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  • ayer
Transcripción
00:00Don't cry in front of the Mexicans.
00:01Yes.
00:02There are several references to Mexico.
00:05The Grand Prix, Checo Perez,
00:08and also the place where
00:09Sonny dreams of retiring.
00:12So, while I was watching
00:14the movie yesterday, I remember
00:15that in Once Upon a Time in Hollywood,
00:17your character says,
00:19don't cry in front of the Mexicans.
00:21Yes.
00:22Put these on.
00:24Don't cry in front of the Mexicans.
00:26So, I gotta ask you,
00:27what's your relationship
00:28with Mexico?
00:30Have you ever wanted to cry
00:31in front of your Mexican family?
00:33Maybe later on the premiere
00:35because of the love?
00:36No, you know, my first,
00:37I moved to L.A.
00:39from the middle of America,
00:41from the country,
00:4238 years ago or something.
00:44I don't know.
00:45And it's very cross-pollination
00:46as far as the culture of L.A.
00:48and going down to Mexico.
00:49And there's a lot of road trips
00:50down to Mexico
00:51because that was just a nice,
00:53you know, quick getaway.
00:56No, that is a funny line.
00:57That's Quentin Tarantino.
00:59At his best.
01:01And, but no,
01:03race weekend here
01:03was just a high,
01:05just a complete high.
01:06It's an incredible track here.
01:08It's an incredible setup
01:09where everyone's sitting around
01:11in kind of a,
01:11kind of the Coliseum-like
01:13that the cars drive
01:15through the stands
01:15is a really unique setup.
01:18And, and...
01:19Crowd.
01:20Yeah, the crowd's like crazy high.
01:22Great fun.
01:23Yeah.
01:23Wait until this afternoon.
01:25The crowd is going to be crazy.
01:26Okay.
01:27I can't wait
01:28because the,
01:29you know,
01:29there's such a culture
01:30of F1 here.
01:31I can't wait.
01:32It's a great place
01:34for us to see the movie.
01:35They're going to see it tonight.
01:35Yeah.
01:36Yeah.
01:36I think that F1
01:37feels incredibly immersive,
01:39you know,
01:40from the sound
01:40designed to the way
01:42the camera moves
01:43through the track.
01:44So what were some,
01:46or did you have like
01:47specific creative points,
01:50elements that you make me,
01:52that you said to yourself,
01:54we had to do this
01:55to make the audience feel
01:56like we're inside of the cockpit,
01:59but also in the,
02:01in the stadium.
02:01I don't know.
02:02Yeah.
02:02So the goal,
02:04when I first met with Brad,
02:05I said,
02:06you know,
02:06the idea is to have you
02:08actually drive the car yourself.
02:10And we're going to have
02:10the cameras mounted on the car.
02:12So that way you're capturing
02:13Brad in that moment,
02:15really driving.
02:15And that's,
02:16that's not him acting in the movie.
02:18That's him completely focused
02:20and concentrating,
02:21trying to keep this car
02:23on the track
02:23at 180 miles an hour.
02:25So that's part of it.
02:26And I learned that on Top Gun,
02:27that you just can't fake that.
02:29You know,
02:29if you can actually capture the actor
02:31in doing the thing for real
02:33at these speeds,
02:34the audience will feel that.
02:37So, you know,
02:38we had to develop
02:38a whole brand new camera system.
02:40We had to build
02:40our own race car
02:41that was capable of doing this.
02:43Brad had to train
02:43for three months
02:44just to get in the car.
02:47And every day was,
02:48you know,
02:48it was very exciting,
02:49but nerve wracking
02:50because it is a dangerous sport,
02:52moving at incredible speeds.
02:54Kerry,
02:54your character suggests
02:56that in any professional life,
02:59there's always something
03:00to prove to ourselves,
03:02but also to other people.
03:04So do you feel that you guys,
03:06this is like still a thing
03:08as actors,
03:09maybe to prove things
03:11as a woman
03:13or as a young actor?
03:14Yeah, I guess, you know,
03:15but that's just my own
03:16kind of things
03:17that I do to myself.
03:18I'm sure I could just go,
03:20oh, that's,
03:21I'm good now,
03:21but I think the goalpost
03:23for me just keeps shifting.
03:24Like if I reach it,
03:25then I move it somewhere else.
03:26And that's just my own
03:27kind of working class
03:29kind of,
03:30I don't know what drive.
03:31I don't even know
03:32why I have it,
03:33but there's like,
03:34there's some weird ambition
03:35for, I don't know why,
03:37but it's a good thing, right?
03:39I mean, it's good to,
03:40to be driven.
03:42There's a good pun.
03:43Yes.
03:45For me, it's more so,
03:46I'm at a place
03:47where it's just about
03:47me selfishly saying,
03:49but I'm trying to prove
03:50stuff to myself.
03:51Yeah.
03:52Yeah.
03:53Set a challenge for myself
03:54and overcome it.
03:56And well,
03:56I have a final question.
03:58Brad, in the film,
03:59we see flashbacks of Sonny
04:01in the early years
04:02through magazines,
04:03old videos and interviews.
04:05So when you come across
04:07an old magazine
04:08or a clip
04:09from your early days,
04:10is there a project
04:11that brings you most joy
04:13or maybe nostalgia
04:14from you were like
04:16starting out?
04:17Like Sonny?
04:18Sure.
04:18I mean,
04:18most times I'd look at it
04:19and go,
04:20who was that guy?
04:23It's funny to me
04:24the choices you make
04:25at certain ages
04:26along the way.
04:26And I,
04:26and I,
04:27and I,
04:27it's endearing to me,
04:29but not always
04:30something to be proud of
04:31necessarily.
04:32But I mean,
04:33there are some
04:34of the early stuff.
04:35I mean,
04:36first working
04:36with Gina Davis
04:38and Susan Sarandon
04:39and Ridley Scott
04:40was a high for me.
04:41That was a high.
04:42And then I just look back
04:43along the way
04:44and things are done
04:45with friends
04:45like Fincher,
04:46people who've become
04:47close friends
04:48and great artists.
04:49And,
04:49and I'll say this,
04:51you know,
04:51I've said this before,
04:54but I just think
04:55I've met the most
04:56interesting,
04:57creative,
04:58like,
04:58like inquisitive people
04:59and from this job.
05:00And I'm really
05:01grateful for that.
05:02And it's still happening.
05:04Including Damson.
05:05Yes.
05:06We love him.
05:08We love him in the movie.
05:09I love him.
05:10Say yay!

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