- 25/06/2025
Un homme riche et sûr de lui, déterminé à construire son empire, voit son monde bouleversé lorsqu'il tombe amoureux d'une activiste passionnée, le mettant face à un dilemme entre l'amour et sa carrière.
❤️ Plus de films romantiques ICI ➤ https://www.youtube.com/playlist?list=PL1gGbalXSLnOw0efNTL2L2asTp8mA_hAQ
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Genre : Film romantique en Français, Nouveauté, Romance, Comédie Romantique, Jeune, Activisme
© 2025 - Tous Droits Réservés
#FilmRomantique #FilmComplet
❤️ Plus de films romantiques ICI ➤ https://www.youtube.com/playlist?list=PL1gGbalXSLnOw0efNTL2L2asTp8mA_hAQ
💛 Snapchat ➤ https://www.snapchat.com/p/1684933092515270
Genre : Film romantique en Français, Nouveauté, Romance, Comédie Romantique, Jeune, Activisme
© 2025 - Tous Droits Réservés
#FilmRomantique #FilmComplet
Catégorie
🎥
Court métrageTranscription
00:00:00Sous-titrage MFP.
00:00:30Sous-titrage MFP.
00:01:00Sous-titrage MFP.
00:01:29Sous-titrage MFP.
00:01:59Sous-titrage MFP.
00:02:29Sous-titrage MFP.
00:02:59Sous-titrage MFP.
00:03:29Sous-titrage MFP.
00:03:59Sous-titrage MFP.
00:04:29My name is Eileen Boatwright.
00:04:32I represent Wild Hope, Earth's Share, Voice for the Wilderness, the Friends of Red Hill, the Fish Trees Water Campaign, and the Center for the Study of GlobalChange.org.
00:04:47This project will ravage the land, wipe off the wetlands, wipe off the wetlands, and make Varen a way of life.
00:05:00When are you going to stop building?
00:05:01When are you going to stop building, Mr. Ransom?
00:05:03When are you going to stop buying this boat?
00:05:08This project will result in the death of a number of endangered species.
00:05:13They say the tiger salamander?
00:05:14They say the tiger salamander is not there.
00:05:17Well, I have in this jar an embryo taken from a vernal pool on the property.
00:05:21An embryo of the tiger salamander.
00:05:25They dump those salamanders on the property.
00:05:32Quiet, please.
00:05:35Let's have the next speaker, please.
00:05:37Hello.
00:05:58My name is Olive Ransom.
00:06:02The blue oak trees that the developer proposes removing are of an unusual genotype.
00:06:13They cannot be planted elsewhere because there are no genetically identical propagules available.
00:06:24I read somewhere that the blue oak is the most prolific hardwood in the state of California.
00:06:29Yes, but these have a unique genotype.
00:06:31And there are two million acres of them?
00:06:35Uh, they're not identical to the ones that are in San Luis Epispo, for example.
00:06:39Would you love to ask the question before you start answering them?
00:06:42I was.
00:06:43And the ones being removed are going to be mitigated with cuttings from other trees.
00:06:47Well, you can't take cuttings from an oak tree.
00:06:50You have to take them from an acorn.
00:06:51But it's the most prolific in the state of California.
00:06:54Well, they're not genetically identical, you fool.
00:06:57Next speaker, please.
00:06:58Thank you, guys.
00:07:00Thank you.
00:07:01All right, it's been a long night.
00:07:28Let's get it over with.
00:07:29There's, uh, one more speaker on the list.
00:07:41We're all tense.
00:07:42I'm Elton Tripp.
00:07:46This is my daughter, Zoe.
00:07:48We understand your fear of rejecting this project.
00:07:51You'll be unpopular with the business community.
00:07:54You won't receive anticipated campaign contributions come election time.
00:07:58Okay.
00:07:58Instead of expressing anger and blame, let's try and decrease the negativity.
00:08:06I walk through the meadow, I walk through the woods.
00:08:28Down by the river.
00:08:32And it smells so good.
00:08:36There's so much magic there.
00:08:41Where everything grows.
00:08:45And nothing we've created
00:08:49Even comes close.
00:08:52But still they want to chop down every tree
00:08:58For three minutes, we're up here.
00:09:01For the holes, every flower
00:09:02Down every stream
00:09:06Build more concrete towers
00:09:10So much beauty lost
00:09:15In the blink of a night
00:09:18I hear Mother Nature cry
00:09:24I hear Mother Nature cry
00:09:31Let's bring this hearing to a close.
00:09:51Does the applicant wish to address the council?
00:09:54Mr. Mayor, members of the council,
00:09:57there is a housing shortage.
00:09:59We need to get under construction ASAP.
00:10:02Thank you.
00:10:03Do we have a motion?
00:10:04I make a motion to approve the project.
00:10:06I second the motion.
00:10:07We have a motion and a second.
00:10:08All in favor, say aye.
00:10:09Aye.
00:10:10All opposed?
00:10:12Motion passes.
00:10:13Unbelievable.
00:10:17Yes.
00:10:18John.
00:10:19Welcome.
00:10:22Thank you, Jerry, Paula, Kevin, Alan.
00:10:29Bye-bye.
00:10:32We'll be suing you.
00:10:33Oh, that's fine.
00:10:34I've got a line item in the budget for lawsuits.
00:10:38Hello.
00:10:41You don't know me,
00:10:43but I want to know you.
00:10:45But I can't speak to you now,
00:10:47but will you meet me tomorrow?
00:10:49Tomorrow?
00:10:49Yes.
00:10:50It's incredibly important.
00:10:51And there are more of us than you can imagine.
00:10:54There's my address.
00:10:55When we're faced with the holocaust of endangered species,
00:11:00do we simply retreat?
00:11:02Or are we awakened at the very core of our being?
00:11:07Will you please meet me tomorrow?
00:11:09Will you please?
00:11:10Okay.
00:11:11Thank you.
00:11:12Oh, thank you.
00:11:13Thank you.
00:11:13Thank you.
00:11:43Thank you.
00:12:14Yes.
00:12:15Hello.
00:12:15I would like to get a salmon steak.
00:12:18Uh, no, not that one.
00:12:20The one behind it.
00:12:23No, that's...
00:12:24That's the one in front of it.
00:12:25Go the other way.
00:12:28No, the other way.
00:12:30I meant behind it from my perspective.
00:12:32So that would be in front of it from your perspective.
00:12:36Okay.
00:12:37No, no, no, no.
00:12:38Just go one...
00:12:39No, just go one to the right.
00:12:40Now, that's the one.
00:12:41I just have to ask you one question.
00:12:42Is that wild?
00:12:44One hundred twenty-nine dollars and twenty-nine cents.
00:12:58Credit or ATM.
00:12:59I knew you'd come.
00:13:17I want to know you.
00:13:21I felt that very strongly when I heard you last night.
00:13:24What a power.
00:13:25What a power, Miss Tripp.
00:13:27I guess it is a power.
00:13:29I mean, I can't magically wave a wand and make everything better, but I can help create awareness of the crisis.
00:13:35Where did you get your passion for nature?
00:13:39Where did Joan of Arc get her passion for France?
00:13:42I wish I could speak in public, but I can't.
00:13:47I have none of that kind of talent.
00:13:49I'm...
00:13:50I'm awkward and embarrassed, and I'm...
00:13:53I'm not a people person.
00:13:55I don't have people skills.
00:13:58But you...
00:13:59You are an inspiration.
00:14:02Will you join me?
00:14:02Will you work with me and be my colleague and my partner and my friend?
00:14:07Maybe you like me too much.
00:14:08Well, of course I do.
00:14:10When I like, I like too much.
00:14:12But I know I need to slow down.
00:14:16But developers are planning buildings all over this state, and we need to rally the communities to oppose them.
00:14:23Help me.
00:14:24There's nothing else in the world that matters to me, and I've dedicated my life to this.
00:14:28So have I.
00:14:29I really want to make a difference, but I live with my parents.
00:14:34We have our work together.
00:14:35Your work?
00:14:37Our music.
00:14:38We usually play weddings.
00:14:40You have a tremendous gift.
00:14:44And you need to use it.
00:14:46You need to move the world with it.
00:14:48Yeah, that's what I want to do.
00:14:50If we don't do the impossible, we'll be faced with the unthinkable.
00:14:56Carpet my gum in there.
00:14:57In here?
00:14:58Oh, no.
00:15:01What are you doing here?
00:15:05Meeting the plumber?
00:15:07Like you asked me to?
00:15:08I recognize you from last night.
00:15:13Zoe Tripp.
00:15:15That's the price you pay for celebrity.
00:15:17Oh, I know.
00:15:17I've got lots of fans.
00:15:19You should see them in Santa Cruz.
00:15:21Your performance was so passionate, you convinced me.
00:15:24I'm going to quit.
00:15:25As soon as I make enough money to retire.
00:15:26Tell me, you don't hate developers personally, do you?
00:15:31I don't hate them.
00:15:33I mean, I hate their corruption and greed.
00:15:37I feel sorry for them.
00:15:39Actually, I've never met one.
00:15:41Well, you just did.
00:15:42I'm Gavin Ransom.
00:15:45You guys are related?
00:15:46Yeah, we're identical twins.
00:15:48That's so cool.
00:15:50I could have listened to you all night.
00:15:52But you're going to put me out of business.
00:15:53That's the idea.
00:15:54You're destroying the environment.
00:15:56No, I'm enhancing the environment with architecture.
00:16:00The world doesn't need more architecture.
00:16:02I run my dog in those hills.
00:16:04You're threatening dozens of species
00:16:06who are major players in the carbon cycle of life.
00:16:09I've had my eye on that parcel for a long time.
00:16:11It isn't a parcel.
00:16:12It's a place.
00:16:14Anyway, I've got to get home to Inverness.
00:16:16Well, it's still there.
00:16:17But I need to see you again.
00:16:19I need to explain things to you.
00:16:20Yeah.
00:16:21I'd like an explanation of why you exploit the land.
00:16:25For profit.
00:16:27Isn't that a crime?
00:16:28No.
00:16:30But you could get cited for walking your dog off leash.
00:16:34I've got it all cleared out for you, lady.
00:16:37But it's going to keep clogging up.
00:16:38You've got tree roots growing in your waistline.
00:16:41Either cut down your tree or stop flushing your toilet.
00:16:44Let the rivers run into the sea
00:16:47It's the right idea
00:16:50Thank you.
00:17:01All right, we're going to take a short break.
00:17:02We're the eco-trips.
00:17:05And remember, if you're not part of the solution, you're part of the problem.
00:17:08That's right.
00:17:09All right.
00:17:13Thank you.
00:17:13Hi.
00:17:14Hi.
00:17:14Oh, you're wonderful.
00:17:16Thank you.
00:17:17I haven't heard anyone like her since Joan.
00:17:20Joan of Arc?
00:17:22Baez.
00:17:23Not that old.
00:17:25Zoe, this is Eileen Boatwright.
00:17:28She's kind of our elder stateswoman.
00:17:31Makes me sound like a bronze bust.
00:17:34Well, you are our future.
00:17:36Yes, you are.
00:17:37Aw.
00:17:37I'd like you to meet Marianne.
00:17:39Hey.
00:17:40Loved your set.
00:17:41Really good.
00:17:42Marianne's a guitarist.
00:17:43Really?
00:17:45What kind of music do you play?
00:17:47All kinds.
00:17:48Yeah.
00:17:49She's being very modest.
00:17:50She's got a lot of experience recording and performing.
00:17:54And she's interested in the issues.
00:17:56Did you bring your guitar?
00:17:57Yeah.
00:17:58I've got it right here.
00:17:59Cool.
00:18:00We seem to be building a following.
00:18:02Hey, Dad.
00:18:02This is Marianne.
00:18:03She's going to sit in with us.
00:18:06Great.
00:18:07Thank you.
00:18:07Come on, Marianne.
00:18:08Yes.
00:18:08Everybody's looking for a paradise
00:18:17A place in the sun where the weather's nice
00:18:22Oh, yeah
00:18:24You can almost see it when you close your eyes
00:18:27Except for the Californians
00:18:32There's a big blue ocean and a deep blue sky
00:18:37Orange is growing in your own backyard
00:18:42Green giants on the Redwood Highway
00:18:47All in a golden state of mind
00:18:50I believe you'll find the Californians
00:18:54Everybody's trying to find Shangri-La
00:19:00The world outside gets too blah, blah
00:19:05Oh, yeah
00:19:07Something with a little more cha-cha-cha
00:19:10Except for the Californians
00:19:15Big blue ocean and a deep blue sky
00:19:21Orange is growing in your own backyard
00:19:25Green giants on the Redwood Highway
00:19:30All in a golden state of mind
00:19:33I believe you'll find the Californians
00:19:37Classical 102.1 KDFC
00:19:43Imagine the security of a private gated community
00:19:46Imagine unique, semi-custom luxury estates
00:19:49All in bay views
00:19:51Imagine gracious living and active lifestyle amenities
00:19:55Imagine Quail Ridge
00:19:57Where a lifetime of memories awaits you
00:20:00Imagine Quail Ridge
00:20:03Gavin Ransom
00:20:08I haven't seen you since big game
00:20:11You don't remember me
00:20:13I'm Luna Larson
00:20:15Olive's roommate in the dorms
00:20:17It was Luna Littlefield back then
00:20:18My divorce is nearly final
00:20:21I've been living in Europe
00:20:22I'm staying with your sister
00:20:24While I shop for a house
00:20:25I'm building some terrific new houses
00:20:28What are you looking for?
00:20:29Pied à terre, about 15 rooms
00:20:30Is it a good time to buy?
00:20:32Times couldn't be more right
00:20:33Well, I'd love to see your development
00:20:35Let's touch base
00:20:36I notice you're not wearing a wedding ring
00:20:40Are you unmarried or just unfaithful?
00:20:42Yes and no
00:20:44Olive, your brother's here
00:20:47Families are so fascinating
00:20:50You, a developer
00:20:52Olive, a vegetarian
00:20:54She's so full of morality
00:20:56I'm glad I don't have political opinions
00:20:59That prevent me from looking attracted
00:21:00Olive
00:21:02You didn't tell me Gavin was building homes
00:21:05I may want to buy one
00:21:06Tell me more
00:21:07Gorgeous piece of linen
00:21:08Beautiful bay view
00:21:09That will be ruined forever
00:21:11It's a gated community
00:21:12A prison, a ghetto
00:21:14Phase one features executive homes
00:21:15In four different styles
00:21:17Italian villa, French chateau
00:21:18Mid-century modern Victorian farmhouse
00:21:20It's a brilliant architectural context
00:21:23With four-car garages
00:21:24Definitely an amendment
00:21:25Yes, it's perfect for a fleet of SUVs
00:21:28Phase three features a golf course
00:21:30Golf
00:21:30What an arrogant waste of space
00:21:33Dull men with their little cuffs
00:21:35And their little balls
00:21:36When does construction begin?
00:21:39Hello?
00:21:41No, I didn't call
00:21:42No, it was me
00:21:43Ah!
00:21:45Hold on
00:21:46N shreds
00:21:47Haps
00:21:48Wisdoms
00:21:49Wimdoms
00:21:49I'm here with them
00:21:51Wisdoms
00:21:52Wisdoms
00:21:53Wisdoms
00:21:53Wisdoms
00:21:54Wisdoms
00:21:54Wisdoms
00:21:55Wisdoms
00:21:56Is holding a式
00:21:59Wisdoms
00:22:00Wisdoms
00:33:53C'est vrai que les animaux sont des animaux d'endangérés.
00:33:56Mon point est, vous êtes sympathique à notre cause ?
00:34:01Je peux être sympathique à beaucoup de choses.
00:34:04Est-ce que vous voulez de me, sympathie ?
00:34:06Ou...
00:34:07Je peux vous dire, je peux vous marketer la musique.
00:34:10Vous pensez qu'il y a un marché pour des protestants,
00:34:12des choses sur l'environnement ?
00:34:14Oh, man.
00:34:15Vous m'aidez-moi dans le studio de la vidéo,
00:34:18et vous devez le reste à moi.
00:34:19Je vais vous donner 8 bars, et...
00:34:24...let's give it a go.
00:34:25Elle ne sera pas exploité.
00:34:27Elle ne sera pas Britney Spears.
00:34:30Elle sera Joan d'Arc.
00:34:32Je pense que Britney sold plus de records que Joan.
00:34:35Ils reconnaissent et modernisent,
00:34:37Monopolisent et colonisent,
00:34:40Advertisent et sermonisent,
00:34:42Commercialisent et merchandisent,
00:34:44Brutalise, pulverise,
00:34:46Terrorise, borealise,
00:34:48Amethatise et penalise,
00:34:50Rationaleise et legalise.
00:34:53Someday,
00:34:55Those ivory towers
00:34:57Will all fall down.
00:35:02Someday,
00:35:03Those ivory towers
00:35:06Will all fall down.
00:35:08...
00:35:10...
00:35:12That is so great.
00:35:12It's incredible to find people who will explore with me.
00:35:16You're like lanterns throwing me a bigger circle of light.
00:35:22...
00:35:26Hey, hey, sorry to interrupt.
00:35:28You guys are so great.
00:35:30It sounds so like you're in such a groove.
00:35:33Right on.
00:35:35Hey, look at this.
00:35:36Echo singer, Zoe Tripp.
00:35:37Wow.
00:35:38Who's hot?
00:35:39She will fill the open spaces of Coleman Hall with music
00:35:43in a benefit for the Open Space Action Coalition.
00:35:47All proceeds will go to prevent further development.
00:35:51I've been so wrapped up in my music,
00:35:53I haven't even thought about the environment.
00:35:55I think about it all the time.
00:35:57I feel it here.
00:35:59You are my conscience.
00:36:01And you are my voice, and together we will sing.
00:36:12Right on, sister.
00:36:14Ow.
00:36:15You're over budget and behind schedule.
00:36:16Well, we had delays beyond my control.
00:36:18Is the carpet in?
00:36:20Well, there was a flood at the mill.
00:36:22What about the windows?
00:36:24Uh, that order was on a forklift that fell in the bay.
00:36:27Where are the doors?
00:36:28Well, the truck driver got hauled away from back alibi.
00:36:31And then they impounded the whole payload.
00:36:34Do you know anybody at the sheriff's office?
00:36:36I need you to sign the change orders.
00:36:38And I need you to pay these past due invoices.
00:36:42Hey, can you do me a favor?
00:36:43Can you hold off the subs for a little while?
00:36:45The offers are rolling in on phase one.
00:36:47As soon as we sell that first one,
00:36:48the bank's going to release the funds.
00:36:56Gavin, there you are.
00:36:57I've been looking all over for you.
00:36:58We need to schedule the open house.
00:37:00The marble hasn't come in yet.
00:37:01I want to move as fast as possible.
00:37:02There are indications that the market is turning.
00:37:06What do you mean?
00:37:08I thought we had a bunch of offers.
00:37:10There was a flurry of activity at the start,
00:37:11but the volume of calls has dropped practically to zero.
00:37:13Well, then change the ad campaign.
00:37:15Imagine a lifestyle.
00:37:16Imagine amenities.
00:37:17Imagine your memories where everything awaits you.
00:37:19The charm of yesteryear, but brand new.
00:37:21Ideal for entertaining or hiding away.
00:37:22Secluded location close to everything.
00:37:24Loaded with technology to program the vintage romance of a simple life.
00:37:27This is great.
00:37:38Good afternoon, Miss Boatwright.
00:37:41Oh.
00:37:42Oh.
00:37:45Oh.
00:37:46Oh.
00:37:46Oh.
00:37:47Are you all right?
00:37:48Oh.
00:37:48Oh.
00:37:49I'm perfectly fine.
00:37:51Why don't, uh, why don't you take a rest for a minute?
00:37:56Oh.
00:37:56Oh.
00:37:57Yeah, I think I will.
00:37:58Oh.
00:38:00Thank you.
00:38:00What are you doing here?
00:38:05Waiting for Zoe.
00:38:07Well, she won't be back for a while.
00:38:09We're protesting another project.
00:38:12We'll give them hell.
00:38:13Oh, we will.
00:38:15I just came back to get the building plans.
00:38:23She knocked your socks off, didn't she?
00:38:28Yes, she did.
00:38:30Don't you think she's right?
00:38:35Yes.
00:38:36You agree with her opinions?
00:38:39I'm not convinced they are her opinions.
00:38:43You're a fighter.
00:38:46That's such marvelous.
00:38:49I like that.
00:38:51Oh, if I were ten years younger.
00:38:53You put in a good word for me?
00:38:57She doesn't like developers.
00:38:59Well, you're not just any developer.
00:39:01I'm not.
00:39:05You're hot.
00:39:10There used to be so many more birds out here.
00:39:14Maybe I'm looking too hard.
00:39:17Yesterday, I smelled a flower too hard and I passed out.
00:39:20Oh, well, guess who was there to help me?
00:39:24Who?
00:39:26Gavin.
00:39:27Oh, he's so thoughtful.
00:39:30It's too bad his thoughts are all wrong.
00:39:32Well, I think he's sexy.
00:39:37I could never have a friend whose politics I disagree with.
00:39:40Well, don't mistake your head for your heart.
00:39:42I'm so glad you like it.
00:39:59There he is.
00:40:01Gavin.
00:40:03I'd like you to meet the developer.
00:40:04This is Gavin Ransom.
00:40:06This is Ken and Cindy Butterman.
00:40:08This is terrific.
00:40:10When I saw that family room with the two TVs behind the bar,
00:40:13I mean, that's us.
00:40:15I'm at the office 15 hours a day.
00:40:17I don't need a house that's gonna waste my time.
00:40:21And I can afford to pay a little more than most.
00:40:23Thank you, God.
00:40:26You guys have gone the extra mile.
00:40:27You've gone through the brain damage to figure out who we are.
00:40:31Great job.
00:40:32Thank you very much.
00:40:33Oh, honey, good luck.
00:40:37Congratulations.
00:40:38I'm drawing up papers they're going to sign tonight.
00:40:40Yes.
00:40:47Geez.
00:40:48Bet you this could withstand that peasant revolt.
00:41:01I'd like to put down a deposit.
00:41:11Well, did you bring your checkbook?
00:41:14Wouldn't fit in my purse.
00:41:16There's too much money in the account.
00:41:19I just came from a fabulous party.
00:41:21A benefit for some dreadful disease I can't recall the name of.
00:41:24But the party was such fun.
00:41:26I hope more people come down with it.
00:41:28Mid-century modern.
00:41:31Floor plan exactly like the others.
00:41:33So I've noticed.
00:41:34I suppose there's a cost savings in that.
00:41:36Oh, hell yeah.
00:41:37Unless these guys have to think, the better.
00:41:41Ma'am?
00:41:42Sir?
00:41:47You have a...
00:41:49a little...
00:41:51on your, uh...
00:41:57Thank you.
00:41:57Only, uh, intimate friends would point out something like that.
00:42:08So what is your time frame for buying a house?
00:42:11Well, it's on the fast track.
00:42:13Olive has moved in her little protege.
00:42:15My living situation is unbearable.
00:42:18Her protege?
00:42:19Zoe.
00:42:20The Shrieking Violet.
00:42:22Zoe moved in with Olive?
00:42:24Oh, God, don't tell me you've joined the cup.
00:42:26Oh, let's just say I'm a fan.
00:42:35I wish I had a beautiful voice to express myself.
00:42:39But I can only build.
00:42:42You're a clever guy.
00:42:43I'm sure you could do lots of things.
00:42:48Sorry.
00:42:50Try to decrease the negativity.
00:42:52That sounds like Dad.
00:42:54Decrease the negativity.
00:42:59Sometimes I get phrases stuck in my head.
00:43:01Yeah, yours or other people's?
00:43:04I'm just always scared that I'm gonna say something stupid.
00:43:08If I had your voice, I would say whatever I wanted.
00:43:10You do say whatever you want.
00:43:14You've got confidence.
00:43:16Yeah, well, it gets me into trouble sometimes.
00:43:21What do I have to do to get you to stop building on open space?
00:43:26I mean, why can't you just build in cities?
00:43:29Okay.
00:43:31We can compromise.
00:43:35That's not even a word in Olive's dictionary.
00:43:37Well, she's got a lifestyle to protect.
00:43:41Anyway, Quail Ridge will probably be my last job.
00:43:44I don't want to make so much money, I can retire.
00:43:48Retire?
00:43:48Why, so you can play golf all day?
00:43:51No, so I can go to all your concerts.
00:43:53It seems like anymore, the whole world is far too motorized, and televised, and fertilized,
00:44:07well, considering that it used to be such a beautiful garden, far too metamorphosized.
00:44:27They mechanized and modernized, monopolized and colonized, advertise and sermonized,
00:44:45partialized and merchandise, brutalized, pulverized, terrorized, moralized,
00:44:50and spitized and penalized, and penalized, and legalized.
00:44:54Some day, those ivory towers will all fall down.
00:44:58Some day, those ivory towers will all fall down.
00:45:00Some day, those ivory towers will all fall down.
00:45:06What's Gavin doing here?
00:45:10I assumed he came with you.
00:45:13Why don't you marry him, move into one of his houses, kill two birds with one stone?
00:45:18I thought you wanted to save birds.
00:45:20I thought you wanted to save birds.
00:45:24She must not invite him.
00:45:26Or she.
00:45:27Zoe, of course.
00:45:28She wouldn't invite him.
00:45:30Are you sure?
00:45:32What do you mean?
00:45:33I mean, he lusts after her.
00:45:40She drinks.
00:45:42She drinks.
00:45:52She drinks.
00:45:54She drinks.
00:45:56She drinks.
00:45:58Sous-titrage Société Radio-Canada
00:46:29Who's that? Her mother?
00:46:33This next song is an open letter to developers to stop paving, stop plowing under, stop building and building until you've made our planet unhealthy for all living things by turning it into a global strip mall
00:46:47Lighten up, will you? We came to party
00:46:50I'd like to lighten up, but there's a holocaust of species going on
00:46:55Do you even know what this company does?
00:46:57What?
00:46:58We're systems designers for new construction
00:47:01Play some ACDC
00:47:05You know, you shouldn't drink on an empty head
00:47:19There's too much construction
00:47:24They build more buildings every day
00:47:28Too much construction
00:47:29Keep in my sense
00:47:33I've got no permission
00:47:35I've got no permission
00:47:36I've got no permission
00:47:38But you're in such a sad condition
00:47:40So we both together
00:47:43We'll be fine for the radical
00:47:46Loving
00:47:47Get me out of here
00:48:25Uh-huh.
00:48:27Olive and Mary and Pardon set it up.
00:48:29Uh-huh.
00:48:30Thank you.
00:48:32It's more our crowd.
00:48:33It's their crowd.
00:48:36They're exploiting a natural resource.
00:48:39You.
00:48:42It's a good cause, Gavin.
00:48:44It needs a voice.
00:48:47You have a beautiful voice, Zoe.
00:48:50You don't need a cause.
00:48:55Hey.
00:49:01Hi.
00:49:02Sorry, I didn't realize how late it was.
00:49:03I was just getting some air.
00:49:06Did you invite him?
00:49:07Gavin?
00:49:08Uh-huh.
00:49:10Hey, they asked me if I wanted to invite anyone,
00:49:13so I put him on the list.
00:49:14Who else did you put on the list?
00:49:16No one.
00:49:17It must have been a pretty short list.
00:49:19Why are you so suspicious of him?
00:49:20I'm not suspicious of him.
00:49:22I don't even think about him.
00:49:24He means nothing to me.
00:49:25He's your brother, Olive.
00:49:27Take it easy.
00:49:28Well, it's not so easy to take.
00:49:30You know what your problem is?
00:49:31You don't hate developers.
00:49:33And you do.
00:49:34That's why they hated us tonight.
00:49:36The lyrics are angry.
00:49:37We're not here to entertain.
00:49:39But that's what I do.
00:49:40I entertain.
00:49:42Look, this venue, it was a mistake.
00:49:44And I'm sorry, but we'll put it behind us.
00:49:47Okay, you guys, we're out of here.
00:49:49Thank you.
00:49:50Good night.
00:49:51I'm sorry.
00:49:51Bye.
00:49:59Of all the millions of women, he had to choose you.
00:50:03Why?
00:50:04When you're against everything that he stands for.
00:50:07He likes me.
00:50:09I like you.
00:50:12I know.
00:50:17Great curb appeal.
00:50:28Real pride of ownership.
00:50:31The Garage Mahal.
00:50:42Wow.
00:50:43Exactly.
00:50:44The Wow Factor.
00:50:46Impact on entry.
00:50:47This is the Italian villa model.
00:50:50Are you like I'm in Italy?
00:50:51This is supposed to turn on a preset lighting display.
00:50:58That's not it.
00:50:59Maybe it's this one.
00:51:05There's actually even one here that fills up the bathtub.
00:51:09Oh, yeah, it's Gavin.
00:51:10Well, no problem.
00:51:11Every time I come into lot number three and try and turn on the lights of the fountain,
00:51:13goes off.
00:51:14Well, maybe you can have the electrician come and fix it now.
00:51:17Thank you.
00:51:22You know, I'm thinking about keeping this one for myself.
00:51:26To live in all alone?
00:51:27Oh, I hope not.
00:51:29This bedroom's huge.
00:51:42It's actually a closet.
00:51:45I thought they only had bathrooms like this in Las Vegas.
00:51:49Vegas and Italy.
00:51:50You want to see a work of art?
00:51:53Watch this.
00:51:53This thing was working yesterday.
00:52:01Uh, the water pressure is usually like, uh, like a fire hose.
00:52:05You know, Olive has low-flow toilets.
00:52:08You have to flush them like five times.
00:52:10Let me ask you something.
00:52:15Your music.
00:52:18Has it always been, uh, so political?
00:52:22It's not political.
00:52:24It's spiritual.
00:52:25But did you ever write a love song?
00:52:26I mean, you have such a beautiful voice.
00:52:33First time I heard you sing, I was moved.
00:52:39Thanks.
00:52:42Maybe you have to be in love to write a love song.
00:52:45I mean, you have to be in love song.
00:53:15I don't know why I love you like I do.
00:53:31I don't know why I just do.
00:53:37I don't know why you thrill me like you do.
00:53:43I don't know why you thrill me like you do.
00:53:45I don't know why you just do.
00:53:48You never seem to want my romancing.
00:53:55The only time you hold me is when we're dancing.
00:54:03I don't know why you thrill me like you do.
00:54:05I don't know why I love you like I do.
00:54:09I don't know why I just do.
00:54:15I think I'm in love with oysters.
00:54:36Well, they are an aphrodisiac.
00:54:39I can see why.
00:54:41There's chemical expression for every emotion.
00:54:46At a purely chemical level, our consciousness and emotions affect ourselves.
00:54:54The matrix connective tissue that form our body structure.
00:55:01We're not created in isolation from our thoughts.
00:55:06The matrix connective tissue that form a body structure.
00:55:18The matrix gets you, and she needs to be in love.
00:55:24Sous-titrage Société Radio-Canada
00:55:54This is Jim Franklin at the bank. There are no more funds in any of the line items on your last draw request. The loan is out of balance and the credit committee wants to meet you on site ASAP. We need to hear from you.
00:56:04Gavin, every sub on this job is owed money. They think the project's gone south. They're not coming back until they get paid.
00:56:12Mr. Ransom, this is Annie at Delco Plumbing Supply. We're a small, family-run business and this is putting a real strain on us. Since you haven't returned my calls, we're going to file a lien against Quail Ridge in the amount of the six unpaid invoices.
00:56:26Gavin, the Pendergrass deal fell apart. The Mosleys are not buyers. Listen, bottom line is the houses cost too much.
00:56:33Looks like you had a few cost overruns. Nothing unusual? Bottom line is the interest reserve is dried up. There are no more funds.
00:56:49Well, we had a couple sales fall through. But things are going to pick up. What's the exit strategy?
00:56:54We need to approach this as a workout situation. We're taking over the project.
00:56:58You mean you're going to foreclose? You guaranteed the loan. You're personally on the hook.
00:57:04You'll need to submit a statement of all your assets. Gavin, the bank's not just going to roll over on this one.
00:57:09I was thinking about keeping the Italian villa for myself. I just don't see that as being realistic at this point.
00:57:28What's so funny? The smiling Quail Ridge family. They're like actors.
00:57:34They're models. Actors and photographs.
00:57:39So packaged and phony.
00:57:43It's called selling.
00:57:46I can never sell anything.
00:57:48Uh, FYI. You're one of the best that I've ever seen.
00:57:54What are you talking about?
00:57:55You are a packaged commodity. You are a commercial venture.
00:57:59First your parents tried to develop you and then Olive came on the scene with a certain level of professionalism in refining the product.
00:58:07She wrote up a business plan and launched a joint venture with Marion Parton to exploit the marketplace.
00:58:12You are being manufactured and sold.
00:58:14Those are horrible things to say to me.
00:58:16Well, the truth is a painting.
00:58:18I'm not selling anything. I'm trying to get our message across.
00:58:21It's not your message. It's their message. You're just a mouthpiece for a neurotic woman.
00:58:25Why do you want to be with me if you hate what I do?
00:58:29It's not what you do. It's what they do.
00:58:31See, Zoe, you're an artist. You create.
00:58:33Olive, she's an obstructionist. She prevents creation. Can you see that?
00:58:38Yeah. I can see. You've made it perfectly clear.
00:58:44What do you see?
00:58:46That you, too, have a talent. A dangerous talent. The power of persuasion.
00:58:50You take any situation and flip it around until you get what you want.
00:58:54Everyone can see it, even Eileen Boatwright.
00:58:56And if you want something your way, people better look out. People like me.
00:59:00Oh, well, we live in an age of hypocrisy. We respect failure and we resent achievement.
00:59:05Oh, that makes me feel so much better.
00:59:07Now, let me tell you something, and I've never felt more certain of anything in my life.
00:59:11We live in an age of conscience.
00:59:20Oh, Zoe. I'm sorry.
00:59:22Gavin.
00:59:23Yeah?
00:59:24Gavin Ransom.
00:59:25Yeah?
00:59:26There you go.
00:59:50Gavin.
00:59:51What are you doing here. Speculating in the neighborhood?
01:00:09I need to see Zoe.
01:00:13Thank you.
01:00:14Je veux voir Zoé.
01:00:18Merci.
01:00:19Merci.
01:00:22Je vais retourner à l'Europe.
01:00:24Je veux voir Zoé.
01:00:26Vous pouvez me demander où je vais en Europe.
01:00:28Qu'est-ce qu'il y a de l'autre ?
01:00:30Ils ont eu l'air.
01:00:32Je suis heureux de ne pas entendre tout le monde.
01:00:35C'est bon, Luna.
01:00:37Vous savez où elle est.
01:00:39Olive est en place.
01:00:44C'est bon.
01:01:14...
01:01:16...
01:01:18...
01:01:24...
01:01:26Le estamos à l'estimhaler.
01:01:30C'est bon.
01:01:32C'est vrai.
01:01:34Et ce n'est pas grave avec ça?
01:01:36Nous avons de travail à faire.
01:01:39C'est un truc-en-de-mode.
01:01:41C'est pas un truc-en-de-mode.
01:01:43C'est un truc-en-de-mode.
01:01:45Nous sommes à l'îleine's beach house sur la gauche.
01:01:47Le son et le sourire de l'eau ont donné une idée.
01:01:51Le concert à Colman Hall n'est pas à vendre politique.
01:01:55C'est à vendre la nature.
01:01:57C'est pourquoi je dois singe.
01:01:59Please respect my decision.
01:02:02I hope we can remain friends.
01:02:06I ate oysters last night.
01:02:25Oh.
01:02:26I don't mind.
01:02:27I don't mind.
01:02:28I don't mind.
01:02:29Oh, is that it?
01:02:33What did you take?
01:02:35Oh, those squirts.
01:02:36Homeopathic.
01:02:37Oh, I doubt it.
01:02:40I thought you were silly.
01:02:42She really got to you, didn't she?
01:02:45Will you be staying with us?
01:02:47Don't think the girls will let me.
01:02:50Elle est temps de prendre votre médecin.
01:02:56Je vous ai donné les belles flowers.
01:03:04Quand vous avez été washé ?
01:03:06Je suis passé. Je ne sais pas que je ne vous ai pas d'interrupte.
01:03:09Oh, passé ?
01:03:11Toute ces petites flowers.
01:03:13C'est une petite bouquet.
01:03:17Je vais parler.
01:03:19Vous ne devriez pas venir ici.
01:03:21Il y a des choses que je veux dire à vous.
01:03:22Elle a dit tout le temps.
01:03:24Non, elle n'a pas.
01:03:24Oui, elle n'a pas.
01:03:25Non, elle n'a pas.
01:03:26Oui, elle n'a pas.
01:03:26Non, elle n'a pas.
01:03:27Oui, elle n'a pas été difficile, mais j'ai dû parler à vous.
01:03:31J'ai hâte cinq minutes ?
01:03:31J'ai hâte de vous parler pour cinq minutes.
01:03:44Je vais vous voir.
01:03:49Le weather est terrible ici.
01:03:52C'est typique pour la beach.
01:03:54Vous savez que un mile d'inlande, c'est sunny.
01:04:00C'est ce que vous venez ici pour parler ?
01:04:02Le weather ?
01:04:04Non, je venez à présenter une proposition.
01:04:07Une proposition ?
01:04:10Une relation de mariage.
01:04:19Pourquoi vous voulez-vous marrer un commoditier ?
01:04:23Je veux le packaging.
01:04:27Je veux ce que c'est dans le monde.
01:04:31Je veux vous.
01:04:39Hey !
01:04:40Vous avez des wisdoms, non ?
01:04:42Profit.
01:04:44C'est parti.
01:05:14C'est parti.
01:05:45Now he wants to take you away from me.
01:05:48He doesn't love you.
01:05:51He wants to own you.
01:05:53And if he can't own you,
01:05:54he will hate you.
01:05:57We would like to book the Ocean View penthouse suite,
01:06:12and we'd like the room prepared with champagne on ice and a dozen oysters.
01:06:16What are you doing?
01:06:18That's impossible.
01:06:21Could you run it through again, please?
01:06:24Mm-hmm. I see.
01:06:26Thank you.
01:06:27Well, we can have $47 of fun.
01:06:38Is there something you're not telling me?
01:06:39I'm wiped out!
01:06:48Oh, I had everything going for me.
01:06:54Everything was going my way.
01:06:56Where's my luck?
01:06:59I got greedy.
01:07:03I'm a failure.
01:07:06I don't even recognize myself.
01:07:09I don't know who I am.
01:07:10Who am I?
01:07:11It's just money.
01:07:15It's not just money.
01:07:17I mean, don't you get it?
01:07:18Don't you see?
01:07:19It's who I am.
01:07:20Oh, but I'm scared.
01:07:41Oh, my God.
01:07:41Oh, it's just money.
01:07:42Oh, my God.
01:07:49Sous-titrage Société Radio-Canada
01:08:19Sous-titrage Société Radio-Canada
01:08:49...who slaughtered the natives and devastated the land just to make a quick buck.
01:08:53You fit right in.
01:08:54What have you got against profit, Olive?
01:08:56You think Shakespeare would have written his plays?
01:08:58You think Beethoven would have composed his symphonies if he wasn't getting paid?
01:09:01God help us.
01:09:02If you're comparing Quail Ridge to Beethoven's night...
01:09:05Why do you have to be against everything?
01:09:07Why can't you be for something?
01:09:09I'm for the bank, seizing your assets and putting you out of business.
01:09:12I'm for starting a movement that's going to stop construction in the state of California.
01:09:17By singing?
01:09:18Yes, by singing.
01:09:19We're a community.
01:09:21Well, then get up and sing.
01:09:22Just leave her out of it.
01:09:23And this isn't about the community, Olive.
01:09:25This is about you and me.
01:09:26And the fact that we're both in love with the same girl.
01:09:28What is the mission statement of the Open Space Action Coalition?
01:09:46I don't know.
01:09:49Uh, your face is on the posters.
01:09:51What do you consider the most valuable way for an environmentalist to spend his or her time?
01:09:58In the fight against developers?
01:09:59I'm not a fighter.
01:10:00I'm a singer.
01:10:02I love nature.
01:10:03But I don't hate developers, personally.
01:10:06Actually, I have a really close friend who's a developer.
01:10:09Really?
01:10:10A friend of a developer.
01:10:14Wonderful.
01:10:17How are you doing?
01:10:19Thank you.
01:10:19Enjoy the show.
01:10:20Thank you.
01:10:21Enjoy the show.
01:10:21Hello?
01:10:22Thank you.
01:10:23Enjoy the show.
01:10:45She looks really scared.
01:10:46Is she going to be okay?
01:10:48She's going to be...
01:10:49I don't know.
01:10:49I've never seen her like this.
01:10:50Maybe she has stage fright.
01:10:52She can't have stage fright.
01:10:53There's too many people out there.
01:11:07Who's Gavine?
01:11:07Calm down.
01:11:08I'll talk to them.
01:11:10I'll talk to them.
01:11:26Okay?
01:11:27Get ready.
01:11:28Thank you.
01:11:29Thank you.
01:11:43Thank you very much, everybody.
01:11:45Zoe just wants me to tell you that she loves you all very much, and she's excited to come
01:11:49out here.
01:11:54You know how it is with singers.
01:11:57She's doing her hair.
01:11:58She's doing her warm-up exercises.
01:12:01No, no, seriously.
01:12:02She is meditating.
01:12:05She's relaxing the vocal cords.
01:12:07And if you can just shut up, she'll come out here for a second.
01:12:10No, no, no.
01:12:12She's amazing.
01:12:13Don't be afraid.
01:12:16Oh, wait.
01:12:17What are you...
01:12:18Dad.
01:12:19You really think that's a good, uh...
01:12:21Should be right out.
01:12:22I promise you.
01:12:23Je vous remercie, je vous remercie.
01:12:53Je vous remercie, je vous remercie.
01:13:23Je vous remercie, je vous remercie.
01:13:53Je vous remercie, je vous remercie.
01:14:23Je vous remercie, je vous remercie.
01:14:33Je vous remercie, je vous remercie.
01:15:03Je vous remercie, je vous remercie.
01:15:33Peace, save the planet.
01:15:38Je vous remercie.
01:15:44Je vous remercie.
01:15:50Thank you.
01:15:56Thank you.
01:16:02Thank you.
01:16:10Thank you.
01:16:18Thank you.
01:16:26Thank you.
01:16:34Thank you.
01:16:42Thank you.
01:16:50I'm gonna do a new song that I wrote.
01:17:02I'm gonna do a new song that I wrote.
01:17:12It's about issues but not the issues but not the issues.
01:17:22And I'd like to dedicate it to a close friend of mine who has gone through a lot lately.
01:17:24He's had a rough time of it.
01:17:26He's had a rough time of it.
01:17:30He thinks he's down on his luck but he doesn't know how wrong he is.
01:17:34The irony is he's a developer.
01:17:38I'm gonna do a new song.
01:17:40He's a new song.
01:17:42I'm gonna do a new song.
01:17:44I'm gonna do it.
01:17:45I'm gonna do it.
01:17:45I'm gonna do it.
01:17:46I'm gonna do it.
01:17:48Come on, guys.
01:17:49Come on, guys.
01:17:50Come on, guys.
01:18:22Jump into the car and disappear
01:18:27Keep on driving till the coast is clear
01:18:34So come on, go with me
01:18:40Down by the deep blue sea
01:18:44Come on, it's all I want
01:18:48Barefoot in the sand
01:18:53Holding your hand
01:18:57Working on my tan
01:19:01That's my big plan
01:19:05And that's all I want
01:19:07Forget about the driving world
01:19:23Today I'm just an island girl
01:19:27It's all I want
01:19:31It's all I want
01:19:34It's all I want
01:19:38It's all I want
01:19:42Thank you
01:19:56Thank you
01:20:26Hey, could everybody
01:20:31Could, uh, could everybody sit down
01:20:37Listen, this is a song that I wrote
01:20:42And, uh, it's called Ivory Towers
01:20:45It seems like anymore that this whole world
01:20:50Is far too motorized
01:20:53And televised
01:20:55And fertilized
01:20:57And considering that this used to be
01:21:01Such a beautiful garden
01:21:02Far too metamorphosized
01:21:07They mechanize
01:21:12Modernize
01:21:13And monopolize
01:21:15And colonize
01:21:17Advertise
01:21:18And sermonize
01:21:20Commercialize
01:21:21And merchandise
01:21:22Brutalize
01:21:24Pulverize
01:21:25Terrorize
01:21:25Terrorize
01:21:26Moralize
01:21:27Moralize
01:21:28Anesthetize
01:21:29And penalize
01:21:30And rationalize
01:21:31Then rationalize
01:21:32It's legalized
01:21:34Someday those ivory towers
01:21:40Someday those ivory towers
01:21:41Will all fall down
01:21:43Someday those ivory towers
01:21:47Will all fall down
01:21:51They hypnotize
01:21:52They hypnotize
01:21:54Paralyze
01:21:56Patronize
01:21:58And sterilize
01:21:59Synthesize
01:22:01Neutralize
01:22:02Deodorize
01:22:02Deodorize
01:22:03Then euthanize
01:22:05They polarize
01:22:07Plagerize
01:22:08Jeopardize
01:22:10Vaporize
01:22:11They stigmatize
01:22:13Scrutinize
01:22:14It's time we revolutionize
01:22:16It's time we revolutionize
01:22:17Someday those ivory towers
01:22:20We're all fall down
01:22:25We see my theorize
01:22:26We improvise
01:22:28Agonize
01:22:29And visualize
01:22:30Improvise
01:22:32Politicize
01:22:33We mobilize
01:22:34The victimize
01:22:36Someday those ivory towers
01:22:41We're all fall down
01:22:43We're all fall down
01:22:46We're all fall down
01:22:48We're all fall down
01:22:50menjadi ivory towers
01:22:52We're all fall down
01:22:54We're all fall down
01:22:55Someday those ivory towers
01:22:56We're all fall
01:22:57啊
01:23:13...
01:23:43...
01:23:53...
01:23:55Everybody's looking for a paradise
01:23:57A place in the sun where the weather's nice
01:24:01Oh yeah
01:24:03You can almost see it when you close your eyes
01:24:07Except for the Californians
01:24:11Everybody's trying to find heaven on earth
01:24:15Chasing it down
01:24:19For all they're worth
01:24:21Oh yeah
01:24:23Something's missing from the day of their birth
01:24:25Except for the Californians
01:24:29There's a big blue ocean
01:24:33And a deep blue sky
01:24:35Oranges growing in your own
01:24:39Backyard
01:24:41Korean giants
01:24:43On the Redwood Highway
01:24:45All in a golden state of mind
01:24:47I believe you'll find
01:24:49The Californians
01:24:51Too much advertising
01:24:53Of all the crap that we don't need
01:24:55And it's not surprising
01:24:57We grow up admire and greed
01:24:59Still it seems fantastic
01:25:01Our way of life is such a hit
01:25:03Junk food and plastic
01:25:05We're covering the earth with all that shit
01:25:15Time for a radical approach
01:25:17It's time for a radical approach
01:25:19It's time for a radical approach
01:25:21Let's hit on where it hurts the most
01:25:25Shut down from coast to coast
01:25:31It's time for a radical approach
01:25:35But still they want to chop down every tree
01:25:39But still they want to chop down every tree
01:25:43Bulldoze every flower
01:25:47Damn every stream
01:25:51Build more concrete towers
01:25:55So much beauty lost
01:25:57So much beauty lost
01:25:59In the blink of the night
01:26:03I hear Mother Nature cry
01:26:09Stand up and be counted
01:26:15Let your voice be heard
01:26:17Let your voice be heard
01:26:19Morning bell is sounded
01:26:23It's time to change the world
01:26:27We all have to chop down every tree
01:26:29Bulldoze every flower
01:26:33We all have to chop down every tree
01:26:37Bulldoze every flower
01:26:39We all have to chop down every tree
01:26:41Bulldoze every flower
01:26:43Damn every tree
01:26:45Damn every tree
01:26:47Build more concrete towers
01:26:49So much beauty lost
01:26:51So much beauty lost
01:26:53In the blink of the night
01:26:55I hear Mother Nature cry
01:26:57I hear Mother Nature cry
01:26:59I hear Mother Nature cry
01:27:01I hear Mother Nature cry
01:27:03I hear Mother Nature cry
Recommandations
1:49:54
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À suivre
1:39:47
1:24:54
1:19:17
1:28:02
51:21
0:40
1:30
7:43
12:29