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'F1: la película' - Entrevista con Brad Pitt y elenco
Sensacine México
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00:00
Don't cry in front of the Mexicans.
00:01
Yes.
00:02
There are several references to Mexico.
00:05
The Grand Prix, Checo Perez,
00:08
and also the place where
00:09
Sonny dreams of retiring.
00:12
So, while I was watching
00:14
the movie yesterday, I remember
00:15
that in Once Upon a Time in Hollywood,
00:17
your character says,
00:19
don't cry in front of the Mexicans.
00:21
Yes.
00:22
Put these on.
00:24
Don't cry in front of the Mexicans.
00:26
So, I gotta ask you,
00:27
what's your relationship
00:28
with Mexico?
00:30
Have you ever wanted to cry
00:31
in front of your Mexican family?
00:33
Maybe later on the premiere
00:35
because of the love?
00:36
No, you know, my first,
00:37
I moved to L.A.
00:39
from the middle of America,
00:41
from the country,
00:42
38 years ago or something.
00:44
I don't know.
00:45
And it's very cross-pollination
00:46
as far as the culture of L.A.
00:48
and going down to Mexico.
00:49
And there's a lot of road trips
00:50
down to Mexico
00:51
because that was just a nice,
00:53
you know, quick getaway.
00:56
No, that is a funny line.
00:57
That's Quentin Tarantino.
00:59
At his best.
01:01
And, but no,
01:03
race weekend here
01:03
was just a high,
01:05
just a complete high.
01:06
It's an incredible track here.
01:08
It's an incredible setup
01:09
where everyone's sitting around
01:11
in kind of a,
01:11
kind of the Coliseum-like
01:13
that the cars drive
01:15
through the stands
01:15
is a really unique setup.
01:18
And, and...
01:19
Crowd.
01:20
Yeah, the crowd's like crazy high.
01:22
Great fun.
01:23
Yeah.
01:23
Wait until this afternoon.
01:25
The crowd is going to be crazy.
01:26
Okay.
01:27
I can't wait
01:28
because the,
01:29
you know,
01:29
there's such a culture
01:30
of F1 here.
01:31
I can't wait.
01:32
It's a great place
01:34
for us to see the movie.
01:35
They're going to see it tonight.
01:35
Yeah.
01:36
Yeah.
01:36
I think that F1
01:37
feels incredibly immersive,
01:39
you know,
01:40
from the sound
01:40
designed to the way
01:42
the camera moves
01:43
through the track.
01:44
So what were some,
01:46
or did you have like
01:47
specific creative points,
01:50
elements that you make me,
01:52
that you said to yourself,
01:54
we had to do this
01:55
to make the audience feel
01:56
like we're inside of the cockpit,
01:59
but also in the,
02:01
in the stadium.
02:01
I don't know.
02:02
Yeah.
02:02
So the goal,
02:04
when I first met with Brad,
02:05
I said,
02:06
you know,
02:06
the idea is to have you
02:08
actually drive the car yourself.
02:10
And we're going to have
02:10
the cameras mounted on the car.
02:12
So that way you're capturing
02:13
Brad in that moment,
02:15
really driving.
02:15
And that's,
02:16
that's not him acting in the movie.
02:18
That's him completely focused
02:20
and concentrating,
02:21
trying to keep this car
02:23
on the track
02:23
at 180 miles an hour.
02:25
So that's part of it.
02:26
And I learned that on Top Gun,
02:27
that you just can't fake that.
02:29
You know,
02:29
if you can actually capture the actor
02:31
in doing the thing for real
02:33
at these speeds,
02:34
the audience will feel that.
02:37
So, you know,
02:38
we had to develop
02:38
a whole brand new camera system.
02:40
We had to build
02:40
our own race car
02:41
that was capable of doing this.
02:43
Brad had to train
02:43
for three months
02:44
just to get in the car.
02:47
And every day was,
02:48
you know,
02:48
it was very exciting,
02:49
but nerve wracking
02:50
because it is a dangerous sport,
02:52
moving at incredible speeds.
02:54
Kerry,
02:54
your character suggests
02:56
that in any professional life,
02:59
there's always something
03:00
to prove to ourselves,
03:02
but also to other people.
03:04
So do you feel that you guys,
03:06
this is like still a thing
03:08
as actors,
03:09
maybe to prove things
03:11
as a woman
03:13
or as a young actor?
03:14
Yeah, I guess, you know,
03:15
but that's just my own
03:16
kind of things
03:17
that I do to myself.
03:18
I'm sure I could just go,
03:20
oh, that's,
03:21
I'm good now,
03:21
but I think the goalpost
03:23
for me just keeps shifting.
03:24
Like if I reach it,
03:25
then I move it somewhere else.
03:26
And that's just my own
03:27
kind of working class
03:29
kind of,
03:30
I don't know what drive.
03:31
I don't even know
03:32
why I have it,
03:33
but there's like,
03:34
there's some weird ambition
03:35
for, I don't know why,
03:37
but it's a good thing, right?
03:39
I mean, it's good to,
03:40
to be driven.
03:42
There's a good pun.
03:43
Yes.
03:45
For me, it's more so,
03:46
I'm at a place
03:47
where it's just about
03:47
me selfishly saying,
03:49
but I'm trying to prove
03:50
stuff to myself.
03:51
Yeah.
03:52
Yeah.
03:53
Set a challenge for myself
03:54
and overcome it.
03:56
And well,
03:56
I have a final question.
03:58
Brad, in the film,
03:59
we see flashbacks of Sonny
04:01
in the early years
04:02
through magazines,
04:03
old videos and interviews.
04:05
So when you come across
04:07
an old magazine
04:08
or a clip
04:09
from your early days,
04:10
is there a project
04:11
that brings you most joy
04:13
or maybe nostalgia
04:14
from you were like
04:16
starting out?
04:17
Like Sonny?
04:18
Sure.
04:18
I mean,
04:18
most times I'd look at it
04:19
and go,
04:20
who was that guy?
04:23
It's funny to me
04:24
the choices you make
04:25
at certain ages
04:26
along the way.
04:26
And I,
04:26
and I,
04:27
and I,
04:27
it's endearing to me,
04:29
but not always
04:30
something to be proud of
04:31
necessarily.
04:32
But I mean,
04:33
there are some
04:34
of the early stuff.
04:35
I mean,
04:36
first working
04:36
with Gina Davis
04:38
and Susan Sarandon
04:39
and Ridley Scott
04:40
was a high for me.
04:41
That was a high.
04:42
And then I just look back
04:43
along the way
04:44
and things are done
04:45
with friends
04:45
like Fincher,
04:46
people who've become
04:47
close friends
04:48
and great artists.
04:49
And,
04:49
and I'll say this,
04:51
you know,
04:51
I've said this before,
04:54
but I just think
04:55
I've met the most
04:56
interesting,
04:57
creative,
04:58
like,
04:58
like inquisitive people
04:59
and from this job.
05:00
And I'm really
05:01
grateful for that.
05:02
And it's still happening.
05:04
Including Damson.
05:05
Yes.
05:06
We love him.
05:08
We love him in the movie.
05:09
I love him.
05:10
Say yay!
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