- 26/6/2025
Una de las películas más esperadas está por llegar a la pantalla grande, se trata de 'F1 la película', protagonizada por Brad Pitt. Conoce todos los detalles de la mano de Susana Moscatel, quien nos presenta las mejores entrevistas con el elenco.
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00:00Hola, gracias por estar aquí en M2, soy Susana Moscatel y tenemos para ustedes lo que les prometimos ya desde hace un ratito que tuvimos la visita pues de el elenco y director de F1, Fórmula 1, la película que ya pronto ya se verá en cines.
00:22Ahora, ¿qué tiene de especial esta película más allá de lo obvio? Brad Pitt, velocidad, emoción, estilo de Jerry Bruckheimer y dirección de Joseph Kosinski.
00:33Bueno, la verdad es que habla de muchas otras cosas, no solamente de quién cruza primero la meta y cuando entras en materia con el director y con el elenco, uno se da cuenta de que sí, hay películas de verano hechas para que la gente las vea en el cine,
00:47tiene la pantalla más grande y más espectacular posible y esta sin dudas es una de ellas, pero también te das cuenta que a veces detrás de las historias obvias se está contando algo más.
00:57Vamos con la entrevista que tuvimos con el también director de Top Gun Maverick, Joseph Kosinski.
01:05Dicen que Sony Gaze no es una figura del pasado, nunca lo fue.
01:11Si lo último que hago es manejar ese auto, elegiré esa vida, amigo, mil veces.
01:20Sorry, last night, it's amazing.
01:21Oh, good, good.
01:22Tell me something, for people who are really F1 fans, that we have millions, it's a great gift.
01:29But for those of us who like it but didn't know a lot of the things, how did you strike that balance?
01:33Because it's not an easy one to, at that speed, it's not an easy one.
01:36Yes, no, it's something we really worked hard on. We wanted this film to work for the Formula 1 diehard fans who know everything about the sport.
01:45But at the same time, we also wanted the movie to work for people who know nothing.
01:48So if you know nothing about Formula 1, this film teaches you everything you need to know to enjoy this story.
01:54You learn about tires, you learn about strategy, you learn about the undercut, you learn about all these things that make Formula 1 such a fascinating sport.
02:01So hopefully, you know, it works for everyone. And so far, just in, you know, some of the screenings we've done, we've seen that people who are not fans at all come out at the end, wanting to know more about Formula 1.
02:13Absolutely. Also, you went all over the world, and you decided to do this with real-life people, with real-life races.
02:19That was huge. I mean, did it make it much harder, or did it have to be that way?
02:25Both. It definitely was a huge challenge to travel to every race, because the amount of time we had to shoot was much more compressed than you would normally have on a movie.
02:35So rather than having all day to shoot a scene, you might have nine minutes.
02:39But you're on the grid before the race, you've got real drivers around you, real cars, the crowd's going crazy.
02:45And that energy, you feel it in the film. So it was a very challenging way to shoot, but I think you feel the energy of the races on the screen.
02:56You certainly do. I remember when I first saw the original Tron, and then yours, it did have a feeling. I mean, of course, there's some sort of race there.
03:04Is there anything you took from that and got here? Because I found the feeling very good.
03:10Oh, really? Yeah. I mean, every film for me, you learn something new, and Tron was my first film.
03:15Yeah.
03:16And just the amount of planning and storyboarding I had to do ahead of time, because that was a very digital film.
03:23I used the same method here. So there was a lot of pre-planning, a lot of storyboarding.
03:29I think we did 3,000, 4,000 storyboards for this film before we started shooting.
03:35So planning all of those races out, and then also knowing that because we were shooting a real race, unexpected things might happen.
03:42So being nimble enough to kind of take the reality of what happened and adapt to that.
03:48Is it like kind of the same kind of amount of work doing those storyboards and all the planning and changing tires in less than two and a half seconds?
03:56Well, it took a lot longer than two and a half seconds. I mean, we probably prepped this movie for a year, a year and a half.
04:02But shooting felt like a pit stop, you know, because we had to be so prepared, and then we'd have just a few minutes to grab a scene.
04:09So it was kind of like a filmmaking pit stop while we were making the movie.
04:13So how many fans did get into the scenes and maybe even ruin them?
04:16You know what? The fans, I can't even think of one scene where the fans ruined it.
04:21I mean, the energy they provided was incredible.
04:24And, you know, we just embraced the kind of energy of the race, the chaos that comes with it.
04:29So, yeah, no one ruined anything.
04:32That's cool. I enjoyed the chaos as well, how fast it all was.
04:37But I think one of the main things in the heart of this movie has to do with why do people do this?
04:41Why would people do this? So why, besides the reason it's clear in the movie, why do you think that is?
04:47And why do you do this? Because you do huge films with huge velocity in action.
04:52I make movies because I just, I love making things, you know.
04:55I've always been that way. And I have a passion for filmmaking.
04:59And what I found is in Formula One, almost whether it's a team principal, a driver, a mechanic, or an engineer,
05:05they all have a passion for the sport and the racing.
05:08That's why they're there. Because it is, it's very challenging.
05:11It's very difficult. It's very competitive, but everyone's there because they love it.
05:17And so it was really great to see that, you know, they approach their jobs like we do in the filmmaking side.
05:23So coming off from planes, hugely fast planes and going to cars, was that an adjustment in any sense?
05:30Yeah, definitely. I mean, cars, we had, everything had to become smaller and lighter
05:35because racing is all about making everything as light as possible so that you can be fast.
05:41So we had to take everything we learned on Top Gun and all the cameras we developed and everything had to be shrunken down and made smaller.
05:48So, and then the other thing was, I wanted to be able to control the movement of the camera.
05:52So in this film, you're going to see we're actually moving the camera during the races,
05:56which was a big engineering challenge that we were able to overcome.
06:00Just to finish, how many cameras for each race? Because there are...
06:04Many, many, many. I mean, you know, I had 15 different camera mounts on the cars.
06:09We had 25 cameras around the track. So yeah, sometimes we had 30 or 40 cameras running simultaneously.
06:14Thank you very much.
06:16Gracias al director. Y bueno, también el elenco, además de evidentemente Brad Pitt y Javier Bardem,
06:22está compuesto por jóvenes talentos como lo es Damson Idris y Kerry Condom.
06:28Damson Idris interpreta, pues ahora sí que la nueva generación que la está rompiendo en el deporte,
06:34pero pues no acaban de formar un equipo pues que logra lo que quieren, que básicamente pues es figurar en la Fórmula 1.
06:43Y entonces Javier Bardem llama, que es el dueño del equipo Javier Bardem, llama al personaje de Brad Pitt Sonny
06:50para que vuelva después de tantos años a la Fórmula 1. No les voy a decir más, lo demás lo tienen que ir averiguando ustedes.
06:57Pero también el personaje de Kerry aquí, que es una mecánica brillante, es muy interesante por cómo dibujaron a este personaje de una mujer en la Fórmula 1 y sus responsabilidades.
07:11Así que adelante.
07:11So this last night I dreamt of it. So if I dreamt of it while I was just seeing it, how were your dreams in the past?
07:19Great question.
07:20How fast were they?
07:21Oh wow, yeah. You know what, when I was shooting the movie, I could see the racetracks when I was sleeping.
07:26And I could see the turns and everything, yeah. Still today, sometimes I'm like, yeah, yeah, yeah, yeah, yeah.
07:32How about the wind? Do you see the wind differently?
07:35No. No, physics and maths and me are just, I'm not good at physics and maths.
07:42So that was acting, I'll be honest. But I guess I'm just sad the whole experience is over of filming it.
07:48It was so much fun. It really, really was.
07:51So I'm sure going all over the world and seeing the real fans and feeling that energy, and that's surely translated into the film.
07:58How did it translate when you were acting? How did you feel about it?
08:01It was just, it was a new experience. Every track we went to, we had some gaps in between filming too.
08:07So, you know, in between those gaps, you just couldn't wait to get back.
08:11And you'd be calling Joe and being like, what are you up to?
08:13And, you know, we'd go from Vegas to Abu Dhabi to Hungary to spa to England.
08:18It was just the greatest experience, really.
08:21There's also something I found fascinating, which is the generational battle between you and, obviously, Sonny or Brad.
08:30And I think that's something that we see everywhere, but especially in this kind of thing, in the races.
08:36I think there's a lot we can learn from it.
08:38Did you learn particularly something about the different generations doing the same thing?
08:43Yes, exactly what you just said.
08:44I think both parties could learn from each other in order to meet in the middle and accomplish something great.
08:50And I think that's what Joshua and Sonny do.
08:53They definitely underestimate each other in the beginning of the movie.
08:56And then as it goes on, they realize that they have a lot in common.
08:59And that's the beauty of the story, really, I think.
09:02And it's something a lot of people can relate to.
09:04Absolutely. I certainly do.
09:06And you're going to see it with the different reporters and the ages here.
09:08And I'm sure you've been seeing it.
09:10But also, I don't think any generation of women would be anything but excited to see what your character is.
09:16She's the first at something.
09:18She's amazing at it.
09:19She has a lot of grit with her.
09:22So tell us a little bit about that, please.
09:25Yeah, it was great to play a part in a movie where she's, like, very intelligent, but not, like, one-dimensional.
09:32There was a fun aspect to Kate.
09:33She was quite liked and she was a team player.
09:36So I tried to bring a lot of that.
09:38And then also, when she's with Sonny, I tried to play that maybe, you know, because she was so busy studying, so hard to get to F1,
09:45that maybe she hadn't had a lot of boyfriends and wasn't so experienced with men.
09:50Because I thought that was kind of maybe more human and more interesting than someone totally confident in every aspect of their life.
09:59But I think that's something that happens to every woman who decides to have a professional, intense career, right?
10:04Yeah, exactly, because it takes so much time, especially for me to want to get to that level.
10:08You've got to be studying and you've got to, you know, it's going to take decades, maybe not decades, but a long time to get there.
10:15So, yeah, I tried to bring it.
10:17And also, I think it's a little alienating in movies when you have the person who's very confident.
10:21I'm like, I don't know that many girls who are like that.
10:23So, I thought it would be more interesting and more people could relate to that.
10:27It's the earliest.
10:28We just have a few seconds left, but I do want to know the experience in Mexico.
10:33Did you get to do a lot of the things here?
10:35We know we saw some of it.
10:37It's a shame.
10:37I didn't, you didn't.
10:38No, Brad did.
10:40Yes, but one of the crew members kept, we went everywhere, but one of the crew members, Scott, was like, the best was Mexico City.
10:48I know.
10:48Yeah, and I was like, shut up, Scott.
10:50The one place we didn't go to was like, oh, Mexico City was the best.
10:54Yeah, so it was the only place we missed.
10:58Les cuento que con Javier Bardem tuvimos la oportunidad de platicar por teléfono.
11:02Busquen, por favor, esa entrevista publicada en Milenio.
11:06Fue un deleite.
11:08Pero vamos, vámonos con Brad Pitt, ¿no?
11:10Porque si ya vino hasta acá Brad, pues hay que, hay que reconocerle el esfuerzo.
11:15Lo hizo, lo sigue haciendo y esta película va a dar mucho más de lo que se imaginan de qué hablar.
11:21Yo la gocé profundamente y no creo que yo fuera el público oficialmente objetivo.
11:27Me encantó.
11:28F1, ya en cines, en unos días.
11:31Gracias, equipo.
11:31Soy Susana Moscatel.
11:32Nos vemos aquí, M2, Milenio Televisión.
11:35We'd have meetings with him, some 12-hour meetings, just as we'd develop the story, develop the script.
11:40And he would tell us his experiences and a lot of, a lot of him is in the film.
11:47He is so knowledgeable, even in the post portion of the film, putting the film together,
11:53he could tell you if we were in the wrong gear at turn six or that there's a reverb when you go down the straight.
12:00Make sure you add that.
12:00I mean, the race knowledge is incredible.
12:03Algunos miran a Sonny Hayes
12:09y ven a un tipo que vive en un remolque,
12:14a un adicto a las apuestas que perdió la oportunidad
12:17de ser el mejor de todos.
12:24Pero yo veo
12:25posibilidad.
12:33Hong Kong might not be a part of the film.
12:35Jo.
12:35Go Hong Kong might not be a part of the film.
12:37I was a tragedian Holdra people are without a family guess.
12:41I've got the transition here,евич Boswell power kepada them, they're developing titles of his books and really to be connected.
12:44But imagine people are really 500-pack, even if that wants to marry a bit, they're confident that...
12:45People enjoy thinking here.
12:46Thatột一点 here.
12:46Cambry one woman can never是 Teams forward to the situation, moving the nation.
12:48You know how it might not be a life, you see, change on和 Shake it together.
12:49Like a couple times you, one of them may come back to be a life, they're feeling what if it fell at once and i can't become college.
12:54What about what that counts there is for?
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