just been...
17:11hearing stuff.
17:12Just around.
17:13Who have you been talking to?
17:15So...
17:16Um...
17:17What?
17:18Do you remember the businessman?
17:22Oh!
17:23Holy fucking pit of hell, I...
17:24Okay.
17:25Charlie, you okay?
17:26Why do people do that?
17:27I'll go get Alexa.
17:28Wait.
17:29Don't touch me, baby.
17:30Okay.
17:31Ah!
17:32One more big bullet.
17:33She's right here.
17:34She's right here.
17:35She's so crazy.
17:36It hurts her.
17:37I know it hurts a lot.
17:39She looks like you .
17:40OK, don't touch me.
17:53All right, now.
17:55Ah!
17:56Hey, we're too far right now.
17:58Oh, my gosh.
17:59Ah!
18:00Oh, my gosh.
18:02Ah!
18:03Ah!
18:04Ah!
18:05Ah!
18:06Ah!
18:07Ah!
18:08Oh!
18:09Oh!
18:10Oh!
18:11Oh!
18:12Oh!
18:13Oh!
18:14Oh!
18:15Oh!
18:16Oh!
18:17Oh!
18:18Oh!
18:19Oh!
18:20Oh!
18:21Oh!
18:22Oh!
18:23Oh!
18:24Oh, oh!
18:25Oh!
18:26Oh, my God!
18:27Oh, my God!
18:28Oh, my God!
18:29Oh, my God!
18:30Oh, my God!
18:31Oh, my God!
18:32Oh, my God!
18:33Oh, my God!
18:34Oh, my God!
18:35Oh, my God!
18:36Oh, my God!
18:37She was in Audi form at the time she woke up.
18:40So this will be Annie Helle's first conscious experience since the hanging.
18:46When she sees you, it's important your eyes be kind.
18:53Do you know how to make your eyes kind?
18:54Oh, my God!
18:55Do you know how to make your eyes kind?
18:57Oh, my God!
19:01Um.
19:04He and I am the way because it's fine.
19:06Oh, my God!
19:39You're okay. You're okay. It's all right.
19:58So they locked away the extension cords and other dangerous items. So, you know, you should be safe.
20:09And if you want to focus on looking for happy numbers for a while, that's fine.
20:16Do you want to talk about it?
20:31We should hide inspirational handbook quotes around the office
20:50for her to stumble upon.
20:54She just needs to start earning perks, dude.
20:56I'd end my life if I didn't have any finger traps yet.
20:59You know, what one of us should do is lend her our trap until she has one of her own.
21:05Do it not me, though, because I already contributed the idea.
21:08It's only fair.
21:08Miss Casey.
21:13I'm here to observe Heliar.
21:16Oh. No one told me.
21:19Miss Cobell's orders.
21:21I'm to watch her for signs of sadness
21:23and verbally encourage her to forego further suicide attempts.
21:28Upon request, I can also perform a hug.
21:30You know, I've been, uh, exhibiting signs of sadness.
21:34Could I get one of those?
21:35No.
21:35No.
22:00Did you get all that?
22:08Are you upset?
22:11No.
22:12I'm...
22:13peachy.
22:17If you're upset, you can request a hug.
22:19A hug.
22:20I know.
22:22I'm good.
22:30I know.
22:57I know.
22:58Irv?
23:20We lose you again there, buddy?
23:26Irv?
23:28I have to go to O&D.
23:31Something's come up.
23:35And I'd like to seek Bert's counsel.
23:43Okay, fine. Just make a copy of that map in case we have to come find you.
23:58Oh, God.
24:00Oh, God.
24:01Oh, God.
24:02Oh, God.
24:12Oh, God.
24:13I'm sorry, Irving. We must have sent this print job here by mistake. You weren't supposed to see this.
24:28What are these?
24:30Nothing. A joke for Miss Cobell.
24:32It's the O&D coup, isn't it? The one that Dylan talks about, huh?
24:34Did that actually happen, Mr. Milchick?
24:35Of course not.
24:37Nothing like that could happen here.
24:39It's proof. It is ironclad proof.
24:40Milchick says it didn't happen. And why would one department physically attack another?
24:54Newman wouldn't just then give them all the other department's resources.
24:57Does O&D know that? Are we even sure about it? Because with seven people, there is a lot that they could do to us.
25:00I could ask.
25:01Your new friend who lied to you about the size of his department? How do we know what else he isn't being kosher about?
25:10I could ask.
25:11Your new friend who lied to you about the size of his department? How do we know what else he isn't being kosher about?
25:16You ran a 266 on Irving B?
25:43Yeah.
25:45Just now.
25:47Huh.
25:48I thought it might dissuade him from spending so much time with Bert G.
25:54I'm sorry, should I have consulted you?
26:01No, no. Good initiative.
26:06I saw Miss Casey down there.
26:11You're having her watch L.E.R.
26:15I am.
26:18May I ask why?
26:20The light of discovery shines truer upon a virgin meadow than a beaten path.
26:26I'm trying something new with Miss Casey.
26:36Keep it between us.
26:41Keep it between us.
26:47Right.
26:48I'm...
26:58I'm...
26:59I'm...
27:00I'm...
27:01I...
27:03I'm...
27:34Hellyar.
27:39Hi, Miss Casey.
27:42Please describe for me your time in the restroom.
27:45Oh, no.
27:47I'm so sorry, Miss Casey.
27:50I just, I, I, I turned and...
27:52I bet you're drunk.
27:54What'd your mouth taste like when you got in today?
27:57Hellyar, you have to come with me to distribution supply.
28:00That's okay.
28:01I can watch Hellyar while you're gone.
28:03It's only a few minutes, right?
28:05Distribution supply is eight minutes.
28:08Round trip.
28:20You know, I go to distribution supply all the time,
28:23so I could, uh, if you...
28:25Well, that's one less horrible thing.
28:31For eight minutes, anyway.
28:35Helly, I just realized I haven't shown you where we keep the extra pen caps.
28:40It's not far.
28:41Do you mind?
28:43I'm good.
28:44Thanks.
28:46No, you're right.
28:47I shouldn't go anywhere without Miss Casey.
28:58Careful out there, boss.
29:00Weird energy about.
29:02He's an old man.
29:13He's a little part of it.
29:16Ain't no way.
29:23Yeah.
29:24So, where are all these pen caps at?
29:35How are you doing, Helene?
29:38Did you make up the pen caps to ask me that?
29:40I just wanted to talk.
29:44I'm really bad, Mark.
29:47Thanks for noticing.
29:51Come here.
29:54Come on.
30:14Here.
30:18Petey's map.
30:20Yeah, since you've been gone, I've been trying to recreate it on my lunch breaks.
30:24I thought maybe if we work on it together, we can, yeah.
30:33I'm not your new Petey.
30:34Helly.
30:47Helly.
30:51Helly, R?
30:54Mark took her to look at pen caps.
30:56Where?
30:58Now.
30:58They're fine.
30:59Just at the end of the storage wing.
31:08Bert G's in the conference room.
31:09What are you doing here?
31:26Bert?
31:29Harvey.
31:29What are you doing here?
31:34Well, you know, I was turned around.
31:40Actually, I was looking for you.
31:44I hadn't heard from you.
31:51Well, I, let me...
31:52Ah!
31:53Dillian, oh my God!
31:54What are you doing?
31:56He was coming at you.
31:57Let him out.
31:57Let him out.
31:58Let him out.
31:59What the fuck is he here?
31:59What is wrong?
32:00You saw that painting?
32:01You want to get disemboweled today?
32:03Hey, where's your friends?
32:04Plural.
32:05As in the six fucking people you've been hiding from us.
32:07Oh my word.
32:08I...
32:08I...
32:09I need a manager.
32:11Irving, wait.
32:12Don't go.
32:12What?
32:13I know what you're up to.
32:14What is wrong with you?
32:15Manager!
32:16Open the door.
32:17Open the door.
32:18We need a manager.
32:20Irving!
32:20We need a manager.
32:21Irving!
32:22Irving!
32:24Kelly?
32:25Kelly?
32:32Kelly?
32:35Kelly?
32:39Where the fuck are we?
32:43Look, don't you want to at least...
32:46I told her I wanted out and she told me I wasn't a person.
32:49My own self told me that.
32:51Yeah, and that's horrible,
32:53but don't focus on her.
32:56What do you want?
32:58In here.
33:01What I want
33:02is for her to wake up while the life drains out of her
33:06and to know it was me who did it.
33:07If I could just explain...
33:20Save it, Marauder.
33:21I checked the whole storage wing.
33:23No sign of him or Heli.
33:24Shit, O&D's probably killed them already.
33:26Irving, what?
33:27Oh, our department chief and new hire have gone missing.
33:32Do you know where they are?
33:33No, I just came to see you.
33:35And the rest of your department?
33:37They're back in O&D, Irving.
33:38I know, I said it was just police here.
33:40If you came here to see me,
33:41then why are you in the conference room?
33:43Why not come right to the office?
33:45I didn't know why you hadn't been back
33:47and I didn't want to scare you again,
33:49like with the hand thing.
33:50You didn't scare me or embarrass you.
33:53Look, I was working out a joke.
33:56A joke?
33:56The same when I got in.
33:58Prove it.
33:58Tell it.
33:59I hadn't worked it out yet.
34:04Why did you lie
34:06about the number of people in your department?
34:12Because...
34:13We don't trust you guys.
34:16You, the king of fucks, don't trust us?
34:18I do.
34:18But people just talk about MDR,
34:21stupid old stories, jokes even.
34:24What do you mean?
34:25I...
34:26It's literally silly.
34:29Like they say, you all have pouches.
34:33Pouches?
34:33Like to carry young?
34:35Yes, according to some.
34:37You each have a larval offspring
34:39that will jump out and attack
34:41if we get too close.
34:43That's fucking psycho.
34:44I mean, it's a joke, of course,
34:46but I don't know.
34:47The sentiment, you know, somehow holds.
34:49People are weird.
34:50Though I'd be remiss not to say
34:53that in this theory,
34:55the larva eventually eats
34:57and replaces you.
35:00Oh.
35:00Which Irving would solve the mystery
35:03of your youthful energy.
35:06Irving.
35:07Irving.
35:08Irving.
35:14Irving.
35:16Irving.
35:17Where are you going?
35:19Yes.
35:20Are you sweet on this guy?
35:24You disapprove?
35:25I do.
35:27I do.
35:27I do disapprove.
35:29Certainly, the handbook forbids
35:30taking heart to other employees.
35:32Rat, fuck the handbook.
35:33This guy's owing goddamn D
35:35who are duplicitous snakes to a one.
35:37It's not safe.
35:38Oh.
35:59Oh.
36:00Oh.
36:03Oh.
36:03Oh.
36:03Oh.
36:04Oh.
36:06They're not ready.
36:33You can't take them yet, they're not ready.
36:40It is in time.
36:41Get the hell out of here.
36:47Go!
36:50The grim barbarity of optics and design, that's what it said.
37:01There's definitely no painting by that name.
37:04What kind of barbarities were we enacting?
37:06It doesn't matter.
37:07I don't think it was real.
37:08I mean, I'll have to confer with my lava, of course.
37:13I'm sorry you had to do this.
37:20It's all right.
37:22I mean, you know that relationships beyond the platonic are frowned upon anyway.
37:32Is that where we are?
37:39Well, Bert G, at this time I formally release you from MDR's supervision.
37:47As Keir said, be ever merry.
37:51Would you like to come in?
37:58There is something in the storeroom I'd like to show you.
38:04And Dylan, of course.
38:10The courtship of Keir and Emogen.
38:14He met his wife while a steel man, in an ether factory.
38:20Damn dumb being here.
38:23She was a swat girl.
38:25My handbook just says they were bonded by the spirit of industry.
38:30I know, but if this interpretation is correct...
38:33They met as colleagues.
38:36Took heart to each other as colleagues.
38:38Hmm.
38:47Makes you wonder...
38:49How something could be wrong if Keir...
38:51Get away from him!
38:52Dylan, what?
38:53You lying fuck!
38:54Dylan!
38:55He claims he doesn't know about this painting, meanwhile it's sitting right there on his shelf.
38:58That isn't.
38:59Irv, we need to go now.
39:02It's not the same.
39:03What?
39:04Look.
39:05Look at the badges the Raiders are wearing.
39:08That's not O and D, Dylan.
39:11It's us.
39:13This one's never gone into the hallway rotation.
39:16It's called the Macro Data Refinement Calamity.
39:19Okay, but we've never done anything like that.
39:21Why the hell would there be two versions of the same painting?
39:29I mean, what if the goats are the numbers?
39:30Like, we're deciding which goats live and which ones...
39:31Oh, God.
39:32I doubt it's that.
39:33Look, um...
39:34I know you don't want to be here.
39:35But...
39:36I'm glad you are.
39:37And I'm sorry that this is the best I can do right now.
39:39If you give me the map, I'll clean it up.
39:40If you give me the map, I'll clean it up.
39:41If you give me the map, I'll clean it up.
39:47If you're drawing is shit.
39:48Oh, hi.
39:49Uh, Miss Casey.
39:50Oh, hi.
39:51Uh, Miss Casey.
39:52Oh, hi.
39:53Uh, Miss Casey.
39:54Oh, hi.
39:55Uh, Miss Casey.
39:56I know you don't want to be here.
39:57I know you don't want to be here.
39:58But...
39:59I'm glad you are.
40:00And...
40:01I'm sorry that this is the best I can do right now.
40:04If you give me the map, I'll clean it up.
40:07Your drawing is shit.
40:12Oh, hi.
40:16Uh, Miss Casey.
40:17We were just heading back from our mental health walk.
40:20You're both unhurt.
40:23We...
40:24We are.
40:25I'm glad.
40:27I was... scared.
40:30I'm sorry.
40:32I forgive you.
40:35Okay, then.
40:46You're aware what MDR is up to right now?
41:01I thought that's what you were paid for.
41:04You're not stopping it.
41:07The shortest way to tame a prisoner is to let him believe he's free.
41:11There's a cure quote for everything.
41:13How many more departments are you gonna let them find?
41:15I'll have a word with Mark.
41:17I would be careful.
41:19Upstairs wouldn't look kindly on this.
41:21Yes, Daddy.
41:27You can talk to me when you figure out who hacked Kilmer's chip.
41:32Excuse me, everyone.
41:44I want to introduce you all to Irving and Dylan.
41:49They're from MDR.
41:53They're friends.
42:23They're friends.
42:24And where will find your home town?
42:25They're friends.
42:26I'll be in a house.
42:27They're friends.
42:28The home of MDR.
42:29Their home is a transportation disability.
42:30They'reちょっと who wants help from it.
42:31There's a house to American powerhouse to protect them.
42:32They're двух ondeers, in a house to attire.
42:33You know, house to eat places.
42:34They'd be peaceful.
42:35Or with oscar wale.
42:36But a water to go with more than a place.
42:38They would encourage people
42:45Whoigt pointed towards you with a star?
42:48They'd be standing at knowing in front of you.
42:51This car.