- 2 days ago
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00:00All I can be is sorry, and that is how I am.
00:30I'm afraid you still don't mean it.
00:55I'm afraid you still don't mean it.
01:08I'm afraid you still don't mean it.
01:15I'm afraid you still don't mean it.
01:20We'll try again in the morning.
01:27I'm afraid you still don't mean it.
01:34I'm afraid you still don't mean it.
01:40I'm afraid you still don't mean it.
01:46See you tomorrow, Heli.
02:07Fuck me.
02:14I read it 300 times yesterday.
02:20259.
02:21Again please, Niall.
02:27What the hell is that voice?
02:41Forgive me for the harm I have caused this world.
03:00None may atone for my actions but me.
03:06And only in peace till their state live on.
03:13And only in peace till their state live on.
03:28I really am sorry, okay?
03:35I'm sorry.
03:38No paraphrasing.
03:40Again.
03:41Again.
04:11I have seen my patience.
04:23But I know without group спасибо.
04:28I wonder how much's my life is?
06:36Yep.
06:36It's past 1100, and Heli's been in the break room since yesterday.
06:41Okay.
06:41I wonder if, as department chief, you feel you should check on her progress?
06:46Mark doesn't have that power.
06:48Well, he can ask.
06:49He's not going to.
06:49He might.
06:50Okay.
06:51Hi.
06:51Hi.
06:55I'm so sorry to interrupt.
06:58We met the other day on Bert from Optics and Design.
07:02Hi, Irving.
07:03Hi, Bert.
07:04What are you doing here?
07:05This is exactly how the wet fuck?
07:07Do you know where this office is?
07:08My predecessor, Alice Kay, came here once when they still did the summits and she left erections.
07:14Give us them reversed.
07:15Okay.
07:15It's all right.
07:16What can we do for you, Bert?
07:18Well, Irving, I kept thinking about what you said about being excited for the new handbook totes, and maybe you were kidding or teasing.
07:27No, not at all.
07:29Okay, good.
07:30I've been fretting, though, because you mentioned the anticipation could distract from your work, which was the opposite of my intent.
07:38So I figured, heck, let's bring them over now.
07:41That way, it won't be on your mind.
07:43You brought pre-release handbook totes for us.
07:48Seemed like the right thing.
07:50I know your time is valuable.
07:51Okay, well, you can drop them on the desk.
07:53Long hike back to O&D.
07:55Right.
07:56I also wanted to extend an invitation.
07:59Again, I know you work hard, so if an informal tour of O&D ever sounds refreshing, I'd be happy to personally offer that to Irving and any one of you.
08:11Directions are in the front bag reversed.
08:14Hard pass.
08:18Okay.
08:21Thank you, Bert.
08:26Just seems soon to be taking him up on his offer.
08:35It's absurd.
08:36We've never visited them before now.
08:39Kia's whole original vision saw us all working together.
08:43That was before O&D started disemboweling people's bowels.
08:47Nonsense.
08:47I'll be backed by one.
08:50He's going to die.
08:53Irving.
08:54How many times?
09:041,072.
09:09Okay.
09:40What about the voice behind the door?
09:42Crying baby, you mean?
09:44No.
09:46Like the angry, mumbly guy.
09:47Guys, really not supposed to talk about the break room.
09:52You know, the important thing is, you apologize correctly, now you're out.
09:57What you gotta do is trick the machine by thinking about something you're really sorry about.
10:01So, I like to imagine my Audi's love made with a mil for two, which is obviously badass, but I do pity the husbands.
10:10Hey.
10:32Break room sucks.
10:33But that's why we have protocols and procedures, so we don't end up there.
10:39You'll learn.
10:40I promise.
10:40Hello?
10:56Who's that?
10:58Oh, hi.
11:00It's Irving B. from Macro Data Refinement.
11:03We met in the hall the other day.
11:05Burt's over there by shelf six.
11:12Don't touch anything.
11:16The big envelopes can handle an appendix reissue, but, of course, we ship all the hallway pieces in frame.
11:26So much to remember.
11:31Felicia and I make do.
11:34I'm sure it's easier than what you MDR kids get up to all day.
11:39I can only imagine what it's like when the new art comes in.
11:43I mean, you'll see it before anyone.
11:46It's so dumb.
11:47But I actually cried when you guys put up the youthful convalescence of Kier.
11:54No.
11:55I did.
11:55I never thought I'd see the handbook passage depicted visually.
11:59It was only up for a month or so.
12:03But, man, what a month.
12:05Come here.
12:14Once the hall art's been cycled through all the departments, it ends up back here.
12:21Wow.
12:25Where did Felicia go?
12:27Supply run.
12:32Voila.
12:33Voila.
12:35Let not weakness live in your veins.
12:42Cherished workers drown it inside you.
12:45Rise up from your deathbed and sally forth.
12:49More perfect for the struggle.
12:54Exactly.
12:57I can't believe you.
13:00You have this.
13:01I'm sorry.
13:18What time is it?
13:20I have to go.
13:21I have to go.
13:21I got to four percent.
13:42Yes.
13:43Feels good, right?
13:46I guess.
13:46Awesome.
13:47I'm glad you agree.
13:52Great work.
13:52I'm glad you can read out.
13:59I have to go.
13:59I have to go.
13:59I have to go.
14:02I love it.
14:03Good bye.
14:04My heart has gone.
14:13Do me?
15:16What's this?
15:27Will you put that away?
15:30What do I?
15:32It's a map of the hallways.
15:33No, it isn't.
15:34I thought we weren't supposed to make maps.
15:37We're not. I didn't. It's just something I found. I think Petey made it.
15:41Oh, shit. You didn't turn it in?
15:44You're such a hypocrite lecturing me on following the rules.
15:47I wasn't lecturing you. I'm just trying to keep you out of the break room.
15:50I can't believe Petey was a map, right? Let me see.
15:53He's got wellness, management, perpetuity, everywhere we know of. This must have taken him weeks.
16:00Why aren't we supposed to map the office?
16:02It's an Egan rule. Render not my creation a miniature.
16:05Why?
16:06What the fuck is this?
16:09They look like houses, right? That's how houses look.
16:11Yeah, exactly. Because these are random board doodles.
16:15Well, maybe they're on the outside and Petey found a way to get to them.
16:17So why would they be on a map of the severed floor?
16:20It could be a thing. You don't know.
16:22It's not a thing.
16:23Clearly he was trying to tell you something.
16:25Uh, no.
16:27Go like a boot, Mark.
16:29You're more loyal to this place than to your friend.
16:32I'm loyal to how it felt around here before you showed up.
16:36You mean when Petey was here?
16:38Yeah, because there was balance.
16:40We could have fun and work without the whole goddamn department imploding.
16:45Work is bullshit.
16:46The work is mysterious and important.
16:49And we deal with the uncertainty it brings us in the way that Kira would have wanted.
16:56Together.
16:57As a family.
17:00I could not, with a razor to my throat, be less interested in being your family.
17:12Your best friend left this for you, and you don't give a shit.
17:19You're right.
17:35I don't give a shit.
17:37Mark.
17:41There.
17:42It's gone.
17:43Thank you, Hellie.
17:44Now we can get back to work.
17:45Mark.
17:51Mark.
17:54It's an emergency.
17:58Okay.
17:59Uh, all right.
17:59I was going to get Mr. Milchuk, but I thought it best not to break the chain of command.
18:03It's just raining contraband today.
18:05What do you mean?
18:06It doesn't matter.
18:07Has anyone seen anything like this before?
18:09Passage 31, page 110.
18:12Be content in my words, and deli not in the scholastic pursuits of lesser men.
18:18No books except the handbook.
18:19I know.
18:22What are you doing?
18:23His ego's pissed because Hellie called him out for bootleg.
18:25My ego's fine.
18:26I'm just trying to...
18:28Damn.
18:30Mark.
18:30What is this?
18:32Maybe it's another Petey message.
18:33Flip through, see if my name's anywhere.
18:35I bet it's a loyalty test.
18:38Remember the spicy candy?
18:39I'll be turning this into Milchuk.
18:41What?
18:41Why?
18:42It's bootie.
18:43It's bootie with your name on it.
18:44Excellent decision, Mark.
18:45This is an idolatrous text that should be brought to him immediately.
18:48It's bootie with your name on it.
19:18It's nice.
19:18Bert's fostered a really welcoming environment.
19:21He understands the spirit of Lumen.
19:24Hellie?
19:28Excuse me, Hellie.
19:29Jesus, Hellie.
19:30I want a camera.
19:31I am so sorry, Miss Cobell.
19:33What is happening here?
19:35What's happening is you're going to give me a video camera
19:38so I can tape a resignation to my Audi right fucking now,
19:42or you're going to have to explain to her why she's missing four fingers.
19:45Okay, that's just...
19:49It's Cobell, right?
19:52Yes.
19:54Cobell, do I look like I'm fucking around right now?
19:58No, no, you do not.
20:02Ellie!
20:03Hi, Mark.
20:05I'm just catching up with your trainee.
20:08Mr. Milchak, could you get the video camera, please?
20:16Hey.
20:43Hey.
20:43Hey.
20:46You know what?
21:03Hey.
21:05Come on.
21:06Come on.
21:06Come on.
21:07Well, boss, I guess this is the part
21:19where I should tell you to go to hell.
21:22Except you're already here.
21:32I was never sorry.
21:37I was never sorry.
21:57Helly, I watched your video asking that I resign.
22:02I also received and responded to your previous request.
22:06I assume that would resolve the issue, but now Ms. Cobell says you threatened to cut off your fingers.
22:17I understand that you're unhappy with the life that you've been given.
22:23But you know what? Eventually we all have to accept reality.
22:28So, here it is.
22:33I am a person.
22:36You are not.
22:39I make the decisions.
22:43You do not.
22:45And if you ever do anything to my fingers, know that I will keep you alive long enough to horribly regret that.
22:55Your resignation request is denied.
22:59Turn it off.
23:00Welcome your child into a world surrounded by nature.
23:21Sure. No thanks.
23:24Uh, scroll down to explore our rustic birthing cabins.
23:30Uh, I don't know.
23:32It just, uh, looks more like a shitty ski resort than a birthing center to me, but...
23:38Okay, sure, fine. But it's gonna be awesome, and you're gonna like it.
23:42How much of this was Reagan's idea? 300% or 400%?
23:46Just get all of your snark out now, or you're never gonna earn your Uncle Badge.
23:50You know what? I think I might have some more snark in me. I'm kinda tired.
23:54Guy tomorrow?
23:55Guy tomorrow?
23:56Guy tomorrow?
23:57Guy tomorrow?
23:58Guy tomorrow?
23:59Guy tomorrow?
24:00Guy tomorrow?
24:01Guy tomorrow?
24:02Guy tomorrow?
24:03Guy tomorrow?
24:04Guy tomorrow?
24:05Guy tomorrow?
24:06Guy tomorrow?
24:07Guy tomorrow?
24:08Guy tomorrow?
24:09Guy tomorrow?
24:10Guy tomorrow?
24:11Guy tomorrow?
24:12Guy tomorrow?
24:13Guy tomorrow?
24:14Guy tomorrow?
24:15Guy tomorrow?
24:16Guy tomorrow?
24:17Guy tomorrow?
24:18Guy tomorrow?
24:19Guy tomorrow?
24:20Guy tomorrow?
24:21Guy tomorrow?
24:22Guy tomorrow?
24:23Guy tomorrow?
24:24Guy tomorrow?
24:56Have you heard from the board yet?
25:01No.
25:03Kilmer wasn't your fault, and it certainly wasn't mine.
25:06They'll understand.
25:12It wasn't your fault, Harmony.
25:17If you want a hug, go to hell and find your mother.
25:20Jesus.
25:21Since Petey reintegrated...
25:23The board's never acknowledged reintegration.
25:25We have to get his chip.
25:30His corpse is scheduled to be destroyed by cremation following his funeral on Sunday.
25:37FYI.
25:37Vision.
25:51Vision.
25:55Pro...
25:57Wit.
25:59Cheer.
26:02Humility.
26:04Benevolence.
26:07Nimbleness.
26:09Property.
26:12Wiles.
26:15Wiles.
26:30Wiles.
26:34Wiles.
26:34Wiles.
26:35Wiles.
26:39Wiles.
26:40Mark.
26:53Mrs. Selby?
26:54What are you doing, you...
26:56I...
26:57I...
26:58You know, the news report said that he worked at Lumen,
27:02so I thought maybe I knew him.
27:05What are you doing here?
27:06He used to come by my shop.
27:08He adored my hibiscus wrap.
27:10Oh, my God.
27:11Wow.
27:12That's a small world.
27:14Oh, poor, poor man.
27:16Well, on the upside, at least now we both have a date.
27:22Well, there he is.
27:24If you'd like to go in and pay your respects,
27:26I'll wait right here for you.
27:27Yeah, I think I might swing by the bathroom,
27:29but I'll see you in a sec.
27:32Service is starting soon.
27:33Yeah.
27:38Uh, whiskey rocks.
27:48Oh, it's just wine, sir.
27:50Right.
27:51Uh, red, please.
27:51I ain't ready for no family time.
28:07Nobody's gonna hurry me.
28:13Hello.
28:27Were you a friend?
28:31He was my dad.
28:33Oh, I'm so deeply sorry.
28:35I suppose you were close and everything, hmm?
28:56White, please.
28:57I'm sorry I don't know you.
29:06I'm Nina.
29:07Uh, uh, Mark Scott.
29:09I'm Peter's ex-wife.
29:13Oh, yeah, sure.
29:14Sorry.
29:20You're from Lumen.
29:21So you didn't even know him at all?
29:36Well, I just figured I'd know him.
29:38Hey, Mom.
29:38You want to start?
29:40Okay, baby.
29:42Hi.
29:42You're, uh, are you June?
29:46Yeah.
29:48It's nice to meet you.
29:49It's nice to meet you.
29:51So you knew my dad?
30:18Um, yeah.
30:26At work.
30:28Oh.
30:29You're one of those.
30:31Do you ever think that maybe the best way to deal with a fucked up situation in your life
30:35isn't to just shut your brain off half the time?
30:41I'm not exactly sure.
30:42I'm going to have you here.
30:48I'm going to perform something for you.
30:52I'm glad you're here, baby.
30:54I'm going to play a...
30:55I'm going to melt your face off.
30:57Rock, too.
30:57It's rock and roll.
30:59Rock showtime.
31:01Say your prayers, little one.
31:09Don't forget, my son.
31:11To include everyone.
31:14I tuck you in, warm within.
31:17Keep you free from sin.
31:18Till the sandman, he comes.
31:20We're off to never, neverland.
31:43Something's wrong.
31:53Shut the light.
31:54Heavy thoughts tonight.
31:56And they aren't of Snow White.
31:59Dreams of war.
32:00Dreams of liars.
32:01Dreams of dragons.
32:03Fire.
32:03And of things that will bite.
32:05I pray the Lord my soul to keep.
32:32I pray the Lord my soul to keep.
32:34And if I die before I wake.
32:36If I die before I wake.
32:38I pray the Lord my soul to take.
32:40I pray the Lord my soul to take.
32:42Hushly, baby, don't say a word.
32:46Never mind that noise you heard.
32:50It's just the monster under your bed.
32:54In your closet, in your head.
32:57I'm glad you're here.
33:00I pray the Lord my soul to keep.
33:01And if you're here.
33:03I pray the Lord my soul to keep.
33:05I pray the Lord my soul to keep.
33:07I pray the Lord my soul to never, neverland.
33:10We're off to never, neverland.
33:12Oh, no!
33:42Mark, sweetheart, are you all right?
33:55I'm so sorry.
33:56I think I have the cystitis under...
33:58This was a mistake.
33:59I had to go.
34:00Okay, well, let me go.
34:01Yeah, it's not necessary.
34:02No, it's not necessary.
34:04So was the funeral just too sad, or...?
34:12Uh, something like that, yeah.
34:14If you ever want to talk...
34:16Oh, no, thank you, I just...
34:19Fine.
34:21But thank you for, you know,
34:23being my funeral buddy today.
34:25Oh.
34:26Good night.
34:27Good night.
34:28Good night.
34:42Good night.
34:44Good night.
35:10I don't know.
35:40I don't know.
36:10I don't know.
36:40I don't know.
37:10That's Petey?
37:28That's Petey.
37:32How did you...
37:36Would you mind taking that up to diagnostics for me?
37:39Yes?
37:46You requested me, Miss Cobell?
37:54Miss Casey, I'd like you to run a special wellness session with Marges.
38:00Marges?
38:02What's the problem?
38:04He just needs it.
38:10Trust me.
38:12Here invites you to drink of his water.
38:28Irving.
38:29Felicia said you'd be here.
38:35Is it awful to say I don't care for that one?
38:39No.
38:40No.
38:41Honestly, it makes me nervous too.
38:46Such a lovely vista, but I keep thinking.
38:49He could slip.
38:51It was a thrill to have someone from MDR come see us.
38:58To take an interest like you did so.
39:01If I embarrassed myself.
39:02If I embarrassed myself.
39:04You didn't.
39:05Hmm?
39:06Unless you did.
39:08Are you embarrassed?
39:10No.
39:11Good.
39:12I have four more stops.
39:25Would MDR consider joining me?
39:30MDR would.
39:33You're crazy.
39:35I wish I could nap.
39:38I think I sleep fifteen hours a night up there.
39:41It's a character flaw.
39:42It just means you're a party guy, disco king.
39:44I can't be falling asleep, Bert.
39:47Who cares?
39:48The handbook cares.
39:49No workplace shall be repurposed for slumber.
39:53I know the handbook, old man.
39:55I'm more of a first-edition guy.
39:58Original word of Kier.
40:01And I shall whisper to ye, dutiful through the ages,
40:05in your noblest thoughts an epiphany shall be my voice.
40:09You are my mouth.
40:12And through ye, I will whisper on, when I am ten centuries demised.
40:18I don't understand.
40:23He doesn't just speak to us through the handbook of the paintings.
40:28He finds other ways.
40:33You think you need your job.
40:36But I've lived abroad as a vagrant, abstaining from my own money to rely on the charity of strangers.
40:45Most were beggars themselves, yet they were happy.
40:49And so for that summer was I.
40:53Your job needs you, not the other way around.
41:06Safe travels, no dealer.
41:09Thanks.
41:10Oh, indeed.
41:23Mark?
41:32I'm gonna go.
41:34Do it.
41:35I'm working up till the bell.
41:36I think I may still crush this thing tonight.
41:39I hope you do.
41:44See you soon.
41:53See you soon.
42:23I knew it.
42:48I knew it.
42:53Sometimes I ask people to sculpt how they feel out of clay.
42:59Would you like to do that?
43:06Alright.
43:23Destiny.
43:39An acrostic poem experienced by the author Rick and Hale.
43:44D is for dreaming.
44:09The start of it all.
44:11E is for energy.
44:18Breaking down walls.
44:22S is for stewardship.
44:26Of home and of earth.
44:29T is for terror.
44:35Which gives us more worth.
44:37I is for eyes.
44:40Which observe us with love.
44:44Until end, meaning newness.
44:47Rains down from above.
44:49And why?
44:50That's a question we needn't now ponder.
44:52For destiny, friends.
44:53Shall deliver all yonder.
44:54Hey.
44:55How are you?
44:56Good.
44:57Yeah?
44:58Seems like you're getting the hang of stuff here.
44:59Cool.
45:00Cool.
45:01Cool.
45:02Cool.
45:03Cool.
45:04Cool.
45:05Cool.
45:07Cool.
45:08Cool.
45:13Cool.
45:14Cool.
45:15Cool.
45:16Cool.
45:17Cool.
45:18Cool.
45:19Cool.
45:20Cool.
45:21Cool.
45:22Cool.
45:23Wow.
45:24Cool.
45:25Cool.
45:26It's good.
45:27Cool.
45:28You're the best to get you.
45:29Cool.
45:30Transcription by CastingWords
46:00CastingWords
46:30CastingWords
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